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Previously on The Next Step... | 0:00:02 | 0:00:03 | |
Amy is a full-fledged member of A-Troupe. | 0:00:03 | 0:00:06 | |
You have to cut one. | 0:00:06 | 0:00:08 | |
We've been keeping your spot warm. | 0:00:10 | 0:00:12 | |
Welcome to my team. | 0:00:12 | 0:00:13 | |
With Piper on our team, we only need two more dancers for regionals. | 0:00:15 | 0:00:18 | |
I'll show you. | 0:00:18 | 0:00:20 | |
Bring it on, Zara. | 0:00:20 | 0:00:22 | |
She is an amazing dancer. | 0:00:24 | 0:00:26 | |
I love having her around. | 0:00:26 | 0:00:27 | |
I wish I could dance in the studio, | 0:00:30 | 0:00:32 | |
even though I know it will never happen. | 0:00:32 | 0:00:34 | |
I'm supposed to be meeting Noah at Neutral Grounds after his rehearsal, | 0:00:35 | 0:00:38 | |
but he never came. | 0:00:38 | 0:00:39 | |
I talked to him about us. | 0:00:39 | 0:00:41 | |
You talked to Henry about us? | 0:00:41 | 0:00:43 | |
Noah should be happy about this. But now he is acting so weird. | 0:00:43 | 0:00:48 | |
I don't even know if this is worth it. | 0:00:48 | 0:00:50 | |
Two, three, four, five, six, | 0:01:00 | 0:01:02 | |
seven and eight. One, two, three, four... | 0:01:02 | 0:01:06 | |
I'm working on the dancers' regional routine right now, | 0:01:06 | 0:01:08 | |
and we are just cleaning up some of our formations and angles of their | 0:01:08 | 0:01:12 | |
body so that everyone matches perfectly. | 0:01:12 | 0:01:15 | |
Let's go again from the beginning. Here we go. | 0:01:15 | 0:01:17 | |
Jacquie, also, on the pirouette, | 0:01:17 | 0:01:18 | |
you're kind of letting your eyes drop down. | 0:01:18 | 0:01:20 | |
OK, so really keeping them up, yeah? | 0:01:20 | 0:01:22 | |
Five, six, seven, eight. | 0:01:22 | 0:01:24 | |
A-one, two, three and four, five, six, seven... | 0:01:24 | 0:01:27 | |
Rehearsal is going great. | 0:01:27 | 0:01:29 | |
I love the discipline, and Daniel | 0:01:29 | 0:01:31 | |
is the perfect choreographer for A-Troupe. | 0:01:31 | 0:01:33 | |
It is keeping my mind off the drama with Noah. | 0:01:33 | 0:01:35 | |
All right, guys, let's work on our tumbling pass. | 0:01:37 | 0:01:40 | |
Right now, I am working with the dancers and building a routine and | 0:01:40 | 0:01:43 | |
working on team chemistry. It is really important. | 0:01:43 | 0:01:45 | |
Kingston, Henry, I want you guys to tumble in from the back. | 0:01:45 | 0:01:48 | |
-Henry, you take the lead. -Cool. -Then, Kingston, you come after. | 0:01:48 | 0:01:52 | |
Yeah. Oh, yeah. | 0:01:54 | 0:01:56 | |
West really knows what he is doing. | 0:01:57 | 0:01:59 | |
We are just doing a tumbling pass, | 0:01:59 | 0:02:01 | |
but I really feel like I'm getting better. | 0:02:01 | 0:02:02 | |
Five, six, seven, eight. One... | 0:02:02 | 0:02:04 | |
I like being in Emily's team because it is a challenge | 0:02:04 | 0:02:07 | |
for me, and I like challenges. It makes me work harder. | 0:02:07 | 0:02:10 | |
Now, Piper, I want you to come down the centre. | 0:02:10 | 0:02:13 | |
I love this studio. This is where I am supposed to be. | 0:02:13 | 0:02:15 | |
-Hey. Looks great. All right, it's in. -Perfect. | 0:02:17 | 0:02:20 | |
My plan to get Amy on A-Troupe didn't go as expected, | 0:02:20 | 0:02:23 | |
but I think we both ended up on the teams that fit us best. | 0:02:23 | 0:02:26 | |
Three, four, five, six, seven... | 0:02:26 | 0:02:29 | |
I am so happy that Piper doesn't blame me | 0:02:29 | 0:02:31 | |
for getting kicked off Emily's team. | 0:02:31 | 0:02:33 | |
She seems really happy on TNS West | 0:02:33 | 0:02:35 | |
and I am really happy on TNS East. | 0:02:35 | 0:02:37 | |
One, two, three, four... | 0:02:37 | 0:02:41 | |
Emily, did you get Miss Kate's e-mail? | 0:02:41 | 0:02:44 | |
I need to talk to Emily because only | 0:02:44 | 0:02:45 | |
one troupe can represent the Next Step at regionals. | 0:02:45 | 0:02:48 | |
Michelle, look, I really don't have time for this right now, | 0:02:48 | 0:02:50 | |
so can you just get your dance captain to talk to my dance captain? | 0:02:50 | 0:02:53 | |
I don't have a dance captain, so we need to discuss this right now. | 0:02:53 | 0:02:56 | |
OK, let me just make this very clear to you - | 0:02:56 | 0:02:58 | |
I have a bunch of classically trained dancers. | 0:02:58 | 0:03:01 | |
You have people off the internet. I have a group of ten, you don't. | 0:03:01 | 0:03:05 | |
I think it is pretty clear who is going to regionals. | 0:03:05 | 0:03:08 | |
OK, I know I may not have ten dancers right now, | 0:03:08 | 0:03:11 | |
but every single one of my dancers is way better than any of yours. | 0:03:11 | 0:03:14 | |
So my team would beat your team any day. | 0:03:14 | 0:03:17 | |
Her team may have technique, but my team has heart. | 0:03:17 | 0:03:20 | |
All right, well, if you are so confident about that, | 0:03:20 | 0:03:22 | |
let's have a competition. TNS East versus TNS West. | 0:03:22 | 0:03:26 | |
Winner goes to regionals. | 0:03:26 | 0:03:28 | |
I don't even have a full troupe. | 0:03:28 | 0:03:31 | |
But I believe in my dancers. | 0:03:31 | 0:03:33 | |
-Great. -Great. | 0:03:33 | 0:03:35 | |
Great. | 0:03:35 | 0:03:37 | |
Great. | 0:03:39 | 0:03:41 | |
I need to find two dancers and fast. | 0:03:41 | 0:03:43 | |
MUSIC PLAYS | 0:04:25 | 0:04:27 | |
I really miss dance, | 0:04:28 | 0:04:30 | |
so this is my regular morning routine before the juice bar opens. | 0:04:30 | 0:04:33 | |
I used to compete, but those days are over. | 0:04:40 | 0:04:42 | |
Now, I only dance when no-one is around. | 0:04:42 | 0:04:44 | |
What? I had no idea that the barista from Neutral Grounds can dance. | 0:04:56 | 0:05:00 | |
She is incredible. | 0:05:00 | 0:05:02 | |
-MUSIC ENDS -Heather. | 0:05:07 | 0:05:10 | |
That was incredible. | 0:05:10 | 0:05:12 | |
You are amazing. And your aerial, | 0:05:12 | 0:05:14 | |
that was so high. | 0:05:14 | 0:05:15 | |
Your jete. So good. | 0:05:15 | 0:05:17 | |
That was nothing. | 0:05:17 | 0:05:19 | |
What can I get for you guys? | 0:05:19 | 0:05:20 | |
-BOTH: -We will have a...cherry vanilla smoothie. | 0:05:20 | 0:05:24 | |
I can't believe they saw me dancing, I'm so embarrassed. | 0:05:26 | 0:05:30 | |
I can't let anyone catch me dancing like that ever again. | 0:05:30 | 0:05:33 | |
-I'm really excited to be here. -Good, you should be. -Hey, Jacquie. | 0:05:37 | 0:05:40 | |
I'm here to ask Jacquie | 0:05:40 | 0:05:42 | |
on a proper first date. | 0:05:42 | 0:05:43 | |
I let things get in the way before. | 0:05:43 | 0:05:45 | |
I thought I had to worry about Henry, but I was wrong. | 0:05:45 | 0:05:48 | |
I've been thinking about some ideas and I have some awesome plans. | 0:05:48 | 0:05:52 | |
I reserved two spots at this wicked new rock-climbing place. | 0:05:52 | 0:05:54 | |
Then I realised, I was like, I didn't even ask you if you like | 0:05:54 | 0:05:57 | |
-rock climbing, but it's all good. I mean... -I've got to get ready. | 0:05:57 | 0:05:59 | |
I don't know if I can trust Noah. | 0:05:59 | 0:06:01 | |
He has bailed on me, he has run out on conversations. | 0:06:01 | 0:06:04 | |
I don't know if he will follow through next time. | 0:06:04 | 0:06:06 | |
-We will go rock climbing with you. -I love rock climbing. | 0:06:06 | 0:06:10 | |
I'll see you in the studio. | 0:06:11 | 0:06:12 | |
When Jacquie blows me off, I don't really understand why, | 0:06:16 | 0:06:19 | |
but I'm going to find out. | 0:06:19 | 0:06:21 | |
OK, guys, so, today, we're going to be focusing on a six-person section | 0:06:27 | 0:06:31 | |
of the ten-person dance. | 0:06:31 | 0:06:33 | |
I'm picking up where Daniel left off | 0:06:33 | 0:06:34 | |
and cleaning some of the choreography. | 0:06:34 | 0:06:36 | |
Now that we know that our ten-person dance is going against Michelle's | 0:06:36 | 0:06:39 | |
to figure out who is going to regionals, | 0:06:39 | 0:06:41 | |
our dance has to be perfect. | 0:06:41 | 0:06:43 | |
-Does anyone know where Zara is? -I'm here. | 0:06:43 | 0:06:46 | |
I'm so sorry I'm late. My parents had a flat tyre. | 0:06:46 | 0:06:48 | |
I promise it won't happen again. I promise. | 0:06:48 | 0:06:50 | |
-It better not. From the top. -I know she takes the bus in the morning. | 0:06:50 | 0:06:55 | |
There is no way her parents drove her in. | 0:06:55 | 0:06:57 | |
Go, five, six, seven, eight. | 0:06:57 | 0:06:59 | |
One, two, three, four, look, five, six, seven, eight. | 0:06:59 | 0:07:03 | |
-Switch lines with me, bro. -Don't switch. | 0:07:03 | 0:07:06 | |
-Move, bro. -Don't mess up the formation. | 0:07:06 | 0:07:09 | |
Good. Get that arm higher. | 0:07:09 | 0:07:10 | |
Hey, yo, let's switch. Switch! | 0:07:10 | 0:07:12 | |
I'm just the newbie. If he wants the back row, he wants the back row. | 0:07:12 | 0:07:16 | |
-I'm getting up front. -Down when you roll up. | 0:07:16 | 0:07:18 | |
What are...? What are you doing? | 0:07:18 | 0:07:19 | |
I want to make sure everything's good with us. You were | 0:07:19 | 0:07:22 | |
acting weird in the changing room earlier. Make sure we're all good. | 0:07:22 | 0:07:25 | |
Noah and I probably need to talk, but not in the middle of rehearsal. | 0:07:25 | 0:07:29 | |
Stop, I need to practise. | 0:07:29 | 0:07:31 | |
Jacquie. Noah? What are you guys doing? | 0:07:31 | 0:07:34 | |
Do you need to share this with the whole class? | 0:07:34 | 0:07:36 | |
-It's all good. -No. -It seems to be pretty important. | 0:07:36 | 0:07:39 | |
Can it not wait till after rehearsal? | 0:07:39 | 0:07:42 | |
-Yeah. -Then don't waste my time. Again, from the top, now. | 0:07:42 | 0:07:45 | |
Switch back to your positions - I did not put you there. | 0:07:45 | 0:07:48 | |
-Sorry, bro. -I can't believe Noah got me in trouble. | 0:07:48 | 0:07:51 | |
I was trying to make things better, | 0:07:51 | 0:07:52 | |
but I just made everything, like, ten times worse. | 0:07:52 | 0:07:56 | |
-Can you tell me how that section starts? -Yeah, you go like here. | 0:07:56 | 0:08:00 | |
OK, listen up, I have a very important announcement. | 0:08:00 | 0:08:04 | |
Only one team can go to regionals. | 0:08:04 | 0:08:07 | |
-This means that it is TNS West versus TNS East. -What? | 0:08:07 | 0:08:10 | |
I thought being on this troupe meant that I got to go to regionals, | 0:08:10 | 0:08:13 | |
but now we have to compete for our spots. That is just crazy. | 0:08:13 | 0:08:16 | |
I am not sure if TNS West is going to be enough of a match | 0:08:16 | 0:08:19 | |
to compete against TNS East. | 0:08:19 | 0:08:21 | |
So how is the search for your dancers going? | 0:08:21 | 0:08:23 | |
-We need two more, right? -Yes, we still need two more dancers, | 0:08:23 | 0:08:26 | |
and I actually auditioned two dancers this morning. | 0:08:26 | 0:08:28 | |
But they weren't even good enough for baby ballet, so that is that. | 0:08:28 | 0:08:32 | |
Let's get back to rehearsing. I will continue the search. | 0:08:32 | 0:08:35 | |
Thanks. OK. | 0:08:35 | 0:08:37 | |
I'm running out of time before this competition comes up and I am super | 0:08:37 | 0:08:40 | |
nervous. We still need two dancers. | 0:08:40 | 0:08:43 | |
What is the point of a ten-person dance if we don't have ten dancers? | 0:08:43 | 0:08:47 | |
I think I know someone. | 0:08:48 | 0:08:50 | |
I know just the dancer this team needs. | 0:08:50 | 0:08:53 | |
-Heather. I forgot to tip you. -Thanks. | 0:09:06 | 0:09:10 | |
OK. The real reason that I'm here is because I wanted to ask you about | 0:09:12 | 0:09:16 | |
your dancing. Where do you train? | 0:09:16 | 0:09:19 | |
I don't train. I used to, but I don't any more and I don't want to. | 0:09:19 | 0:09:23 | |
Wait, I don't believe that for a second. | 0:09:24 | 0:09:26 | |
Your feet are in fourth position. | 0:09:29 | 0:09:31 | |
-You are a dancer. -I used to be a dancer. | 0:09:32 | 0:09:35 | |
-BELL DINGS -I got to get back to work. | 0:09:35 | 0:09:38 | |
Why would someone as talented as Heather not want to dance? | 0:09:38 | 0:09:42 | |
She obviously loves dancing. | 0:09:42 | 0:09:43 | |
This isn't over. I know I can convince her. | 0:09:43 | 0:09:47 | |
Once a dancer, always a dancer. | 0:09:47 | 0:09:49 | |
So make sure on that leg, you lead in with the knee. | 0:09:49 | 0:09:52 | |
-Hey, Jacquie. Can I talk to you for a second? -Sure. | 0:09:52 | 0:09:55 | |
Look, you are a good dancer. | 0:09:55 | 0:09:58 | |
But I do have to say, | 0:09:58 | 0:10:00 | |
I was disappointed when you flubbed the choreography. | 0:10:00 | 0:10:02 | |
You seem really distracted. Should I be concerned about you? | 0:10:02 | 0:10:06 | |
Great, now my drama with Noah is getting in the way of my dancing. | 0:10:06 | 0:10:10 | |
This is not good. | 0:10:10 | 0:10:11 | |
Um... | 0:10:11 | 0:10:12 | |
It is not a big deal. Noah and Jacquie are just hanging out. | 0:10:12 | 0:10:16 | |
Oh, hanging out. | 0:10:17 | 0:10:19 | |
Look, I know what it is like to have a crush on Noah, | 0:10:19 | 0:10:22 | |
but it ruins everything. | 0:10:22 | 0:10:23 | |
It is terrible to have a crush on Noah. | 0:10:23 | 0:10:26 | |
Your dancing just goes flat, right to the floor. | 0:10:26 | 0:10:28 | |
Look, Jacquie, if you want this all to work out, | 0:10:28 | 0:10:30 | |
then just don't date him. | 0:10:30 | 0:10:33 | |
You're welcome. | 0:10:33 | 0:10:35 | |
Richelle has known Noah for a longer time, she might be right, | 0:10:35 | 0:10:38 | |
and I might have to get over Noah. | 0:10:38 | 0:10:41 | |
Zara's excuse in rehearsal was really fishy. | 0:10:48 | 0:10:51 | |
I got to find out what is up. | 0:10:51 | 0:10:53 | |
So a flat tyre, eh? | 0:10:53 | 0:10:54 | |
Yeah. It took forever to change and my parents started fighting | 0:10:56 | 0:10:59 | |
about whether or not to get a new car or not, | 0:10:59 | 0:11:01 | |
and it just kept going on and on. | 0:11:01 | 0:11:03 | |
Wow, Zara, you are a terrible liar. | 0:11:03 | 0:11:06 | |
OK, like, what is the real reason why you were late? | 0:11:06 | 0:11:10 | |
Josh and I are becoming good friends. | 0:11:10 | 0:11:13 | |
And I feel like I can trust him. | 0:11:13 | 0:11:16 | |
It would be a relief to get this secret off my chest. | 0:11:16 | 0:11:19 | |
The real reason why I was late this morning | 0:11:19 | 0:11:23 | |
is because I was at a math competition. | 0:11:23 | 0:11:26 | |
A math competition, you just, like...? | 0:11:26 | 0:11:28 | |
-I do equations on the fly. -So that means you're pretty smart? | 0:11:28 | 0:11:31 | |
-I know a theorem or two. -Honestly, that's pretty cool. | 0:11:31 | 0:11:34 | |
That's like... I'm impressed. | 0:11:34 | 0:11:36 | |
That is amazing. | 0:11:36 | 0:11:37 | |
Josh thinks it's cool. | 0:11:37 | 0:11:39 | |
But if Emily ever found out, | 0:11:39 | 0:11:41 | |
I'm really scared she'd kick me off the team. | 0:11:41 | 0:11:44 | |
She doesn't want us having any extracurricular activities. | 0:11:44 | 0:11:47 | |
And this is a pretty big one. | 0:11:47 | 0:11:49 | |
I asked Heather to meet me here because I have something really | 0:11:51 | 0:11:53 | |
important that I want to talk to her about. | 0:11:53 | 0:11:55 | |
-Hey, Piper. -Hey, Heather. I just wanted to get you in here, you know, | 0:11:55 | 0:11:59 | |
to see what it is like to dance in here. | 0:11:59 | 0:12:02 | |
-I can't. -Don't you just miss dancing? | 0:12:02 | 0:12:05 | |
You know what, I watched The Next Step win internationals, | 0:12:05 | 0:12:08 | |
-and it was awesome. -Yeah, | 0:12:08 | 0:12:11 | |
The Next Step's going to win internationals again. | 0:12:11 | 0:12:13 | |
-With you on the team. -There is no way. | 0:12:13 | 0:12:15 | |
Come on. Come on. Come on. | 0:12:15 | 0:12:17 | |
Just dance for fun, just to see what it is like again. | 0:12:17 | 0:12:20 | |
-OK, but just for fun. -Just for fun. | 0:12:20 | 0:12:22 | |
When I dance, there is not a care in my head. | 0:12:22 | 0:12:24 | |
I just focus on the routine and forget about the world around me. | 0:12:24 | 0:12:28 | |
When I quit dance, I was absolutely devastated. | 0:12:35 | 0:12:37 | |
It was the one thing that made me happy, | 0:12:37 | 0:12:40 | |
and now, I can't do it any more. | 0:12:40 | 0:12:42 | |
I dance because being on stage feels so good and there is nothing else I | 0:13:01 | 0:13:06 | |
would rather do than being in the moment, dancing and enjoying myself. | 0:13:06 | 0:13:09 | |
I competed at regionals last year and lost. | 0:13:19 | 0:13:23 | |
I've been trying to forget about it ever since. | 0:13:23 | 0:13:25 | |
I come from a big family where I have to share everything. | 0:13:33 | 0:13:36 | |
I had to give up dance because it is just so expensive and my family just | 0:13:36 | 0:13:39 | |
couldn't afford it. | 0:13:39 | 0:13:41 | |
Quitting dance has been the most painful experience of my life. | 0:13:53 | 0:13:57 | |
I miss it so much. | 0:13:57 | 0:13:58 | |
Heather, that was...that was so good. | 0:13:58 | 0:14:01 | |
You would be a great addition to our team. | 0:14:03 | 0:14:05 | |
You would fit in so well. | 0:14:05 | 0:14:08 | |
I just...I can't. | 0:14:08 | 0:14:10 | |
I don't understand, how can you stop dancing? | 0:14:11 | 0:14:14 | |
I don't get it. | 0:14:14 | 0:14:15 | |
You know what, dance is just so expensive and my parents | 0:14:15 | 0:14:20 | |
can't afford it. I just...I can't, I'm really sorry. | 0:14:20 | 0:14:25 | |
It's not fair that a beautiful dancer like Heather can't dance | 0:14:28 | 0:14:31 | |
because of money. I wish I could do something to help her. | 0:14:31 | 0:14:36 | |
So one, two, three and four. | 0:14:36 | 0:14:39 | |
Can you just go over, sorry, the hands again? | 0:14:39 | 0:14:41 | |
-Oh, yeah. -I didn't quite see... -So here, here, here, and through. | 0:14:41 | 0:14:44 | |
-Yeah. -Sounds good. -I felt bad for Jacquie. | 0:14:44 | 0:14:46 | |
I know she is going through a hard time, | 0:14:46 | 0:14:48 | |
so I am going to help her out with the choreography she missed. | 0:14:48 | 0:14:51 | |
Thank you so much for helping me out today. | 0:14:51 | 0:14:53 | |
-Yeah, no, any time. -That is exactly what I needed. | 0:14:53 | 0:14:56 | |
Hey, Jacquie. | 0:14:56 | 0:14:58 | |
I will catch up with you later, OK? | 0:14:58 | 0:15:00 | |
Sounds good. I don't want to see Noah right now. | 0:15:00 | 0:15:02 | |
But I guess I have to say something. | 0:15:02 | 0:15:05 | |
I just want to make sure everything is good and | 0:15:05 | 0:15:07 | |
-if we are still going out later? -Everything is not good. | 0:15:07 | 0:15:10 | |
You really embarrassed me in class today. | 0:15:12 | 0:15:14 | |
I shouldn't have switched lines with Josh. | 0:15:15 | 0:15:17 | |
-I didn't mean to do that at all. -You know what? | 0:15:17 | 0:15:19 | |
This is getting too complicated. | 0:15:19 | 0:15:21 | |
I wanted to be with Noah. But if I cannot trust where he is at, | 0:15:21 | 0:15:24 | |
I do not know if he is the right guy for me. | 0:15:24 | 0:15:26 | |
How do I know you won't stand me up again? | 0:15:26 | 0:15:29 | |
-I understand. But it won't happen again. -I don't know. | 0:15:29 | 0:15:33 | |
Maybe it is better if we focus on dance. | 0:15:33 | 0:15:35 | |
We are just getting distracted. | 0:15:35 | 0:15:37 | |
I knew things were a little rough, | 0:15:38 | 0:15:39 | |
especially the whole Henry situation, | 0:15:39 | 0:15:42 | |
and I thought I had everything figured out. | 0:15:42 | 0:15:44 | |
But it seems like it might be too late. | 0:15:44 | 0:15:47 | |
It is the end of the day and me and Josh are just packing up, | 0:15:58 | 0:16:00 | |
and all of a sudden I get a text. | 0:16:00 | 0:16:02 | |
PHONE VIBRATES | 0:16:02 | 0:16:04 | |
Yes! I'm going to totally crush Central High. | 0:16:05 | 0:16:08 | |
-What is that? -My high school set the date for my math quarterfinal. | 0:16:08 | 0:16:12 | |
-Well, that's pretty cool. -Yeah, it's two weeks from this Sunday. | 0:16:12 | 0:16:16 | |
That is too bad, you are going to have to miss it. | 0:16:16 | 0:16:18 | |
-What do you mean? -Well, we have the battle with TNS West. | 0:16:18 | 0:16:22 | |
You can't do both. You have to choose between math or dance. | 0:16:22 | 0:16:26 | |
Are you kidding me? | 0:16:26 | 0:16:27 | |
My maths quarterfinal is on the same day that the dance battle is on? | 0:16:27 | 0:16:31 | |
I need time to think about this. | 0:16:31 | 0:16:34 | |
All right, well, thanks. | 0:16:34 | 0:16:36 | |
If you know of anyone that is looking for a studio to dance at, | 0:16:36 | 0:16:38 | |
please send them my way as soon as possible. | 0:16:38 | 0:16:41 | |
I am calling every single studio head that you can imagine, | 0:16:41 | 0:16:44 | |
but no-one has any dancers for me. | 0:16:44 | 0:16:47 | |
I'm leaving no stone unturned. | 0:16:47 | 0:16:49 | |
Thanks, Tiffany. Yeah, bye. | 0:16:49 | 0:16:52 | |
-Hey. -Hey. I think I've found a dancer for our troupe. | 0:16:55 | 0:16:59 | |
OK, her name is Heather and she is a barista at Neutral Grounds. | 0:16:59 | 0:17:02 | |
She is amazing. She does aerials and jetes and arabesque and... | 0:17:02 | 0:17:05 | |
-What is the catch? -Well, there is one small hitch. | 0:17:05 | 0:17:09 | |
She can't afford dance. But I want to help her out. | 0:17:09 | 0:17:12 | |
Piper, I know it would really be great if we could help Heather, | 0:17:12 | 0:17:15 | |
but there is a lot of costs that go into dancing here, like travel, | 0:17:15 | 0:17:19 | |
like costumes, like competition fees... | 0:17:19 | 0:17:21 | |
But what if we have a danceathon? | 0:17:21 | 0:17:23 | |
To help people like Heather cut the cost of dancing here? | 0:17:23 | 0:17:26 | |
Piper has come up with such a creative solution to help out | 0:17:27 | 0:17:31 | |
Heather and to help out the studio. I like the way she thinks. | 0:17:31 | 0:17:34 | |
OK. I really like that idea - that could really work. | 0:17:34 | 0:17:37 | |
Great. OK. | 0:17:37 | 0:17:39 | |
I'm going to get my dance captain on it right away. | 0:17:41 | 0:17:44 | |
If you could go start organising everything, that would be awesome. | 0:17:44 | 0:17:47 | |
Are you saying what I think you are saying? | 0:17:49 | 0:17:51 | |
Yes, congratulations, Piper, | 0:17:52 | 0:17:54 | |
you are the new dance captain of The Next Step West. | 0:17:54 | 0:17:57 | |
OK. | 0:17:59 | 0:18:01 | |
Piper is just an amazing person and dancer overall. | 0:18:01 | 0:18:04 | |
She is totally dedicated to her work. | 0:18:04 | 0:18:06 | |
She always gives 110%. | 0:18:06 | 0:18:08 | |
And she would be absolutely perfect for dance captain. | 0:18:08 | 0:18:12 | |
I'm dance captain. I can't believe it. | 0:18:12 | 0:18:15 | |
-Thank you so much. I won't let you down. -OK. I know you won't. | 0:18:15 | 0:18:20 | |
My first job as dance captain is to put together an | 0:18:20 | 0:18:22 | |
incredible danceathon and get Heather on the team. | 0:18:22 | 0:18:25 | |
Because if we do not have enough dancers, | 0:18:25 | 0:18:27 | |
there won't be a team to captain. | 0:18:27 | 0:18:29 | |
I have been messing up so much with Jacquie. | 0:18:38 | 0:18:40 | |
It is no wonder why she doesn't trust me. | 0:18:40 | 0:18:42 | |
I need to tell her how I feel and I need to make things right. | 0:18:42 | 0:18:45 | |
Hey. I got your text. | 0:18:48 | 0:18:51 | |
What's up? | 0:18:51 | 0:18:53 | |
Noah has been acting so weird lately and I don't know how to take it. | 0:18:53 | 0:18:56 | |
But maybe I just have to hear him out. | 0:18:56 | 0:18:59 | |
Thanks for meeting with me. | 0:18:59 | 0:19:00 | |
I know I have been a little hot and cold lately, | 0:19:01 | 0:19:04 | |
and it is not how I've been wanting us to go. | 0:19:04 | 0:19:06 | |
But I want to make this work. | 0:19:06 | 0:19:09 | |
I'm all-in if you are. | 0:19:09 | 0:19:10 | |
I really like Noah. | 0:19:17 | 0:19:19 | |
But it got so complicated. | 0:19:19 | 0:19:22 | |
Hearing what he has to say makes me feel so much better. | 0:19:22 | 0:19:25 | |
I finally know how he feels. | 0:19:25 | 0:19:28 | |
# And I've got these great expectations | 0:19:30 | 0:19:35 | |
# A vivid imagination | 0:19:35 | 0:19:38 | |
# Wild situations deep inside | 0:19:39 | 0:19:43 | |
# And I've got these great expectations | 0:19:45 | 0:19:50 | |
# About all my relations | 0:19:50 | 0:19:52 | |
# I try to run when I wanna hide | 0:19:54 | 0:19:58 | |
# But even when I run, I only walk... # | 0:20:00 | 0:20:03 | |
Dancing with Jacquie feels amazing, like everything is perfect. | 0:20:03 | 0:20:07 | |
And to know we have moved on past all of our problems, | 0:20:07 | 0:20:11 | |
it's a good feeling. | 0:20:11 | 0:20:12 | |
# Tell you how I feel | 0:20:12 | 0:20:16 | |
# And if I could lose expectation | 0:20:16 | 0:20:19 | |
# Listen to my heart for motivation | 0:20:19 | 0:20:22 | |
# Rid myself of all imitation... # | 0:20:22 | 0:20:26 | |
Dancing with Noah makes me feel like there is no-one else in the world, | 0:20:26 | 0:20:29 | |
it is just me and him and that is all that matters. | 0:20:29 | 0:20:31 | |
# If I could lose expectation | 0:20:31 | 0:20:34 | |
# Get rid of my speculation | 0:20:34 | 0:20:37 | |
# And my need for justification | 0:20:37 | 0:20:41 | |
# Letting go, losing all. # | 0:20:41 | 0:20:49 | |
I realise that I was pushing Noah away | 0:20:55 | 0:20:57 | |
because I was afraid to get hurt. | 0:20:57 | 0:20:59 | |
But I am not afraid any more. | 0:20:59 | 0:21:00 |