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-Previously on The Next Step: -Good to have you back. -Thank you. | 0:00:02 | 0:00:05 | |
It's great to have Amanda back on the team. | 0:00:05 | 0:00:07 | |
It's nice to have a familiar face. | 0:00:07 | 0:00:08 | |
-OK, let's share our fears. -That I'm a hip-hop dancer | 0:00:08 | 0:00:12 | |
and I'll never do contemporary dances as well as you guys. | 0:00:12 | 0:00:16 | |
I have to show everyone that I can do it all. | 0:00:16 | 0:00:19 | |
The final trio is going to be: Piper, Noah and Richelle. | 0:00:19 | 0:00:25 | |
I can't believe what just happened. | 0:00:25 | 0:00:27 | |
I put my whole heart into this team and Riley took it away from me. | 0:00:27 | 0:00:32 | |
# Everybody clap along Now stop... # | 0:00:32 | 0:00:36 | |
-What's up, bro? -This box, man. It's freaking me out. | 0:00:43 | 0:00:46 | |
This black box came for me in the mail. No return address. Nothing. | 0:00:46 | 0:00:51 | |
I'm just nervous as to what's inside the box. | 0:00:51 | 0:00:53 | |
It could be a Schrodinger's cat situation. | 0:00:53 | 0:00:55 | |
-There could be a dead or a live cat. -What is that? | 0:00:55 | 0:00:58 | |
It's... It's quantum theory. | 0:00:58 | 0:01:01 | |
James is being way too calm about this. | 0:01:01 | 0:01:03 | |
He doesn't know that just by looking in the Box I could seal the fate of | 0:01:03 | 0:01:06 | |
-the cat inside. -There is no way anyway could get a cat in there. | 0:01:06 | 0:01:10 | |
You don't know what quantum theory is, do you? | 0:01:10 | 0:01:13 | |
No, I don't know what quantum theory is, but I'm going to open the box. | 0:01:13 | 0:01:16 | |
James, you've got to be careful. | 0:01:16 | 0:01:18 | |
-It's cute. -Oh, my goodness. James, it's a USB key. -Yeah. | 0:01:18 | 0:01:23 | |
What should we do with it? | 0:01:23 | 0:01:25 | |
-Let's turn it into a Christmas tree ornament. -Really? -No. | 0:01:25 | 0:01:27 | |
Let's plug it into your computer and see what's on it. | 0:01:27 | 0:01:29 | |
James, that's brilliant. | 0:01:29 | 0:01:32 | |
Great. We solved the mystery of the black box. | 0:01:32 | 0:01:34 | |
Now, we have to solve the mystery of the USB cable. | 0:01:34 | 0:01:37 | |
This has been the most mysterious Tuesday I have ever had. | 0:01:37 | 0:01:41 | |
# We We are gonna show the world | 0:01:41 | 0:01:47 | |
# Everything we're made of | 0:01:47 | 0:01:51 | |
# We're gonna tear the roof off this place # | 0:01:51 | 0:01:58 | |
Stand up! | 0:02:04 | 0:02:06 | |
HE BEATBOXES | 0:02:22 | 0:02:26 | |
I come into the rehearsal room to work on my dancing | 0:02:27 | 0:02:30 | |
but Noah is already in here with all this weird music stuff. | 0:02:30 | 0:02:34 | |
-Noah? -Whoo! | 0:02:34 | 0:02:37 | |
HIS VOICE ECHOES ON A LOOP | 0:02:37 | 0:02:40 | |
-MUSIC STOPS What are you doing? -You know, | 0:02:43 | 0:02:46 | |
I was doing my thing in the rec room and my mom had a book club | 0:02:46 | 0:02:48 | |
so I kind of had to vamoose out of the house. | 0:02:48 | 0:02:50 | |
Vamoose? What does vamoose mean? | 0:02:50 | 0:02:53 | |
It's what my mom said. It just means, like, dip. | 0:02:53 | 0:02:56 | |
-OK. Well, who else is in your band? -Nobody. Just me. | 0:02:56 | 0:03:00 | |
That's really cool, Noah. | 0:03:00 | 0:03:02 | |
-Nobody has really said anything I do is cool. Thanks. -You're welcome. | 0:03:02 | 0:03:06 | |
Hey, do you... | 0:03:06 | 0:03:09 | |
-Do you need the space? -Oh, well, I was going to rehearse, but... | 0:03:09 | 0:03:13 | |
-Are you going to cross this line? -No, no, no, not at all. | 0:03:13 | 0:03:16 | |
-Then you're good. -Sweet. | 0:03:16 | 0:03:19 | |
I knew Noah was an amazing dancer | 0:03:20 | 0:03:22 | |
but I had no idea that he was so talented with music. | 0:03:22 | 0:03:25 | |
# Let's shut it down... # | 0:03:31 | 0:03:33 | |
SLOANE: Right now I'm dancing to clear my head. | 0:03:34 | 0:03:37 | |
I still can't believe Riley replaced me in the qualifier trio. | 0:03:37 | 0:03:40 | |
It was my worst fear come true. | 0:03:40 | 0:03:42 | |
I wasn't good enough and everyone saw it. | 0:03:42 | 0:03:45 | |
# It's your F-I-R-E burnin' me Tryin' not to make a scene | 0:03:45 | 0:03:49 | |
# In the little space between Oh, whoa, whoa, oh... # | 0:03:49 | 0:03:53 | |
When I'm dancing hip-hop I feel like nothing can stop me. | 0:03:53 | 0:03:56 | |
But I wasn't dancing hip-hop when I got kicked off the trio. | 0:03:56 | 0:04:00 | |
# I'm your saviour Gonna pull you close | 0:04:00 | 0:04:04 | |
# As we dance the night away. # | 0:04:04 | 0:04:07 | |
Usually when I'm dancing I can forget about everything else, | 0:04:12 | 0:04:16 | |
but it's not happening this time. | 0:04:16 | 0:04:18 | |
# All we need is some British rock and roll | 0:04:20 | 0:04:23 | |
# All we need is some pockets full of gold | 0:04:23 | 0:04:27 | |
# All we need is some royalty, you know | 0:04:27 | 0:04:30 | |
# All we need is some hip-hop and soul, yeah... # | 0:04:30 | 0:04:34 | |
AMANDA: I'm trying to rehearse | 0:04:34 | 0:04:36 | |
when I catch myself dancing to Noah's music. | 0:04:36 | 0:04:38 | |
It's a little unusual, but it's definitely catchy. | 0:04:38 | 0:04:41 | |
# Ooh, sha-la-la-la Sha-la-la-la! # | 0:04:41 | 0:04:44 | |
-What? -You crossed the line. -Sorry. | 0:04:46 | 0:04:49 | |
-I'm sorry. -It's OK. | 0:04:49 | 0:04:51 | |
You know what? Actually, I could use a girl's voice | 0:04:52 | 0:04:54 | |
in this track, and I've heard you sing before. | 0:04:54 | 0:04:56 | |
-You're amazing. -Um, I would love to, but I can't cross that line. | 0:04:56 | 0:05:00 | |
Amanda has an amazing voice. | 0:05:00 | 0:05:02 | |
It's exactly what I need to make the song perfect. | 0:05:02 | 0:05:04 | |
Yeah, there is no way I'm going to sing, Noah. | 0:05:04 | 0:05:06 | |
I don't even remember the last time I actually sang something. | 0:05:06 | 0:05:09 | |
OK. Listen. It will be super simple. I go "whoo," and you go "yeah". | 0:05:09 | 0:05:12 | |
-Let's just hear, "yeah". Go! -Yeah... | 0:05:12 | 0:05:16 | |
Whoo! You killed it. That's all I need. | 0:05:16 | 0:05:19 | |
That's it. Listen... | 0:05:19 | 0:05:20 | |
We'll go from the top and that's all you have to do, OK? | 0:05:20 | 0:05:22 | |
You don't have to worry about anything. | 0:05:22 | 0:05:25 | |
All right. | 0:05:25 | 0:05:27 | |
HE BEATBOXES AND PLAYS BEATS | 0:05:27 | 0:05:30 | |
Whoo! | 0:05:30 | 0:05:34 | |
Yeah! | 0:05:34 | 0:05:36 | |
-SAMPLED: -Whoo! -Yeah! | 0:05:36 | 0:05:40 | |
SAMPLED VOCAL REPEATS | 0:05:40 | 0:05:43 | |
MARACAS LOOP REPEATS | 0:05:43 | 0:05:46 | |
KEYBOARD MELODY REPEATS | 0:05:50 | 0:05:54 | |
# I won't leave I won't cry | 0:05:54 | 0:05:57 | |
# If all my dreams come crashing from the sky | 0:05:57 | 0:06:01 | |
# We will raid We will dance | 0:06:01 | 0:06:04 | |
# We will get the belt When we get our second chance | 0:06:04 | 0:06:07 | |
# All we need is some British rock and roll | 0:06:07 | 0:06:11 | |
# All we need is some pockets full of gold... # | 0:06:11 | 0:06:14 | |
'I can't believe I let Noah talk me into this.' | 0:06:14 | 0:06:17 | |
But I'm actually having a lot of fun. | 0:06:17 | 0:06:19 | |
# All we need is some hip-hop and soul, yeah | 0:06:19 | 0:06:22 | |
# Ooh, sha-la-la-la Sha-la-la-la | 0:06:22 | 0:06:25 | |
# Ooh, sha-la-la-la Sha-la-la-la | 0:06:25 | 0:06:28 | |
-IN HARMONY: -# Ooh, sha-la-la-la Sha-la-la-la | 0:06:28 | 0:06:32 | |
# Ooh, sha-la-la-la Sha-la-la-la | 0:06:32 | 0:06:36 | |
# By the grace of the Queen In the house of the Lords | 0:06:36 | 0:06:39 | |
# We pledge to do the deeds until we get real bored | 0:06:39 | 0:06:43 | |
-# I'm thinkin' London -Driving rally cars | 0:06:43 | 0:06:46 | |
# I'm thinkin' anywhere we slide that credit card | 0:06:46 | 0:06:50 | |
# All we need Is a double-decker ride | 0:06:50 | 0:06:53 | |
# All we need Is some steak and kidney pie | 0:06:53 | 0:06:57 | |
# All we need Is my James Bond suit and tie... # | 0:06:57 | 0:07:00 | |
Noah is singing and he is playing, like, 100 instruments. | 0:07:00 | 0:07:04 | |
Noah's a rock star! | 0:07:04 | 0:07:06 | |
HE TAPS RHYTHM | 0:07:06 | 0:07:08 | |
# Ooh, sha-la-la-la Sha-la-la-la | 0:07:08 | 0:07:10 | |
# Ooh, sha-la-la-la Sha-la-la-la | 0:07:11 | 0:07:14 | |
# Ooh, sha-la-la-la Sha-la-la-la | 0:07:15 | 0:07:19 | |
-# Ooh, sha-la-la-la Sha-la-la-la! # -Noah, that was amazing! | 0:07:21 | 0:07:25 | |
Why did you hug me? | 0:07:25 | 0:07:28 | |
Why did I just hug Noah? | 0:07:28 | 0:07:31 | |
Um... Actually, I think I've sung enough for today. | 0:07:31 | 0:07:35 | |
I've got to vamoose! | 0:07:36 | 0:07:39 | |
-We need to use your computer. -For what? -Mystery box. USB key. Com-pu-ter. | 0:07:43 | 0:07:48 | |
'We are about to unlock the mystery of the USB key.' | 0:07:48 | 0:07:52 | |
Wait, wait, wait, wait. I think I should do it. | 0:07:52 | 0:07:56 | |
I will suffer the consequences. | 0:07:56 | 0:07:57 | |
Wait, wait, wait, wait. What consequences? | 0:07:57 | 0:07:59 | |
This could blow up your entire computer. | 0:07:59 | 0:08:01 | |
I'm sorry, wouldn't that make it my consequence? | 0:08:01 | 0:08:03 | |
-So, do you want to do it? -No! -Exactly. -Uh... | 0:08:03 | 0:08:07 | |
COMPUTER BEEPS | 0:08:07 | 0:08:09 | |
EVIL LAUGH ECHOES | 0:08:09 | 0:08:13 | |
-Hello, West. -Hey, masked man. | 0:08:13 | 0:08:15 | |
You have been invited by the Bangers & Mash-ups International Hip-hop Dance Extravaganza. | 0:08:15 | 0:08:20 | |
The Bangers & Mash-ups International Hip-hop Extravaganza | 0:08:20 | 0:08:24 | |
is the most elite hip-hop competition in the entire world. | 0:08:24 | 0:08:28 | |
Invitation only. | 0:08:28 | 0:08:30 | |
If you're not one of the best dancers in the world, you're not going! | 0:08:30 | 0:08:33 | |
'You must assemble a team of three dancers. | 0:08:33 | 0:08:35 | |
'Register on our website online to compete!' | 0:08:35 | 0:08:40 | |
In England! | 0:08:40 | 0:08:41 | |
England? That's amazing. | 0:08:43 | 0:08:45 | |
-You have to go. You're going, right? -Uh, yeah. We're going. | 0:08:45 | 0:08:48 | |
How can we not? Bangers & Mash-ups! | 0:08:48 | 0:08:51 | |
We're going to England, baby. | 0:08:51 | 0:08:53 | |
Anyhoo, if you intend to compete at our competition, you must press | 0:08:53 | 0:08:58 | |
right here on the screen immediately. | 0:08:58 | 0:09:01 | |
Immediately press here. | 0:09:01 | 0:09:04 | |
-Yeah. Just... -OK, cool. | 0:09:04 | 0:09:06 | |
Here. Here. Here. Here... | 0:09:06 | 0:09:07 | |
OK, let me try. | 0:09:07 | 0:09:09 | |
-Boom. -It is not a touch screen. | 0:09:09 | 0:09:12 | |
-Mouse? -That's the mouse. | 0:09:12 | 0:09:15 | |
So now that you said you're going, | 0:09:16 | 0:09:18 | |
then all you need is one more dancer. | 0:09:18 | 0:09:20 | |
-ALL: -Eldon! -OK, I'm going to go tell the band. | 0:09:22 | 0:09:25 | |
And I'm going to go and try and find Eldon. We're going to England. | 0:09:25 | 0:09:28 | |
If I can somehow find a way to convince Eldon. | 0:09:28 | 0:09:31 | |
So then Thalia left me and that crushed my heart, | 0:09:42 | 0:09:45 | |
like, 100 times over, and I realised that I had to move on. | 0:09:45 | 0:09:47 | |
Right now I'm interviewing for a job at Java Junction. | 0:09:47 | 0:09:51 | |
It's time I pulled myself together. | 0:09:51 | 0:09:53 | |
So that's when I decided to take the next big exciting step in my life | 0:09:53 | 0:09:56 | |
and that's why I brought my resume. | 0:09:56 | 0:09:59 | |
I think a job will be good for me. | 0:09:59 | 0:10:01 | |
I mean, I keep running out of money. | 0:10:01 | 0:10:04 | |
Chocolate gets pretty expensive. | 0:10:04 | 0:10:06 | |
Eldon, do you have any serving experience? | 0:10:06 | 0:10:08 | |
-Not really, but... -Hey, man. | 0:10:08 | 0:10:09 | |
I need to talk to you. | 0:10:09 | 0:10:11 | |
You do know I'm in the middle of an interview, right? | 0:10:11 | 0:10:13 | |
OK. You 100% do not want to hire this guy. | 0:10:13 | 0:10:16 | |
He's 100% irresponsible and he'll probably be eating all the chocolate | 0:10:16 | 0:10:20 | |
hanging around which would definitely cut into profits. | 0:10:20 | 0:10:23 | |
Eldon can't work at a cafe. | 0:10:23 | 0:10:25 | |
He once got fired for eating on the job. | 0:10:25 | 0:10:27 | |
I was eating free samples. What's the big deal? | 0:10:27 | 0:10:30 | |
It was a pet store. | 0:10:30 | 0:10:32 | |
OK, West, can I...speak to you over here? | 0:10:32 | 0:10:35 | |
Way to go. You just ruined my future. | 0:10:35 | 0:10:38 | |
I got a better future for you. | 0:10:38 | 0:10:39 | |
You, me, James, hip-hop competition in London. | 0:10:39 | 0:10:43 | |
'This is definitely going to get Eldon out of his funk.' | 0:10:43 | 0:10:46 | |
He needs to start dancing again. | 0:10:46 | 0:10:49 | |
Come with me. | 0:10:49 | 0:10:50 | |
Can you just keep that on file just in case? Thank you. | 0:10:52 | 0:10:56 | |
GIGGLING | 0:11:01 | 0:11:03 | |
You know what? I was shopping the other day... | 0:11:03 | 0:11:05 | |
'I called a Zero Percent Club meeting because' | 0:11:05 | 0:11:07 | |
I really need their support. | 0:11:07 | 0:11:09 | |
On a scale of 0 to 100% nervous, I'm definitely in the red zone. | 0:11:09 | 0:11:13 | |
Sloane, are you OK? | 0:11:13 | 0:11:15 | |
You're not talking much and you called this meeting, so... | 0:11:15 | 0:11:18 | |
-What's up? -It's actually about the trio. | 0:11:18 | 0:11:20 | |
I mean, getting kicked off of it was my biggest fear coming true. | 0:11:23 | 0:11:28 | |
I'm not good enough. | 0:11:28 | 0:11:30 | |
I understand why Riley replaced me | 0:11:30 | 0:11:31 | |
but I'm having a hard time accepting it. | 0:11:31 | 0:11:34 | |
Look, Sloane, I haven't faced what you're facing, | 0:11:34 | 0:11:36 | |
but all I can tell you is that you're wrong. | 0:11:36 | 0:11:39 | |
You were good enough to get in here. | 0:11:39 | 0:11:41 | |
Maybe what can help us if you talk to someone who has been through | 0:11:41 | 0:11:45 | |
-what you're dealing with. -Yeah. | 0:11:45 | 0:11:46 | |
-Don't worry. I know exactly who you need to talk to. -Who? | 0:11:46 | 0:11:49 | |
-Michelle. -At international, she didn't even get to dance. | 0:11:49 | 0:11:53 | |
She'll know exactly how you're feeling. | 0:11:53 | 0:11:55 | |
Michelle went from being dance captain, Miss National soloist, | 0:11:55 | 0:11:58 | |
to an alternate. | 0:11:58 | 0:11:59 | |
If anyone can help Sloane come to terms with what happened, it's her. | 0:11:59 | 0:12:04 | |
OK. 'The girls are right.' | 0:12:04 | 0:12:07 | |
Michelle's been here before. | 0:12:07 | 0:12:09 | |
She'll know exactly what to do. | 0:12:09 | 0:12:11 | |
So, everyone, hands in. | 0:12:11 | 0:12:12 | |
-ALL: -Three, two, one, 0%! | 0:12:14 | 0:12:16 | |
'I needed some help finishing my song' | 0:12:24 | 0:12:26 | |
so I gave it to James who said he would give it to his friend Theo, | 0:12:26 | 0:12:28 | |
who would take care of everything. | 0:12:28 | 0:12:30 | |
-Noah, right? -Yeah, you're Theo, right? | 0:12:33 | 0:12:36 | |
Shh! Don't use my real name. I'm the Big Dipper. | 0:12:36 | 0:12:38 | |
And you're Thunderbolt... | 0:12:38 | 0:12:40 | |
No! Constantinople. | 0:12:40 | 0:12:42 | |
-OK. -OK, what? | 0:12:43 | 0:12:45 | |
-OK, Big Dipper. -Yes. | 0:12:46 | 0:12:47 | |
OK, Amazon. I'm going to need you to get up. | 0:12:49 | 0:12:52 | |
I thought my name was Constantinople. | 0:12:52 | 0:12:54 | |
I changed it for secrecy purposes. | 0:12:54 | 0:12:56 | |
Now get up and move to the seat to your left. | 0:12:56 | 0:12:59 | |
Now watch me move to the seat to my right. | 0:13:00 | 0:13:03 | |
-Smooth. -Er... Why did I move? | 0:13:06 | 0:13:08 | |
Because you weren't sitting where I thought you would be sitting | 0:13:08 | 0:13:11 | |
but now you're sitting where I thought you would be sitting. | 0:13:11 | 0:13:13 | |
'They say Theo is a genius.' | 0:13:13 | 0:13:15 | |
Maybe this is part of being a genius. | 0:13:15 | 0:13:18 | |
I don't really care. I just want my track back. | 0:13:18 | 0:13:21 | |
Now reach under the table. You'll find a song. | 0:13:21 | 0:13:23 | |
-Sweet, thanks, Theo. -Sh! | 0:13:27 | 0:13:28 | |
I... I mean, Big Dipper. | 0:13:28 | 0:13:31 | |
You're welcome. Now, close your eyes and count to eight. | 0:13:31 | 0:13:34 | |
Enjoy the song. | 0:13:43 | 0:13:45 | |
So, what am I doing here? | 0:13:48 | 0:13:51 | |
You are ready to go to London. You just don't know it yet. | 0:13:52 | 0:13:55 | |
And to prove it to you I'm going to have you do something. All right? | 0:13:55 | 0:13:58 | |
'Eldon has to put all this pain behind him.' | 0:13:58 | 0:14:00 | |
He is one of the best dancers in the world. | 0:14:00 | 0:14:03 | |
It's time to start acting like it. | 0:14:03 | 0:14:05 | |
30 pirouettes. Go right now. | 0:14:05 | 0:14:07 | |
HE CHUCKLES | 0:14:07 | 0:14:09 | |
James, I don't want to do 30 pirouettes. | 0:14:09 | 0:14:13 | |
I don't have to prove anything any more. | 0:14:13 | 0:14:16 | |
No, no, no. No. | 0:14:16 | 0:14:19 | |
When you were doing them before, you were doing them for Thalia. | 0:14:19 | 0:14:22 | |
Now...you're doing them for you. | 0:14:22 | 0:14:25 | |
You're doing them... | 0:14:25 | 0:14:26 | |
..for the big Eldon in here. | 0:14:27 | 0:14:30 | |
If he can hit 30 pirouettes now, | 0:14:30 | 0:14:32 | |
he is definitely ready to come to London. | 0:14:32 | 0:14:34 | |
And I know he will. | 0:14:34 | 0:14:36 | |
Do it for Eldon going to London with James and West. OK? | 0:14:36 | 0:14:40 | |
But that's it. | 0:14:40 | 0:14:42 | |
We can't go to England without Eldon. | 0:14:42 | 0:14:44 | |
We're the bros. We got to stick together. | 0:14:44 | 0:14:46 | |
We belong together. | 0:14:46 | 0:14:48 | |
-Take your shoes off. Here we go. -Right now. Right now! | 0:14:48 | 0:14:50 | |
-30? -Yeah. -Take your shoes off. -Do it! -30 pirouettes, here we go. | 0:14:50 | 0:14:54 | |
Let's go, right now. Come on, chop, chop, chop. | 0:14:54 | 0:14:56 | |
And... | 0:14:56 | 0:14:57 | |
-BOTH: -One, two, three, four, five, six, seven, eight, nine, ten, | 0:14:59 | 0:15:03 | |
11, 12, 13... | 0:15:03 | 0:15:04 | |
As I spin, I can feel all of my doubts, all of my insecurities, | 0:15:04 | 0:15:09 | |
they all just fall away. | 0:15:09 | 0:15:11 | |
..28, 29, 30, 31! | 0:15:11 | 0:15:14 | |
31! | 0:15:14 | 0:15:15 | |
-We're going to London. -'I'm really grateful to James and West. | 0:15:17 | 0:15:20 | |
'They helped me realise that I'm finally ready to move on.' | 0:15:20 | 0:15:23 | |
Look out, England. Here we come. | 0:15:23 | 0:15:25 | |
Whoo! | 0:15:25 | 0:15:27 | |
Oh... | 0:15:40 | 0:15:42 | |
-Just take it, just take it. -All right, | 0:15:42 | 0:15:44 | |
I'm going to register us for this competition, | 0:15:44 | 0:15:45 | |
-all right, guys? -Let's do it. | 0:15:45 | 0:15:47 | |
Now that we've convinced Eldon to dance, | 0:15:47 | 0:15:49 | |
it is time to register for Bangers & Mash-ups. | 0:15:49 | 0:15:51 | |
After this, we are officially going to England. | 0:15:51 | 0:15:55 | |
Oh, my goodness, I'm so nervous. I'm shaking. | 0:15:55 | 0:15:58 | |
Eldon, James... | 0:15:59 | 0:16:01 | |
Done. There we go. | 0:16:03 | 0:16:05 | |
Thank you, West, for accepting our challenge. | 0:16:05 | 0:16:07 | |
We look forward to seeing you soon | 0:16:07 | 0:16:11 | |
at our hip-hop dance extravaganzaaaaah. | 0:16:11 | 0:16:15 | |
-Oh, and West? -Yes? -This message will self-destruct | 0:16:16 | 0:16:20 | |
-in three, two... -Move! -..one... | 0:16:20 | 0:16:26 | |
EXPLOSION | 0:16:26 | 0:16:27 | |
HE COUGHS | 0:16:27 | 0:16:29 | |
West... I don't even have words. | 0:16:31 | 0:16:34 | |
I just... | 0:16:40 | 0:16:41 | |
Two seconds ago I was thinking that I was going to miss these guys. | 0:16:42 | 0:16:46 | |
Now, I'm just looking forward to the peace and quiet. | 0:16:46 | 0:16:48 | |
England... Yeah. | 0:16:48 | 0:16:50 | |
Great, can I have my office back? | 0:16:50 | 0:16:51 | |
Yeah. We should... We should probably go. | 0:16:51 | 0:16:54 | |
-We should go. -Yeah, go. | 0:16:54 | 0:16:55 | |
Hey, Michelle. Do you have a minute? | 0:17:05 | 0:17:07 | |
Yes. I do. What's up? | 0:17:08 | 0:17:10 | |
Erm, so, it's about the trio. | 0:17:10 | 0:17:12 | |
I'm coming to Michelle because | 0:17:12 | 0:17:13 | |
she's had her share of disappointment. | 0:17:13 | 0:17:15 | |
If anyone understands what I'm going through, it's her. | 0:17:15 | 0:17:18 | |
-All right. You know what, why don't you take a seat? -OK. | 0:17:19 | 0:17:23 | |
And I'll join you. | 0:17:23 | 0:17:24 | |
OK. | 0:17:28 | 0:17:29 | |
Sloane, now, you might be feeling a little worthless right now. | 0:17:29 | 0:17:33 | |
You might feel like you're the worst dancer in A-Troupe. | 0:17:33 | 0:17:36 | |
You might also question why you even auditioned for A-Troupe | 0:17:36 | 0:17:38 | |
in the first place just so you can get replaced. | 0:17:38 | 0:17:41 | |
'It's like Michelle can read my mind.' | 0:17:41 | 0:17:43 | |
I've been thinking these things, | 0:17:43 | 0:17:45 | |
but it's really hard to hear them spoken out loud. | 0:17:45 | 0:17:48 | |
OK, are we good? | 0:17:48 | 0:17:50 | |
What? | 0:17:51 | 0:17:52 | |
Oh, you want the positive side. | 0:17:54 | 0:17:57 | |
Well... You can't have the positive side until you accept the negative. | 0:17:57 | 0:18:01 | |
You got replaced in the trio because you weren't good enough. | 0:18:01 | 0:18:04 | |
So what are you going to do about it? | 0:18:06 | 0:18:08 | |
Are you going to give up? Quit A-Troupe? | 0:18:08 | 0:18:10 | |
-Walk out? -No. | 0:18:10 | 0:18:12 | |
-No, I'm not going to give up. -Good. | 0:18:12 | 0:18:14 | |
Now that is your first step to success. You cannot give up. | 0:18:14 | 0:18:17 | |
Because I can almost guarantee | 0:18:17 | 0:18:19 | |
that this will happen to you again and again and again | 0:18:19 | 0:18:22 | |
as long as you're here at The Next Step, and in life. | 0:18:22 | 0:18:24 | |
If you keep fighting and trying and giving it your all, | 0:18:24 | 0:18:28 | |
you will be successful. | 0:18:28 | 0:18:30 | |
'I think I understand what Michelle is getting at.' | 0:18:30 | 0:18:32 | |
I only have two choices. | 0:18:32 | 0:18:34 | |
I can give up or I can push myself to get better. | 0:18:34 | 0:18:37 | |
I don't want to give up. | 0:18:37 | 0:18:39 | |
-Noah, where are we going? -Don't worry about it. | 0:18:48 | 0:18:50 | |
'Noah asked me to come into Studio A' | 0:18:50 | 0:18:52 | |
and for some reason I feel kind of nervous. | 0:18:52 | 0:18:55 | |
I feel bad for making Amanda feel nervous about her voice | 0:18:55 | 0:18:58 | |
so I wanted to show her how incredible her voice is. | 0:18:58 | 0:19:02 | |
Yo, boys, hit it. | 0:19:02 | 0:19:03 | |
'I asked the guys to choreograph a dance to our song.' | 0:19:03 | 0:19:06 | |
I want to show Amanda its full potential. | 0:19:06 | 0:19:09 | |
# I won't leave | 0:19:09 | 0:19:10 | |
# I won't cry If all my... # | 0:19:10 | 0:19:13 | |
'When Noah asked us to make a dance for this song, I mean,' | 0:19:13 | 0:19:15 | |
we thought, hey, let's just make it fun | 0:19:15 | 0:19:17 | |
and let's just make him look cool. | 0:19:17 | 0:19:19 | |
He needs just a little bit of help. | 0:19:19 | 0:19:23 | |
# All we need is some greatest rock and roll | 0:19:23 | 0:19:26 | |
# All we need is some pockets full of gold... # | 0:19:26 | 0:19:28 | |
'Wow. I can't believe that this is our song.' | 0:19:28 | 0:19:31 | |
Noah really turned it into something special. | 0:19:31 | 0:19:33 | |
It's great Amanda finally felt comfortable enough | 0:19:33 | 0:19:35 | |
to perform with me. | 0:19:35 | 0:19:36 | |
# Ooh, sha-la-la-la | 0:19:36 | 0:19:38 | |
# Sha-la-la-la | 0:19:38 | 0:19:40 | |
# Ooh, sha-la-la-la | 0:19:40 | 0:19:42 | |
# Sha-la-la-la | 0:19:42 | 0:19:43 | |
# Ooh, sha-la-la-la | 0:19:43 | 0:19:45 | |
# Sha-la-la-la | 0:19:45 | 0:19:47 | |
# Ooh, sha-la-la-la | 0:19:47 | 0:19:49 | |
# Sha-la-la-la | 0:19:49 | 0:19:50 | |
# By the grace of the Queen | 0:19:50 | 0:19:52 | |
# And the House of the Lords | 0:19:52 | 0:19:54 | |
# We pledge to do good deeds until we get real bored | 0:19:54 | 0:19:57 | |
# I'm thinking London | 0:19:57 | 0:19:59 | |
# Driving rally cars | 0:19:59 | 0:20:00 | |
# I'm thinking anywhere we slide that credit card... # | 0:20:00 | 0:20:05 | |
Noah, our song sounds so good. | 0:20:05 | 0:20:07 | |
I just want you to hear how amazing your voice is. | 0:20:07 | 0:20:10 | |
I'm glad you like it. | 0:20:10 | 0:20:12 | |
Honestly, I don't really know what to think. | 0:20:12 | 0:20:15 | |
No-one has ever really done anything like this for me before. | 0:20:15 | 0:20:18 | |
# Ooh, sha-la-la-la | 0:20:18 | 0:20:20 | |
# Sha-la-la-la | 0:20:20 | 0:20:22 | |
# Ooh, sha-la-la-la | 0:20:22 | 0:20:23 | |
# Sha-la-la-la | 0:20:23 | 0:20:25 | |
# Ooh, sha-la-la-la | 0:20:25 | 0:20:27 | |
# Sha-la-la-la | 0:20:27 | 0:20:28 | |
# Ooh, sha-la-la-la | 0:20:28 | 0:20:31 | |
# Sha-la-la-la... | 0:20:31 | 0:20:32 | |
# Sha-la-la-la. # | 0:20:46 | 0:20:48 | |
-Whoo! -Whoo! | 0:20:50 | 0:20:53 | |
'Why would Noah go through all this trouble just for me' | 0:20:53 | 0:20:55 | |
and why can't I stop thinking about it? | 0:20:55 | 0:20:58 | |
Wait. Do I have feelings for Noah? | 0:20:58 | 0:21:01 | |
# We... | 0:21:06 | 0:21:08 | |
# We're gonna show the world | 0:21:08 | 0:21:11 | |
# Everything we're made of | 0:21:11 | 0:21:15 | |
# We're going to tear the roof off this place | 0:21:15 | 0:21:20 | |
# You... | 0:21:20 | 0:21:22 | |
# You can never fade us out | 0:21:22 | 0:21:26 | |
# Don't even ask the DJ | 0:21:26 | 0:21:29 | |
# Everybody knows we own this dance. # | 0:21:29 | 0:21:37 |