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After we lost regionals, Miss Kate promised us big changes. | 0:00:17 | 0:00:20 | |
This new studio is just the beginning. | 0:00:20 | 0:00:24 | |
So clean and pretty. | 0:00:24 | 0:00:25 | |
Studio One is a fresh and inspiring space. | 0:00:25 | 0:00:27 | |
It's exactly what we need to get TNS back on top. | 0:00:27 | 0:00:30 | |
It's been eight months since we lost and now we're getting ready for | 0:00:31 | 0:00:35 | |
regionals all over again. | 0:00:35 | 0:00:36 | |
Today is A-Troupe auditions and no-one's spot is safe. | 0:00:36 | 0:00:40 | |
So many people decided to move on after we lost regionals. | 0:00:40 | 0:00:43 | |
No more Cassie. | 0:00:43 | 0:00:45 | |
No more Alfie. | 0:00:45 | 0:00:46 | |
Big changes. | 0:00:46 | 0:00:49 | |
I don't think we met. I'm Noah. Pleased to meet you. | 0:00:49 | 0:00:51 | |
-Lola? -Pleased to meet you. | 0:00:51 | 0:00:52 | |
'After Amanda and I broke up' | 0:00:52 | 0:00:53 | |
I never thought the studio would be the same. | 0:00:53 | 0:00:56 | |
Seeing people from B-troupe and even dancers | 0:00:56 | 0:00:59 | |
from other studios audition, I think we'll be OK. | 0:00:59 | 0:01:02 | |
So have you heard anything about who the new studio head will be? | 0:01:02 | 0:01:05 | |
I haven't heard anything. | 0:01:05 | 0:01:08 | |
Riley stepped down and decided to go to business school instead. | 0:01:08 | 0:01:10 | |
And I honestly think that's a very good choice for her. | 0:01:10 | 0:01:12 | |
It'll be really interesting to see who's going to take over this huge job. | 0:01:12 | 0:01:15 | |
-What's your style? -I usually do a lot of waves, ticks, | 0:01:15 | 0:01:19 | |
you know, do a little solo. | 0:01:19 | 0:01:21 | |
-Ah, so you've got that popping going on? -Yeah. | 0:01:21 | 0:01:23 | |
I just moved here from the country. | 0:01:23 | 0:01:25 | |
And to be honest, I've never seen so many great dancers in one place. | 0:01:25 | 0:01:28 | |
Making A-Troupe isn't going to be easy. | 0:01:28 | 0:01:31 | |
Coming into this new space is great. | 0:01:38 | 0:01:41 | |
I mean I'm returning to The Next Step for another season. | 0:01:41 | 0:01:44 | |
It's awesome. | 0:01:44 | 0:01:46 | |
I just feel so different though, without the old A-Troupe, | 0:01:46 | 0:01:49 | |
without my old friends. | 0:01:49 | 0:01:50 | |
It'll take some getting used to. | 0:01:50 | 0:01:52 | |
-Hey! -Hey! -I didn't know you were auditioning. | 0:01:55 | 0:01:57 | |
I'm so happy you're here. | 0:01:57 | 0:01:59 | |
Oh, I thought you knew. | 0:01:59 | 0:02:02 | |
-What? -Well, actually... | 0:02:03 | 0:02:05 | |
Everyone! | 0:02:05 | 0:02:06 | |
Everyone, gather round. | 0:02:06 | 0:02:08 | |
As most of you know, I'm Emily. | 0:02:10 | 0:02:12 | |
Former A-Troupe member | 0:02:12 | 0:02:14 | |
and former dance captain and now your new studio head. | 0:02:14 | 0:02:18 | |
CHEERING | 0:02:18 | 0:02:19 | |
Guess who's back. | 0:02:23 | 0:02:24 | |
Miss Kate put me in charge of the studio because | 0:02:36 | 0:02:38 | |
of how poorly The Next Step performed last year. | 0:02:38 | 0:02:41 | |
I'm here to get the studio into shape and return | 0:02:41 | 0:02:43 | |
us to our former glory. | 0:02:43 | 0:02:44 | |
-OK, OK. -I think Emily will make a great studio head. | 0:02:44 | 0:02:48 | |
Last year, she came in right when we needed her and saved the day, so, | 0:02:48 | 0:02:51 | |
when we have her the entire year, we'll definitely be unstoppable. | 0:02:51 | 0:02:55 | |
I have one more big announcement to make. | 0:02:55 | 0:02:58 | |
I've also gone ahead and hired the best choreographer in the business. | 0:02:58 | 0:03:02 | |
Everyone, please welcome | 0:03:02 | 0:03:05 | |
Daniel! | 0:03:05 | 0:03:06 | |
CHEERING AND WHOOPING | 0:03:06 | 0:03:07 | |
Hi, everyone. | 0:03:08 | 0:03:09 | |
Welcome to the A-Troupe auditions. | 0:03:09 | 0:03:11 | |
Being head choreographer of The Next Step is surreal. | 0:03:11 | 0:03:14 | |
It kind of feels like I have totally come full circle from when I first | 0:03:14 | 0:03:18 | |
made it into A-Troupe. | 0:03:18 | 0:03:19 | |
We plan to have the best A-Troupe | 0:03:19 | 0:03:22 | |
The Next Step has ever seen. | 0:03:22 | 0:03:24 | |
I'm in disbelief | 0:03:26 | 0:03:27 | |
that Emily is the new studio head. | 0:03:27 | 0:03:30 | |
We used to be on the same team. | 0:03:30 | 0:03:32 | |
And now I have to answer to her? | 0:03:32 | 0:03:34 | |
I don't know. | 0:03:34 | 0:03:35 | |
This is way too much for me to handle. | 0:03:35 | 0:03:38 | |
You're looking better from the last time I saw you. | 0:03:38 | 0:03:40 | |
Man, I actually met this girl at these ballet workshops I was doing. | 0:03:40 | 0:03:43 | |
-OK. -I really like her but we're not dating or anything. | 0:03:43 | 0:03:45 | |
But she might be coming to the auditions today. | 0:03:45 | 0:03:47 | |
-Awesome. -And hey, who knows? If we're on the same team. | 0:03:47 | 0:03:50 | |
-That's convenient. -Exactly. How've you been though? -I'm great. | 0:03:50 | 0:03:52 | |
-You good? -It's going to be good. -I'm so excited for the auditions today, | 0:03:52 | 0:03:56 | |
but I'm really surprised to see Henry here. | 0:03:56 | 0:03:58 | |
It's kind of awkward because we haven't spoken in years. | 0:03:58 | 0:04:01 | |
Jacquie. How are you doing? | 0:04:04 | 0:04:05 | |
-I'm good. How are you? -I'm good. How've you been? | 0:04:05 | 0:04:08 | |
I can't believe Noah's crush is Jacquie. | 0:04:08 | 0:04:11 | |
And that's just ridiculous because that's my ex-girlfriend and I know | 0:04:11 | 0:04:15 | |
nothing good can come out of this. | 0:04:15 | 0:04:16 | |
-I'm so glad you came. -Yeah, I'm so glad I could make it. | 0:04:16 | 0:04:19 | |
-Yeah, it would be so cool if we were on the same team. -Yeah, totally. | 0:04:19 | 0:04:22 | |
That would be awesome. Are you excited about today though? | 0:04:22 | 0:04:24 | |
Yeah, little nervous... | 0:04:24 | 0:04:25 | |
Of all the studios in all the world, Jacquie had to walk into mine. | 0:04:25 | 0:04:29 | |
# And if we lose this battle forever | 0:04:32 | 0:04:34 | |
# We swear that we'd never surrender... # | 0:04:34 | 0:04:38 | |
# Yeah, A-Troupe stand up | 0:04:46 | 0:04:47 | |
# Everybody in the B-Troupe sit down | 0:04:47 | 0:04:48 | |
# Sit down, cos we're gonna get dirty, get dirty, get down | 0:04:48 | 0:04:51 | |
# Oh we're gonna get it hot like | 0:04:51 | 0:04:55 | |
# Oh say we're gonna get it hot like... # | 0:04:55 | 0:04:57 | |
-Nervous? -No, I'm not nervous at all. | 0:04:57 | 0:04:59 | |
Really? Well, I'm totally nervous! | 0:04:59 | 0:05:01 | |
-Why? -Well, there's some amazing | 0:05:01 | 0:05:03 | |
dancers here. | 0:05:03 | 0:05:04 | |
I just want to show everyone what I've got, | 0:05:15 | 0:05:17 | |
like all my moves and stuff like that. | 0:05:17 | 0:05:19 | |
So, fingers crossed. | 0:05:19 | 0:05:20 | |
-Can we focus now, please? -Sure, sure. | 0:05:20 | 0:05:22 | |
This kid is a J-Trouper! | 0:05:22 | 0:05:24 | |
Do you really think he's going to make A-Troupe? | 0:05:24 | 0:05:27 | |
Aw, yeah. | 0:05:31 | 0:05:32 | |
-We're back. -It's so nice. | 0:05:33 | 0:05:35 | |
Look at the pictures. | 0:05:35 | 0:05:37 | |
I decided to not audition for A-Troupe this year | 0:05:37 | 0:05:39 | |
because I got this really great offer to assist Luther Brown, | 0:05:39 | 0:05:42 | |
which was always my dream, | 0:05:42 | 0:05:44 | |
so I for sure, for sure, want to do that instead. | 0:05:44 | 0:05:46 | |
I'm just, just bummed that you're | 0:05:46 | 0:05:48 | |
-not going to be dancing with me this year. -I know, | 0:05:48 | 0:05:50 | |
-but I know you'll be great. -Yeah, well, you know. | 0:05:50 | 0:05:54 | |
Come here. You're so stupid. | 0:05:54 | 0:05:58 | |
-Good luck. -Thank you. -Kill it. -I will. | 0:05:58 | 0:06:00 | |
I really think it's cool that Sloane came to the audition | 0:06:00 | 0:06:03 | |
to support me. I really just think she's the greatest girlfriend | 0:06:03 | 0:06:06 | |
a guy could ever ask for. | 0:06:06 | 0:06:07 | |
In this studio, we wear our hair up when we dance. | 0:06:23 | 0:06:25 | |
Amy? I've got your back. | 0:06:29 | 0:06:32 | |
The Next Step has always been about being yourself, | 0:06:32 | 0:06:35 | |
being unique and with Emily being the head, | 0:06:35 | 0:06:39 | |
I feel we're all just going to become robots. | 0:06:39 | 0:06:42 | |
So, what do you think of the new studio? | 0:06:42 | 0:06:45 | |
I think it's great. | 0:06:46 | 0:06:48 | |
I know, right? | 0:06:48 | 0:06:50 | |
I mean, it just screams perfect, exclusive, professional. | 0:06:50 | 0:06:54 | |
This studio is nice but it's weird not being in Studio A. | 0:06:54 | 0:06:58 | |
Yeah, totally. | 0:06:58 | 0:07:00 | |
She doesn't seem that excited and I need her to be a really important | 0:07:00 | 0:07:04 | |
member of this team. You know, Michelle, | 0:07:04 | 0:07:07 | |
I am really excited to have you on the troupe this year. | 0:07:07 | 0:07:10 | |
I think you were very under-utilised last year and I'm really ready to | 0:07:10 | 0:07:14 | |
change that. I want to make you the star of our team. | 0:07:14 | 0:07:16 | |
Well, my team. | 0:07:16 | 0:07:18 | |
Thanks. I appreciate that. | 0:07:18 | 0:07:20 | |
I want to make up for what happened last year | 0:07:20 | 0:07:22 | |
and if Emily's going to make me a future dancer | 0:07:22 | 0:07:25 | |
then maybe I can work with her after all. | 0:07:25 | 0:07:27 | |
All right, everyone. We're about ready to begin. Gather round. | 0:07:27 | 0:07:31 | |
Things are going to be done a little bit differently this year. | 0:07:31 | 0:07:33 | |
I'm going to divide you into groups, and the first group is Ozzy... | 0:07:33 | 0:07:37 | |
-..Alexandra. -I feel so excited. | 0:07:39 | 0:07:41 | |
I feel like it's my chance to shine, you know? | 0:07:41 | 0:07:44 | |
Kevin, Jasmine... | 0:07:44 | 0:07:46 | |
-..and LaTroy. -Oh, man. | 0:07:49 | 0:07:51 | |
Looks like we're back at the start to when we first auditioned. | 0:07:51 | 0:07:54 | |
You know, I've got to bring my game. | 0:07:54 | 0:07:56 | |
No matter what. It doesn't matter, I just have to bring my 100%. | 0:07:56 | 0:07:58 | |
Thank you so much for coming. | 0:08:03 | 0:08:05 | |
Both Daniel and I really appreciate it. | 0:08:05 | 0:08:07 | |
Unfortunately, we are not going to be asking any of you to dance today, | 0:08:08 | 0:08:11 | |
but we would be more than happy to see you on our B-Troupe. | 0:08:11 | 0:08:14 | |
Thank you so much for coming. | 0:08:14 | 0:08:15 | |
Miss Kate tasked me with getting the studio ready for regionals. | 0:08:15 | 0:08:18 | |
We are not going to win with break dancers or hip-hop dancers or | 0:08:18 | 0:08:22 | |
J-Troupers like Ozzy. | 0:08:22 | 0:08:23 | |
They just don't have the technique. | 0:08:23 | 0:08:25 | |
So, they gotta go. | 0:08:25 | 0:08:26 | |
What? That's crazy. | 0:08:26 | 0:08:28 | |
You didn't even let them au... | 0:08:28 | 0:08:30 | |
-Are you serious? -Like we said, thank you for coming and if you | 0:08:32 | 0:08:35 | |
could grab your things from the locker room. We need to get going. | 0:08:35 | 0:08:37 | |
-Thank you so much. -Just like that. -And we'll see you on B-Troupe, OK. | 0:08:37 | 0:08:40 | |
-That's it? -Thank you so much. | 0:08:40 | 0:08:42 | |
It's so unfair. She didn't even let me dance. | 0:08:45 | 0:08:48 | |
She didn't even let me show what I've got. | 0:08:48 | 0:08:50 | |
This isn't The Next Step that I know any more. | 0:08:50 | 0:08:53 | |
It's always been a thing of The Next Step that everyone gets a chance to | 0:08:53 | 0:08:56 | |
audition, whether if you do hip-hop dancing, | 0:08:56 | 0:08:58 | |
ballet dancing, jazz dancing, | 0:08:58 | 0:08:59 | |
it doesn't matter. We're all on the same level. | 0:08:59 | 0:09:02 | |
The Next Step is changing and I don't know how I feel about it. | 0:09:03 | 0:09:08 | |
OK. We're going to begin. We'll start with a freestyle solo. | 0:09:15 | 0:09:17 | |
We're looking for creativity, versatility | 0:09:17 | 0:09:20 | |
but above all, technique. | 0:09:20 | 0:09:22 | |
That's really important to us. | 0:09:22 | 0:09:24 | |
Let's get started. Everyone clear off. | 0:09:24 | 0:09:26 | |
I'm excited to see how the dancers are going to do, | 0:09:26 | 0:09:28 | |
but I'm also a little bit nervous. | 0:09:28 | 0:09:30 | |
I'm only going to choose the best, | 0:09:30 | 0:09:31 | |
so I really hope that's what I'm going to see. | 0:09:31 | 0:09:33 | |
Group one. Can we have Noah, Jacquie, Henry, Tyler and Danielle? | 0:09:33 | 0:09:37 | |
Amazing. | 0:09:42 | 0:09:43 | |
I've got to make sure that I go as hard as I possibly can to prove that | 0:09:52 | 0:09:55 | |
I was right to be on A-Troupe and | 0:09:55 | 0:09:56 | |
I'm right to be on A-Troupe right now. | 0:09:56 | 0:09:58 | |
I'm making sure I'm technical. I'm showing my power moves. | 0:09:58 | 0:10:02 | |
I'm showing everything together | 0:10:02 | 0:10:04 | |
because I know that's | 0:10:04 | 0:10:05 | |
what Emily and Daniel want to see. | 0:10:05 | 0:10:07 | |
So cute. I love that. | 0:10:09 | 0:10:11 | |
It's amazing that Noah is pulling me into his audition. | 0:10:11 | 0:10:14 | |
It's just giving me the inspiration | 0:10:14 | 0:10:16 | |
to take my dancing to the next level. | 0:10:16 | 0:10:17 | |
Noah and Jacquie dancing together triggered | 0:10:19 | 0:10:21 | |
some memories of, you know, | 0:10:21 | 0:10:22 | |
her and I, dancing together. | 0:10:22 | 0:10:23 | |
Flawless. She's great. | 0:10:28 | 0:10:29 | |
The Next Step is the best of the best. | 0:10:37 | 0:10:39 | |
I'm auditioning because of their international reputation. | 0:10:39 | 0:10:44 | |
They're, like, the top of the world and I want to be a part of that. | 0:10:44 | 0:10:47 | |
I dance because I'm a very competitive person. | 0:10:50 | 0:10:53 | |
I won't stop till I'm on the top and I will fight for it. | 0:10:53 | 0:10:55 | |
My goal is to always be the best dancer. | 0:10:58 | 0:11:01 | |
Jacquie broke up with me because she thinks I'm not a good enough dancer. | 0:11:15 | 0:11:19 | |
Honestly, that still hurts a lot. | 0:11:22 | 0:11:24 | |
It's been two years but I'm still not over it. | 0:11:24 | 0:11:26 | |
I don't know when I'm going to get over it. | 0:11:26 | 0:11:28 | |
We're looking at dancers from other studios as well B-Troupe. | 0:11:35 | 0:11:38 | |
After what happened last year, | 0:11:38 | 0:11:39 | |
no dancer should feel like their spot is safe. | 0:11:39 | 0:11:42 | |
There are some amazing dancers here. | 0:11:48 | 0:11:50 | |
Last year, I was in B-Troupe and I didn't audition | 0:11:50 | 0:11:52 | |
for A-Troupe because I didn't feel I was ready. | 0:11:52 | 0:11:55 | |
I really hope I can get into A-Troupe this year. | 0:11:55 | 0:11:58 | |
Thank you, everyone. OK. Let's have group two. | 0:11:58 | 0:12:01 | |
Can we have Amy, Josh, Piper? | 0:12:01 | 0:12:03 | |
Being back in A-Troupe would mean the world to me. | 0:12:03 | 0:12:05 | |
I'm one step closer to getting back to regionals | 0:12:05 | 0:12:08 | |
and I'm also with my best friends... | 0:12:08 | 0:12:10 | |
..and dancing with your best friends is the best thing ever. | 0:12:12 | 0:12:14 | |
You know with that outburst earlier? | 0:12:24 | 0:12:26 | |
-What was that? -Yeah, that was really unprofessional. | 0:12:26 | 0:12:29 | |
I need to be on A-Troupe. | 0:12:35 | 0:12:36 | |
My mom wants me to be A-Troupe. | 0:12:36 | 0:12:38 | |
And even though Emily may not like me, I have to be there. | 0:12:38 | 0:12:42 | |
Amy is such an incredible dancer and she inspires me to be better. | 0:12:46 | 0:12:49 | |
I have no doubt that she will make A-Troupe. | 0:12:49 | 0:12:51 | |
No doubt. | 0:12:51 | 0:12:54 | |
-Can you believe that that is James' little sister? -No. | 0:13:00 | 0:13:02 | |
I would be devastated if I didn't make A-Troupe. | 0:13:06 | 0:13:08 | |
It means the world to me. | 0:13:08 | 0:13:09 | |
Not dancing on the team and not feeling that energy... | 0:13:14 | 0:13:18 | |
..it would be really hard. | 0:13:19 | 0:13:20 | |
I dance because there's no other feeling. | 0:13:25 | 0:13:28 | |
It's helped me through some ups and downs and dance has always been that | 0:13:28 | 0:13:32 | |
one thing that has been there for me. | 0:13:32 | 0:13:34 | |
I am going to perform like there's no business and make sure that today | 0:13:41 | 0:13:45 | |
they only look at me. | 0:13:45 | 0:13:47 | |
I was your typical hockey, baseball, | 0:13:51 | 0:13:53 | |
soccer boy but I always had this dancing part of me. | 0:13:53 | 0:13:58 | |
Even on the ice, they'd play music in between shifts | 0:13:58 | 0:14:00 | |
and I'd dance around on my defence line. | 0:14:00 | 0:14:03 | |
In hockey I wasn't going to make it to the NHL | 0:14:10 | 0:14:13 | |
but in dance I may make it | 0:14:13 | 0:14:15 | |
on The Next Step. | 0:14:15 | 0:14:17 | |
I dance because I feel it's a way for me to find myself | 0:14:26 | 0:14:30 | |
and lose myself at the same time. | 0:14:30 | 0:14:32 | |
It just brings a passion in me that | 0:14:32 | 0:14:34 | |
I just can't even describe it. | 0:14:34 | 0:14:36 | |
I was a dance captain at my old studio. | 0:14:39 | 0:14:41 | |
But I didn't really fit in there. | 0:14:41 | 0:14:43 | |
I'm hoping that being here at The Next Step | 0:14:43 | 0:14:45 | |
will be a fresh start for me. | 0:14:45 | 0:14:46 | |
We need technique. | 0:14:53 | 0:14:54 | |
We need talent. We need dedication. | 0:14:54 | 0:14:56 | |
It really has to be the whole package | 0:14:56 | 0:14:59 | |
or you're not going to make my A-Troupe. | 0:14:59 | 0:15:01 | |
I just think we were really clear about that we were looking for | 0:15:03 | 0:15:05 | |
technique, right? And if they are not showing it to us | 0:15:05 | 0:15:07 | |
then it makes me wonder - can they do it? | 0:15:07 | 0:15:09 | |
You need the X factor, the star quality. | 0:15:14 | 0:15:17 | |
That's what makes a really phenomenal dancer. | 0:15:17 | 0:15:19 | |
And that's what is going to make a really phenomenal team. | 0:15:19 | 0:15:22 | |
Michelle is definitely A-Troupe material. | 0:15:29 | 0:15:31 | |
I mean, we already knew it going into the auditions | 0:15:31 | 0:15:34 | |
but it is nice to see her doing her thing. | 0:15:34 | 0:15:36 | |
Miss National Soloist. | 0:15:37 | 0:15:39 | |
It feels really strange to have Emily and Daniel judging my dancing, | 0:15:42 | 0:15:45 | |
because I've always been on | 0:15:45 | 0:15:47 | |
the same level as them. | 0:15:47 | 0:15:48 | |
Yeah. Maybe she's just warming up. But we'll see. | 0:15:54 | 0:15:57 | |
Being dance captain means the world to me. | 0:16:00 | 0:16:02 | |
I think I did a great job as dance captain last year. | 0:16:02 | 0:16:04 | |
So there is no reason for me not to be dance captain again. | 0:16:04 | 0:16:07 | |
My goal is definitely to move up in A-Troupe. | 0:16:10 | 0:16:13 | |
I definitely want to be featured in some dances. | 0:16:13 | 0:16:15 | |
I definitely want to even be dance captain. | 0:16:15 | 0:16:17 | |
I just want to be at the top. | 0:16:17 | 0:16:21 | |
-She has so many, it's just like... -It's very good. | 0:16:39 | 0:16:42 | |
That's everyone, yeah. | 0:16:42 | 0:16:44 | |
OK, thank you, guys. Wow! | 0:16:45 | 0:16:46 | |
We have a lot to discuss. | 0:16:46 | 0:16:48 | |
Please wait here and we will let you know what our decisions are. | 0:16:48 | 0:16:51 | |
Once again, thank you so much. | 0:16:51 | 0:16:52 | |
Yeah. Thank you. | 0:16:52 | 0:16:54 | |
-Chilling that, man. -Yeah. | 0:16:57 | 0:16:59 | |
-It was insane. -You too, man. | 0:16:59 | 0:17:00 | |
Um, how could you like Jacquie? | 0:17:00 | 0:17:03 | |
How could I not? | 0:17:03 | 0:17:04 | |
Have you seen her? She's amazing, man. | 0:17:04 | 0:17:06 | |
You don't get it. THE Jacquie. | 0:17:06 | 0:17:07 | |
The one that broke my heart. The one that I'm constantly talking about. | 0:17:07 | 0:17:11 | |
-That's her. Yes. -That's THAT Jacquie? | 0:17:11 | 0:17:14 | |
Well, now you know, so you can stay away from her. | 0:17:14 | 0:17:16 | |
Henry doesn't want me to hang out with Jacquie at all. | 0:17:20 | 0:17:23 | |
But I'm really starting to get to know her | 0:17:23 | 0:17:25 | |
and she's like the coolest girl ever. | 0:17:25 | 0:17:29 | |
I have no clue what I'm going to do. | 0:17:29 | 0:17:30 | |
We have chosen ten dancers. | 0:17:39 | 0:17:42 | |
If you hear your name being called out, congratulations. | 0:17:42 | 0:17:45 | |
You have made A-Troupe. | 0:17:45 | 0:17:46 | |
Michelle. | 0:17:48 | 0:17:49 | |
This is intense. | 0:17:53 | 0:17:54 | |
I really want to make A-Troupe, but everyone does. | 0:17:54 | 0:17:58 | |
Lola. | 0:17:58 | 0:17:59 | |
As a former dance captain, I know what it takes to win. | 0:18:00 | 0:18:03 | |
I'm so excited to help A-Troupe get to regionals. | 0:18:03 | 0:18:05 | |
Richelle. | 0:18:06 | 0:18:07 | |
Noah. | 0:18:10 | 0:18:11 | |
On a scale of one to ten, I'm like 100% happy. | 0:18:13 | 0:18:17 | |
Zara. | 0:18:17 | 0:18:18 | |
This morning I was on B-Troupe. | 0:18:18 | 0:18:20 | |
And now I made A-Troupe. | 0:18:20 | 0:18:22 | |
I've worked so hard. | 0:18:22 | 0:18:23 | |
This is unbelievable. | 0:18:23 | 0:18:25 | |
Danielle. | 0:18:25 | 0:18:26 | |
Jordan. | 0:18:31 | 0:18:32 | |
If they don't call my name I don't know what I'll do. | 0:18:34 | 0:18:38 | |
I will feel devastated. | 0:18:38 | 0:18:40 | |
Tyler. | 0:18:40 | 0:18:41 | |
As the names are being called and I'm still not hearing mine, | 0:18:43 | 0:18:46 | |
I start to get a little bit nervous. | 0:18:46 | 0:18:49 | |
Jacquie. | 0:18:49 | 0:18:50 | |
Noah and Jacquie are both on A-Troupe now and I don't know if | 0:18:51 | 0:18:55 | |
I want to be on A-Troupe any more. | 0:18:55 | 0:18:57 | |
And the last spot on A-Troupe goes to... | 0:18:57 | 0:19:01 | |
I can't believe that there's only one spot left. | 0:19:03 | 0:19:06 | |
I think maybe Emily's saving the best for last. | 0:19:06 | 0:19:09 | |
As much as I want it to be Piper, I want it to be me. | 0:19:09 | 0:19:12 | |
..Piper! | 0:19:16 | 0:19:18 | |
You have proven that you are the best of the best. | 0:19:32 | 0:19:35 | |
-Thank you all for coming. -If A-Troupe is going to win regionals | 0:19:35 | 0:19:38 | |
then we need to be a united team. | 0:19:38 | 0:19:40 | |
If someone, say Amy, | 0:19:40 | 0:19:43 | |
is going to cause drama, | 0:19:43 | 0:19:44 | |
they do not belong on A-Troupe. | 0:19:44 | 0:19:45 | |
-That was a great day. Thanks. -Thank you. | 0:19:45 | 0:19:48 | |
Everyone bring it in. Bring it in. On three, we say A-Troupe. | 0:19:53 | 0:19:57 | |
One, two, three... | 0:19:58 | 0:19:59 | |
ALL: A-Troupe. | 0:19:59 | 0:20:02 | |
Time to get to work. | 0:20:05 | 0:20:06 | |
-Are you serious? -You've got to be kidding me. | 0:20:08 | 0:20:11 | |
B-Troupe. Have you ever heard of a dance captain being moved down to B-Troupe? | 0:20:11 | 0:20:15 | |
I would never go down to B-Troupe. | 0:20:15 | 0:20:16 | |
I'll find a new studio. | 0:20:16 | 0:20:18 | |
One that's even better. | 0:20:18 | 0:20:19 | |
This is a mistake. I'm so done with this studio! | 0:20:19 | 0:20:22 | |
You got cut too, eh? | 0:20:25 | 0:20:26 | |
I don't know where to go, because | 0:20:26 | 0:20:28 | |
being on B-Troupe means I'll never get to regionals. | 0:20:28 | 0:20:31 | |
I was so close. | 0:20:31 | 0:20:33 | |
When my family moved here, | 0:20:33 | 0:20:34 | |
I was so excited that I might be able to dance at The Next Step. | 0:20:34 | 0:20:37 | |
Now what am I going to do? | 0:20:37 | 0:20:38 | |
I have never been cut from a competitive team before. | 0:20:38 | 0:20:42 | |
Today has not been the greatest day. | 0:20:42 | 0:20:44 | |
I want to just drink some juice, because | 0:20:44 | 0:20:46 | |
that's what I do, you know, | 0:20:46 | 0:20:48 | |
when I'm feeling bad. I drink juice. | 0:20:48 | 0:20:49 | |
So I'm just going to go home, drink some juice, turn on the TV, | 0:20:49 | 0:20:53 | |
and lay back because today was not a good day. | 0:20:53 | 0:20:55 | |
I'm going to do that. | 0:20:55 | 0:20:56 | |
Honestly, I'm just glad that B-Troupe trains in Studio A which | 0:20:56 | 0:20:59 | |
means I have less chances of running into Jacquie. | 0:20:59 | 0:21:01 | |
And with the way Emily's running this studio, | 0:21:01 | 0:21:03 | |
I'm not sure I even want to be here any more. | 0:21:03 | 0:21:05 | |
I mean B-Troupe? What's the point? | 0:21:05 | 0:21:07 | |
They are talking about moving down to B-Troupe | 0:21:07 | 0:21:09 | |
when they went to regionals last year. | 0:21:09 | 0:21:10 | |
They are talking about quitting dance! | 0:21:10 | 0:21:12 | |
I can't believe what Emily has done. | 0:21:12 | 0:21:14 | |
This is so wrong. | 0:21:14 | 0:21:16 | |
I've got to do something about this. | 0:21:16 | 0:21:17 | |
Cut from A-Troupe. | 0:21:19 | 0:21:20 | |
Hey, Emily. Can I speak to you? | 0:21:25 | 0:21:27 | |
Uh, yeah, of course you can. But make sure you call me Miss Emily. | 0:21:27 | 0:21:31 | |
It's just protocol. | 0:21:32 | 0:21:33 | |
I think you made a huge mistake today. | 0:21:40 | 0:21:42 | |
You cut some of the most amazing dancers | 0:21:42 | 0:21:44 | |
and it just doesn't make sense to me. | 0:21:44 | 0:21:46 | |
But I didn't cut any of the amazing dancers. | 0:21:46 | 0:21:48 | |
All of them are on my troupe. | 0:21:48 | 0:21:49 | |
You only chose the classically- trained dancers. | 0:21:49 | 0:21:52 | |
What about the hip-hop dancers? Or the break dancers? | 0:21:52 | 0:21:54 | |
Michelle, those dancers are just a hindrance | 0:21:54 | 0:21:57 | |
when it comes to competition. | 0:21:57 | 0:21:58 | |
It's more important to have the technique. | 0:21:58 | 0:22:01 | |
I'm sorry, but you're wrong. | 0:22:01 | 0:22:03 | |
You've made a huge mistake. | 0:22:03 | 0:22:05 | |
It is not your position to tell me when I am wrong. | 0:22:05 | 0:22:09 | |
YOU are just a dancer. | 0:22:09 | 0:22:12 | |
I am the studio head. | 0:22:12 | 0:22:14 | |
Things are about to change. | 0:22:16 | 0:22:17 | |
I am in charge now. | 0:22:19 | 0:22:21 | |
Michelle better get used to it. | 0:22:21 | 0:22:23 | |
Emily doesn't intimidate me any more. | 0:22:23 | 0:22:25 | |
I'm going to take her on. | 0:22:25 | 0:22:27 |