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Previously on The Next Step. | 0:00:02 | 0:00:03 | |
You know, running the studio is a full-time job, | 0:00:03 | 0:00:05 | |
you won't be able to dance with A-Troupe as well. | 0:00:05 | 0:00:07 | |
So who will replace me? | 0:00:07 | 0:00:09 | |
That's up to you. | 0:00:09 | 0:00:10 | |
-I'm Sloane, and I'm on A-Troupe. -That's it. | 0:00:10 | 0:00:13 | |
My biggest fear is not being able to do the contemporary dances | 0:00:13 | 0:00:16 | |
as well as you guys. | 0:00:16 | 0:00:17 | |
I need to keep my spot on the team. | 0:00:17 | 0:00:19 | |
I have to show everyone that I can do it all. | 0:00:19 | 0:00:22 | |
All I need is one chance to prove I belong. | 0:00:23 | 0:00:26 | |
-Are you wondering the same thing I'm wondering? -I think so. | 0:00:26 | 0:00:29 | |
This is my first decision as head of the studio, | 0:00:29 | 0:00:32 | |
and I have to make it count. | 0:00:32 | 0:00:34 | |
Who have you decided to take your spot? | 0:00:44 | 0:00:46 | |
I've decided that the dancer who will take my spot is Amanda. | 0:00:46 | 0:00:52 | |
Are you sure about that? | 0:00:52 | 0:00:54 | |
I can't believe that Riley is choosing Amanda | 0:00:54 | 0:00:56 | |
to replace her on A-Troupe. | 0:00:56 | 0:00:58 | |
It's a horrible idea. | 0:00:58 | 0:00:59 | |
Amanda is clearly not committed to The Next Step. | 0:00:59 | 0:01:02 | |
I don't think that's a wise choice. | 0:01:02 | 0:01:05 | |
I've given this a lot of thought | 0:01:05 | 0:01:07 | |
and there are so many new people on A-Troupe that I think we should | 0:01:07 | 0:01:10 | |
give the spot to an experienced dancer, | 0:01:10 | 0:01:12 | |
someone who's already proven themselves to the team. | 0:01:12 | 0:01:14 | |
Well, you said it was my decision. | 0:01:14 | 0:01:16 | |
And if you want me to be studio head, then Amanda takes my spot. | 0:01:16 | 0:01:20 | |
I admire your decisiveness, even if I don't agree with you, | 0:01:23 | 0:01:27 | |
and that's what will make a great studio head. | 0:01:27 | 0:01:29 | |
Good luck. | 0:01:32 | 0:01:34 | |
Thank you. | 0:01:34 | 0:01:36 | |
I'll go get some keys cut for you. | 0:01:36 | 0:01:37 | |
OK. | 0:01:37 | 0:01:39 | |
Riley, moving up to the big chair. | 0:01:41 | 0:01:43 | |
You know what? I am so ready for this. | 0:01:45 | 0:01:48 | |
# We... | 0:01:48 | 0:01:50 | |
# We are gonna show the world | 0:01:50 | 0:01:54 | |
# Everything we're made of | 0:01:54 | 0:01:57 | |
# We're gonna tear the roof off this place | 0:01:57 | 0:02:08 | |
# Stand up! # | 0:02:11 | 0:02:13 | |
INDISTINCT CHATTING | 0:02:29 | 0:02:31 | |
Right now, I need to tell the dancers that I'm | 0:02:32 | 0:02:35 | |
the new head of The Next Step. | 0:02:35 | 0:02:37 | |
I'm nervous, but excited. | 0:02:37 | 0:02:39 | |
But mostly nervous. | 0:02:39 | 0:02:40 | |
Sorry, can I just get your attention? | 0:02:40 | 0:02:42 | |
I have an announcement to make. | 0:02:42 | 0:02:43 | |
So, Miss Kate actually decided to take a judging job | 0:02:43 | 0:02:47 | |
on a reality show, | 0:02:47 | 0:02:49 | |
so she asked me to take over as studio head. | 0:02:49 | 0:02:52 | |
-Yes, that's awesome. -So sick. | 0:02:52 | 0:02:55 | |
No-one cares about The Next Step more than Riley does. | 0:02:55 | 0:02:57 | |
Miss Kate definitely made the right choice. | 0:02:57 | 0:02:59 | |
So, does that mean that we have to call you Miss Riley from now on? | 0:02:59 | 0:03:03 | |
No. No, call me Miss Kate. | 0:03:03 | 0:03:05 | |
I'm kidding, just call me Riley. Just Riley. | 0:03:05 | 0:03:08 | |
Doesn't that mean that there's a spot open on A-Troupe? | 0:03:08 | 0:03:11 | |
Yes, it does, | 0:03:11 | 0:03:12 | |
and I've decided to give that spot to Amanda. | 0:03:12 | 0:03:16 | |
Hi, guys. | 0:03:19 | 0:03:20 | |
I thought that everyone would be excited to see me, | 0:03:20 | 0:03:22 | |
but this is awkward. | 0:03:22 | 0:03:24 | |
She didn't even audition. | 0:03:24 | 0:03:25 | |
No, but as studio head, I made the decision on my own, | 0:03:25 | 0:03:29 | |
because that's what I do. | 0:03:29 | 0:03:30 | |
Cierra and a lot of other amazing dancers didn't make the team, | 0:03:30 | 0:03:34 | |
and now Amanda doesn't have to audition. | 0:03:34 | 0:03:36 | |
What's up with that? | 0:03:36 | 0:03:37 | |
Amanda deserved a spot on A-Troupe. | 0:03:37 | 0:03:39 | |
Miss Kate made a mistake, so I corrected it. | 0:03:39 | 0:03:41 | |
-So good to see you. -Hi. | 0:03:41 | 0:03:43 | |
-Good to have you back. -Hey, so good to have you here. | 0:03:43 | 0:03:46 | |
OK, let's just warm up and get ready for rehearsal. | 0:03:46 | 0:03:49 | |
My friends seem glad to see me, but this isn't exactly a warm welcome. | 0:03:49 | 0:03:53 | |
I'm going to have to prove myself all over again. | 0:03:53 | 0:03:55 | |
So I didn't exactly get the warmest welcome when you announced that I was the new member of A-Troupe. | 0:04:01 | 0:04:05 | |
What are you talking about? | 0:04:05 | 0:04:08 | |
OK, yeah, no, it was pretty bad. | 0:04:08 | 0:04:10 | |
I think it's because I didn't audition, so I didn't prove myself. | 0:04:10 | 0:04:13 | |
I mean, I'd be happy to do it in front of everyone. | 0:04:13 | 0:04:15 | |
No, no, that's so not necessary. | 0:04:15 | 0:04:17 | |
My decision is final. Plus, I need A-Troupe solidified right now | 0:04:17 | 0:04:20 | |
-because there are way too many things to worry about. -Like what? | 0:04:20 | 0:04:23 | |
I just found out that there's this qualifier for regionals. | 0:04:23 | 0:04:26 | |
-Qualifier? -Yeah. | 0:04:26 | 0:04:27 | |
This year, there are only eight teams allowed at regionals. | 0:04:27 | 0:04:30 | |
There are four spots available in the first qualifier, | 0:04:30 | 0:04:32 | |
three spots in the second and only one spot available in the final | 0:04:32 | 0:04:36 | |
qualifying round. The first one's a trio competition, so now I have to | 0:04:36 | 0:04:38 | |
figure out the best three dancers to represent The Next Step. | 0:04:38 | 0:04:41 | |
But keep it on the down low, | 0:04:41 | 0:04:43 | |
I don't want anyone else finding out just yet. | 0:04:43 | 0:04:45 | |
OK. | 0:04:45 | 0:04:46 | |
This trio competition gives me a great idea. | 0:04:48 | 0:04:51 | |
I think I know how to prove to everyone that I belong on A-Troupe. | 0:04:51 | 0:04:53 | |
Michelle, I've been looking for you everywhere. | 0:05:01 | 0:05:03 | |
Everywhere? Well, not in here, because I'm here. | 0:05:04 | 0:05:06 | |
-So what's up? -I just found out that there is a qualifier for regionals | 0:05:06 | 0:05:09 | |
and we need to do a trio. So do you want to do one with me? | 0:05:09 | 0:05:12 | |
After last year, I know Michelle wants to prove herself to the team. | 0:05:12 | 0:05:16 | |
Maybe we can help each other out. | 0:05:16 | 0:05:19 | |
I actually already heard about the trio competition. | 0:05:19 | 0:05:22 | |
How? | 0:05:22 | 0:05:24 | |
Well, news travels fast at The Next Step, you know that. | 0:05:24 | 0:05:27 | |
This is the first I'm hearing about this trio competition, | 0:05:27 | 0:05:30 | |
but I don't want to be an alternate this year. | 0:05:30 | 0:05:33 | |
I know it's selfish, but I want to team up with the best dancers, | 0:05:33 | 0:05:36 | |
and I know Amanda's not one of them. | 0:05:36 | 0:05:39 | |
OK, so who's in your trio? | 0:05:39 | 0:05:40 | |
Noah and Cassie, one of the new girls. | 0:05:41 | 0:05:45 | |
OK, I guess I'll just ask someone else to be in my trio then. | 0:05:45 | 0:05:49 | |
OK, good idea. | 0:05:49 | 0:05:51 | |
I'll see you later. | 0:05:51 | 0:05:52 | |
I hope all the best dancers aren't already spoken for. | 0:05:54 | 0:05:57 | |
If I'm going to prove that I belong on A-Troupe, | 0:05:57 | 0:05:59 | |
I need to put a trio together right away. | 0:05:59 | 0:06:02 | |
Hey, Noah. Can I talk to you? | 0:06:15 | 0:06:17 | |
Yeah, sure. What's up? | 0:06:17 | 0:06:20 | |
Well, there's an upcoming trio competition, | 0:06:20 | 0:06:23 | |
and since you are the best dancer in the studio... | 0:06:23 | 0:06:25 | |
-Thanks. -I just want to know if you'd want to be in a trio with me? | 0:06:25 | 0:06:28 | |
What? | 0:06:28 | 0:06:30 | |
Michelle was just asking me to be in a trio with her. | 0:06:30 | 0:06:32 | |
But I thought you were already in a trio with Noah. | 0:06:32 | 0:06:35 | |
Well... Hmm... | 0:06:37 | 0:06:38 | |
What? | 0:06:38 | 0:06:40 | |
What I... | 0:06:42 | 0:06:43 | |
Noah is... | 0:06:43 | 0:06:45 | |
Wow, that was awkward. | 0:06:45 | 0:06:47 | |
I just had to aerial out of a very uncomfortable situation. | 0:06:47 | 0:06:50 | |
You know, maybe we should just talk about the trios later and just focus | 0:06:54 | 0:06:57 | |
on stretching right now and wait for Riley just to... | 0:06:57 | 0:07:00 | |
So ignore the fact that you lied to me? | 0:07:00 | 0:07:02 | |
I didn't lie to you. | 0:07:04 | 0:07:05 | |
No, you did. | 0:07:05 | 0:07:06 | |
I have an explanation. I just don't want to talk about it | 0:07:06 | 0:07:08 | |
-in front of everyone. -But you were just talking about it to Noah. | 0:07:08 | 0:07:11 | |
What's that all about? | 0:07:11 | 0:07:13 | |
Apparently there's this trio competition, | 0:07:13 | 0:07:15 | |
and Michelle wants me to be on her team. | 0:07:15 | 0:07:18 | |
-Oh, cool. -Did you hear that? Trio competition. | 0:07:18 | 0:07:21 | |
So we should totally partner up. | 0:07:21 | 0:07:24 | |
Yeah, for sure. | 0:07:24 | 0:07:25 | |
Hey. So, do you guys want to partner up for the trio competition? | 0:07:25 | 0:07:30 | |
OK, so I have some news. | 0:07:30 | 0:07:32 | |
About the trio competition? | 0:07:32 | 0:07:34 | |
Yeah. How did you know that? | 0:07:34 | 0:07:37 | |
We started making our groups. | 0:07:37 | 0:07:40 | |
Oh, no. You guys don't decide that, I decide that. | 0:07:40 | 0:07:43 | |
Since when? | 0:07:43 | 0:07:44 | |
Since I became studio head. | 0:07:44 | 0:07:45 | |
OK, so... | 0:07:47 | 0:07:48 | |
The trios will be... | 0:07:49 | 0:07:51 | |
Alfie, Amy and Cassie. | 0:07:51 | 0:07:53 | |
Richelle, Michelle and Amanda. | 0:07:53 | 0:07:56 | |
Piper, Noah and Sloane. | 0:07:56 | 0:07:59 | |
And LaTroy, Henry and Skylar. | 0:07:59 | 0:08:01 | |
I've been kind of put on the spot, so I just grouped the trios | 0:08:01 | 0:08:04 | |
by whoever was standing next to each other. | 0:08:04 | 0:08:06 | |
I hope no-one notices. | 0:08:06 | 0:08:07 | |
OK. | 0:08:07 | 0:08:09 | |
Begin! | 0:08:09 | 0:08:10 | |
Michelle was the first person I wanted on my trio. | 0:08:10 | 0:08:13 | |
Now she's the last person I want to dance with. | 0:08:13 | 0:08:15 | |
This trio is going to be a disaster. | 0:08:15 | 0:08:18 | |
We have been stretching for 20 minutes in silence. | 0:08:33 | 0:08:36 | |
Amanda and I need to be able to compete in the trio competition | 0:08:36 | 0:08:39 | |
together. I need to clear the air. How long is this going to go on for? | 0:08:39 | 0:08:43 | |
As long as it needs to. | 0:08:43 | 0:08:44 | |
-And how long is that? -Hundred years? | 0:08:44 | 0:08:48 | |
Why don't you come back then and apologise? | 0:08:48 | 0:08:50 | |
Richelle, do you mind leaving the room for a minute? | 0:08:52 | 0:08:55 | |
Gladly. | 0:08:55 | 0:08:56 | |
Why didn't you want to be in a trio with me? | 0:09:01 | 0:09:04 | |
The truth is, I didn't want to dance with you | 0:09:04 | 0:09:06 | |
because you're not the strongest dancer on A-Troupe. | 0:09:06 | 0:09:09 | |
-And you were an alternate last year. -So were you! | 0:09:09 | 0:09:11 | |
I know, so why would you ever want to dance with me? | 0:09:11 | 0:09:13 | |
I don't know, maybe because we're friends? | 0:09:13 | 0:09:15 | |
Just because we're friends doesn't mean we have to dance together. | 0:09:15 | 0:09:18 | |
We should be dancing with the strongest dancers, | 0:09:18 | 0:09:20 | |
that way we can become stronger. | 0:09:20 | 0:09:22 | |
I appreciate Michelle being honest with me, | 0:09:23 | 0:09:25 | |
and I understand why she didn't want to team up. | 0:09:25 | 0:09:28 | |
She's right - we'll never get better if we don't challenge ourselves. | 0:09:28 | 0:09:31 | |
-Michelle, you could have just told me the truth. -I didn't want to | 0:09:32 | 0:09:35 | |
-tell you the truth because I didn't want to hurt your feelings. -Why? | 0:09:35 | 0:09:38 | |
Because we're friends. | 0:09:39 | 0:09:41 | |
I'm sorry. | 0:09:42 | 0:09:43 | |
OK, I'm going to go get Richelle. | 0:09:49 | 0:09:50 | |
OK. I'm so happy I cleared the air with Amanda. | 0:09:50 | 0:09:53 | |
No-one needs this win more than we do. | 0:09:53 | 0:09:55 | |
Now we can focus on choreographing a great trio. | 0:09:55 | 0:09:57 | |
-Hey. -Oh, hey, what's up? | 0:10:02 | 0:10:04 | |
How's your group rehearsal going? | 0:10:04 | 0:10:06 | |
We're just about to meet up. What about you? | 0:10:06 | 0:10:09 | |
I'm actually supposed to be with them right now, | 0:10:09 | 0:10:11 | |
but I'm thinking of bailing. | 0:10:11 | 0:10:14 | |
What? | 0:10:14 | 0:10:15 | |
I don't really want to be in a trio with Noah and Piper. | 0:10:15 | 0:10:19 | |
Wait, are you serious? | 0:10:19 | 0:10:21 | |
Noah and Piper are two of the studio's strongest dancers - | 0:10:21 | 0:10:23 | |
you have a great chance of winning this competition with them. | 0:10:23 | 0:10:25 | |
Not if I mess it up for them. | 0:10:25 | 0:10:27 | |
I can only do hip-hop, and from what I saw at the auditions, | 0:10:27 | 0:10:30 | |
they're technical dancers. | 0:10:30 | 0:10:32 | |
Sloane, we're on A-Troupe now. | 0:10:33 | 0:10:35 | |
We have to learn how to work with new types of people and new styles | 0:10:35 | 0:10:38 | |
of dance. I'll have your back when you're dancing out there, | 0:10:38 | 0:10:41 | |
and I know you'll have mine. | 0:10:41 | 0:10:43 | |
You got this. You're Sloane, Super Sloane. | 0:10:43 | 0:10:46 | |
-You got it. -OK. | 0:10:46 | 0:10:48 | |
-Yeah? -Yeah. -All right, well... | 0:10:48 | 0:10:51 | |
I got to get to my rehearsal, so... | 0:10:51 | 0:10:53 | |
Yeah, I'm going to do that too, actually. | 0:10:53 | 0:10:55 | |
That's my girl. | 0:10:55 | 0:10:57 | |
All right, so we go... | 0:11:05 | 0:11:07 | |
We can, like, land there or something. What do you think? | 0:11:12 | 0:11:15 | |
Wow. LaTroy was wrong. | 0:11:15 | 0:11:18 | |
There's no way I can pull off a move like that. | 0:11:18 | 0:11:20 | |
-I'm not really feeling that. -No? | 0:11:20 | 0:11:22 | |
-No. -OK. | 0:11:22 | 0:11:23 | |
-OK, let's try something different. -Yeah, sweet. | 0:11:23 | 0:11:26 | |
Sweet. OK. | 0:11:26 | 0:11:30 | |
I'm down. Yes. | 0:11:30 | 0:11:31 | |
-OK. -I don't know, I'd just fall on my face if I did that. | 0:11:31 | 0:11:34 | |
Sloane's being really negative. | 0:11:34 | 0:11:36 | |
Something's up. | 0:11:36 | 0:11:38 | |
Come on. | 0:11:38 | 0:11:39 | |
SLOANE SIGHS | 0:11:39 | 0:11:40 | |
Sloane, what's up? | 0:11:42 | 0:11:43 | |
I can't do what you guys do. | 0:11:43 | 0:11:46 | |
I'm going to look like a fool in front of the whole studio. | 0:11:46 | 0:11:48 | |
Sloane, we talked about this. | 0:11:48 | 0:11:50 | |
Do you think you're the best dancer you're ever going to be right now? | 0:11:50 | 0:11:53 | |
-No. -No. | 0:11:53 | 0:11:54 | |
No, of course not. I'm not either. | 0:11:54 | 0:11:56 | |
We're constantly improving. | 0:11:56 | 0:11:58 | |
Noah, how many times did you fall on your face when you first started | 0:11:58 | 0:12:01 | |
-that move? -Oh, I fell several times on my face. | 0:12:01 | 0:12:03 | |
Yeah, and I'll probably fall on my face when I do it too. | 0:12:03 | 0:12:07 | |
Oh, OK. | 0:12:07 | 0:12:08 | |
There you go, that's it. | 0:12:13 | 0:12:14 | |
OK. Sloane, you try. | 0:12:14 | 0:12:16 | |
-Give it a shot. -I can try. | 0:12:16 | 0:12:17 | |
Yes! Yeah, that's it. | 0:12:19 | 0:12:20 | |
-OK. -That's basically it. | 0:12:20 | 0:12:22 | |
Yeah, if I did that a bunch of times I could probably get it. | 0:12:22 | 0:12:24 | |
-Yeah, of course. -Me too. -Cool. | 0:12:24 | 0:12:26 | |
Anyway, we should do some tutting. | 0:12:26 | 0:12:27 | |
-Yeah? -I'm so down, that would look so sick in the dance. | 0:12:27 | 0:12:30 | |
The only thing is that Piper and I have no idea how to tut, | 0:12:30 | 0:12:34 | |
so you're going to have to teach us. | 0:12:34 | 0:12:36 | |
-Oh, yeah, no problem. For sure I'll show you. -Sweet, yeah. | 0:12:36 | 0:12:38 | |
So, let's do something like... | 0:12:38 | 0:12:41 | |
Oh! | 0:12:41 | 0:12:42 | |
And you can go here. | 0:12:42 | 0:12:44 | |
That's so sick. OK, go a little slower. | 0:12:44 | 0:12:46 | |
OK. So, you start like this, you make a box. | 0:12:46 | 0:12:50 | |
I'm really starting to feel better about this dance. | 0:12:50 | 0:12:52 | |
Between my hip-hop and their technique, | 0:12:52 | 0:12:54 | |
I think this trio is going to be sick. | 0:12:54 | 0:12:56 | |
Everyone has had the day to rehearse their trios, and now it's time | 0:13:04 | 0:13:07 | |
to decide who will represent The Next Step at the qualifier. | 0:13:07 | 0:13:10 | |
We decided that the best approach for our dance is to tell a story | 0:13:21 | 0:13:24 | |
-with our choreo. -Alfie's the handsome prince, Amy's the peasant girl, | 0:13:24 | 0:13:27 | |
and I'm the fairy godmother bringing them together. | 0:13:27 | 0:13:30 | |
If this doesn't get Riley's attention, I don't know what will. | 0:13:30 | 0:13:33 | |
This is my first official dance on A-Troupe, | 0:13:50 | 0:13:52 | |
and I really hope it has a happy ending. | 0:13:52 | 0:13:55 | |
This trio is so emotional and has so many tricks. | 0:14:04 | 0:14:07 | |
Our trio is so bland compared to this. | 0:14:07 | 0:14:10 | |
They have a storyline, they have everything. | 0:14:10 | 0:14:12 | |
It's so intimidating to watch. | 0:14:12 | 0:14:15 | |
I hope the other dancers are paying attention, because it's going to be hard to top that. | 0:14:30 | 0:14:35 | |
They had a whole storyline. | 0:14:44 | 0:14:46 | |
I know, she was Cinderella, he was the prince. | 0:14:46 | 0:14:49 | |
We just saw the first trio perform and it was incredible. | 0:14:49 | 0:14:52 | |
There is no way our dance is going to beat that. | 0:14:52 | 0:14:54 | |
-What are we going to do? -I honestly don't know. | 0:14:54 | 0:14:56 | |
We can't add a storyline. | 0:14:56 | 0:14:58 | |
I'll just add some acro! | 0:14:58 | 0:14:59 | |
When you guys do the turns after the beat drops - it'll be great. | 0:14:59 | 0:15:02 | |
Can you just show us, so that we have an idea? | 0:15:02 | 0:15:04 | |
Yeah. I'll add a little bit of this... | 0:15:04 | 0:15:06 | |
..then a little bit of this | 0:15:08 | 0:15:10 | |
and a dash of this. | 0:15:10 | 0:15:12 | |
-I mean, something along those lines, probably not exactly that. -OK. | 0:15:13 | 0:15:17 | |
-It's good. -Yeah, it's fine. -It's great! | 0:15:17 | 0:15:20 | |
This dance is turning into the Richelle show. | 0:15:20 | 0:15:22 | |
But I don't think we have a choice. | 0:15:22 | 0:15:24 | |
We need to step it up. | 0:15:24 | 0:15:26 | |
So, next trio. | 0:15:31 | 0:15:32 | |
Oh, yes! | 0:15:37 | 0:15:39 | |
Noah, Piper and I combined our dance styles into a really cool concept. | 0:15:43 | 0:15:47 | |
In this dance, I'm Mother Time and Noah and Piper are little kids. | 0:15:47 | 0:15:51 | |
As I count time forward, Piper and Noah grow up, and they fall in love. | 0:15:51 | 0:15:55 | |
I knew it! Sloane is killing this dance. | 0:16:02 | 0:16:06 | |
She looks technically proficient. | 0:16:06 | 0:16:09 | |
Sloane is an amazing dance partner. | 0:16:20 | 0:16:22 | |
We taught her some contemporary, and she taught us some killer hip-hop. | 0:16:22 | 0:16:26 | |
Together, we are an unstoppable team. | 0:16:26 | 0:16:28 | |
I love dancing outside my comfort zone. | 0:16:30 | 0:16:32 | |
Who would have thought I could tut? | 0:16:32 | 0:16:34 | |
Maybe I was a pharaoh in a past life. | 0:16:34 | 0:16:36 | |
Amazing. All right, Skylar, your trio is ready? | 0:17:09 | 0:17:11 | |
Yeah, all good. Sloane really upped her game, | 0:17:11 | 0:17:14 | |
but there is no way she's going to dance better than me. | 0:17:14 | 0:17:18 | |
We worked so hard on this choreo. | 0:17:38 | 0:17:40 | |
There's no question about it. | 0:17:40 | 0:17:41 | |
We have definitely got this. | 0:17:41 | 0:17:43 | |
This dance is very impressive, just like every other dance so far. | 0:17:51 | 0:17:55 | |
It's going to be really hard deciding who wins. | 0:17:55 | 0:17:58 | |
Great job, guys. All right, last trio. | 0:18:14 | 0:18:16 | |
Are you guys ready? Sweet. | 0:18:16 | 0:18:18 | |
I'm glad our dance is going really well. | 0:18:42 | 0:18:44 | |
But honestly, it's a bit discouraging. | 0:18:44 | 0:18:46 | |
Richelle is brand-new to A-Troupe and she's already better than me | 0:18:46 | 0:18:49 | |
and Amanda. I feel like I'm right back where I was at internationals. | 0:18:49 | 0:18:52 | |
This isn't exactly what I had in mind when we started, | 0:19:20 | 0:19:22 | |
but as long as I'm on the winning team, | 0:19:22 | 0:19:25 | |
I guess I don't care if Richelle is the focus of the dance. | 0:19:25 | 0:19:29 | |
Nice. | 0:19:38 | 0:19:40 | |
Wow. | 0:19:42 | 0:19:44 | |
That was amazing. Thank you, guys. | 0:19:44 | 0:19:46 | |
I'm going to look over everything and then I'll let you guys know | 0:19:46 | 0:19:48 | |
when I've made my decision. | 0:19:48 | 0:19:50 | |
Riley's about to announce the trio for the qualifier, | 0:20:01 | 0:20:04 | |
and I can't believe I'm about to say this, but I really think Noah, | 0:20:04 | 0:20:08 | |
Piper and I have a real shot at this. | 0:20:08 | 0:20:10 | |
OK, so after looking everything over, | 0:20:10 | 0:20:12 | |
I've decided on the three dancers to represent The Next Step | 0:20:12 | 0:20:15 | |
at the qualifier. The final trio is going to be... | 0:20:15 | 0:20:18 | |
..Piper, Noah... | 0:20:19 | 0:20:21 | |
..and Richelle. | 0:20:22 | 0:20:24 | |
What? | 0:20:24 | 0:20:26 | |
How can Riley take me off of my trio? | 0:20:28 | 0:20:30 | |
Was I really that bad? | 0:20:31 | 0:20:33 | |
Look, the most important thing is that The Next Step is | 0:20:33 | 0:20:36 | |
represented well at the qualifier. And, in my opinion, I just think | 0:20:36 | 0:20:40 | |
that those are the best three dancers that will do that. | 0:20:40 | 0:20:43 | |
Thank you. | 0:20:43 | 0:20:44 | |
I can't believe what just happened. | 0:20:50 | 0:20:52 | |
I put myself out there. | 0:20:52 | 0:20:54 | |
I put my whole heart into this team... | 0:20:55 | 0:20:57 | |
..and Riley took it away from me, | 0:20:58 | 0:21:01 | |
just like that. | 0:21:01 | 0:21:02 | |
# We... | 0:21:06 | 0:21:08 | |
# We are gonna show the world | 0:21:08 | 0:21:12 | |
# Everything we're made of | 0:21:12 | 0:21:15 | |
# We're gonna tear the roof off this place | 0:21:15 | 0:21:20 | |
# You... | 0:21:20 | 0:21:22 | |
# You can never fade us out | 0:21:22 | 0:21:26 | |
# Don't even ask the DJ | 0:21:26 | 0:21:29 | |
# Everybody knows we own this sound. # | 0:21:29 | 0:21:37 |