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Previously on... | 0:00:02 | 0:00:03 | |
I'm Emily. Former A-Troupe member and former dance captain. | 0:00:03 | 0:00:06 | |
And now your new studio head. | 0:00:06 | 0:00:08 | |
Guess who's back. | 0:00:10 | 0:00:12 | |
Unfortunately, we're not going to be | 0:00:12 | 0:00:13 | |
asking any of you to dance today. | 0:00:13 | 0:00:15 | |
It is so unfair, she didn't even let me dance. | 0:00:15 | 0:00:17 | |
She didn't let me show what I got. | 0:00:17 | 0:00:19 | |
Even though Emily may not like me, my mum wants me to be on A-Troupe. | 0:00:19 | 0:00:23 | |
And the last spot on A-Troupe goes to... | 0:00:23 | 0:00:26 | |
Piper! | 0:00:27 | 0:00:29 | |
I think you made a huge mistake today. | 0:00:29 | 0:00:31 | |
It is not your position to tell me when I am wrong. | 0:00:31 | 0:00:35 | |
I am in charge now. | 0:00:35 | 0:00:37 | |
Michelle better get used to it. | 0:00:37 | 0:00:39 | |
When I look around Studio A, I just instantly feel at home, | 0:00:49 | 0:00:53 | |
because this is home. I love the new space, it is gorgeous, | 0:00:53 | 0:00:56 | |
but this is where I belong and this | 0:00:56 | 0:00:59 | |
is where I want to be. | 0:00:59 | 0:01:00 | |
I can't deny my feelings. I am on A-Troupe. | 0:01:10 | 0:01:14 | |
But it just doesn't feel like the same studio any more. | 0:01:14 | 0:01:17 | |
I think it is time for me to move on. | 0:01:17 | 0:01:19 | |
Michelle's dance is beautiful. | 0:01:31 | 0:01:34 | |
Technically amazing, | 0:01:34 | 0:01:36 | |
but I am a little confused about why she's in Studio A. | 0:01:36 | 0:01:39 | |
I mean, Studio One is for A-Troupe. | 0:01:39 | 0:01:41 | |
APPLAUSE | 0:01:48 | 0:01:50 | |
That was beautiful. | 0:01:50 | 0:01:52 | |
-Thanks. -But...what are you doing here? | 0:01:52 | 0:01:55 | |
This...this is just for rec dancers. | 0:01:55 | 0:01:57 | |
Emily, I need to talk to you. | 0:01:58 | 0:02:00 | |
I'm quitting A-Troupe. | 0:02:04 | 0:02:05 | |
What do you mean? No-one quits A-Troupe. | 0:02:07 | 0:02:10 | |
I'm going to be the studio head of TNS West. | 0:02:10 | 0:02:14 | |
-Right here. -Miss Kate would never allow this. | 0:02:14 | 0:02:17 | |
Actually, I've already agreed to it. | 0:02:17 | 0:02:21 | |
I think that competition is a fantastic thing | 0:02:21 | 0:02:23 | |
and having two troupes will bring out the best in each other. | 0:02:23 | 0:02:26 | |
Michelle, you will run TNS West. | 0:02:26 | 0:02:27 | |
And, Emily, you will run TNS East. | 0:02:27 | 0:02:30 | |
Guys, how exciting is that? We have two TNSes. | 0:02:30 | 0:02:33 | |
I think this is going to be an incredible thing and, honestly, | 0:02:34 | 0:02:37 | |
I am just so excited for what you guys are going to do | 0:02:37 | 0:02:39 | |
and how much you are going to elevate this studio. | 0:02:39 | 0:02:42 | |
-Good luck. -Thank you. | 0:02:42 | 0:02:43 | |
You are in way over your head. | 0:02:47 | 0:02:49 | |
Once I form my troupe, you will have | 0:02:49 | 0:02:51 | |
some serious competition ahead of you. | 0:02:51 | 0:02:53 | |
TNS East versus TNS West. | 0:02:53 | 0:02:57 | |
It is on. | 0:02:57 | 0:02:58 | |
# We | 0:02:58 | 0:03:00 | |
# We're gonna show the world | 0:03:00 | 0:03:04 | |
# Everything we're made of | 0:03:04 | 0:03:07 | |
# We're gonna tear the roof off this place | 0:03:07 | 0:03:11 | |
# Stand up! # | 0:03:21 | 0:03:22 | |
Miss Emily, can I talk to you for a second? | 0:03:40 | 0:03:41 | |
-Go ahead. -I heard Michelle quit A-Troupe, | 0:03:41 | 0:03:44 | |
so that must mean there is an open spot. Right? | 0:03:44 | 0:03:46 | |
I really need this spot. | 0:03:46 | 0:03:49 | |
I never told my mum that I was cut from A-Troupe. | 0:03:49 | 0:03:51 | |
If she finds out that I am not competing this year, | 0:03:51 | 0:03:54 | |
she will be devastated. | 0:03:54 | 0:03:56 | |
Yes, you heard correctly, but I have already filled that spot. | 0:03:57 | 0:04:00 | |
With who? | 0:04:00 | 0:04:02 | |
With Josh. | 0:04:02 | 0:04:03 | |
Josh? | 0:04:04 | 0:04:06 | |
I don't understand why you've picked Josh. I am a much | 0:04:06 | 0:04:08 | |
stronger dancer than him. | 0:04:08 | 0:04:10 | |
Well, where you here at 7.30 practising? | 0:04:10 | 0:04:12 | |
Did you ask for help with your technique? | 0:04:12 | 0:04:15 | |
Did you book a private with Daniel? | 0:04:15 | 0:04:18 | |
Because that is what Josh has done. | 0:04:19 | 0:04:21 | |
Look, Amy... | 0:04:21 | 0:04:22 | |
..you are a lovely dancer, | 0:04:23 | 0:04:25 | |
but you simply are not mature enough | 0:04:25 | 0:04:27 | |
to be on a group going to regionals. | 0:04:27 | 0:04:29 | |
And that is why B-Troupe is where you need to be right now. | 0:04:29 | 0:04:32 | |
I think she has totally misjudged me, | 0:04:32 | 0:04:34 | |
because I know how hard I work and she just doesn't see it. | 0:04:34 | 0:04:37 | |
My decision is final. | 0:04:37 | 0:04:39 | |
Emily doesn't understand how important this is to me. | 0:04:44 | 0:04:47 | |
I don't know how I am going to tell my mum that I am cut from A-Troupe. | 0:04:47 | 0:04:51 | |
All right, everybody, | 0:04:58 | 0:05:00 | |
first and foremost, I would like to welcome Josh as the tenth member of | 0:05:00 | 0:05:04 | |
-our team. -I can't believe I didn't have to re-audition. | 0:05:04 | 0:05:07 | |
That is pretty cool. Like, a dream come true right now. | 0:05:07 | 0:05:10 | |
-Please take your spot. -Hey, everyone, | 0:05:10 | 0:05:12 | |
I am so glad that all of you guys are here. | 0:05:12 | 0:05:14 | |
I have some amazing news to share with all of you. | 0:05:14 | 0:05:18 | |
I will be starting my own competitive troupe | 0:05:18 | 0:05:21 | |
that will run out of Studio A. | 0:05:21 | 0:05:22 | |
You guys have proven to be the best of the best, | 0:05:22 | 0:05:27 | |
and we are going to prove it this year. | 0:05:27 | 0:05:29 | |
-What do you have to offer that is better than B-Troupe? -Right. | 0:05:29 | 0:05:32 | |
Well, I am offering you guys an opportunity to compete. | 0:05:32 | 0:05:35 | |
Emily just cut all of you guys. | 0:05:35 | 0:05:36 | |
You guys are some of the best dancers that | 0:05:36 | 0:05:38 | |
The Next Step has ever seen. | 0:05:38 | 0:05:39 | |
I want you to remember that there are many other people | 0:05:39 | 0:05:43 | |
who are vying for your spot. | 0:05:43 | 0:05:45 | |
And not only that, but coming for us as a team. | 0:05:45 | 0:05:48 | |
I am giving you guys a shot at regionals. | 0:05:48 | 0:05:51 | |
And I want you to take it. | 0:05:51 | 0:05:52 | |
We will take regionals. | 0:05:52 | 0:05:54 | |
We will take nationals. | 0:05:54 | 0:05:56 | |
And then we will take internationals. | 0:05:56 | 0:05:59 | |
You guys have passion, you have creativity. | 0:05:59 | 0:06:02 | |
You have heart. | 0:06:02 | 0:06:03 | |
You love to dance and so do I, and we are all here for the same reason. | 0:06:03 | 0:06:07 | |
TNS West, live as a team... | 0:06:07 | 0:06:10 | |
-Die as a team. -But always a team. | 0:06:10 | 0:06:12 | |
Who wants to join my troupe? | 0:06:14 | 0:06:15 | |
I'm in. | 0:06:17 | 0:06:18 | |
Awesome. | 0:06:19 | 0:06:20 | |
But is there anyone else that wants to join? | 0:06:22 | 0:06:24 | |
I am happy to have Ozzy as the first person to step up. | 0:06:24 | 0:06:27 | |
I am just hoping that other people join. | 0:06:27 | 0:06:29 | |
I'm getting a little nervous. | 0:06:29 | 0:06:31 | |
TNS West? | 0:06:32 | 0:06:33 | |
That's right. | 0:06:33 | 0:06:35 | |
That rolls off the tongue. | 0:06:35 | 0:06:37 | |
I love it. Let's go. | 0:06:37 | 0:06:39 | |
-I love it. -Thank you, LaTroy. | 0:06:39 | 0:06:40 | |
-All right. -Appreciate it. -I believe that Michelle's Troupe is definitely | 0:06:40 | 0:06:44 | |
going to be more free, fun. | 0:06:44 | 0:06:46 | |
Because Emily? I don't think she knows the meaning of fun. | 0:06:46 | 0:06:50 | |
You know, we've got nothing to lose. | 0:06:50 | 0:06:52 | |
I'm in. | 0:06:52 | 0:06:53 | |
Really? I am so excited. | 0:06:53 | 0:06:55 | |
At first, I'm very sceptical about Michelle | 0:06:55 | 0:06:57 | |
starting her own competitive troupe. | 0:06:57 | 0:06:59 | |
But I know we lost last year, | 0:06:59 | 0:07:01 | |
but I feel like I am ready. | 0:07:01 | 0:07:02 | |
I have unfinished business. | 0:07:02 | 0:07:04 | |
Amy? | 0:07:04 | 0:07:05 | |
So we can compete, right? | 0:07:08 | 0:07:10 | |
Yes, you can compete. | 0:07:10 | 0:07:11 | |
Thank you. | 0:07:13 | 0:07:15 | |
All right, let's bring it in, bring it in. TNS West on three, OK? | 0:07:15 | 0:07:19 | |
One, two, three... | 0:07:19 | 0:07:20 | |
-ALL: -TNS West! | 0:07:20 | 0:07:21 | |
As of right now, we are three dancers short of having a | 0:07:22 | 0:07:25 | |
regionals team. We may not have all of our dancers yet, but when we do, | 0:07:25 | 0:07:30 | |
we will take Emily's team down. | 0:07:30 | 0:07:32 | |
Four, five. And seven, eight. | 0:07:39 | 0:07:42 | |
Ah, one, two. | 0:07:42 | 0:07:43 | |
Nice, Noah. Right now, | 0:07:43 | 0:07:44 | |
I am working with the dancers on our first regionals routine. | 0:07:44 | 0:07:47 | |
I've got them repeating a piece of choreography over and over again. | 0:07:47 | 0:07:50 | |
Repetition guarantees precision. | 0:07:50 | 0:07:53 | |
Good, Michelle. | 0:07:53 | 0:07:54 | |
Piper, good. | 0:07:55 | 0:07:57 | |
Try again. Try... Just go back, go round. | 0:08:00 | 0:08:02 | |
-Try again. -It definitely worries me that this team is so acro-focused. | 0:08:02 | 0:08:05 | |
That is not my strong suit, | 0:08:05 | 0:08:07 | |
and Daniel is a very tough choreographer. | 0:08:07 | 0:08:09 | |
It is a little intimidating. | 0:08:09 | 0:08:11 | |
Good. Stretch your knees, Piper. | 0:08:11 | 0:08:13 | |
And up. Yeah, good. | 0:08:14 | 0:08:16 | |
Six, seven, eight. | 0:08:16 | 0:08:17 | |
Stop, stop. OK, why is that a cartwheel? | 0:08:17 | 0:08:19 | |
It is a front walkover. | 0:08:20 | 0:08:21 | |
What is going on with your tumbling? | 0:08:21 | 0:08:23 | |
-Are you working on your front? -Yeah, yeah. | 0:08:23 | 0:08:25 | |
I... | 0:08:25 | 0:08:26 | |
-I'm working on it. -Do you have it yet? | 0:08:26 | 0:08:29 | |
-Soon. -When is that? | 0:08:29 | 0:08:30 | |
-I'm going... I am practising all the time. Yeah. -OK. | 0:08:31 | 0:08:35 | |
I am struggling with his choreography | 0:08:35 | 0:08:37 | |
because I can't do acro. | 0:08:37 | 0:08:39 | |
I can't do a front walkover. | 0:08:39 | 0:08:40 | |
And it always stresses me out, and I just can't get it. | 0:08:40 | 0:08:44 | |
Michelle has called a meeting. | 0:08:49 | 0:08:50 | |
I'm not sure what it is about, | 0:08:50 | 0:08:52 | |
but I hope she has found three more dancers | 0:08:52 | 0:08:53 | |
so our team can compete at regionals. | 0:08:53 | 0:08:55 | |
Amy. I'm so glad you are here, now I can finally announce the great news. | 0:08:55 | 0:08:59 | |
West is going to be our troupe's head choreographer. | 0:08:59 | 0:09:02 | |
Awesome. | 0:09:02 | 0:09:03 | |
I'm pretty excited when Michelle announces that West is our, you | 0:09:03 | 0:09:06 | |
know, head choreographer. He is an amazing dancer | 0:09:06 | 0:09:08 | |
and the fact that we get to learn from him, that is even better. | 0:09:08 | 0:09:11 | |
Nothing against West, | 0:09:11 | 0:09:12 | |
but Daniel has amazing technical training. | 0:09:12 | 0:09:15 | |
And West doesn't. | 0:09:15 | 0:09:17 | |
Daniel is going to help A-Troupe win regionals. | 0:09:17 | 0:09:20 | |
And I am not sure if West is capable of that. | 0:09:20 | 0:09:22 | |
Yeah, I am really excited. Really excited. | 0:09:22 | 0:09:24 | |
It is going to be a lot of fun. Some new faces. It will be great. | 0:09:24 | 0:09:27 | |
What is wrong, Amy? | 0:09:27 | 0:09:28 | |
Oh, it's just... | 0:09:28 | 0:09:29 | |
I'm worried about not having a full troupe. | 0:09:30 | 0:09:32 | |
There is only seven dancers. | 0:09:32 | 0:09:34 | |
Yeah, but The Next Step has plenty of dancers, | 0:09:34 | 0:09:36 | |
and there are so many people to choose from. | 0:09:36 | 0:09:38 | |
I come into studio A because I have | 0:09:38 | 0:09:40 | |
a very important message for Michelle. | 0:09:40 | 0:09:42 | |
-Hey, Michelle. -Hey. | 0:09:42 | 0:09:43 | |
Emily sent me with a very simple message. | 0:09:43 | 0:09:46 | |
-OK. -If you steal one more of our dancers, you will regret it. | 0:09:46 | 0:09:50 | |
We haven't stolen anything, I don't know what you are talking about. | 0:09:50 | 0:09:54 | |
Well, by the looks of it, I do see a | 0:09:54 | 0:09:56 | |
lot of ex-B-Troupers in your troupe. | 0:09:56 | 0:09:58 | |
Well, that shouldn't matter. | 0:09:58 | 0:10:01 | |
I mean, they are not like Emily's property. | 0:10:01 | 0:10:03 | |
Any B-Troupers that have joined you are blacklisted from Emily's troupe. | 0:10:03 | 0:10:07 | |
So, if I were you, I would just find new dancers from somewhere else. | 0:10:07 | 0:10:10 | |
If we can't have dancers from The Next Step, | 0:10:12 | 0:10:15 | |
I don't know where we are going to find dancers. | 0:10:15 | 0:10:17 | |
Without a full troupe, we can't go to regionals. | 0:10:17 | 0:10:19 | |
And now, we are all blacklisted from ever rejoining Emily's studio. | 0:10:19 | 0:10:23 | |
I just hope joining Michelle's team wasn't a mistake. | 0:10:23 | 0:10:26 | |
I'm really stressed about Daniel's combo. | 0:10:39 | 0:10:41 | |
I didn't get it, I was struggling, | 0:10:41 | 0:10:43 | |
so I just need to work on it on my own without anyone judging me. | 0:10:43 | 0:10:46 | |
I walk into Studio One and I see Piper | 0:10:54 | 0:10:56 | |
struggling with one of the steps. | 0:10:56 | 0:10:58 | |
I want to help her. | 0:10:58 | 0:10:59 | |
Hey, Piper, how's everything going? | 0:10:59 | 0:11:02 | |
Pretty rough. | 0:11:02 | 0:11:03 | |
What's...? What's the problem? | 0:11:04 | 0:11:06 | |
I can't do a front walkover. | 0:11:06 | 0:11:08 | |
Probably never will. | 0:11:08 | 0:11:09 | |
Well, why don't you just change that part of the choreo? | 0:11:12 | 0:11:15 | |
Are you allowed to do that? | 0:11:16 | 0:11:17 | |
Yeah, I mean, I don't see why not. | 0:11:18 | 0:11:20 | |
-OK. -OK, well, let's just change it. | 0:11:21 | 0:11:23 | |
-OK. -So step on the right leg. | 0:11:23 | 0:11:25 | |
OK, weight's on right foot. | 0:11:25 | 0:11:27 | |
Right, OK. You're a wicked turner, so... | 0:11:27 | 0:11:29 | |
..why don't you just step on the left, | 0:11:30 | 0:11:33 | |
hit, like, a double attitude. | 0:11:33 | 0:11:34 | |
As long as you just make sure you hit eight, everything's good. | 0:11:34 | 0:11:37 | |
-Eight. OK. -Yeah. So, like, four... | 0:11:37 | 0:11:39 | |
..four, five, six, seven, eight. | 0:11:40 | 0:11:43 | |
-Exactly. -OK. -That's it. | 0:11:43 | 0:11:44 | |
-OK. -Try that part one more time. Ready? | 0:11:44 | 0:11:46 | |
At least I'm good at something. I was starting to doubt myself, but it | 0:11:46 | 0:11:50 | |
makes me feel a little bit better that Noah says I'm a wicked turner. | 0:11:50 | 0:11:53 | |
All right, guys, so I actually have a change to the choreography. | 0:11:59 | 0:12:02 | |
-Piper, do you want to show it? -Yes. | 0:12:02 | 0:12:04 | |
So, instead of the front walkover, | 0:12:04 | 0:12:06 | |
we're going to do a double attitude turn. | 0:12:06 | 0:12:08 | |
-Go ahead. -So we step four, five, six, seven and eight. | 0:12:08 | 0:12:13 | |
I'm confused why Noah changed the choreography. | 0:12:13 | 0:12:17 | |
I mean, this is A-Troupe, we need to keep this choreography difficult. | 0:12:17 | 0:12:20 | |
Five, six, seven, eight. | 0:12:20 | 0:12:22 | |
One, two, three, four, five, six, seven, hit, eight. | 0:12:22 | 0:12:27 | |
What was that? | 0:12:27 | 0:12:29 | |
That was not my choreography. | 0:12:29 | 0:12:30 | |
-Wait, what's going on? -Yeah, Noah, what's going on? | 0:12:30 | 0:12:33 | |
Explain, Noah. | 0:12:34 | 0:12:35 | |
-I just thought that... -Noah changed the choreo because of me. | 0:12:37 | 0:12:40 | |
I see. | 0:12:40 | 0:12:42 | |
Daniel, make it right. | 0:12:42 | 0:12:44 | |
Noah, my office, now. | 0:12:44 | 0:12:47 | |
Let's go from the corner again. | 0:12:48 | 0:12:50 | |
I feel really bad because I know | 0:12:50 | 0:12:52 | |
that Noah was just doing a nice thing for me | 0:12:52 | 0:12:55 | |
and it's my fault that it's changed. | 0:12:55 | 0:12:57 | |
OK, listen, I was just trying to help Piper. | 0:12:57 | 0:13:00 | |
She was struggling with the choreography. | 0:13:00 | 0:13:02 | |
So you made the choreography easier for Piper to help her. | 0:13:02 | 0:13:06 | |
Oh, well, that makes her a better dancer in the long run. | 0:13:07 | 0:13:09 | |
No, see, you don't understand. | 0:13:10 | 0:13:12 | |
See, Piper was really struggling. | 0:13:12 | 0:13:14 | |
-And I just thought it would... -Stop. | 0:13:14 | 0:13:16 | |
First and foremost, I know every one of my dancers. | 0:13:17 | 0:13:20 | |
I know what they're good at and I know what they need to work on. | 0:13:20 | 0:13:22 | |
I have faith in Piper, | 0:13:22 | 0:13:23 | |
I have faith that she will get this | 0:13:23 | 0:13:25 | |
choreography because she is an amazing dancer and a hard worker. | 0:13:25 | 0:13:29 | |
But you didn't. What you did didn't help her, it hindered her. | 0:13:29 | 0:13:35 | |
Emily is right. | 0:13:35 | 0:13:36 | |
I guess I didn't have faith in Piper. | 0:13:36 | 0:13:38 | |
I should have helped her with the move rather than just change it. | 0:13:39 | 0:13:42 | |
Have faith in the framework. | 0:13:42 | 0:13:44 | |
OK. It won't happen again. | 0:13:44 | 0:13:46 | |
-You can go. -All right. | 0:13:47 | 0:13:50 | |
I know my dancers see me as tough, | 0:13:50 | 0:13:52 | |
I know they don't understand a lot of the things I do, | 0:13:52 | 0:13:56 | |
but I do everything for a reason. | 0:13:56 | 0:13:58 | |
A really thought-out reason. | 0:13:58 | 0:14:00 | |
Since Emily never let me dance at the audition, | 0:14:13 | 0:14:15 | |
I've decided to perform my solo right now. | 0:14:15 | 0:14:17 | |
I train in everything, but I'd say, like, | 0:14:22 | 0:14:24 | |
one of my stronger fortes is hip-hop | 0:14:24 | 0:14:27 | |
and all, like, the groovy type stuff. | 0:14:27 | 0:14:30 | |
I started dancing when I was four years old, | 0:14:37 | 0:14:40 | |
I had a friend that was doing it too, | 0:14:40 | 0:14:41 | |
so I just joined along with her. | 0:14:41 | 0:14:43 | |
I kept training and then eventually I found myself at The Next Step. | 0:14:43 | 0:14:46 | |
Ozzy's freestyle is so good. | 0:14:49 | 0:14:51 | |
He's got a lot of versatility. | 0:14:51 | 0:14:53 | |
I dance because there's no better feeling in the whole world. | 0:14:55 | 0:14:58 | |
It helps me forget about all the stress and problems in my life. | 0:14:58 | 0:15:01 | |
Nice! | 0:15:09 | 0:15:11 | |
OK, Ozzy! | 0:15:11 | 0:15:12 | |
I think Ozzy's dance is amazing. | 0:15:12 | 0:15:15 | |
This is the first time I've seen him dance and I'm really impressed. | 0:15:15 | 0:15:18 | |
All right, guys. Let's bring it in. | 0:15:18 | 0:15:21 | |
We're just going to workshop some moves. | 0:15:21 | 0:15:23 | |
OK. Follow me. | 0:15:25 | 0:15:26 | |
Hit! | 0:15:26 | 0:15:27 | |
Hit! | 0:15:27 | 0:15:28 | |
Hit! | 0:15:28 | 0:15:29 | |
Switch it up! | 0:15:34 | 0:15:35 | |
Who is this kid? | 0:15:44 | 0:15:45 | |
Who does he think he is, he just rides up here | 0:15:45 | 0:15:48 | |
and hover in my face, like, what? | 0:15:48 | 0:15:51 | |
When this guy comes rolling in on his hover board, it's cool and all. | 0:15:52 | 0:15:55 | |
But, you know, it's a dance studio, not a hover studio. | 0:15:55 | 0:15:58 | |
Who is that? | 0:16:01 | 0:16:02 | |
I brought Kingston into the studio because, I mean, | 0:16:04 | 0:16:06 | |
we needed a few extra dancers and | 0:16:06 | 0:16:08 | |
we're not allowed to get any more dancers | 0:16:08 | 0:16:10 | |
from the studio, so I had to expand my search. | 0:16:10 | 0:16:12 | |
This is Kingston. | 0:16:12 | 0:16:14 | |
Pleasure's all mine. | 0:16:16 | 0:16:17 | |
-Hey. -He's the dancer I found online. | 0:16:17 | 0:16:19 | |
My hover board completes me and I | 0:16:19 | 0:16:21 | |
just want to show everybody my personality. | 0:16:21 | 0:16:23 | |
So, Kingston, what training have you had in the past? | 0:16:23 | 0:16:26 | |
All the best, I've only trained at the best studios around. | 0:16:26 | 0:16:29 | |
Could you name one? | 0:16:29 | 0:16:30 | |
Erm... | 0:16:30 | 0:16:31 | |
Miss Abigail's Dancitorium School Of Dance. | 0:16:32 | 0:16:36 | |
Miss Abigail's Dancitorium School Of Dance! | 0:16:36 | 0:16:38 | |
That one! They totally bought it, but the truth is, | 0:16:38 | 0:16:41 | |
I've actually learned everything I know from watching videos online. | 0:16:41 | 0:16:44 | |
Nice try, Kingston, you don't lie as well as you hover board. | 0:16:44 | 0:16:47 | |
Did Miss Abigail let you hover board around her dance studio, too? | 0:16:47 | 0:16:51 | |
Erm... | 0:16:51 | 0:16:53 | |
Yeah, sometimes. | 0:16:54 | 0:16:56 | |
Casual Fridays, usually. | 0:16:56 | 0:16:58 | |
All right. Well, we don't do that at The Next Step. | 0:16:58 | 0:17:01 | |
But something that you could do for us is show us what you've got. | 0:17:01 | 0:17:04 | |
-Please. -Let's do it. -OK. | 0:17:04 | 0:17:06 | |
I'm a bit worried that Kingston doesn't have any studio | 0:17:06 | 0:17:08 | |
training, but when I got to The Next Step, I didn't either. | 0:17:08 | 0:17:11 | |
We desperately need dancers right now. | 0:17:11 | 0:17:13 | |
So, we should give him a shot. | 0:17:13 | 0:17:15 | |
I'm a little bit nervous to audition, but on the other hand, | 0:17:21 | 0:17:24 | |
I'm really excited to show everyone what I got. | 0:17:24 | 0:17:26 | |
To impress Michelle, I'm pulling all my best tricks. | 0:17:40 | 0:17:43 | |
Kingston's got some pretty sweet moves, I must say. | 0:17:55 | 0:17:57 | |
Flash, it's definitely there. | 0:17:57 | 0:17:59 | |
The performance, it's definitely there. | 0:17:59 | 0:18:01 | |
I think Kingston looks great up there. | 0:18:01 | 0:18:03 | |
I mean, he's pulling out all these flips and he's really groovy. | 0:18:03 | 0:18:06 | |
Even though this isn't where I thought I would end up, | 0:18:11 | 0:18:14 | |
and having a lot of fun and | 0:18:14 | 0:18:16 | |
dancing's supposed to be fun, right? | 0:18:16 | 0:18:18 | |
Right? He's good. | 0:18:26 | 0:18:28 | |
Pretty good. The whole hover board thing? | 0:18:29 | 0:18:32 | |
Yeah, we can work on that. | 0:18:32 | 0:18:33 | |
I think Kingston does have a lot of charisma. | 0:18:35 | 0:18:37 | |
I'm into it and I think this could be good. | 0:18:37 | 0:18:40 | |
One down, two to go. | 0:18:40 | 0:18:42 | |
I want you to go home and rest, you did a really, really good job today. | 0:19:21 | 0:19:24 | |
Thank you. | 0:19:24 | 0:19:26 | |
It's getting a lot better. | 0:19:30 | 0:19:31 | |
Thank you. I'm starting to get the hang of it. | 0:19:32 | 0:19:35 | |
It's been a long day and I've struggled, | 0:19:35 | 0:19:37 | |
but it makes me feel a lot better when Daniel says that I'm improving. | 0:19:37 | 0:19:40 | |
Oh, Amy. | 0:19:58 | 0:19:59 | |
The studio looks incredible! | 0:20:00 | 0:20:03 | |
It's beyond my wildest dreams! | 0:20:03 | 0:20:06 | |
Look at this place! | 0:20:06 | 0:20:08 | |
I can't believe you're dancing here. | 0:20:10 | 0:20:11 | |
So...how was your first day on A-Troupe? | 0:20:15 | 0:20:20 | |
It was great. | 0:20:20 | 0:20:22 | |
-Still practising? -Yep. | 0:20:22 | 0:20:25 | |
How could you not? | 0:20:25 | 0:20:26 | |
I'd never want to leave this place. | 0:20:26 | 0:20:29 | |
I can't find the courage to tell my mum that I am not in A-Troupe. | 0:20:30 | 0:20:33 | |
She has so many dreams of me being on A-Troupe | 0:20:33 | 0:20:36 | |
and I feel that if I tell her, | 0:20:36 | 0:20:38 | |
she'd be really disappointed in me and... | 0:20:38 | 0:20:40 | |
It just wouldn't be good. | 0:20:41 | 0:20:42 | |
I'm hungry and tired, so we should get going. | 0:20:42 | 0:20:45 | |
OK. | 0:20:46 | 0:20:48 | |
I could stay here all night. | 0:20:48 | 0:20:50 | |
Oh, Amy. | 0:20:50 | 0:20:53 | |
This is where we belong. | 0:20:53 | 0:20:54 | |
I just don't want to keep lying to her, | 0:20:55 | 0:20:57 | |
but I can't let her find out that I'm not in A-Troupe. | 0:20:57 | 0:21:00 |