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-Previously on The Next Step... -See you tonight? -For sure. | 0:00:02 | 0:00:04 | |
I'm breaking the bro code, | 0:00:04 | 0:00:06 | |
but really excited to be able to spend some time with Jacquie. | 0:00:06 | 0:00:08 | |
-Hey, guys. -Hey. -Hey. | 0:00:08 | 0:00:10 | |
I know that you have feelings for Jacquie, and you're lying to me, | 0:00:10 | 0:00:12 | |
and that's not what friends do, | 0:00:12 | 0:00:14 | |
so from this point on, we are not friends. | 0:00:14 | 0:00:17 | |
I can't believe Noah didn't show up. He didn't even text me. | 0:00:17 | 0:00:20 | |
I definitely don't like the way he's treating me right now. | 0:00:20 | 0:00:23 | |
Amy! Abigail! What are you doing? | 0:00:23 | 0:00:26 | |
-Please reconsider. It was... -No. I am pulling Amy from the studio. | 0:00:26 | 0:00:29 | |
Dancing is why I wake up in the morning - | 0:00:29 | 0:00:32 | |
because I love it so much. | 0:00:32 | 0:00:34 | |
I don't want to leave The Next Step. | 0:00:34 | 0:00:36 | |
-Hey, this one's on the house. You seem down. -Thank you. | 0:00:52 | 0:00:57 | |
My mum found out that I wasn't on A-Troupe, | 0:00:57 | 0:01:00 | |
and so she pulled me from the studio, | 0:01:00 | 0:01:02 | |
and I'm finding it really hard | 0:01:02 | 0:01:05 | |
to accept the fact that I'm not dancing. | 0:01:05 | 0:01:08 | |
This is the only place I want to be. I don't want to dance anywhere else. | 0:01:08 | 0:01:13 | |
Erm, hey. | 0:01:18 | 0:01:20 | |
It's kind of awkward to see Piper | 0:01:20 | 0:01:22 | |
because we're not really on the best terms right now, | 0:01:22 | 0:01:25 | |
and I don't know what she's going to say. | 0:01:25 | 0:01:28 | |
I'm sorry about what happened. That's terrible. | 0:01:28 | 0:01:32 | |
I was cleaning out my locker and I found some of your stuff. | 0:01:32 | 0:01:35 | |
Oh, thank you. | 0:01:35 | 0:01:37 | |
Things have been a little rocky with me and Amy. | 0:01:37 | 0:01:41 | |
I just know that she needs a friend right now. | 0:01:41 | 0:01:43 | |
I've got an idea. We're going to get you back on the team. | 0:01:43 | 0:01:47 | |
Piper, my mum's never going to let me dance for Michelle again. | 0:01:47 | 0:01:51 | |
Maybe she won't let you dance for Michelle, | 0:01:51 | 0:01:54 | |
but she'll let you dance for Emily. | 0:01:54 | 0:01:56 | |
# We | 0:01:59 | 0:02:01 | |
# We are gonna show the world | 0:02:01 | 0:02:05 | |
# Everything we're made of | 0:02:05 | 0:02:09 | |
# We're gonna tear the roof off | 0:02:09 | 0:02:11 | |
# This place | 0:02:11 | 0:02:17 | |
# Stand up! # | 0:02:22 | 0:02:23 | |
-Hey, Jacquie. -Hey. | 0:02:41 | 0:02:43 | |
I don't know what to think of Noah right now. | 0:02:43 | 0:02:45 | |
He stood me up at Neutral Grounds. I'm not OK with it. | 0:02:45 | 0:02:49 | |
But he must have a good reason and I need to figure it out. | 0:02:49 | 0:02:53 | |
What's going on, Noah? | 0:02:53 | 0:02:56 | |
I feel bad that I missed our date last night because of rehearsal, | 0:02:56 | 0:02:59 | |
but truthfully, I know I can't be with Jacquie | 0:02:59 | 0:03:02 | |
if I want to be friends with Henry again. | 0:03:02 | 0:03:04 | |
I don't know what I'm going to do. | 0:03:04 | 0:03:07 | |
I really like you, Jacquie, but... | 0:03:07 | 0:03:09 | |
But Henry doesn't feel comfortable with the situation, | 0:03:09 | 0:03:12 | |
-and I don't know... -Henry? | 0:03:12 | 0:03:14 | |
Since I joined the studio, me and Henry haven't even talked. | 0:03:14 | 0:03:17 | |
I just assumed that we were good and he was over us, but I guess not. | 0:03:17 | 0:03:21 | |
This is why you've been acting so weird lately. | 0:03:21 | 0:03:24 | |
You know what? I'll be right back. | 0:03:24 | 0:03:28 | |
I need to go deal with this. | 0:03:28 | 0:03:30 | |
-So, I'm going to teach you guys how to do the Ozzy. -OK. | 0:03:39 | 0:03:42 | |
First rule - it depends on the music. | 0:03:42 | 0:03:44 | |
So, depending on how the music is, it depends on the groove. | 0:03:44 | 0:03:47 | |
-Let me give you a beat. -Let's go. Ready? | 0:03:47 | 0:03:48 | |
HE BEATBOXES | 0:03:48 | 0:03:51 | |
So, you should be, like, rocking. | 0:03:51 | 0:03:53 | |
-Just add, like, a step. -I haven't been here long, | 0:03:55 | 0:03:57 | |
but I really connect with Ozzy and Henry. | 0:03:57 | 0:03:59 | |
They're really fun guys, and Ozzy's got a lot of moves. | 0:03:59 | 0:04:02 | |
The body's going. You can add some arms. | 0:04:02 | 0:04:06 | |
It's cool showing these guys the Ozzy. Basically, I do this step | 0:04:06 | 0:04:09 | |
whenever it's a party. | 0:04:09 | 0:04:11 | |
You just... | 0:04:11 | 0:04:13 | |
Maybe some shimmies. | 0:04:13 | 0:04:15 | |
-Is that good? Right here? -Yeah. Right in there. Hey. | 0:04:15 | 0:04:19 | |
-HE LAUGHS -Henry. -It felt good. -Yeah. | 0:04:19 | 0:04:21 | |
I need to talk to Henry because enough is enough. | 0:04:21 | 0:04:24 | |
He needs to stay out of my business, especially when it comes to Noah. | 0:04:24 | 0:04:28 | |
-Did you seriously tell Noah that we couldn't date? -Maybe. | 0:04:28 | 0:04:32 | |
If you had a problem, why didn't you come to me? | 0:04:32 | 0:04:34 | |
I can hang out with whoever I want, so get over yourself, | 0:04:34 | 0:04:38 | |
and move on. | 0:04:38 | 0:04:40 | |
Ooh-hoo-hoo! Henry just got told. | 0:04:41 | 0:04:45 | |
-Bro, that was actually brutal. -She just ripped him. | 0:04:45 | 0:04:49 | |
Henry just got sliced and diced. | 0:04:49 | 0:04:54 | |
Seriously, guys, I kind of feel like Jacquie has a point. | 0:04:54 | 0:04:57 | |
I hear you talk about Jacquie a lot. | 0:04:57 | 0:04:59 | |
Let me give an estimate. 5,000 times! | 0:04:59 | 0:05:02 | |
That's just an estimate. | 0:05:02 | 0:05:03 | |
I can guarantee it's probably double that. | 0:05:03 | 0:05:06 | |
Dude, you've got to move on. | 0:05:06 | 0:05:07 | |
Ozzy and I need to help Henry big time. | 0:05:07 | 0:05:10 | |
-I know what this guy needs. -What? -He needs a little bit of bro time. | 0:05:10 | 0:05:14 | |
HE LAUGHS I think bro time sounds good, bro. | 0:05:14 | 0:05:16 | |
-Oh, my gosh. -BOTH: -Bros! Bros! Bros! Bros! Bros! Bros! Bros! | 0:05:16 | 0:05:21 | |
Vegas, baby! Whoo! We're going to party all night! | 0:05:21 | 0:05:25 | |
Actually, I've got to be home by 7.30. | 0:05:25 | 0:05:27 | |
-Wow, that's awkward. -So, Neutral Grounds. -OK. -Got it. | 0:05:28 | 0:05:32 | |
Kingston's right. | 0:05:32 | 0:05:34 | |
Hanging out with the boys is exactly what I need to get over Jacquie. | 0:05:34 | 0:05:37 | |
Let's focus. OK, we're going to get you back on this team. | 0:05:47 | 0:05:50 | |
We're going to remind Emily how great you are, | 0:05:50 | 0:05:52 | |
and maybe we can convince her that you should be an alternate. | 0:05:52 | 0:05:55 | |
You know, if you're dancing with Emily, | 0:05:55 | 0:05:57 | |
your mum will have to let you back at the studio. She has to. | 0:05:57 | 0:06:00 | |
I know Emily didn't want any alternates, | 0:06:00 | 0:06:02 | |
but I think we can change her mind. | 0:06:02 | 0:06:04 | |
We already know a terrific dance. You've got nothing to lose. | 0:06:04 | 0:06:09 | |
So, let's just do it. | 0:06:09 | 0:06:11 | |
Piper's right - I have nothing left to lose, | 0:06:11 | 0:06:14 | |
so it's worth a shot. | 0:06:14 | 0:06:17 | |
-OK, I'm in. -OK. OK. | 0:06:17 | 0:06:20 | |
-So, I wanted to make a slight adjustment. -Wait, adjustment? | 0:06:20 | 0:06:24 | |
You really think it's a good idea to mess with Emily's choreo? | 0:06:24 | 0:06:27 | |
I know it's a risk doing Emily's choreo with Amy again, | 0:06:27 | 0:06:29 | |
but this is her only chance. | 0:06:29 | 0:06:31 | |
She's my best friend, and I have to help her. | 0:06:31 | 0:06:33 | |
Don't worry, I've got a plan. | 0:06:33 | 0:06:35 | |
There's this part right in the middle and | 0:06:35 | 0:06:37 | |
I think you should do a solo. | 0:06:37 | 0:06:39 | |
-Throw some acro in there. Impress her. -But you don't do acro. | 0:06:39 | 0:06:42 | |
It's fine. This is your time to shine. | 0:06:42 | 0:06:44 | |
This is my last chance to get back into The Next Step. | 0:06:44 | 0:06:48 | |
I better not blow it. | 0:06:48 | 0:06:50 | |
-Yo, that game yesterday! -I know. It was so good. | 0:06:51 | 0:06:54 | |
I called the winner from the start. | 0:06:54 | 0:06:55 | |
Yo, if I wasn't so focused on dance, I'd go pro. | 0:06:55 | 0:06:59 | |
Ozzy! | 0:06:59 | 0:07:00 | |
Wow. | 0:07:02 | 0:07:03 | |
Know what? May need a little bit of practice. | 0:07:04 | 0:07:06 | |
Ozzy and Kingston are trying to cheer me up, and it's working, | 0:07:06 | 0:07:09 | |
but every now and then, the thought just pops back into my head. | 0:07:09 | 0:07:12 | |
I remember I used to watch basketball games | 0:07:12 | 0:07:14 | |
-with Jacquie all the time. -Here we go again, man. | 0:07:14 | 0:07:17 | |
We brought this guy out | 0:07:17 | 0:07:18 | |
so he could stop thinking about Jacquie. Like, get over it! | 0:07:18 | 0:07:21 | |
When her team was in the play-offs, | 0:07:21 | 0:07:23 | |
she used to wear their jersey until they were eliminated. | 0:07:23 | 0:07:26 | |
-She was, like, a die-hard basketball fan. -OK. | 0:07:26 | 0:07:28 | |
And now she's probably watching games with Noah. | 0:07:28 | 0:07:31 | |
When Henry talks about Jacquie, my face goes like this. | 0:07:31 | 0:07:35 | |
-Henry, you need to get over this girl. -Yeah. | 0:07:35 | 0:07:38 | |
Henry, look at me! You need to get over this! | 0:07:38 | 0:07:41 | |
-I'm over it. -You're definitely not over it. | 0:07:41 | 0:07:43 | |
No, you're really not, man. | 0:07:43 | 0:07:44 | |
The best way to get over an old love is new love, | 0:07:44 | 0:07:46 | |
and that's what we're going to do - find you a new love. | 0:07:46 | 0:07:48 | |
Oh, I've been here before. Come on, guys. | 0:07:48 | 0:07:50 | |
Ozzy and Kingston are great, but what do they know about love? | 0:07:50 | 0:07:53 | |
We're going to search all day, all week. You know what? | 0:07:53 | 0:07:55 | |
-Even all month. -All year! CLATTERING | 0:07:55 | 0:07:57 | |
-Yo, how about her? -Oh, my gosh. -I think she's perfect. -Me too. | 0:07:57 | 0:08:03 | |
Please, someone, make it stop. | 0:08:03 | 0:08:06 | |
Right now, we're rehearsing Daniel's choreo, | 0:08:08 | 0:08:11 | |
so I can convince Emily to make me an alternate. | 0:08:11 | 0:08:13 | |
If it works, I might not get to Regionals, | 0:08:13 | 0:08:16 | |
but at least I'll be on A-Troupe. | 0:08:16 | 0:08:18 | |
I want it to look classy and neat. | 0:08:18 | 0:08:20 | |
I don't want it, like, competition cliche. | 0:08:20 | 0:08:22 | |
I get that. We don't want sparkles, yeah, but... | 0:08:22 | 0:08:24 | |
Amy, what are you doing here? | 0:08:25 | 0:08:28 | |
I feel bad Amy was pulled from her studio, | 0:08:28 | 0:08:32 | |
but this place is for A-Troupe dancers only. | 0:08:32 | 0:08:35 | |
I really do not want to be getting | 0:08:35 | 0:08:37 | |
any angry phone calls from your mother. | 0:08:37 | 0:08:39 | |
Maybe I should call her and let her know you're here. | 0:08:39 | 0:08:41 | |
No. No, you don't need to. | 0:08:41 | 0:08:43 | |
I just want to tell you that | 0:08:43 | 0:08:46 | |
being at The Next Step is so important to me, | 0:08:46 | 0:08:48 | |
and I didn't realise how important it was, | 0:08:48 | 0:08:51 | |
or how important dancing is, until I got it taken away. | 0:08:51 | 0:08:54 | |
I'm so proud of Amy for speaking her mind. | 0:08:54 | 0:08:57 | |
This is why she dances, and I hope Emily can hear this. | 0:08:57 | 0:09:01 | |
If you guys give me chance, | 0:09:01 | 0:09:03 | |
I can show you how determined and driven I am. | 0:09:03 | 0:09:05 | |
-Amy, look... -No, if rehearsal's at eight, I'll be here at seven. | 0:09:05 | 0:09:09 | |
If I'm not getting a step, then I'll keep practising. | 0:09:09 | 0:09:12 | |
I'll even book private lessons. | 0:09:12 | 0:09:14 | |
I don't have to be a main dancer. I'm just asking to be an alternate. | 0:09:14 | 0:09:17 | |
Please, we have something prepared. Let us show you. | 0:09:17 | 0:09:21 | |
I don't believe in alternates | 0:09:21 | 0:09:23 | |
because I don't think any A-Troupe member | 0:09:23 | 0:09:25 | |
should have to sit on the sidelines, | 0:09:25 | 0:09:27 | |
but I guess seeing what Amy can do can't hurt. | 0:09:27 | 0:09:31 | |
OK, if you're so determined, I want to see it in your dancing. | 0:09:31 | 0:09:36 | |
-Yes! -OK. | 0:09:36 | 0:09:38 | |
I know that I have to leave everything on the floor. | 0:09:38 | 0:09:41 | |
I'm not going to get another chance. | 0:09:41 | 0:09:44 | |
I am very nervous to dance in front of Daniel and Emily, | 0:10:00 | 0:10:04 | |
but I am happy that I'm dancing with my best friend. | 0:10:04 | 0:10:09 | |
# And if we must battle forever | 0:10:09 | 0:10:12 | |
# We swear that we'd never surrender | 0:10:12 | 0:10:16 | |
# And when we're on top of the world | 0:10:16 | 0:10:19 | |
# We're gonna take the power | 0:10:19 | 0:10:21 | |
# And we never give it back | 0:10:21 | 0:10:23 | |
# You know what it takes just to conquer | 0:10:24 | 0:10:28 | |
# We fail but we shall never falter... # | 0:10:28 | 0:10:31 | |
Amy's acro is amazing. | 0:10:31 | 0:10:33 | |
I haven't seen someone flip like her since Giselle. | 0:10:33 | 0:10:36 | |
I mean, it's very, very cool to watch. | 0:10:36 | 0:10:39 | |
I've never seen Amy be this on in a dance before. | 0:10:40 | 0:10:44 | |
Whatever she's done to change her focus, | 0:10:44 | 0:10:46 | |
Amy's really shining right now. | 0:10:46 | 0:10:48 | |
# I feel you're like thunder If you want it, we got it | 0:10:48 | 0:10:52 | |
# We're never gonna stop until we're on top | 0:10:52 | 0:10:56 | |
# On top of the world. # | 0:10:56 | 0:10:58 | |
You did well. | 0:11:08 | 0:11:10 | |
We'll think about it. Thank you, ladies. | 0:11:11 | 0:11:14 | |
We did all we could. | 0:11:18 | 0:11:20 | |
I have done everything I can to get back into the studio. | 0:11:20 | 0:11:25 | |
It's up to Emily now. | 0:11:25 | 0:11:26 | |
Bro, we need to get him to talk to her. | 0:11:32 | 0:11:34 | |
-Yo, I agree. -Come on, man. She's cute. | 0:11:34 | 0:11:36 | |
What's the worst that could happen? She'll spill a little juice on you? | 0:11:36 | 0:11:39 | |
-That juice'll wash out and your love could last forever. -Ooh! | 0:11:39 | 0:11:42 | |
Guys, I know it seems like two years has been a long time, | 0:11:42 | 0:11:44 | |
but personally, I'm not ready to get back in the game. | 0:11:44 | 0:11:47 | |
The server at Neutral Grounds is pretty cute. | 0:11:47 | 0:11:49 | |
I think it'll help Henry get his mind off Jacquie. | 0:11:49 | 0:11:51 | |
You've just got to do it. It's like ripping off a Band-Aid. | 0:11:51 | 0:11:54 | |
-Check it. -Oh, here we go. -This is how it's done. -Yeah. | 0:11:54 | 0:11:56 | |
Yo, shorty. Do you live in this fruit bowl? | 0:11:58 | 0:12:01 | |
Cos, girl, you're a real peach. | 0:12:01 | 0:12:04 | |
Ozzy's talking to this girl and he's bombing it, | 0:12:04 | 0:12:06 | |
but you have to admit, he's got guts. | 0:12:06 | 0:12:09 | |
-Can I get you anything? -Your number. -Seriously? | 0:12:09 | 0:12:13 | |
I apologise about my friend here. | 0:12:13 | 0:12:15 | |
He's a little bit of his own species, | 0:12:15 | 0:12:18 | |
and he's trying to teach me how to pick up girls. | 0:12:18 | 0:12:20 | |
I've just been talking to him about this rough patch | 0:12:20 | 0:12:22 | |
that I'm going through with my ex-girlfriend and my best friend. | 0:12:22 | 0:12:25 | |
There's a lot going on. I have a flood of emotions and... | 0:12:25 | 0:12:27 | |
Don't worry. I understand. | 0:12:27 | 0:12:28 | |
I know if I broke up with my boyfriend, I'd be devastated. | 0:12:28 | 0:12:30 | |
See? She gets it. | 0:12:30 | 0:12:32 | |
You have a boyfriend? Your loss, baby. | 0:12:32 | 0:12:34 | |
-I'm sorry. -I think you need someone other than those guys to talk to. | 0:12:36 | 0:12:39 | |
-Yeah, I really do. -I think you need a girl's perspective. | 0:12:39 | 0:12:41 | |
Yes, that's exactly what I need. | 0:12:41 | 0:12:43 | |
I have a break in ten minutes if you want to talk then? | 0:12:43 | 0:12:46 | |
-That'd be awesome. -OK, cool. -Cool. See you in ten. | 0:12:46 | 0:12:49 | |
I owe you. | 0:12:54 | 0:12:56 | |
I'm not so happy about the way that they did it, | 0:12:59 | 0:13:01 | |
but I'm glad Ozzy and Kingston made me talk to Heather. | 0:13:01 | 0:13:04 | |
See, I knew bro time was going to pay off. | 0:13:04 | 0:13:07 | |
Noah! | 0:13:13 | 0:13:14 | |
I wasn't sleeping. | 0:13:16 | 0:13:18 | |
OK. Listen, I talked to Henry about us, | 0:13:18 | 0:13:21 | |
and basically said if we want to hang out, we can. | 0:13:21 | 0:13:23 | |
He needs to stay out of it. | 0:13:23 | 0:13:26 | |
-You talked to Henry? -Yes. | 0:13:26 | 0:13:30 | |
-About us? -Yes. | 0:13:30 | 0:13:32 | |
This is good news. What is Noah not getting? | 0:13:32 | 0:13:36 | |
How can Henry possibly be OK with Jacquie and I? | 0:13:36 | 0:13:39 | |
I have to get to the bottom of this. | 0:13:39 | 0:13:41 | |
I have to go. | 0:13:41 | 0:13:43 | |
Noah should be happy about this, but now he's acting so weird. | 0:13:47 | 0:13:53 | |
I don't even know if this is worth it. | 0:13:53 | 0:13:56 | |
And then she basically said I wasn't a good enough dancer | 0:13:56 | 0:13:59 | |
and she completely forgot about me, so... | 0:13:59 | 0:14:01 | |
Sounds like you guys might not have been the best match. | 0:14:01 | 0:14:04 | |
I guess, but, honestly, talking about it makes me feel a lot better. | 0:14:04 | 0:14:07 | |
It's like a weight has been lifted off my back, so, thanks. | 0:14:07 | 0:14:09 | |
Yeah, for sure. | 0:14:09 | 0:14:10 | |
Heather's a great listener, | 0:14:10 | 0:14:11 | |
and I'm kind of not even thinking about Jacquie any more. | 0:14:11 | 0:14:14 | |
This is exactly what I needed. | 0:14:14 | 0:14:15 | |
There's so many dancers that come in here. | 0:14:15 | 0:14:17 | |
It must be, like, annoying hearing about dance all the time. | 0:14:17 | 0:14:20 | |
-I get by. -Yeah. | 0:14:20 | 0:14:22 | |
So, what's it like working here in Neutral Grounds? | 0:14:22 | 0:14:24 | |
It's honestly not that bad. | 0:14:24 | 0:14:25 | |
Like, I always go home smelling like guava, but the people are nice. | 0:14:25 | 0:14:29 | |
-You're not a guava person? -No. -Cool. -HE CHUCKLES | 0:14:29 | 0:14:31 | |
Henry and this girl make a really cute couple. | 0:14:31 | 0:14:34 | |
They're laughing, they're talking, they're having fun, | 0:14:34 | 0:14:36 | |
and it's really nice to see Henry happy again. | 0:14:36 | 0:14:38 | |
Yo, don't interrupt my boy. He's with a girl. | 0:14:41 | 0:14:44 | |
Yo, Henry's on a date. | 0:14:44 | 0:14:45 | |
-He's on a date? -Yeah, man. | 0:14:45 | 0:14:48 | |
So, this is why Henry told Jacquie he's OK. | 0:14:48 | 0:14:51 | |
I mean, he likes someone else. This makes perfect sense. | 0:14:51 | 0:14:55 | |
Do you need us to give him a message? | 0:14:55 | 0:14:57 | |
Forget about it. It's all good. | 0:14:57 | 0:14:58 | |
Henry being on a date is basically a flashing green light | 0:15:00 | 0:15:04 | |
for me to go out with Jacquie. | 0:15:04 | 0:15:06 | |
# Don't you worry about the rise and fall | 0:15:08 | 0:15:10 | |
# Cos every moment... # | 0:15:10 | 0:15:12 | |
Right now, I'm dancing for myself. | 0:15:12 | 0:15:15 | |
I'm not dancing for my mum, or Piper, or Emily and Daniel. | 0:15:15 | 0:15:19 | |
I'm dancing because I need to dance. | 0:15:19 | 0:15:22 | |
# Ha! Ooh! Oh-oh! | 0:15:23 | 0:15:27 | |
# Got a feel, got a feel, got a feel, got a feeling... # | 0:15:27 | 0:15:29 | |
Dancing in Studio 1 is magical. I feel like I can do anything. | 0:15:29 | 0:15:35 | |
It's where I want to be. | 0:15:35 | 0:15:37 | |
# The wheels keep going if we're moving in slow motion | 0:15:38 | 0:15:42 | |
# Slow motion, slow motion | 0:15:42 | 0:15:46 | |
# Moving in slow motion, slow motion, slow motion | 0:15:48 | 0:15:53 | |
# How it all, how it all, how it all comes down tonight. # | 0:15:55 | 0:16:00 | |
I'm just dancing one last time in this beautiful studio | 0:16:06 | 0:16:12 | |
before I leave forever. | 0:16:12 | 0:16:14 | |
Emily didn't let you come back to the studio? | 0:16:14 | 0:16:17 | |
Just kidding. I'm back! | 0:16:19 | 0:16:21 | |
I can't believe Piper's plan worked. | 0:16:21 | 0:16:24 | |
My mum is going to be so happy. | 0:16:24 | 0:16:27 | |
This is where I belong. | 0:16:27 | 0:16:29 | |
-I can't wait to dance with you. -Me too. | 0:16:29 | 0:16:32 | |
So, what are you doing here so early? | 0:16:32 | 0:16:33 | |
Rehearsals don't start for a while. | 0:16:33 | 0:16:35 | |
Oh, well, Emily just wanted to meet me in her office. | 0:16:35 | 0:16:37 | |
-Well, don't keep her waiting! -No. | 0:16:37 | 0:16:39 | |
So, Amy's an alternate. | 0:16:41 | 0:16:44 | |
Erm, no, Piper. You know I don't believe in alternates. | 0:16:44 | 0:16:48 | |
Amy is a full-fledged member of A-Troupe. | 0:16:48 | 0:16:52 | |
So, that means there's 11 dancers. | 0:16:54 | 0:16:58 | |
You have to cut one. | 0:17:02 | 0:17:04 | |
Yes, I do, Piper, and that's why I wanted to see you. | 0:17:06 | 0:17:09 | |
No alternates... | 0:17:13 | 0:17:15 | |
..means that Amy took my spot. | 0:17:16 | 0:17:19 | |
Look, as studio head, I sometimes have to make difficult decisions. | 0:17:19 | 0:17:24 | |
This was a difficult decision. | 0:17:24 | 0:17:26 | |
-I'm really sorry, Piper. -Piper, you're a very good dancer. | 0:17:27 | 0:17:32 | |
I'm sure you'll figure something out. | 0:17:32 | 0:17:34 | |
And we would love to have you on B-Troupe. | 0:17:34 | 0:17:37 | |
I was just trying to help a friend. | 0:17:41 | 0:17:43 | |
-I worked so hard... -Piper! -..so that I could be on this team, | 0:17:45 | 0:17:50 | |
and I got cut?! | 0:17:50 | 0:17:52 | |
I wanted to make A-Troupe, but not like this. | 0:17:53 | 0:17:57 | |
Piper, I am so, so sorry for what happened. | 0:18:12 | 0:18:15 | |
I never meant or wanted you to be kicked off of A-Troupe. | 0:18:15 | 0:18:18 | |
It's fine. | 0:18:18 | 0:18:20 | |
I will quit A-Troupe so you can have your spot back. | 0:18:21 | 0:18:24 | |
Amy, don't be silly. | 0:18:24 | 0:18:27 | |
I don't want to see Amy right now. | 0:18:27 | 0:18:29 | |
I know she feels bad, but | 0:18:29 | 0:18:31 | |
there's nothing she can do. | 0:18:31 | 0:18:34 | |
I will do anything to help you get back on A-Troupe. | 0:18:35 | 0:18:38 | |
That won't be necessary. | 0:18:38 | 0:18:40 | |
I never wanted her to get kicked off of A-Troupe. | 0:18:42 | 0:18:46 | |
I don't know what's going to happen now. | 0:18:46 | 0:18:48 | |
I just hope Piper's going to be OK. | 0:18:48 | 0:18:50 | |
Yeah. So, this is TNS West, or we just like to call it Studio A. | 0:19:05 | 0:19:09 | |
-Wow. -Yeah. -It's amazing. -Thanks. | 0:19:09 | 0:19:12 | |
-Erm, you see that chandelier? -Yeah. -I built it myself from scratch. | 0:19:12 | 0:19:16 | |
-Believable. -Actually, I'm lying, erm, | 0:19:17 | 0:19:20 | |
but, yeah, this is where I am most of the time. | 0:19:20 | 0:19:22 | |
I invite Heather to the studio | 0:19:22 | 0:19:24 | |
because I think we're going to be friends | 0:19:24 | 0:19:25 | |
and I want her to see what I'm all about. | 0:19:25 | 0:19:28 | |
Oh, and this is some of the troupe. | 0:19:28 | 0:19:30 | |
Piper, are you OK? | 0:19:35 | 0:19:36 | |
When Piper walks into my studio, I instantly know what has happened. | 0:19:40 | 0:19:44 | |
Piper. | 0:19:44 | 0:19:45 | |
Michelle, can I please talk to you? | 0:19:47 | 0:19:50 | |
There's nothing to talk about. | 0:19:52 | 0:19:55 | |
We've been keeping your spot warm. Welcome to my team. | 0:19:55 | 0:19:58 | |
I really have no idea why Emily would ever kick Piper off her team. | 0:20:00 | 0:20:04 | |
She is one of the most technical and amazing dancers I've ever seen. | 0:20:04 | 0:20:08 | |
Thank you. | 0:20:09 | 0:20:10 | |
Home is where people want you, | 0:20:10 | 0:20:13 | |
and I'm at home in Michelle's troupe. | 0:20:13 | 0:20:15 | |
I think this calls for a celebration. | 0:20:15 | 0:20:17 | |
-How about ice cream on me? -Yeah, totally. | 0:20:17 | 0:20:19 | |
With Piper on our team, | 0:20:19 | 0:20:21 | |
that means we only need two more dancers for Regionals. | 0:20:21 | 0:20:24 | |
I don't know where they are, but they're out there, somewhere. | 0:20:24 | 0:20:28 | |
-Cool. Do you want to come? -Yeah, I'll be there in a second. | 0:20:28 | 0:20:30 | |
All right, cool. Catch you. | 0:20:30 | 0:20:32 | |
I wish I could dance in this studio, | 0:20:46 | 0:20:48 | |
even though I know it'll never happen. | 0:20:48 | 0:20:50 | |
Part of me will always be a dancer... | 0:20:56 | 0:20:58 | |
..even if I can never compete again. | 0:21:00 | 0:21:03 | |
# Feeling proud | 0:21:07 | 0:21:09 | |
# Can't hold back | 0:21:09 | 0:21:12 | |
# All the signs | 0:21:12 | 0:21:14 | |
# All surrounded | 0:21:14 | 0:21:17 | |
# Dreaming now | 0:21:17 | 0:21:19 | |
# Miles away | 0:21:19 | 0:21:21 | |
# Still I can hear the sound | 0:21:21 | 0:21:26 | |
# Oh, oh, oh, oh | 0:21:26 | 0:21:29 | |
-# Oh-oh-oh -Oh-oh! | 0:21:29 | 0:21:31 | |
-# Oh, oh, oh, oh, oh-oh-oh -Ooh-ooh, ooh-ooh-ooh | 0:21:31 | 0:21:35 | |
-# Oh, oh, oh -Oh, oh, oh, oh | 0:21:35 | 0:21:38 | |
# Oh-oh-oh-oh. # | 0:21:38 | 0:21:40 |