Browse content similar to Part 1. Check below for episodes and series from the same categories and more!
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13 Bannerman Road is where Sarah Jane Smith lives. | 0:00:00 | 0:00:03 | |
And it's home to things way beyond your imagination. | 0:00:03 | 0:00:06 | |
There's an extra-terrestrial super computer in the wall. | 0:00:06 | 0:00:10 | |
A genetically engineered boy genius in the attic. | 0:00:10 | 0:00:13 | |
A schoolgirl investigator across the road. | 0:00:13 | 0:00:17 | |
And a whole universe of adventure right here on the doorstep. | 0:00:17 | 0:00:21 | |
-Ready? -Always. | 0:00:25 | 0:00:28 | |
No-one really knows just when Ashen Hill Manor was first built. | 0:00:33 | 0:00:38 | |
But, through history, there has always been a house here. | 0:00:38 | 0:00:42 | |
And, so they say, just as long as there's been stone and oak, | 0:00:42 | 0:00:46 | |
there has always been evil. | 0:00:46 | 0:00:49 | |
They say it was the reputation of the house | 0:00:53 | 0:00:56 | |
that attracted the magician Erasmus Darkening. | 0:00:56 | 0:00:59 | |
He entered the service of the young lord of the manor, the widower, | 0:01:06 | 0:01:10 | |
Lord Marchwood. | 0:01:10 | 0:01:12 | |
Darkening promised that in return for his protection, | 0:01:12 | 0:01:15 | |
he would replenish the family's fortunes with the secret of making gold from base metal. | 0:01:15 | 0:01:21 | |
But after two years working in a secret chamber far beneath the house | 0:01:21 | 0:01:27 | |
Darkening's alchemy had failed to bear one ounce of gold. | 0:01:27 | 0:01:32 | |
And the people on Marchwood's land were uneasy. | 0:01:36 | 0:01:39 | |
There were stories of how Darkening came among them at night. | 0:01:39 | 0:01:42 | |
Of how he took away people that never returned | 0:01:42 | 0:01:47 | |
and that he was not human. | 0:01:47 | 0:01:49 | |
Elizabeth? | 0:01:57 | 0:01:59 | |
Joseph? | 0:01:59 | 0:02:02 | |
Elizabeth?! Joseph?! | 0:02:07 | 0:02:10 | |
My children, where are you?! | 0:02:10 | 0:02:12 | |
No matter how long, no matter how hard their father searched for them, | 0:02:18 | 0:02:22 | |
they were never ever seen again. | 0:02:22 | 0:02:25 | |
My children! | 0:02:35 | 0:02:37 | |
My children! | 0:02:37 | 0:02:38 | |
And they say he searches still. | 0:02:41 | 0:02:45 | |
It's a good story, Professor, but I don't believe in ghosts. | 0:02:45 | 0:02:48 | |
Of course you don't. And neither do I. But Ashen Hill Manor | 0:02:48 | 0:02:52 | |
is reputedly one of the most haunted locations in the UK. | 0:02:52 | 0:02:56 | |
So let me get this right, if you don't believe in | 0:03:04 | 0:03:07 | |
ghosts, Sarah Jane, and you don't believe in ghosts, Professor, then... | 0:03:07 | 0:03:10 | |
-What are we doing here? -To see if we're right. | 0:03:10 | 0:03:13 | |
To find out scientifically one way or the other. | 0:03:13 | 0:03:16 | |
In that case, I'm delighted you invited me along to cover the story. | 0:03:16 | 0:03:20 | |
We're set up through here. | 0:03:20 | 0:03:22 | |
Are you are sure about this? I mean... | 0:03:22 | 0:03:24 | |
-there's are no such things as ghosts, is there? -Clyde, I don't believe you. | 0:03:24 | 0:03:29 | |
After all the things we've seen, you're scared of ghosts! | 0:03:29 | 0:03:32 | |
Who said anything about scared? | 0:03:32 | 0:03:34 | |
Did I mention "scared"? I don't think so. | 0:03:34 | 0:03:38 | |
Don't worry. I'm sure. | 0:03:38 | 0:03:39 | |
Whatever people may think they've seen at Ashen Hill Manor, | 0:03:39 | 0:03:43 | |
it has more to do with imagination than the supernatural. | 0:03:43 | 0:03:45 | |
Introductions - Sarah Jane Smith, journalist. My assistant from the | 0:04:13 | 0:04:18 | |
-Pharos Institute, Toby Silverman. -Hello, Toby. | 0:04:18 | 0:04:22 | |
This is Rani and Clyde. | 0:04:22 | 0:04:24 | |
-Sort of Sarah Jane's apprentice. -And I'm carrying the sandwiches. | 0:04:24 | 0:04:29 | |
-So are you the technical genius? -I don't know about that. | 0:04:29 | 0:04:34 | |
I'm just interested in the quantifiable effects of meta-normal | 0:04:34 | 0:04:36 | |
energies on the established phenomena. | 0:04:36 | 0:04:39 | |
We should've brought Luke. | 0:04:39 | 0:04:41 | |
Only he said that people who believed in ghosts | 0:04:41 | 0:04:44 | |
were still living in the Dark Ages. | 0:04:44 | 0:04:46 | |
Or something like that. | 0:04:48 | 0:04:49 | |
Luke is my son. | 0:04:49 | 0:04:52 | |
Toby is the son of Professor Sir Rupert Silverman. | 0:04:52 | 0:04:56 | |
The physicist? What does your father think of his son dabbling in the paranormal? | 0:04:56 | 0:05:00 | |
I ought to get on with putting my monitoring equipment together. | 0:05:00 | 0:05:03 | |
Yes, of course. | 0:05:03 | 0:05:05 | |
This house has a long history of psychic activity. | 0:05:05 | 0:05:10 | |
Then there are the disappearances. | 0:05:10 | 0:05:13 | |
Disappearances? Nobody said anything about any disappearances. | 0:05:13 | 0:05:17 | |
No, they didn't. | 0:05:17 | 0:05:19 | |
-There's something else, isn't there? -The Scrivens family, | 0:05:19 | 0:05:22 | |
who legally still own the house, a mother, a father and two children, | 0:05:22 | 0:05:27 | |
vanished one night 20 years ago. | 0:05:27 | 0:05:29 | |
The keys were found still in the doors. | 0:05:29 | 0:05:32 | |
Locked from the inside. | 0:05:32 | 0:05:35 | |
Toby! What on earth are you doing? | 0:05:35 | 0:05:38 | |
My screwdriver. I just put it down there and it's gone, it's vanished. | 0:05:38 | 0:05:43 | |
-What's that? -EMF meter. Paranormal | 0:05:45 | 0:05:48 | |
activity causes a fluctuation in the electro-magnetic field. | 0:05:48 | 0:05:53 | |
Save your batteries, Professor. | 0:05:53 | 0:05:55 | |
The only ghost at work here is the spirit of Sir Isaac Newton. | 0:05:55 | 0:06:00 | |
Gravity. It fell and rolled away. | 0:06:00 | 0:06:03 | |
Come on. Let's have a look around. | 0:06:05 | 0:06:07 | |
At least we know Lord Marchwood was real. | 0:06:17 | 0:06:19 | |
I've no doubt he was. | 0:06:19 | 0:06:21 | |
And his children probably disappeared, too. Perhaps | 0:06:21 | 0:06:24 | |
Lord Marchwood did spend the rest of his life looking for his children. | 0:06:24 | 0:06:27 | |
But the afterlife? I doubt it. | 0:06:27 | 0:06:31 | |
Ah, it's so sad how this house has fallen into disrepair. | 0:06:31 | 0:06:34 | |
It must have been quite wonderful. | 0:06:34 | 0:06:37 | |
Professor Rivers couldn't have picked | 0:06:37 | 0:06:39 | |
a creepier place for a ghost hunt. | 0:06:39 | 0:06:41 | |
It's felt like someone's been watching me since we got here. | 0:06:41 | 0:06:43 | |
It's psychological, you know this place is | 0:06:43 | 0:06:45 | |
supposed to be haunted and your imagination starts to work overtime. | 0:06:45 | 0:06:50 | |
No wonder Luke wanted to stay at home. | 0:06:50 | 0:06:52 | |
I could get bored of jumping at my own shadow pretty fast. | 0:06:52 | 0:06:57 | |
What about the disappearances? | 0:06:57 | 0:06:59 | |
An entire family vanishes into thin air. | 0:06:59 | 0:07:01 | |
Whether or not you believe in ghosts, that's just sinister. | 0:07:01 | 0:07:04 | |
I've seen so many strange things in my life, wonderful and frightening, | 0:07:04 | 0:07:08 | |
yet all of it had a scientific explanation of some kind. | 0:07:08 | 0:07:11 | |
The trouble with ghosts is that there simply isn't any | 0:07:11 | 0:07:14 | |
scientific basis for them to exist. | 0:07:14 | 0:07:17 | |
BELL TOLLS | 0:07:17 | 0:07:19 | |
What's that? Dinner time? | 0:07:19 | 0:07:22 | |
I didn't see any bell tower. | 0:07:22 | 0:07:23 | |
That's because there isn't one. | 0:07:23 | 0:07:26 | |
BELL CONTINUES RINGING | 0:07:26 | 0:07:29 | |
Miss Smith? | 0:07:38 | 0:07:40 | |
Didn't you hear it? The bell. The church bell. | 0:07:40 | 0:07:43 | |
What bell? | 0:07:43 | 0:07:45 | |
There's no bell tower, | 0:07:50 | 0:07:52 | |
there's nothing. | 0:07:52 | 0:07:54 | |
But why did we hear something like Quasimodo on a joy ride | 0:07:54 | 0:07:57 | |
and Professor Rivers and Toby heard nothing? | 0:07:57 | 0:07:59 | |
It doesn't make sense. | 0:07:59 | 0:08:01 | |
I'm telling you, I don't care whether Sarah Jane believes in ghosts or not, | 0:08:01 | 0:08:05 | |
there's something seriously freaky about that place. GROWLING | 0:08:05 | 0:08:09 | |
Let's check up here. | 0:08:14 | 0:08:15 | |
"The History Of Ashen Hill Manor." | 0:08:29 | 0:08:31 | |
Perfect. | 0:08:31 | 0:08:32 | |
Look at this place, it's beautiful. | 0:08:57 | 0:09:00 | |
Yeah, I bet Castle Dracula looked OK on a sunny day too. | 0:09:03 | 0:09:06 | |
Look. | 0:09:06 | 0:09:08 | |
Doesn't look like it's been used years. | 0:09:21 | 0:09:24 | |
Well, that would be because everyone just disappears. | 0:09:24 | 0:09:28 | |
Are you scared? | 0:09:28 | 0:09:30 | |
Clyde Langer, scared? | 0:09:30 | 0:09:32 | |
I've taken on just about every creep in the universe right. | 0:09:32 | 0:09:35 | |
-I ain't afraid of no ghost. -Good. Come on, then. | 0:09:35 | 0:09:38 | |
Oh, it smells like cucumber farts in here. | 0:09:45 | 0:09:48 | |
It's just old and damp. | 0:09:48 | 0:09:50 | |
It must have been wonderful here years ago. | 0:09:50 | 0:09:52 | |
A picnic by the fountain. Taking the boat out on the lake. | 0:09:52 | 0:09:55 | |
If you like to paddle. | 0:09:57 | 0:09:59 | |
WATER RUNS | 0:10:01 | 0:10:04 | |
Who turned that on? | 0:10:10 | 0:10:12 | |
-CHILDREN'S LAUGHTER -Who's there? | 0:10:13 | 0:10:16 | |
Is there someone out here messing with us? | 0:10:17 | 0:10:19 | |
Cos we're not falling for it, OK? DOOR OPENS | 0:10:19 | 0:10:23 | |
-I'm not hearing this. -WALTZ MUSIC | 0:10:24 | 0:10:26 | |
You don't believe that? Wait till you see this. | 0:10:26 | 0:10:29 | |
Wet footprints? | 0:10:33 | 0:10:34 | |
RADIO BROADCAST CRACKLES | 0:10:34 | 0:10:37 | |
CHILD SOBS | 0:10:42 | 0:10:46 | |
Hello? | 0:10:46 | 0:10:47 | |
What are you doing? | 0:10:49 | 0:10:51 | |
If it's a ghost, it can't hurt us. It's already dead. | 0:10:51 | 0:10:54 | |
Besides, listen to her. | 0:10:54 | 0:10:55 | |
CHILD'S SOBS CONTINUE | 0:10:55 | 0:10:58 | |
Hello? | 0:11:07 | 0:11:10 | |
Are we feeling freaked yet? | 0:11:18 | 0:11:19 | |
What's wrong? | 0:11:25 | 0:11:27 | |
I think what you experienced was a stone tape manifestation. | 0:11:28 | 0:11:32 | |
Some of us are a bit new to this kind of thing, you might need to explain. | 0:11:32 | 0:11:36 | |
It's the theory that events can be recorded | 0:11:36 | 0:11:39 | |
on physical matter, normally stone, | 0:11:39 | 0:11:40 | |
and then, under certain circumstances, they get played back. | 0:11:40 | 0:11:44 | |
It's the most convincing explanation for most so-called hauntings. | 0:11:44 | 0:11:48 | |
The house is built on a giant slab of granite bedrock, which research | 0:11:48 | 0:11:52 | |
suggests is a great conductor of these psychic recordings. | 0:11:52 | 0:11:56 | |
There are stories about the Grey Lady that walks the castle rampart, | 0:11:56 | 0:12:00 | |
or sometimes a legion of Roman centurions marching along a road. | 0:12:00 | 0:12:04 | |
Only people only ever see them from the knee up. | 0:12:04 | 0:12:06 | |
Because the Roman Roads were lower? | 0:12:06 | 0:12:09 | |
Exactly. | 0:12:09 | 0:12:11 | |
I heard about this castle where some lord was murdered | 0:12:11 | 0:12:14 | |
by his jealous brother. He lopped of his head and every Hallowe'en, | 0:12:14 | 0:12:18 | |
it rolls down the castle steps. | 0:12:18 | 0:12:19 | |
The man in the mirror, he didn't look like any sort of recording. | 0:12:19 | 0:12:23 | |
If it was a disembodied spirit, | 0:12:23 | 0:12:25 | |
let's hope he shows up again tonight. | 0:12:25 | 0:12:28 | |
It's after eight and it's gone dark. It's time to begin the experiment. | 0:12:28 | 0:12:32 | |
If I could have everybody's mobile phones, please. | 0:12:32 | 0:12:35 | |
-What for? -Mobiles can interfere with our equipment. | 0:12:35 | 0:12:38 | |
We can keep in touch throughout the house with walkie-talkies. | 0:12:38 | 0:12:41 | |
I'd like to speak to Luke first. And Clyde and Rani should | 0:12:41 | 0:12:44 | |
-call their parents. -Of course. | 0:12:44 | 0:12:46 | |
We'll be in the control hub running final checks. Toby. | 0:12:46 | 0:12:50 | |
Hi, Mum. Everything's cool. | 0:12:54 | 0:12:55 | |
Just bedding down for the night in the old haunted house. | 0:12:55 | 0:12:58 | |
I haven't seen any ghosts yet but I reckon they're on a skeleton staff. | 0:12:58 | 0:13:04 | |
And yes, we've had dinner, we had ghoul-lash. | 0:13:04 | 0:13:07 | |
The EMF network? | 0:13:09 | 0:13:11 | |
All meters through the house operating and on-line. | 0:13:11 | 0:13:14 | |
-Thermostats? -Operating and on-line. | 0:13:14 | 0:13:16 | |
Video cameras? | 0:13:16 | 0:13:18 | |
Toby? | 0:13:19 | 0:13:21 | |
Sorry. For a moment... | 0:13:27 | 0:13:28 | |
I thought I saw... | 0:13:28 | 0:13:30 | |
You saw what? | 0:13:30 | 0:13:32 | |
-Oh, nothing. All cams are fine. -Good. | 0:13:34 | 0:13:38 | |
Oh, no. | 0:13:40 | 0:13:42 | |
Hang on, nursery cam's on the blink. | 0:13:42 | 0:13:45 | |
Mm-hm, I'll go and check it. | 0:13:45 | 0:13:48 | |
Apparently Luke's been driving Dad round the bend all afternoon. | 0:13:56 | 0:13:59 | |
What? Luke's your dad's star pupil. | 0:13:59 | 0:14:01 | |
He's probably just secretly planning your wedding. | 0:14:01 | 0:14:04 | |
Ugh. Not any more. Dad taught him to play chess today. | 0:14:04 | 0:14:06 | |
And Luke beat him six times before he went home. | 0:14:06 | 0:14:09 | |
Oh, I bet he had your father in pieces. | 0:14:09 | 0:14:11 | |
I closed this book. I know I did. | 0:14:11 | 0:14:14 | |
Is there a draught in here? | 0:14:15 | 0:14:17 | |
Someone tell me the window is open. | 0:14:17 | 0:14:19 | |
-Please. -It isn't. | 0:14:19 | 0:14:21 | |
Must be a draught coming down the chimney. | 0:14:21 | 0:14:23 | |
That's him! That's the man from the pavilion. | 0:14:23 | 0:14:26 | |
-That's Erasmus Darkening. -The magician? | 0:14:26 | 0:14:28 | |
I bet he made a mean balloon giraffe at kids' parties. | 0:14:31 | 0:14:34 | |
That's better, Professor. | 0:14:57 | 0:14:59 | |
-Oh. The camera doesn't do you any favours. -I heard that. | 0:15:00 | 0:15:05 | |
Where is the Professor? | 0:15:05 | 0:15:07 | |
Something seriously freaky just happened. | 0:15:07 | 0:15:09 | |
Which I'm sure has a rational explanation. | 0:15:09 | 0:15:11 | |
She's in the nursery. Won't be long. | 0:15:11 | 0:15:13 | |
-Happy with the positioning, Toby? -Right on target. | 0:15:13 | 0:15:17 | |
Miss Smith wants to talk to you. | 0:15:17 | 0:15:19 | |
I'll be down in a minute. | 0:15:19 | 0:15:21 | |
MOBILE PLAYS LULLABY | 0:15:26 | 0:15:29 | |
I refuse to believe that book was opened by any ghost, | 0:15:38 | 0:15:41 | |
and certainly not the ghost of a supposedly evil magician from the 17th century. | 0:15:41 | 0:15:45 | |
Well, something opened it, Sarah Jane. | 0:15:45 | 0:15:47 | |
And there wasn't any breeze, we'd have felt it. | 0:15:47 | 0:15:49 | |
That was definitely the man in the pavilion. | 0:15:49 | 0:15:51 | |
Oh! Wow! Look at that! | 0:15:53 | 0:15:55 | |
-What is it? -EMF readings throughout the house are spiking. | 0:15:56 | 0:16:01 | |
Something's happening. | 0:16:01 | 0:16:02 | |
SHE SCREAMS | 0:16:09 | 0:16:11 | |
-What happened? -Where did she go? | 0:16:15 | 0:16:18 | |
She's vanished. | 0:16:18 | 0:16:20 | |
Come on! Better check the landing. | 0:16:20 | 0:16:22 | |
Professor Rivers didn't strike me as the kind that plays hide and seek. | 0:16:44 | 0:16:49 | |
'Hello? Hello? | 0:16:49 | 0:16:51 | |
'Is anybody there?' | 0:16:51 | 0:16:54 | |
Professor? Where are you? | 0:16:54 | 0:16:57 | |
You had us all worried for a second. | 0:16:57 | 0:16:59 | |
'Hello? Where am I? | 0:16:59 | 0:17:02 | |
'Is anybody there? Can anybody help me?' | 0:17:02 | 0:17:05 | |
-Professor! Celeste! -Wherever Professor Rivers has gone, she can't hear you. | 0:17:07 | 0:17:12 | |
-But where is she? -I don't know. But these readings are like | 0:17:12 | 0:17:14 | |
-nothing I've ever seen before. -What is that? | 0:17:14 | 0:17:17 | |
It's like your EMF meter only more useful. | 0:17:17 | 0:17:20 | |
LULLABY PLAYS | 0:17:20 | 0:17:22 | |
Who set that off? | 0:17:25 | 0:17:26 | |
Poltergeist activity. | 0:17:26 | 0:17:28 | |
This room is famous for it. | 0:17:30 | 0:17:33 | |
Or perhaps just a freak mechanical fault. | 0:17:33 | 0:17:36 | |
I just got head-butted by a rocking horse! | 0:17:39 | 0:17:41 | |
-No, you must've knocked it. -I didn't! I know I didn't! | 0:17:43 | 0:17:47 | |
The electro-magnetic signature is increasing by five milli-Gauss... | 0:17:49 | 0:17:55 | |
eight...ten. | 0:17:55 | 0:17:57 | |
This is astonishing! | 0:17:57 | 0:17:59 | |
No, this is freaky! | 0:18:06 | 0:18:09 | |
These readings are going crazy. | 0:18:11 | 0:18:13 | |
(CHILD'S VOICE) # Ring a-ring o' roses, a pocketful of posies... # | 0:18:13 | 0:18:18 | |
-We have to get out of here. -# A-tissue! A-tissue... # -This is amazing! | 0:18:18 | 0:18:21 | |
Look! | 0:18:21 | 0:18:22 | |
Come on, now! | 0:18:25 | 0:18:26 | |
-It's locked! -It can't be. -The energy in here is building! | 0:18:29 | 0:18:31 | |
I don't want to be in here when it peaks. | 0:18:31 | 0:18:33 | |
-# A pocketful of rosies... # -Come on! -# A-tissue... | 0:18:33 | 0:18:37 | |
# We all fall down! # | 0:18:37 | 0:18:39 | |
Still say there's no such thing as the paranormal then? | 0:18:44 | 0:18:46 | |
I only wish the Professor were here to see it... And my father. | 0:18:46 | 0:18:49 | |
Your watch. Did it pick up something alien? | 0:18:49 | 0:18:51 | |
-The readings were confused. -Alien? | 0:18:51 | 0:18:53 | |
Now, that's more like it. | 0:18:53 | 0:18:55 | |
-Aliens, I can handle. -We have to track down the source of whatever | 0:18:55 | 0:18:58 | |
is happening here, we have to stop it and get Professor Rivers back. | 0:18:58 | 0:19:01 | |
-And how do we do that? -We do what we always do. | 0:19:01 | 0:19:04 | |
We look for clues. | 0:19:04 | 0:19:07 | |
My readings are different now. Still energy signatures that I don't | 0:19:07 | 0:19:10 | |
recognise...neither human nor alien, but less intense, almost dormant. | 0:19:10 | 0:19:15 | |
The EMF readings have gone back to normal as well. | 0:19:15 | 0:19:18 | |
Those readings in the nursery were completely unnatural. | 0:19:18 | 0:19:21 | |
Unnatural, but not supernatural. | 0:19:21 | 0:19:22 | |
There's an energy source in this house. | 0:19:22 | 0:19:25 | |
If we can locate that, we'll be on our way to finding the Professor. | 0:19:25 | 0:19:28 | |
-So we split up yeah? -Oh, I don't think so, Rani. | 0:19:28 | 0:19:31 | |
Professor Rivers managed to disappear in the blink of an eye. | 0:19:31 | 0:19:34 | |
-The same thing may have been happening here for centuries. -Yeah. | 0:19:34 | 0:19:37 | |
But it's a big house, and we don't know how much time we might have. | 0:19:37 | 0:19:41 | |
All right, but don't take any unnecessary risks. | 0:19:41 | 0:19:44 | |
Hey, there's nothing to worry about, | 0:19:44 | 0:19:46 | |
-we all know Luke is the loose cannon in the gang. -I'll check through the house. | 0:19:46 | 0:19:50 | |
Yes, have a look around, but be careful. | 0:19:50 | 0:19:53 | |
OK. The study. | 0:20:01 | 0:20:03 | |
Always a good place for clues. | 0:20:03 | 0:20:05 | |
This place doesn't look like it's been touched since the last people disappeared. | 0:20:05 | 0:20:08 | |
Yeah. Just be careful. Around here I wouldn't be surprised if there really | 0:20:08 | 0:20:13 | |
was a skeleton in the cupboard. | 0:20:13 | 0:20:15 | |
Oh, jumping at shadows, now. | 0:20:26 | 0:20:28 | |
CHILD'S VOICE: Please, you must leave here. | 0:20:30 | 0:20:33 | |
You're Lord Marchwood's children. But you can't be. | 0:20:37 | 0:20:39 | |
-We want our father. -Your father? | 0:20:39 | 0:20:43 | |
-He keeps us from him. -Who does? -You must leave the house | 0:20:43 | 0:20:46 | |
before he comes for you, all of you. | 0:20:46 | 0:20:48 | |
Who? Who will come? Was it you that opened the book? | 0:20:48 | 0:20:52 | |
Were you trying to warn us about Erasmus Darkening? | 0:20:52 | 0:20:55 | |
He will take you all, you will never leave. | 0:20:55 | 0:20:58 | |
Don't go. I want to help you! | 0:21:05 | 0:21:07 | |
FAINT GROWLING | 0:21:12 | 0:21:14 | |
Clyde, look at this. Someone was | 0:21:20 | 0:21:21 | |
researching the house and the people that disappeared. | 0:21:21 | 0:21:24 | |
It didn't do them much good, did it? They still all disappeared. | 0:21:24 | 0:21:27 | |
Look, this list goes all the way back to 1655, | 0:21:27 | 0:21:30 | |
Lord Marchwood and his children. | 0:21:30 | 0:21:32 | |
And your friend Erasmus Darkening. | 0:21:32 | 0:21:35 | |
I am unable to find any historical records of Erasmus Darkening. | 0:21:38 | 0:21:42 | |
But Marchwood's household accounts prove he existed. | 0:21:42 | 0:21:45 | |
Stories that Darkening was responsible for disappearances | 0:21:45 | 0:21:49 | |
from local villages are impossible to substantiate. | 0:21:49 | 0:21:52 | |
Perhaps the answer lies in the secret passage. | 0:21:52 | 0:21:56 | |
-Did you say secret passage? -Mm-hm. | 0:21:56 | 0:21:59 | |
As in whoever wrote that went looking down it and maybe never came back. | 0:21:59 | 0:22:03 | |
We should show this to Sarah Jane. | 0:22:03 | 0:22:05 | |
-Oh, no, wait, wait, wait. -What is it? | 0:22:05 | 0:22:09 | |
It's a list of the secret passages. | 0:22:09 | 0:22:11 | |
Well, guess what? | 0:22:11 | 0:22:13 | |
There's one in Toby's control room. | 0:22:13 | 0:22:15 | |
Hello? Is there anybody out here? | 0:22:24 | 0:22:26 | |
Whoever you are, I'm not here to hurt you. I promise. | 0:22:26 | 0:22:30 | |
Save yourself, my lady! Get thee to the Netherworld! | 0:22:36 | 0:22:38 | |
Hello? | 0:22:46 | 0:22:48 | |
When me and Luke were being held prisoner by those nutty Gorgon nuns | 0:22:50 | 0:22:55 | |
he got us out by opening a secret passageway. | 0:22:55 | 0:23:00 | |
It's just a question of finding a panel or something to press. | 0:23:00 | 0:23:07 | |
Hey presto! | 0:23:10 | 0:23:12 | |
I think we've hit a brick wall. | 0:23:12 | 0:23:15 | |
Now that's magic. | 0:23:24 | 0:23:25 | |
-It looks pretty dark down there. -Yeah. | 0:23:28 | 0:23:31 | |
Never leave home without one. | 0:23:31 | 0:23:34 | |
Especially if you're going somewhere with Sarah Jane Smith. You coming? | 0:23:34 | 0:23:38 | |
Well, someone's got to hold your hand haven't they? Go on. | 0:23:38 | 0:23:42 | |
Couldn't you have brought a bigger torch? | 0:23:52 | 0:23:53 | |
What and spoil the look of my jacket? | 0:23:53 | 0:23:55 | |
I'm not just an action hero, you know. I am a style icon. | 0:23:55 | 0:23:58 | |
Yeah. Yeah. | 0:23:58 | 0:24:01 | |
-Whoa! -Very Spiderman! | 0:24:01 | 0:24:03 | |
Come on. | 0:24:03 | 0:24:04 | |
-It's all right, Toby. It's only me. -Are you all right, Miss Smith? | 0:24:09 | 0:24:13 | |
I'm not sure. | 0:24:13 | 0:24:15 | |
Well, they do exist, Miss Smith. | 0:24:15 | 0:24:17 | |
And we could be on the verge of something so enormous here. | 0:24:17 | 0:24:21 | |
Is that why you're so jumpy? | 0:24:21 | 0:24:23 | |
Oh, I'm not jumpy, I'm excited. | 0:24:23 | 0:24:26 | |
This could be the scientific discovery of all time. | 0:24:28 | 0:24:32 | |
The ultimate question answered. | 0:24:32 | 0:24:35 | |
Is there life after death? | 0:24:35 | 0:24:37 | |
And that would mean you could prove yourself to your father? | 0:24:37 | 0:24:41 | |
I'm presuming that he doesn't approve of your area of research. | 0:24:41 | 0:24:45 | |
Science has a very short-sighted view of the paranormal. | 0:24:45 | 0:24:48 | |
-For a good reason. -There is nothing scientific about ignoring phenomena | 0:24:48 | 0:24:52 | |
just because it doesn't fit in with your view of the universe, Miss Smith. | 0:24:52 | 0:24:56 | |
Toby, my view of the universe is very detailed | 0:24:56 | 0:24:59 | |
and I understand humanity's need to believe in some sort of afterlife, | 0:24:59 | 0:25:03 | |
but whatever is happening here, ghosts do not exist. | 0:25:03 | 0:25:08 | |
-Well, I have those EMF readings for you. -Darkening! | 0:25:11 | 0:25:15 | |
Where? | 0:25:15 | 0:25:17 | |
He's gone. | 0:25:19 | 0:25:21 | |
Are you sure you don't believe in ghosts? | 0:25:25 | 0:25:27 | |
Look at this place. | 0:25:39 | 0:25:41 | |
I take it all back. | 0:25:41 | 0:25:43 | |
Everything else... that was not creepy. | 0:25:43 | 0:25:45 | |
This place, | 0:25:45 | 0:25:47 | |
this is creepy. This is Creepsville, Transylvania. | 0:25:47 | 0:25:51 | |
Look at this stuff. | 0:25:51 | 0:25:53 | |
This is Hogwarts Tim Burton Style. | 0:25:57 | 0:25:58 | |
It's Harry Potter Has A Close Shave Off Sweeney Todd. | 0:25:58 | 0:26:02 | |
Clyde, do you know where we are? | 0:26:02 | 0:26:05 | |
Well, it isn't Santa's workshop. | 0:26:05 | 0:26:08 | |
According to the legend, Erasmus Darkening spent two years | 0:26:08 | 0:26:11 | |
working in a secret chamber beneath Ashen Hill Manor. This is it. | 0:26:11 | 0:26:15 | |
It's all for real. | 0:26:15 | 0:26:18 | |
He hasn't been around in a while. | 0:26:18 | 0:26:20 | |
Maybe this is the reason for whatever's going on here. | 0:26:20 | 0:26:22 | |
-If this part of the legend is true. -Then maybe he really did make those | 0:26:22 | 0:26:26 | |
-two kids disappear. -And Professor Rivers? | 0:26:26 | 0:26:28 | |
Rani, this guy lived hundreds of years ago. | 0:26:30 | 0:26:32 | |
And I know what I saw in the pavilion. It was him. Darkening. | 0:26:32 | 0:26:36 | |
Well, I have to admit it, | 0:26:36 | 0:26:38 | |
I've seen some weird stuff, | 0:26:38 | 0:26:41 | |
but there's weird and then there's... | 0:26:41 | 0:26:44 | |
..this place. | 0:26:47 | 0:26:49 | |
What was I saying again? | 0:26:49 | 0:26:51 | |
It's like electronics but from hundreds of years ago. | 0:26:52 | 0:26:56 | |
And it's still working. | 0:26:56 | 0:26:58 | |
-MAN LAUGHS SPOOKILY -Who's there? | 0:26:59 | 0:27:03 | |
Welcome to my dominion. | 0:27:03 | 0:27:06 | |
My halls of granite. | 0:27:06 | 0:27:09 | |
You crossed my threshold of your own free will and now by my will, | 0:27:09 | 0:27:13 | |
you shall stay. | 0:27:13 | 0:27:16 | |
For all eternity. | 0:27:18 | 0:27:20 | |
Release us from this purgatory. | 0:27:24 | 0:27:26 | |
Whatever is going on in this house is far more dangerous than a haunting. | 0:27:28 | 0:27:32 | |
Get down! | 0:27:33 | 0:27:34 | |
-What was that? -The poltergeist activity. | 0:27:34 | 0:27:38 | |
-I think it's following us! -It doesn't matter what you shut out, | 0:27:38 | 0:27:41 | |
you never know what you're locking yourself in with. | 0:27:41 | 0:27:44 | |
Subtitles by Red Bee Media Ltd | 0:27:49 | 0:27:52 | |
E-mail [email protected] | 0:27:52 | 0:27:56 |