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Previously on The Next Step... | 0:00:02 | 0:00:03 | |
In hockey, I wasn't going to make it to the NHL. | 0:00:03 | 0:00:06 | |
But in dance, I may make it on The Next Step. | 0:00:06 | 0:00:08 | |
I would like to welcome Josh as the tenth member of our team. | 0:00:08 | 0:00:12 | |
This is where we belong. | 0:00:13 | 0:00:15 | |
I can't believe you haven't told your mom. | 0:00:15 | 0:00:17 | |
If she finds out that I'm not in A troupe, | 0:00:17 | 0:00:19 | |
she's going to lose her mind. | 0:00:19 | 0:00:21 | |
I just want to show everyone, like, what I've got, like, | 0:00:21 | 0:00:23 | |
all my moves and stuff like that. | 0:00:23 | 0:00:25 | |
-Can we focus now, please? -This kid is a J-Trouper. | 0:00:25 | 0:00:28 | |
Three, four, nice, nice. | 0:00:28 | 0:00:29 | |
See, that's the important thing about dance, | 0:00:29 | 0:00:31 | |
is you've always got to have chemistry. | 0:00:31 | 0:00:33 | |
I feel like I have so much chemistry with Noah, it's actually real. | 0:00:33 | 0:00:36 | |
It's there. It's fully there. | 0:00:36 | 0:00:39 | |
Attention. | 0:00:46 | 0:00:47 | |
OK, I have some really exciting news. | 0:00:50 | 0:00:53 | |
I have decided that it is time for us to enter our first competition. | 0:00:53 | 0:00:57 | |
It is really important that you understand the kind of pressure | 0:00:58 | 0:01:01 | |
you'll be under at regionals. | 0:01:01 | 0:01:04 | |
And the only way to truly understand it is to compete. | 0:01:04 | 0:01:08 | |
So our first competition will be a duet. | 0:01:08 | 0:01:11 | |
I'm still new here. | 0:01:11 | 0:01:13 | |
I have no idea who Emily's going to choose. | 0:01:13 | 0:01:16 | |
I hope it's me. But I don't know. | 0:01:16 | 0:01:19 | |
This duet would be the perfect way to spend more time with Jacquie. | 0:01:19 | 0:01:22 | |
And I wouldn't be breaking any bro code with Henry. | 0:01:22 | 0:01:25 | |
So, who'd you pick? | 0:01:25 | 0:01:27 | |
I've decided on Noah | 0:01:27 | 0:01:30 | |
and... | 0:01:30 | 0:01:32 | |
When they call Noah's name, I instantly hope | 0:01:32 | 0:01:34 | |
that I'm the next name called. | 0:01:34 | 0:01:35 | |
Not only would it be great to hang out with Noah, | 0:01:35 | 0:01:38 | |
but it would be my first competition with The Next Step. | 0:01:38 | 0:01:41 | |
Richelle. | 0:01:41 | 0:01:42 | |
I could not be more excited when I'm chosen for the duet. | 0:01:44 | 0:01:46 | |
I think Noah and I will dance amazing. | 0:01:46 | 0:01:49 | |
I think we're two of the strongest dancers on the team and I definitely | 0:01:49 | 0:01:52 | |
-think we can win. -I'm a little disappointed. | 0:01:52 | 0:01:55 | |
I think it would have been... | 0:01:55 | 0:01:57 | |
..a good chance for me to bond with Jacquie if she got picked. | 0:01:58 | 0:02:01 | |
# We | 0:02:04 | 0:02:05 | |
# We are gonna show the world | 0:02:05 | 0:02:09 | |
# Everything we're made of | 0:02:09 | 0:02:14 | |
# We're gonna tear the roof off this place | 0:02:14 | 0:02:20 | |
# Stand up! # | 0:02:26 | 0:02:28 | |
# Ticket to the top. # | 0:02:42 | 0:02:43 | |
Seven, eight. We go one, two... | 0:02:43 | 0:02:46 | |
Right now, I'm teaching the team some choreography for the regionals | 0:02:46 | 0:02:49 | |
routine. It's important that they learn this today because we're way | 0:02:49 | 0:02:52 | |
behind all the other studios. | 0:02:52 | 0:02:54 | |
Two and - so you do it twice. | 0:02:54 | 0:02:56 | |
Three and... | 0:02:56 | 0:02:58 | |
I like Michelle's choreo. It's challenging. | 0:02:58 | 0:03:00 | |
Picking up this choreography would be really tricky | 0:03:00 | 0:03:02 | |
if it wasn't for all the extra classes that I'm taking. | 0:03:02 | 0:03:05 | |
Now I can actually keep up. | 0:03:05 | 0:03:07 | |
I'm going to step out for a little bit so that you guys can work on | 0:03:07 | 0:03:09 | |
your choreography. I'd better be impressed. | 0:03:09 | 0:03:11 | |
-See you guys in a bit. -All right. | 0:03:11 | 0:03:13 | |
-Let's do it. OK. -I am so hyped for this piece. | 0:03:13 | 0:03:17 | |
You know, maybe I should add some of my own animation, | 0:03:17 | 0:03:21 | |
little popping steps. What do you think? | 0:03:21 | 0:03:22 | |
We'll see about that. OK. | 0:03:22 | 0:03:24 | |
Maybe if I keep practising, you know, I'll be better | 0:03:24 | 0:03:27 | |
than LaTroy here. | 0:03:27 | 0:03:28 | |
I love Ozzy and all, but he's got a pretty big ego. | 0:03:29 | 0:03:33 | |
Better than LaTroy. You're funny, man. You're funny. | 0:03:33 | 0:03:36 | |
I decided to prank Ozzy, | 0:03:36 | 0:03:37 | |
cos I feel like he's a little bit too much, you know? | 0:03:37 | 0:03:40 | |
So I feel like I just need to... | 0:03:40 | 0:03:42 | |
Break him down a bit. | 0:03:42 | 0:03:44 | |
-So, how's it going? -It's good. | 0:03:44 | 0:03:46 | |
We've got some acro stuff, so we should probably get started. | 0:03:46 | 0:03:48 | |
-Yeah. -Actually, before we get started we need our good luck charm. | 0:03:48 | 0:03:51 | |
I'm not too sure what LaTroy is up to. | 0:03:52 | 0:03:55 | |
I think he's trying to prank Ozzy. | 0:03:56 | 0:03:59 | |
-Oh... -Yeah. Come on, Amy. | 0:03:59 | 0:04:00 | |
-You know this. -Yes. Good luck charm. | 0:04:00 | 0:04:02 | |
Yes, exactly. | 0:04:02 | 0:04:03 | |
TNS tradition, yeah. | 0:04:03 | 0:04:05 | |
-Bingo. -I've actually heard of that tradition before. | 0:04:05 | 0:04:07 | |
I see what LaTroy's doing. | 0:04:07 | 0:04:09 | |
And I want in. | 0:04:09 | 0:04:10 | |
Emily, she has this lucky bronze ballet slipper that she won at this | 0:04:10 | 0:04:13 | |
competition one time. | 0:04:13 | 0:04:14 | |
You know, it's in her desk drawer. You should go and get that. | 0:04:14 | 0:04:17 | |
There's no way I'm sneaking into Emily's office for anything. | 0:04:17 | 0:04:20 | |
She's crazy. | 0:04:20 | 0:04:21 | |
And, honestly, you're the lightest on your feet. | 0:04:21 | 0:04:23 | |
-Yeah. -You'll sneak past and nobody will ever see you coming. | 0:04:23 | 0:04:26 | |
They're obviously not going to let me off the hook until I go look for | 0:04:26 | 0:04:29 | |
-this slipper. -Man, do it, come on. | 0:04:29 | 0:04:31 | |
All right. Let's go. Let's go. Let's go, let's go, let's go. | 0:04:31 | 0:04:33 | |
You got this! | 0:04:35 | 0:04:36 | |
Oh, my goodness. I can't believe you... | 0:04:36 | 0:04:38 | |
Ozzy has absolutely no idea that I'm pranking him. | 0:04:38 | 0:04:41 | |
For sure. | 0:04:41 | 0:04:42 | |
I'm a prank master. | 0:04:42 | 0:04:43 | |
Right now, we're working on the duet. | 0:04:51 | 0:04:53 | |
The concept of the dance is a black widow spider | 0:04:55 | 0:04:57 | |
slowly seducing its prey until she finally catches him. | 0:04:57 | 0:05:00 | |
I think, with a couple more rehearsals, we'll be good to go. | 0:05:05 | 0:05:10 | |
# Can't find the highs, only the lows | 0:05:10 | 0:05:13 | |
# You're paralysed, lost all control | 0:05:13 | 0:05:16 | |
# Bury the pain, nowhere to go | 0:05:16 | 0:05:22 | |
# We're just looking for home. # | 0:05:22 | 0:05:25 | |
The routine is really, really good. | 0:05:25 | 0:05:29 | |
It's just there's... Something missing. | 0:05:29 | 0:05:31 | |
I don't know what it is. | 0:05:32 | 0:05:33 | |
Actually, I do know what it is. It's our chemistry. | 0:05:34 | 0:05:37 | |
She's... | 0:05:38 | 0:05:40 | |
emotionally stiff. | 0:05:40 | 0:05:42 | |
There's something about Richelle, and she... | 0:05:42 | 0:05:44 | |
She... We can't make eye contact. | 0:05:44 | 0:05:46 | |
I've been dancing with Noah since J-Troupe, | 0:05:53 | 0:05:55 | |
pretty much since I first came to the studio. | 0:05:55 | 0:05:57 | |
So we're strong dancers and we complement each other's strengths | 0:05:57 | 0:06:00 | |
really well. | 0:06:00 | 0:06:02 | |
-How do you feel about it? -I feel great. | 0:06:18 | 0:06:21 | |
I think with a couple more rehearsals, it'll be clean, | 0:06:21 | 0:06:23 | |
tight and ready to go. | 0:06:23 | 0:06:24 | |
-How do you feel about it? -Yeah, I feel good. | 0:06:26 | 0:06:29 | |
It feels great. | 0:06:29 | 0:06:31 | |
I believe the most important thing in a duet is the chemistry. | 0:06:31 | 0:06:35 | |
And Richelle and I, we don't have it. | 0:06:35 | 0:06:36 | |
Now, if Jacquie were in Richelle's spot, | 0:06:38 | 0:06:41 | |
chemistry would not be an issue. | 0:06:41 | 0:06:42 | |
Guys... Hey, guys. | 0:06:55 | 0:06:57 | |
Where's Ozzy? | 0:06:58 | 0:06:59 | |
He's been gone a while. | 0:06:59 | 0:07:00 | |
Yeah. Yeah, he has been. | 0:07:01 | 0:07:03 | |
I'm a little worried when Ozzy doesn't come back. | 0:07:03 | 0:07:06 | |
It's been a long time. | 0:07:06 | 0:07:07 | |
He'll be fine, man. Don't worry about it, like... | 0:07:07 | 0:07:09 | |
No, man, what if, what if Emily caught him? | 0:07:09 | 0:07:11 | |
Dude, you're overreacting. That's not, that's not happening right now. | 0:07:11 | 0:07:14 | |
-Someone text him. -Yeah. No, | 0:07:14 | 0:07:15 | |
I don't have to text anybody because he's right here. | 0:07:15 | 0:07:17 | |
-Ozzy! -Ozzy! -You're alive! | 0:07:17 | 0:07:19 | |
I am so glad to see Ozzy back in one piece. | 0:07:19 | 0:07:23 | |
If Emily caught him, there'd be big consequences. | 0:07:23 | 0:07:26 | |
So, Oz... | 0:07:26 | 0:07:27 | |
-..where's the slipper at? -Well, I didn't find the slipper, | 0:07:29 | 0:07:32 | |
but I did find a registration form. | 0:07:32 | 0:07:34 | |
For what? | 0:07:34 | 0:07:35 | |
Well, the form is for a dance competition, | 0:07:35 | 0:07:38 | |
for dances from around the world. | 0:07:38 | 0:07:39 | |
-What's this competition called? -Yes. -Does Michelle know about this? | 0:07:39 | 0:07:42 | |
Guys, guys, guys, don't worry about that stuff. | 0:07:42 | 0:07:45 | |
The best part is we each get 1,000 if we win. | 0:07:45 | 0:07:49 | |
-Legit, a thousand? -Legit. | 0:07:50 | 0:07:52 | |
1,000. I'm actually pretty excited, | 0:07:52 | 0:07:54 | |
because we can all use a thousand bucks each. | 0:07:54 | 0:07:56 | |
If I had 1000, the mall would not know what hit it. | 0:07:56 | 0:08:00 | |
-I think we're in. -Great. | 0:08:00 | 0:08:02 | |
I got the perfect dance in mind. But the competition is this weekend. | 0:08:02 | 0:08:05 | |
Bro, lead the way. Lead the way. | 0:08:05 | 0:08:06 | |
1,000 coming my way. | 0:08:06 | 0:08:08 | |
I can feel it. | 0:08:08 | 0:08:10 | |
You da man, Ozzy. You da man. | 0:08:10 | 0:08:12 | |
-Can I join? -Yeah, of course, as long as you show me something. | 0:08:14 | 0:08:16 | |
I'll show you something. | 0:08:16 | 0:08:18 | |
I was just practising alone until Zara showed up. | 0:08:18 | 0:08:21 | |
I have a lot of time to kill because | 0:08:22 | 0:08:24 | |
my dad took my brother to his hockey game. | 0:08:24 | 0:08:26 | |
We're working on our moves so when the next competition | 0:08:26 | 0:08:28 | |
comes around, Emily will think of us. | 0:08:28 | 0:08:31 | |
-That's cute. That's cute. -All right. | 0:08:31 | 0:08:33 | |
I just came from B-Troupe. | 0:08:33 | 0:08:35 | |
And I don't really know the other A-Troupers quite yet. | 0:08:35 | 0:08:37 | |
It's fun spending time trading moves with Josh. | 0:08:37 | 0:08:40 | |
Do you know where the nearest emergency exit is? | 0:08:40 | 0:08:43 | |
-No. -Because I'm about to set this place on fire. | 0:08:43 | 0:08:47 | |
Oh! | 0:08:47 | 0:08:48 | |
All right, for sure. Let's jam, then. | 0:08:48 | 0:08:51 | |
Bring it on, Zara. | 0:08:51 | 0:08:52 | |
I spend a lot of extra time at the studio, | 0:09:03 | 0:09:05 | |
waiting for my brother's hockey to finish. | 0:09:05 | 0:09:07 | |
Adam playing hockey definitely takes | 0:09:07 | 0:09:09 | |
a lot of time out of my parents' lives. | 0:09:09 | 0:09:12 | |
They're obviously invested in him a lot. | 0:09:12 | 0:09:15 | |
But it affects me a lot too. | 0:09:15 | 0:09:18 | |
I guess the only benefit is it gives me time to practise my dance. | 0:09:18 | 0:09:21 | |
Josh is doing so well in this battle. | 0:09:24 | 0:09:26 | |
He's definitely bringing it. | 0:09:26 | 0:09:28 | |
I got to bring my A game too. | 0:09:28 | 0:09:29 | |
-That was really fun. -Oh, my gosh. | 0:09:44 | 0:09:45 | |
-I didn't know you were that good. -Thank you. | 0:09:45 | 0:09:47 | |
You too. You were amazing. | 0:09:47 | 0:09:49 | |
I know, we should do this again sometime, for sure. | 0:09:49 | 0:09:51 | |
-Yeah. We would make an awesome duet. -Oh, we make the best duet. | 0:09:51 | 0:09:55 | |
Zara and I would have killed it if Emily had picked us for the duet | 0:09:55 | 0:09:57 | |
competition. | 0:09:57 | 0:09:59 | |
She's an amazing dancer. | 0:09:59 | 0:10:01 | |
I love having her around. | 0:10:01 | 0:10:03 | |
I'll have your watermelon in a minute. | 0:10:05 | 0:10:07 | |
Hey, Emily. I'm a little concerned about the duet. | 0:10:08 | 0:10:12 | |
Why? Are you and Richelle having problems with choreo? | 0:10:12 | 0:10:14 | |
No, no, no. We actually have some really good choreo. | 0:10:14 | 0:10:17 | |
OK, so there's no problem, then. | 0:10:17 | 0:10:19 | |
But it's just... See, Richelle's dancing... | 0:10:19 | 0:10:23 | |
is...a little emotionally stiff. | 0:10:23 | 0:10:27 | |
And, you know, duets are all about chemistry. | 0:10:27 | 0:10:29 | |
For example, if it were with Jacquie and I, our chemistry would... | 0:10:29 | 0:10:32 | |
Oh, chemistry, yeah. | 0:10:32 | 0:10:34 | |
-Exactly. -Chemistry. | 0:10:34 | 0:10:35 | |
Noah wants to switch Richelle for Jacquie? | 0:10:35 | 0:10:38 | |
I know what this is about. | 0:10:38 | 0:10:40 | |
I'm not really here to make decisions based on | 0:10:40 | 0:10:42 | |
-who you have a crush on, Noah. -Crush? | 0:10:42 | 0:10:45 | |
I don't have a crush on Jacquie. | 0:10:45 | 0:10:47 | |
Yeah, OK. Look, Richelle is a technically amazing dancer. | 0:10:47 | 0:10:50 | |
Even better than you in some cases. | 0:10:50 | 0:10:53 | |
A good dancer would be able to make this duet work, right? | 0:10:53 | 0:10:55 | |
Yeah. You're right. I apologise for bothering you. | 0:10:57 | 0:11:00 | |
Mm-hm. | 0:11:00 | 0:11:02 | |
Emily is wrong. | 0:11:02 | 0:11:04 | |
This duet could be so much stronger if I could be with Jacquie. | 0:11:04 | 0:11:06 | |
I don't know what I'm going to do. | 0:11:06 | 0:11:09 | |
All right, so I'm going to be teaching you a Litvanian | 0:11:17 | 0:11:20 | |
traditional dance. | 0:11:20 | 0:11:22 | |
I was born in Litvania and the dance is part of the culture. | 0:11:22 | 0:11:25 | |
I've actually never heard of Litvania before. | 0:11:25 | 0:11:28 | |
-Me either. -It's in Eastern Europe. | 0:11:28 | 0:11:30 | |
And it's one of the smaller countries, so maybe that's why. | 0:11:30 | 0:11:33 | |
All right, so one main focus of the dance is the knees. | 0:11:33 | 0:11:37 | |
-OK. -In Litvania, | 0:11:37 | 0:11:39 | |
the knees are considered the most beautiful part of the body. | 0:11:39 | 0:11:42 | |
I got beautiful knees. | 0:11:43 | 0:11:46 | |
And I'm ready to show them off. | 0:11:46 | 0:11:48 | |
You can either, like, go faster. | 0:11:49 | 0:11:51 | |
You can take it slow. | 0:11:51 | 0:11:53 | |
You can go, like, doubles, or you can go singles. | 0:11:53 | 0:11:56 | |
I think I'm getting this. | 0:11:56 | 0:11:58 | |
I'm learning a lot about Litvania. | 0:11:58 | 0:12:00 | |
There's so many interesting things that I didn't know about it. | 0:12:00 | 0:12:03 | |
These guys are buying that this dance is a real thing. | 0:12:03 | 0:12:06 | |
In Litvania, the ostrich is the king of the birds. | 0:12:06 | 0:12:10 | |
And in this dance, the neck is used to represent the ostrich. | 0:12:10 | 0:12:15 | |
So we're going to lengthen and then we're going to add our neck | 0:12:15 | 0:12:18 | |
going back and forth with the length. | 0:12:18 | 0:12:20 | |
Ozzy's pulling out some really weird moves from his home country. | 0:12:20 | 0:12:24 | |
It's got to do a lot with the knees and the neck. | 0:12:24 | 0:12:26 | |
It's weird. | 0:12:28 | 0:12:29 | |
I'm a little suspicious about this Litvanian thing. | 0:12:29 | 0:12:33 | |
-OK, Henry, Henry... -You know what, Oz? | 0:12:33 | 0:12:35 | |
You know what? Not to be disrespectful or anything, | 0:12:35 | 0:12:37 | |
but I think this just seems a little bit, you know, whack. | 0:12:37 | 0:12:39 | |
OK. The truth is there's no Litvania. | 0:12:39 | 0:12:42 | |
And there's no dances of the world competition either. | 0:12:42 | 0:12:45 | |
I'm just trying to get back at these guys for pranking me. | 0:12:45 | 0:12:48 | |
OK, LaTroy, I'm going to be straight up. | 0:12:48 | 0:12:50 | |
I do feel disrespected. | 0:12:50 | 0:12:53 | |
That's kind of like disrespecting my culture and my hometown. | 0:12:53 | 0:12:56 | |
You're right, I'm sorry, your sanctuary, your place... | 0:12:56 | 0:12:58 | |
It's all good, don't worry. | 0:12:58 | 0:13:00 | |
-Let me see the knees. -All right. -Let me see the knees. | 0:13:00 | 0:13:02 | |
Yeah, there it is. There it is. Let me see. Kingston, knees. | 0:13:02 | 0:13:05 | |
Sorry. I don't want to make fun of anyone else's culture. | 0:13:05 | 0:13:08 | |
I'm just going with it. | 0:13:08 | 0:13:09 | |
These guys think they can prank me. | 0:13:09 | 0:13:11 | |
But little do they know I always get the last laugh. | 0:13:11 | 0:13:14 | |
You think the rehearsal's been going well and stuff? | 0:13:24 | 0:13:26 | |
-Yeah, it's going good. -Yeah? How's the duet? | 0:13:26 | 0:13:29 | |
Right now I'm in Neutral Grounds, hanging out with Jacquie, | 0:13:29 | 0:13:32 | |
and we're just talking about the duet that I have with Richelle. | 0:13:32 | 0:13:34 | |
I still wish there was a way that Jacquie could be my duet partner. | 0:13:34 | 0:13:37 | |
I wonder if she feels the same. | 0:13:37 | 0:13:39 | |
Emily laid into me a little bit, but it's all good. | 0:13:40 | 0:13:43 | |
-Why would she do that? -Well, I, | 0:13:43 | 0:13:45 | |
I had asked Emily to change my duet partner to somebody who I have more | 0:13:45 | 0:13:50 | |
chemistry with, but she said no. | 0:13:50 | 0:13:53 | |
Would this somebody that you have more chemistry with... | 0:13:53 | 0:13:57 | |
be me? | 0:13:57 | 0:13:59 | |
Well...what would you think if that were true? | 0:14:00 | 0:14:04 | |
That would be pretty sweet. | 0:14:05 | 0:14:06 | |
But stupid. I'm really flattered | 0:14:06 | 0:14:09 | |
that he would want to change the duet to be with me, | 0:14:09 | 0:14:13 | |
but he's danced with Richelle so many times. | 0:14:13 | 0:14:15 | |
He can't sabotage the duet. | 0:14:15 | 0:14:17 | |
You know, there are other ways you can hang out with me. | 0:14:17 | 0:14:20 | |
Like going to grab a bite after rehearsal tonight? | 0:14:20 | 0:14:23 | |
-That sounds great. -Great, well, I'll see you tonight. | 0:14:23 | 0:14:27 | |
-For sure. -I know I'm breaking the bro code, | 0:14:27 | 0:14:31 | |
but I'm really excited to be able | 0:14:31 | 0:14:32 | |
to spend some time with Jacquie tonight. | 0:14:32 | 0:14:34 | |
So it's like... | 0:14:43 | 0:14:45 | |
Yeah? And then after, you can, like... | 0:14:45 | 0:14:47 | |
Oh, yeah, feel it. Roll the neck. | 0:14:47 | 0:14:49 | |
Arch the back. I still can't believe | 0:14:49 | 0:14:51 | |
these guys are buying that this dance | 0:14:51 | 0:14:53 | |
is a real thing. They don't even know that I'm pranking them. | 0:14:53 | 0:14:56 | |
Yeah. | 0:14:58 | 0:15:00 | |
I'm trying to make these guys look as ridiculous as possible. | 0:15:00 | 0:15:04 | |
And it's working. | 0:15:04 | 0:15:05 | |
-Have a good time. -Honestly, | 0:15:07 | 0:15:09 | |
I'm not 100% sure if this dance is going to win us 1,000. | 0:15:09 | 0:15:11 | |
I think the Litvanian traditional dance is very unique. | 0:15:14 | 0:15:18 | |
I'm loving it. | 0:15:18 | 0:15:20 | |
I'm having a lot of fun dancing with these guys. | 0:15:20 | 0:15:23 | |
It feels like home. | 0:15:23 | 0:15:24 | |
Amy Abigail, what are you doing? | 0:15:25 | 0:15:28 | |
Lying to my mom about being on A-Troupe | 0:15:30 | 0:15:32 | |
is the worst thing I've ever done. | 0:15:32 | 0:15:34 | |
And now she knows. | 0:15:34 | 0:15:36 | |
This is so bad. | 0:15:36 | 0:15:37 | |
I'm so disappointed in every single one of you. | 0:15:51 | 0:15:54 | |
You just embarrassed the studio in front of Amy's mother. | 0:15:54 | 0:15:58 | |
Now I have to go deal with that. | 0:15:58 | 0:16:00 | |
You guys were dancing like chickens. | 0:16:00 | 0:16:02 | |
Ostrich. | 0:16:02 | 0:16:04 | |
I feel like it's my fault, you know, | 0:16:05 | 0:16:06 | |
cos if I didn't prank Ozzy in the first place, you know, | 0:16:06 | 0:16:09 | |
none of this would have happened. | 0:16:09 | 0:16:12 | |
I left you guys with such an important routine to work on | 0:16:12 | 0:16:14 | |
and you blew it! | 0:16:14 | 0:16:16 | |
Good job! | 0:16:16 | 0:16:17 | |
We're in a lot of trouble. And when I say a lot, I mean deep. | 0:16:18 | 0:16:22 | |
You might be here all night, but I really don't care. | 0:16:22 | 0:16:24 | |
Work. | 0:16:26 | 0:16:27 | |
I just wanted to have a little fun with these guys. | 0:16:31 | 0:16:34 | |
I didn't think that it would end like this. | 0:16:34 | 0:16:36 | |
I feel a lot better going into this rehearsal | 0:16:38 | 0:16:40 | |
after talking with Jacquie. | 0:16:40 | 0:16:42 | |
She really opened my mind. | 0:16:42 | 0:16:44 | |
I'm going to make the most of this duet with Richelle. | 0:16:44 | 0:16:46 | |
-Hey. -I had a little talk with Emily. | 0:16:48 | 0:16:50 | |
Don't you think I know that I have a hard time connecting with people, | 0:16:50 | 0:16:54 | |
Noah? I don't need to hear it from Emily. | 0:16:54 | 0:16:56 | |
You know, if we had a problem, why don't you just come to me? | 0:16:56 | 0:16:59 | |
Richelle, I'm so sorry. | 0:16:59 | 0:17:00 | |
I, I just thought the chemistry between us... | 0:17:00 | 0:17:02 | |
If the chemistry was bad before, | 0:17:02 | 0:17:03 | |
I can't wait to see what it's going to be like now that you tried | 0:17:03 | 0:17:06 | |
to take me off the dance. | 0:17:06 | 0:17:07 | |
I never meant to hurt Richelle. | 0:17:07 | 0:17:08 | |
I don't think she knows where I was coming from, | 0:17:08 | 0:17:10 | |
but I do feel horrible right now. | 0:17:10 | 0:17:13 | |
I am, I'm really sorry. I didn't mean to do that at all. | 0:17:14 | 0:17:17 | |
And why don't we just start rehearsing | 0:17:17 | 0:17:18 | |
-and forget about all of it? -Yeah, let's start rehearsing. | 0:17:18 | 0:17:21 | |
And we're not leaving till it's flawless so you'd better not have | 0:17:21 | 0:17:24 | |
any plans. Cos we have to work on our chemistry, don't we? | 0:17:24 | 0:17:26 | |
From the top. | 0:17:26 | 0:17:27 | |
What are you doing? No phones in studio one. | 0:17:29 | 0:17:32 | |
From the top. | 0:17:32 | 0:17:34 | |
My phone's gone. And now I can't tell Jacquie | 0:17:42 | 0:17:44 | |
that I'm not going to make it tonight. | 0:17:44 | 0:17:47 | |
I'm supposed to be meeting Noah at Neutral Grounds after his rehearsal, | 0:17:48 | 0:17:52 | |
but he never came. | 0:17:52 | 0:17:53 | |
I've no idea why he would do that. | 0:17:54 | 0:17:56 | |
I can't believe Noah didn't show up. | 0:18:02 | 0:18:03 | |
He didn't even text me to tell me why he wasn't going to be here. | 0:18:04 | 0:18:08 | |
I thought I liked Noah, | 0:18:08 | 0:18:10 | |
but I definitely don't like the way he's treating me right now. | 0:18:10 | 0:18:13 | |
PHONE BUZZES | 0:18:17 | 0:18:19 | |
I just got a text from my dad, | 0:18:21 | 0:18:23 | |
and he's with my brother at his hockey game | 0:18:23 | 0:18:26 | |
and it's going into overtime, | 0:18:26 | 0:18:28 | |
meaning they're not going to be here for another hour. | 0:18:28 | 0:18:30 | |
Not surprising. | 0:18:33 | 0:18:34 | |
Whoa - what are you doing here? | 0:18:37 | 0:18:39 | |
I'm...just about to be picked up, in like five minutes. | 0:18:39 | 0:18:43 | |
-How are you? What are you doing here? -I forgot my textbook. | 0:18:43 | 0:18:46 | |
It's getting pretty late. Are you sure that you don't need a ride | 0:18:47 | 0:18:50 | |
-or anything? -No, no, honestly. | 0:18:50 | 0:18:53 | |
Dad's going to be here soon so I'm right behind you. | 0:18:53 | 0:18:55 | |
-Are you sure he's coming? -Yeah. Honestly. Positive. | 0:18:55 | 0:18:58 | |
-Leaving soon. -OK. | 0:18:58 | 0:18:59 | |
-I'll see you tomorrow. -Yeah, see you tomorrow. | 0:18:59 | 0:19:02 | |
I don't tell Zara what's going on because I don't want to involve | 0:19:02 | 0:19:05 | |
people at the studio in my family drama. | 0:19:05 | 0:19:07 | |
It just makes me mad. | 0:19:07 | 0:19:09 | |
My parents always think that what I do is less important than what my | 0:19:10 | 0:19:13 | |
little brother does. Hockey always comes before dance. | 0:19:13 | 0:19:18 | |
And it's really getting to me. | 0:19:18 | 0:19:19 | |
Please, please reconsider. | 0:19:27 | 0:19:29 | |
-It was... -No. | 0:19:29 | 0:19:30 | |
No, my mind is made up. | 0:19:30 | 0:19:32 | |
I am pulling Amy from the studio. | 0:19:32 | 0:19:34 | |
AMY SOBS | 0:19:34 | 0:19:37 | |
I can't even imagine the studio without Amy. | 0:19:37 | 0:19:40 | |
If I could rewind time, | 0:19:41 | 0:19:42 | |
I'd make sure that Amy wouldn't be getting kicked out of the studio. | 0:19:42 | 0:19:45 | |
She deserves to be here more than anyone else. | 0:19:45 | 0:19:47 | |
And you should be ashamed of yourself. | 0:19:48 | 0:19:51 | |
You manipulate these kids into coming here when they're actually | 0:19:51 | 0:19:55 | |
-dancing with real troupes. -Mom, Mom, please... -Stop it, Amy! | 0:19:55 | 0:19:58 | |
Maybe Gail's right. Maybe I have been stringing these dancers along. | 0:19:58 | 0:20:03 | |
I'm so disappointed in myself. | 0:20:03 | 0:20:05 | |
I've let everyone down. | 0:20:06 | 0:20:08 | |
She was dancing on A-Troupe. | 0:20:08 | 0:20:09 | |
And now she is wasting her time here? | 0:20:09 | 0:20:12 | |
What? I can promise you, this is going nowhere. | 0:20:12 | 0:20:14 | |
-Mom... -And my daughter is not going nowhere. | 0:20:14 | 0:20:18 | |
Mom... | 0:20:18 | 0:20:20 | |
Say goodbye to your friends, Amy. | 0:20:22 | 0:20:24 | |
Dancing is... | 0:20:26 | 0:20:28 | |
why I wake up in the morning. | 0:20:28 | 0:20:30 | |
And dancing is, is what makes me really happy. | 0:20:31 | 0:20:36 | |
And, and not being able to do it any more makes me really upset, | 0:20:37 | 0:20:41 | |
because I love it so much. | 0:20:41 | 0:20:45 | |
-Amy, say goodbye to your friends! -Goodbye. | 0:20:46 | 0:20:50 |