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Previously on The Next Step. | 0:00:02 | 0:00:03 | |
First round will be solos. Michelle, that's where you come in. | 0:00:03 | 0:00:05 | |
I'm good to go. I have been training nonstop for this solo. | 0:00:05 | 0:00:08 | |
This dance will determine our road to the semifinals. | 0:00:08 | 0:00:10 | |
This is one of the strongest dances I have ever choreographed and | 0:00:10 | 0:00:13 | |
it's going to be an amazing video. | 0:00:13 | 0:00:16 | |
Sloane's killing it. | 0:00:16 | 0:00:17 | |
I can tell this video is going to be huge. | 0:00:17 | 0:00:21 | |
Let's do something reckless. | 0:00:21 | 0:00:23 | |
-About what? -About this chemistry. | 0:00:23 | 0:00:24 | |
See, I think you wanted to hang out with Sloane more than you wanted to | 0:00:24 | 0:00:27 | |
hang out with Amy. You should probably keep an eye on that | 0:00:27 | 0:00:30 | |
because it could turn into a little bit of a problem. | 0:00:30 | 0:00:32 | |
Can you believe it? We're actually here! | 0:00:44 | 0:00:46 | |
Regionals! This is so cool! | 0:00:46 | 0:00:49 | |
-Look at the trophy! That's our trophy! -That's our trophy. | 0:00:49 | 0:00:52 | |
So, how are you feeling? | 0:00:52 | 0:00:54 | |
I'm feeling the most prepared. | 0:00:54 | 0:00:55 | |
-I'm so excited. -Yeah? Good to hear. | 0:00:55 | 0:00:58 | |
I picked Michelle as our soloist because winning the | 0:00:58 | 0:01:00 | |
first round is very important. | 0:01:00 | 0:01:03 | |
We can't leave anything to chance. | 0:01:03 | 0:01:05 | |
OK, everyone listen up. | 0:01:05 | 0:01:06 | |
Bring it in. | 0:01:07 | 0:01:08 | |
Now, we know we are in great shape for the first round with Michelle's | 0:01:08 | 0:01:12 | |
brilliant solo. But we've got to be prepared for anything. | 0:01:12 | 0:01:15 | |
-OK? Are we ready? -ALL: -Yeah! -Yeah, we are. | 0:01:15 | 0:01:18 | |
So the first thing we need to do is sign Michelle in | 0:01:18 | 0:01:20 | |
-for the solo round. -Totally. -Cool. | 0:01:20 | 0:01:22 | |
-Excuse me. -Yes. | 0:01:22 | 0:01:23 | |
Hi, we're The Next Step, we're here to sign in our soloist. | 0:01:23 | 0:01:26 | |
Oh, perfect, The Next Step, | 0:01:26 | 0:01:27 | |
we're ready to draw the name for your soloist. | 0:01:27 | 0:01:29 | |
-Excuse me? -What do you mean draw the name? | 0:01:29 | 0:01:32 | |
-We have our soloist ready. -Yeah, I have a solo prepared. | 0:01:32 | 0:01:34 | |
Oh, sorry, you guys must not have read the rules properly, | 0:01:34 | 0:01:38 | |
this is the freestyle round. | 0:01:38 | 0:01:39 | |
We choose the music, | 0:01:39 | 0:01:40 | |
choreography is strictly prohibited and your soloist will be determined | 0:01:40 | 0:01:44 | |
by whoever's name you pull out of this envelope. | 0:01:44 | 0:01:46 | |
A freestyle solo? | 0:01:46 | 0:01:48 | |
All of my choreography is useless and I might not even be dancing. | 0:01:48 | 0:01:51 | |
This isn't fair. | 0:01:51 | 0:01:52 | |
I can't believe I messed this up, | 0:01:52 | 0:01:54 | |
I might have just cost The Next Step... | 0:01:54 | 0:01:57 | |
everything. | 0:01:57 | 0:01:59 | |
# We | 0:01:59 | 0:02:00 | |
# We're gonna show the world | 0:02:00 | 0:02:05 | |
# Everything we're made of | 0:02:05 | 0:02:08 | |
# We're gonna tear the roof off this place... | 0:02:08 | 0:02:16 | |
# Stand up! # | 0:02:21 | 0:02:23 | |
I can't believe this. | 0:02:42 | 0:02:44 | |
Now we're totally unprepared for the first round. | 0:02:44 | 0:02:47 | |
And The Next Step soloist will be... | 0:02:49 | 0:02:51 | |
Sloane. | 0:02:53 | 0:02:54 | |
SLOANE: What? Me? | 0:02:56 | 0:02:58 | |
No, no, no. | 0:02:59 | 0:03:01 | |
We should be starting in about an hour so stay close. | 0:03:01 | 0:03:04 | |
You're going to do great, Sloane, | 0:03:08 | 0:03:09 | |
don't worry. | 0:03:09 | 0:03:11 | |
-She's going to do great. -Yeah. -Thank you. | 0:03:11 | 0:03:13 | |
SLOANE: This is my first competition on A-Troupe. | 0:03:13 | 0:03:15 | |
I don't know if I'm ready for this. | 0:03:15 | 0:03:18 | |
# Oh, the same day same routine | 0:03:18 | 0:03:22 | |
# All I need is just a little bit of oxygen. # | 0:03:24 | 0:03:27 | |
Well, SNR for 18 years running has been very proud | 0:03:40 | 0:03:43 | |
to bring you the very best in dance. | 0:03:43 | 0:03:46 | |
And each and every year, | 0:03:46 | 0:03:47 | |
they manage to find for me a fantastic partner in crime. | 0:03:47 | 0:03:51 | |
Tanisha Scott who's worked with Drake, who's worked with Rihanna, | 0:03:51 | 0:03:54 | |
who's worked with Beyonce, now she is working with Chuck Anderson and | 0:03:54 | 0:03:57 | |
us here at SNR Network. Great to see you. | 0:03:57 | 0:03:59 | |
Thank you so much for having me here, | 0:03:59 | 0:04:01 | |
I'm extremely excited about seeing all this dancing. | 0:04:01 | 0:04:03 | |
You know what, we are about to get underway here at the | 0:04:03 | 0:04:06 | |
Absolute Dance Regionals competition. | 0:04:06 | 0:04:08 | |
Let's not waste any more time, | 0:04:08 | 0:04:09 | |
let's get straight into it with an intense freestyle solo round. | 0:04:09 | 0:04:14 | |
Freestyle is the extreme opposite of choreography, | 0:04:14 | 0:04:17 | |
where the dancers have to spontaneously figure out what to do | 0:04:17 | 0:04:20 | |
but most important, they have to connect to the music, | 0:04:20 | 0:04:22 | |
so it's critical for our dancer to have a great repertoire underneath | 0:04:22 | 0:04:25 | |
their belt and to please the crowd. | 0:04:25 | 0:04:27 | |
Well, it sounds kind of torturous | 0:04:27 | 0:04:29 | |
but you are going to be in for a treat, at home. | 0:04:29 | 0:04:32 | |
Why'd you stop? | 0:04:40 | 0:04:41 | |
I don't know. I'm nervous. | 0:04:42 | 0:04:44 | |
I woke up this morning expecting to just watch Michelle do an amazing | 0:04:45 | 0:04:49 | |
solo for the whole team. | 0:04:49 | 0:04:50 | |
Now I have to do the solo. | 0:04:50 | 0:04:52 | |
A freestyle solo. | 0:04:52 | 0:04:54 | |
Sloane, I don't understand why you're nervous, | 0:04:54 | 0:04:56 | |
you're one of the best freestylers on A-Troupe. | 0:04:56 | 0:04:59 | |
Yeah, well, it's one thing to do it in front of your team | 0:04:59 | 0:05:02 | |
and it's another thing to do it on stage in front | 0:05:02 | 0:05:04 | |
of hundreds of people. | 0:05:04 | 0:05:05 | |
Hundreds of people. You're sweating hundreds of... | 0:05:05 | 0:05:08 | |
Sloane, take a look at this. | 0:05:08 | 0:05:10 | |
Do you know how many people have seen this video? | 0:05:11 | 0:05:14 | |
Thousands. Thousands of people have viewed this video. | 0:05:14 | 0:05:17 | |
You're sweating 100? | 0:05:17 | 0:05:18 | |
SLOANE: That music video I shot with Jude is one | 0:05:18 | 0:05:21 | |
of the things I'm the most proud of this year. | 0:05:21 | 0:05:23 | |
When LaTroy brings it up, it's a huge confidence boost. | 0:05:23 | 0:05:26 | |
You're right. | 0:05:27 | 0:05:29 | |
-Of course I'm right. -A couple of hundred's no big deal. | 0:05:29 | 0:05:31 | |
OK, what are you standing around for? | 0:05:31 | 0:05:33 | |
-You've got a competition to win, let's go! -OK. | 0:05:33 | 0:05:36 | |
SLOANE: LaTroy is the best friend I could ever ask for. | 0:05:36 | 0:05:39 | |
With him in my corner, I know I can do this. | 0:05:39 | 0:05:42 | |
Why are you so jumpy? | 0:05:44 | 0:05:45 | |
I decided that today would be the perfect day to tell LaTroy | 0:05:45 | 0:05:48 | |
# I love him! # | 0:05:48 | 0:05:49 | |
The excitement of the competition. The magic of the stage. | 0:05:49 | 0:05:52 | |
Don't you think it's the perfect day for it? | 0:05:52 | 0:05:54 | |
Yeah. When are you going to tell him? | 0:05:54 | 0:05:56 | |
That's the problem. | 0:05:56 | 0:05:58 | |
I'm way too scared to tell him. | 0:05:58 | 0:06:00 | |
I'm terrified. Terror! Terror! | 0:06:00 | 0:06:03 | |
Amy, relax, you just have to trust in your destiny. | 0:06:03 | 0:06:07 | |
And stop wiggling so much. | 0:06:07 | 0:06:09 | |
-TANNOY: -Will the first competitor please take the stage? | 0:06:09 | 0:06:12 | |
All right, let's see how intense this competition's | 0:06:16 | 0:06:18 | |
going to get right off the hop. | 0:06:18 | 0:06:19 | |
So, you warmed up? | 0:06:23 | 0:06:25 | |
-Yeah. -Yeah, she is. | 0:06:25 | 0:06:27 | |
-RILEY: -A lot is riding on Sloane now. | 0:06:27 | 0:06:29 | |
There's only four head-to-head rounds. | 0:06:29 | 0:06:32 | |
The winners of those solo rounds go to the quartet | 0:06:32 | 0:06:35 | |
and the losers go to the trios. | 0:06:35 | 0:06:37 | |
How are you feeling? | 0:06:42 | 0:06:43 | |
I worked so hard on that solo. | 0:06:45 | 0:06:47 | |
I know, Michelle, but it's not your fault. | 0:06:47 | 0:06:49 | |
I know that but I don't think I worked hard enough on the trio. | 0:06:49 | 0:06:52 | |
I feel like I'm going to let the whole team down. | 0:06:52 | 0:06:54 | |
Listen, you could never let the team down. | 0:06:54 | 0:06:57 | |
We're going to be OK. | 0:06:57 | 0:06:58 | |
Shall we go rehearse? | 0:07:02 | 0:07:04 | |
If we leave now, Sloane will think we have no confidence in her. | 0:07:04 | 0:07:07 | |
All right. | 0:07:07 | 0:07:10 | |
That, that was a great solo. | 0:07:19 | 0:07:22 | |
The question is, was it great enough to defeat the Geminis? | 0:07:22 | 0:07:25 | |
What do you think, Tanisha? | 0:07:25 | 0:07:26 | |
Well, the Geminis have a lot of buzz coming into this competition. | 0:07:26 | 0:07:29 | |
Let's see how he fares. | 0:07:29 | 0:07:30 | |
-RILEY: -The Geminis dominated qualifiers | 0:07:48 | 0:07:50 | |
and they are one of the strongest teams at regionals. | 0:07:50 | 0:07:53 | |
Their solo is amazing. | 0:07:53 | 0:07:54 | |
SLOANE: I'm relieved to see another hip-hop solo | 0:08:00 | 0:08:03 | |
but why did it have to come from the Geminis? | 0:08:03 | 0:08:06 | |
They're so good. | 0:08:06 | 0:08:07 | |
You know what he's doing, look at his feet and his points right there. | 0:08:09 | 0:08:12 | |
-Wow. -Perfect. | 0:08:12 | 0:08:13 | |
Wow. | 0:08:20 | 0:08:22 | |
-TANNOY: -Can both dancers please take the stage? | 0:08:22 | 0:08:24 | |
The winner of this round is... | 0:08:25 | 0:08:27 | |
Gemini Dance Studio. | 0:08:28 | 0:08:29 | |
All right, the solo aspect of the competition is underway and | 0:08:31 | 0:08:34 | |
the Geminis, my goodness, they look like a team to beat, as we said. | 0:08:34 | 0:08:38 | |
Hey, is there any advice you can give me? | 0:08:38 | 0:08:42 | |
I really want to do the best I can. | 0:08:42 | 0:08:43 | |
-RILEY: -The competition is intense. | 0:08:43 | 0:08:46 | |
And honestly, Sloane isn't the dancer I would have chosen. | 0:08:46 | 0:08:50 | |
You'll do great, Sloane, OK? | 0:08:50 | 0:08:52 | |
Are you ready? | 0:08:54 | 0:08:55 | |
Totally. | 0:08:56 | 0:08:57 | |
SLOANE: It's obvious that Riley is not feeling confident right now and | 0:08:59 | 0:09:03 | |
if Riley is not feeling confident, then how can I? | 0:09:03 | 0:09:06 | |
How's it going? | 0:09:21 | 0:09:23 | |
Really nervous, yeah. Really nervous. | 0:09:23 | 0:09:25 | |
-Are you nervous? -Not at all. | 0:09:25 | 0:09:27 | |
I'm really excited, actually. | 0:09:27 | 0:09:28 | |
The stage here is so beautiful, isn't it? | 0:09:28 | 0:09:30 | |
And the lights, they're so pretty. | 0:09:30 | 0:09:32 | |
It's the perfect atmosphere. | 0:09:32 | 0:09:34 | |
One could say it's romantic. | 0:09:34 | 0:09:36 | |
You feeling all right, Cassie? | 0:09:38 | 0:09:41 | |
Of course. It's just so... | 0:09:41 | 0:09:44 | |
Romantic! | 0:09:44 | 0:09:45 | |
Amy and I were just saying. | 0:09:45 | 0:09:46 | |
All right. What's this about? | 0:09:49 | 0:09:51 | |
CASSIE: Don't say "Amy loves you", don't say it! | 0:09:51 | 0:09:54 | |
Amy loves you. | 0:09:55 | 0:09:56 | |
Good one, Cassie, good one. | 0:09:56 | 0:09:58 | |
And she's going to tell you. She's so nervous to say it. | 0:09:58 | 0:10:01 | |
And you love her, right? | 0:10:01 | 0:10:02 | |
What? Yeah, of course I do. | 0:10:02 | 0:10:04 | |
Perfect. I can't wait. | 0:10:04 | 0:10:06 | |
This is going to be the most romantic moment of my life. | 0:10:06 | 0:10:08 | |
While you aren't knocked out of the competition if you lose this round, | 0:10:11 | 0:10:15 | |
you will most certainly be out if you lose another. | 0:10:15 | 0:10:17 | |
-AMY: -Cassie is talking to LaTroy and | 0:10:23 | 0:10:25 | |
Cassie knows that I secretly love LaTroy | 0:10:25 | 0:10:28 | |
and Cassie's terrible at keeping secrets. I don't like this. | 0:10:28 | 0:10:31 | |
You didn't say anything to LaTroy about what we were | 0:10:31 | 0:10:34 | |
-talking about, right? -What? | 0:10:34 | 0:10:35 | |
Got to go. | 0:10:35 | 0:10:37 | |
-AMY: -Yeah, she definitely told him. | 0:10:37 | 0:10:39 | |
So, erm, what were you just talking to Cassie about? | 0:10:42 | 0:10:45 | |
Erm... | 0:10:45 | 0:10:47 | |
-AMY: -I have so many butterflies in my stomach, | 0:10:47 | 0:10:49 | |
I feel like they're going to carry me away on their little wings. | 0:10:49 | 0:10:53 | |
Amy... | 0:10:53 | 0:10:54 | |
I think this is the best day to do this. | 0:10:56 | 0:10:59 | |
-LATROY: -Amy's expecting something big from me and | 0:10:59 | 0:11:01 | |
I can't disappoint her. | 0:11:01 | 0:11:03 | |
Here goes nothing. | 0:11:04 | 0:11:05 | |
I can't help myself. LaTroy, I love you. | 0:11:10 | 0:11:14 | |
I love you, too. | 0:11:18 | 0:11:19 | |
-LATROY: -I thought saying I love you would feel amazing. | 0:11:19 | 0:11:23 | |
But I don't feel anything. | 0:11:23 | 0:11:25 | |
-Yeah. -TANNOY: -The winning team is... | 0:11:29 | 0:11:33 | |
Steps. | 0:11:33 | 0:11:34 | |
Well, ladies and gentlemen, it's time | 0:11:34 | 0:11:37 | |
for the final head-to-head battle. | 0:11:37 | 0:11:39 | |
SLOANE: This is it. All I have to do | 0:11:39 | 0:11:41 | |
is beat this girl from Dance Extreme | 0:11:41 | 0:11:43 | |
and then we move on. | 0:11:43 | 0:11:44 | |
Up first, Dance Extreme. | 0:11:44 | 0:11:46 | |
SLOANE: Maybe everything will be fine. | 0:11:46 | 0:11:49 | |
Maybe she won't be that good. | 0:11:49 | 0:11:51 | |
What's the worst that can happen? | 0:11:51 | 0:11:53 | |
Beautiful start to the routine. | 0:11:56 | 0:11:58 | |
Very fluid. | 0:11:58 | 0:11:59 | |
Very fluid. | 0:11:59 | 0:12:01 | |
Wow, look at that line. | 0:12:01 | 0:12:04 | |
-MICHELLE: -I feel so powerless watching the solos from the sidelines. | 0:12:04 | 0:12:08 | |
That should be me out there. | 0:12:08 | 0:12:09 | |
SLOANE: I thought I was calm but this is making me nervous. | 0:12:16 | 0:12:19 | |
This dancer could do contemporary in her sleep. | 0:12:19 | 0:12:22 | |
I can't do contemporary at all. | 0:12:22 | 0:12:24 | |
I'm starting to think I'm outmatched here. | 0:12:24 | 0:12:26 | |
Oh, look at that move. Fantastic. | 0:12:31 | 0:12:33 | |
SLOANE: This girl is the exact opposite of me. | 0:12:33 | 0:12:36 | |
She is so technical, she has so many tricks and she is great at acro. | 0:12:36 | 0:12:40 | |
I have no idea how I'm going to beat her. | 0:12:40 | 0:12:43 | |
If there is one word to describe what you're seeing so far, | 0:12:46 | 0:12:49 | |
-what would it be? -I love her effortless poise, | 0:12:49 | 0:12:52 | |
the way she's holding her leg up there | 0:12:52 | 0:12:54 | |
and those turns that she's making. | 0:12:54 | 0:12:56 | |
-LATROY: -Everyone's nervous for Sloane except me. | 0:13:08 | 0:13:11 | |
I know that she's about to kill it. | 0:13:11 | 0:13:13 | |
-TANNOY: -And now, ladies and gentlemen, | 0:13:13 | 0:13:15 | |
The Next Step will take the stage. | 0:13:15 | 0:13:17 | |
SLOANE: This is the moment of truth. | 0:13:17 | 0:13:19 | |
The whole studio is depending on me to deliver. | 0:13:19 | 0:13:23 | |
And I don't know if I can. | 0:13:23 | 0:13:25 | |
And here's The Next Step dancer. | 0:13:25 | 0:13:28 | |
She looks extremely nervous. | 0:13:28 | 0:13:30 | |
Is that just me, Tanisha, or are you picking up on that vibe as well? | 0:13:30 | 0:13:33 | |
No, I definitely can pick up on that, | 0:13:33 | 0:13:35 | |
the way she is shaking her hands, | 0:13:35 | 0:13:37 | |
something that you don't want to see at the very start of your routine. | 0:13:37 | 0:13:40 | |
SLOANE: I'm having trouble feeling this music. | 0:13:45 | 0:13:47 | |
The lights, the crowd, this pressure, it's all getting to me. | 0:13:47 | 0:13:51 | |
-RILEY: -Sloane is not off to a good start. | 0:13:51 | 0:13:53 | |
She is so nervous, | 0:13:53 | 0:13:55 | |
you can obviously see how terrified she is on that stage. | 0:13:55 | 0:13:58 | |
I just hope she can pull it together. | 0:13:58 | 0:14:00 | |
SLOANE: I was panicked and nervous and then... | 0:14:03 | 0:14:06 | |
These moves, they just start coming to me. | 0:14:06 | 0:14:08 | |
There we go. | 0:14:12 | 0:14:13 | |
Now, I just happened to pick up on a real switch | 0:14:13 | 0:14:16 | |
in her feel and flow, did you? | 0:14:16 | 0:14:18 | |
SLOANE: I don't know how to explain it but it's like | 0:14:22 | 0:14:25 | |
my brain is disconnecting | 0:14:25 | 0:14:26 | |
from my body and my nerves are just fading away. | 0:14:26 | 0:14:28 | |
-LATROY: -Wait, I recognise those moves. | 0:14:46 | 0:14:48 | |
SLOANE: I just decided to go with what felt good and | 0:14:49 | 0:14:52 | |
suddenly, I realised... | 0:14:52 | 0:14:54 | |
I'm doing my choreo from Jude's music video. | 0:14:54 | 0:14:57 | |
-LATROY: -Sloane's doing choreo during a freestyle round. | 0:14:57 | 0:15:01 | |
That's cheating. | 0:15:01 | 0:15:03 | |
-Here we go, she is building up with the crowd. -Yeah. | 0:15:04 | 0:15:07 | |
-Nice. -And... | 0:15:15 | 0:15:17 | |
That's a wonderful finish. | 0:15:17 | 0:15:20 | |
SLOANE: I know I stole those moves but the audience loved it. | 0:15:29 | 0:15:33 | |
If nobody knows, is it really that bad? | 0:15:33 | 0:15:36 | |
-TANNOY: -Will the two dancers take to the stage, please? | 0:15:36 | 0:15:38 | |
There we have The Next Step and now it's all up to the judges as to | 0:15:38 | 0:15:43 | |
which team is moving on to quartets. | 0:15:43 | 0:15:45 | |
-TANNOY: -And moving forward... | 0:15:45 | 0:15:47 | |
-The Next Step. -ALL: Yes! | 0:15:51 | 0:15:54 | |
Yes! That was amazing. | 0:15:59 | 0:16:01 | |
-LATROY: -I'm happy for the team that Sloane won. | 0:16:01 | 0:16:03 | |
But I'm disappointed in my friend. | 0:16:03 | 0:16:05 | |
There you go, yeah. | 0:16:05 | 0:16:06 | |
Tanisha Scott, by the skin of their teeth, you have to figure. | 0:16:06 | 0:16:10 | |
Absolutely. Absolutely. | 0:16:10 | 0:16:12 | |
But there seems to be a bit of commotion here. | 0:16:13 | 0:16:15 | |
We've got two members of the Geminis making their way to the judges' | 0:16:15 | 0:16:18 | |
table, which doesn't happen all too often at these compositions. | 0:16:18 | 0:16:23 | |
Definitely something going on and | 0:16:23 | 0:16:25 | |
they are pointing over at The Next Step. | 0:16:25 | 0:16:27 | |
-RILEY: -I don't understand what's going on. | 0:16:27 | 0:16:29 | |
I mean they're pointing to us like we did something wrong. | 0:16:29 | 0:16:31 | |
What's the problem? | 0:16:31 | 0:16:32 | |
They look pretty self-assured. | 0:16:32 | 0:16:34 | |
Yeah, looking at the judges now and they are conferring. | 0:16:34 | 0:16:37 | |
-TANNOY: -Would The Next Step dancer please take to the stage? | 0:16:37 | 0:16:41 | |
OK, they've just called the dancer to the stage. | 0:16:41 | 0:16:44 | |
SLOANE: I have no idea what's going on. | 0:16:45 | 0:16:47 | |
There's no way the judges can know about the choreography... | 0:16:47 | 0:16:50 | |
Could they? | 0:16:50 | 0:16:51 | |
-LATROY: -I support Sloane no matter what. | 0:16:52 | 0:16:55 | |
But I've got a bad feeling about this. | 0:16:55 | 0:16:57 | |
-TANNOY: -Until further notice, The Next Step dancer | 0:16:57 | 0:17:00 | |
is disqualified. | 0:17:01 | 0:17:02 | |
Well, how about that, Tanisha? | 0:17:04 | 0:17:06 | |
A disqualification for a member of The Next Step. | 0:17:06 | 0:17:10 | |
SLOANE: I can't believe I did this. | 0:17:10 | 0:17:11 | |
I feel humiliated. | 0:17:12 | 0:17:15 | |
What if I get the whole team disqualified from regionals? | 0:17:15 | 0:17:19 | |
Welcome to the SNR's coverage of the | 0:17:29 | 0:17:31 | |
Absolute Dance Regionals competition. | 0:17:31 | 0:17:33 | |
More than a bit of a shock to all of us here. | 0:17:33 | 0:17:36 | |
I have no idea what could be happening with Sloane. | 0:17:36 | 0:17:38 | |
She won... Didn't she? | 0:17:39 | 0:17:42 | |
-RILEY: -Sloane was disqualified because of | 0:17:42 | 0:17:44 | |
something to do with the video? | 0:17:44 | 0:17:46 | |
Whatever it is, I'm going to fight it. | 0:17:46 | 0:17:49 | |
You see? The video you're watching proves | 0:17:49 | 0:17:51 | |
that she was performing choreo. | 0:17:51 | 0:17:53 | |
You performed a choreographed piece? | 0:17:53 | 0:17:55 | |
-It just happened, it wasn't planned, I'm sorry... -So, yes? | 0:17:55 | 0:17:59 | |
Yes. | 0:17:59 | 0:18:00 | |
Every dancer has some element of choreo in their freestyle. | 0:18:02 | 0:18:05 | |
Yeah, elements, but she used a whole routine. | 0:18:05 | 0:18:08 | |
It's move-for-move, it's cheating. | 0:18:08 | 0:18:09 | |
Please, please, OK, she didn't mean to do this, | 0:18:09 | 0:18:11 | |
if you just let us redo our dance... | 0:18:11 | 0:18:13 | |
No, I'm sorry, that's not an option. | 0:18:13 | 0:18:16 | |
The Next Step loses this round. | 0:18:16 | 0:18:18 | |
-But then we... -And furthermore, young lady, | 0:18:18 | 0:18:20 | |
you're out of the competition. | 0:18:20 | 0:18:22 | |
Riley, I'm so sorry. | 0:18:25 | 0:18:27 | |
I know you are, that just doesn't help us right now. | 0:18:27 | 0:18:30 | |
I didn't mean it. It was an accident. | 0:18:33 | 0:18:36 | |
And now I ruined everything. | 0:18:36 | 0:18:38 | |
What could they possibly be talking to her about? | 0:18:40 | 0:18:43 | |
-How could she be disqualified? -Right now, we're just waiting to see | 0:18:43 | 0:18:45 | |
what's happening with Sloane. | 0:18:45 | 0:18:47 | |
No-one has any idea what's going on and we're all on edge. | 0:18:47 | 0:18:50 | |
-ALL: -Riley, what's going on? Is everything OK? | 0:18:51 | 0:18:54 | |
-Calm down. Sloane did choreo in the freestyle round. -What? -What... | 0:18:54 | 0:18:58 | |
Does that mean that The Next Step | 0:18:58 | 0:19:00 | |
is disqualified from regionals? | 0:19:00 | 0:19:01 | |
No, but Sloane is. She won't be dancing with us | 0:19:01 | 0:19:03 | |
for the rest of regionals. | 0:19:03 | 0:19:04 | |
I can't believe she did this. | 0:19:05 | 0:19:07 | |
The judge also said that because of Sloane's actions, | 0:19:07 | 0:19:10 | |
-The Next Step automatically loses this round. -Oh, man. | 0:19:10 | 0:19:12 | |
Which means that we're moving on to the trio round so... | 0:19:12 | 0:19:16 | |
Amanda, Michelle and Amy, looks like we're going to need you three. | 0:19:16 | 0:19:18 | |
Don't worry, it's ready. | 0:19:19 | 0:19:21 | |
MICHELLE: I put all of my rehearsal time into the solo because I didn't | 0:19:23 | 0:19:27 | |
think we would have to perform the trio. | 0:19:27 | 0:19:28 | |
Now, it's our most important dance. | 0:19:28 | 0:19:31 | |
There you are. | 0:19:34 | 0:19:35 | |
-LATROY: -I've been looking everywhere for Sloane. | 0:19:35 | 0:19:38 | |
She really needs me right now. | 0:19:38 | 0:19:40 | |
Riley's really mad at me. | 0:19:41 | 0:19:43 | |
And I don't blame her. | 0:19:44 | 0:19:47 | |
I don't know what I was thinking, I panicked. | 0:19:47 | 0:19:49 | |
I know you think I'm a horrible person. | 0:19:51 | 0:19:52 | |
Sloane, look at me. | 0:19:54 | 0:19:56 | |
I think you messed up. | 0:19:57 | 0:19:59 | |
But I don't think that makes you a horrible person. | 0:19:59 | 0:20:01 | |
All right? All this means, | 0:20:02 | 0:20:05 | |
all this means is that you're going to have to work ten times as hard to | 0:20:05 | 0:20:10 | |
dust yourself off. | 0:20:10 | 0:20:12 | |
It's OK. It's OK. | 0:20:13 | 0:20:16 | |
-LATROY: -I hate seeing Sloane sad. | 0:20:18 | 0:20:20 | |
If it was up to me, | 0:20:20 | 0:20:22 | |
she would never be sad. | 0:20:22 | 0:20:23 | |
I love you, Sloane. | 0:20:34 | 0:20:35 | |
I love you, too. | 0:20:39 | 0:20:40 | |
-LATROY: -The feeling that was missing when I said I loved Amy... | 0:20:45 | 0:20:48 | |
I'm feeling that right now. | 0:20:49 | 0:20:50 | |
SLOANE: I've always loved LaTroy. | 0:20:51 | 0:20:53 | |
Hearing that he loves me too makes | 0:20:53 | 0:20:56 | |
everything that happened today worth it. | 0:20:56 | 0:20:58 | |
The only problem is, he's still dating Amy. | 0:20:58 | 0:21:01 | |
# We | 0:21:05 | 0:21:08 | |
# We're gonna show the world | 0:21:08 | 0:21:12 | |
# Everything we're made of | 0:21:12 | 0:21:15 | |
# We're gonna tear the roof off this place | 0:21:15 | 0:21:20 | |
# You | 0:21:21 | 0:21:22 | |
# You can never fade us out | 0:21:22 | 0:21:25 | |
# Don't even ask the DJ | 0:21:25 | 0:21:29 | |
# Everybody knows we own this sound. # | 0:21:29 | 0:21:35 |