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Previously on The Next Step... | 0:00:02 | 0:00:03 | |
-Hello? -Hey, Alfie. | 0:00:03 | 0:00:04 | |
When are you coming down to the studio? | 0:00:04 | 0:00:06 | |
Tomorrow? The day after? | 0:00:06 | 0:00:07 | |
I'm not coming back. | 0:00:07 | 0:00:09 | |
I'm in Switzerland. | 0:00:09 | 0:00:11 | |
I've pushed myself so hard that I'm feeling a little lightheaded. | 0:00:11 | 0:00:14 | |
I wanted to be a good studio head, but I forgot to be a good friend... | 0:00:14 | 0:00:19 | |
and look what happened. | 0:00:19 | 0:00:21 | |
We would leave for the tour the same day | 0:00:21 | 0:00:23 | |
The Next Step would be dancing in the finals at regionals. | 0:00:23 | 0:00:26 | |
I can't bail on the team. | 0:00:26 | 0:00:27 | |
I guess you have a big decision to make. | 0:00:27 | 0:00:30 | |
I can't let the team down, not after Riley gave me this chance. | 0:00:30 | 0:00:35 | |
Can I? | 0:00:35 | 0:00:36 | |
I went back to Switzerland to forget about Riley... | 0:00:57 | 0:01:00 | |
but forgetting about her is impossible. | 0:01:00 | 0:01:03 | |
I thought time would help me heal my heart, | 0:01:03 | 0:01:05 | |
but I keep hoping that Riley's going to walk through those doors. | 0:01:05 | 0:01:09 | |
When I walk into Alfie's private studio, | 0:01:18 | 0:01:20 | |
I am sure I am the last person he wants to see. | 0:01:20 | 0:01:23 | |
But this is important. | 0:01:23 | 0:01:25 | |
I came all the way here because there is something I need to say. | 0:01:25 | 0:01:28 | |
I just hope Alfie's ready to hear it. | 0:01:28 | 0:01:30 | |
We need to talk. | 0:01:39 | 0:01:40 | |
# We | 0:01:41 | 0:01:44 | |
# We're gonna show the world | 0:01:44 | 0:01:45 | |
# Everything we're made of | 0:01:48 | 0:01:51 | |
# We're gonna tear the roof off this place | 0:01:51 | 0:01:56 | |
# Stand up! # | 0:02:04 | 0:02:07 | |
Welcome to day three of SNR's coverage of the | 0:02:35 | 0:02:37 | |
Absolute Dance Regionals competition. | 0:02:37 | 0:02:39 | |
I'm Chuck Anderson, alongside Tanisha Scott. | 0:02:39 | 0:02:42 | |
You know, today's duets competition determines which teams are moving on | 0:02:42 | 0:02:45 | |
to the semifinals. | 0:02:45 | 0:02:46 | |
We just saw Rhythm Plus advance | 0:02:46 | 0:02:48 | |
and now Sean Boutilier Academy of Dance - | 0:02:48 | 0:02:50 | |
we will see what they can put on the floor right now. | 0:02:50 | 0:02:52 | |
I'm really nervous. | 0:02:58 | 0:03:01 | |
What? But nerves never bother you. | 0:03:01 | 0:03:03 | |
Not nerves like this. | 0:03:03 | 0:03:05 | |
Watching these dancers, | 0:03:05 | 0:03:07 | |
knowing that the team is relying on us to get through to the semifinals, | 0:03:07 | 0:03:10 | |
all I can think about is how Noah and I lost at the qualifier. | 0:03:10 | 0:03:14 | |
It's too much pressure. | 0:03:14 | 0:03:16 | |
You know what? Pretend like you are dancing in your bedroom. | 0:03:19 | 0:03:22 | |
That's what I did when I was dancing at internationals. | 0:03:22 | 0:03:24 | |
Well, that and... | 0:03:24 | 0:03:26 | |
I was blindfolded. | 0:03:26 | 0:03:27 | |
I like that. | 0:03:29 | 0:03:30 | |
Works every time. | 0:03:30 | 0:03:31 | |
And here comes The Next Step, | 0:03:41 | 0:03:43 | |
stepping up onto the stage for their duet. | 0:03:43 | 0:03:46 | |
This is the moment of truth. | 0:03:46 | 0:03:48 | |
All we can do now is dance. | 0:03:48 | 0:03:51 | |
Certainly has a bit of a James Bond vibe to this... | 0:04:02 | 0:04:05 | |
-It does. -..routine. -I love the strength... | 0:04:05 | 0:04:08 | |
-NOAH: -I feel amazing, dancing alongside Richelle. | 0:04:17 | 0:04:20 | |
This is the strongest I have felt in a long time. | 0:04:20 | 0:04:23 | |
-CHUCK: -They really complement each other well, don't they? | 0:04:40 | 0:04:42 | |
-TANISHA: -Without a doubt. | 0:04:42 | 0:04:43 | |
RICHELLE: I feel absolutely amazing, | 0:05:26 | 0:05:28 | |
but if the judges didn't like our duet, | 0:05:28 | 0:05:31 | |
regionals ends here for us. | 0:05:31 | 0:05:32 | |
And I thought I was nervous before. | 0:05:32 | 0:05:34 | |
If they lose again, they are out. | 0:05:34 | 0:05:37 | |
Will The Next Step stay alive? | 0:05:37 | 0:05:38 | |
Let's hear from the judges. | 0:05:38 | 0:05:40 | |
-TANNOY: -The winning team is... | 0:05:40 | 0:05:42 | |
The Next Step. | 0:05:43 | 0:05:46 | |
-NOAH: -We won. | 0:05:46 | 0:05:47 | |
This is amazing. The dance, the moves, my partner, the audience, | 0:05:47 | 0:05:52 | |
I can't ask for more. | 0:05:52 | 0:05:54 | |
We are going to the next round. | 0:05:54 | 0:05:55 | |
Sweet pad. | 0:05:57 | 0:05:58 | |
You've come a long way for nothing, you know that? | 0:06:02 | 0:06:04 | |
I don't want to hear what you have to say. | 0:06:06 | 0:06:09 | |
Let me say my piece and I will leave. | 0:06:09 | 0:06:11 | |
OK? | 0:06:12 | 0:06:13 | |
Shoot. | 0:06:13 | 0:06:15 | |
You are a great guy. | 0:06:17 | 0:06:19 | |
And I know that Riley likes you a lot. | 0:06:22 | 0:06:24 | |
But I am the love of her life... | 0:06:26 | 0:06:27 | |
..and she's the love of mine... | 0:06:28 | 0:06:30 | |
..and that's just the way it is. | 0:06:31 | 0:06:33 | |
I understand that. | 0:06:35 | 0:06:37 | |
No, you need to actually understand that. | 0:06:37 | 0:06:39 | |
You need to stop hoping that she's | 0:06:40 | 0:06:41 | |
going to walk through your palace doors and be with you. | 0:06:41 | 0:06:44 | |
-You have no idea what I feel right now. -You are hurt. | 0:06:47 | 0:06:49 | |
You are in pain. | 0:06:50 | 0:06:52 | |
You love Riley and she doesn't love you back. | 0:06:53 | 0:06:55 | |
She loves me. | 0:06:55 | 0:06:57 | |
That's an impossible place to be. | 0:06:57 | 0:06:59 | |
And I know that this is the most soul-crushing thing | 0:07:02 | 0:07:04 | |
for you to be hearing right now... | 0:07:04 | 0:07:06 | |
..but you have to accept it. | 0:07:07 | 0:07:09 | |
You are going to find true love one day, man... | 0:07:19 | 0:07:23 | |
just not with Riley. | 0:07:23 | 0:07:25 | |
Welcome back to our coverage here on SNR. | 0:07:34 | 0:07:36 | |
Of course, this is the small-group portion and we have only four teams | 0:07:36 | 0:07:42 | |
remaining with the winners moving on to the finals. | 0:07:42 | 0:07:44 | |
Where is he? | 0:07:44 | 0:07:47 | |
What's going on, Riley? | 0:07:47 | 0:07:48 | |
-I keep calling and texting James, but he's not responding. -Weird. | 0:07:48 | 0:07:52 | |
I have an offer to leave A Troupe and join a world dance tour, | 0:07:52 | 0:07:56 | |
but time is running out. | 0:07:56 | 0:07:58 | |
How can I choose between A Troupe and my dream? | 0:07:58 | 0:08:00 | |
Riley, do you ever miss dancing in the competition? | 0:08:02 | 0:08:06 | |
No. | 0:08:08 | 0:08:09 | |
I mean, once I became studio head, | 0:08:09 | 0:08:11 | |
I feel like I moved on from competitive dancing. | 0:08:11 | 0:08:14 | |
I mean, when I first made the decision, | 0:08:14 | 0:08:16 | |
I wasn't 100% sure, but... | 0:08:16 | 0:08:18 | |
I feel like now I grew into it. | 0:08:18 | 0:08:20 | |
I'm just going to go get some air. | 0:08:22 | 0:08:24 | |
-OK. -Gisele needs an answer by the end of the day | 0:08:24 | 0:08:26 | |
and I'm still not sure what to do. | 0:08:26 | 0:08:28 | |
Riley left A Troupe to pursue her dreams. | 0:08:28 | 0:08:30 | |
I'm sure she would support me if I decided to do the same... | 0:08:30 | 0:08:33 | |
right? | 0:08:33 | 0:08:35 | |
-Hey, Amanda. -Hey. -So I had exactly two minutes between dances, | 0:08:35 | 0:08:38 | |
so I thought I would come and check in to see how you're doing. | 0:08:38 | 0:08:40 | |
-How am I doing? -Yeah. -Well, I have to make the biggest decision | 0:08:40 | 0:08:43 | |
of my life by the end of the day. | 0:08:43 | 0:08:44 | |
I really don't know what to do and I'm kind of freaking out, | 0:08:44 | 0:08:46 | |
having a mini panic attack. And see how fast I'm talking? | 0:08:46 | 0:08:49 | |
-It's going even faster in my head. -OK, Amanda, breathe. | 0:08:49 | 0:08:51 | |
So if you were to go on this world tour, what would be the pros? | 0:08:52 | 0:08:56 | |
Well, I would be a paid professional dancer. | 0:08:56 | 0:08:58 | |
I would get to see the world. | 0:08:59 | 0:09:01 | |
I would meet a lot of amazing new people. | 0:09:03 | 0:09:05 | |
And I would be a part of something big and insane. | 0:09:06 | 0:09:10 | |
And what would be the cons? | 0:09:10 | 0:09:12 | |
I wouldn't get to dance in the final number. | 0:09:12 | 0:09:14 | |
Well, we have nine dancers, so even if we do get to the finals, | 0:09:15 | 0:09:19 | |
we won't be dancing. | 0:09:19 | 0:09:20 | |
I would be away from you for a long time. | 0:09:20 | 0:09:23 | |
If you decide to go, I will be here waiting for you. | 0:09:23 | 0:09:25 | |
Don't make a decision on me. | 0:09:25 | 0:09:27 | |
Make it for you. | 0:09:27 | 0:09:28 | |
Thanks. | 0:09:28 | 0:09:30 | |
Well, I can't wait to hear what your decision is, | 0:09:30 | 0:09:33 | |
but I've kind of got to go and rehearse for our small group dance, | 0:09:33 | 0:09:36 | |
-like right now. -OK, wait. A kiss for good luck. | 0:09:36 | 0:09:39 | |
-OK, go. -OK. -Noah is the greatest boyfriend in the world | 0:09:40 | 0:09:43 | |
and the idea of leaving him makes this decision impossible. | 0:09:43 | 0:09:47 | |
This is a disaster. | 0:09:47 | 0:09:48 | |
Well, so far, so good from The Geminis, | 0:10:00 | 0:10:02 | |
earning their way through to the first round of semifinals. | 0:10:02 | 0:10:06 | |
Small group routine is our last stop before the final round. | 0:10:06 | 0:10:09 | |
It's a really important dance and, I've got to be honest, | 0:10:09 | 0:10:12 | |
I am happy we are not facing The Geminis. | 0:10:12 | 0:10:14 | |
So they are using a basketball. | 0:10:15 | 0:10:18 | |
-Here we go with the prop again. -Uh-huh. | 0:10:18 | 0:10:19 | |
And they took major chances with this | 0:10:19 | 0:10:21 | |
because you have to know how to dribble, | 0:10:21 | 0:10:23 | |
you have to pass at the same speed. You can easily mess things up. | 0:10:23 | 0:10:26 | |
This is a team that looks primed to go right to the top of this competition. | 0:10:34 | 0:10:38 | |
So far, no team has come up with | 0:10:38 | 0:10:39 | |
the choreography that they are actually giving | 0:10:39 | 0:10:42 | |
and I wouldn't be surprised if they actually won this whole competition. | 0:10:42 | 0:10:46 | |
Wow. No matter what The Geminis do, it just seems to be incredible. | 0:10:53 | 0:10:57 | |
I can't believe I pulled us out of the second qualifier because I was | 0:10:59 | 0:11:02 | |
afraid of losing Alfie and yet, here we are, without him, | 0:11:02 | 0:11:05 | |
and it's all because of me. | 0:11:05 | 0:11:07 | |
As ironic as it is, we are going to be fine. | 0:11:07 | 0:11:11 | |
-Wow. -The Geminis seem unstoppable. | 0:11:19 | 0:11:23 | |
Even though Rhythm Plus had a great routine, | 0:11:23 | 0:11:25 | |
The Geminis killed that dance. | 0:11:25 | 0:11:26 | |
I would hate them if they weren't so good. | 0:11:26 | 0:11:29 | |
-TANNOY: -The winning team moving forward in this competition... | 0:11:29 | 0:11:32 | |
The Gemini Dancers. | 0:11:32 | 0:11:34 | |
And The Geminis take it again. | 0:11:35 | 0:11:38 | |
It's like I said before, they are definitely the team to beat | 0:11:38 | 0:11:40 | |
and I do see them winning this whole competition. | 0:11:40 | 0:11:42 | |
The Geminis won again. | 0:11:42 | 0:11:44 | |
That means, if we win our semifinal round, | 0:11:44 | 0:11:47 | |
we will be going head-to-head against them in the finals. | 0:11:47 | 0:11:49 | |
Is that everything? | 0:11:53 | 0:11:54 | |
The Next Step is not eligible to win regionals without you. | 0:11:56 | 0:11:59 | |
Why? | 0:11:59 | 0:12:00 | |
Well, Sloane got disqualified, Michelle's in hospital. | 0:12:02 | 0:12:05 | |
Basically, you need to come back with me and dance the regionals, | 0:12:05 | 0:12:09 | |
or The Next Step loses. | 0:12:09 | 0:12:10 | |
No. | 0:12:13 | 0:12:14 | |
Don't you owe that much to the studio? | 0:12:14 | 0:12:16 | |
They became your friends, man. | 0:12:17 | 0:12:19 | |
And they were there for you when you needed them. | 0:12:20 | 0:12:23 | |
And now, when they need you, | 0:12:23 | 0:12:25 | |
what, you're going to chill out here and lick your wounds, like a coward? | 0:12:25 | 0:12:29 | |
You're manipulating me. | 0:12:31 | 0:12:33 | |
All this stuff you said before to help me move on, that's all just... | 0:12:34 | 0:12:39 | |
to get me to come back and dance. | 0:12:39 | 0:12:41 | |
Alfie, think about Riley - she needs you. | 0:12:41 | 0:12:43 | |
Riley's the last person I want to think about right now! | 0:12:43 | 0:12:46 | |
I'm sorry. | 0:12:51 | 0:12:53 | |
My answer's no. | 0:12:54 | 0:12:55 | |
Look, I know you are new at having friends... | 0:13:01 | 0:13:03 | |
..but you have them. | 0:13:05 | 0:13:07 | |
The wealth of our lives is measured by our friendships... | 0:13:09 | 0:13:12 | |
..and all of this is worth nothing without them. | 0:13:15 | 0:13:19 | |
As I am leaving Alfie's studio, | 0:13:29 | 0:13:31 | |
I can't help but think that | 0:13:31 | 0:13:33 | |
the chances for the team are pretty slim. | 0:13:33 | 0:13:35 | |
I've said my piece. | 0:13:37 | 0:13:39 | |
I guess we're going to have to think of something else that we can do. | 0:13:39 | 0:13:43 | |
Watching a beautiful dance routine like this | 0:13:52 | 0:13:55 | |
reminds me of how much I love dance, | 0:13:55 | 0:13:56 | |
but when I think of how much | 0:13:56 | 0:13:58 | |
Noah and I have been through this year, | 0:13:58 | 0:14:00 | |
I finally know what I need to do. | 0:14:00 | 0:14:02 | |
Is everything OK? | 0:14:03 | 0:14:05 | |
I... Yeah. Just...got to go. | 0:14:05 | 0:14:09 | |
Amanda leaves just before we are about to go on stage. | 0:14:09 | 0:14:13 | |
She's not even going to be here to support her team? | 0:14:13 | 0:14:16 | |
That's not like her. | 0:14:16 | 0:14:18 | |
-Gisele. -Hey. -Thank you for meeting me here. -It's OK. What's going on? | 0:14:18 | 0:14:22 | |
I'm not coming on tour, not right now. | 0:14:24 | 0:14:27 | |
-OK. -I feel like I've finally found my spot on A Troupe | 0:14:28 | 0:14:33 | |
and I'm not ready to give that up yet. | 0:14:33 | 0:14:35 | |
Plus, the team's really been there for me this year | 0:14:35 | 0:14:38 | |
and I want to be there for them, too. | 0:14:38 | 0:14:40 | |
Amanda, I just want you to understand that this tour is a | 0:14:41 | 0:14:44 | |
once-in-a-lifetime opportunity. | 0:14:44 | 0:14:46 | |
Yeah. | 0:14:47 | 0:14:48 | |
The team just means more to me. | 0:14:48 | 0:14:51 | |
OK. | 0:14:51 | 0:14:53 | |
But you should go watch your team kick some butt. | 0:14:53 | 0:14:55 | |
And you go kick some butt on tour. | 0:14:55 | 0:14:57 | |
I will. | 0:14:57 | 0:14:58 | |
-Love you. -Love you, too. | 0:15:00 | 0:15:02 | |
-I will see you later, OK? -OK. | 0:15:02 | 0:15:04 | |
I never thought I would pass on an opportunity this big, | 0:15:05 | 0:15:09 | |
but I have to follow my heart. | 0:15:09 | 0:15:10 | |
This is what feels right. | 0:15:10 | 0:15:12 | |
-CROWD: -Yeah! | 0:15:15 | 0:15:17 | |
This is a wonderful routine. | 0:15:17 | 0:15:19 | |
It is really beautifully choreographed. | 0:15:19 | 0:15:21 | |
-Hi. -Hey. | 0:15:28 | 0:15:29 | |
-TANNOY: -And would The Next Step please take the stage? | 0:15:29 | 0:15:32 | |
Good luck, guys. | 0:15:35 | 0:15:36 | |
This is it. Since Sloane was disqualified, | 0:15:36 | 0:15:39 | |
LaTroy is taking her place. | 0:15:39 | 0:15:40 | |
There have been a lot of line-up changes in this dance | 0:15:40 | 0:15:43 | |
and I hope these guys can pull it together, | 0:15:43 | 0:15:45 | |
otherwise we are going home. | 0:15:45 | 0:15:47 | |
HENRY: When I take the stage, | 0:15:58 | 0:15:59 | |
it's like a rush of energy just comes out of me. | 0:15:59 | 0:16:01 | |
You see the lights, you see all the people in the crowd, | 0:16:01 | 0:16:03 | |
and you're just thinking, "Now's the time." | 0:16:03 | 0:16:06 | |
-TANISHA: -Oh, now, this is street hip-hop. | 0:16:27 | 0:16:30 | |
OK. | 0:16:30 | 0:16:32 | |
-LATROY: -I learned these steps yesterday and I'm a little nervous. | 0:16:40 | 0:16:43 | |
But when I see Sloane in the crowd... | 0:16:43 | 0:16:47 | |
I feel OK. | 0:16:47 | 0:16:48 | |
-AMANDA: -I'm watching the small group and everyone's amazing, | 0:16:59 | 0:17:02 | |
but I can't take my eyes off Noah. | 0:17:02 | 0:17:04 | |
And it makes me realise I am ready to tell him how I feel. | 0:17:08 | 0:17:12 | |
-There is a definite connection with the audience. -Without a doubt. | 0:17:24 | 0:17:27 | |
And the use of canons. | 0:17:27 | 0:17:29 | |
Canons, Chuck, are when one dancer can move to one place following | 0:17:29 | 0:17:32 | |
through what the other dancer did. | 0:17:32 | 0:17:35 | |
-It's great staging. -They are having fun, too. | 0:17:35 | 0:17:37 | |
Absolutely. | 0:17:37 | 0:17:39 | |
NOAH: I feel absolutely awesome in this dance. | 0:17:43 | 0:17:46 | |
Everyone's just bringing it. | 0:17:46 | 0:17:47 | |
And what a finish! | 0:17:57 | 0:18:00 | |
Look at the crowd. | 0:18:00 | 0:18:02 | |
-AMANDA: -That was incredible. | 0:18:02 | 0:18:03 | |
No matter what happens next, I am so proud of our team. | 0:18:03 | 0:18:06 | |
But I gave up a world tour for this. | 0:18:06 | 0:18:08 | |
I really want to dance in the finals. | 0:18:08 | 0:18:11 | |
-TANNOY: -The team moving forward... | 0:18:12 | 0:18:14 | |
Here we go. | 0:18:14 | 0:18:16 | |
..is... | 0:18:16 | 0:18:17 | |
-The Next Step. -Yes! | 0:18:17 | 0:18:19 | |
-CHUCK: -And The Next Step lives to dance another day. | 0:18:20 | 0:18:25 | |
We will see them alongside the upstart Geminis in the finals. | 0:18:25 | 0:18:30 | |
And let's hope that they don't disappoint. | 0:18:30 | 0:18:32 | |
-AMANDA: -Noah, you were incredible. | 0:18:33 | 0:18:35 | |
The duet and the small group? | 0:18:35 | 0:18:36 | |
-What can I say? -Enough about me. | 0:18:36 | 0:18:38 | |
What did you decide on the tour? | 0:18:38 | 0:18:40 | |
I decided that... | 0:18:40 | 0:18:42 | |
I am not going to go on the world tour. | 0:18:42 | 0:18:44 | |
I just can't leave the team right now. | 0:18:44 | 0:18:46 | |
They are too important to me. | 0:18:46 | 0:18:49 | |
You are too important to me... | 0:18:49 | 0:18:50 | |
..because... | 0:18:51 | 0:18:53 | |
I love you. | 0:18:55 | 0:18:56 | |
You love me? | 0:18:58 | 0:19:00 | |
More than anything. | 0:19:00 | 0:19:02 | |
I love you, too. | 0:19:04 | 0:19:05 | |
It feels so good to finally tell Noah that I love him. | 0:19:06 | 0:19:10 | |
I wanted to wait until I was sure and I have never been more sure of | 0:19:10 | 0:19:13 | |
anything in my life. | 0:19:13 | 0:19:15 | |
First of all, I want to say | 0:19:15 | 0:19:17 | |
congratulations for all your hard work. | 0:19:17 | 0:19:19 | |
You guys should be super proud of yourselves. | 0:19:19 | 0:19:22 | |
You gave it everything you've got | 0:19:22 | 0:19:23 | |
and we finally made it to the finals. | 0:19:23 | 0:19:26 | |
But we only have nine dancers. | 0:19:26 | 0:19:28 | |
Yes. I know. | 0:19:28 | 0:19:30 | |
The last dance requires ten dancers, but we only have nine. | 0:19:30 | 0:19:34 | |
It breaks my heart, especially after seeing | 0:19:34 | 0:19:37 | |
how hard the team worked to get here. | 0:19:37 | 0:19:39 | |
Look, as far as I see it, we only have two options. | 0:19:39 | 0:19:42 | |
We either forfeit now and we go home, | 0:19:42 | 0:19:44 | |
or we take that stage with pride and we dance our hearts out. | 0:19:44 | 0:19:49 | |
If you guys want to go home now, then we will do it. | 0:19:51 | 0:19:53 | |
We are with you, Riley. We will dance, | 0:19:58 | 0:20:01 | |
all nine of us. Right, guys? | 0:20:01 | 0:20:04 | |
ALL: Right. Yeah. | 0:20:04 | 0:20:06 | |
I am going to go on stage with The Next Step tomorrow and lose | 0:20:06 | 0:20:09 | |
instead of going on tour with Gisele. | 0:20:09 | 0:20:12 | |
But you know what? | 0:20:12 | 0:20:13 | |
I have no regrets. | 0:20:13 | 0:20:15 | |
We won't be in contention for the trophy, but we will do our best. | 0:20:15 | 0:20:19 | |
-Yes? -ALL Yes! -OK, then. | 0:20:19 | 0:20:20 | |
-Let's go. -Bring it in. | 0:20:20 | 0:20:22 | |
-That's cute. -What? | 0:20:27 | 0:20:30 | |
What are you guys hugging for? | 0:20:30 | 0:20:32 | |
-ALL: -James? What's he doing here? | 0:20:32 | 0:20:35 | |
What's up? | 0:20:35 | 0:20:36 | |
What are you doing here? Where have you been? | 0:20:36 | 0:20:38 | |
I've been trying to get hold of you. | 0:20:38 | 0:20:40 | |
-I went on a trip. -What? | 0:20:40 | 0:20:42 | |
I got you something. | 0:20:42 | 0:20:44 | |
That's sweet, but I'm not really in the mood | 0:20:44 | 0:20:46 | |
for any souvenirs right now. | 0:20:46 | 0:20:48 | |
Not even one from Switzerland? | 0:20:48 | 0:20:50 | |
ALL: Alfie! | 0:20:51 | 0:20:54 | |
I can't believe this. | 0:20:54 | 0:20:56 | |
With Alfie back, we could actually win regionals. | 0:20:56 | 0:20:59 | |
Staying with the team was the best decision ever. | 0:20:59 | 0:21:03 | |
# We | 0:21:05 | 0:21:07 | |
# We're gonna show the world | 0:21:07 | 0:21:12 | |
# Everything we're made of | 0:21:12 | 0:21:15 | |
# We're gonna tear the roof off this place | 0:21:15 | 0:21:20 | |
# You | 0:21:20 | 0:21:22 | |
# You can never fade us out | 0:21:22 | 0:21:26 | |
# Don't even ask the DJ | 0:21:26 | 0:21:30 | |
# Everybody knows we own this sound... # | 0:21:30 | 0:21:36 |