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Previously on... | 0:00:02 | 0:00:03 | |
I'm going to be the studio head of TNS West. | 0:00:03 | 0:00:06 | |
You are in way over your head. | 0:00:06 | 0:00:08 | |
TNS East versus TNS West. | 0:00:08 | 0:00:11 | |
THE Jacquie, the one that broke my heart. | 0:00:11 | 0:00:13 | |
-That's that Jacquie? -Well, now you know, so you can stay away from her. | 0:00:13 | 0:00:16 | |
I can't believe you haven't told your mom. | 0:00:16 | 0:00:18 | |
If she finds out that I'm not in A-Troupe, | 0:00:18 | 0:00:20 | |
she's going to lose her mind. | 0:00:20 | 0:00:21 | |
Why are you teaching our choreography to an outsider? | 0:00:21 | 0:00:25 | |
Until you talk to your mom, I'm not talking to you. | 0:00:25 | 0:00:28 | |
Yeah, lift it up. | 0:00:39 | 0:00:40 | |
Now promenade. | 0:00:40 | 0:00:42 | |
Nice. Try not to sickle your foot, Henry. | 0:00:43 | 0:00:46 | |
-Sorry. -Attitude. | 0:00:46 | 0:00:47 | |
Great. | 0:00:49 | 0:00:50 | |
I don't know why Richelle and Lola are taking the cubes. | 0:00:54 | 0:00:57 | |
Their studio has all these great, comfy benches. | 0:00:57 | 0:01:01 | |
They should be fine with their own. | 0:01:01 | 0:01:03 | |
Leave our cubes alone. | 0:01:03 | 0:01:05 | |
Yeah, what's up with that? | 0:01:05 | 0:01:06 | |
I don't, I'm not really sure. | 0:01:06 | 0:01:08 | |
Excuse me. | 0:01:08 | 0:01:09 | |
That's like someone walking in your house and taking your furniture. | 0:01:11 | 0:01:14 | |
It just doesn't make sense. | 0:01:14 | 0:01:15 | |
-Doesn't Studio One have benches of their own? -And cubes? | 0:01:15 | 0:01:17 | |
We're taking the bench. | 0:01:17 | 0:01:19 | |
It's A-Troupe business. | 0:01:19 | 0:01:20 | |
That's all you need to know. | 0:01:20 | 0:01:23 | |
I don't know what's going on but I'm going to get to the bottom of it. | 0:01:23 | 0:01:26 | |
# We | 0:01:26 | 0:01:28 | |
# We're gonna show the world | 0:01:28 | 0:01:32 | |
# Everything we're made of | 0:01:32 | 0:01:36 | |
# We're gonna tear the roof off this place | 0:01:36 | 0:01:46 | |
# Stand up! # | 0:01:49 | 0:01:50 | |
OK, faster, five, six, seven, eight. | 0:02:07 | 0:02:10 | |
-Bro, that was all you. -No, no. -That was all you. | 0:02:11 | 0:02:13 | |
-One more time. -One more time. | 0:02:13 | 0:02:15 | |
'I love hanging out with Henry. | 0:02:15 | 0:02:16 | |
'We just like bro out, he's like teaching me this new handshake | 0:02:16 | 0:02:19 | |
'and we have to do it every time we see each other.' | 0:02:19 | 0:02:21 | |
-Let's pretend we didn't see each other, OK? -OK. | 0:02:21 | 0:02:24 | |
Hey, what's good? | 0:02:24 | 0:02:25 | |
Henry and I have been best friends for like...time, | 0:02:25 | 0:02:28 | |
but now that we are on separate troupes, I hope it stays that way. | 0:02:28 | 0:02:32 | |
-Yes. -Right on. -Yes. -That was good. | 0:02:33 | 0:02:35 | |
-That was good. -That was dope. That was dope. | 0:02:35 | 0:02:37 | |
Maybe I need some work on my part, | 0:02:37 | 0:02:38 | |
-but I got you. -Yeah, got to clean that up. | 0:02:38 | 0:02:40 | |
'I'm trying to be really nice to Noah today and,' | 0:02:40 | 0:02:42 | |
you know, butter him up. That way it I can get some information from him | 0:02:42 | 0:02:45 | |
on what's going on in Studio One today. | 0:02:45 | 0:02:47 | |
Um, what's your plan for the rest of the day? | 0:02:47 | 0:02:49 | |
Like, what's the rest of your day look like? | 0:02:49 | 0:02:51 | |
Leon Blackwood is coming in to teach a masterclass. | 0:02:51 | 0:02:54 | |
That was easier than I thought it was going to be. | 0:02:54 | 0:02:56 | |
Leon is coming to the studio today? | 0:02:56 | 0:02:58 | |
-Are you serious? -Yes, Leon Blackwood. | 0:02:58 | 0:02:59 | |
That's crazy. Who's taking the class? | 0:02:59 | 0:03:01 | |
Me, Richelle, Lola, Josh and Jacquie. | 0:03:01 | 0:03:04 | |
Yeah. | 0:03:04 | 0:03:05 | |
-Cool, OK. -Yeah. | 0:03:05 | 0:03:07 | |
Actually, funny thing about that, um, the other day, | 0:03:07 | 0:03:09 | |
I saw her do some tricks and stuff | 0:03:09 | 0:03:12 | |
and I saw her do her back handspring step out | 0:03:12 | 0:03:14 | |
and it was funny because like... | 0:03:14 | 0:03:15 | |
'Henry gave me a rule that I have to stay away from Jacquie. | 0:03:15 | 0:03:18 | |
'I really like Jacquie but me and | 0:03:18 | 0:03:20 | |
'Henry's friendship is so important to me, too. | 0:03:20 | 0:03:22 | |
Speaking of that, she actually asked a bunch of us to go to a movie. | 0:03:22 | 0:03:26 | |
Would that be cool? | 0:03:26 | 0:03:27 | |
Dude, I thought we already spoke about this. Remember? | 0:03:27 | 0:03:29 | |
You can't hang with Jacquie. | 0:03:29 | 0:03:32 | |
Right, right. I totally forgot. | 0:03:32 | 0:03:34 | |
It's all good. It's all good. But, hey, | 0:03:34 | 0:03:36 | |
you should bring everybody to Leon's class. | 0:03:36 | 0:03:38 | |
-Yeah, that would be awesome. -Cool. | 0:03:38 | 0:03:40 | |
-Dope. -All right, see you there. Deuces. | 0:03:40 | 0:03:42 | |
'I don't know what I'm doing | 0:03:42 | 0:03:43 | |
'inviting Henry to Leon Blackwood's class. | 0:03:43 | 0:03:45 | |
'I don't even know if it's OK, but I'm just trying to' | 0:03:45 | 0:03:48 | |
get off the topic of Jacquie as fast as I can. | 0:03:48 | 0:03:50 | |
I can't believe that | 0:03:52 | 0:03:53 | |
THE Leon Blackwood is coming to our studio. | 0:03:53 | 0:03:56 | |
I mean, he's worked with Arianna Grande, Keha, Lady Gaga, everyone. | 0:03:56 | 0:04:01 | |
'By working with Leon Blackwood, you could get concerts, music videos,' | 0:04:01 | 0:04:06 | |
you could be dancing with big stars. | 0:04:06 | 0:04:08 | |
A girl impressed Leon so much in one of his classes | 0:04:08 | 0:04:11 | |
that he took her for a job on a music video. | 0:04:11 | 0:04:14 | |
Do you know how amazing that would be, | 0:04:14 | 0:04:16 | |
to be featured dancer on a music video? | 0:04:16 | 0:04:17 | |
'I'm nervous about working with Leon | 0:04:17 | 0:04:19 | |
'just cos I'm not the strongest hip-hop dancer.' | 0:04:19 | 0:04:21 | |
I don't want to make a fool of myself. | 0:04:21 | 0:04:23 | |
You know, there's other ways to stardom. | 0:04:23 | 0:04:25 | |
That's true, but this is the best way. | 0:04:25 | 0:04:28 | |
Yeah, this is Leon Blackwood. | 0:04:28 | 0:04:30 | |
-Let's go. -Yeah. -Yeah. | 0:04:30 | 0:04:31 | |
-OK, let me see your attitudes. -OK. | 0:04:38 | 0:04:41 | |
Up, nice. | 0:04:43 | 0:04:44 | |
Guys, guys, stop everything. | 0:04:44 | 0:04:45 | |
I know why they need our cubes. | 0:04:45 | 0:04:47 | |
-What? -Noah told me that in Studio One, | 0:04:47 | 0:04:49 | |
-there's a Leon Blackwood masterclass. -Leon?! | 0:04:49 | 0:04:52 | |
-Woo-hoo! -I know, right? -Nice. | 0:04:52 | 0:04:53 | |
I'm so excited that Leon Blackwood's coming to The Next Step. | 0:04:53 | 0:04:56 | |
If Leon wants our cubes, he can take them. | 0:04:56 | 0:04:59 | |
I know, right? That's what I'm saying. | 0:04:59 | 0:05:00 | |
'Leon Blackwood actually started the Underground Dance Centre' | 0:05:00 | 0:05:03 | |
in Toronto and it is known by a lot of people | 0:05:03 | 0:05:05 | |
and it's a great studio | 0:05:05 | 0:05:07 | |
to just dance your heart out. | 0:05:07 | 0:05:08 | |
-So it's OK? -We can go? -Yeah. | 0:05:08 | 0:05:10 | |
'I'm not sure why Emily didn't tell us about the masterclass with | 0:05:10 | 0:05:13 | |
'Leon but I'm sure it wouldn't be a problem if we showed up.' | 0:05:13 | 0:05:16 | |
I mean, we're all a part of The Next Step, | 0:05:16 | 0:05:18 | |
so we should have a chance to dance with Leon. | 0:05:18 | 0:05:20 | |
-Let's go. Cool, come on. -Yes! | 0:05:20 | 0:05:23 | |
ALL: Leon! Leon! Leon! Leon! Leon! Leon! | 0:05:23 | 0:05:26 | |
Listen up! Now, I am sure I do not | 0:05:26 | 0:05:29 | |
have to remind you all how important today is. | 0:05:29 | 0:05:31 | |
It is very important that we make a great impression, | 0:05:31 | 0:05:35 | |
so let me be clear. | 0:05:35 | 0:05:36 | |
You will be polite, you will be prepared | 0:05:36 | 0:05:38 | |
and you will be professional. | 0:05:38 | 0:05:40 | |
But above all, please remember to have fun. | 0:05:43 | 0:05:45 | |
Do not embarrass me. | 0:05:45 | 0:05:46 | |
APPROACHING: Leon! Leon! Leon! Leon! Leon! Leon! Leon! Leon! Leon! | 0:05:46 | 0:05:52 | |
Leon... | 0:05:52 | 0:05:54 | |
Michelle, can I talk to you for a second? | 0:05:54 | 0:05:56 | |
-Yeah. -Great. | 0:05:56 | 0:05:58 | |
What are you doing here? | 0:06:00 | 0:06:01 | |
Oh, my dancers are here to take the masterclass. | 0:06:01 | 0:06:03 | |
The masterclass you weren't invited to? | 0:06:03 | 0:06:05 | |
I don't see why this is a big deal. | 0:06:05 | 0:06:07 | |
She should have told us about this class in the first place. | 0:06:07 | 0:06:09 | |
She just has no consideration | 0:06:09 | 0:06:10 | |
for anyone else but herself. | 0:06:10 | 0:06:12 | |
It's classic Michelle. | 0:06:13 | 0:06:15 | |
-What's good, bro? -Dude. | 0:06:16 | 0:06:17 | |
How you doing, man? | 0:06:17 | 0:06:18 | |
'I'm so happy Henry came. | 0:06:18 | 0:06:20 | |
'I just hope Emily doesn't find out that' | 0:06:20 | 0:06:22 | |
I'm the one that told them about the workshop. | 0:06:22 | 0:06:24 | |
If I wanted you here, I would have let you know about it. | 0:06:24 | 0:06:27 | |
Michelle, you can't just walk into my studio... | 0:06:27 | 0:06:28 | |
You must be really excited. | 0:06:28 | 0:06:30 | |
Leon is incredible. | 0:06:30 | 0:06:32 | |
Piper is still mad at me for getting her in trouble | 0:06:32 | 0:06:34 | |
but best friends fight. | 0:06:34 | 0:06:37 | |
We'll get over this. | 0:06:37 | 0:06:38 | |
Actually, I'm talking with my friend Josh right now. | 0:06:39 | 0:06:41 | |
Sorry. I didn't mean to interrupt. | 0:06:42 | 0:06:45 | |
It's weird that the other troupe's here. | 0:06:45 | 0:06:47 | |
Why are they here? | 0:06:47 | 0:06:48 | |
It hurts when Piper still isn't talking to me. | 0:06:48 | 0:06:50 | |
She's really sticking to her word. | 0:06:50 | 0:06:52 | |
Why can't we have the same opportunity that your dancers have? | 0:06:52 | 0:06:55 | |
Because we paid for it. | 0:06:55 | 0:06:57 | |
'They weren't invited. How do they even know?' | 0:06:57 | 0:06:59 | |
Do I have a leak? | 0:06:59 | 0:07:02 | |
This is just so classic you. | 0:07:02 | 0:07:03 | |
You think you can come in and take whatever you want | 0:07:03 | 0:07:05 | |
when you didn't put anything into it. | 0:07:05 | 0:07:08 | |
Oh, really, that's what this is about? | 0:07:08 | 0:07:10 | |
Michelle, I mean, you have to admit you have a bit of a track record. | 0:07:10 | 0:07:12 | |
-OK, here we go. -Woo, what's good, y'all? How are y'all doing? | 0:07:12 | 0:07:15 | |
APPLAUSE What's up, man? What's up, yo? | 0:07:15 | 0:07:17 | |
You guys ready to get started? | 0:07:17 | 0:07:19 | |
Oh, yeah, we are ready to go. | 0:07:19 | 0:07:21 | |
-Let's do it. -All right. Let's go. -OK. -Come on. | 0:07:21 | 0:07:23 | |
I cannot believe Michelle has done this to me. | 0:07:23 | 0:07:26 | |
As soon as I see Leon Blackwood walk in, I know... | 0:07:26 | 0:07:31 | |
I'm trapped. | 0:07:31 | 0:07:33 | |
All right, here is what is going to happen. | 0:07:41 | 0:07:43 | |
You and your dancers can stay | 0:07:43 | 0:07:45 | |
but you have to stand at the back and audit. | 0:07:45 | 0:07:49 | |
Under no circumstances can they participate in the choreography. | 0:07:49 | 0:07:52 | |
All right, fine, whatever. | 0:07:54 | 0:07:56 | |
Come on, guys. | 0:07:56 | 0:07:58 | |
I agree for my dancers to only audit the masterclass | 0:07:58 | 0:08:01 | |
because I still want them to be there. | 0:08:01 | 0:08:03 | |
Her dancers can stay, | 0:08:03 | 0:08:04 | |
but don't think they are going to dance. | 0:08:04 | 0:08:07 | |
-Mr Blackwood. -Yes. | 0:08:07 | 0:08:08 | |
-Please. -All right, let's go. Are you guys ready? | 0:08:08 | 0:08:11 | |
-ALL: -Yeah! -Excited? All right. | 0:08:11 | 0:08:12 | |
Well, let me give you a little bit about me. | 0:08:12 | 0:08:14 | |
I love dancers who go 110% all the time. | 0:08:14 | 0:08:19 | |
All right, so, what I'm going to do is I'm going to choose a few of you | 0:08:19 | 0:08:21 | |
that I kind of want to work with and just build a routine on, yeah? | 0:08:21 | 0:08:25 | |
All right, let's go. Let's go. Girl, Jacquie, come on up. | 0:08:25 | 0:08:28 | |
-So nice to see you. -It's so good to see you. -Oh, my goodness. | 0:08:28 | 0:08:30 | |
'I gave Emily the idea to bring Leon in because I recently' | 0:08:30 | 0:08:33 | |
took a class at his studio and he's insane. | 0:08:33 | 0:08:36 | |
-All right, bro. -Me? All right! | 0:08:36 | 0:08:37 | |
-Yeah, come on through, man. -Thank you. | 0:08:37 | 0:08:39 | |
I'm stoked and I can't wait to get started. | 0:08:39 | 0:08:42 | |
That's good, smiles, all right, I'll take you, come on up. | 0:08:43 | 0:08:46 | |
Josh deserves to get picked and | 0:08:46 | 0:08:48 | |
hopefully I get to dance with him, too. | 0:08:48 | 0:08:50 | |
Aaah... | 0:08:51 | 0:08:53 | |
I'm definitely scared when he's looking at both me and Lola. | 0:08:53 | 0:08:56 | |
I'm really hoping he picks Lola. | 0:08:56 | 0:08:58 | |
I'm very energetic and positive and | 0:09:00 | 0:09:02 | |
I'm just trying to give him that vibe | 0:09:02 | 0:09:03 | |
just by waiting for him to choose me. | 0:09:03 | 0:09:06 | |
Yes, Miss Bubbly, come on out. | 0:09:07 | 0:09:09 | |
-Thank you. -Just energy. | 0:09:09 | 0:09:10 | |
Thank you. All right, one more. | 0:09:10 | 0:09:13 | |
I've got room for one more. | 0:09:13 | 0:09:14 | |
You, in the back, come on out. | 0:09:17 | 0:09:20 | |
I'm just here to audit. | 0:09:20 | 0:09:22 | |
Audit? We don't do that in dance. | 0:09:22 | 0:09:25 | |
You're going to come and join us. Come on up. Join the team. | 0:09:25 | 0:09:28 | |
-You got this. -Yeah. This is my dream team, right? | 0:09:28 | 0:09:32 | |
Girl, come on! | 0:09:32 | 0:09:33 | |
I can't believe that Leon chose Amy. She's not even supposed to be here. | 0:09:33 | 0:09:36 | |
That could have been my spot. | 0:09:36 | 0:09:38 | |
I'm going to give you guys a couple of steps. | 0:09:38 | 0:09:40 | |
I feel I did steal a spot from Piper. | 0:09:40 | 0:09:42 | |
We crashed Emily's masterclass, so it should have been her up there. | 0:09:42 | 0:09:46 | |
Seven, eight, jump left, jump right, jump crisscrossed up. | 0:09:46 | 0:09:49 | |
OK, that's great. | 0:09:49 | 0:09:52 | |
What I want you to do, just give me a little bit more energy, yeah? | 0:09:52 | 0:09:54 | |
Like, let that... Ooh, ooh, wa-wa, ah! | 0:09:54 | 0:09:57 | |
I know it's not Amy's fault that she was picked. | 0:09:57 | 0:09:59 | |
It's Michelle's. | 0:09:59 | 0:10:00 | |
I don't know what I'm going to do. I can't tell Amy to sit down. | 0:10:00 | 0:10:03 | |
Go left, go right, go crisscrossed, ah. | 0:10:03 | 0:10:06 | |
Woo! | 0:10:06 | 0:10:07 | |
Look who came to the party! | 0:10:07 | 0:10:09 | |
Good job, girl. Yeah, you pick up quick. | 0:10:09 | 0:10:12 | |
I think Piper is feeling pretty upset | 0:10:12 | 0:10:15 | |
but I can't help but to have fun. | 0:10:15 | 0:10:18 | |
This dance is awesome. | 0:10:18 | 0:10:19 | |
This routine has a little bit of a steamy little romance in there, | 0:10:19 | 0:10:23 | |
you know what I mean? Well, girl, you know I got to try you out, yeah? | 0:10:23 | 0:10:26 | |
How about I bring you out, too? So this is what I'm going to do. | 0:10:26 | 0:10:28 | |
I'm really, really happy that Leon paired Jacquie and I together. | 0:10:28 | 0:10:32 | |
It's just amazing. | 0:10:32 | 0:10:33 | |
Just walk, two, three, four. | 0:10:33 | 0:10:35 | |
Nice, nice. See, that's the important thing about dance. | 0:10:35 | 0:10:38 | |
You always got to have chemistry. | 0:10:38 | 0:10:39 | |
When Leon pairs Noah and Jacquie up | 0:10:39 | 0:10:41 | |
for the chemistry and that little romance part, | 0:10:41 | 0:10:43 | |
it bothers me a little bit. | 0:10:43 | 0:10:44 | |
I lied. A lot. | 0:10:44 | 0:10:46 | |
And come around and give him a little snap. | 0:10:46 | 0:10:49 | |
Yes, just like that. Woo! | 0:10:49 | 0:10:50 | |
I didn't even have to work for that one, yeah. | 0:10:50 | 0:10:53 | |
I feel like I've so much chemistry with Noah and the fact that Leon | 0:10:53 | 0:10:58 | |
noticed it, it shows that it's actually real. | 0:10:58 | 0:11:01 | |
It's there. It's fully there. | 0:11:01 | 0:11:03 | |
Walk on one, two, three, four and five, six, seven, eight. | 0:11:03 | 0:11:08 | |
Woo, OK, do you see what I'm talking about? APPLAUSE | 0:11:08 | 0:11:12 | |
Like, you can just feel the heat. | 0:11:12 | 0:11:14 | |
It's kind of hot in here, yeah? | 0:11:14 | 0:11:15 | |
I know Henry told me to stay away from Jacquie but, I mean, | 0:11:15 | 0:11:20 | |
this is a dance thing. I think he would be cool with it. | 0:11:20 | 0:11:23 | |
Seven, eight, and one. | 0:11:23 | 0:11:25 | |
Nice, all right. Great job, y'all. | 0:11:25 | 0:11:28 | |
OK, quick break. | 0:11:28 | 0:11:29 | |
-Go get some water and then we're coming back to it, yeah? -Cool, man. | 0:11:29 | 0:11:32 | |
All right, hurry up. | 0:11:32 | 0:11:33 | |
When she storms out of the workshop, | 0:11:37 | 0:11:39 | |
I know that it's going to take a long time for us to get over this. | 0:11:39 | 0:11:43 | |
-Hey. -Hey. -You're doing, like, great in there. | 0:11:47 | 0:11:50 | |
-Thanks. You too. -Thanks. | 0:11:50 | 0:11:52 | |
-It's actually so cool that he paired us up. -Yeah. | 0:11:52 | 0:11:54 | |
In that one part where we were just looking at each other. | 0:11:54 | 0:11:57 | |
And I agree with him. I think we have a lot of chemistry. | 0:11:57 | 0:11:59 | |
-We do. -Yeah. -I think we do, too. | 0:11:59 | 0:12:02 | |
NOAH LAUGHS TO HIMSELF | 0:12:02 | 0:12:04 | |
What's so funny? | 0:12:04 | 0:12:06 | |
Well, you danced so hard in there, | 0:12:06 | 0:12:08 | |
you actually danced one of your eyelashes off. | 0:12:08 | 0:12:10 | |
Oh. | 0:12:10 | 0:12:11 | |
It's actually this side, yeah. | 0:12:11 | 0:12:13 | |
You still haven't got it. I'll get it for you. | 0:12:13 | 0:12:15 | |
-OK. -Yeah, cool. | 0:12:15 | 0:12:17 | |
Thanks. | 0:12:19 | 0:12:21 | |
Everything's just frozen around me and all I can think about is her. | 0:12:24 | 0:12:28 | |
I have so many butterflies, just looking into his eyes, | 0:12:28 | 0:12:32 | |
it's like nothing else matters. | 0:12:32 | 0:12:34 | |
Hey, guys. | 0:12:34 | 0:12:35 | |
-Hey. -Hey. -Talk to you later. | 0:12:35 | 0:12:37 | |
Yeah, see you in a bit. | 0:12:37 | 0:12:39 | |
-What you guys up to? -We were just talking about the masterclass. | 0:12:42 | 0:12:45 | |
Word. I was actually looking for the washroom. | 0:12:45 | 0:12:48 | |
-It's back that way. -Thanks, man. | 0:12:48 | 0:12:49 | |
Cool. See you in a bit, man. | 0:12:49 | 0:12:50 | |
Yeah. | 0:12:50 | 0:12:52 | |
'I don't think he saw anything. At least I hope so.' | 0:12:52 | 0:12:55 | |
'All I know is, I've got to back off of Jacquie,' | 0:12:56 | 0:13:00 | |
because I don't want to ruin the friendship that I have with Henry. | 0:13:00 | 0:13:03 | |
# Let's go, let's go, let's go | 0:13:15 | 0:13:18 | |
# Y'all ready to dance? | 0:13:18 | 0:13:19 | |
# Let's go, let's go, let's go, let's go | 0:13:19 | 0:13:22 | |
# Don't waste your time | 0:13:22 | 0:13:24 | |
# It's time to get live | 0:13:27 | 0:13:29 | |
# Yeah, yeah, it's time to get live | 0:13:35 | 0:13:37 | |
# Yeah, yeah, it's time to get live | 0:13:37 | 0:13:39 | |
# It's time to get live | 0:13:39 | 0:13:41 | |
# Say what, say what? | 0:13:41 | 0:13:42 | |
# Look alive, y'all | 0:13:42 | 0:13:44 | |
# I don't know what you came here to do | 0:13:44 | 0:13:46 | |
# But it's time... # | 0:13:47 | 0:13:48 | |
The concept of Leon's dance is that there's these two lovers, | 0:13:52 | 0:13:55 | |
you could say, | 0:13:55 | 0:13:56 | |
that they just connect with each other. | 0:13:56 | 0:13:58 | |
# It's time... # | 0:13:59 | 0:14:01 | |
I know this has got to be hard for Henry, watching me and Jacquie. | 0:14:05 | 0:14:08 | |
Even when we're just walking past each other, | 0:14:08 | 0:14:11 | |
you can just see the chemistry. | 0:14:11 | 0:14:13 | |
It is undeniable. | 0:14:13 | 0:14:14 | |
# Look alive, y'all | 0:14:14 | 0:14:16 | |
# Look alive, y'all. # | 0:14:16 | 0:14:18 | |
Leon was right. They do have chemistry. | 0:14:18 | 0:14:21 | |
And there's a lot more going on there | 0:14:21 | 0:14:22 | |
than just dancing. | 0:14:22 | 0:14:24 | |
# Look alive, y'all | 0:14:26 | 0:14:27 | |
# Look alive, y'all | 0:14:27 | 0:14:29 | |
# He-e-ey | 0:14:29 | 0:14:30 | |
# He-e-ey | 0:14:30 | 0:14:32 | |
# It's time to get live | 0:14:33 | 0:14:35 | |
# He-e-ey | 0:14:35 | 0:14:37 | |
# It's time to get live. # | 0:14:37 | 0:14:40 | |
I totally regret shying away from Leon. | 0:14:40 | 0:14:42 | |
Everyone looks like they are having so much fun and they're just feeding | 0:14:42 | 0:14:45 | |
off of each other's vibes and energy. | 0:14:45 | 0:14:47 | |
I feel like I should have | 0:14:47 | 0:14:49 | |
taken the opportunity to work with him. | 0:14:49 | 0:14:51 | |
# Yeah, yeah, it's time to get live | 0:14:51 | 0:14:53 | |
# Leave your cellphone at home | 0:14:54 | 0:14:57 | |
# You don't need it | 0:14:57 | 0:14:59 | |
# Leave your bad vibes at the side of the road | 0:14:59 | 0:15:01 | |
# You don't need 'em | 0:15:01 | 0:15:03 | |
# Yeah, yeah, it's time to get live | 0:15:03 | 0:15:05 | |
# Yeah, yeah, it's time to get live. # | 0:15:05 | 0:15:08 | |
Leon's dance is pretty good. I mean, he's an amazing choreographer, | 0:15:08 | 0:15:11 | |
so I expected nothing less. | 0:15:11 | 0:15:13 | |
But I wish I was part of it. | 0:15:13 | 0:15:15 | |
I feel Piper's eyes on me when I'm doing my dance and I can definitely | 0:15:18 | 0:15:23 | |
feel that she's super angry. | 0:15:23 | 0:15:25 | |
Angrier than before. | 0:15:25 | 0:15:27 | |
# You don't need 'em | 0:15:27 | 0:15:28 | |
# Say what, say what | 0:15:28 | 0:15:30 | |
# Say what, say what | 0:15:30 | 0:15:32 | |
# You don't need 'em. # | 0:15:32 | 0:15:33 | |
CHEERING AND APPLAUSE | 0:15:33 | 0:15:37 | |
All right, yes. That's what I'm talking about. | 0:15:37 | 0:15:40 | |
That was awesome. | 0:15:40 | 0:15:41 | |
Wow, you guys are great. | 0:15:41 | 0:15:43 | |
Thank you guys so much for having me. | 0:15:43 | 0:15:45 | |
Emily, Michelle, co-studio heads, thank you so much for inviting me. | 0:15:45 | 0:15:50 | |
I had such a blast. | 0:15:50 | 0:15:51 | |
'Co-studio heads?' | 0:15:51 | 0:15:53 | |
You have got to be kidding me. | 0:15:53 | 0:15:55 | |
'That's awesome. I mean, I am the studio head of TNS West.' | 0:15:55 | 0:15:59 | |
I should get credit. | 0:15:59 | 0:16:01 | |
Woo! | 0:16:01 | 0:16:02 | |
-Amy, that was great. -Thank you. | 0:16:02 | 0:16:03 | |
I'm still so excited, I'm still shaking. | 0:16:03 | 0:16:05 | |
That's crazy. You killed it out there. | 0:16:05 | 0:16:07 | |
You know that choreo was nuts. | 0:16:07 | 0:16:09 | |
I loved all the difference dynamics, the grooves. | 0:16:09 | 0:16:11 | |
You know, and then the hard hits... | 0:16:11 | 0:16:13 | |
Do you know what? I am so sorry that Amy took your spot. | 0:16:13 | 0:16:17 | |
'I just don't want to face Amy right now. | 0:16:17 | 0:16:19 | |
'I don't want to say anything I will regret' | 0:16:19 | 0:16:21 | |
and it's just better to just ignore it. | 0:16:21 | 0:16:23 | |
Yeah, don't even worry about it, you know. | 0:16:23 | 0:16:25 | |
-I just feel bad. -Let's grab a juice. -OK, yeah. | 0:16:25 | 0:16:28 | |
'I can't believe Piper stormed off again. | 0:16:28 | 0:16:31 | |
'How are we supposed to make things right?' | 0:16:31 | 0:16:33 | |
I can't lose a friend like Piper. | 0:16:33 | 0:16:36 | |
'My friendship with Piper is so important to me because' | 0:16:47 | 0:16:51 | |
Cassie and Sloan left | 0:16:51 | 0:16:53 | |
and so when Piper's not there for me... | 0:16:53 | 0:16:55 | |
..I don't know what I'm going to do, because I feel so alone. | 0:16:56 | 0:16:59 | |
Oh, that class was fantastic. | 0:17:04 | 0:17:07 | |
Amy, you are on fire. | 0:17:07 | 0:17:09 | |
We're so lucky that you guys got to take class from Leon Blackwood. | 0:17:11 | 0:17:14 | |
What's wrong? | 0:17:20 | 0:17:22 | |
I was really embarrassed back there. | 0:17:25 | 0:17:27 | |
Why? | 0:17:30 | 0:17:31 | |
Well, my best friend is mad at me | 0:17:31 | 0:17:33 | |
because she thinks I stole her spot on the dance | 0:17:33 | 0:17:35 | |
and you kind of put me in that situation. | 0:17:35 | 0:17:38 | |
-I didn't mean to. -Why did we have to crash Emily's masterclass anyway? | 0:17:39 | 0:17:43 | |
Because The Next Step West simply just does not have the same amount | 0:17:43 | 0:17:46 | |
of support and funding that Emily's studio has. | 0:17:46 | 0:17:49 | |
Well, we can never be the best team we can be | 0:17:49 | 0:17:51 | |
if you can't find the resources. | 0:17:51 | 0:17:52 | |
Everyone, I have something very important I'd like to discuss. | 0:18:01 | 0:18:04 | |
I don't know if you've noticed, but what happened today | 0:18:05 | 0:18:08 | |
is starting to become a pattern. | 0:18:08 | 0:18:09 | |
From some of you leaking choreo... | 0:18:09 | 0:18:11 | |
..to other people blabbing about guest choreographers, | 0:18:13 | 0:18:17 | |
TNS West is starting to take advantage of us. | 0:18:17 | 0:18:19 | |
'There needs to be defined lines between studios.' | 0:18:19 | 0:18:23 | |
I know Michelle with | 0:18:23 | 0:18:24 | |
her laissez faire attitude | 0:18:24 | 0:18:26 | |
isn't going to do it, | 0:18:26 | 0:18:27 | |
so it's up to me. | 0:18:27 | 0:18:28 | |
Because of this, I am imposing a new rule. | 0:18:28 | 0:18:31 | |
You are now forbidden from discussing A-Troupe business | 0:18:31 | 0:18:35 | |
with anyone who does not dance here. | 0:18:35 | 0:18:38 | |
'I understand why Emily's making this rule' | 0:18:38 | 0:18:41 | |
and I kind of feel guilty about it | 0:18:41 | 0:18:43 | |
because I'm kind of | 0:18:43 | 0:18:45 | |
the reason why she's making it. | 0:18:45 | 0:18:47 | |
I know these people are your friends | 0:18:47 | 0:18:48 | |
but you have to start looking at them | 0:18:48 | 0:18:50 | |
as your competitors. | 0:18:50 | 0:18:51 | |
'I shouldn't have taught Amy the choreo,' | 0:18:51 | 0:18:53 | |
so this will just keep everything in Studio One. | 0:18:53 | 0:18:57 | |
Do I make myself clear? | 0:18:57 | 0:18:59 | |
-ALL: Yes. -Perfect. | 0:18:59 | 0:19:01 | |
Other than that, you all did OK today. | 0:19:01 | 0:19:04 | |
East and West has already divided Amy and me | 0:19:05 | 0:19:07 | |
and it's just going to get worse. | 0:19:07 | 0:19:10 | |
'My friends are on TNS West' | 0:19:10 | 0:19:12 | |
and now I have to consider them my enemies. | 0:19:12 | 0:19:16 | |
'I'm worried how Emily's new rule | 0:19:27 | 0:19:29 | |
'is going to affect my friendship with Henry. I mean...' | 0:19:29 | 0:19:32 | |
..keeping secrets from him. | 0:19:33 | 0:19:34 | |
We are already kind of a little weird right now. | 0:19:34 | 0:19:37 | |
-Hey, bro. -Sup, man? | 0:19:37 | 0:19:39 | |
Yo, ready? | 0:19:39 | 0:19:41 | |
No handshake? | 0:19:42 | 0:19:43 | |
'I just started doing the handshake' | 0:19:43 | 0:19:45 | |
that me and Henry are supposed to do | 0:19:45 | 0:19:46 | |
every time we see each other but he doesn't do it. | 0:19:46 | 0:19:49 | |
You wouldn't keep secrets from me, right? | 0:19:49 | 0:19:52 | |
Of course not. | 0:19:52 | 0:19:55 | |
Everything between us is open. | 0:19:55 | 0:19:56 | |
'As much as this hurts me, I know it has to be done.' | 0:19:59 | 0:20:02 | |
He's trying to go out with my ex-girlfriend | 0:20:03 | 0:20:05 | |
and he's lying to my face and it all adds up. | 0:20:05 | 0:20:08 | |
Look, I know what happened and I'm not stupid | 0:20:08 | 0:20:11 | |
and I want you to be honest with me. | 0:20:11 | 0:20:14 | |
I know that you have feelings for Jacquie. | 0:20:14 | 0:20:16 | |
-So I just want you to be honest with me. -What are you talking about? | 0:20:17 | 0:20:19 | |
Dude, I saw it all go down today in the locker room. | 0:20:19 | 0:20:21 | |
Your hand on her face, how close you were. | 0:20:21 | 0:20:23 | |
No, no, that's not what happened. | 0:20:23 | 0:20:25 | |
She had an eyelash on her face and I just wanted to help. | 0:20:25 | 0:20:27 | |
'I thought he was my bro and I | 0:20:27 | 0:20:28 | |
'thought he was supposed to always be there | 0:20:28 | 0:20:30 | |
'for me and, you know. But in this moment, | 0:20:30 | 0:20:32 | |
'it doesn't feel like that at all' | 0:20:32 | 0:20:34 | |
and it really makes me wonder if he was | 0:20:34 | 0:20:37 | |
ever my best friend or... | 0:20:37 | 0:20:39 | |
My brother. | 0:20:42 | 0:20:43 | |
Listen, I know it's more than that | 0:20:43 | 0:20:45 | |
and you're lying to me and that's not | 0:20:45 | 0:20:47 | |
what friends do, so from this point on, we are not friends. | 0:20:47 | 0:20:50 | |
Bro... | 0:20:50 | 0:20:51 |