Browse content similar to Part 2. Check below for episodes and series from the same categories and more!
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13 Bannerman Road is where Sarah Jane Smith lives, | 0:00:02 | 0:00:04 | |
home to things beyond your imagination. | 0:00:04 | 0:00:07 | |
There's an extra-terrestrial super computer in the wall, | 0:00:07 | 0:00:10 | |
a genetically engineered boy genius in the attic, | 0:00:10 | 0:00:13 | |
a schoolgirl investigator across the road. | 0:00:13 | 0:00:16 | |
And a whole universe of adventure right here on the doorstep. | 0:00:16 | 0:00:20 | |
Ready? | 0:00:25 | 0:00:26 | |
Always. | 0:00:26 | 0:00:28 | |
Ashen Hill Manor is reputedly one of the most haunted | 0:00:30 | 0:00:33 | |
locations in the UK. | 0:00:33 | 0:00:35 | |
Ghosts do not exist. | 0:00:36 | 0:00:38 | |
My children! | 0:00:38 | 0:00:40 | |
Disappearances? Nobody said anything about any disappearances. | 0:00:40 | 0:00:45 | |
EMF readings throughout the house are spiking. | 0:00:45 | 0:00:48 | |
-Something's happening. -Aaaahhhh! -Where did she go? | 0:00:48 | 0:00:52 | |
You crossed my threshold of your own free will | 0:00:52 | 0:00:55 | |
and now by my will you shall stay. | 0:00:55 | 0:00:58 | |
You will never leave this place. | 0:01:12 | 0:01:16 | |
You will be with me for eternity. | 0:01:16 | 0:01:19 | |
Mr...Darkening? | 0:01:19 | 0:01:21 | |
Good to meet you. You're a legend. Really. | 0:01:21 | 0:01:23 | |
But this is a 'one night only' appearance. | 0:01:23 | 0:01:26 | |
It's not like we're not tempted, but we've got school on Monday... | 0:01:26 | 0:01:29 | |
Ha ha ha ha! | 0:01:29 | 0:01:31 | |
You crossed my threshold. | 0:01:31 | 0:01:34 | |
In a single step you left choice behind. | 0:01:34 | 0:01:37 | |
Now you are in my world. | 0:01:37 | 0:01:39 | |
Your world? You need to get out more, mate. | 0:01:39 | 0:01:42 | |
Er, sorry, you can't. I forgot, you're a ghost. | 0:01:42 | 0:01:45 | |
A ghost? | 0:01:45 | 0:01:46 | |
Is that what you think I am? | 0:01:46 | 0:01:48 | |
Child, there's no such thing as ghosts. | 0:01:48 | 0:01:52 | |
Oh, boy, this is worse than The Sixth Sense. | 0:01:52 | 0:01:55 | |
Are you in for a shock! | 0:01:55 | 0:01:57 | |
You are mine. | 0:01:57 | 0:02:00 | |
-You will not have them. -That's... | 0:02:01 | 0:02:03 | |
Marchwood! | 0:02:03 | 0:02:06 | |
-It's a super-spook smackdown! -Have you not yet faded into the ether? | 0:02:06 | 0:02:11 | |
Not while your shadow still stains the walls of my family, wizard! | 0:02:11 | 0:02:15 | |
We exist at different frequencies. | 0:02:15 | 0:02:17 | |
You still cannot harm me, Marchwood. | 0:02:17 | 0:02:21 | |
And your magic cannot hurt me again. | 0:02:21 | 0:02:23 | |
Ha ha ha ha... | 0:02:23 | 0:02:25 | |
Run! | 0:02:25 | 0:02:28 | |
You shall not escape me! | 0:02:28 | 0:02:30 | |
No-one escapes me! | 0:02:30 | 0:02:33 | |
-How do we get out of here? -Just keep running. | 0:02:33 | 0:02:35 | |
-ECHOES: -Ha ha ha ha ha ha ha! | 0:02:35 | 0:02:39 | |
Come this way. Quickly. | 0:02:39 | 0:02:41 | |
Oh, wow! Ghost boy. | 0:02:41 | 0:02:43 | |
Who's here? | 0:02:48 | 0:02:49 | |
Whoever you are, whatever you are, | 0:02:54 | 0:02:57 | |
I'm neither frightened of you, nor here to hurt you. | 0:02:57 | 0:03:02 | |
If you want to communicate, I'm listening. | 0:03:02 | 0:03:06 | |
Who's there? | 0:03:18 | 0:03:20 | |
'Sarah Jane! Help me! | 0:03:23 | 0:03:25 | |
'Sarah Jane! Help me! | 0:03:25 | 0:03:27 | |
-'Sarah Jane! Help me!' -Professor Rivers? | 0:03:27 | 0:03:29 | |
-Celeste, is that you? -'Sarah Jane! Help me! | 0:03:29 | 0:03:32 | |
'Sarah Jane! Help me!' | 0:03:32 | 0:03:33 | |
I will. I will help you, I promise. | 0:03:33 | 0:03:36 | |
'Sarah Jane! Help me! | 0:03:36 | 0:03:38 | |
'Sarah Jane! Help me!' | 0:03:38 | 0:03:40 | |
He's coming for you! | 0:03:44 | 0:03:45 | |
Professor Rivers. | 0:03:47 | 0:03:49 | |
-Oh! -Sarah Jane! | 0:03:56 | 0:04:00 | |
What on earth are you doing in the fire place? | 0:04:00 | 0:04:02 | |
We found Erasmus Darkening! He seemed pretty lively for a ghost. | 0:04:02 | 0:04:05 | |
He's not a ghost, I've seen him, too. | 0:04:05 | 0:04:07 | |
Whatever is going on in this house, | 0:04:07 | 0:04:09 | |
it is far more dangerous than a haunting. | 0:04:09 | 0:04:12 | |
There's this technology, ancient, | 0:04:12 | 0:04:14 | |
-but it shouldn't have been here 340 years ago! -Show me. | 0:04:14 | 0:04:17 | |
There's a secret passageway in the control room. | 0:04:17 | 0:04:20 | |
You must leave this place. | 0:04:20 | 0:04:23 | |
Lord Marchwood! | 0:04:23 | 0:04:25 | |
Hey, your lordship. | 0:04:25 | 0:04:28 | |
Thanks for earlier. | 0:04:28 | 0:04:29 | |
He helped us escape from Darkening. | 0:04:29 | 0:04:32 | |
Yes, he saved me, too. Whatever you do, don't go into the grounds. | 0:04:32 | 0:04:35 | |
-There's something out there. -There is still time. | 0:04:35 | 0:04:38 | |
The creature needs time to reassemble. | 0:04:38 | 0:04:40 | |
We can't leave. Not without our friend. | 0:04:40 | 0:04:43 | |
Your friend is lost to Darkening. | 0:04:43 | 0:04:44 | |
As is everyone who comes here. As am I. | 0:04:44 | 0:04:47 | |
As are my children. | 0:04:48 | 0:04:50 | |
Your children helped us escape out of the tunnel. | 0:04:50 | 0:04:52 | |
-You've seen Elizabeth and Joseph? -So have I. | 0:04:53 | 0:04:56 | |
-They're here? In this house? -They're looking for you. | 0:04:56 | 0:05:00 | |
I have searched for over 300 years. | 0:05:01 | 0:05:04 | |
Darkening says you exist at different frequencies. | 0:05:04 | 0:05:07 | |
So that's how he separated you from your children. | 0:05:07 | 0:05:11 | |
He is a curse upon my house. Upon my family. | 0:05:11 | 0:05:14 | |
He has taken the very land of my ancestors and turned it against us. | 0:05:14 | 0:05:18 | |
And I am responsible. | 0:05:20 | 0:05:22 | |
You didn't die here, did you? | 0:05:22 | 0:05:23 | |
Neither did your children. No-one died here, did they? | 0:05:23 | 0:05:27 | |
His curse is more than death itself. | 0:05:28 | 0:05:32 | |
Miss Smith! CRACKLING | 0:05:32 | 0:05:34 | |
You should see this. | 0:05:34 | 0:05:35 | |
CRACKLING | 0:05:43 | 0:05:45 | |
I was coming to look for you and they were just...there. | 0:05:45 | 0:05:49 | |
It's all the people who've disappeared in the house. | 0:05:58 | 0:06:02 | |
You poor, poor souls. | 0:06:05 | 0:06:07 | |
Still say there's no such thing as ghosts, Miss Smith? | 0:06:10 | 0:06:13 | |
-You said you wanted to help us. -I do. | 0:06:15 | 0:06:18 | |
-You're all trapped here? -He trapped us. | 0:06:20 | 0:06:23 | |
Erasmus Darkening? | 0:06:23 | 0:06:25 | |
He's as much a part of this house as the bricks and mortar. | 0:06:25 | 0:06:27 | |
He took my whole family away. | 0:06:28 | 0:06:30 | |
PROFESSOR RIVERS: Is anybody there? Can anybody help me? | 0:06:30 | 0:06:34 | |
-What about Professor Rivers? -She hasn't been fully absorbed yet. | 0:06:34 | 0:06:37 | |
-Absorbed? -By the house. | 0:06:37 | 0:06:40 | |
-There's still time to get her back. -Please. Help us all. | 0:06:40 | 0:06:43 | |
Joseph and I, we miss our father, we want him back. | 0:06:43 | 0:06:47 | |
He's OK, we've seen him. | 0:06:47 | 0:06:49 | |
Release us from this purgatory. | 0:06:49 | 0:06:51 | |
SPARKING | 0:06:51 | 0:06:52 | |
What treachery is this? | 0:06:54 | 0:06:57 | |
I grant to all life eternal | 0:06:57 | 0:06:59 | |
and this is how you honour my beneficence? | 0:06:59 | 0:07:04 | |
Darkening, no! | 0:07:04 | 0:07:05 | |
Be gone! | 0:07:05 | 0:07:06 | |
What are you, Erasmus Darkening? | 0:07:14 | 0:07:17 | |
I am lord of this place | 0:07:17 | 0:07:19 | |
and all who cross its threshold, | 0:07:19 | 0:07:21 | |
and step into my dominion. | 0:07:21 | 0:07:25 | |
I am Erasmus Darkening, lord of magic! | 0:07:25 | 0:07:27 | |
You really shouldn't believe your own press. | 0:07:27 | 0:07:30 | |
Maybe people believed in magic | 0:07:30 | 0:07:32 | |
when you were conning Lord Marchwood that you could make gold from lead, | 0:07:32 | 0:07:35 | |
but not any more. | 0:07:35 | 0:07:37 | |
Mmm. | 0:07:37 | 0:07:39 | |
The passage of 340 years has bequeathed humankind | 0:07:39 | 0:07:44 | |
with a little more wisdom, I see. | 0:07:44 | 0:07:46 | |
Are you saying you're not human? | 0:07:47 | 0:07:50 | |
You're an alien? | 0:07:52 | 0:07:53 | |
Alien? What are you talking about? These are ghosts, not aliens. | 0:07:53 | 0:07:57 | |
This is an emissary of the afterlife. | 0:07:57 | 0:08:00 | |
Call me what you will. | 0:08:00 | 0:08:02 | |
Know only that this is my world, | 0:08:02 | 0:08:04 | |
that I rule all who cross its threshold, | 0:08:04 | 0:08:07 | |
and that this night... | 0:08:07 | 0:08:10 | |
I will come for you all. | 0:08:12 | 0:08:15 | |
CRACKLING | 0:08:15 | 0:08:18 | |
Well, he knows how to leave you wanting more, I'll give him that. | 0:08:24 | 0:08:28 | |
So if he's responsible for the Professor vanishing, | 0:08:28 | 0:08:32 | |
why didn't he take us when he had the chance? | 0:08:32 | 0:08:34 | |
Because he's playing with us, trying to scare us. | 0:08:34 | 0:08:39 | |
We don't scare that easily. | 0:08:39 | 0:08:40 | |
Listen to me, Darkening! | 0:08:42 | 0:08:44 | |
I have fought the worst things from the darkest corners of the universe. | 0:08:44 | 0:08:49 | |
You don't stand a ghost of a chance! | 0:08:49 | 0:08:52 | |
DARKENING: Ha ha ha ha ha ha! | 0:08:52 | 0:08:55 | |
I'm not sure that was entirely wise. | 0:08:57 | 0:08:59 | |
Come on. Show me how to get to Darkening's chamber. | 0:08:59 | 0:09:02 | |
Well, can't say I'm looking forward to this. | 0:09:08 | 0:09:12 | |
Hold on. If Darkening catches us all in his lab, | 0:09:12 | 0:09:14 | |
-we're gonna be in trouble. -She's got a point. | 0:09:14 | 0:09:16 | |
When he found us down there before, | 0:09:16 | 0:09:18 | |
it wasn't exactly what you'd call a magical moment. | 0:09:18 | 0:09:21 | |
You need someone to keep him busy. | 0:09:21 | 0:09:22 | |
No. It's out of the question. It's far too dangerous. | 0:09:22 | 0:09:25 | |
And all of us piling into Darkening's lab isn't? | 0:09:25 | 0:09:28 | |
Even a ghost can't be in two places at one time. Not even an alien ghost! | 0:09:28 | 0:09:32 | |
If me and Clyde are keeping him busy, | 0:09:32 | 0:09:34 | |
there's no way he can stop you looking at that thing down there. | 0:09:34 | 0:09:37 | |
The logic is undeniable. | 0:09:37 | 0:09:39 | |
All right. But stay together. | 0:09:39 | 0:09:41 | |
-And, whatever you do, don't go outside. -OK. | 0:09:41 | 0:09:45 | |
-You be careful. -Don't worry about me. | 0:09:45 | 0:09:47 | |
I've got Toby here. | 0:09:47 | 0:09:49 | |
Come on. | 0:09:51 | 0:09:52 | |
So how do you distract a ghost? | 0:10:02 | 0:10:04 | |
You...find him a pretty...ghoulfriend? | 0:10:04 | 0:10:08 | |
Tell me, why are you so determined to believe in the supernatural? | 0:10:13 | 0:10:16 | |
You're a scientist. | 0:10:16 | 0:10:18 | |
Your father was nominated for the Nobel Prize for Physics. | 0:10:18 | 0:10:20 | |
You must know it's nonsense. | 0:10:20 | 0:10:22 | |
When I was six years old, something used to come into my room. | 0:10:22 | 0:10:26 | |
Something? | 0:10:26 | 0:10:27 | |
Something grey, with no face. | 0:10:28 | 0:10:31 | |
It stood and watched me, all night. | 0:10:34 | 0:10:38 | |
And don't try to tell me it was a dream, like my father did. | 0:10:38 | 0:10:44 | |
I pleaded with him to let me sleep in another room. | 0:10:44 | 0:10:47 | |
I begged him | 0:10:47 | 0:10:50 | |
and I cried, | 0:10:50 | 0:10:51 | |
but he wouldn't let me. | 0:10:51 | 0:10:53 | |
I've never forgiven him for that. | 0:10:55 | 0:10:58 | |
It's OK. | 0:10:58 | 0:11:00 | |
-Hey, Darkening! -Ssh! | 0:11:01 | 0:11:04 | |
Where are you hiding? | 0:11:06 | 0:11:08 | |
We've come to... | 0:11:09 | 0:11:11 | |
bust you! | 0:11:11 | 0:11:12 | |
Yeah, well, I'd feel a whole lot better, | 0:11:12 | 0:11:15 | |
if I was wearing a Ghostbusters proton pack right now. | 0:11:15 | 0:11:18 | |
Yeah. I know what you mean. | 0:11:18 | 0:11:20 | |
They even made boiler suits look cool. | 0:11:20 | 0:11:22 | |
Talking of which, is it getting cold in here? | 0:11:24 | 0:11:27 | |
I thought that was just me. | 0:11:27 | 0:11:30 | |
Sarah Jane would say it's psychological. | 0:11:30 | 0:11:32 | |
I suppose she is right, isn't she? About ghosts. | 0:11:32 | 0:11:36 | |
If Darkening is an alien, I mean, he looks just like us. | 0:11:36 | 0:11:41 | |
Some aliens are like us. | 0:11:41 | 0:11:44 | |
The Doctor looked human. | 0:11:44 | 0:11:46 | |
EXPLOSION | 0:11:46 | 0:11:47 | |
What was that?! | 0:11:47 | 0:11:49 | |
I don't know. | 0:11:51 | 0:11:52 | |
Noisy neighbours? | 0:11:52 | 0:11:54 | |
-It's getting closer! -Come on! | 0:11:55 | 0:11:57 | |
I think it's following us! | 0:12:04 | 0:12:05 | |
CRASHING | 0:12:17 | 0:12:20 | |
SQUEAKING | 0:12:20 | 0:12:23 | |
Something tells me we're not alone in here. | 0:12:32 | 0:12:35 | |
I think Darkening's got us right where he wanted us. | 0:12:44 | 0:12:47 | |
Yeah, we're snookered all right. | 0:12:50 | 0:12:53 | |
Get down! | 0:12:54 | 0:12:55 | |
We have to get out of here. | 0:13:01 | 0:13:02 | |
No, no, wait! Not that way! | 0:13:02 | 0:13:04 | |
Whatever chased us in here is still out there! | 0:13:04 | 0:13:07 | |
Oh, it's stuck! Come on, come on! | 0:13:07 | 0:13:10 | |
-Got it! -Clyde! | 0:13:13 | 0:13:15 | |
Look out! | 0:13:17 | 0:13:18 | |
I'm never playing pool again! | 0:13:21 | 0:13:23 | |
What was it Sarah Jane said we shouldn't do? | 0:13:27 | 0:13:30 | |
Whatever happened? | 0:13:30 | 0:13:32 | |
Don't go outside. | 0:13:32 | 0:13:34 | |
GROWLING | 0:13:38 | 0:13:41 | |
It's locked! | 0:13:42 | 0:13:45 | |
Hey! Let us in! | 0:13:45 | 0:13:46 | |
Sarah Jane's in the tunnels, she can't hear you. | 0:13:46 | 0:13:49 | |
SCREECHING What was that? | 0:13:49 | 0:13:51 | |
Could just be a...fox. | 0:13:51 | 0:13:53 | |
Or whatever Sarah Jane said was out here. | 0:13:53 | 0:13:55 | |
GROWLING | 0:13:55 | 0:13:58 | |
Come on! There's got to be another way in. | 0:13:58 | 0:14:00 | |
Nobody home. | 0:14:02 | 0:14:05 | |
That's a good start. | 0:14:05 | 0:14:06 | |
It's freezing. | 0:14:06 | 0:14:09 | |
We're underground. | 0:14:09 | 0:14:10 | |
What is that? | 0:14:28 | 0:14:31 | |
Exactly what I expected, alien technology. | 0:14:31 | 0:14:34 | |
It's like a computer built from brass and iron. | 0:14:34 | 0:14:38 | |
I don't think it's a computer. | 0:14:38 | 0:14:39 | |
I've seen something like it before. | 0:14:39 | 0:14:41 | |
I think it's a trans-dimensional accelerator. | 0:14:41 | 0:14:43 | |
I don't understand. | 0:14:44 | 0:14:46 | |
This entire house has been turned into a portal to another galaxy. | 0:14:46 | 0:14:50 | |
-We're locked out! -With whatever attacked Sarah Jane. | 0:14:55 | 0:14:58 | |
This is not good, Clyde. | 0:14:58 | 0:14:59 | |
GROWLING | 0:14:59 | 0:15:01 | |
No. That's not good. | 0:15:01 | 0:15:05 | |
Come on! | 0:15:05 | 0:15:06 | |
The pavilion! | 0:15:06 | 0:15:08 | |
It all makes sense. | 0:15:10 | 0:15:11 | |
Erasmus Darkening is an alien. | 0:15:11 | 0:15:13 | |
And over 300 years ago, he was trapped here on Earth. | 0:15:13 | 0:15:15 | |
So he pretended to be an alchemist, | 0:15:15 | 0:15:17 | |
finding the secret of turning the lead into gold? | 0:15:17 | 0:15:20 | |
All the time he was building this - a way to get home. | 0:15:20 | 0:15:23 | |
It works by bending one dimension over another, | 0:15:23 | 0:15:26 | |
and opening a doorway through. A portal. | 0:15:26 | 0:15:29 | |
Professor Rivers has what...? Gone through it? | 0:15:29 | 0:15:32 | |
I think something went wrong 300 years ago, | 0:15:32 | 0:15:35 | |
it's been malfunctioning ever since. | 0:15:35 | 0:15:37 | |
And Darkening's somehow manipulating the accelerator's powers, | 0:15:37 | 0:15:41 | |
he's channelling it. | 0:15:41 | 0:15:42 | |
You're saying all these ghosts... | 0:15:44 | 0:15:46 | |
Are living people? | 0:15:48 | 0:15:50 | |
Trapped between dimensions. | 0:15:54 | 0:15:57 | |
What happens if we turn it off? | 0:15:57 | 0:15:59 | |
The disappearances will stop, but those people will be lost for ever. | 0:15:59 | 0:16:03 | |
Including Celeste Rivers. | 0:16:03 | 0:16:06 | |
Quickly, Clyde. | 0:16:09 | 0:16:11 | |
GROWLING | 0:16:15 | 0:16:18 | |
-It's not exactly the Alamo. -I hope not. They got into the Alamo. | 0:16:20 | 0:16:24 | |
Yeah. Well, it'll have to do. | 0:16:24 | 0:16:25 | |
There was something in those bushes, I'm sure. | 0:16:25 | 0:16:28 | |
Tonight, it doesn't matter what you shut out, | 0:16:28 | 0:16:31 | |
-you never know what you're locking yourself in with. -Great(!) | 0:16:31 | 0:16:34 | |
-Thanks for that thought. -I'm sorry. | 0:16:34 | 0:16:36 | |
I just hope we gave Sarah Jane a chance to fix | 0:16:36 | 0:16:38 | |
whatever's going on here. | 0:16:38 | 0:16:41 | |
Is there some way of reversing it? | 0:16:41 | 0:16:44 | |
Possibly. | 0:16:44 | 0:16:46 | |
I've seen trans-dimensional accelerators before. | 0:16:46 | 0:16:48 | |
I travelled in something that used the same principle for years. | 0:16:48 | 0:16:52 | |
You did what? | 0:16:52 | 0:16:53 | |
Oh, there are so many things out there more exciting | 0:16:53 | 0:16:56 | |
than ghost hunting, Toby. | 0:16:56 | 0:16:57 | |
Who exactly are you? | 0:16:57 | 0:16:59 | |
Nobody special. | 0:16:59 | 0:17:01 | |
Wherever he is now, | 0:17:01 | 0:17:04 | |
Erasmus Darkening must once have been a very, very clever scientist. | 0:17:04 | 0:17:08 | |
My mind is a colossus, Miss Smith. | 0:17:08 | 0:17:10 | |
Time is meaningless to me. | 0:17:11 | 0:17:14 | |
I have contemplated the mysteries, the physics of the universe, | 0:17:14 | 0:17:19 | |
of time, of life itself. | 0:17:19 | 0:17:23 | |
Every being that has become part of my dominion feeds my existence. | 0:17:24 | 0:17:30 | |
You mean the accelerator is powered by the lives of the people it takes. | 0:17:30 | 0:17:34 | |
No-one dies here. I thought you understood that. | 0:17:34 | 0:17:37 | |
The accelerator's malfunction transformed this house | 0:17:37 | 0:17:40 | |
into a gateway to eternity. | 0:17:40 | 0:17:42 | |
It's not a gateway, it's a trap. | 0:17:42 | 0:17:44 | |
You're using the accelerator to steal life energy | 0:17:44 | 0:17:48 | |
to give you immortality. | 0:17:48 | 0:17:49 | |
And so you, you two shall be taken unto me. | 0:17:49 | 0:17:54 | |
No-one can escape the house. | 0:17:54 | 0:17:57 | |
And it is a better fate than that faced by your young friends. | 0:17:58 | 0:18:03 | |
Clyde and Rani? Where are they? | 0:18:03 | 0:18:06 | |
The accelerator was not entirely successful, | 0:18:06 | 0:18:09 | |
but it did open a gateway for something. | 0:18:09 | 0:18:15 | |
The creature outside! | 0:18:16 | 0:18:19 | |
Oh, no, in the grounds. | 0:18:19 | 0:18:21 | |
If there was anything out there, I think it's gone. | 0:18:23 | 0:18:28 | |
-Maybe we should make a break for it? Sarah Jane might need us. -Yeah. | 0:18:28 | 0:18:32 | |
GROWLING | 0:18:32 | 0:18:34 | |
What was that? | 0:18:34 | 0:18:37 | |
There's something up there. | 0:18:37 | 0:18:39 | |
GROWLING | 0:18:39 | 0:18:40 | |
GROWLING | 0:18:46 | 0:18:47 | |
Oh, that's it, we're getting out of here. | 0:18:47 | 0:18:49 | |
TAPPING | 0:18:52 | 0:18:54 | |
GROWLING | 0:18:54 | 0:18:57 | |
I reckon that's what Sarah Jane was talking about. | 0:18:57 | 0:19:00 | |
TAPPING | 0:19:00 | 0:19:02 | |
Well, at least it's polite. | 0:19:02 | 0:19:04 | |
GROWLING | 0:19:04 | 0:19:06 | |
What is it? | 0:19:06 | 0:19:07 | |
DOOR RATTLES | 0:19:07 | 0:19:09 | |
I don't know. But I'm pretty sure it's not from round here. | 0:19:09 | 0:19:13 | |
DOOR RATTLES | 0:19:13 | 0:19:14 | |
-Clyde, it's gonna get in any minute. We need a plan. -No, not a plan. | 0:19:14 | 0:19:18 | |
What we need are a couple of oars. | 0:19:18 | 0:19:21 | |
Right. Whatever's out there, it's not exactly bright, is it? | 0:19:24 | 0:19:28 | |
I mean, it could get through that door, no problem. | 0:19:28 | 0:19:31 | |
You're right, we can take it. | 0:19:31 | 0:19:33 | |
RATTLING | 0:19:33 | 0:19:34 | |
Whatever it is. | 0:19:34 | 0:19:36 | |
Wherever it's from. | 0:19:36 | 0:19:37 | |
GROWLING | 0:19:37 | 0:19:38 | |
It's him 'oar' us. | 0:19:38 | 0:19:41 | |
-GROWLING -Are you ready? | 0:19:43 | 0:19:46 | |
Bring it on. | 0:19:46 | 0:19:48 | |
What's going on? | 0:19:50 | 0:19:52 | |
Time runs short. | 0:20:06 | 0:20:09 | |
-Oh, Sarah Jane. -Oh, Rani! Thank heavens you're all right. | 0:20:11 | 0:20:15 | |
Lord Marchwood saved us, and brought us back into the house. | 0:20:15 | 0:20:19 | |
You are Lord Marchwood? | 0:20:19 | 0:20:22 | |
Nothing dies in Darkening's dominion and nothing lives. | 0:20:22 | 0:20:26 | |
I have done what I could to save people from this cursed house | 0:20:26 | 0:20:28 | |
and from Darkening's power. | 0:20:28 | 0:20:30 | |
You tried to save us by scaring us away? | 0:20:30 | 0:20:33 | |
The poltergeist activity. It was you? | 0:20:33 | 0:20:36 | |
Look at these EMF readings. | 0:20:36 | 0:20:38 | |
Wow, your lordship, you are smoking! | 0:20:38 | 0:20:40 | |
If this was a seismometer and you were a volcano, | 0:20:40 | 0:20:43 | |
we'd all be running away with our hair on fire. | 0:20:43 | 0:20:45 | |
Let me look at that. That's extraordinary. | 0:20:45 | 0:20:48 | |
What is this sorcerer's box? | 0:20:48 | 0:20:50 | |
Oh, this isn't sorcery, this is science. | 0:20:50 | 0:20:54 | |
That's right. It's given me an idea how we can defeat Darkening. | 0:20:54 | 0:20:58 | |
But, Lord Marchwood, we're going to need your help. | 0:20:58 | 0:21:01 | |
I have brought this curse upon my house, and my family. | 0:21:01 | 0:21:04 | |
I would do anything to lift it. | 0:21:04 | 0:21:06 | |
Toby, how much electrical cabling do you have? | 0:21:06 | 0:21:10 | |
Darkening! | 0:21:14 | 0:21:15 | |
Hear me, magician! | 0:21:15 | 0:21:17 | |
The curse you have cast upon this house ends tonight. | 0:21:18 | 0:21:22 | |
For over 300 years I have sought my children | 0:21:22 | 0:21:26 | |
and watched you take soul after soul. | 0:21:26 | 0:21:28 | |
But no more! | 0:21:28 | 0:21:30 | |
And you will stop me? | 0:21:30 | 0:21:32 | |
Was it not you, Marchwood, that brought all this upon your house? | 0:21:32 | 0:21:37 | |
It was your hand that took innocent people from the village, | 0:21:37 | 0:21:40 | |
and cast them into whatever infernal place they went, | 0:21:40 | 0:21:43 | |
your hand that took Elizabeth and Joseph. | 0:21:43 | 0:21:46 | |
My children! | 0:21:48 | 0:21:50 | |
It was your hand that sought to strike me | 0:21:50 | 0:21:53 | |
and take my life and founded my dominion. | 0:21:53 | 0:21:57 | |
You attacked me, you damaged my device. | 0:22:04 | 0:22:07 | |
You caused all that has happened here. | 0:22:07 | 0:22:10 | |
You took my children. | 0:22:10 | 0:22:12 | |
I wanted only to return home. | 0:22:14 | 0:22:17 | |
But you stopped my experiments. | 0:22:17 | 0:22:20 | |
Lord Marchwood has to get Darkening | 0:22:21 | 0:22:23 | |
to step into the electro-magnetic field. | 0:22:23 | 0:22:25 | |
You took innocent people | 0:22:25 | 0:22:26 | |
and despatched their living souls to the netherworld. | 0:22:26 | 0:22:30 | |
But tonight I end this curse. | 0:22:32 | 0:22:35 | |
Energy can neither be created or destroyed, only changed. | 0:22:35 | 0:22:38 | |
Every time Lord Marchwood attacked that creature outside | 0:22:38 | 0:22:41 | |
he absorbed its energy. | 0:22:41 | 0:22:43 | |
That's why the EMF meter spiked. | 0:22:43 | 0:22:44 | |
The electricity creates its own magnetic field. | 0:22:44 | 0:22:47 | |
-It will trap Darkening and absorb him. -Turn him into electricity? | 0:22:47 | 0:22:50 | |
-But he has to step into our trap. -What about Marchwood? | 0:22:50 | 0:22:53 | |
If he's in it, he'll be destroyed. | 0:22:53 | 0:22:56 | |
Meet me, Darkening. | 0:23:01 | 0:23:03 | |
You cannot harm me, Marchwood. | 0:23:03 | 0:23:06 | |
Then meet me. | 0:23:07 | 0:23:09 | |
I know that you are not a man. | 0:23:10 | 0:23:12 | |
But perhaps just this once, act like one. | 0:23:13 | 0:23:15 | |
Ha ha ha ha ha! | 0:23:21 | 0:23:24 | |
Did you think I would be so easily vanquished, Miss Smith? | 0:23:28 | 0:23:35 | |
I told you, my intellect is a colossus. | 0:23:37 | 0:23:41 | |
How could you think I would not see through so transparent a stratagem? | 0:23:41 | 0:23:48 | |
You disappoint me, Sarah Jane Smith. | 0:23:49 | 0:23:53 | |
I never like to disappoint. | 0:23:54 | 0:23:57 | |
Get back! | 0:24:04 | 0:24:05 | |
Eternity! | 0:24:13 | 0:24:16 | |
I have lost eternity-y-y-y-y-y-y! | 0:24:18 | 0:24:25 | |
Are you all right? | 0:24:41 | 0:24:42 | |
I'm fine, thank you. | 0:24:42 | 0:24:45 | |
Darkening, has he gone? | 0:24:45 | 0:24:47 | |
I think so. | 0:24:47 | 0:24:48 | |
The magnetic field blew his fuse. | 0:24:48 | 0:24:51 | |
That's the trouble with having a colossal intellect, | 0:24:51 | 0:24:53 | |
you think you're cleverer than everyone else, | 0:24:53 | 0:24:56 | |
never consider what other people might be hiding up their sleeves. | 0:24:56 | 0:24:59 | |
-Lord Marchwood and his children, have they gone? -Professor Rivers? | 0:24:59 | 0:25:02 | |
What have you done with my equipment? | 0:25:02 | 0:25:06 | |
Do you have any idea how much this equipment is worth? | 0:25:06 | 0:25:09 | |
I know, Professor. I'm sorry. | 0:25:09 | 0:25:11 | |
We have just witnessed the most amazing phenomena in this house | 0:25:11 | 0:25:14 | |
-and do we have any record of it? -No. | 0:25:14 | 0:25:16 | |
But, Professor, it wasn't paranormal, it was alien. | 0:25:16 | 0:25:20 | |
I give up. I give up. | 0:25:20 | 0:25:23 | |
The accelerator was synchronised with Darkening's energies. | 0:25:23 | 0:25:27 | |
When the magnetic field destroyed him, it overloaded, | 0:25:27 | 0:25:29 | |
sending Professor Rivers back. | 0:25:29 | 0:25:32 | |
But what about all the others? | 0:25:32 | 0:25:34 | |
They wanted to be released. At least their nightmare is over. | 0:25:36 | 0:25:39 | |
Well, I can't leave Darkening's device as it is. | 0:25:39 | 0:25:42 | |
I have to take care of it. | 0:25:42 | 0:25:44 | |
Permanently. | 0:25:44 | 0:25:46 | |
What about Lord Marchwood and his children? | 0:25:51 | 0:25:53 | |
Do you think they found each other? | 0:25:55 | 0:25:56 | |
I don't know. | 0:25:56 | 0:25:59 | |
Come on. | 0:25:59 | 0:26:00 | |
Well, I'm not sure that exercise proved or disproved anything | 0:26:04 | 0:26:09 | |
as regards the paranormal. | 0:26:09 | 0:26:10 | |
But it certainly was interesting. | 0:26:10 | 0:26:13 | |
-I'll look forward to the next time. -Me, too. | 0:26:13 | 0:26:17 | |
I just wanted to thank you, Miss Smith. | 0:26:17 | 0:26:20 | |
What for? | 0:26:20 | 0:26:22 | |
Let's say you've broadened my horizons. | 0:26:22 | 0:26:24 | |
Maybe I shouldn't be looking for ghosts, | 0:26:24 | 0:26:27 | |
I should be looking to the stars instead. | 0:26:27 | 0:26:29 | |
It's a wonderful universe, Toby | 0:26:29 | 0:26:31 | |
and no matter how much you think you know, | 0:26:31 | 0:26:33 | |
it will always have one more surprise for us. | 0:26:33 | 0:26:35 | |
Don't ever forget that. | 0:26:35 | 0:26:36 | |
I won't. | 0:26:36 | 0:26:38 | |
ENGINE STARTS | 0:26:38 | 0:26:40 | |
So that's it, then? No more haunted house. | 0:26:51 | 0:26:53 | |
Weren't you paying attention? | 0:26:53 | 0:26:55 | |
There never was a haunted house. | 0:26:55 | 0:26:58 | |
It was just an alien | 0:26:58 | 0:26:59 | |
with a trans-dimensional accelerator on the blink. | 0:26:59 | 0:27:02 | |
So, no such thing as ghosts then, Sarah Jane? | 0:27:03 | 0:27:06 | |
That's right. | 0:27:09 | 0:27:11 | |
No such thing as ghosts. | 0:27:12 | 0:27:14 | |
Tomorrow morning this entire class will be the first to see... | 0:27:34 | 0:27:38 | |
The Mona Lisa. | 0:27:38 | 0:27:40 | |
Ha ha ha ha ha! | 0:27:41 | 0:27:42 | |
The Mona Lisa has been stolen! | 0:27:42 | 0:27:44 | |
When I act like a teenager you want me to be perfect, | 0:27:44 | 0:27:47 | |
the way the Bane made me! | 0:27:47 | 0:27:48 | |
Whatever we're dealing with it's more than just an art thing. | 0:27:48 | 0:27:52 | |
-Sarah Jane! -Mum! -Ahhh! | 0:27:52 | 0:27:54 | |
Subtitles by Red Bee Media Ltd | 0:28:04 | 0:28:08 | |
E-mail [email protected] | 0:28:08 | 0:28:13 |