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Previously on The Next Step. | 0:00:02 | 0:00:03 | |
Jacquie broke up with me because she thinks I'm not a good enough dancer. | 0:00:03 | 0:00:06 | |
Henry's on a date. | 0:00:06 | 0:00:07 | |
Henry being on a date is basically | 0:00:07 | 0:00:09 | |
a flashing green light for me to go out with Jacquie. | 0:00:09 | 0:00:12 | |
Did you get Miss Kate's e-mail? | 0:00:12 | 0:00:14 | |
Only one troupe can represent The Next Step at Regionals. | 0:00:14 | 0:00:16 | |
Let's have a competition. TNS East versus TNS West. | 0:00:16 | 0:00:20 | |
Welcome to the team. | 0:00:20 | 0:00:22 | |
I finally have all ten dancers. | 0:00:22 | 0:00:24 | |
Sometimes it's just easier to cut the dead wood. | 0:00:24 | 0:00:26 | |
This team has a lot of that. | 0:00:26 | 0:00:28 | |
He's a nightmare. This guy has got to go. | 0:00:28 | 0:00:31 | |
# One, two Now we've got the clothes off | 0:00:33 | 0:00:36 | |
# Three, four Show us what you're made of | 0:00:36 | 0:00:39 | |
# Get up off your seat Cos all this talk is cheap, yeah. # | 0:00:39 | 0:00:46 | |
You wanted to talk? Make it quick. | 0:00:46 | 0:00:48 | |
OK, um, I wanted to talk, dance captain to dance captain. | 0:00:48 | 0:00:51 | |
We've got to decide where we're going to hold our ten-person battle | 0:00:51 | 0:00:54 | |
which determines who goes to Regionals. | 0:00:54 | 0:00:56 | |
I think it should be held in studio A. | 0:00:56 | 0:00:58 | |
It's pretty obvious it's going to be in studio one. | 0:00:58 | 0:01:01 | |
I mean, that is where A-troupe is. | 0:01:01 | 0:01:04 | |
And it's just...better. | 0:01:04 | 0:01:06 | |
Dancing in your home studio can give you that edge | 0:01:06 | 0:01:09 | |
and put you over the top. | 0:01:09 | 0:01:10 | |
I think it's really important to make sure that it's in your studio | 0:01:10 | 0:01:13 | |
that you're used to dancing in. | 0:01:13 | 0:01:14 | |
Then I guess we'll have a dance-off to determine home studio advantage. | 0:01:14 | 0:01:17 | |
-I mean, what else are we going to do? Flip a coin? -No chance. | 0:01:17 | 0:01:21 | |
Dance-off it is. Something small. | 0:01:21 | 0:01:23 | |
Duets? | 0:01:23 | 0:01:24 | |
Duets, agreed, great idea. | 0:01:24 | 0:01:27 | |
-I think the style should be...ballet. -Hip-hop. | 0:01:27 | 0:01:29 | |
We have hip-hop and Emily's troupe doesn't. | 0:01:29 | 0:01:32 | |
Our team's strength is hip-hop. | 0:01:32 | 0:01:34 | |
Our team's strength is technique. | 0:01:34 | 0:01:36 | |
There was only one fair thing to do. | 0:01:36 | 0:01:38 | |
We'll do a hip-hop and ballet mashup to determine home studio advantage. | 0:01:38 | 0:01:41 | |
Get your best two dancers ready because it's about to get real. | 0:01:41 | 0:01:45 | |
TNS West doesn't have a chance. | 0:01:46 | 0:01:48 | |
# We | 0:01:49 | 0:01:51 | |
# We're gonna show the world | 0:01:51 | 0:01:55 | |
# Everything we're made of | 0:01:55 | 0:01:58 | |
# We're gonna tear the roof off this place | 0:01:58 | 0:02:06 | |
# Stand up! # | 0:02:11 | 0:02:12 | |
-Oh! -Hey! | 0:02:30 | 0:02:31 | |
Ah, good turns, y'all. | 0:02:32 | 0:02:34 | |
-Maybe ballet is working out for you, isn't it? -That's what I'm saying. | 0:02:34 | 0:02:37 | |
Right now we're warming up in studio A, waiting for Michelle to come. | 0:02:37 | 0:02:40 | |
Once she signs the dancers for the hip-hop ballet mashup, | 0:02:40 | 0:02:43 | |
then we can get rehearsing. | 0:02:43 | 0:02:44 | |
-Show me again. -One more time? -Yeah, yeah. OK. -Right here. | 0:02:44 | 0:02:47 | |
That's better. You know what, just get your passe a bit more, | 0:02:47 | 0:02:49 | |
-like, attached. -Attached there? -Yeah, yeah. | 0:02:49 | 0:02:51 | |
It's just a little floppy, know what I mean? It's just hanging around. | 0:02:51 | 0:02:54 | |
Elliott's been really helpful and he's giving Kingston and I | 0:02:54 | 0:02:57 | |
a lot of pointers when it comes to turns. | 0:02:57 | 0:02:59 | |
-That's awesome. -Hey, could you move out the way? | 0:02:59 | 0:03:01 | |
I need to do an acro pass. | 0:03:01 | 0:03:02 | |
HENRY LAUGHS | 0:03:02 | 0:03:04 | |
Did you think that was a request? | 0:03:04 | 0:03:06 | |
See, if I'm going to carry this whole team on my back, | 0:03:07 | 0:03:10 | |
you have to start doing things my way. | 0:03:10 | 0:03:12 | |
So, could you move? | 0:03:13 | 0:03:14 | |
Within a minute, his attitude just changes and he switches up on us. | 0:03:14 | 0:03:18 | |
I don't get it. What's with this guy? | 0:03:18 | 0:03:20 | |
We need Elliott on this team because his technique is insane. | 0:03:20 | 0:03:25 | |
But he has a huge ego. | 0:03:25 | 0:03:26 | |
Beautiful. That aerial was so high and perfect, you know, | 0:03:28 | 0:03:32 | |
everyone here could definitely learn something from Elliot. | 0:03:32 | 0:03:34 | |
-Totally. -You know, I'm learning everything from them. | 0:03:34 | 0:03:37 | |
-They're the absolute best. -Yeah. | 0:03:37 | 0:03:39 | |
Michelle thinks I actually believe this team is good. | 0:03:39 | 0:03:41 | |
I'm pulling the wool over her eyes easily. | 0:03:41 | 0:03:44 | |
Thank you. | 0:03:44 | 0:03:45 | |
Michelle. | 0:03:45 | 0:03:47 | |
As dance captain, I have the responsibility of | 0:03:47 | 0:03:49 | |
telling Michelle that he has to leave. | 0:03:49 | 0:03:51 | |
I know Michelle has a lot of hope pinned on Elliott, | 0:03:51 | 0:03:54 | |
so it's going to be hard. | 0:03:54 | 0:03:55 | |
There's something I wanted to talk to you about. It's Elliott. | 0:03:55 | 0:03:58 | |
Oh, he is amazing. | 0:03:58 | 0:04:00 | |
He would be perfect in the duet. | 0:04:00 | 0:04:02 | |
You and him do the duet. | 0:04:02 | 0:04:04 | |
-It's going to be great. -Yeah... -OK, go practise. Right? | 0:04:04 | 0:04:07 | |
This just couldn't get any worse. | 0:04:13 | 0:04:15 | |
Noah, I don't want the foot in coup de pied, I would like it in passe. | 0:04:18 | 0:04:21 | |
I was marking, it'll be in passe, though. | 0:04:21 | 0:04:23 | |
We're practising how we're going to perform, I don't want it marked. | 0:04:23 | 0:04:25 | |
Again, from the beginning. | 0:04:25 | 0:04:27 | |
Noah and I are working through our routine | 0:04:27 | 0:04:28 | |
to prep for the home studio competition. | 0:04:28 | 0:04:31 | |
Daniel is giving us a lot of pointers | 0:04:31 | 0:04:33 | |
and it's a little bit overwhelming. | 0:04:33 | 0:04:35 | |
Yeah, hold at the end of the turn. You're kind of leaning back | 0:04:35 | 0:04:38 | |
and you don't need to lean back. | 0:04:38 | 0:04:40 | |
Daniel is being pretty tough. | 0:04:40 | 0:04:43 | |
Too tough. | 0:04:43 | 0:04:44 | |
Also your upper body, I thought we worked on from here. | 0:04:44 | 0:04:46 | |
I don't want you cheating, bringing the arm to second, | 0:04:46 | 0:04:49 | |
I just want the left side to meet in with the right side. | 0:04:49 | 0:04:51 | |
-Keep your core a little stronger. -I'm...pretty sure I did that. | 0:04:51 | 0:04:53 | |
I'm pretty sure you didn't, that's why I gave you the correction. | 0:04:53 | 0:04:56 | |
-Do it again. -OK. | 0:04:56 | 0:04:58 | |
I don't get why Daniel's being so hard on Noah. | 0:04:58 | 0:05:00 | |
His turns look pretty great to me. | 0:05:00 | 0:05:02 | |
Uh, you changed your spot at the end of the turn, was that a choice? | 0:05:05 | 0:05:08 | |
-Yeah. -Well, it was the wrong one. | 0:05:08 | 0:05:09 | |
Keep it locked there. Finish the pirouette cleanly, | 0:05:09 | 0:05:12 | |
and then change and go to Amy. | 0:05:12 | 0:05:14 | |
-OK. Is there anything else? -Yeah, there was actually, | 0:05:14 | 0:05:17 | |
you dipped in your eleve and I don't want that. | 0:05:17 | 0:05:19 | |
-Pull up through the supporting leg and... -When, when did I dip? | 0:05:19 | 0:05:22 | |
At the very end when you changed your spot. | 0:05:22 | 0:05:23 | |
I don't know why Noah's giving Daniel so much attitude. | 0:05:23 | 0:05:26 | |
I mean, Daniel knows what he's talking about. | 0:05:26 | 0:05:28 | |
I don't think they realise how high the stakes are here. | 0:05:28 | 0:05:30 | |
This is our first chance to prove ourselves as a studio. | 0:05:30 | 0:05:33 | |
TNS East versus TNS West. | 0:05:33 | 0:05:35 | |
And TNS East has to win. | 0:05:35 | 0:05:37 | |
Now, next time we work together, I don't want the attitude. | 0:05:37 | 0:05:39 | |
I'm the choreographer, you're the dancer. | 0:05:39 | 0:05:41 | |
OK. | 0:05:41 | 0:05:43 | |
-Understood? -Yep. -Again, from the beginning. | 0:05:43 | 0:05:46 | |
I'm getting a little frustrated. | 0:05:46 | 0:05:47 | |
The expectations that Daniel and Emily are putting on me | 0:05:47 | 0:05:50 | |
are just way too much and it's not fair. | 0:05:50 | 0:05:53 | |
You know what boggles my mind? | 0:06:02 | 0:06:03 | |
How do you get so much juice out of such a small kiwi? | 0:06:03 | 0:06:07 | |
That's a lime. | 0:06:07 | 0:06:08 | |
Sorry. I mean this. | 0:06:09 | 0:06:11 | |
-It's still a lime. -Oh. | 0:06:11 | 0:06:13 | |
-They're all limes. -Oh, OK. -No kiwis. | 0:06:13 | 0:06:16 | |
Heather knows an awful lot about fruit. Like, a lot. | 0:06:16 | 0:06:19 | |
That guy doesn't know a lime from a kiwi. | 0:06:19 | 0:06:21 | |
True enough, true enough, makes sense. | 0:06:21 | 0:06:24 | |
Can I get a lemonade? Thanks. | 0:06:24 | 0:06:26 | |
You guys make a cute pair. | 0:06:26 | 0:06:28 | |
Noah instantly thinks that Heather's my girlfriend | 0:06:28 | 0:06:30 | |
because another woman is making me smile. | 0:06:30 | 0:06:33 | |
It doesn't work like that. | 0:06:33 | 0:06:34 | |
Listen, Heather and I are just friends, | 0:06:34 | 0:06:36 | |
I don't move as fast as you and Jacquie do. | 0:06:36 | 0:06:38 | |
I don't get it. Kingston and Ozzy told me Henry was dating Heather, | 0:06:39 | 0:06:43 | |
but apparently not. | 0:06:43 | 0:06:44 | |
-Thank you. -Can I get you anything? | 0:06:44 | 0:06:46 | |
Oh, he'll just take whatever I had, | 0:06:46 | 0:06:48 | |
because, you know, Noah wants whatever I've had. | 0:06:48 | 0:06:50 | |
Uh, so, I'll come back. | 0:06:51 | 0:06:53 | |
NOAH CLEARS HIS THROAT | 0:06:53 | 0:06:54 | |
All right. I've had enough. | 0:06:54 | 0:06:56 | |
I've tried to repair things with us | 0:06:56 | 0:06:58 | |
but if you keep acting like this, it's your own fault you're unhappy. | 0:06:58 | 0:07:02 | |
You and Jacquie broke up two years ago. | 0:07:02 | 0:07:05 | |
Are you going to be here two years from now | 0:07:05 | 0:07:07 | |
still talking about Jacquie? | 0:07:07 | 0:07:09 | |
Man, when you're ready to grow up, I'll be around. | 0:07:09 | 0:07:12 | |
Five, six, seven | 0:07:16 | 0:07:17 | |
and one, two, three, four, five, six, seven | 0:07:17 | 0:07:20 | |
and a one... | 0:07:20 | 0:07:22 | |
I'm very confident Elliot and Piper can pick up the choreography. | 0:07:22 | 0:07:25 | |
They work very hard, so I have no doubt in my mind | 0:07:25 | 0:07:27 | |
they can beat Emily's team. | 0:07:27 | 0:07:28 | |
OK, great. Uh, Piper, do you remember, | 0:07:28 | 0:07:30 | |
you have to act through the dance. This is a happy hip-hop ballet, OK? | 0:07:30 | 0:07:35 | |
It's hard to put a smile on when you're working with | 0:07:35 | 0:07:37 | |
an egomaniac like Elliot. | 0:07:37 | 0:07:39 | |
I think you should clean up the partnering work a little more, | 0:07:39 | 0:07:41 | |
-so, we'll leave you to rehearse. -Yeah. -It's looking good, though. | 0:07:41 | 0:07:44 | |
West's choreography is about as bland as a piece of toast. | 0:07:44 | 0:07:48 | |
I mean, I'm bored doing it. | 0:07:48 | 0:07:50 | |
Imagine for the people that are going to watch. | 0:07:50 | 0:07:52 | |
Do you even know what a developpe is? | 0:07:52 | 0:07:54 | |
Of course. | 0:07:54 | 0:07:56 | |
Hey, have you guys seen Kingston in here? | 0:07:56 | 0:07:58 | |
Why are you in the studio? | 0:07:58 | 0:07:59 | |
Just looking for Kingston. | 0:08:01 | 0:08:02 | |
Yeah, well, he's not here. So... | 0:08:02 | 0:08:05 | |
OK. | 0:08:05 | 0:08:06 | |
I just came to tell Kingston that his ballet classes cancelled | 0:08:06 | 0:08:09 | |
because I have to rehearse with Amy. | 0:08:09 | 0:08:10 | |
This guy just shut me down. | 0:08:10 | 0:08:12 | |
What's up with him? | 0:08:12 | 0:08:13 | |
This next part isn't really doing it for me, | 0:08:13 | 0:08:15 | |
so, you're going to have to do what I say, follow my lead, | 0:08:15 | 0:08:17 | |
we're changing the choreography. | 0:08:17 | 0:08:19 | |
Um, no, West's choreography's great, we just need to rehearse it more. | 0:08:19 | 0:08:22 | |
Believe me, we can do better than this dance pageant choreography. | 0:08:22 | 0:08:25 | |
You probably shouldn't change West's choreography, you know, | 0:08:25 | 0:08:27 | |
he's pretty serious about that kind of stuff. | 0:08:27 | 0:08:29 | |
Shouldn't you be practising your little duet? | 0:08:29 | 0:08:31 | |
Getting prepared to lose this afternoon? | 0:08:31 | 0:08:33 | |
-I'll see you later, Piper. -See you. | 0:08:36 | 0:08:37 | |
This guy. | 0:08:37 | 0:08:39 | |
I don't know what Michelle was thinking | 0:08:39 | 0:08:41 | |
putting this guy in the troupe. | 0:08:41 | 0:08:43 | |
If you want to listen to the competition and lose, that's fine. | 0:08:43 | 0:08:46 | |
But I think this could really help us. | 0:08:46 | 0:08:49 | |
So, do what I say. | 0:08:50 | 0:08:51 | |
I don't want to change the choreo | 0:08:53 | 0:08:55 | |
but Michelle needs Elliot to win and there's no time to argue. | 0:08:55 | 0:08:58 | |
I have to put up with Elliot or we're never going to beat TNS East. | 0:08:58 | 0:09:02 | |
There's so much more support. | 0:09:13 | 0:09:15 | |
Yeah. | 0:09:15 | 0:09:16 | |
This duet competition is to decide who has home studio advantage | 0:09:16 | 0:09:19 | |
for our big dance-off. | 0:09:19 | 0:09:21 | |
Each team gets a chance to dance in their own studio. | 0:09:21 | 0:09:23 | |
-Yeah, that's better. -Better, yeah. -It's cleaner. | 0:09:23 | 0:09:25 | |
Very pretty. How are the shoes feeling, Amy? | 0:09:25 | 0:09:27 | |
They're better, those are good. | 0:09:27 | 0:09:28 | |
And whichever studio is better wins. | 0:09:28 | 0:09:30 | |
Michelle and I will both decide who gets home team advantage. | 0:09:30 | 0:09:34 | |
We are bound by the honour code. | 0:09:34 | 0:09:36 | |
The best dance wins, no matter what. | 0:09:36 | 0:09:39 | |
I'm kind of nervous competing against Amy. | 0:09:55 | 0:09:57 | |
It's so weird because we're on different teams. | 0:09:57 | 0:10:00 | |
She's an amazing dancer, so we just have to wait and see what happens. | 0:10:00 | 0:10:04 | |
I have really high hopes that Noah and Amy will beat Elliott and Piper. | 0:10:10 | 0:10:14 | |
They've been working so hard and the duet is absolutely beautiful. | 0:10:14 | 0:10:17 | |
After this performance, I know we're going to win. | 0:10:22 | 0:10:24 | |
The dance Noah and I are doing is kind of like | 0:10:28 | 0:10:31 | |
a pas de deux ballet hip-hop fusion. | 0:10:31 | 0:10:34 | |
At the beginning we have some very nice technical ballet. | 0:10:38 | 0:10:42 | |
And then we just break out into a really awesome animated | 0:10:42 | 0:10:45 | |
hip-hop section. | 0:10:45 | 0:10:46 | |
We showed professional ballet partnering, | 0:11:05 | 0:11:07 | |
then we showed that we can get down and hit really hard choreography. | 0:11:07 | 0:11:12 | |
Amy and Noah are amazing dancers | 0:11:18 | 0:11:21 | |
and I've never seen Amy dance better than this. | 0:11:21 | 0:11:24 | |
But I believe in my dancers. | 0:11:24 | 0:11:25 | |
Piper and Elliott are going to bring it | 0:11:25 | 0:11:27 | |
and I'm pretty confident that we will win. | 0:11:27 | 0:11:30 | |
My conversation with Noah has been playing in my mind over and over, | 0:11:35 | 0:11:39 | |
and maybe he's right. | 0:11:39 | 0:11:41 | |
I've dragged things on way too long and it's time to get past it. | 0:11:41 | 0:11:44 | |
Starting by making things right with Jacquie. | 0:11:44 | 0:11:46 | |
Hey. | 0:11:49 | 0:11:50 | |
Uh, I was just, um, you know, doing my schoolwork. | 0:11:52 | 0:11:55 | |
Kind of anxious about the whole duet competition going on, you know, | 0:11:55 | 0:11:59 | |
-waiting for the results and stuff. -I know how you feel. -Yeah. | 0:11:59 | 0:12:01 | |
Do you want to sit down? | 0:12:01 | 0:12:03 | |
-Sure. -Good, I could use a distraction. | 0:12:03 | 0:12:06 | |
Yeah, I hear you. | 0:12:06 | 0:12:08 | |
Who has a head for algorithms at a time like this, right? | 0:12:08 | 0:12:10 | |
Totally, I can't even concentrate. | 0:12:10 | 0:12:12 | |
I just want to say that I'm sorry about everything. | 0:12:15 | 0:12:18 | |
I'm really sorry, too. | 0:12:20 | 0:12:22 | |
For what? | 0:12:22 | 0:12:23 | |
For telling you that you weren't a good enough dancer. | 0:12:24 | 0:12:27 | |
You're a great dancer. | 0:12:27 | 0:12:29 | |
Thank you. That means a lot. | 0:12:29 | 0:12:31 | |
So, do you still have your goldfish? | 0:12:34 | 0:12:38 | |
-Jimmy and... What was the other one? -Gerald. -Gerald! That's it, my fave. | 0:12:38 | 0:12:43 | |
It's been way too long since | 0:12:43 | 0:12:46 | |
I've got to talk to Henry like this. | 0:12:46 | 0:12:48 | |
I just feel like I have my old friend back. | 0:12:48 | 0:12:50 | |
How about your room, is it still plastered with all those boybands? | 0:12:50 | 0:12:53 | |
-That stage is gone, don't worry. -You've passed that phase? -Yeah. | 0:12:53 | 0:12:56 | |
You had, like, shrines of them in your closet. | 0:12:56 | 0:12:58 | |
Or you, like, wake up and they're there. | 0:12:58 | 0:13:01 | |
-Yeah. We're past that stage. We're good, yeah. -OK. Cool. | 0:13:01 | 0:13:03 | |
Hanging out with Jacquie reminds me of all the things | 0:13:03 | 0:13:06 | |
that I liked about her. But it's different now. In a good way. | 0:13:06 | 0:13:10 | |
-I miss talking to you. -Same. | 0:13:10 | 0:13:12 | |
It's really good, talking to you again. | 0:13:12 | 0:13:15 | |
# One and the same | 0:13:18 | 0:13:20 | |
# Just you and me | 0:13:20 | 0:13:23 | |
# Day after day. # | 0:13:23 | 0:13:26 | |
I really want you guys to breathe through the movement, all right? | 0:13:26 | 0:13:29 | |
I feel really bad for changing West's choreo. | 0:13:29 | 0:13:31 | |
I want to say something, but we need to win, | 0:13:31 | 0:13:33 | |
and I don't want to cause any drama before we dance. | 0:13:33 | 0:13:36 | |
-Get out there. -Let's do it. | 0:13:36 | 0:13:38 | |
We got this, it's in the bag. | 0:13:38 | 0:13:40 | |
Noah and Amy are good. But they're nowhere near my level. | 0:13:40 | 0:13:43 | |
I can't wait to get this over with. | 0:13:43 | 0:13:46 | |
If we win this, this will prove that our team is legitimate. | 0:13:59 | 0:14:03 | |
TNS West is here to stay. | 0:14:03 | 0:14:05 | |
I'm starting to get nervous. | 0:14:22 | 0:14:24 | |
I mean, who is this guy? He's amazing. | 0:14:24 | 0:14:28 | |
If there's one thing I don't need to worry about Elliott, | 0:14:28 | 0:14:30 | |
it's his dancing, he's unbelievable. | 0:14:30 | 0:14:33 | |
Piper's doing pretty good. Way better than I expected. | 0:14:40 | 0:14:42 | |
I guess competition brings out the best in all of us. | 0:14:42 | 0:14:45 | |
I absolutely love the last-minute choreo changes. | 0:14:58 | 0:15:01 | |
It's not my choreo. | 0:15:01 | 0:15:03 | |
Had much more hip-hop. | 0:15:04 | 0:15:05 | |
-PIPER: -The changes Elliott made were great, | 0:15:09 | 0:15:12 | |
and I think it did make the dance better. | 0:15:12 | 0:15:14 | |
APPLAUSE | 0:15:37 | 0:15:39 | |
I guess we should head to my office to make the deliberations. | 0:15:47 | 0:15:49 | |
No need. | 0:15:49 | 0:15:50 | |
We'll have the dance battle here. | 0:15:51 | 0:15:53 | |
Great. | 0:15:53 | 0:15:55 | |
Noah and Amy did their best and they were beautiful. | 0:15:55 | 0:15:58 | |
They were just out-danced. | 0:15:58 | 0:16:01 | |
Just because you won this one doesn't mean you'll win it all. | 0:16:01 | 0:16:04 | |
I know A-troupe will win on the day. | 0:16:04 | 0:16:06 | |
We'll see. | 0:16:08 | 0:16:09 | |
Let's get out of here. | 0:16:09 | 0:16:11 | |
That was awesome. | 0:16:13 | 0:16:15 | |
-I guess you were right about changing the choreo. -Yeah, I know. | 0:16:15 | 0:16:18 | |
Next time, just listen to me in the first place, OK? | 0:16:18 | 0:16:20 | |
Guys, congrats. | 0:16:20 | 0:16:22 | |
Thanks. | 0:16:22 | 0:16:24 | |
Why aren't you smiling? We just won. | 0:16:24 | 0:16:26 | |
She has been moody all day. | 0:16:26 | 0:16:28 | |
-Really? -Yeah. -Is that why you guys changed the choreography? | 0:16:28 | 0:16:32 | |
Oh, well, Piper and I both agreed that the choreography needed | 0:16:32 | 0:16:35 | |
-a little spice, something extra. -Spice? -Yeah. -OK. | 0:16:35 | 0:16:38 | |
Piper, is this true? | 0:16:38 | 0:16:40 | |
I don't know what to do right now. | 0:16:40 | 0:16:41 | |
I don't want to sell out a team-mate, | 0:16:41 | 0:16:42 | |
but he's put me in a really awkward position. | 0:16:42 | 0:16:46 | |
-You see... -Piper wanted to keep your choreo, West, | 0:16:46 | 0:16:49 | |
-but he called it a "dance pageant". -I did? -Basically gave her no choice. | 0:16:49 | 0:16:54 | |
I did not call it "dance pageant". | 0:16:54 | 0:16:56 | |
Piper. Is this true? | 0:16:56 | 0:16:59 | |
I can't take it any more. Michelle, Elliott is the worst. | 0:17:00 | 0:17:04 | |
And he just lied to your face. | 0:17:04 | 0:17:06 | |
Without me, you wouldn't have a team. | 0:17:06 | 0:17:08 | |
It would just be Emily going to Regionals. | 0:17:08 | 0:17:10 | |
West, your choreography was horrible. | 0:17:10 | 0:17:12 | |
I just carried that whole duet. | 0:17:12 | 0:17:13 | |
I don't need liars and cheaters on my team. | 0:17:13 | 0:17:15 | |
We need team players on this troupe, and he's clearly for himself. | 0:17:15 | 0:17:18 | |
We don't need him. | 0:17:18 | 0:17:20 | |
Get your things and get out. | 0:17:20 | 0:17:22 | |
-You need me. -No, we don't. | 0:17:23 | 0:17:26 | |
You're off the team. | 0:17:26 | 0:17:28 | |
Fine. | 0:17:29 | 0:17:31 | |
Michelle has made a huge mistake. | 0:17:33 | 0:17:35 | |
If she has the idea in her head that she's going to Regionals, | 0:17:35 | 0:17:38 | |
she's crazy. Cos, without me. she's going nowhere. | 0:17:38 | 0:17:41 | |
I can't stop thinking about what happened earlier. | 0:17:49 | 0:17:52 | |
Michelle didn't care that Elliot was an amazing dancer, | 0:17:52 | 0:17:55 | |
she cared about Piper's feelings. | 0:17:55 | 0:17:57 | |
I wonder if Emily would have done the same. | 0:17:57 | 0:17:59 | |
Hey, bro, I was wondering if I could talk to you. | 0:17:59 | 0:18:02 | |
OK, why not? | 0:18:02 | 0:18:05 | |
I just really took to heart what we were talking about earlier, | 0:18:07 | 0:18:10 | |
and what you said, and just about the whole Jacquie thing. | 0:18:10 | 0:18:12 | |
-Honestly, I just wanted to say that... -You don't got to say it. | 0:18:12 | 0:18:15 | |
No, I need to say it. | 0:18:15 | 0:18:17 | |
No, no, you really don't. | 0:18:17 | 0:18:19 | |
-No... -I'm serious. -I'm going to say it. | 0:18:19 | 0:18:21 | |
-It's not necessary. -It is. Bro, I'm saying it. -Don't you dare say it. | 0:18:21 | 0:18:23 | |
-I'm saying it. -Don't you dare say it. -I'm going to say it. | 0:18:23 | 0:18:26 | |
-Do not say... -Three, two, one... -Do not say it. | 0:18:26 | 0:18:28 | |
I'm sorry. | 0:18:28 | 0:18:30 | |
What took you so long? | 0:18:31 | 0:18:33 | |
HENRY LAUGHS | 0:18:33 | 0:18:35 | |
-Boom. -I miss you, man. | 0:18:36 | 0:18:38 | |
Yeah, right back at you. | 0:18:38 | 0:18:39 | |
It feels great to have Noah back. | 0:18:39 | 0:18:41 | |
We're supposed to be tough and manly but, sometimes, you know, | 0:18:41 | 0:18:44 | |
the feelings come out and that's the truth. | 0:18:44 | 0:18:47 | |
-First things first, you need to close your shirt. -Really? -Yes. | 0:18:47 | 0:18:50 | |
-Why's that? -Because we're in public. | 0:18:50 | 0:18:52 | |
It really makes me feel a lot better to hear Henry say he's sorry. | 0:18:52 | 0:18:55 | |
I needed my buddy back. He's like my best friend. | 0:18:55 | 0:18:58 | |
Hey, Michelle, um... | 0:19:02 | 0:19:03 | |
I'm just a tad worried about competing against Emily's team | 0:19:03 | 0:19:06 | |
when we're short a dancer. | 0:19:06 | 0:19:08 | |
We don't have enough dancers to compete for the dance battle. | 0:19:08 | 0:19:11 | |
And I feel like I'm responsible for that. | 0:19:11 | 0:19:14 | |
I have everything under control. Don't stress. | 0:19:14 | 0:19:17 | |
-OK. -It's going to be good. -OK, have a goodnight, then. -OK, you too. | 0:19:17 | 0:19:19 | |
-Thank you. -Bye. | 0:19:19 | 0:19:21 | |
I'm putting on a game face for Piper, | 0:19:21 | 0:19:23 | |
because I don't want my dancers to worry about this. | 0:19:23 | 0:19:25 | |
This is my responsibility. | 0:19:25 | 0:19:27 | |
I'm going to have to talk to Emily about pushing the battle. | 0:19:27 | 0:19:30 | |
Everything with Henry and I is resolved. | 0:19:32 | 0:19:34 | |
And I still feel off. | 0:19:34 | 0:19:36 | |
So, I'm just trying to work it out in studio one. | 0:19:36 | 0:19:39 | |
Emily, I'm going to need to postpone the battle by two weeks. | 0:19:39 | 0:19:43 | |
No, absolutely not. | 0:19:43 | 0:19:45 | |
-Really, Emily? -"Really, Emily" what, Michelle? | 0:19:45 | 0:19:47 | |
How long are you going to keep doing this? | 0:19:47 | 0:19:49 | |
I have a full team. You don't. | 0:19:49 | 0:19:51 | |
This isn't worth my time any more. It's not worth my dancers' time. | 0:19:51 | 0:19:55 | |
We have Regionals to prepare for and we are a serious troupe. | 0:19:55 | 0:19:58 | |
Stop stringing your dancers along. | 0:19:58 | 0:20:00 | |
We both knew this is how it's going to end. | 0:20:00 | 0:20:02 | |
I'm out of options. I think we might have to forfeit. | 0:20:02 | 0:20:06 | |
This is it. It's game over. | 0:20:06 | 0:20:09 | |
Actually, she is not stringing her dancers along. | 0:20:09 | 0:20:11 | |
Noah, we're talking right now, can you come back a little bit later... | 0:20:11 | 0:20:14 | |
No, no, no, no. This can't wait. | 0:20:14 | 0:20:16 | |
I think it's pretty amazing that Michelle puts | 0:20:16 | 0:20:20 | |
her dancers' feelings ahead of winning. | 0:20:20 | 0:20:22 | |
TNS West is a great team. | 0:20:22 | 0:20:24 | |
I don't want to see them forfeit. | 0:20:24 | 0:20:26 | |
I going to be joining Michelle's troupe. | 0:20:28 | 0:20:30 | |
Michelle's troupe is where I belong. | 0:20:33 | 0:20:35 | |
That whole environment, that's what I remember about The Next Step. | 0:20:35 | 0:20:38 | |
I guess I'm the tenth member of TNS West. | 0:20:38 | 0:20:42 | |
Looks like we won't have to postpone the battle after all. | 0:20:42 | 0:20:45 | |
No, it looks like we won't. | 0:20:45 | 0:20:47 | |
Please get out of my office. The both of you. | 0:20:47 | 0:20:49 | |
Gladly. Let's go. | 0:20:49 | 0:20:51 | |
If Michelle thinks stealing my best dancer is going to stop me, | 0:20:53 | 0:20:57 | |
she's wrong. | 0:20:57 | 0:20:59 | |
This is not the end. | 0:20:59 | 0:21:01 | |
# We | 0:21:05 | 0:21:08 | |
# We're gonna show the world | 0:21:08 | 0:21:11 | |
# Everything we're made of | 0:21:11 | 0:21:15 | |
# We're gonna tear the roof off this place | 0:21:15 | 0:21:20 | |
# You | 0:21:20 | 0:21:22 | |
# You can never fade us out | 0:21:22 | 0:21:25 | |
# Don't even ask the DJ | 0:21:25 | 0:21:29 | |
# Everybody knows we own this sound. # | 0:21:29 | 0:21:32 |