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Previously on The Next Step... | 0:00:02 | 0:00:03 | |
As long as there's an us, things can never get too completed. | 0:00:03 | 0:00:07 | |
Elliott? | 0:00:07 | 0:00:09 | |
Good job. | 0:00:09 | 0:00:10 | |
Elliott has it all. | 0:00:10 | 0:00:11 | |
He was finally one person that I trusted on this team. | 0:00:11 | 0:00:14 | |
Guys, just cancel everything. | 0:00:14 | 0:00:15 | |
There is no way that our video is going to hold up. | 0:00:15 | 0:00:17 | |
It was the dancers that unified the team. | 0:00:17 | 0:00:19 | |
It should be put entirely into their hands. | 0:00:19 | 0:00:21 | |
I think the video should be about the story of the studio. | 0:00:21 | 0:00:24 | |
This idea better work. | 0:00:24 | 0:00:26 | |
I really hurt myself, and if everyone finds out | 0:00:26 | 0:00:28 | |
I could be out of this group. | 0:00:28 | 0:00:30 | |
There's no way you're dancing on that hip, Richelle. | 0:00:30 | 0:00:32 | |
I had your back, now you have to have mine. | 0:00:32 | 0:00:34 | |
We have to shoot this video in a couple of days. | 0:00:42 | 0:00:44 | |
Right now, everyone is in practice mode. | 0:00:44 | 0:00:47 | |
It's going to be great. | 0:00:47 | 0:00:48 | |
I'm so excited. Everyone's bringing their best. | 0:00:48 | 0:00:51 | |
Everything is resting on this qualifier video. | 0:00:51 | 0:00:55 | |
I have no idea what to do. | 0:00:55 | 0:00:57 | |
I quit the math team so I would have the solo. | 0:00:57 | 0:01:00 | |
It blew up in my face. | 0:01:00 | 0:01:01 | |
I know Zara is still upset that I took the solo, | 0:01:04 | 0:01:06 | |
but she needs to get over it. | 0:01:06 | 0:01:09 | |
I lost dance captain and I need this. | 0:01:09 | 0:01:11 | |
I think the dancers are doing a great job of putting this together. | 0:01:11 | 0:01:14 | |
I definitely trust the dancers to choreograph this. | 0:01:14 | 0:01:17 | |
They are an amazing team. | 0:01:17 | 0:01:18 | |
They can do this on their own. | 0:01:18 | 0:01:20 | |
I guess we can agree on that. | 0:01:20 | 0:01:22 | |
We just have to get through it together. | 0:01:22 | 0:01:23 | |
I am not going to be the studio head who loses regionals | 0:01:23 | 0:01:26 | |
for The Next Step. | 0:01:26 | 0:01:28 | |
I'll leave that title to Riley. | 0:01:28 | 0:01:30 | |
Daniel and West left it in the team's hands to come up | 0:01:30 | 0:01:33 | |
with brand-new choreography. | 0:01:33 | 0:01:34 | |
Right now, I'm working on the contemporary section and... | 0:01:34 | 0:01:37 | |
..I just...I can't think of it. | 0:01:37 | 0:01:39 | |
I'm really feeling the pressure. | 0:01:40 | 0:01:41 | |
Noah? | 0:01:41 | 0:01:43 | |
-Noah? -Hey, what's up? | 0:01:44 | 0:01:46 | |
How's the choreography coming along? | 0:01:46 | 0:01:47 | |
You still need that missing section, right? | 0:01:47 | 0:01:50 | |
I haven't thought of all of it yet. | 0:01:50 | 0:01:51 | |
This dance is so important and it has to be perfect, not just OK. | 0:01:51 | 0:01:55 | |
But an OK dance is better than no dance at all. | 0:01:55 | 0:01:57 | |
I'm tapped. My brain isn't working | 0:01:58 | 0:02:00 | |
and I cannot think of the choreography. | 0:02:00 | 0:02:02 | |
Yeah, your brain doesn't work often, | 0:02:02 | 0:02:04 | |
but have you considered asking another dancer to choreograph it? | 0:02:04 | 0:02:07 | |
-No. -It's a good idea. | 0:02:07 | 0:02:09 | |
-That's a really good idea. -Mm-hm. | 0:02:09 | 0:02:11 | |
Henry's right. To get a fresh perspective, | 0:02:11 | 0:02:14 | |
I think that could really help. | 0:02:14 | 0:02:16 | |
So, we're going to go from the top one more time. | 0:02:16 | 0:02:18 | |
-OK. -One, two. | 0:02:18 | 0:02:20 | |
If I'm going to have someone else choreograph this section, | 0:02:20 | 0:02:22 | |
it has to be someone that I trust to do a great job. | 0:02:22 | 0:02:25 | |
I know the perfect person. | 0:02:25 | 0:02:27 | |
Heel, heel, out. | 0:02:27 | 0:02:28 | |
Jacquie gets me, she knows my style, | 0:02:28 | 0:02:31 | |
so I know her choreography will fit perfectly in this dance. | 0:02:31 | 0:02:35 | |
Jacquie, I was thinking about a section in the qualifier video | 0:02:35 | 0:02:37 | |
that I would love for you to choreograph. | 0:02:37 | 0:02:40 | |
Wait, really? | 0:02:40 | 0:02:42 | |
I'm so excited that Noah asked me to choreograph part of the dance. | 0:02:42 | 0:02:45 | |
This is such an amazing opportunity for me. | 0:02:45 | 0:02:48 | |
I know you'll be great at this. | 0:02:48 | 0:02:50 | |
-Thank you so much. -Of course, of course. | 0:02:50 | 0:02:53 | |
-I would love it to be a contemporary piece... -OK. | 0:02:53 | 0:02:55 | |
-..you know, something to contrast Richelle's pointe solo. -Sounds good. | 0:02:55 | 0:02:58 | |
-I will not let you down. -I know you won't let me down. | 0:02:58 | 0:03:00 | |
-I'll start working right now. -Can't wait to see it. | 0:03:00 | 0:03:02 | |
Noah is such an amazing choreographer, and the fact | 0:03:02 | 0:03:04 | |
that he asked me to choreograph a part for the music video, | 0:03:04 | 0:03:07 | |
I really want to impress him. | 0:03:07 | 0:03:08 | |
I believe in Jacquie, and I know she will kill this. | 0:03:08 | 0:03:11 | |
I'm breaking in my pointe shoes so they're ready for my solo. | 0:03:13 | 0:03:16 | |
They have to be perfect. | 0:03:16 | 0:03:18 | |
The stakes are definitely high right now. | 0:03:18 | 0:03:20 | |
I've had some problems with my hip, but the doctor said that | 0:03:21 | 0:03:24 | |
I have a 50% chance that it won't get worse, so I'm going to risk it. | 0:03:24 | 0:03:28 | |
I know that Richelle has a really bad injury. | 0:03:29 | 0:03:32 | |
I'm not telling Michelle and Emily, because she's my friend | 0:03:32 | 0:03:35 | |
and I promised her that I wouldn't tell them. | 0:03:35 | 0:03:39 | |
I understand that she wants to dance in the qualifying video, but if she | 0:03:39 | 0:03:42 | |
goes through with this, it could be the end of her career. | 0:03:42 | 0:03:46 | |
# We | 0:03:46 | 0:03:48 | |
# We are gonna show the world | 0:03:48 | 0:03:51 | |
# Everything we're made of | 0:03:52 | 0:03:55 | |
# We're gonna tear the roof off this place | 0:03:55 | 0:03:59 | |
# Stand up! # | 0:04:09 | 0:04:10 | |
I don't know what to do. | 0:04:28 | 0:04:29 | |
I want to keep Richelle's secret, but if she dances on her hip, | 0:04:29 | 0:04:32 | |
she's risking permanent injury. | 0:04:32 | 0:04:34 | |
Hey, have you picked up your costumes yet? | 0:04:36 | 0:04:38 | |
What's wrong? | 0:04:43 | 0:04:45 | |
Heather is the most level-headed person I know. | 0:04:45 | 0:04:47 | |
I think out of everyone, she could give me the best advice. | 0:04:47 | 0:04:51 | |
Hypothetically, if a friend told you that they were injured, | 0:04:51 | 0:04:55 | |
would you tell Michelle and Emily? | 0:04:55 | 0:04:56 | |
-Of course. -But if I tell them, they could get kicked off | 0:04:56 | 0:04:59 | |
the qualifying video. But if they dance in the video, | 0:04:59 | 0:05:01 | |
then they could get really hurt. | 0:05:01 | 0:05:03 | |
Lola, you have to do the right thing. | 0:05:03 | 0:05:05 | |
Heather is right, I should tell the truth. | 0:05:07 | 0:05:09 | |
But I really can't betray my friend. | 0:05:09 | 0:05:13 | |
You know what? I need to think about it some more. | 0:05:13 | 0:05:17 | |
I don't want to tell Michelle and Emily. | 0:05:17 | 0:05:19 | |
I promised Richelle that I wouldn't, | 0:05:19 | 0:05:20 | |
but I don't know what I'm going to do. | 0:05:20 | 0:05:23 | |
Wait, is Lola the one that's injured? | 0:05:28 | 0:05:31 | |
I have to tell Michelle. | 0:05:31 | 0:05:33 | |
I'm not going to let Lola ruin her dance career over a regionals video. | 0:05:33 | 0:05:37 | |
# I'm falling behind | 0:05:37 | 0:05:40 | |
# I'm falling, falling behind | 0:05:40 | 0:05:42 | |
# I'm falling, falling behind. # | 0:05:42 | 0:05:44 | |
Hey, Uncle Tony, it's Ozzy. How are you doing? | 0:05:47 | 0:05:50 | |
The entire team is counting on me for the video shoot location, | 0:05:50 | 0:05:53 | |
so I'm just making sure my uncle's theatre is ready for the weekend. | 0:05:53 | 0:05:56 | |
Awesome! So, I guess I'll see you Sunday. | 0:05:56 | 0:05:58 | |
Sunday? | 0:05:58 | 0:05:59 | |
Ozzy, you do know we're shooting on Saturday, right? | 0:06:01 | 0:06:04 | |
We need to submit the video by Sunday. | 0:06:04 | 0:06:07 | |
Yeah, yeah, no problem. | 0:06:07 | 0:06:09 | |
-OK. I thought you'd made a huge mistake. -No... | 0:06:09 | 0:06:12 | |
Oops, I've made a huge mistake. | 0:06:12 | 0:06:14 | |
Hey, Uncle Tony... | 0:06:15 | 0:06:17 | |
..did I say Sunday, cos I meant Saturday? | 0:06:17 | 0:06:20 | |
What do you mean it's impossible? | 0:06:20 | 0:06:22 | |
A wedding? | 0:06:22 | 0:06:23 | |
Who gets married on a Saturday? | 0:06:23 | 0:06:24 | |
All right, listen, Uncle Tony, | 0:06:30 | 0:06:32 | |
do you have a place for us to shoot the video on Saturday | 0:06:32 | 0:06:34 | |
for four hours? | 0:06:34 | 0:06:36 | |
Come on, please? | 0:06:36 | 0:06:37 | |
There's no place to shoot the qualifier video | 0:06:37 | 0:06:39 | |
and it's all my fault. | 0:06:39 | 0:06:41 | |
My hip is still really bothering me, | 0:06:42 | 0:06:44 | |
but I've got to keep breaking in my pointe shoes. | 0:06:44 | 0:06:46 | |
Flowers? | 0:06:49 | 0:06:51 | |
Where did these come from? | 0:06:51 | 0:06:52 | |
From Elliot. | 0:07:02 | 0:07:03 | |
I had no idea that he felt this way. | 0:07:05 | 0:07:06 | |
I always admired Elliott, and... | 0:07:11 | 0:07:13 | |
..I guess he admired me, too. | 0:07:14 | 0:07:16 | |
# Yeah, I'm a saviour | 0:07:16 | 0:07:19 | |
-# Talk of the town -# Of the town | 0:07:19 | 0:07:22 | |
# My bad behaviour | 0:07:22 | 0:07:24 | |
# I know it's all they care about | 0:07:24 | 0:07:27 | |
# Yeah, call my name. # | 0:07:27 | 0:07:28 | |
One, two and three, four, five. | 0:07:29 | 0:07:32 | |
We've been working countless hours on this dance. | 0:07:32 | 0:07:35 | |
I've added textures, I've added hits. | 0:07:35 | 0:07:37 | |
I think Noah will really like it. | 0:07:37 | 0:07:39 | |
-Guys, it's looking amazing, but we have to perfect it so... -Totally. | 0:07:39 | 0:07:42 | |
-..one more time, OK? -OK. | 0:07:42 | 0:07:43 | |
Five, six, seven, eight. | 0:07:43 | 0:07:45 | |
One, two and three, four. | 0:07:45 | 0:07:47 | |
I walk into Studio A and this is not the choreo I had in mind. | 0:07:47 | 0:07:52 | |
It's actually nothing like what I asked for. | 0:07:53 | 0:07:56 | |
Seven, eight. | 0:07:56 | 0:07:58 | |
One, two, three, four, five, six, pose. | 0:07:58 | 0:08:00 | |
-You guys, it's looking so great. -Awesome! | 0:08:02 | 0:08:05 | |
Hey, that was a nice hip-hop routine. | 0:08:05 | 0:08:09 | |
Yeah, I know, the music, I just listened to it a lot | 0:08:09 | 0:08:12 | |
and hip-hop just went better with it. | 0:08:12 | 0:08:14 | |
-Wow. -Yeah. | 0:08:14 | 0:08:16 | |
-Hip-hop? -Yeah. | 0:08:16 | 0:08:17 | |
I'm very frustrated right now | 0:08:17 | 0:08:19 | |
because I asked Jacquie to give me a contemporary section and she didn't. | 0:08:19 | 0:08:24 | |
She gave me a hip-hop routine. | 0:08:24 | 0:08:26 | |
I told you I wouldn't let you down. | 0:08:26 | 0:08:27 | |
-We'll practise it even more and have it perfect, I promise. -OK. | 0:08:27 | 0:08:30 | |
Ready? Are you guys ready to do it from the top? | 0:08:30 | 0:08:32 | |
We don't have time for this. | 0:08:32 | 0:08:34 | |
If this video is going to work, it needs to be perfect. | 0:08:34 | 0:08:36 | |
As dance captain, Jacquie's choreography | 0:08:37 | 0:08:40 | |
is not what I asked for. | 0:08:40 | 0:08:42 | |
As Jacquie's boyfriend... | 0:08:42 | 0:08:44 | |
..I don't know how to tell her. | 0:08:44 | 0:08:45 | |
Hey. You wanted to see me? | 0:08:50 | 0:08:52 | |
Yeah, take a seat. | 0:08:52 | 0:08:54 | |
Oh, this is serious. | 0:08:54 | 0:08:56 | |
Listen, I know about the injury. | 0:09:00 | 0:09:02 | |
Heather told me that you're hurt. | 0:09:04 | 0:09:06 | |
And if that's the case, then you're not dancing in this qualifier video. | 0:09:07 | 0:09:11 | |
No, no, there's been a mix-up. | 0:09:12 | 0:09:14 | |
Lola, it's not happening. | 0:09:15 | 0:09:17 | |
I'm not the one that's hurt. | 0:09:17 | 0:09:19 | |
Then who is? | 0:09:20 | 0:09:21 | |
I have to protect my best friend. | 0:09:23 | 0:09:25 | |
It's... | 0:09:25 | 0:09:27 | |
I promised her that I wouldn't tell Michelle. | 0:09:27 | 0:09:30 | |
Well... | 0:09:30 | 0:09:31 | |
So, I'm not going to. | 0:09:31 | 0:09:33 | |
Heather told you that I was hurt? | 0:09:33 | 0:09:34 | |
It's way too much to risk | 0:09:34 | 0:09:36 | |
and, until you're fully recovered, | 0:09:36 | 0:09:38 | |
I have to pull you from all the dances, | 0:09:38 | 0:09:40 | |
including the qualifier video. | 0:09:40 | 0:09:42 | |
My decision is final. | 0:09:45 | 0:09:46 | |
This is not fair. | 0:09:48 | 0:09:50 | |
I was just trying to cover for my best friend. | 0:09:51 | 0:09:53 | |
Everything that I've worked for, it's gone now... | 0:09:55 | 0:09:58 | |
..all because of a lie. | 0:09:59 | 0:10:00 | |
Hey! I just had a great rehearsal in these shoes. | 0:10:13 | 0:10:16 | |
They're perfectly broken in, actually. | 0:10:16 | 0:10:18 | |
I got kicked off the dance. | 0:10:18 | 0:10:20 | |
They think I'm the one that's injured, | 0:10:20 | 0:10:22 | |
so it's time for you to fess up. | 0:10:22 | 0:10:23 | |
Well... | 0:10:27 | 0:10:28 | |
..why don't you just go to the doctor | 0:10:30 | 0:10:32 | |
and get a clean bill of health? | 0:10:32 | 0:10:33 | |
That way, Michelle and Emily can't kick you off the video. | 0:10:33 | 0:10:36 | |
You want me to keep lying? | 0:10:36 | 0:10:38 | |
No, no, I don't want you to keep lying. | 0:10:39 | 0:10:41 | |
I'm just asking a friend for a favour. | 0:10:41 | 0:10:43 | |
I mean, you are my friend, right? | 0:10:43 | 0:10:46 | |
Richelle is being so selfish right now. | 0:10:47 | 0:10:50 | |
I would never do this to her. | 0:10:50 | 0:10:51 | |
Richelle, you're hurt, you can't even walk. | 0:10:53 | 0:10:56 | |
Do you realise that you not fessing up | 0:10:56 | 0:10:58 | |
is causing people to get kicked off the dance? | 0:10:58 | 0:11:00 | |
This is starting to get out of control. | 0:11:00 | 0:11:02 | |
You are way overreacting, Lola. | 0:11:02 | 0:11:03 | |
I cannot believe she's not going to come clean. | 0:11:05 | 0:11:07 | |
What am I supposed to do now? I'm going to get kicked off the video. | 0:11:07 | 0:11:11 | |
I can't believe a friend would do this to me. | 0:11:12 | 0:11:14 | |
My uncle won't budge and I can't find another venue. | 0:11:16 | 0:11:19 | |
We're not going to be able to shoot the qualifier video. | 0:11:19 | 0:11:22 | |
This is the worst thing that could happen. | 0:11:22 | 0:11:24 | |
Ozzy, are you OK? | 0:11:28 | 0:11:30 | |
Everything's fine. | 0:11:30 | 0:11:31 | |
OK, clearly not. | 0:11:33 | 0:11:34 | |
Man, you can tell me what's on your mind. | 0:11:34 | 0:11:37 | |
I made a huge mistake. | 0:11:37 | 0:11:38 | |
I booked the venue on the wrong day and now the venue's gone. | 0:11:38 | 0:11:42 | |
The venue...for our video? | 0:11:45 | 0:11:47 | |
Correct. | 0:11:47 | 0:11:48 | |
-You're telling me you mis-booked that? -Yeah. | 0:11:50 | 0:11:53 | |
I can't believe Ozzy. | 0:11:53 | 0:11:54 | |
I can't believe this is happening. | 0:11:54 | 0:11:56 | |
How do you possibly make a mistake that huge? | 0:11:56 | 0:11:58 | |
Do you understand we need that venue? | 0:11:58 | 0:12:01 | |
-I... -That was the only venue we had! | 0:12:01 | 0:12:04 | |
I can't believe you. | 0:12:04 | 0:12:05 | |
I messed up. Sunday, Saturday... | 0:12:05 | 0:12:08 | |
Kingston's right, I let the team down. | 0:12:08 | 0:12:11 | |
I really messed up. | 0:12:11 | 0:12:13 | |
I want to fix this, I just...I don't how, like... | 0:12:13 | 0:12:16 | |
I don't know what to tell you. | 0:12:17 | 0:12:18 | |
Ozzy has a good heart and I don't want everyone to be mad at him, | 0:12:18 | 0:12:22 | |
so I want to help him out. | 0:12:22 | 0:12:24 | |
That's what best friends do. | 0:12:24 | 0:12:25 | |
There's definitely a way. | 0:12:25 | 0:12:27 | |
And if you're willing to, I'm willing to put in the work too. | 0:12:27 | 0:12:29 | |
-Together? -Together. | 0:12:29 | 0:12:31 | |
All right, man. | 0:12:34 | 0:12:36 | |
I hope this works. | 0:12:36 | 0:12:37 | |
The dancers are on break, so this is my chance to tell Jacquie | 0:12:41 | 0:12:44 | |
that she needs to change the choreography. | 0:12:44 | 0:12:47 | |
I'm going to have to just go and tell her | 0:12:47 | 0:12:49 | |
and hope everything goes OK. | 0:12:49 | 0:12:50 | |
Hey, Jacquie. | 0:12:50 | 0:12:52 | |
Hey. | 0:12:52 | 0:12:54 | |
OK, I don't know how to say this... | 0:12:54 | 0:12:56 | |
..but the choreography you did was good. | 0:12:58 | 0:13:00 | |
It's actually amazing. | 0:13:00 | 0:13:01 | |
Yeah. So, it's not really what I was looking for. | 0:13:03 | 0:13:07 | |
I really wanted a contemporary section. | 0:13:07 | 0:13:09 | |
I know you wanted contemporary, but if you listen to the music, | 0:13:09 | 0:13:12 | |
the section has to be hip-hop. | 0:13:12 | 0:13:13 | |
The music in this section | 0:13:13 | 0:13:15 | |
is hard-hitting, so it only makes sense to put hip-hop moves | 0:13:15 | 0:13:19 | |
with a hard-hitting section. | 0:13:19 | 0:13:20 | |
But, like I said, it really needs contemporary, | 0:13:20 | 0:13:24 | |
it needs to contrast from Richelle's pointe solo. | 0:13:24 | 0:13:26 | |
I see the whole picture for this dance | 0:13:26 | 0:13:28 | |
and Jacquie doesn't. | 0:13:28 | 0:13:30 | |
Well, if you wanted something so specific, | 0:13:30 | 0:13:31 | |
then you should have done it yourself. | 0:13:31 | 0:13:33 | |
This isn't anything personal. | 0:13:33 | 0:13:34 | |
I asked you to do something, but you didn't do it. | 0:13:34 | 0:13:36 | |
I did what the dance needs. | 0:13:36 | 0:13:38 | |
OK, look, I'm just going to do it myself. | 0:13:38 | 0:13:41 | |
Well, everyone's here, so let's learn your new choreography. | 0:13:41 | 0:13:44 | |
I know changing the choreography is a little bitter, | 0:13:44 | 0:13:48 | |
but, I mean, the way she's acting, it's not right. | 0:13:48 | 0:13:51 | |
Guys, the choreography you did with Jacquie is fine, | 0:13:51 | 0:13:55 | |
but I'm going to be re-choreographing it. | 0:13:55 | 0:13:58 | |
So, why don't you come to the centre? | 0:13:58 | 0:14:01 | |
This is so awkward. | 0:14:01 | 0:14:04 | |
Noah's actually redoing my dance. | 0:14:04 | 0:14:06 | |
My choreography was perfectly fine. | 0:14:06 | 0:14:08 | |
Starts walking forward. We'll go, like, one, two, and three, hit four, | 0:14:08 | 0:14:12 | |
five and six, | 0:14:12 | 0:14:13 | |
then we can push seven and eight. | 0:14:13 | 0:14:15 | |
-Push it through. -And really stomp that. | 0:14:15 | 0:14:18 | |
Um, I don't think it needs a stomp. | 0:14:18 | 0:14:19 | |
It's contemporary, so let's just flow through it. | 0:14:19 | 0:14:23 | |
I'm trying to put my hip-hop in the dance because | 0:14:23 | 0:14:25 | |
I know this is what's going to get us to regionals. | 0:14:25 | 0:14:28 | |
Is that like...? Or here...? | 0:14:28 | 0:14:30 | |
-Yeah, we'll keep it here. -And it's with fist, too. | 0:14:30 | 0:14:32 | |
-Fist with that, too. -There's no fist there. No fist there. | 0:14:32 | 0:14:34 | |
This dance is super important for A-Troupe. | 0:14:34 | 0:14:37 | |
With them fighting all the time, | 0:14:37 | 0:14:38 | |
I don't think we're going to get anything done. | 0:14:38 | 0:14:40 | |
That section right there flows perfectly. | 0:14:40 | 0:14:42 | |
We're not prima ballerinas here. | 0:14:42 | 0:14:44 | |
Yeah, but we're in a contemporary section, which is why I plied in | 0:14:44 | 0:14:46 | |
-and kind of opened from there. -OK, then. | 0:14:46 | 0:14:48 | |
I'm so embarrassed right now. | 0:14:48 | 0:14:51 | |
I can't believe he's doing this. | 0:14:51 | 0:14:53 | |
Go one. I think it's very unprofessional of Jacquie, | 0:14:53 | 0:14:56 | |
and she's pulling this in front of all the dancers? | 0:14:56 | 0:14:58 | |
It's not cool. | 0:14:58 | 0:15:00 | |
-You can push through there. -Well, since you want it so contemporary... | 0:15:00 | 0:15:02 | |
Jacquie? Really? Are you going to do this in front of everybody here? | 0:15:02 | 0:15:05 | |
-Yeah, because... -We're not doing hip-hop in this section, | 0:15:05 | 0:15:08 | |
it needs contemporary. OK? Cool? | 0:15:08 | 0:15:11 | |
Whoa! | 0:15:11 | 0:15:12 | |
This is tense right now. | 0:15:12 | 0:15:15 | |
You know what? I think we should just take a break. | 0:15:15 | 0:15:17 | |
I can't believe Noah. | 0:15:17 | 0:15:20 | |
I've never had a boyfriend treat me like this. | 0:15:20 | 0:15:23 | |
I can't even look at him. | 0:15:23 | 0:15:25 | |
This is the worst fight Jacquie and I have ever had. | 0:15:25 | 0:15:28 | |
But I had to do what's best for the qualifier video, | 0:15:28 | 0:15:31 | |
not for our relationship. | 0:15:31 | 0:15:32 | |
-So, you're good to dance? -Yeah. | 0:15:48 | 0:15:51 | |
The doctor said I'm good. | 0:15:51 | 0:15:52 | |
I'm giving Michelle a doctor's note | 0:15:52 | 0:15:54 | |
to let her know that I'm really not hurt. | 0:15:54 | 0:15:55 | |
Hopefully she'll let me dance in the video again. | 0:15:55 | 0:15:58 | |
So then, what was this all about? Why did Heather say you were hurt? | 0:15:58 | 0:16:00 | |
It was just a misunderstanding. | 0:16:00 | 0:16:02 | |
Well, I'm glad everything's OK, | 0:16:02 | 0:16:04 | |
-but if something was wrong, you would tell me, right? -Absolutely. | 0:16:04 | 0:16:07 | |
Richelle has put me in an impossible position. | 0:16:07 | 0:16:10 | |
Now I'm lying to Michelle again. | 0:16:10 | 0:16:11 | |
I don't know what to do any more. | 0:16:11 | 0:16:13 | |
OK. | 0:16:13 | 0:16:15 | |
Lola? | 0:16:17 | 0:16:18 | |
What was going on in there? | 0:16:22 | 0:16:25 | |
I got a doctor's note. | 0:16:25 | 0:16:27 | |
That's great. That's awesome news. | 0:16:27 | 0:16:29 | |
Then we can both dance in the video. | 0:16:29 | 0:16:30 | |
No, that's not great news. | 0:16:30 | 0:16:33 | |
-Why? -I could have spent all day practising my part of the dance, | 0:16:33 | 0:16:36 | |
but instead I wasted precious rehearsal time | 0:16:36 | 0:16:38 | |
getting that stupid note so I could cover for you. | 0:16:38 | 0:16:41 | |
But everything just worked out fine. | 0:16:41 | 0:16:43 | |
Richelle is only thinking about herself. | 0:16:44 | 0:16:46 | |
It's just ridiculous. | 0:16:46 | 0:16:47 | |
Richelle, if you insist on dancing, we can't be friends any more. | 0:16:47 | 0:16:51 | |
What? | 0:16:51 | 0:16:52 | |
I can't believe Lola is threatening our friendship over this. | 0:16:52 | 0:16:56 | |
Maybe Lola's not the friend that I thought she was. | 0:16:56 | 0:16:58 | |
Yeah. | 0:17:00 | 0:17:02 | |
Yeah. For sure. | 0:17:03 | 0:17:04 | |
Kingston's talking to the owner of another theatre | 0:17:04 | 0:17:06 | |
to see if we can shoot there Saturday. I really hope he says yes. | 0:17:06 | 0:17:09 | |
Thanks, bye. | 0:17:09 | 0:17:10 | |
Well? | 0:17:12 | 0:17:13 | |
I got the venue! | 0:17:15 | 0:17:16 | |
Yes! | 0:17:16 | 0:17:18 | |
OK, thanks. | 0:17:18 | 0:17:19 | |
Yes! | 0:17:19 | 0:17:21 | |
Kingston saved the day and the team. | 0:17:21 | 0:17:23 | |
I still need to tell you something though, so take a seat. | 0:17:23 | 0:17:27 | |
I shot a video here for a website once | 0:17:27 | 0:17:29 | |
and the owner isn't using it right now, so we can shoot there. | 0:17:29 | 0:17:31 | |
-Great. -I've got to let you know, it's not as nice as the other one. | 0:17:31 | 0:17:35 | |
I'm not going to lie, this place is a dump. | 0:17:35 | 0:17:38 | |
It's kind of old. Abandoned, actually. | 0:17:38 | 0:17:40 | |
It's pretty run down. It's really dirty. | 0:17:40 | 0:17:43 | |
Dusty, smelly, mouldy. | 0:17:43 | 0:17:45 | |
I don't like it. | 0:17:46 | 0:17:47 | |
You know, it might even be haunted. | 0:17:47 | 0:17:49 | |
Yo, free ghosts? | 0:17:49 | 0:17:51 | |
When Kingston is describing this venue, it sounds fantastic. | 0:17:51 | 0:17:55 | |
Bro, I'm in 100%. | 0:17:55 | 0:17:57 | |
You know what? This is actually perfect. | 0:17:57 | 0:18:00 | |
I think it's even better than the other venue. | 0:18:00 | 0:18:02 | |
-I mean, ghosts? -Ghosts. -Ghosts. | 0:18:02 | 0:18:04 | |
This venue is going to take the qualifier video | 0:18:04 | 0:18:07 | |
to a whole new level. | 0:18:07 | 0:18:09 | |
I'm just in the studio right now and just freestyling. | 0:18:14 | 0:18:17 | |
I just need to get all my emotions out. | 0:18:17 | 0:18:19 | |
# I'm on a bird on a thin wire | 0:18:21 | 0:18:24 | |
# Walking on the coals of a bonfire | 0:18:24 | 0:18:27 | |
# Voices of a navy blue sky choir | 0:18:27 | 0:18:31 | |
# Calling out my name. # | 0:18:31 | 0:18:34 | |
I feel so hurt right now. | 0:18:34 | 0:18:36 | |
Noah hasn't apologised to me, even though he completely embarrassed me | 0:18:36 | 0:18:40 | |
and I don't know if I can forget it. | 0:18:40 | 0:18:42 | |
# You know our story's never ending | 0:18:42 | 0:18:46 | |
# We rise, we're constantly ascending | 0:18:46 | 0:18:50 | |
# Up above it all | 0:18:50 | 0:18:54 | |
# Everything seems so small... # | 0:18:54 | 0:18:57 | |
Honestly, I don't really want to see Noah right now. | 0:18:57 | 0:19:00 | |
I don't want to talk to Noah ever again. | 0:19:01 | 0:19:04 | |
Sorry, I didn't realise someone would be in here. | 0:19:04 | 0:19:07 | |
Actually, I was leaving. | 0:19:07 | 0:19:09 | |
Great. | 0:19:09 | 0:19:11 | |
I don't know how to deal with this situation. | 0:19:11 | 0:19:14 | |
All I know is that we're running out of time before we shoot the video. | 0:19:14 | 0:19:18 | |
I don't know what I'm going to do. | 0:19:18 | 0:19:21 | |
# I'm taking off I'm hearing what you say | 0:19:21 | 0:19:25 | |
# No aerial boundaries are in my way | 0:19:25 | 0:19:29 | |
# Burning brighter than the middle of a flame | 0:19:29 | 0:19:32 | |
# You know you can't stop me now | 0:19:32 | 0:19:36 | |
# Did the work and it all paid off | 0:19:36 | 0:19:39 | |
# Started with a little now I got a lot... # | 0:19:39 | 0:19:43 | |
It was a mistake to mix dance with my relationship, but we have to work | 0:19:43 | 0:19:46 | |
together for the team. | 0:19:46 | 0:19:48 | |
I just hope she can just forget about it and move on. | 0:19:48 | 0:19:50 | |
# Lay it on the line | 0:19:52 | 0:19:56 | |
# Spread your wings and fly. # | 0:19:56 | 0:19:58 | |
I never should have asked Jacquie to choreograph. | 0:19:58 | 0:20:01 | |
This is all my fault. | 0:20:03 | 0:20:04 | |
I tried to get through to Richelle, but she won't listen to me. | 0:20:11 | 0:20:15 | |
I can't rat her out to Michelle and Emily, | 0:20:15 | 0:20:17 | |
but I also can't let her dance. | 0:20:17 | 0:20:19 | |
If Richelle were to get seriously hurt, | 0:20:27 | 0:20:30 | |
it would be on my shoulders. | 0:20:30 | 0:20:31 | |
I'm saving Richelle from herself. | 0:20:34 | 0:20:36 | |
I'm snapping the shank in Richelle's ballet shoe. | 0:20:43 | 0:20:45 | |
The shank is the whole support | 0:20:47 | 0:20:49 | |
and with no shank she won't be able to dance. | 0:20:49 | 0:20:51 | |
Sabotaging her pointe shoe is probably the worst thing | 0:20:53 | 0:20:56 | |
that a dancer could do. | 0:20:56 | 0:20:58 | |
But sometimes, in order to do the right thing, | 0:20:58 | 0:21:00 | |
you have to do a bad thing. | 0:21:00 | 0:21:02 | |
# And if we must battle forever | 0:21:06 | 0:21:10 | |
# We swear that we never surrender | 0:21:10 | 0:21:14 | |
# And when we're on top of the world | 0:21:14 | 0:21:16 | |
# We're gonna take the power and we'll never give it back | 0:21:16 | 0:21:21 | |
# You know what it takes just to conquer? | 0:21:21 | 0:21:25 | |
# We fail but we shall never falter | 0:21:25 | 0:21:29 | |
# The pain and the pride and the glory | 0:21:29 | 0:21:32 | |
# Gonna take the power and we'll never give it back | 0:21:32 | 0:21:36 | |
# We're never divided Forever united. # | 0:21:36 | 0:21:40 |