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Previously... | 0:00:02 | 0:00:03 | |
Congratulations, you are now the dance captain of The Next Step. | 0:00:03 | 0:00:05 | |
Thank you! All I wanted was to make | 0:00:05 | 0:00:07 | |
A troupe this year, and now I'm dance captain. | 0:00:07 | 0:00:09 | |
It's a dream come true. | 0:00:09 | 0:00:10 | |
We would leave for the tour the same day. | 0:00:12 | 0:00:14 | |
The Next Step would be dancing in the finals at regionals. | 0:00:14 | 0:00:17 | |
I can't bail on my team. | 0:00:17 | 0:00:18 | |
I guess you have a big decision to make. | 0:00:18 | 0:00:20 | |
Yeah. | 0:00:20 | 0:00:22 | |
Can you believe it? We're actually here! | 0:00:22 | 0:00:24 | |
Regionals! | 0:00:24 | 0:00:25 | |
Welcome back to SNR's coverage of the Absolute Dance Regionals | 0:00:26 | 0:00:29 | |
-competition. -The Next Step dancer has been disqualified. | 0:00:29 | 0:00:33 | |
-What? -What? | 0:00:33 | 0:00:35 | |
The Next Step loses this round. | 0:00:35 | 0:00:37 | |
Young lady, you're out of the competition. | 0:00:37 | 0:00:39 | |
I don't think I worked hard enough on the trio. | 0:00:41 | 0:00:43 | |
I feel like I'm going to let the whole team down. | 0:00:43 | 0:00:45 | |
Hey, listen to me. You could never let the team down. | 0:00:45 | 0:00:48 | |
We're going to be OK. | 0:00:48 | 0:00:49 | |
Welcome to day two coverage here on SNR Network | 0:01:07 | 0:01:09 | |
of the Absolute Dance Regionals competition. | 0:01:09 | 0:01:12 | |
I'm Chuck Anderson alongside Tanisha Scott. | 0:01:12 | 0:01:14 | |
More fantastic dance coming your way. | 0:01:14 | 0:01:17 | |
The first half of the day will be spent diving into quartets and the | 0:01:17 | 0:01:21 | |
winner of that competition gets a bye all the way to the semifinals. | 0:01:21 | 0:01:25 | |
Now, on the second half of today's coverage | 0:01:25 | 0:01:27 | |
we've got trios competition. | 0:01:27 | 0:01:29 | |
You win, you're in, it's as simple as that. | 0:01:29 | 0:01:31 | |
You lose and it's goodbye. | 0:01:31 | 0:01:33 | |
Let's kick it off with the quartets. | 0:01:34 | 0:01:36 | |
Taking the stage right now, | 0:01:37 | 0:01:39 | |
Geminis. | 0:01:39 | 0:01:40 | |
Right now we're watching the regionals quartets. | 0:01:49 | 0:01:52 | |
These are the teams that won the solo round. | 0:01:52 | 0:01:54 | |
Unfortunately, since we lost the first round, we aren't dancing. | 0:01:54 | 0:01:57 | |
We have to compete in the trios instead. | 0:01:57 | 0:02:00 | |
-Oh, wow. -Two sets of twins, girls and boys. | 0:02:01 | 0:02:04 | |
And, wow, bringing very diverse dances to the table. | 0:02:04 | 0:02:07 | |
Definitely. The boys are strictly hip-hop | 0:02:07 | 0:02:10 | |
and the girls are straight ballet. | 0:02:10 | 0:02:11 | |
I would have never thought that those two dances could mix, | 0:02:11 | 0:02:15 | |
but they seem to be doing a great job there. | 0:02:15 | 0:02:17 | |
-Absolutely. -What do you think? | 0:02:17 | 0:02:18 | |
I'm scouting the teams out in case | 0:02:22 | 0:02:24 | |
we compete against them in semifinals. | 0:02:24 | 0:02:26 | |
With Sloane disqualified, we can't afford any more mistakes. | 0:02:26 | 0:02:29 | |
So I put Skylar in charge of making sure all the paperwork is in order. | 0:02:29 | 0:02:33 | |
I know I can trust her. | 0:02:33 | 0:02:34 | |
-Girls, how do you feel about the trio? -Good. -Freaking out, nervous? | 0:02:42 | 0:02:45 | |
I think we're fine. We still have | 0:02:45 | 0:02:47 | |
more teams before us which means we can practice more. | 0:02:47 | 0:02:49 | |
The truth is, I was so focused on winning the solo | 0:02:49 | 0:02:52 | |
that I neglected the trio. | 0:02:52 | 0:02:53 | |
I would feel much better if we ran through | 0:02:53 | 0:02:55 | |
the routine a couple more times. | 0:02:55 | 0:02:57 | |
Wow. What a finish. What a finish. | 0:03:02 | 0:03:06 | |
Well, we know Tanisha Scott and Chuck Anderson really liked it. | 0:03:09 | 0:03:12 | |
What did the judges think? | 0:03:12 | 0:03:13 | |
-TANNOY: -And the winners are... | 0:03:13 | 0:03:15 | |
the Gemini Dance Studio. | 0:03:15 | 0:03:16 | |
And so the Cinderella story here at | 0:03:17 | 0:03:20 | |
the Absolute Dance Regionals competition, | 0:03:20 | 0:03:22 | |
-the Geminis, they move on. -Well, the Geminis are definitely the team to | 0:03:22 | 0:03:25 | |
beat this year at the regionals | 0:03:25 | 0:03:27 | |
and they're already going through the competition. | 0:03:27 | 0:03:29 | |
Yeah, going right through as they get a bye | 0:03:29 | 0:03:31 | |
to the semifinals to small group. | 0:03:31 | 0:03:33 | |
Well, I think I'm going to go mark through it a couple more times, | 0:03:33 | 0:03:37 | |
-nothing too strenuous. See you guys in a bit. -OK. -Bye. | 0:03:37 | 0:03:39 | |
What just happened? All of a sudden, I just felt super dizzy. | 0:03:44 | 0:03:48 | |
It's probably because I'm just nervous for the trio. | 0:03:48 | 0:03:51 | |
That just means that I have to work harder. | 0:03:51 | 0:03:53 | |
# We | 0:03:58 | 0:04:00 | |
# We're gonna show the world | 0:04:00 | 0:04:01 | |
# Everything we're made of | 0:04:04 | 0:04:08 | |
# We're gonna tear the roof off this place | 0:04:08 | 0:04:13 | |
# Stand up! # | 0:04:21 | 0:04:22 | |
-TANNOY: -Moving on to the semifinals, | 0:04:38 | 0:04:40 | |
Dance Extreme. | 0:04:42 | 0:04:43 | |
Well, the top flight is finally over and emerging with those much vaunted | 0:04:45 | 0:04:51 | |
byes to the semifinals to small group, Dance Extreme and Geminis. | 0:04:51 | 0:04:56 | |
Things still amping up here, we're going to take a short break, | 0:04:56 | 0:04:59 | |
but back with trio competition, here on SNR. Stay with us. | 0:04:59 | 0:05:02 | |
"..swiftly rides a horse across the great plains | 0:05:04 | 0:05:07 | |
"as he lead the..." Hey! Come back here! | 0:05:07 | 0:05:10 | |
Riley put me in charge of our paperwork and I just found out | 0:05:10 | 0:05:13 | |
we need to sign up for each phase of the competition. | 0:05:13 | 0:05:15 | |
If we aren't signed up, then we can't dance in the trio. | 0:05:15 | 0:05:19 | |
-You can't be going up there. -But I have to go to the main office, | 0:05:19 | 0:05:21 | |
there's a problem with my paperwork. | 0:05:21 | 0:05:23 | |
I'm from The Next Step. As dance captain, | 0:05:23 | 0:05:25 | |
I have to get to the bottom of this. | 0:05:25 | 0:05:27 | |
I'm not going to let my team down. | 0:05:27 | 0:05:29 | |
Here it is. And your name is? | 0:05:29 | 0:05:31 | |
Skylar, I'm the dance captain. | 0:05:31 | 0:05:34 | |
I don't see a Skylar. I see Giselle? | 0:05:34 | 0:05:37 | |
No, that's from last year, you must not have updated your files. | 0:05:37 | 0:05:40 | |
YOU must not have updated YOUR files. | 0:05:40 | 0:05:42 | |
My files are updated. | 0:05:42 | 0:05:43 | |
Regardless whose files are or are not updated, | 0:05:43 | 0:05:46 | |
you have to get a signed document from the studio head | 0:05:46 | 0:05:48 | |
-stating that you are the dance captain. -Are you kidding me? | 0:05:48 | 0:05:51 | |
I don't have time for this. | 0:05:51 | 0:05:53 | |
Fine, I'll be back. | 0:05:53 | 0:05:55 | |
Now I have to tell Riley there's a problem. | 0:05:56 | 0:05:58 | |
Perfect. | 0:05:58 | 0:05:59 | |
Right now I'm just rehearsing through the trio routine. | 0:06:12 | 0:06:15 | |
Since I didn't get to dance the solo, this is my second chance. | 0:06:15 | 0:06:18 | |
-Hey, Amanda, what's up? -Hey, | 0:06:19 | 0:06:21 | |
I just wanted to see if you needed water or anything? | 0:06:21 | 0:06:23 | |
You seem to be pushing yourself pretty hard. | 0:06:23 | 0:06:25 | |
Yeah, obviously. I mean, this dance is very important. | 0:06:25 | 0:06:28 | |
-I'm fine. -I've got much bigger things to worry about than the trio. | 0:06:28 | 0:06:31 | |
The truth is, if I decide to go on tour, | 0:06:31 | 0:06:35 | |
I wouldn't just be leaving A troupe, | 0:06:35 | 0:06:37 | |
I'd be leaving Noah behind, too. | 0:06:37 | 0:06:38 | |
-Michelle? -Yeah? | 0:06:40 | 0:06:42 | |
Can you take a quick break to talk to me about something? | 0:06:42 | 0:06:45 | |
-Yeah, what's wrong? -Remember the other day | 0:06:45 | 0:06:47 | |
-when Giselle came to the studio? -Yeah. | 0:06:47 | 0:06:49 | |
Well, she kind of offered me a position to | 0:06:51 | 0:06:52 | |
dance with her on the world tour. | 0:06:52 | 0:06:55 | |
That's amazing, congratulations. | 0:06:55 | 0:06:57 | |
You should obviously take it, but I got to finish rehearsing, so... | 0:06:57 | 0:07:00 | |
-Wait, there's more. -OK. | 0:07:00 | 0:07:04 | |
I would have to leave right before the regionals finals. | 0:07:04 | 0:07:06 | |
You can't do that. | 0:07:08 | 0:07:09 | |
We lost Sloane and we lost Alfie. | 0:07:09 | 0:07:12 | |
That means that we have no extra dancers. | 0:07:12 | 0:07:14 | |
If Amanda leaves, then we'll have to forfeit. | 0:07:14 | 0:07:17 | |
-It's an opportunity of a lifetime. -I understand that, but we'll only | 0:07:17 | 0:07:20 | |
have nine dancers if we make it to the finals. We need you. | 0:07:20 | 0:07:22 | |
OK, I get it, but we don't even know | 0:07:22 | 0:07:24 | |
if we're going to make it to the finals yet. | 0:07:24 | 0:07:26 | |
Honestly, Amanda, I cannot help you out with this, | 0:07:26 | 0:07:28 | |
I need to finish rehearsing. | 0:07:28 | 0:07:29 | |
So who am I supposed to talk to about this? | 0:07:29 | 0:07:31 | |
Talk to Noah, I don't know. | 0:07:31 | 0:07:33 | |
I can't believe you'd let the team down like this. | 0:07:33 | 0:07:35 | |
Michelle's right. | 0:07:37 | 0:07:39 | |
Noah's the person that I need to talk to... | 0:07:39 | 0:07:42 | |
and it isn't going to be easy. | 0:07:42 | 0:07:43 | |
If Amanda's not 100% committed to this dance, | 0:07:46 | 0:07:48 | |
that means that I have to dance harder. | 0:07:48 | 0:07:50 | |
The team is depending on me. | 0:07:50 | 0:07:51 | |
Welcome back to SNR's coverage of the Absolute Dance Regionals | 0:08:03 | 0:08:06 | |
competition. And we're into the trios portion of this competition. | 0:08:06 | 0:08:11 | |
Rhythm Plus is incredible. | 0:08:20 | 0:08:22 | |
I had no idea the teams at regionals were going to be this good. | 0:08:22 | 0:08:25 | |
I'm glad that we're not going up against this team, | 0:08:32 | 0:08:35 | |
or else I think we might be going home today. | 0:08:35 | 0:08:37 | |
Amy's right. If we don't pull off our best dance, we're done. | 0:08:39 | 0:08:43 | |
OK, Amy, why don't you go get ready for the trio? | 0:08:59 | 0:09:02 | |
Yeah, I'll get Michelle. | 0:09:02 | 0:09:03 | |
I'll get Amanda. | 0:09:03 | 0:09:04 | |
Our trio's coming up soon. | 0:09:06 | 0:09:07 | |
I just hope the girls are ready. | 0:09:08 | 0:09:10 | |
-Skylar! -I'm sorry, there's a tiny paperwork problem. | 0:09:26 | 0:09:29 | |
What kind of paperwork problem? | 0:09:29 | 0:09:30 | |
I need you to sign this in order for the trio to dance. | 0:09:30 | 0:09:33 | |
What?! Skylar, the trio is going on... | 0:09:33 | 0:09:35 | |
I know, it's a clerical error. | 0:09:35 | 0:09:37 | |
Whatever. Just go. | 0:09:37 | 0:09:38 | |
Thank you, I'm on it. | 0:09:38 | 0:09:39 | |
I'm so glad Skylar is taking care of this. | 0:09:39 | 0:09:42 | |
If anything else goes wrong... | 0:09:42 | 0:09:43 | |
Amanda, Riley says it's time for you to get ready now. | 0:10:00 | 0:10:02 | |
OK. | 0:10:02 | 0:10:04 | |
Hey, Amanda, I got your text, what's up? | 0:10:04 | 0:10:06 | |
Noah, I have something really important to tell you. | 0:10:08 | 0:10:11 | |
OK. | 0:10:11 | 0:10:12 | |
I need to have one of the hardest conversations of my entire life. | 0:10:12 | 0:10:15 | |
I have an opportunity to leave The Next Step | 0:10:15 | 0:10:18 | |
and go on the world tour with Giselle. | 0:10:18 | 0:10:22 | |
But it means leaving regionals and you to do it. | 0:10:22 | 0:10:28 | |
Oh. My goodness. | 0:10:29 | 0:10:32 | |
And I would have to leave right before the final ten person dance. | 0:10:33 | 0:10:37 | |
But you're in the ten person dance. | 0:10:39 | 0:10:41 | |
I know. What should I do? | 0:10:41 | 0:10:44 | |
The thought of Amanda leaving is terrifying, | 0:10:45 | 0:10:47 | |
but I need to put those thoughts aside... | 0:10:47 | 0:10:49 | |
For her. | 0:10:49 | 0:10:50 | |
You really, really wanted this spot on the tour early in the year. | 0:10:51 | 0:10:55 | |
Well, here's your chance. | 0:10:55 | 0:10:57 | |
Go for it. | 0:10:57 | 0:10:58 | |
But I can't imagine just bailing on the team like that. | 0:10:58 | 0:11:02 | |
Yeah, maybe at one point in my life that's the type of person I was, | 0:11:02 | 0:11:06 | |
but not any more, not since I met you. | 0:11:06 | 0:11:08 | |
Everybody at the studio wants to | 0:11:10 | 0:11:12 | |
become a professional dancer | 0:11:12 | 0:11:14 | |
and here's your chance. | 0:11:14 | 0:11:16 | |
Go. Be happy. | 0:11:17 | 0:11:20 | |
Live your dream. | 0:11:20 | 0:11:21 | |
But first, win the trio competition so we can go to the next round. | 0:11:23 | 0:11:27 | |
Thanks, Noah, for always pushing me to be my best. | 0:11:29 | 0:11:32 | |
So you're going to take the job? | 0:11:32 | 0:11:34 | |
I don't know, I'm still totally unsure. | 0:11:34 | 0:11:37 | |
Well, whatever you decide, | 0:11:38 | 0:11:40 | |
I'm going to support you. | 0:11:40 | 0:11:42 | |
Thanks. | 0:11:42 | 0:11:44 | |
I'm so lucky to have such an amazing and supportive boyfriend. | 0:11:44 | 0:11:47 | |
I'm still not sure what my decision will be, | 0:11:48 | 0:11:50 | |
but at least I know that Noah will be on my side. | 0:11:50 | 0:11:53 | |
And that's enough for now. | 0:11:53 | 0:11:54 | |
I'm feeling really good about this choreo. | 0:12:05 | 0:12:07 | |
Between me, Amy and Amanda, this trio is going to be awesome. | 0:12:07 | 0:12:11 | |
Hey, Michelle, it's time for you to do your trio, | 0:12:13 | 0:12:15 | |
so you should probably get changed. | 0:12:15 | 0:12:17 | |
I'm just marking through the routine a couple more times. | 0:12:17 | 0:12:19 | |
-Marking? -Can you move? | 0:12:20 | 0:12:22 | |
You're going pretty full out for marking. | 0:12:22 | 0:12:25 | |
Yeah, well, I just need to get the moves. OK. | 0:12:25 | 0:12:28 | |
I'm surprised Michelle's pushing herself so hard before the | 0:12:28 | 0:12:31 | |
competition. It's a little strange. | 0:12:31 | 0:12:34 | |
Maybe you should take the rest of the time you have and rest up or | 0:12:34 | 0:12:37 | |
-something. -Piper, I was an alternate at internationals. | 0:12:37 | 0:12:42 | |
I didn't get to dance. | 0:12:42 | 0:12:43 | |
I didn't dance at the qualifiers and I didn't get to do my solo. | 0:12:43 | 0:12:46 | |
This trio needs to be perfect. | 0:12:46 | 0:12:48 | |
So you'll have to excuse me. | 0:12:48 | 0:12:49 | |
I just wanted to make sure you don't overdo it before you perform. | 0:12:49 | 0:12:53 | |
-I know what it takes to win. -All right, well, if you're sure | 0:12:53 | 0:12:55 | |
-you're good then I guess I'll just leave you to it. -Great. Bye. | 0:12:55 | 0:12:59 | |
"I shall seek vengeance, and the horse..." | 0:13:03 | 0:13:06 | |
Babe, I'll call you back. | 0:13:07 | 0:13:08 | |
I already had a book mark. | 0:13:11 | 0:13:13 | |
It's not a book mark, it's a signature. | 0:13:13 | 0:13:14 | |
This isn't even paper. | 0:13:16 | 0:13:17 | |
It's a napkin, it's made of paper. | 0:13:17 | 0:13:19 | |
It's going to have to do. | 0:13:19 | 0:13:21 | |
A signature is a signature. | 0:13:21 | 0:13:23 | |
What's the problem? | 0:13:23 | 0:13:25 | |
Sorry, I can't help you. | 0:13:25 | 0:13:27 | |
I can't believe what I'm hearing. | 0:13:27 | 0:13:29 | |
This is going to cost us big time. | 0:13:29 | 0:13:31 | |
Right now, we're watching Dance Home perform and they're amazing. | 0:13:40 | 0:13:44 | |
I hope Amanda's focused enough to dance, | 0:13:44 | 0:13:46 | |
cos if she's not we're going to lose. | 0:13:46 | 0:13:48 | |
I still haven't heard anything from Skylar. Until she gets back to me, | 0:13:52 | 0:13:55 | |
I still don't even know if we're allowed to dance. | 0:13:55 | 0:13:57 | |
Riley. | 0:13:59 | 0:14:01 | |
What's wrong? | 0:14:01 | 0:14:02 | |
There was an issue with the paperwork for the trio. | 0:14:02 | 0:14:05 | |
And is the trio going to be able to perform? | 0:14:05 | 0:14:07 | |
-I hope so. -You hope so? | 0:14:07 | 0:14:10 | |
Look, don't panic, OK? | 0:14:10 | 0:14:12 | |
And don't tell the other girls, I don't want them to freak out before | 0:14:12 | 0:14:15 | |
-the performance. -Yeah, that's if they're allowed to perform. | 0:14:15 | 0:14:17 | |
If we're disqualified, I guess Amanda's decision gets pretty easy. | 0:14:17 | 0:14:21 | |
We're up next and I still haven't heard from Skylar. | 0:14:39 | 0:14:42 | |
Skylar, where are you? | 0:14:42 | 0:14:45 | |
You let me through or you will regret it. | 0:14:45 | 0:14:48 | |
I don't care how, but I am getting through that door. | 0:14:48 | 0:14:52 | |
I have been trying to be a good dancer my entire life. | 0:14:52 | 0:14:56 | |
Big deal. | 0:14:56 | 0:14:57 | |
It is a big deal! | 0:14:57 | 0:14:59 | |
I have overcome so much adversity! | 0:14:59 | 0:15:02 | |
Not making the team last year and... | 0:15:02 | 0:15:04 | |
Don't move. | 0:15:06 | 0:15:07 | |
The team is counting on me and I will not let them down. | 0:15:09 | 0:15:12 | |
Overcome so much adversity, not making the team, | 0:15:13 | 0:15:16 | |
fighting with my sister, | 0:15:16 | 0:15:18 | |
trying to find my place in the studio. | 0:15:18 | 0:15:21 | |
The Next Step has trusted me to be their dance captain of A troupe and | 0:15:21 | 0:15:24 | |
I am going to do that job to the best of my ability. | 0:15:24 | 0:15:27 | |
So you have two options. | 0:15:27 | 0:15:29 | |
You let me through that door | 0:15:29 | 0:15:31 | |
or you receive my full glorious wrath. | 0:15:31 | 0:15:34 | |
You have about 15 seconds before I lose it. | 0:15:34 | 0:15:37 | |
15, 14, 13... | 0:15:37 | 0:15:42 | |
Millennials, no respect for society. | 0:15:42 | 0:15:45 | |
I was born in '99. | 0:15:45 | 0:15:47 | |
Seven, six... | 0:15:47 | 0:15:49 | |
All right. | 0:15:51 | 0:15:57 | |
I just want to say thank you. | 0:15:57 | 0:15:59 | |
Thank you! Never mess with a dance captain. | 0:16:07 | 0:16:10 | |
I just hope I'm not too late. | 0:16:10 | 0:16:13 | |
-TANNOY: -Welcome back to SNR's coverage of | 0:16:23 | 0:16:25 | |
the Absolute Dance Regionals competition, | 0:16:25 | 0:16:27 | |
and we're into the trios portion of this competition. | 0:16:27 | 0:16:30 | |
Of course, you win, you're in. | 0:16:30 | 0:16:32 | |
You lose and you're out. | 0:16:32 | 0:16:33 | |
If it looks like I'm killing a bit of time here, it's because I am. | 0:16:33 | 0:16:37 | |
We're still waiting for The Next Step to take to the stage and, | 0:16:37 | 0:16:40 | |
for some reason or another, they're not on there yet. | 0:16:40 | 0:16:43 | |
Skylar, where are you? | 0:16:43 | 0:16:45 | |
The trio's about to go on, like, right now. | 0:16:45 | 0:16:47 | |
Please pick up your phone. | 0:16:47 | 0:16:48 | |
-Riley, what's going on? -You guys might not be able to perform. | 0:16:48 | 0:16:51 | |
-What? Riley! -OK, there was an issue with the paperwork, OK? | 0:16:51 | 0:16:55 | |
But Skylar's on it. | 0:16:55 | 0:16:56 | |
I have enough on my mind, I don't need one more thing to think about. | 0:16:56 | 0:16:59 | |
I just want to focus on the dance, that's all I can handle. | 0:16:59 | 0:17:01 | |
I demand to know if we're going to be dancing or not. | 0:17:01 | 0:17:03 | |
I honestly don't know, you guys, I'm sorry. | 0:17:03 | 0:17:06 | |
Excuse me! Excuse me! | 0:17:06 | 0:17:07 | |
There, the paperwork problem is fixed, The Next Step can dance. | 0:17:09 | 0:17:12 | |
We're good, we can dance. | 0:17:16 | 0:17:17 | |
Great, go on stage now. Go, good luck. | 0:17:17 | 0:17:19 | |
Good luck. | 0:17:19 | 0:17:20 | |
Here is The Next Step in trios competition. | 0:17:24 | 0:17:27 | |
I'm telling you, Tanisha, never a dull moment with this dance troupe. | 0:17:27 | 0:17:31 | |
I've been hard on the other dancers and I've been hard on myself, | 0:17:33 | 0:17:35 | |
but it was all for this. | 0:17:35 | 0:17:37 | |
I promised myself that this year would be different and it is. | 0:17:45 | 0:17:48 | |
I'm at regionals and I'm leading my team to victory. | 0:17:48 | 0:17:51 | |
This might be my last dance as a member of A troupe, | 0:18:01 | 0:18:03 | |
and I'm going to give it everything I've got. | 0:18:03 | 0:18:06 | |
I've been so nervous this whole time, but now that I'm here, | 0:18:09 | 0:18:13 | |
I know that I belong on this stage. | 0:18:13 | 0:18:15 | |
So far, so good. | 0:18:19 | 0:18:21 | |
-Beautiful. -Oh, wow. | 0:18:21 | 0:18:25 | |
Just when I think I've given it my all, | 0:18:30 | 0:18:32 | |
I reach down and find even more. | 0:18:32 | 0:18:34 | |
I'm pushing it to the limit, but something feels strange. | 0:18:47 | 0:18:51 | |
The crowd, | 0:18:54 | 0:18:56 | |
the lights, even Amy and Amanda, | 0:18:56 | 0:18:58 | |
it's all a blur. | 0:18:59 | 0:19:01 | |
I've pushed myself so hard that I'm feeling a little light-headed. | 0:19:03 | 0:19:07 | |
The curtain is coming down for some reason or another. | 0:19:16 | 0:19:19 | |
And we can just see underneath, | 0:19:19 | 0:19:21 | |
looked like there was some sort of commotion | 0:19:21 | 0:19:24 | |
with one of the members of The Next Step. | 0:19:24 | 0:19:26 | |
-Back up, back up, back up. -I don't know what just happened, | 0:19:26 | 0:19:28 | |
but Michelle was not supposed to fall to the ground like that. | 0:19:28 | 0:19:31 | |
Something is seriously, seriously wrong. | 0:19:31 | 0:19:34 | |
-Oh, my gosh. -TANNOY: -Would the dancers please take the stage. | 0:19:34 | 0:19:38 | |
Go, go, you two, go, go. | 0:19:38 | 0:19:39 | |
There's only two members coming out, | 0:19:41 | 0:19:43 | |
with the judges about to release their judgment. | 0:19:43 | 0:19:46 | |
I know I'm on stage, but I want to be there for my friend. | 0:19:48 | 0:19:52 | |
Somehow I feel like I let her down. | 0:19:52 | 0:19:54 | |
And the winner of this round is... | 0:19:55 | 0:19:57 | |
The Next Step. | 0:20:03 | 0:20:04 | |
Michelle. | 0:20:07 | 0:20:08 | |
We won. | 0:20:10 | 0:20:12 | |
But at what price? | 0:20:12 | 0:20:13 | |
The paramedics have to say she's OK. | 0:20:22 | 0:20:25 | |
She's my best friend. | 0:20:25 | 0:20:26 | |
Looks like she passed out from exhaustion and dehydration. | 0:20:26 | 0:20:29 | |
We're going to have to do some blood tests | 0:20:29 | 0:20:31 | |
-to rule anything more serious out. -So what does that mean? | 0:20:31 | 0:20:33 | |
It means we have to do that at the hospital. | 0:20:33 | 0:20:35 | |
I still have the finals routine, will I be able to come back? | 0:20:35 | 0:20:38 | |
It's too soon to tell. | 0:20:38 | 0:20:39 | |
I wanted to be a good studio head, but I forgot to be a good friend. | 0:20:45 | 0:20:49 | |
And look what happened. | 0:20:52 | 0:20:53 | |
I'm sorry, Riley. | 0:20:55 | 0:20:57 | |
Don't worry, it's OK. | 0:20:57 | 0:20:58 | |
# We | 0:21:05 | 0:21:08 | |
# We're gonna show the world | 0:21:08 | 0:21:09 | |
# Everything we're made of | 0:21:11 | 0:21:15 | |
# We're gonna tear the roof off this place | 0:21:15 | 0:21:17 | |
# You | 0:21:20 | 0:21:22 | |
# You can never fade us out | 0:21:22 | 0:21:26 | |
# Don't even ask the DJ | 0:21:26 | 0:21:29 | |
# Everybody knows we own this sound... # | 0:21:29 | 0:21:34 |