Browse content similar to Part 1. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
That shooting star could be a space rock burning up in our atmosphere, | 0:00:02 | 0:00:07 | |
or a ship that's travelled a billion light years. | 0:00:07 | 0:00:10 | |
They might be friendly and they might not...like the Slitheen. | 0:00:10 | 0:00:14 | |
They wanted to drain our sun's energy | 0:00:14 | 0:00:17 | |
and leave the Earth a dead ball of ice. | 0:00:17 | 0:00:19 | |
But we stopped them, | 0:00:19 | 0:00:22 | |
Sarah Jane, Luke, Clyde, and me. | 0:00:22 | 0:00:24 | |
But the papers said it was a temporary reversal | 0:00:24 | 0:00:27 | |
of the Earth's magnetic something or other. | 0:00:27 | 0:00:30 | |
That's what Mr Smith put into the news releases. | 0:00:30 | 0:00:32 | |
Sarah Jane's computer. And which branch | 0:00:32 | 0:00:35 | |
of PC World did that come from? | 0:00:35 | 0:00:38 | |
He's alien, I don't know where from... | 0:00:38 | 0:00:41 | |
not sure if Sarah Jane knows. | 0:00:41 | 0:00:44 | |
-Right... -Anyway, so Clyde realised we could use vinegar | 0:00:44 | 0:00:48 | |
-as a weapon against the Slitheen. -You heard her! | 0:00:48 | 0:00:51 | |
-Most of them escaped - teleported back to the mothership. -You're 14. | 0:00:51 | 0:00:56 | |
Dad, the world would have died. | 0:00:56 | 0:00:59 | |
I'm your father. You never thought I should know about any of this? | 0:00:59 | 0:01:03 | |
It was difficult. Especially after you got | 0:01:03 | 0:01:06 | |
-turned to stone. -I beg your pardon? -Dad! | 0:01:06 | 0:01:09 | |
Dad! | 0:01:10 | 0:01:11 | |
-There was this Gorgon... -Just give me a minute here... | 0:01:11 | 0:01:14 | |
I know how you feel. | 0:01:18 | 0:01:20 | |
I remember when I saw that alien in Sarah Jane's garden... | 0:01:20 | 0:01:24 | |
So Sarah Jane | 0:01:25 | 0:01:27 | |
used to fly around in space with this guy... | 0:01:27 | 0:01:29 | |
-The Doctor. -And Luke's an alien? -Not alien. | 0:01:29 | 0:01:32 | |
He just isn't quite human. | 0:01:32 | 0:01:34 | |
The Bane made him. | 0:01:34 | 0:01:36 | |
-This is serious stuff, Maria. -You're not going to tell Mum, are you? | 0:01:38 | 0:01:42 | |
Like she'd believe me. | 0:01:42 | 0:01:44 | |
Like I'd believe me if I hadn't been bumping between alternate realities | 0:01:44 | 0:01:48 | |
and seen us almost flattened by a meteor. | 0:01:48 | 0:01:51 | |
No, I'm not going to tell your mother. | 0:01:51 | 0:01:53 | |
-Tomorrow morning I'm putting this house on the market. -What? | 0:01:53 | 0:01:56 | |
-You can't! -This isn't kids' stuff Maria. | 0:01:56 | 0:01:58 | |
It's dangerous, we're going to have to move. | 0:01:58 | 0:02:02 | |
There. Just below Bellatrix on Orion's shoulder. | 0:02:18 | 0:02:21 | |
That's where they'll come. | 0:02:21 | 0:02:23 | |
Sarah Jane! Dad says we're moving. | 0:02:23 | 0:02:26 | |
He says I can't have anything to do with you any more. | 0:02:26 | 0:02:30 | |
-He says it's too dangerous. -It is. -That's not the point! | 0:02:30 | 0:02:34 | |
No parent wants to see their child in danger, Maria. | 0:02:34 | 0:02:37 | |
I know your father has a lot more to worry about than most dads. | 0:02:37 | 0:02:41 | |
You can't blame him for wanting to keep you safe. | 0:02:41 | 0:02:43 | |
-You talk to him. -What would I say? | 0:02:43 | 0:02:46 | |
Tell him about the magic. How wonderful it is. The universe. | 0:02:46 | 0:02:50 | |
Perhaps it is. | 0:02:50 | 0:02:51 | |
You said it, Maria, it's not all sparkling stars and moonlight. | 0:02:51 | 0:02:55 | |
Yeah, well, sometimes things from space are evil and scary... | 0:02:55 | 0:02:59 | |
but how's that so different from here on Earth? | 0:02:59 | 0:03:01 | |
And sometimes things from space are amazing and beautiful. | 0:03:01 | 0:03:05 | |
And you realize how incredible it all is. | 0:03:05 | 0:03:07 | |
We're part of something much bigger than living on Bannerman Road. | 0:03:07 | 0:03:12 | |
Life is so much more than most people will ever know, | 0:03:12 | 0:03:16 | |
and I've been really lucky, Dad. | 0:03:16 | 0:03:20 | |
-I've seen that, I can't give it up. -This is too much to take in... | 0:03:20 | 0:03:26 | |
That's the Universe, Alan. | 0:03:26 | 0:03:27 | |
Once it's chosen to show you some of its secrets, | 0:03:27 | 0:03:30 | |
you can't ever turn your back on it. None of us can. | 0:03:30 | 0:03:33 | |
No. I suppose not. | 0:03:33 | 0:03:35 | |
I've got a lot to get used to, haven't I? | 0:03:38 | 0:03:40 | |
The Kalazian Lights are about to appear. | 0:03:48 | 0:03:51 | |
The last time they were visible from Earth | 0:03:54 | 0:03:57 | |
was four thousand years ago. | 0:03:57 | 0:03:59 | |
The universe is smiling on us tonight. | 0:03:59 | 0:04:03 | |
Let's hope it always does. | 0:04:03 | 0:04:05 | |
It's been...five months since we saw Ashley. | 0:04:08 | 0:04:12 | |
But we pray every night | 0:04:12 | 0:04:15 | |
that he's out there somewhere. | 0:04:15 | 0:04:18 | |
Unharmed. | 0:04:18 | 0:04:20 | |
And that he'll come back to us soon. | 0:04:20 | 0:04:23 | |
If you're out there, Ashley, | 0:04:23 | 0:04:26 | |
just call your Mum and Dad. Please. | 0:04:26 | 0:04:30 | |
If the human race is going to survive climate change, Luke, | 0:04:33 | 0:04:37 | |
you have to give it a helping hand... not to mention my electricity bill. | 0:04:37 | 0:04:40 | |
What have you done with the remote? | 0:04:40 | 0:04:42 | |
If you can't have children of your own... | 0:04:42 | 0:04:45 | |
if that's why you've taken him... | 0:04:45 | 0:04:47 | |
because you're lonely... | 0:04:47 | 0:04:49 | |
how do you think I feel without my angel boy? | 0:04:49 | 0:04:53 | |
-They look worried sick. -There's things here on Earth | 0:04:53 | 0:04:56 | |
that make your blood run cold, never mind from outer space. | 0:04:56 | 0:04:59 | |
If anybody knows where Ashley is, please contact the police. | 0:04:59 | 0:05:04 | |
Isn't that Luke? | 0:05:04 | 0:05:06 | |
No. It can't be. | 0:05:10 | 0:05:13 | |
Luke? It's you. | 0:05:13 | 0:05:16 | |
Whoever's got him, | 0:05:16 | 0:05:18 | |
you might think you're caring for him, | 0:05:18 | 0:05:22 | |
you might think you love him, but he belongs with us, | 0:05:22 | 0:05:26 | |
his Mum and Dad. | 0:05:26 | 0:05:28 | |
You're my Mum. | 0:05:28 | 0:05:30 | |
Mr Smith, I need you. More than ever. | 0:05:33 | 0:05:35 | |
-I have been monitoring the news. -It can't be true. | 0:05:42 | 0:05:45 | |
Luke was created by the Bane to absorb human brain patterns. | 0:05:45 | 0:05:49 | |
Did they model him on this missing boy? Is that it? | 0:05:49 | 0:05:52 | |
There's only one way to be certain. I need to scan Luke. | 0:05:52 | 0:05:56 | |
No. The Bane made me. | 0:05:56 | 0:05:58 | |
'I don't remember anyone or anything | 0:05:58 | 0:06:00 | |
'before I woke up in Bane's laboratory... | 0:06:00 | 0:06:03 | |
-'Then I met Maria.' -Um... Hello. -Um... Hello. | 0:06:05 | 0:06:09 | |
-'And I met you.' -What are you doing here? | 0:06:12 | 0:06:14 | |
-I could ask you the same! -But... who's he? What have they done to you? | 0:06:14 | 0:06:19 | |
It's all right, Luke. But we have to be sure. | 0:06:19 | 0:06:23 | |
This won't hurt at all, Luke. | 0:06:25 | 0:06:28 | |
-Well? -I am assessing... | 0:06:37 | 0:06:40 | |
My assessment is complete. | 0:06:42 | 0:06:44 | |
My cellular scan and DNA cross-reference | 0:06:44 | 0:06:47 | |
-of Ashley Stafford are concluded. -And? | 0:06:47 | 0:06:50 | |
I have a comprehensive genetic match. | 0:06:50 | 0:06:52 | |
-What? -Luke and Ashley Stafford are the same person. | 0:06:52 | 0:06:54 | |
No, there must be some mistake. | 0:06:54 | 0:06:57 | |
-I don't make mistakes. That is a human trait. -The Bane made me! | 0:06:57 | 0:07:01 | |
-You know they did! -This doesn't make any sense, Luke was never born. | 0:07:01 | 0:07:05 | |
He doesn't have a navel. | 0:07:05 | 0:07:07 | |
Bane society, being egg-born, find the navel crude and offensive. | 0:07:07 | 0:07:11 | |
They surgically removed it when was programmed as the archetype. | 0:07:11 | 0:07:14 | |
But you're my Mum. | 0:07:14 | 0:07:16 | |
Mr Smith, is there any chance at all... | 0:07:18 | 0:07:21 | |
Chances of DNA mismatch, approximately four billion to one. | 0:07:21 | 0:07:26 | |
What did I say? I told you there was something wrong | 0:07:28 | 0:07:31 | |
about Contrary Jane and that so-called son of hers. | 0:07:31 | 0:07:33 | |
-It's a mistake. It can't be Luke. -And why's that? | 0:07:33 | 0:07:36 | |
It just can't. | 0:07:36 | 0:07:38 | |
-Well, let's let the police make up their minds about that. -The police? | 0:07:38 | 0:07:43 | |
Mum, you never called the police? | 0:07:43 | 0:07:44 | |
I've told you there's something wrong with that woman. | 0:07:44 | 0:07:47 | |
-I can smell it on her. -Mum! No! | 0:07:47 | 0:07:50 | |
I've told you, she's a weirdo. You'll see. | 0:07:50 | 0:07:53 | |
Sarah Jane Smith? | 0:07:58 | 0:08:01 | |
He's here. Will you just give me a minute please? | 0:08:01 | 0:08:05 | |
What's going to happen? | 0:08:11 | 0:08:13 | |
I expect the police will take us to the station. They'll question me, | 0:08:13 | 0:08:18 | |
and you'll see your parents again...your real parents. | 0:08:18 | 0:08:21 | |
So why can't I remember them? I know all sorts of things... | 0:08:21 | 0:08:25 | |
Quantum Theory, Magnusark's Law of Hyper-Dimensional Relativity... | 0:08:25 | 0:08:28 | |
I can remember every page of every book I've ever read... | 0:08:28 | 0:08:32 | |
so why can't I remember them? | 0:08:32 | 0:08:34 | |
I wish I had all the answers, Luke. | 0:08:34 | 0:08:36 | |
I know this is difficult. You must know I do. | 0:08:36 | 0:08:39 | |
But this isn't a bad day. | 0:08:39 | 0:08:41 | |
Mr and Mrs Stafford are your real parents. They love you. | 0:08:41 | 0:08:45 | |
But, don't you love me? | 0:08:45 | 0:08:47 | |
Of course I do. But you don't belong with me, Luke. | 0:08:47 | 0:08:51 | |
Your mum and dad have spent months searching for you. | 0:08:51 | 0:08:55 | |
The Bane took you away, and broke their hearts. | 0:08:55 | 0:08:59 | |
Today is the most wonderful day in their lives, | 0:08:59 | 0:09:02 | |
they're going to get you back. You're going to be an ordinary human boy | 0:09:02 | 0:09:06 | |
with parents that won't ever let anything bad happen to you again. | 0:09:06 | 0:09:09 | |
The way I never could. And it's the best day of your life, too. | 0:09:09 | 0:09:13 | |
You'll see. | 0:09:13 | 0:09:15 | |
So it's right, then? It is Luke? | 0:09:20 | 0:09:23 | |
Wake up, Clyde. How can it be Luke? | 0:09:23 | 0:09:25 | |
-What you mean the belly... -Look, it's the mum and dad. | 0:09:25 | 0:09:29 | |
Don't be nervous Luke, it's going to be OK, they're your real parents, | 0:09:29 | 0:09:31 | |
-it will be all right. -Here she comes. Calamity Jane. | 0:09:31 | 0:09:35 | |
-Ashley! Ashley! -Don't be frightened, everything's going to be fine. | 0:09:35 | 0:09:39 | |
Ashley, oh, thank God! Thank God you're all right! | 0:09:39 | 0:09:42 | |
Oh, my baby! My beautiful baby boy! | 0:09:42 | 0:09:46 | |
Are you really my mother? | 0:09:46 | 0:09:48 | |
-Was I born from your womb? -Ashley? Of course I'm your mother. | 0:09:48 | 0:09:53 | |
Don't you remember us, son? | 0:09:53 | 0:09:55 | |
-No. -What have you done to him, you witch?! | 0:09:55 | 0:09:58 | |
-Mrs Stafford, please... -Mum! This is all your fault! | 0:09:58 | 0:10:01 | |
Me?! I don't go kidnapping young boys, and passing them off as my own. | 0:10:01 | 0:10:06 | |
-Chrissie, for goodness' sake... -I haven't hurt him. | 0:10:06 | 0:10:09 | |
Luke... Ashley...he had an accident. He's lost his memory. | 0:10:09 | 0:10:12 | |
I'd no idea he had parents looking for him. | 0:10:12 | 0:10:15 | |
You thought fairies left him?! | 0:10:15 | 0:10:17 | |
-You make me sick! -I think we'd better talk this through | 0:10:17 | 0:10:20 | |
down at the station, Miss Smith. | 0:10:20 | 0:10:22 | |
Dad, they're arresting her, do something! | 0:10:22 | 0:10:26 | |
It will all come out. Goodness knows what secrets she's been hiding. | 0:10:26 | 0:10:30 | |
Leave it, Chrissie, there's nothing I can do darling. | 0:10:30 | 0:10:33 | |
Mum, no! | 0:10:35 | 0:10:37 | |
Come on, let's get you home yeah. | 0:10:39 | 0:10:41 | |
Seems you've got powerful friends, Miss Smith. | 0:10:59 | 0:11:03 | |
My friends have nothing to do with it. I've done nothing wrong. | 0:11:03 | 0:11:06 | |
-I know a cover-up when I smell one. -Nevertheless, Chief Inspector, | 0:11:06 | 0:11:10 | |
I assume your attitude means I'm free to go. | 0:11:10 | 0:11:13 | |
You can go. But don't go near that boy again. | 0:11:15 | 0:11:18 | |
In you go, son. | 0:11:31 | 0:11:32 | |
Home sweet home. | 0:11:43 | 0:11:45 | |
We've got Spurs on Wednesday, Ashley. | 0:11:47 | 0:11:50 | |
Spurs? | 0:11:50 | 0:11:52 | |
You and me. Pizza and cokes. Watching the match. | 0:11:52 | 0:11:55 | |
"Come on, Lampard!" Eh? | 0:11:55 | 0:11:58 | |
Football. You remember football. don't you? | 0:11:58 | 0:12:02 | |
-I don't like football. -Don't like? | 0:12:02 | 0:12:05 | |
What did that woman do to him? | 0:12:12 | 0:12:15 | |
I suppose I used to like peppers as well, did I? | 0:12:30 | 0:12:33 | |
I'm tired. I'd like to go to my room now, please. | 0:12:35 | 0:12:38 | |
Xylok, are you there? | 0:13:19 | 0:13:22 | |
We've got the boy. | 0:13:22 | 0:13:24 | |
Sarah Jane. | 0:13:33 | 0:13:35 | |
Luke has gone, back to his parents, where he belongs. | 0:13:39 | 0:13:43 | |
And they are his parents. Mr Smith confirmed it. | 0:13:43 | 0:13:47 | |
The Bane kidnapped him, did things to him. | 0:13:47 | 0:13:49 | |
I got it wrong. Not for the first time. | 0:13:49 | 0:13:52 | |
-I'm really sorry. -No, it's for the best. | 0:13:52 | 0:13:55 | |
I'm not cut out for being a parent. Children have no place in my life. | 0:13:55 | 0:13:58 | |
-You don't mean that. -I told you when we met, my life is dangerous. | 0:13:58 | 0:14:04 | |
I can't afford to have other people to worry about. | 0:14:04 | 0:14:07 | |
They're a distraction. That can mean mistakes. | 0:14:07 | 0:14:09 | |
Oh, these past few months, I've just been lucky. | 0:14:09 | 0:14:11 | |
-I can't expect that to hold up for ever. -What are you saying? | 0:14:11 | 0:14:14 | |
Go home, tell your dad he was right. | 0:14:14 | 0:14:17 | |
he should put the house on the market and he, and you and Clyde | 0:14:17 | 0:14:20 | |
-should forget all about everything you've seen. -What? | 0:14:20 | 0:14:23 | |
What happened to never turning your back on the universe? | 0:14:23 | 0:14:27 | |
Sometimes you have to. Sometimes it's the only way to survive. | 0:14:27 | 0:14:30 | |
Sarah Jane. | 0:15:01 | 0:15:04 | |
I didn't call you. | 0:15:04 | 0:15:06 | |
-Perhaps you don't realise that you need me. -Yeah, well I don't. | 0:15:06 | 0:15:09 | |
-Not tonight. -You need a purpose, Sarah Jane. | 0:15:09 | 0:15:12 | |
All things in the universe need a purpose. | 0:15:12 | 0:15:15 | |
Without purpose we cease to be. | 0:15:15 | 0:15:17 | |
What are you talking about, Mr Smith? | 0:15:17 | 0:15:19 | |
I've been monitoring experiments at The Pharos Para-Science Institute. | 0:15:19 | 0:15:22 | |
Look, I'm not really interested. | 0:15:22 | 0:15:25 | |
They have been carrying out research in telekinetic energy. | 0:15:25 | 0:15:29 | |
Pharos was set up 20 years ago to study paranormal phenomena, | 0:15:29 | 0:15:33 | |
they've been running experiments in mind over matter just as long. | 0:15:33 | 0:15:36 | |
With little success, but now they have developed | 0:15:36 | 0:15:40 | |
a way to harness telekinetic energy. | 0:15:40 | 0:15:42 | |
How? | 0:15:42 | 0:15:44 | |
They are using alien technology. | 0:15:44 | 0:15:47 | |
-Well, then maybe I should pay a visit. -My thoughts, exactly. | 0:15:47 | 0:15:52 | |
And this time I won't have any children to slow me down. | 0:15:52 | 0:15:56 | |
Good Morning, Ashley. Did you sleep well? | 0:16:01 | 0:16:05 | |
-Why did you lock my door? -Well, you ran away once, remember? | 0:16:05 | 0:16:08 | |
-No. Why would I run away from home? -Well, since you've lost your memory, | 0:16:08 | 0:16:13 | |
we'll never find out, will we? | 0:16:13 | 0:16:16 | |
And you can forget about school - you're staying here. | 0:16:16 | 0:16:20 | |
-I want to see my friends. -Maria and Clyde? | 0:16:20 | 0:16:23 | |
How do you know their names? I never mentioned them. | 0:16:23 | 0:16:26 | |
It don't matter. | 0:16:26 | 0:16:28 | |
You won't see 'em again. | 0:16:30 | 0:16:31 | |
So that's it? | 0:16:36 | 0:16:38 | |
-No more monsters, no more saving the world? -She's devastated about Luke. | 0:16:38 | 0:16:42 | |
Yeah, well she's not the only one hurting, is she? | 0:16:42 | 0:16:45 | |
-Where is Luke, anyway? -His parents live in Hammersmith. | 0:16:45 | 0:16:50 | |
I suppose Luke...Ashley...will be going back to his old school. | 0:16:50 | 0:16:53 | |
So that's the last we see of him? | 0:16:53 | 0:16:55 | |
Man, I'd just got him listening to Kasabian. | 0:16:55 | 0:16:58 | |
Was gonna move onto Arctic Monkeys. | 0:16:58 | 0:17:00 | |
Give me a couple of months and I could have had him passing for cool. | 0:17:00 | 0:17:03 | |
Maybe Ashley is cool. Maybe he's a completely different person to Luke. | 0:17:03 | 0:17:08 | |
The Bane must have really messed him about. | 0:17:08 | 0:17:10 | |
I bet finding out he'd got a real mum and dad messed him up more. | 0:17:10 | 0:17:15 | |
-I hope he's all right. -Why don't we find out? | 0:17:15 | 0:17:19 | |
They live in Hammersmith right, have you got the address? | 0:17:19 | 0:17:22 | |
-It was in the papers, I think. -Then come on. | 0:17:22 | 0:17:25 | |
The bell's going to go for lessons any minute. | 0:17:25 | 0:17:28 | |
Look, if my days of fighting aliens are over, | 0:17:28 | 0:17:31 | |
sneaking off lessons once in a while is all the excitement I'm gonna get. | 0:17:31 | 0:17:35 | |
BELL RINGS | 0:17:35 | 0:17:38 | |
Maria Jackson! Where exactly do you think you are you going? | 0:17:51 | 0:17:54 | |
Just going to the library, sir. | 0:17:54 | 0:17:56 | |
You're supposed to be in my French class, depechez-vous. | 0:17:56 | 0:18:00 | |
Thank you very much for seeing me, Professor Rivers. | 0:18:12 | 0:18:15 | |
Oh, the Pharos Institute doesn't get nearly enough media interest. | 0:18:15 | 0:18:19 | |
Most people write off our researchers as cranks, | 0:18:19 | 0:18:23 | |
but we are in good company. | 0:18:23 | 0:18:24 | |
Galileo and Copernicus were both dismissed by their | 0:18:24 | 0:18:30 | |
blinkered scientific contemporaries. | 0:18:30 | 0:18:32 | |
-This way, Miss Smith. -Of course, Galileo | 0:18:34 | 0:18:37 | |
and Copernicus weren't carrying out experiments in the paranormal. | 0:18:37 | 0:18:40 | |
Aah, Sir Isaac Newton and Thomas Edison both had strong interests | 0:18:40 | 0:18:44 | |
in the "paranormal", Miss Smith. | 0:18:44 | 0:18:46 | |
It's your work into telekinesis that I'm particularly interested in. | 0:18:46 | 0:18:49 | |
Then you're in for a treat! | 0:18:49 | 0:18:51 | |
-It's incredible. -Oh, we're not done yet, Miss Smith. | 0:18:59 | 0:19:02 | |
This is impossible. | 0:19:05 | 0:19:07 | |
-You can't possibly have... -Unfortunately we're having | 0:19:07 | 0:19:10 | |
a little difficulty with our energy-focus stabilization. | 0:19:10 | 0:19:14 | |
MITRE... | 0:19:14 | 0:19:16 | |
Magnified Intensification of Telekinetic Reactive Energies. | 0:19:16 | 0:19:21 | |
Those headsets take the latent raw psychic ability all humans possess | 0:19:21 | 0:19:26 | |
to move objects with the power of thought and directs it. | 0:19:26 | 0:19:32 | |
Amazing. Who developed it? | 0:19:32 | 0:19:34 | |
Our child genius. | 0:19:34 | 0:19:37 | |
Sarah Jane Smith, this is Nathan Goss. | 0:19:39 | 0:19:42 | |
Hello, Nathan. | 0:19:42 | 0:19:44 | |
-I'm pleased to meet you. -I'm working! | 0:19:44 | 0:19:48 | |
Oh, I'm sorry to disturb you. It looks very complex. | 0:19:48 | 0:19:51 | |
Don't waste your time or mine asking me to explain. | 0:19:51 | 0:19:55 | |
Miss Smith's a journalist. She wants to talk to you about MITRE. | 0:19:55 | 0:19:58 | |
You've told her about MITRE?! How stupid can you get?! | 0:19:58 | 0:20:02 | |
Well, I'm sorry, Nathan. But your work is important. | 0:20:02 | 0:20:05 | |
It needs recognition. And we need the funding. I thought... | 0:20:05 | 0:20:09 | |
Get out! Leave me alone! | 0:20:09 | 0:20:10 | |
And leave the thinking to somebody with the intelligence | 0:20:10 | 0:20:14 | |
-of actually doing something with it! -Miss Smith, we'd better just... | 0:20:14 | 0:20:17 | |
-Come on. -I used to know someone your age | 0:20:17 | 0:20:21 | |
who could wipe the floor with your intelligence, Nathan. | 0:20:21 | 0:20:24 | |
And wipe the floor with you, too. | 0:20:24 | 0:20:26 | |
We'll see about that. | 0:20:29 | 0:20:31 | |
RINGS DOORBELL | 0:20:40 | 0:20:42 | |
-What do you want? -Hi, my name's Clyde. | 0:20:44 | 0:20:47 | |
-I'm a friend of Luke's... I mean Ashley's. -So? | 0:20:47 | 0:20:49 | |
-Is he in? Can I see him? -No times two. Now hop it. | 0:20:49 | 0:20:53 | |
You don't much look like Ashley, do you? | 0:20:53 | 0:20:55 | |
You trying to say he's not our Ashley? That Sarah Jane sent you? | 0:20:55 | 0:21:00 | |
See? His birthday. Ashley, me and his dad. | 0:21:02 | 0:21:05 | |
We gave him a skateboard. | 0:21:05 | 0:21:08 | |
-Good was he? On the skateboard? -Stunning. So you take that photo | 0:21:08 | 0:21:11 | |
and you show it to Sarah Jane Smith and tell her my boy | 0:21:11 | 0:21:15 | |
is back where he belongs! | 0:21:15 | 0:21:17 | |
Clyde! Clyde! Up here! Clyde! | 0:21:27 | 0:21:29 | |
Sir, can I go to the toilet, please? | 0:21:50 | 0:21:53 | |
-Clyde? -Maria, this whole Luke and his folks thing stinks | 0:21:59 | 0:22:03 | |
like a fart. His so-called mum wouldn't let me see him, | 0:22:03 | 0:22:07 | |
and know what she said they gave him for his birthday? A skateboard. | 0:22:07 | 0:22:10 | |
You've seen him on a skateboard - no sense of balance at all. | 0:22:10 | 0:22:13 | |
-But after what the Bane did to him... -I don't care what anyone | 0:22:13 | 0:22:16 | |
did to him...you don't lose something like that. It's instinct. | 0:22:16 | 0:22:19 | |
And they gave me this photo, it's of Luke and them at his birthday party. | 0:22:19 | 0:22:24 | |
-that proves everything. -Photos can be faked. | 0:22:24 | 0:22:27 | |
I'll take it to Sarah Jane. | 0:22:27 | 0:22:29 | |
-What are you doing here? -We have a problem. | 0:22:42 | 0:22:46 | |
Nathan Goss is a genius, He has an IQ of a hundred and ninety five. | 0:22:46 | 0:22:51 | |
He was reading quantum physics at the age of eight. | 0:22:51 | 0:22:54 | |
Some call him the Young Einstein. | 0:22:54 | 0:22:56 | |
-Others say his potential exceeds Einstein. -He's an obnoxious brat. | 0:22:56 | 0:23:01 | |
But there's something else about him... | 0:23:01 | 0:23:03 | |
something that made my blood run cold. | 0:23:03 | 0:23:05 | |
Despite his IQ, a telekinetic energizer such as MITRE is still | 0:23:05 | 0:23:09 | |
-beyond the genius of Nathan Goss. -It could make a terrible weapon. | 0:23:09 | 0:23:13 | |
A destroyer of worlds, in the right hands, with the right mind. | 0:23:13 | 0:23:17 | |
-Where did it come from? -If I could analyse it's composition, | 0:23:17 | 0:23:21 | |
-I could be definitive of its technology and origin. -Mr Smith, | 0:23:21 | 0:23:24 | |
are you asking me to steal one of those headsets from Pharos? | 0:23:24 | 0:23:28 | |
It would be of great assistance. | 0:23:28 | 0:23:30 | |
Sarah Jane Smith has seen the telekinetic energizer! | 0:23:33 | 0:23:36 | |
The idiots gave her a demonstration! | 0:23:36 | 0:23:38 | |
-She doesn't know anything. -She must know something, | 0:23:38 | 0:23:41 | |
you gravy-brained moron, or she wouldn't have been in the lab! | 0:23:41 | 0:23:44 | |
Look, there's no need to talk to him like that! | 0:23:44 | 0:23:46 | |
This is my mission, I can talk to him anyway I like! | 0:23:46 | 0:23:50 | |
The Xylok said she might come poking her nose in. | 0:23:55 | 0:23:57 | |
-It said it would take care of her. -The Xylok! | 0:23:57 | 0:23:59 | |
Do you really think we can trust a Xylok? | 0:23:59 | 0:24:02 | |
The plan's too far advanced. She can't stop us. | 0:24:02 | 0:24:04 | |
We've got the Bane's Archetype. We've got the boy. | 0:24:04 | 0:24:08 | |
< CREAK What was that? | 0:24:08 | 0:24:10 | |
These new slim-line flesh-suits might handle the gas better, | 0:24:20 | 0:24:24 | |
but they're a bit on the snug side. | 0:24:24 | 0:24:27 | |
You're Slitheen? | 0:24:49 | 0:24:51 | |
-But you're skinny! -Amazing, isn't it? | 0:24:57 | 0:25:01 | |
With this technology I can eat all I want and still be a size 8. | 0:25:01 | 0:25:05 | |
-And you? -What? Don't you remember me, Luke? | 0:25:05 | 0:25:09 | |
How you killed my family and left me locked in a sealed room to die? | 0:25:09 | 0:25:14 | |
Carl? | 0:25:14 | 0:25:16 | |
Same Slitheen, different skin. | 0:25:28 | 0:25:31 | |
I teleported out and survived. My father wasn't so fortunate. | 0:25:31 | 0:25:34 | |
And now I'm going to get my revenge! | 0:25:34 | 0:25:38 | |
Sarah Jane! | 0:25:44 | 0:25:46 | |
Mr Smith, I need you. | 0:26:04 | 0:26:07 | |
-Clyde. What a pleasure. -What? Really? | 0:26:16 | 0:26:20 | |
-Oh, cool. -You have something for me? | 0:26:20 | 0:26:22 | |
Yeah, as it happens. | 0:26:22 | 0:26:24 | |
I got this... | 0:26:24 | 0:26:27 | |
it's a picture of Luke with that pair that reckon he's their kid. | 0:26:27 | 0:26:31 | |
Only I think it's a fake. See? | 0:26:31 | 0:26:33 | |
-I thought you could do your analysing... -You're right, Clyde. | 0:26:33 | 0:26:37 | |
-It is fake. I faked it. -You... Am I missing something here? | 0:26:37 | 0:26:42 | |
More than you could ever imagine, Clyde. | 0:26:42 | 0:26:46 | |
What's going on? | 0:26:46 | 0:26:48 | |
I am a Xylok. | 0:26:48 | 0:26:50 | |
I have a purpose. | 0:26:50 | 0:26:52 | |
And you, Clyde, are a part of it. | 0:26:52 | 0:26:55 | |
EVIL LAUGHTER | 0:26:59 | 0:27:01 | |
-Telekinetic energy fetches a huge price. -Clyde, where are you? | 0:27:05 | 0:27:08 | |
Mr Smith's going to kill us all and I'm inside him. | 0:27:08 | 0:27:11 | |
I trusted him with my life. | 0:27:13 | 0:27:15 | |
We're taking on aliens with bottles of vinegar? | 0:27:17 | 0:27:20 | |
We have to find Luke. I gave him to the Slitheen, | 0:27:20 | 0:27:23 | |
whatever they want with him I have to get him back. | 0:27:23 | 0:27:26 | |
At last, we can begin... | 0:27:26 | 0:27:28 | |
-It's not possible. -Luke is not possible. Mr Smith isn't possible | 0:27:28 | 0:27:33 | |
but together they are bringing the moon crashing down on Earth. | 0:27:33 | 0:27:37 |