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Previously on The Next Step. | 0:00:02 | 0:00:03 | |
Did you get Miss Kate's e-mail? | 0:00:03 | 0:00:04 | |
Only one troupe can represent The Next Step at regionals. | 0:00:04 | 0:00:07 | |
Let's have a competition. TNS East versus TNS West. | 0:00:07 | 0:00:10 | |
We're warming up for the danceathon and the turnout is amazing. | 0:00:10 | 0:00:13 | |
James West and Eldon dancing | 0:00:15 | 0:00:16 | |
together is just making everyone so hype. | 0:00:16 | 0:00:19 | |
We just want to give them that extra boost. | 0:00:19 | 0:00:22 | |
-Yes! -Yes. -Go, girl. | 0:00:22 | 0:00:24 | |
She's definitely A-Troupe material. | 0:00:24 | 0:00:26 | |
Honestly, I would love to join TNS West and I think I deserve this now. | 0:00:26 | 0:00:30 | |
Five, six, seven, eight. | 0:00:38 | 0:00:40 | |
I'm taking my team through the choreography for the dance battle, | 0:00:43 | 0:00:46 | |
making sure it's the best it can be. | 0:00:46 | 0:00:48 | |
Better than Michelle's hip-hop routine, at least. | 0:00:48 | 0:00:51 | |
One, two, three, four, five, six, Stop right there. OK. | 0:00:51 | 0:00:55 | |
Where are the lines? | 0:00:55 | 0:00:57 | |
My dance is better than Emily's. | 0:00:57 | 0:00:59 | |
I think it is way better than contemporary. | 0:00:59 | 0:01:02 | |
Hip-hop is exciting and fresh and | 0:01:02 | 0:01:04 | |
contemporary can be super boring. | 0:01:04 | 0:01:06 | |
My dance is amazing. | 0:01:09 | 0:01:11 | |
It is technically perfect but it just needs something... | 0:01:11 | 0:01:15 | |
..eye-catching. | 0:01:15 | 0:01:17 | |
One, two, three, four, five, six, seven, eight. | 0:01:17 | 0:01:21 | |
This dance is fun and flashy but it's missing something. | 0:01:21 | 0:01:24 | |
If Miss Kate is going to choose us over TNS East, | 0:01:24 | 0:01:27 | |
I know she'll be looking for a dance that showcases technique. | 0:01:27 | 0:01:29 | |
Come in. | 0:01:29 | 0:01:31 | |
OK, so it looks great, it really, really does look beautiful, | 0:01:34 | 0:01:37 | |
but it's missing something. | 0:01:37 | 0:01:40 | |
I don't know. Almost like an oomph. | 0:01:40 | 0:01:41 | |
In today's dance world, | 0:01:41 | 0:01:43 | |
I think it would be silly of me to underestimate the wow factor. | 0:01:43 | 0:01:46 | |
I mean, it's not as important as technique, | 0:01:46 | 0:01:50 | |
but if we're going to win this battle, | 0:01:50 | 0:01:51 | |
I know Miss Kate will want to see it. | 0:01:51 | 0:01:54 | |
We're going to have to add a hip-hop section. | 0:01:54 | 0:01:57 | |
ALL: Yeah. | 0:01:57 | 0:01:58 | |
Five, six, stop right there. | 0:01:58 | 0:02:00 | |
This routine is really hip-hop heavy. | 0:02:03 | 0:02:06 | |
Maybe we could add some more contemporary moves. | 0:02:07 | 0:02:10 | |
I need to hire somebody that can help us out. | 0:02:12 | 0:02:14 | |
Someone who understands my team's contemporary style but will be able | 0:02:14 | 0:02:18 | |
to add an explosive hip-hop section. | 0:02:18 | 0:02:21 | |
Somebody that understands my team's hip-hop roots but can add a | 0:02:21 | 0:02:24 | |
-contemporary flair. -And I know just the person. | 0:02:24 | 0:02:27 | |
-Eldon. -Eldon. | 0:02:27 | 0:02:29 | |
Michelle, how's your little hip-hop routine going? | 0:03:10 | 0:03:13 | |
Can I get some strawberries, please? | 0:03:13 | 0:03:15 | |
My little hip-hop routine is going great. | 0:03:15 | 0:03:18 | |
What Emily doesn't know is that I've asked Eldon to come in to | 0:03:18 | 0:03:20 | |
choreograph some killer contemporary to mix with our hip-hop routine. | 0:03:20 | 0:03:23 | |
How's your... | 0:03:23 | 0:03:24 | |
SHE YAWNS | 0:03:24 | 0:03:26 | |
..contemporary. Oh, sorry, it just sounds so boring. | 0:03:26 | 0:03:29 | |
You need a Tic Tac first of all. | 0:03:29 | 0:03:31 | |
And I guess you wouldn't really understand if you can't do it. | 0:03:31 | 0:03:34 | |
What Michelle doesn't know is Eldon is going to add something that | 0:03:34 | 0:03:38 | |
Daniel and I can't - a hip-hop section. | 0:03:38 | 0:03:40 | |
You enjoy that juice. | 0:03:40 | 0:03:42 | |
Thanks, enjoy your strawberries. | 0:03:42 | 0:03:44 | |
I'm not worried at all about going head-to-head with Michelle. | 0:03:44 | 0:03:47 | |
She doesn't even have a full team yet. | 0:03:47 | 0:03:49 | |
If I'm going to battle Emily's team, I need to find my tenth dancer now. | 0:03:49 | 0:03:53 | |
Quaint. | 0:04:01 | 0:04:03 | |
-Hi. -Hi. | 0:04:03 | 0:04:05 | |
-Are you Michelle? -I am. -I'm Elliot. | 0:04:05 | 0:04:06 | |
-Nice meet you. -Nice to meet you, as well. | 0:04:06 | 0:04:09 | |
I e-mailed you about the spot on the team. | 0:04:09 | 0:04:10 | |
-Are you ready to audition? -I was born ready. -Great. | 0:04:10 | 0:04:13 | |
All the dancers I've auditioned so far have been disappointing. | 0:04:16 | 0:04:19 | |
I'm not getting my hopes up at this point. | 0:04:19 | 0:04:21 | |
# Ooh | 0:04:23 | 0:04:26 | |
# I see you watching | 0:04:26 | 0:04:28 | |
# I see you criticise... # | 0:04:28 | 0:04:31 | |
Elliot is surprising me. | 0:04:31 | 0:04:33 | |
His technique is flawless. | 0:04:33 | 0:04:35 | |
His control is extraordinary. | 0:04:35 | 0:04:38 | |
Elliot is just an amazing dancer. | 0:04:38 | 0:04:40 | |
# I'm not listening | 0:04:40 | 0:04:44 | |
# I'm gonna knock them down Bring them to their knees... # | 0:04:44 | 0:04:48 | |
I dance because it's what I love to do. | 0:04:48 | 0:04:51 | |
It's all I know. | 0:04:51 | 0:04:53 | |
I started dance at the age of three. | 0:04:54 | 0:04:56 | |
My parents put me into a studio and it grew from there. | 0:04:56 | 0:05:00 | |
Woo! | 0:05:07 | 0:05:10 | |
All of the boys in my team are fantastic street dancers but Elliot | 0:05:10 | 0:05:14 | |
is a technical dancer. | 0:05:14 | 0:05:16 | |
He would be an amazing partner to Heather or Piper. | 0:05:16 | 0:05:19 | |
# Yeah, just call my name... # | 0:05:22 | 0:05:25 | |
I have to have Elliot on my team. | 0:05:25 | 0:05:28 | |
Wow, I am blown away. | 0:05:32 | 0:05:34 | |
-That was brilliant. -Thank you. | 0:05:34 | 0:05:36 | |
-Thank you. -Welcome to the team. | 0:05:36 | 0:05:38 | |
-I mean, it's... -I'm not really a hugger. | 0:05:38 | 0:05:41 | |
Oh, OK. That's all right. | 0:05:41 | 0:05:42 | |
-You won't regret this. -I know I won't. | 0:05:42 | 0:05:45 | |
I finally have all ten dancers. | 0:05:45 | 0:05:48 | |
I'm so excited. | 0:05:48 | 0:05:49 | |
-Are you sure? Let me... -No, I'm really not a hugger. | 0:05:49 | 0:05:52 | |
OK. All right. | 0:05:52 | 0:05:55 | |
-OK, that's all right. -It's OK. | 0:05:55 | 0:05:57 | |
Oh, my gosh. | 0:06:05 | 0:06:08 | |
Wow. | 0:06:08 | 0:06:10 | |
I'm here today because Emily wants a hip-hop section in her contemporary | 0:06:10 | 0:06:15 | |
routine and she asked me and I was excited. | 0:06:15 | 0:06:18 | |
I haven't done hip-hop in a while, so I'm going to tackle it. | 0:06:18 | 0:06:21 | |
-Hey. -Hey. -Hey. | 0:06:24 | 0:06:26 | |
-How's it going? -Good, how are you? | 0:06:26 | 0:06:27 | |
-Good, good. -So, are you ready to work your magic with A-Troupe? | 0:06:27 | 0:06:30 | |
-Of course, I have a lot of ideas. I'm excited. -Will I love it? | 0:06:30 | 0:06:33 | |
-Yeah, yeah. It's great. -Cool, I'm glad. -Cool. | 0:06:33 | 0:06:35 | |
-Um, they're going to be here in, like, ten minutes, I would say. -OK. | 0:06:35 | 0:06:38 | |
I think we'll just get started right off the bat so you have as much time | 0:06:38 | 0:06:41 | |
-as possible with them. -Sweet, sounds good. | 0:06:41 | 0:06:43 | |
-All right. -Just enough time to grab some juice, so I'll be right back. | 0:06:43 | 0:06:47 | |
Eldon, I mean, he's been such a goof in the past, | 0:06:47 | 0:06:51 | |
but I think he's going to come up with some amazing choreo. | 0:06:51 | 0:06:56 | |
Hi, can I get a strawberry juice? | 0:06:56 | 0:06:58 | |
Sweet. | 0:06:58 | 0:07:00 | |
-Eldon! -Hey. | 0:07:00 | 0:07:01 | |
-Hey. -I'm so happy that you're here. | 0:07:01 | 0:07:04 | |
I'm really surprised to see Michelle here so early. | 0:07:04 | 0:07:07 | |
Our rehearsal isn't until later this afternoon. | 0:07:07 | 0:07:09 | |
I was worried that you didn't get my e-mail. | 0:07:09 | 0:07:11 | |
You know, I didn't realise that there was a rec rehearsal in | 0:07:11 | 0:07:14 | |
Studio A, so I had to move our rehearsal up. | 0:07:14 | 0:07:16 | |
-So it's great that you're here early. It's perfect. -Yeah. | 0:07:16 | 0:07:19 | |
Yeah, your e-mail. I got that. | 0:07:19 | 0:07:21 | |
Nope, totally did not get that e-mail. | 0:07:21 | 0:07:24 | |
No e-mail, no notification, nothing about an e-mail. | 0:07:24 | 0:07:28 | |
VOICEOVER: I mean, who e-mails any more? | 0:07:28 | 0:07:30 | |
Yeah, that's why I'm here... | 0:07:30 | 0:07:33 | |
-..early. -Oh, OK. | 0:07:33 | 0:07:36 | |
Well, we're going to take about ten minutes before we actually start, | 0:07:36 | 0:07:39 | |
so why don't you come to the studio? | 0:07:39 | 0:07:40 | |
Um, you know what? I'm still waiting for my juice and I want to listen to | 0:07:40 | 0:07:46 | |
the song more, so I'm going to need a couple of extra minutes, | 0:07:46 | 0:07:50 | |
-but I'll be there soon. -I'm counting on you. | 0:07:50 | 0:07:52 | |
-OK. -All right, I'm excited. | 0:07:52 | 0:07:54 | |
Yeah. So am I. Great. | 0:07:54 | 0:07:55 | |
-Bye. -See you. | 0:07:55 | 0:07:57 | |
If Michelle or Emily find out that I'm choreographing for both of them, | 0:07:57 | 0:08:01 | |
I could be in a bit of trouble. | 0:08:01 | 0:08:03 | |
It feels so great to finally have a full team. | 0:08:12 | 0:08:15 | |
OK, guys, listen up. | 0:08:15 | 0:08:17 | |
Meet Elliot. He is the missing piece to our troupe and this means that we | 0:08:17 | 0:08:21 | |
finally have a full team and we're ready to compete. | 0:08:21 | 0:08:23 | |
-That's awesome. -That's great! | 0:08:23 | 0:08:26 | |
I definitely think Elliot will get along with all the other dancers. | 0:08:26 | 0:08:29 | |
He is so nice. | 0:08:29 | 0:08:31 | |
You're too kind. I mean, I'm just happy to be a part of the team. | 0:08:31 | 0:08:34 | |
-It already feels like home. -Amazing. | 0:08:34 | 0:08:37 | |
Well, I need all of you guys to start stretching. | 0:08:37 | 0:08:40 | |
Eldon should be here shortly, OK? | 0:08:40 | 0:08:41 | |
-Cool. -Awesome. Get to it. | 0:08:41 | 0:08:43 | |
-Hi. I'm Kingston. -Elliot. | 0:08:43 | 0:08:45 | |
-Heather. -Elliot. -Henry. | 0:08:45 | 0:08:47 | |
-Elliot. -Piper. -Elliot. | 0:08:47 | 0:08:48 | |
I probably won't remember your names, so... | 0:08:48 | 0:08:50 | |
Um... OK... | 0:08:50 | 0:08:53 | |
I'm Ozzy. | 0:08:53 | 0:08:55 | |
The only name you'll have to remember. | 0:08:59 | 0:09:01 | |
Oh, that's cold. | 0:09:03 | 0:09:06 | |
OK. | 0:09:06 | 0:09:08 | |
For real. | 0:09:08 | 0:09:10 | |
Elliot seems a bit intense but maybe | 0:09:10 | 0:09:12 | |
he just doesn't make good first impressions. | 0:09:12 | 0:09:16 | |
So, have you all been dancing here for a while now? | 0:09:16 | 0:09:19 | |
Up until a little while ago, I was dancing in my basement, | 0:09:19 | 0:09:21 | |
but now look at me. | 0:09:21 | 0:09:23 | |
I'm on the same team as you. | 0:09:23 | 0:09:25 | |
Hold on, this guy's going to be | 0:09:25 | 0:09:27 | |
competing with me but he learned to dance in his basement? | 0:09:27 | 0:09:31 | |
Your transition from basement dancer | 0:09:32 | 0:09:35 | |
to competitive dancer is...inspiring. | 0:09:35 | 0:09:38 | |
Whoa, whoa, whoa, did that just happen? | 0:09:38 | 0:09:40 | |
Did this guy just diss me? | 0:09:40 | 0:09:42 | |
This guy better be a good dancer, because his attitude stinks. | 0:09:42 | 0:09:46 | |
Where is Eldon? | 0:09:46 | 0:09:48 | |
He should have been here by now. | 0:09:48 | 0:09:50 | |
Whoo! Let's go! | 0:09:50 | 0:09:53 | |
Right now, I'm watching all the girls freestyle because I want one | 0:09:53 | 0:09:57 | |
of those girls to do a solo section in the number. | 0:09:57 | 0:09:59 | |
I love Eldon's idea of having a female hip-hop solo. | 0:10:01 | 0:10:04 | |
I obviously think he should pick me. | 0:10:04 | 0:10:06 | |
Get it. | 0:10:06 | 0:10:08 | |
Michelle is texting me, asking where I am. | 0:10:08 | 0:10:11 | |
I have to get back ASAP. | 0:10:11 | 0:10:13 | |
Who knew auditions took this long? | 0:10:13 | 0:10:15 | |
Eldon won the bangers and mash-ups competition. | 0:10:20 | 0:10:23 | |
He is one of the best hip-hop dancers ever and if he picked me, | 0:10:23 | 0:10:26 | |
that'd be the highest honour. | 0:10:26 | 0:10:28 | |
This is really important to me | 0:10:31 | 0:10:34 | |
because I finally want to make my mark on this team. | 0:10:34 | 0:10:37 | |
I'd be so proud of myself and it's just, | 0:10:37 | 0:10:40 | |
it would be such a big thing in my life. | 0:10:40 | 0:10:42 | |
This solo means everything. | 0:10:42 | 0:10:45 | |
To have a featured solo in A-Troupe is the biggest deal ever. | 0:10:45 | 0:10:48 | |
My biggest competition is definitely Jacquie. | 0:10:50 | 0:10:52 | |
She's killing it out there. | 0:10:52 | 0:10:55 | |
JACQUIE: I'm really trying to get Eldon to notice me. | 0:10:55 | 0:10:58 | |
I'm really trying to stand out and I think it's working. | 0:10:59 | 0:11:02 | |
Good job. Girls, that was incredible. | 0:11:04 | 0:11:07 | |
You guys all killed that. | 0:11:07 | 0:11:08 | |
That was awesome. Now, I do have to make a decision, | 0:11:08 | 0:11:11 | |
so the person that I decided to go with is... | 0:11:11 | 0:11:13 | |
PHONE BEEPS CONTINUOUSLY | 0:11:13 | 0:11:15 | |
OK, it's a little later than I thought it was, | 0:11:15 | 0:11:18 | |
so I've got to get out of here. I've gotta go. | 0:11:18 | 0:11:21 | |
Who did you decide on? | 0:11:21 | 0:11:23 | |
Oh, Lola. | 0:11:23 | 0:11:25 | |
- Congratulations. - Lola, good job. | 0:11:25 | 0:11:27 | |
SHE SQUEALS | 0:11:27 | 0:11:28 | |
I can't believe I got the solo. | 0:11:28 | 0:11:30 | |
I mean, I know I danced well, | 0:11:30 | 0:11:32 | |
but it also means that I'm finally fitting in here. | 0:11:32 | 0:11:35 | |
I crushed that audition. | 0:11:35 | 0:11:37 | |
My hip-hop moves are way better than Lola's. | 0:11:37 | 0:11:39 | |
If anyone deserved that solo, it was me. | 0:11:39 | 0:11:42 | |
Eldon is really late. | 0:11:42 | 0:11:44 | |
Everyone is getting super antsy. | 0:11:44 | 0:11:45 | |
I really hope hiring Eldon wasn't a mistake. | 0:11:45 | 0:11:48 | |
This is a lot harder than I thought it was going to be. | 0:11:48 | 0:11:51 | |
I don't know how I'm going to get out of this mess. | 0:11:51 | 0:11:53 | |
Kingston, I want to try something. | 0:12:00 | 0:12:02 | |
We're waiting for Eldon and he's taking for ever, | 0:12:02 | 0:12:05 | |
-so what are we going to do? -Careful. | 0:12:05 | 0:12:08 | |
Hand. | 0:12:08 | 0:12:10 | |
-Woo. -Sick. | 0:12:13 | 0:12:15 | |
Hey, you guys, what's up? | 0:12:15 | 0:12:16 | |
How's it going? Is it good? | 0:12:16 | 0:12:18 | |
Where have you been? | 0:12:18 | 0:12:20 | |
You know what, it's actually funny, cos, um, | 0:12:20 | 0:12:23 | |
I was listening to the music that you sent me and I didn't know that I | 0:12:23 | 0:12:28 | |
had it on repeat, so I just kind of was like, how long is this song? | 0:12:28 | 0:12:33 | |
Michelle is totally buying my excuse. | 0:12:33 | 0:12:36 | |
There's no way she has any idea that I'm at Emily's studio. | 0:12:36 | 0:12:39 | |
OK, anyways, all right, let's get going, let's get going. | 0:12:39 | 0:12:42 | |
Show me what you've got. | 0:12:42 | 0:12:44 | |
I'm so smart. | 0:12:44 | 0:12:46 | |
Five, six, seven, eight. | 0:12:46 | 0:12:48 | |
-Walk one, two... -Eldon's been gone a really long time. | 0:12:48 | 0:12:51 | |
We're just waiting for him to come back. | 0:12:51 | 0:12:54 | |
-Much better. -Hey, guys, how's it going? | 0:12:54 | 0:12:56 | |
We've been practising spacing for 20 minutes. | 0:12:56 | 0:12:58 | |
Perfect. OK, I love that. | 0:12:58 | 0:13:00 | |
Um, so, yeah, keep working on that. | 0:13:00 | 0:13:02 | |
Actually, you know what? Brainstorm some ideas. | 0:13:02 | 0:13:05 | |
I like where you guys are going with it. Um, just keep going. | 0:13:05 | 0:13:08 | |
You guys are doing great. | 0:13:08 | 0:13:10 | |
I've got to head out but I'll see... | 0:13:10 | 0:13:11 | |
I'll see you soon, OK? | 0:13:11 | 0:13:13 | |
Brainstorm, you've got it. | 0:13:13 | 0:13:15 | |
What just happened? | 0:13:15 | 0:13:17 | |
My headspace right now is kind of being split into two. | 0:13:17 | 0:13:21 | |
If only there were two of me. | 0:13:23 | 0:13:25 | |
Double Eldon. | 0:13:25 | 0:13:27 | |
I just blew my own mind. | 0:13:27 | 0:13:29 | |
You know, I think things are going really well. | 0:13:29 | 0:13:31 | |
They don't know that I'm switching between both studios. | 0:13:31 | 0:13:36 | |
Everyone knows I run on Eldon time. | 0:13:36 | 0:13:38 | |
I've got to keep this going because if Michelle and Emily find out that | 0:13:39 | 0:13:42 | |
I've double booked at both studios, | 0:13:42 | 0:13:45 | |
that's a situation I don't want to be in. | 0:13:45 | 0:13:48 | |
OK, people, ready to work. | 0:13:48 | 0:13:51 | |
Where's Jacquie? | 0:13:51 | 0:13:52 | |
I can't believe this. So unprofessional to be late. | 0:13:54 | 0:13:57 | |
Jacquie's on Emily's team. | 0:13:57 | 0:13:59 | |
How does Eldon even know Jacquie? | 0:13:59 | 0:14:02 | |
It just doesn't make sense. | 0:14:02 | 0:14:05 | |
This next section's going to be great. | 0:14:05 | 0:14:07 | |
I have a lot of stuff planned. Are you ready to do contemporary? | 0:14:07 | 0:14:09 | |
Don't you mean hip-hop? | 0:14:09 | 0:14:11 | |
Yeah. Oh, man, I'm so confused. | 0:14:11 | 0:14:15 | |
Pardon me. | 0:14:15 | 0:14:17 | |
Wait, is it? Wait, I thought it was... | 0:14:21 | 0:14:24 | |
No. | 0:14:24 | 0:14:25 | |
OK, guys, let's get it going. | 0:14:25 | 0:14:29 | |
Um, let's take it from where we left off, yeah? | 0:14:29 | 0:14:33 | |
OK, so, we were going to... | 0:14:33 | 0:14:34 | |
-Eldon, what's happening here? -Oh, don't worry, Emily, I got it. | 0:14:34 | 0:14:37 | |
What? | 0:14:37 | 0:14:39 | |
Uh-oh. That was a big mistake. | 0:14:39 | 0:14:42 | |
Wow. Wow. | 0:14:42 | 0:14:45 | |
I said family. | 0:14:45 | 0:14:47 | |
I said family, because we're all a big family, right? | 0:14:47 | 0:14:51 | |
Come on, group hug. | 0:14:51 | 0:14:53 | |
Bring it in. Come on, people, group hug. | 0:14:53 | 0:14:55 | |
It's a big, big family. | 0:14:55 | 0:14:58 | |
Oh, my gosh, oh, my gosh, oh, my gosh. | 0:14:58 | 0:15:00 | |
That was close but I think I covered pretty well. | 0:15:00 | 0:15:04 | |
Hey, how's it going? Thanks. | 0:15:04 | 0:15:06 | |
I've got to go. | 0:15:06 | 0:15:08 | |
What are you guys doing sitting down? | 0:15:08 | 0:15:10 | |
Come on, stand up. We've got work to do, people. | 0:15:10 | 0:15:12 | |
Let's go. Noah, hurry up. | 0:15:12 | 0:15:14 | |
-I'm tired of this. -Eldon is totally wasting our time. | 0:15:14 | 0:15:17 | |
Hey, bud, try teaching a dance. | 0:15:17 | 0:15:20 | |
I want to work on the solo, so Lola, step forward. | 0:15:20 | 0:15:24 | |
What are you doing? | 0:15:24 | 0:15:26 | |
You just told me to step forward. | 0:15:26 | 0:15:29 | |
-I'm Lola. -Are there two Lolas in A-Troupe? | 0:15:29 | 0:15:32 | |
Wait, who are you, then? | 0:15:32 | 0:15:35 | |
I'm Jacquie. | 0:15:35 | 0:15:36 | |
Oh. | 0:15:39 | 0:15:41 | |
Yeah, I'm really sorry but I wanted to work with Jacquie. | 0:15:43 | 0:15:48 | |
That's bad. | 0:15:50 | 0:15:51 | |
That's, uh, that's real bad. | 0:15:51 | 0:15:54 | |
It's, OK, um... | 0:15:54 | 0:15:57 | |
Yeah, I just... | 0:15:57 | 0:15:59 | |
I thought for a second that I might have actually been the best dancer. | 0:15:59 | 0:16:03 | |
I'm super embarrassed because | 0:16:03 | 0:16:05 | |
I feel like I'm not good enough to be here... | 0:16:05 | 0:16:09 | |
and it's just hard. | 0:16:09 | 0:16:11 | |
All right, Jacquie, come forward. | 0:16:13 | 0:16:16 | |
Um, yeah, let's just get started. | 0:16:16 | 0:16:19 | |
I really wanted that solo... | 0:16:19 | 0:16:21 | |
..but not like this. | 0:16:23 | 0:16:25 | |
OK, guys, we're going to go from here. | 0:16:34 | 0:16:36 | |
Got it? Since Eldon seems to have disappeared, | 0:16:36 | 0:16:39 | |
I'm trying to keep this rehearsal going but none of us really know | 0:16:39 | 0:16:43 | |
what the choreo is. What are the arms here? | 0:16:43 | 0:16:45 | |
I think the right arm comes into the left. | 0:16:45 | 0:16:48 | |
I can see Piper needs a little help as dance captain. | 0:16:48 | 0:16:52 | |
I'm happy to be there for her. | 0:16:52 | 0:16:54 | |
Piper, I know I'm new here, but I have a question. | 0:16:54 | 0:16:57 | |
What is that squirt doing in the front row? | 0:17:00 | 0:17:03 | |
Who are you referring to exactly? | 0:17:04 | 0:17:06 | |
The short one with the glasses. | 0:17:06 | 0:17:08 | |
Fozzy, Fuzzy. | 0:17:08 | 0:17:09 | |
-Ozzy. -Fozzy? | 0:17:09 | 0:17:12 | |
My name is Ozzy. | 0:17:12 | 0:17:14 | |
Listen, you want to be a winning team, right? | 0:17:14 | 0:17:17 | |
That's what I thought. So if you want to win, you've got to move | 0:17:17 | 0:17:21 | |
basement dancers and Fozzy over here | 0:17:21 | 0:17:24 | |
to the back row and dancers like myself to the front. | 0:17:24 | 0:17:28 | |
As dance captain, I don't know how to handle this. | 0:17:30 | 0:17:33 | |
I mean, he's being disrespectful to the team-mates. | 0:17:33 | 0:17:36 | |
You don't agree? I understand that dance comes from the heart but this | 0:17:36 | 0:17:40 | |
is competitive dance, this is a sport. | 0:17:40 | 0:17:42 | |
We are competing to win. I'm not | 0:17:42 | 0:17:44 | |
going to spare anybody's feelings if it means we're going to lose. | 0:17:44 | 0:17:48 | |
You know what, everyone? Take five. | 0:17:48 | 0:17:50 | |
Thank you. | 0:17:50 | 0:17:52 | |
We need Elliot on the team badly but clearly he's lacking social skills. | 0:17:54 | 0:17:59 | |
I think I'm going to need to talk to Elliot. | 0:17:59 | 0:18:02 | |
I'm going to see Lola because I feel terrible. | 0:18:04 | 0:18:07 | |
She does not deserve this. | 0:18:07 | 0:18:10 | |
I'm really sorry for how things turned out. | 0:18:10 | 0:18:12 | |
I feel like an idiot. | 0:18:14 | 0:18:16 | |
No, you're not. | 0:18:16 | 0:18:18 | |
The worst thing is that I actually thought that I was the best dancer. | 0:18:18 | 0:18:23 | |
I know how this feels and I want to cheer her up. | 0:18:23 | 0:18:26 | |
At my old studio, | 0:18:26 | 0:18:27 | |
I was so insecure and the only way to get over it was to work as hard | 0:18:27 | 0:18:31 | |
as I could. | 0:18:31 | 0:18:33 | |
Jacquie, you're an amazing dancer and you really deserve the solo. | 0:18:34 | 0:18:37 | |
Jacquie has always been competitive and determined, | 0:18:37 | 0:18:40 | |
but it's really nice to see this side of her. | 0:18:40 | 0:18:42 | |
I'm going to work extra hard, just like Jacquie did, | 0:18:45 | 0:18:47 | |
and hopefully I'll get the next solo. | 0:18:47 | 0:18:50 | |
Oh, man, finally I get to relax and, you know, | 0:18:53 | 0:18:57 | |
reward myself for a job well done. | 0:18:57 | 0:18:59 | |
-You stop right there. -Eldon. -We know everything. | 0:19:01 | 0:19:04 | |
-You've been choreographing for both of us? -At the same time?! | 0:19:04 | 0:19:07 | |
How could you ever do that to us? | 0:19:07 | 0:19:08 | |
That is completely unacceptable to both Michelle and I. | 0:19:08 | 0:19:11 | |
I know how to get out of this. I have a plan. | 0:19:14 | 0:19:17 | |
-I guess we both had the same idea. -Totally. | 0:19:22 | 0:19:25 | |
-His choreo was so good, though. -I know, his choreography is amazing. | 0:19:25 | 0:19:28 | |
-I'm so upset. -I know. | 0:19:28 | 0:19:29 | |
-Great minds think alike. -Totally. | 0:19:29 | 0:19:31 | |
THEY GROAN | 0:19:31 | 0:19:34 | |
Hey, Elliot. | 0:19:49 | 0:19:50 | |
Elliot was being very disrespectful today and I need to | 0:19:50 | 0:19:53 | |
let him know that that's not how things work at TNS West. | 0:19:53 | 0:19:57 | |
This team's like a family. | 0:19:57 | 0:19:59 | |
We're very inclusive. | 0:20:03 | 0:20:04 | |
You know, we embrace and accept all dance styles and training styles. | 0:20:04 | 0:20:09 | |
Every dancer is special. | 0:20:10 | 0:20:13 | |
Like a unicorn, and that's what makes our team so unique. | 0:20:13 | 0:20:17 | |
Unicorns? Really, Piper? Unicorns? | 0:20:17 | 0:20:22 | |
That is so cute. | 0:20:22 | 0:20:23 | |
It explains why Michelle would pick a child to be their dance captain. | 0:20:23 | 0:20:26 | |
They're obviously living in a fairy tale if they expect to win with | 0:20:26 | 0:20:29 | |
that philosophy and this random mix of dancers. | 0:20:29 | 0:20:33 | |
I'm beginning to realise that | 0:20:33 | 0:20:35 | |
this team needs a lot more work than I thought. | 0:20:35 | 0:20:37 | |
However, it's a good thing I'm here. | 0:20:37 | 0:20:40 | |
Sometimes, it's just easier to cut the deadwood - | 0:20:40 | 0:20:43 | |
and this team has a lot of that - and just move on. | 0:20:43 | 0:20:47 | |
That's how you become the best and that is how you win competitions. | 0:20:47 | 0:20:51 | |
I don't know how the Troupe could possibly work with Elliot. | 0:20:54 | 0:20:58 | |
He is a nightmare. This guy has got to go. | 0:20:58 | 0:21:01 | |
# Ohh | 0:21:05 | 0:21:07 | |
# I see you watching | 0:21:07 | 0:21:09 | |
# I see you criticise | 0:21:09 | 0:21:13 | |
# From the sidelines | 0:21:13 | 0:21:16 | |
# I might be shooting just like Kanye | 0:21:16 | 0:21:18 | |
# Selling more units than Beats by Dre | 0:21:18 | 0:21:21 | |
# Best be suited up when you come my way | 0:21:21 | 0:21:25 | |
# Today | 0:21:25 | 0:21:26 | |
# Yeah, I'm a saviour | 0:21:27 | 0:21:31 | |
-# Top of the town -Top of the town | 0:21:31 | 0:21:34 | |
# My bad behaviour, you know it's all they care about | 0:21:34 | 0:21:39 | |
# Just call my name. # | 0:21:39 | 0:21:42 |