Browse content similar to Lost in Time. Check below for episodes and series from the same categories and more!
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13 Bannerman Road is where Sarah Jane Smith lives. | 0:00:02 | 0:00:03 | |
And it's home to things way beyond your imagination. | 0:00:03 | 0:00:07 | |
There's an extraterrestrial supercomputer in the wall... | 0:00:07 | 0:00:10 | |
her son, a genetically engineered boy genius... | 0:00:10 | 0:00:14 | |
a schoolgirl investigator across the road... | 0:00:14 | 0:00:16 | |
and a whole universe of adventure | 0:00:16 | 0:00:19 | |
right here on the doorstep. | 0:00:19 | 0:00:20 | |
-Ready? -Always. | 0:00:26 | 0:00:30 | |
The shop's owner, Mr Smalley, | 0:00:32 | 0:00:36 | |
who refused to give his age, | 0:00:36 | 0:00:38 | |
said he saw a creature 12 feet tall, with huge fangs and red eyes. | 0:00:38 | 0:00:42 | |
What are we up against - | 0:00:42 | 0:00:43 | |
-the Gruffalo(?) -LAUGHTER | 0:00:43 | 0:00:45 | |
Well, there's only one way to find out. | 0:00:45 | 0:00:48 | |
BELL RINGS | 0:00:54 | 0:00:56 | |
Hello. | 0:00:56 | 0:00:59 | |
CACKLING | 0:00:59 | 0:01:00 | |
Hello! | 0:01:00 | 0:01:03 | |
Hello! | 0:01:03 | 0:01:05 | |
What is it we're looking for? | 0:01:11 | 0:01:13 | |
Haven't the foggiest. But I'll know it when I see it. | 0:01:13 | 0:01:16 | |
That's what my mum says when she's dragging me round Primark. | 0:01:16 | 0:01:19 | |
Ooh, I always wanted one of these when I was little. | 0:01:19 | 0:01:23 | |
MUSIC PLAYS | 0:01:23 | 0:01:25 | |
Is that a blood stain? | 0:01:28 | 0:01:30 | |
But whose blood? > | 0:01:30 | 0:01:31 | |
That is the question. | 0:01:36 | 0:01:38 | |
Oh, I'm sorry, Mr Smalley? Or...co? | 0:01:38 | 0:01:42 | |
Some say that arrow was pulled from the eye of King Harold himself | 0:01:43 | 0:01:48 | |
after the Battle of Hastings. | 0:01:48 | 0:01:50 | |
And some say he wasn't shot in the eye at all. Read that online. | 0:01:50 | 0:01:54 | |
The tapestry of time is a fragile thing. | 0:01:54 | 0:01:57 | |
Apply the slightest pressure, and the threads of history can unravel. | 0:01:57 | 0:02:02 | |
But you understand that, don't you, Sarah Jane? | 0:02:02 | 0:02:05 | |
-How do you know my name? -Oh, I know a great many things. | 0:02:05 | 0:02:08 | |
The newspaper cutting... | 0:02:08 | 0:02:11 | |
that was for our benefit, wasn't it? Look, I don't like being tricked. | 0:02:11 | 0:02:13 | |
Who are you and what do you want? | 0:02:13 | 0:02:15 | |
I need your help, to save the world. | 0:02:15 | 0:02:18 | |
Time itself is under threat. | 0:02:18 | 0:02:20 | |
-From what? -Chronosteen. | 0:02:20 | 0:02:22 | |
A metal forged within the time vortex, | 0:02:22 | 0:02:25 | |
with the power to re-shape destiny. | 0:02:25 | 0:02:27 | |
Three pieces of it, moulded into different objects, | 0:02:27 | 0:02:30 | |
are lodged at key points in the Earth's history. | 0:02:30 | 0:02:33 | |
PARROT CAWS | 0:02:33 | 0:02:36 | |
They must be recovered. | 0:02:36 | 0:02:37 | |
What objects? Where in history? | 0:02:37 | 0:02:40 | |
They could be anything, anywhere. | 0:02:40 | 0:02:43 | |
Well, good luck with that. | 0:02:43 | 0:02:44 | |
But you are the only ones who can do this! | 0:02:44 | 0:02:46 | |
You're the Earth's last hope. | 0:02:46 | 0:02:49 | |
Even if I believe you, how can we possibly find this Chronosteen? | 0:02:49 | 0:02:52 | |
This is a Time Window, Sarah Jane. | 0:02:52 | 0:02:54 | |
It will take you close to the objects. | 0:02:54 | 0:02:59 | |
If you can create that, why can't you go yourself? | 0:02:59 | 0:03:02 | |
It is forbidden for me to travel through time, but you can. | 0:03:02 | 0:03:07 | |
All of you have passed through it before. | 0:03:07 | 0:03:08 | |
Look, if we go, and I'm not saying that we will, | 0:03:08 | 0:03:11 | |
then how do we get back? | 0:03:11 | 0:03:12 | |
Find the objects, and they will bring you home, | 0:03:12 | 0:03:16 | |
and I'm afraid, Sarah Jane, | 0:03:16 | 0:03:17 | |
there is no choice in the matter! | 0:03:17 | 0:03:21 | |
And be careful! | 0:03:26 | 0:03:27 | |
History can be a dangerous place. | 0:03:29 | 0:03:31 | |
PARROT CAWS | 0:03:31 | 0:03:34 | |
That's right, Captain, | 0:03:34 | 0:03:37 | |
they have until the sands run out... | 0:03:37 | 0:03:41 | |
or this world is doomed. | 0:03:41 | 0:03:42 | |
Sarah Jane? | 0:04:07 | 0:04:09 | |
Rani? Where are you?! | 0:04:09 | 0:04:14 | |
More to the point, | 0:04:18 | 0:04:20 | |
where am I? | 0:04:20 | 0:04:22 | |
Hello? | 0:04:38 | 0:04:41 | |
Clyde? | 0:04:41 | 0:04:43 | |
Rani? | 0:04:43 | 0:04:45 | |
Can anyone hear me? | 0:04:45 | 0:04:47 | |
Can anyone hear me?! | 0:04:47 | 0:04:48 | |
FOOTSTEPS THEN HEAVY BREATHING | 0:04:48 | 0:04:51 | |
Oh! Heavens, oh, you gave me a fair fright! | 0:05:04 | 0:05:07 | |
Creeping up like that! | 0:05:07 | 0:05:09 | |
You are not expected till the morrow. | 0:05:10 | 0:05:13 | |
Where am I? | 0:05:13 | 0:05:15 | |
-Where is this? -I beg your pardon, my lady, are you quite well? | 0:05:15 | 0:05:18 | |
I am sure it has been a long journey from the East, but... | 0:05:18 | 0:05:21 | |
Did you say you were expecting me? | 0:05:21 | 0:05:23 | |
Of course. 'Twas the Queen's personal request that you came. | 0:05:23 | 0:05:27 | |
Seriously? | 0:05:27 | 0:05:28 | |
-Is this Buckingham Palace? -'Tis the Tower of London, the royal chambers. | 0:05:28 | 0:05:34 | |
And Queen Jane is eager to meet you. | 0:05:34 | 0:05:37 | |
Jane... | 0:05:37 | 0:05:39 | |
My, you are tired from the journey. | 0:05:39 | 0:05:41 | |
I am Mistress Ellen, head of Her Majesty's household. | 0:05:43 | 0:05:47 | |
I've been with her since she was a babe. Lady Jane, she was then. | 0:05:47 | 0:05:51 | |
Lady Jane Grey? | 0:05:51 | 0:05:53 | |
I've certainly heard of her. | 0:05:53 | 0:05:56 | |
-She was made Queen, nine days ago. -Of course, the Nine Days' Queen. | 0:05:56 | 0:06:00 | |
Now, we had best find more suitable attire... | 0:06:00 | 0:06:06 | |
for the Queen's new lady-in-waiting. | 0:06:06 | 0:06:08 | |
No network. | 0:06:16 | 0:06:18 | |
I don't think we're in Ealing any more, Clydey. | 0:06:18 | 0:06:21 | |
Psst! | 0:06:24 | 0:06:26 | |
Psst! Quick, or they'll see you! | 0:06:27 | 0:06:30 | |
Get down! | 0:06:30 | 0:06:31 | |
Well, wherever I am, they haven't invented style yet. | 0:06:36 | 0:06:40 | |
I'm Clyde. Who are you? | 0:06:40 | 0:06:42 | |
My name's George, George Woods... | 0:06:42 | 0:06:45 | |
and you can hardly talk. Now, keep your voice down. | 0:06:45 | 0:06:47 | |
-Why, what you looking at? -Germans. | 0:06:47 | 0:06:49 | |
-I'm sure of it. -What, nabbing all the sun loungers? | 0:06:49 | 0:06:52 | |
Mum warned me when I was evacuated | 0:06:52 | 0:06:55 | |
that the country folk was a bit thick. | 0:06:55 | 0:06:57 | |
Evacuated? | 0:06:57 | 0:06:59 | |
Right, I get it, so this is like...1939 or something? | 0:06:59 | 0:07:03 | |
But she didn't say just how thick. | 0:07:03 | 0:07:05 | |
-It's the 7th of June, 1941. -Really? | 0:07:05 | 0:07:09 | |
That's seriously cool. | 0:07:09 | 0:07:12 | |
So when you said Germans, you actually meant... | 0:07:12 | 0:07:15 | |
Nazis! | 0:07:15 | 0:07:17 | |
At last, I have you trapped! | 0:07:18 | 0:07:20 | |
Now, speak your name, spirit! | 0:07:20 | 0:07:22 | |
I'm not a spirit - I'm Sarah Jane Smith. | 0:07:28 | 0:07:32 | |
Why are you haunting this house? | 0:07:32 | 0:07:34 | |
Look, if I was a ghost... | 0:07:34 | 0:07:36 | |
And by the way, there's no such thing. | 0:07:36 | 0:07:38 | |
..you wouldn't be able to touch me, would you? Come on. | 0:07:38 | 0:07:41 | |
See? | 0:07:46 | 0:07:48 | |
Just as solid as you are. | 0:07:48 | 0:07:53 | |
Pleased to meet you...? | 0:07:53 | 0:07:54 | |
E-Emily Morris. | 0:07:54 | 0:07:56 | |
Do you live here? | 0:07:56 | 0:07:58 | |
Nobody lives here. I'm just investigating. | 0:07:58 | 0:08:02 | |
But there are ghosts in this house, everybody says so. | 0:08:02 | 0:08:05 | |
Well, just because everybody says something doesn't make it true. | 0:08:05 | 0:08:08 | |
That door was locked, so if you're not a ghost, | 0:08:10 | 0:08:13 | |
how did you get in here? | 0:08:13 | 0:08:14 | |
Er, yes, well that's a little tricky to explain. | 0:08:14 | 0:08:18 | |
What year is this? | 0:08:18 | 0:08:19 | |
1889. | 0:08:19 | 0:08:21 | |
SPECTRAL VOICES | 0:08:21 | 0:08:22 | |
No such thing as ghosts, you say. | 0:08:27 | 0:08:30 | |
What was that, then? | 0:08:31 | 0:08:33 | |
Come on, let ME have a go. | 0:08:36 | 0:08:38 | |
They could be Brits - it's hard to tell. | 0:08:40 | 0:08:42 | |
Are you sure they're Nazis, George? | 0:08:42 | 0:08:46 | |
Yeah, I see it! You're right! | 0:08:51 | 0:08:54 | |
Time travel's awesome, isn't it? | 0:08:54 | 0:08:55 | |
-I've got to do it more often. -They must have come in on a U-Boat. | 0:08:55 | 0:08:58 | |
An invasion! | 0:08:58 | 0:09:00 | |
We shall fight them on the beaches, we shall fight them on the... | 0:09:00 | 0:09:05 | |
the other places. But, hang on, what ARE going to do? | 0:09:05 | 0:09:08 | |
We're going to call the Home Guard, of course! | 0:09:08 | 0:09:10 | |
Good thinking, '40s boy. | 0:09:10 | 0:09:12 | |
Ready. | 0:09:22 | 0:09:24 | |
Ta-da! Ooh... | 0:09:26 | 0:09:29 | |
What do you think? | 0:09:29 | 0:09:31 | |
Most becoming, my lady. | 0:09:31 | 0:09:33 | |
'Tis only me, Your Majesty, and your new lady. May we enter? | 0:09:34 | 0:09:38 | |
Lady Matilda, my crown, please. Thank you. | 0:09:38 | 0:09:44 | |
We are ready to receive you now. | 0:09:47 | 0:09:49 | |
Your Majesty, | 0:09:55 | 0:09:57 | |
may I present, Lady... | 0:09:57 | 0:09:58 | |
Oh. | 0:09:58 | 0:10:00 | |
Lady Rani. From the court of...the Taj Mahal. | 0:10:00 | 0:10:06 | |
I know it not. | 0:10:08 | 0:10:09 | |
But you have clearly travelled far, Lady Rani. I am most grateful. | 0:10:09 | 0:10:13 | |
You may leave us, Ellen. | 0:10:15 | 0:10:18 | |
You too, Lady Matilda. | 0:10:18 | 0:10:19 | |
Forgive me, but I thought the request | 0:10:22 | 0:10:25 | |
was for an elderly companion. | 0:10:25 | 0:10:27 | |
And I heard the Countess of Arundel was already on her way. | 0:10:27 | 0:10:31 | |
Your Majesty, can we trust this... | 0:10:31 | 0:10:34 | |
foreigner? | 0:10:34 | 0:10:36 | |
I hope the Queen will judge me on my own character, | 0:10:37 | 0:10:40 | |
just as she might judge you on yours. | 0:10:40 | 0:10:42 | |
Well said. | 0:10:45 | 0:10:47 | |
Matilda, where are your manners? | 0:10:48 | 0:10:51 | |
I say again, leave us. | 0:10:51 | 0:10:52 | |
And what is this you bring? | 0:10:58 | 0:11:00 | |
It's a music box. Go on, open it! | 0:11:00 | 0:11:04 | |
MUSIC PLAYS | 0:11:07 | 0:11:11 | |
How is this possible? | 0:11:11 | 0:11:13 | |
-They're dead clever where I come from. -Thank you, Lady Rani. | 0:11:13 | 0:11:16 | |
I will treasure this forever. | 0:11:16 | 0:11:19 | |
It must be hard for you, being so far from home. | 0:11:22 | 0:11:25 | |
Especially if you knew how far away home really is. | 0:11:25 | 0:11:28 | |
I too am alone. | 0:11:28 | 0:11:31 | |
Even those I thought most loyal | 0:11:31 | 0:11:33 | |
now call for Lady Mary to be crowned in my place. | 0:11:33 | 0:11:36 | |
Oh, it is all too distressing to discuss. | 0:11:36 | 0:11:40 | |
No, tell me. It's important. | 0:11:40 | 0:11:42 | |
When the King died without an heir, we thought his sister, Mary, | 0:11:47 | 0:11:50 | |
would take the throne. | 0:11:50 | 0:11:53 | |
But they made me Queen, and I never wanted to be. | 0:11:53 | 0:11:57 | |
My father-in-law saw it as a way to gain power for himself. | 0:11:57 | 0:12:00 | |
Father-in-law? You're married? | 0:12:00 | 0:12:02 | |
My mother forced me to marry Lord Dudley. | 0:12:02 | 0:12:05 | |
But the man is an ass! | 0:12:05 | 0:12:09 | |
He talks of nothing but himself, | 0:12:09 | 0:12:11 | |
fails to compliment me if I wear a new gown... | 0:12:11 | 0:12:14 | |
-Oh, and he never washes. -Yeah, I know guys like that. | 0:12:14 | 0:12:19 | |
I like you, Lady Rani. You speak to me as a person, not a queen. | 0:12:21 | 0:12:27 | |
-Tell me of yourself. -There's not much to tell, really. | 0:12:27 | 0:12:31 | |
-Are you married? -Shut up! | 0:12:31 | 0:12:33 | |
Sorry. I mean, no, Your Majesty. | 0:12:36 | 0:12:40 | |
Well, you know, I'm only 17. | 0:12:40 | 0:12:43 | |
I am but 16 and wed. | 0:12:43 | 0:12:45 | |
Do you not have a sweetheart? | 0:12:45 | 0:12:47 | |
There must be one gentleman who occupies your thoughts. | 0:12:47 | 0:12:51 | |
There is someone I spend a lot of time with. | 0:12:51 | 0:12:53 | |
Wouldn't exactly call him a gentleman, though! | 0:12:53 | 0:12:57 | |
Where are we going? | 0:13:01 | 0:13:03 | |
St Michael's. | 0:13:03 | 0:13:04 | |
They've got a telephone. | 0:13:04 | 0:13:06 | |
-Clyde is doing well... -CAWING | 0:13:08 | 0:13:11 | |
..but you're right, Captain, | 0:13:11 | 0:13:15 | |
he must be quicker. | 0:13:15 | 0:13:17 | |
We cannot keep the Time Window open much longer. | 0:13:18 | 0:13:22 | |
Now...what of Sarah Jane? | 0:13:24 | 0:13:28 | |
Odd. So much chronon energy... | 0:13:32 | 0:13:35 | |
I've checked upstairs - there's nobody there, | 0:13:35 | 0:13:38 | |
so it's got to be ghosts. | 0:13:38 | 0:13:40 | |
Not according to this, it isn't. | 0:13:40 | 0:13:42 | |
What is that? And where are you from exactly? | 0:13:42 | 0:13:46 | |
A long way away. And this measures energy fields, amongst other things. | 0:13:46 | 0:13:51 | |
The readings are very unusual. | 0:13:51 | 0:13:53 | |
-Who owns this house? -The Tillotsons, | 0:13:55 | 0:13:57 | |
but they couldn't bear all the ghastly noises, | 0:13:57 | 0:13:59 | |
so they moved and locked the place up. | 0:13:59 | 0:14:01 | |
I'm rather handy with locks. | 0:14:01 | 0:14:03 | |
Oh, well, yeah. | 0:14:03 | 0:14:05 | |
You and me both. | 0:14:05 | 0:14:07 | |
Funny thing is, | 0:14:07 | 0:14:11 | |
it was 60 degrees Fahrenheit outside, but it's 41 in here. | 0:14:11 | 0:14:15 | |
Classic sign of ghosts. | 0:14:15 | 0:14:17 | |
What is it with you and ghosts? | 0:14:17 | 0:14:21 | |
Just curious. | 0:14:21 | 0:14:23 | |
No, there's more to it than that. | 0:14:23 | 0:14:25 | |
Nine weeks ago... | 0:14:27 | 0:14:30 | |
my mother, she...she... she passed over. | 0:14:30 | 0:14:33 | |
I'm sorry to hear that. | 0:14:36 | 0:14:38 | |
She disappeared from my life. | 0:14:38 | 0:14:40 | |
Father says she's gone, but she can't have gone... | 0:14:40 | 0:14:44 | |
not forever. | 0:14:44 | 0:14:46 | |
CLOCK CHIMES | 0:14:47 | 0:14:50 | |
Eight o'clock! That's it - that's when they say it starts. | 0:14:50 | 0:14:54 | |
-When what starts? -The haunting! | 0:14:54 | 0:14:57 | |
It's supposed to happen each night at eight. | 0:14:57 | 0:14:59 | |
SOUND OF DOOR OPENING | 0:14:59 | 0:15:01 | |
-What was that? -Shh. | 0:15:08 | 0:15:09 | |
Listen. | 0:15:09 | 0:15:11 | |
-WOMAN: -So sorry I'm late, Mrs Bruce. | 0:15:11 | 0:15:15 | |
I know. Well, have a great evening. | 0:15:15 | 0:15:18 | |
See you about half eleven. | 0:15:18 | 0:15:20 | |
RUNNING FOOTSTEPS | 0:15:23 | 0:15:26 | |
The stories are true. | 0:15:26 | 0:15:28 | |
There IS something strange in this house. | 0:15:28 | 0:15:30 | |
Yes...and it went that way. | 0:15:30 | 0:15:33 | |
MUSIC PLAYS The melody is so very pretty. | 0:15:38 | 0:15:41 | |
I shall never tire of hearing it. | 0:15:41 | 0:15:44 | |
Lady Rani, what are you doing? | 0:15:48 | 0:15:51 | |
Are you looking for something? | 0:15:51 | 0:15:53 | |
Sorry, Your Majesty. I'm meant to be. | 0:15:53 | 0:15:56 | |
It's complicated. | 0:15:56 | 0:15:58 | |
You can tell me. | 0:16:01 | 0:16:02 | |
We're friends now, are we not? | 0:16:02 | 0:16:05 | |
Of course we are. | 0:16:05 | 0:16:07 | |
What is it, Mistress Ellen? | 0:16:09 | 0:16:11 | |
It is ill tidings. | 0:16:11 | 0:16:14 | |
They say Mary and her army have reached London. | 0:16:15 | 0:16:18 | |
This was nailed to the door of St Paul's. | 0:16:18 | 0:16:21 | |
I fear to read it. | 0:16:21 | 0:16:23 | |
"On this the 19th day of July, 1553, | 0:16:31 | 0:16:35 | |
"Lady Mary makes just claim to the Crown of England... | 0:16:35 | 0:16:38 | |
"..and she calls upon all of her subjects to reject... | 0:16:40 | 0:16:45 | |
"any unlawful claimants." | 0:16:45 | 0:16:47 | |
Then I have no need of this... | 0:16:52 | 0:16:54 | |
..for I am no longer Queen. And if I am not Queen, | 0:16:55 | 0:16:59 | |
then I made false claim to the throne. | 0:16:59 | 0:17:02 | |
That makes me a traitor. | 0:17:02 | 0:17:04 | |
The punishment for traitors is death. | 0:17:04 | 0:17:07 | |
Right, phone, Georgie-boy? | 0:17:19 | 0:17:20 | |
This way. | 0:17:20 | 0:17:21 | |
Operator? Hello? Operator? | 0:17:28 | 0:17:31 | |
It's dead. The phone's completely dead. That's strange. | 0:17:31 | 0:17:36 | |
So what now? Is there any other way of getting help? | 0:17:36 | 0:17:38 | |
I remember Mr Porter saying something about ringing the church bell. | 0:17:38 | 0:17:40 | |
But that was only in a real emergency. | 0:17:40 | 0:17:41 | |
And what's this when it's at home?! | 0:17:41 | 0:17:43 | |
That's them! Quick! | 0:17:44 | 0:17:46 | |
THEY TALK IN GERMAN | 0:17:59 | 0:18:03 | |
Good morning. | 0:18:30 | 0:18:31 | |
I am Lieutenant Koenig. And you...are my prisoners. | 0:18:31 | 0:18:36 | |
I'm getting the same readings here. | 0:18:41 | 0:18:44 | |
RUNNING AND GIGGLING | 0:18:44 | 0:18:49 | |
What was that if it wasn't a ghost? | 0:18:51 | 0:18:53 | |
Old houses, they sometimes retain an echo of the past, | 0:18:53 | 0:18:57 | |
trapped within the very fabric of the building. | 0:18:57 | 0:19:00 | |
-WOMAN: -Yeah, but I can't come out, Joe, not tonight, it's impossible. | 0:19:00 | 0:19:04 | |
-It's the same voice as in the hallway. -Shh! | 0:19:04 | 0:19:06 | |
You know I've got to look after Ben and Katy. | 0:19:06 | 0:19:09 | |
Yes, I know, but... Yeah, all right, just chill out. | 0:19:09 | 0:19:12 | |
"Chill out"?! She said "chill out"?! | 0:19:12 | 0:19:15 | |
-What does it mean? -Ghosts are supposedly an echo of the past. | 0:19:15 | 0:19:18 | |
But this person... | 0:19:18 | 0:19:21 | |
is from the future. | 0:19:21 | 0:19:22 | |
This doesn't happen. You lot shouldn't even be in this country. | 0:19:28 | 0:19:31 | |
Quite a statement... | 0:19:36 | 0:19:38 | |
from a negro. | 0:19:38 | 0:19:39 | |
Reduced to name-calling, are you? | 0:19:39 | 0:19:42 | |
You're just a gang of bullies, picking on others | 0:19:42 | 0:19:44 | |
for what they look like, and that is why you'll lose this war. | 0:19:44 | 0:19:47 | |
Underestimating the enemy through blind, stupid prejudice! | 0:19:47 | 0:19:51 | |
Kirsch, open the case. | 0:19:53 | 0:19:55 | |
This is what will guarantee certain victory for Germany. | 0:19:56 | 0:19:59 | |
Our technology is so far in advance of your pathetic efforts. | 0:19:59 | 0:20:04 | |
Oddest looking radio I've ever seen. | 0:20:04 | 0:20:06 | |
That's because it is so much more than a radio. | 0:20:06 | 0:20:09 | |
A transmitter then, maybe? | 0:20:09 | 0:20:12 | |
-What is that? -It was discovered beneath the Rhineland. | 0:20:17 | 0:20:22 | |
The Fuhrer himself believes it to be Thor's Hammer. | 0:20:22 | 0:20:24 | |
Our scientists have found it to be a great source of power. | 0:20:24 | 0:20:27 | |
-Did you see that? -See what? | 0:20:29 | 0:20:32 | |
Must be what that junk shop bloke's after - | 0:20:36 | 0:20:38 | |
something that can change history. You've got to give that to me! | 0:20:38 | 0:20:42 | |
Get back! | 0:20:44 | 0:20:46 | |
I've got work to do here, and you are getting in my way. | 0:20:46 | 0:20:49 | |
Bagar, tie them up and lock them in the vestry. | 0:20:49 | 0:20:53 | |
Los! Los! | 0:20:53 | 0:20:56 | |
They're going to execute her. | 0:20:58 | 0:21:01 | |
But she is only 16 and she hasn't done anything wrong. | 0:21:01 | 0:21:05 | |
We could all face the axe, my lady. | 0:21:05 | 0:21:07 | |
There must be something we can do. | 0:21:07 | 0:21:09 | |
Not tonight there isn't. | 0:21:09 | 0:21:12 | |
We shall see what the morning brings. Good night, Lady Rani. | 0:21:12 | 0:21:16 | |
Trent! Trent, are you there? | 0:21:26 | 0:21:30 | |
I hear you bring word from Sir Thomas. | 0:21:30 | 0:21:32 | |
(I have a letter.) | 0:21:32 | 0:21:34 | |
If this is what I think it is, | 0:21:36 | 0:21:38 | |
then I will not have to hide my true purpose for much longer. | 0:21:38 | 0:21:42 | |
Something's causing this time and the future to cross over, | 0:21:44 | 0:21:49 | |
which means there must be a trigger, somewhere in the house. | 0:21:49 | 0:21:53 | |
-You see, I was sent here to find an object. -What object? | 0:21:53 | 0:21:56 | |
All I was told was it's made of metal | 0:21:56 | 0:21:57 | |
and it's interfering with the course of history, which... | 0:21:57 | 0:21:59 | |
which is a very dangerous thing. | 0:21:59 | 0:22:02 | |
So have you come to help? | 0:22:02 | 0:22:04 | |
-Well... -Are you...from the future? | 0:22:04 | 0:22:08 | |
Yes, I am. | 0:22:14 | 0:22:16 | |
2010! | 0:22:16 | 0:22:18 | |
That's over 100 years from now. That's impossible! | 0:22:18 | 0:22:21 | |
GIGGLING | 0:22:21 | 0:22:25 | |
It's coming from in there. | 0:22:25 | 0:22:27 | |
GIGGLING GETS LOUDER | 0:22:27 | 0:22:31 | |
That machine's dangerous, I know it is. | 0:22:33 | 0:22:35 | |
And the hammer, that's what I'm here for, it's got to be. | 0:22:35 | 0:22:37 | |
Then we need to escape then, don't we? | 0:22:37 | 0:22:39 | |
If you hadn't noticed, we're both tied up and locked in. | 0:22:39 | 0:22:42 | |
Just reach into my pocket - I've got a penknife. | 0:22:42 | 0:22:45 | |
Way to go, Georgie-boy! | 0:22:49 | 0:22:52 | |
There's nothing here. | 0:23:00 | 0:23:02 | |
Nothing we can see. | 0:23:02 | 0:23:04 | |
-GIRL: -Ben, don't! You mustn't! You know what Mum told us. | 0:23:04 | 0:23:09 | |
-BOY: -Shut up, Katy! It's only a candle! Mum does it all the time. | 0:23:09 | 0:23:13 | |
But you mustn't! Please don't! | 0:23:13 | 0:23:15 | |
Sarah Jane, look! | 0:23:15 | 0:23:16 | |
It was 41 degrees downstairs, but it's 75 in here! | 0:23:16 | 0:23:21 | |
That's because this room, in the future, | 0:23:21 | 0:23:24 | |
is on fire! | 0:23:24 | 0:23:26 | |
CRACKLING | 0:23:26 | 0:23:28 | |
Tell Sir Thomas the deed will be done by daybreak. | 0:23:37 | 0:23:40 | |
(God speed, my lady.) | 0:23:40 | 0:23:43 | |
It is time to bid Lady Jane Grey farewell... | 0:23:47 | 0:23:51 | |
..for she dies tonight! | 0:23:53 | 0:23:55 | |
-Good...news! Ta-da! -And more good news - | 0:23:57 | 0:24:02 | |
I know a way out that they don't. | 0:24:02 | 0:24:03 | |
There are benefits to being an altar boy. | 0:24:03 | 0:24:06 | |
-CLUNK! -Was ist das?! | 0:24:06 | 0:24:07 | |
-I think they might have heard that! -Clyde, quick! | 0:24:07 | 0:24:10 | |
-Ben, it's locked. -Let me try. -Ben, we're trapped. | 0:24:13 | 0:24:19 | |
-I can't stand it! -CRACKLING | 0:24:19 | 0:24:22 | |
It's just like... | 0:24:22 | 0:24:25 | |
like that night! | 0:24:25 | 0:24:26 | |
Can't we save them? | 0:24:26 | 0:24:28 | |
Somehow, we have to find a way. | 0:24:28 | 0:24:32 | |
They're taking too long, Captain! | 0:24:32 | 0:24:35 | |
We need the Chronosteen now! | 0:24:35 | 0:24:37 | |
CAWING | 0:24:37 | 0:24:39 | |
And the sands have almost run through! | 0:24:39 | 0:24:41 | |
If Sarah Jane and her friends do not return soon, | 0:24:41 | 0:24:44 | |
they'll be trapped in the past... | 0:24:44 | 0:24:46 | |
..forever! | 0:24:47 | 0:24:49 | |
Nazis are right behind me. | 0:24:52 | 0:24:55 | |
-BANGING ON DOOR -Right, nice one! Let's get help! | 0:24:55 | 0:24:59 | |
-'Ben, it's locked.' -'Let me try.' | 0:25:12 | 0:25:16 | |
It's horrible. | 0:25:16 | 0:25:18 | |
It's exactly how my mother died. | 0:25:18 | 0:25:21 | |
It's over now. It's all over. | 0:25:26 | 0:25:30 | |
But why did it stop so suddenly? | 0:25:30 | 0:25:32 | |
I guess because that's where it ends for those children. | 0:25:34 | 0:25:39 | |
Matilda! No! | 0:25:46 | 0:25:48 | |
Lady Matilda? No! | 0:25:56 | 0:25:59 | |
-Get away from her! -Lady Rani, be careful! | 0:25:59 | 0:26:03 | |
MATILDA SHOUTS | 0:26:03 | 0:26:06 | |
-Hold still! I will not hesitate to use this! -Are you all right? | 0:26:16 | 0:26:19 | |
I am fine, thank you. | 0:26:19 | 0:26:22 | |
And you have just saved my life. | 0:26:22 | 0:26:24 | |
-What is all this commotion? -Matilda just tried to kill Lady Jane! | 0:26:24 | 0:26:28 | |
-A treacherous Catholic? -I am no Catholic. | 0:26:28 | 0:26:31 | |
I am a Protestant. | 0:26:31 | 0:26:34 | |
One of my own? Then why? | 0:26:34 | 0:26:36 | |
Your death would have inspired thousands to rise up against Mary. | 0:26:36 | 0:26:41 | |
And now she will simply lock you up. | 0:26:41 | 0:26:43 | |
Then, one day, | 0:26:44 | 0:26:46 | |
she will have you quietly executed, when you could have died a martyr. | 0:26:46 | 0:26:51 | |
That's it. The object that's changing history. | 0:26:57 | 0:27:01 | |
But you weren't supposed to die tonight. I saved you. | 0:27:03 | 0:27:06 | |
That's what I was sent here to do. | 0:27:06 | 0:27:10 | |
Lady Jane has not been saved. | 0:27:10 | 0:27:12 | |
You have condemned her to die, | 0:27:12 | 0:27:15 | |
like a common traitor. | 0:27:15 | 0:27:17 | |
Forgotten and alone. | 0:27:17 | 0:27:20 | |
It brought it all back to me, hearing those children. | 0:27:20 | 0:27:24 | |
It must have been like that for Mother. | 0:27:24 | 0:27:26 | |
I know what you went through, Emily, I know what you're going through. | 0:27:26 | 0:27:29 | |
I lost both my parents when I was very young. | 0:27:29 | 0:27:32 | |
You understand then, that if | 0:27:32 | 0:27:34 | |
I'd found ghosts here, I'd know also that Mother was out there somewhere. | 0:27:34 | 0:27:37 | |
Yes, but you have to live in the here and now. | 0:27:37 | 0:27:39 | |
Oh, you're lucky, because there's someone here and now, who loves you. | 0:27:39 | 0:27:43 | |
-Your father. -I know. The here and now. | 0:27:43 | 0:27:46 | |
But we must help those children. | 0:27:46 | 0:27:48 | |
I couldn't save Mother, but there's got to some way we can save them. | 0:27:48 | 0:27:51 | |
Trouble is, it's all over now. | 0:27:51 | 0:27:53 | |
But remember, it happens every night at eight o'clock. | 0:27:53 | 0:27:57 | |
We'll have to come back tomorrow. | 0:27:57 | 0:28:00 | |
Not necessarily. | 0:28:00 | 0:28:02 | |
Think about this house, Emily. | 0:28:02 | 0:28:06 | |
It's empty... | 0:28:06 | 0:28:08 | |
The clock! | 0:28:11 | 0:28:13 | |
So we can make it happen? | 0:28:13 | 0:28:16 | |
Let's see, shall we? | 0:28:16 | 0:28:19 | |
CLOCK CHIMES It's going to begin again, isn't it? | 0:28:24 | 0:28:26 | |
It has to. We can't help those children unless we understand. | 0:28:26 | 0:28:30 | |
-DOOR OPENS -I'm so sorry I'm late, Mrs Bruce. | 0:28:35 | 0:28:40 | |
Look, Sarah Jane, you did it! | 0:28:40 | 0:28:43 | |
We can see her now! | 0:28:43 | 0:28:45 | |
See you about half eleven. | 0:28:45 | 0:28:47 | |
The echoes of the future must be getting stronger. | 0:28:47 | 0:28:49 | |
Hello? Can you hear me? | 0:28:49 | 0:28:53 | |
I've got to get back to the church. I need that hammer. | 0:29:05 | 0:29:07 | |
Why's it so important? | 0:29:07 | 0:29:09 | |
Anyway, you can get it when the Home Guard nobble the Jerries. | 0:29:09 | 0:29:13 | |
Good golly, young man! Look where you're going. | 0:29:13 | 0:29:16 | |
-George? -Well, am I glad to see you, Miss. | 0:29:16 | 0:29:18 | |
-Three Germans! At the church! -Who's this? | 0:29:18 | 0:29:21 | |
Miss Wyckham, our teacher. They held us hostage but we escaped. | 0:29:21 | 0:29:24 | |
We have to inform the Home Guard. | 0:29:24 | 0:29:26 | |
They've been captured too, and the whole of Little Malding! | 0:29:26 | 0:29:29 | |
Really? Everyone in the village? How many Germans are there, then? | 0:29:29 | 0:29:32 | |
Dozens! The place is surrounded, but I managed to slip through. | 0:29:32 | 0:29:35 | |
-We can't go anywhere near the village. -Then what now? | 0:29:35 | 0:29:38 | |
-We must all go back to St Michael's. -She's right. | 0:29:38 | 0:29:40 | |
We're the only ones who can stop the Nazis now and their radio thingy. | 0:29:40 | 0:29:44 | |
-But they're all armed, remember? -Yes, George... | 0:29:44 | 0:29:47 | |
and so are we. | 0:29:47 | 0:29:48 | |
PLANE FLIES OVERHEAD | 0:29:48 | 0:29:50 | |
I am afraid of what the morning may bring. | 0:29:56 | 0:29:58 | |
I fear I do not have long for this world. | 0:29:58 | 0:30:02 | |
Forgive me, but I feel so alone. | 0:30:08 | 0:30:11 | |
You're not alone, Lady Jane, remember. | 0:30:11 | 0:30:15 | |
You have me. | 0:30:15 | 0:30:17 | |
Has Lady Matilda been secured? | 0:30:17 | 0:30:20 | |
Yes, Jane, but so have we. | 0:30:20 | 0:30:23 | |
The palace is surrounded by Mary's guards. | 0:30:23 | 0:30:27 | |
Then I was right, the end is not far off. | 0:30:29 | 0:30:31 | |
This is so unfair! | 0:30:31 | 0:30:34 | |
Can't we tell them, tell Mary that you were used? | 0:30:34 | 0:30:37 | |
You didn't want to be Queen! | 0:30:37 | 0:30:39 | |
I fear Mary still sees Jane as a threat. | 0:30:39 | 0:30:42 | |
If she is to restore the Catholic faith, | 0:30:42 | 0:30:45 | |
she will not want Jane fuelling the Protestant cause. | 0:30:45 | 0:30:49 | |
You may go now and try to get to safety. | 0:30:49 | 0:30:53 | |
Somehow I knew, | 0:30:58 | 0:31:00 | |
when Father brought me here to be crowned that I would not leave. | 0:31:00 | 0:31:04 | |
This castle was my palace, | 0:31:04 | 0:31:07 | |
but now it is my prison. | 0:31:07 | 0:31:09 | |
As I am no longer Queen, you may return home, if you wish. | 0:31:14 | 0:31:17 | |
You're right, I could go home so easily. | 0:31:19 | 0:31:23 | |
I'm not going to. Not yet. Not while you still need a friend. | 0:31:23 | 0:31:28 | |
NO! She must not delay! | 0:31:31 | 0:31:34 | |
PARROT SQUAWKS | 0:31:34 | 0:31:36 | |
The Sands of Time have run out, Captain! | 0:31:40 | 0:31:44 | |
They have failed in their missions! | 0:31:45 | 0:31:47 | |
All is lost! | 0:31:47 | 0:31:50 | |
But the Time Window should have closed! | 0:31:58 | 0:32:00 | |
The Chronosteen must be holding it open! | 0:32:01 | 0:32:04 | |
And unless it is found, | 0:32:04 | 0:32:06 | |
the whole planet will be sucked in and destroyed! | 0:32:06 | 0:32:11 | |
Come on, Sarah Jane! | 0:32:11 | 0:32:14 | |
Yes, but I can't come out, Joe, not tonight, it's impossible. | 0:32:17 | 0:32:23 | |
You know I've got to look after Ben and Katy. | 0:32:23 | 0:32:26 | |
Yeah, I know but... | 0:32:26 | 0:32:29 | |
Yeah, all right, just chill out. | 0:32:29 | 0:32:31 | |
OK, I'll slip out. Where shall we meet you? | 0:32:32 | 0:32:35 | |
She must be the babysitter. And not a very trustworthy one it seems. | 0:32:35 | 0:32:40 | |
So she's from the future? | 0:32:40 | 0:32:41 | |
Goodness. She's got funny clothes, just like you. | 0:32:41 | 0:32:44 | |
And what's that she's talking into? | 0:32:44 | 0:32:47 | |
It's a mobile telephone. | 0:32:47 | 0:32:49 | |
I knew Mr Bell's invention would catch on. | 0:32:49 | 0:32:52 | |
But a wireless telephone? | 0:32:52 | 0:32:54 | |
The future must be very exciting. | 0:32:54 | 0:32:57 | |
No, those two will be fine. I've locked their bedroom door. | 0:32:57 | 0:33:02 | |
Keep 'em out of trouble. | 0:33:02 | 0:33:04 | |
Anyway, they'll be asleep soon. | 0:33:04 | 0:33:06 | |
CHILDREN LAUGH | 0:33:08 | 0:33:12 | |
You two! Go to sleep! | 0:33:12 | 0:33:16 | |
-It's still not here. -What's not here? | 0:33:23 | 0:33:26 | |
This object I'm looking for. | 0:33:26 | 0:33:29 | |
-There's still upstairs. -Then it's got to be there, | 0:33:29 | 0:33:32 | |
otherwise Earth's future is in serious trouble. | 0:33:32 | 0:33:35 | |
Listen to me. | 0:33:56 | 0:33:58 | |
When the Jerries have their backs to the door, give me a signal, | 0:33:58 | 0:34:01 | |
I'll burst in, you two bring up the rear. Understood? | 0:34:01 | 0:34:04 | |
Good luck, Miss. | 0:34:04 | 0:34:05 | |
This is our chance. | 0:34:16 | 0:34:18 | |
(Now!) | 0:34:18 | 0:34:20 | |
Right you lot, put your hands up! | 0:34:23 | 0:34:25 | |
Good going, Miss. | 0:34:25 | 0:34:30 | |
-What a star! -Quite right. | 0:34:30 | 0:34:31 | |
The star of the Fuhrer's conquering army. | 0:34:31 | 0:34:35 | |
Welcome back, schwein! | 0:34:39 | 0:34:40 | |
I was sent here, on a mission. | 0:34:42 | 0:34:46 | |
On a mission to save me? | 0:34:46 | 0:34:49 | |
I only wish... | 0:34:49 | 0:34:51 | |
that I could really save you, | 0:34:51 | 0:34:54 | |
from what's to come. But I can't, can I? | 0:34:54 | 0:34:57 | |
We each have a path that we must tread, | 0:34:59 | 0:35:02 | |
and this is mine. | 0:35:02 | 0:35:04 | |
All I hope is that I will be remembered even though | 0:35:04 | 0:35:07 | |
I was Queen just nine days. | 0:35:07 | 0:35:11 | |
Of course you're remembered. | 0:35:11 | 0:35:13 | |
I mean, will be remembered. | 0:35:13 | 0:35:15 | |
For hundreds of years to come. | 0:35:15 | 0:35:18 | |
You say that with such strange certainty, Lady Rani. | 0:35:18 | 0:35:22 | |
That's cos it's true. | 0:35:22 | 0:35:24 | |
How is it you seem so wise? | 0:35:24 | 0:35:27 | |
Is there something you are not telling me? | 0:35:27 | 0:35:30 | |
-Are you truly of this world? -Don't be daft, | 0:35:30 | 0:35:34 | |
course I am. | 0:35:34 | 0:35:37 | |
Whoever you are, wherever you are from, | 0:35:38 | 0:35:41 | |
I would not wish to spend these last hours of freedom with anyone else. | 0:35:41 | 0:35:44 | |
Koenig, what is the matter with you? How could you let them escape? | 0:35:47 | 0:35:50 | |
She was lying about everything, about the village, the Home Guard. | 0:35:50 | 0:35:55 | |
Definitely what that shop bloke's after. | 0:35:55 | 0:35:58 | |
Perhaps I can kill two birds with one stone. | 0:35:58 | 0:36:01 | |
If you're planning another escape, don't bother. | 0:36:01 | 0:36:03 | |
Within the hour the German invasion will be underway. | 0:36:03 | 0:36:06 | |
Invasion? What are you talking about? | 0:36:06 | 0:36:09 | |
I wasn't posted to this dreary village at random. | 0:36:09 | 0:36:12 | |
Little Malding's coastline is dotted with early-warning radar. | 0:36:12 | 0:36:15 | |
They have proved irritatingly successful at alerting the enemy | 0:36:15 | 0:36:19 | |
to our aircraft and ships. | 0:36:19 | 0:36:20 | |
But we can render the entire system useless, with our Sieg Transmitter. | 0:36:20 | 0:36:24 | |
So that thing blocks British radar? | 0:36:24 | 0:36:26 | |
Right now the glorious German fleet is preparing to depart harbours all | 0:36:26 | 0:36:30 | |
along the Dutch and Belgian coast. | 0:36:30 | 0:36:32 | |
Your so-called British Intelligence will not suspect | 0:36:32 | 0:36:34 | |
until it is far too late. | 0:36:34 | 0:36:37 | |
We know. | 0:36:37 | 0:36:39 | |
-Clyde and me. -And what can two schoolboys do? | 0:36:39 | 0:36:44 | |
You'd be surprised. | 0:36:44 | 0:36:46 | |
I've taken on bigger loonies than you lot. | 0:36:46 | 0:36:51 | |
I've fought hideous, bug-eyed monsters. | 0:36:51 | 0:36:53 | |
And defeated them all, with this! | 0:36:53 | 0:36:55 | |
-What is that? -Oh, this, this is a bomb. | 0:36:57 | 0:37:01 | |
A very small bomb, but powerful enough to blast this entire church! | 0:37:01 | 0:37:05 | |
He's bluffing! It can't be! | 0:37:05 | 0:37:07 | |
Do you really want to take that chance? | 0:37:07 | 0:37:10 | |
-Here you go... catch! -I've got it! | 0:37:10 | 0:37:12 | |
-It was a trick! -Give that to me! -Get back! Or we'll smash it. | 0:37:12 | 0:37:16 | |
People like you disgust me. | 0:37:18 | 0:37:19 | |
You hate and you fear anyone who isn't the same as you. | 0:37:19 | 0:37:23 | |
But we're British and we will fight you every step of the way. | 0:37:23 | 0:37:25 | |
And in the end, though it'll cost lives, lots of lives, | 0:37:25 | 0:37:30 | |
we'll crush you lot. | 0:37:30 | 0:37:33 | |
You don't stand a chance. | 0:37:33 | 0:37:35 | |
Really? | 0:37:35 | 0:37:37 | |
But remember, you've lost this battle, and you'll lose the war. | 0:37:37 | 0:37:41 | |
I know... I've seen it. | 0:37:41 | 0:37:42 | |
Loess! | 0:37:42 | 0:37:44 | |
-Open the door now! -Make like it's Sunday, Georgie! | 0:37:49 | 0:37:52 | |
BELLS CHIME OUT | 0:37:52 | 0:37:56 | |
It's over, Koenig! Come on! | 0:38:00 | 0:38:03 | |
The children's room. But that door's different. | 0:38:12 | 0:38:15 | |
It's got to be what the shopkeeper was after. | 0:38:26 | 0:38:28 | |
So he must have sent me to the wrong time. | 0:38:28 | 0:38:31 | |
-But why? -Maybe you came to meet me. | 0:38:31 | 0:38:34 | |
Well, I'm certainly glad I did. | 0:38:34 | 0:38:38 | |
So that key is in the future? | 0:38:38 | 0:38:41 | |
And the door is still open in our time? | 0:38:41 | 0:38:43 | |
Precisely. Which means... | 0:38:43 | 0:38:46 | |
we can walk straight through it. | 0:38:46 | 0:38:48 | |
-Amazing! -Ben, don't! You mustn't! | 0:38:59 | 0:39:02 | |
-You know what Mum told us. -Shut up, Katy! | 0:39:02 | 0:39:05 | |
-It's only a candle! -Please don't! | 0:39:05 | 0:39:07 | |
So he starts the fire. And they've been locked in here. | 0:39:07 | 0:39:10 | |
-How can we help them? -I'm thinking, I'm racking my brain. | 0:39:10 | 0:39:12 | |
-Ben! You'll start a fire. -I can't stand it! | 0:39:12 | 0:39:15 | |
-They heard me! -But how? | 0:39:18 | 0:39:21 | |
They're at a completely different point in time. | 0:39:21 | 0:39:23 | |
-I'm telling Gemma! -I was thinking about the night Mother died, | 0:39:28 | 0:39:31 | |
and then I felt it, just for a moment. | 0:39:31 | 0:39:34 | |
I'm sure I crossed over into their time. | 0:39:34 | 0:39:37 | |
Your fear, it must be connecting to theirs! | 0:39:37 | 0:39:41 | |
-Ben, it's locked! -Let me try. | 0:39:41 | 0:39:44 | |
Oh, if you can cross over, you can turn your fear | 0:39:44 | 0:39:47 | |
into a force for good! Come on! | 0:39:47 | 0:39:51 | |
Ben, we're trapped! | 0:39:53 | 0:39:55 | |
Ben, we're trapped! | 0:39:55 | 0:39:57 | |
Concentrate on that terrible night. | 0:39:57 | 0:39:59 | |
It'll save them. | 0:40:01 | 0:40:04 | |
Come on, Emily. | 0:40:04 | 0:40:07 | |
Remember your mum, Emily. | 0:40:07 | 0:40:09 | |
Your fear will connect you. | 0:40:09 | 0:40:11 | |
-Yes! -It worked! | 0:40:11 | 0:40:14 | |
-We did it! We saved them! -No, Emily, you saved them. | 0:40:30 | 0:40:34 | |
And your mother would be very, very proud of you. | 0:40:34 | 0:40:38 | |
How do I look? | 0:40:45 | 0:40:48 | |
Most becoming, my lady. | 0:40:48 | 0:40:52 | |
I wish to be prepared. | 0:40:58 | 0:40:59 | |
But promise me you will leave soon. It's too dangerous here. | 0:40:59 | 0:41:02 | |
I said I'd stay by your side, | 0:41:02 | 0:41:04 | |
-and I meant it. -But they will arrest you too. | 0:41:04 | 0:41:07 | |
Don't worry about me, I can look after myself. | 0:41:07 | 0:41:12 | |
I'm so sorry, Jane. Queen Mary has ordered you be taken to the Keep, | 0:41:15 | 0:41:21 | |
to await trial. | 0:41:21 | 0:41:23 | |
-You must come now. -Do not fret, Ellen. | 0:41:23 | 0:41:28 | |
I have done my living, | 0:41:30 | 0:41:32 | |
and I am ready for something far more important. | 0:41:32 | 0:41:35 | |
I may go to my death, | 0:41:35 | 0:41:36 | |
but it will not be in vain. | 0:41:39 | 0:41:40 | |
Tell me again that I am not forgotten. | 0:41:40 | 0:41:43 | |
I promise you. | 0:41:43 | 0:41:46 | |
Not by your people, and not by history, | 0:41:46 | 0:41:51 | |
and never by me. | 0:41:51 | 0:41:53 | |
Goodbye, Rani. My friend. | 0:41:56 | 0:41:59 | |
-It is time for me to leave you now. -And me to leave you. | 0:41:59 | 0:42:02 | |
Goodbye, Jane. | 0:42:05 | 0:42:07 | |
'Tis witchcraft! | 0:42:21 | 0:42:24 | |
Lady Rani is not of this world, | 0:42:25 | 0:42:28 | |
but she is no witch, Ellen. | 0:42:28 | 0:42:30 | |
She is an angel. | 0:42:32 | 0:42:34 | |
I have always suspected so. | 0:42:34 | 0:42:37 | |
And as angels speak only the truth, | 0:42:37 | 0:42:40 | |
I know I do not die in vain. | 0:42:43 | 0:42:46 | |
BELLS PEAL | 0:42:47 | 0:42:49 | |
They'll probably be back at the beach by now. | 0:42:49 | 0:42:52 | |
I hope they don't get away after all we've done. | 0:42:52 | 0:42:54 | |
The Home Guard will catch 'em, you can bet your life on that. | 0:42:54 | 0:42:57 | |
You're right, Clyde, what you said to them Jerries. | 0:42:57 | 0:42:59 | |
We will crush 'em. I'm going to join up and help do it myself. | 0:42:59 | 0:43:02 | |
That's not what I meant, George. I don't want you to fight. | 0:43:02 | 0:43:05 | |
It's dangerous out there. | 0:43:05 | 0:43:07 | |
It's my duty, for King and Country. | 0:43:07 | 0:43:10 | |
At least leave it a few years. | 0:43:10 | 0:43:12 | |
1945, to be precise. | 0:43:12 | 0:43:14 | |
Not likely. I'm going to get stuck in, soon as they let me. | 0:43:14 | 0:43:16 | |
Just you wait and see. | 0:43:16 | 0:43:19 | |
Right, you wait for the Home Guard. | 0:43:19 | 0:43:20 | |
Keep the door locked though, in case the Jerries come back. | 0:43:20 | 0:43:24 | |
-And where are you going? -Back to where I came from, I hope. | 0:43:24 | 0:43:27 | |
London? But what about the bombing? | 0:43:27 | 0:43:30 | |
It's not the London you're thinking of. | 0:43:30 | 0:43:32 | |
Look, I can't explain. | 0:43:32 | 0:43:34 | |
Good luck though, Georgie-boy. | 0:43:34 | 0:43:35 | |
And if you do sign up, please, | 0:43:35 | 0:43:37 | |
be careful. | 0:43:37 | 0:43:39 | |
Well, stone me! | 0:43:45 | 0:43:47 | |
Come on! Come on! | 0:43:47 | 0:43:49 | |
THEY GASP | 0:43:51 | 0:43:53 | |
-Yep, all in one piece. -Please, let me have the Chronosteen! | 0:43:53 | 0:43:59 | |
-And I'm loving the new look. -What is happening here? | 0:43:59 | 0:44:03 | |
-And where's Sarah Jane? -She's still in the past. | 0:44:03 | 0:44:08 | |
And without her the Earth is doomed! | 0:44:10 | 0:44:13 | |
Do you think my father will believe that I've travelled in time? | 0:44:17 | 0:44:21 | |
Not everyone's as open to new ideas as us. | 0:44:21 | 0:44:24 | |
But at least you two you'll be talking, sharing things, and... | 0:44:24 | 0:44:27 | |
not dwelling on what's gone and can't come back. | 0:44:27 | 0:44:30 | |
Yes, it's the here and now that counts, you were right. | 0:44:30 | 0:44:35 | |
Though the future does sound exciting. | 0:44:35 | 0:44:38 | |
The future's got its problems too. | 0:44:38 | 0:44:41 | |
Talking of which. Emily, I need that key. | 0:44:41 | 0:44:43 | |
Thank you. | 0:44:46 | 0:44:49 | |
What's happening? | 0:44:51 | 0:44:53 | |
I'm going back, to my own time. I'm sorry, but this is goodbye. | 0:44:53 | 0:44:56 | |
But I don't want you to go! I want you here! I want to learn more! | 0:44:56 | 0:44:59 | |
You will, all by yourself. Please, let go! | 0:44:59 | 0:45:02 | |
Oh, Sarah Jane, I'm sorry. | 0:45:09 | 0:45:12 | |
Rani, Clyde, you're OK! | 0:45:16 | 0:45:18 | |
Where is the Chronosteen, Miss Smith? | 0:45:18 | 0:45:22 | |
-The key! I need the third object! -I'm so sorry, but I lost it. | 0:45:22 | 0:45:26 | |
-Send me, I'll get it back! -The Time Window is too dangerous now. | 0:45:26 | 0:45:29 | |
Only the key can close it. And it must be closed! | 0:45:29 | 0:45:32 | |
There must be something we can do! | 0:45:32 | 0:45:34 | |
It's too late! The Earth is about to be sucked into the Time Vortex! | 0:45:34 | 0:45:37 | |
We've got to stop it! | 0:45:39 | 0:45:41 | |
BELL RINGS | 0:45:41 | 0:45:44 | |
Are you Sarah Jane Smith? | 0:45:46 | 0:45:48 | |
I've been asked to give you... | 0:45:48 | 0:45:52 | |
this. SARAH JANE GASPS | 0:45:52 | 0:45:56 | |
We did it! The Time Window's shut! | 0:46:03 | 0:46:07 | |
Indeed you did. How marvellous! | 0:46:08 | 0:46:11 | |
Where are you going? | 0:46:14 | 0:46:16 | |
Now, that would be telling. | 0:46:16 | 0:46:19 | |
The Captain's work is done here, which is all you need to know. | 0:46:19 | 0:46:23 | |
I'd love to stay and chat, but, well, duty calls. | 0:46:23 | 0:46:26 | |
'The Captain's work'? | 0:46:30 | 0:46:32 | |
We've been working for a flippin' parrot? | 0:46:32 | 0:46:35 | |
-THEY LAUGH -But who were they anyway? | 0:46:35 | 0:46:37 | |
Uh... I don't think they wanted us to know. | 0:46:37 | 0:46:40 | |
Can't stick these enigmatic types. | 0:46:40 | 0:46:43 | |
Well, I was warned to expect some strange things. | 0:46:43 | 0:46:45 | |
And I must say, Miss Smith, you do not disappoint. | 0:46:45 | 0:46:49 | |
Well, welcome to my world. And thank you, Miss... Morris? | 0:46:49 | 0:46:52 | |
Angela Pryce. | 0:46:52 | 0:46:53 | |
Emily Morris was my grandmother. | 0:46:53 | 0:46:55 | |
Oh, good on Emily. She came through in the end. | 0:46:55 | 0:46:58 | |
When I was a little girl, Granny gave me that key, said she'd | 0:46:58 | 0:47:02 | |
made a terrible mistake by taking it, and told me to bring it to the place | 0:47:02 | 0:47:06 | |
in this article, on this very day. | 0:47:06 | 0:47:09 | |
She said I'd meet a woman called Sarah Jane Smith. | 0:47:09 | 0:47:13 | |
It's been quite a wait. | 0:47:13 | 0:47:15 | |
A lifetime or two, in fact. | 0:47:15 | 0:47:18 | |
-You and your granny have just saved the world. -Oh! | 0:47:18 | 0:47:21 | |
So, what happened to Emily? | 0:47:21 | 0:47:25 | |
She became a doctor, then founded a hospital for children. | 0:47:25 | 0:47:28 | |
She inspired so many to follow in her footsteps, | 0:47:28 | 0:47:31 | |
including my mother and me. | 0:47:31 | 0:47:33 | |
We loved her very much. | 0:47:33 | 0:47:35 | |
Let's get a cuppa, shall we, Angela? | 0:47:37 | 0:47:39 | |
I want to hear lots more about your grandmother, and you. | 0:47:39 | 0:47:42 | |
-That's a...nice dress. -Oi! | 0:47:46 | 0:47:50 | |
BELL RINGS | 0:47:50 | 0:47:55 | |
WHOOSHING SOUNDS | 0:47:55 | 0:47:58 | |
"Following his triumph as an evacuee in Norfolk, George Woods | 0:48:01 | 0:48:04 | |
"joined the Army, aged just 16, and fought in the Battle of Ardennes. | 0:48:04 | 0:48:09 | |
"But it's for his work in the field of radar development that George, | 0:48:09 | 0:48:13 | |
"now 83, has been honoured this week by Her Majesty the Queen." | 0:48:13 | 0:48:18 | |
"And in the final hours before her execution, | 0:48:32 | 0:48:36 | |
"Lady Jane wrote to her sister, Katherine, | 0:48:36 | 0:48:39 | |
"I am touching my death, | 0:48:39 | 0:48:41 | |
"but rejoice, good sister. | 0:48:41 | 0:48:44 | |
"I shall be delivered of corruption. | 0:48:44 | 0:48:46 | |
"And though I lose my mortal life, | 0:48:46 | 0:48:50 | |
"I am assured that I win immortality." | 0:48:50 | 0:48:53 | |
-What are you doing here? -Saving the world. | 0:49:02 | 0:49:05 | |
She's exactly like you! | 0:49:05 | 0:49:06 | |
-What's your name? -Ruby White. | 0:49:06 | 0:49:08 | |
You used a bio-coolant spray on a | 0:49:08 | 0:49:10 | |
meteor you couldn't have known had fallen to Earth. | 0:49:10 | 0:49:12 | |
Don't think I haven't met amateurs before. | 0:49:12 | 0:49:15 | |
Rani, take that! | 0:49:15 | 0:49:16 | |
Whoa! Get down! | 0:49:18 | 0:49:20 | |
Wait till you see what I've got for you! | 0:49:20 | 0:49:22 | |
THEY READY WEAPONS | 0:49:22 | 0:49:24 | |
I've got us killed. | 0:49:24 | 0:49:25 | |
Subtitles by Red Bee Media Ltd | 0:49:36 | 0:49:39 | |
E-mail [email protected] | 0:49:39 | 0:49:42 |