Browse content similar to Part 1. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
13 Bannerman Road is where Sarah Jane Smith lives. | 0:00:02 | 0:00:03 | |
And it's home to things way beyond your imagination. | 0:00:03 | 0:00:07 | |
There's an extraterrestrial supercomputer in the wall... | 0:00:07 | 0:00:10 | |
her son, a genetically engineered boy genius... | 0:00:10 | 0:00:14 | |
a schoolgirl investigator across the road... | 0:00:14 | 0:00:16 | |
and a whole universe of adventure | 0:00:16 | 0:00:19 | |
right here on the doorstep. | 0:00:19 | 0:00:20 | |
-Ready? -Always. | 0:00:26 | 0:00:30 | |
The shop's owner, Mr Smalley, | 0:00:32 | 0:00:36 | |
who refused to give his age, | 0:00:36 | 0:00:38 | |
said he saw a creature 12 feet tall, with huge fangs and red eyes. | 0:00:38 | 0:00:42 | |
What are we up against - | 0:00:42 | 0:00:43 | |
-the Gruffalo(?) -LAUGHTER | 0:00:43 | 0:00:45 | |
Well, there's only one way to find out. | 0:00:45 | 0:00:48 | |
BELL RINGS | 0:00:54 | 0:00:56 | |
Hello. | 0:00:56 | 0:00:59 | |
CACKLING | 0:00:59 | 0:01:00 | |
Hello! | 0:01:00 | 0:01:03 | |
Hello! | 0:01:03 | 0:01:05 | |
What is it we're looking for? | 0:01:11 | 0:01:13 | |
Haven't the foggiest. But I'll know it when I see it. | 0:01:13 | 0:01:16 | |
That's what my mum says when she's dragging me round Primark. | 0:01:16 | 0:01:19 | |
Ooh, I always wanted one of these when I was little. | 0:01:19 | 0:01:23 | |
MUSIC PLAYS | 0:01:23 | 0:01:25 | |
Is that a blood stain? | 0:01:28 | 0:01:30 | |
But whose blood? > | 0:01:30 | 0:01:31 | |
That is the question. | 0:01:36 | 0:01:38 | |
Oh, I'm sorry, Mr Smalley? Or...co? | 0:01:38 | 0:01:42 | |
Some say that arrow was pulled from the eye of King Harold himself | 0:01:43 | 0:01:48 | |
after the Battle of Hastings. | 0:01:48 | 0:01:50 | |
And some say he wasn't shot in the eye at all. Read that online. | 0:01:50 | 0:01:54 | |
The tapestry of time is a fragile thing. | 0:01:54 | 0:01:57 | |
Apply the slightest pressure, and the threads of history can unravel. | 0:01:57 | 0:02:02 | |
But you understand that, don't you, Sarah Jane? | 0:02:02 | 0:02:05 | |
-How do you know my name? -Oh, I know a great many things. | 0:02:05 | 0:02:08 | |
The newspaper cutting... | 0:02:08 | 0:02:11 | |
that was for our benefit, wasn't it? Look, I don't like being tricked. | 0:02:11 | 0:02:13 | |
Who are you and what do you want? | 0:02:13 | 0:02:15 | |
I need your help, to save the world. | 0:02:15 | 0:02:18 | |
Time itself is under threat. | 0:02:18 | 0:02:20 | |
-From what? -Chronosteen. | 0:02:20 | 0:02:22 | |
A metal forged within the time vortex, | 0:02:22 | 0:02:25 | |
with the power to re-shape destiny. | 0:02:25 | 0:02:27 | |
Three pieces of it, moulded into different objects, | 0:02:27 | 0:02:30 | |
are lodged at key points in the Earth's history. | 0:02:30 | 0:02:33 | |
PARROT CAWS | 0:02:33 | 0:02:36 | |
They must be recovered. | 0:02:36 | 0:02:37 | |
What objects? Where in history? | 0:02:37 | 0:02:40 | |
They could be anything, anywhere. | 0:02:40 | 0:02:43 | |
Well, good luck with that. | 0:02:43 | 0:02:44 | |
But you are the only ones who can do this! | 0:02:44 | 0:02:46 | |
You're the Earth's last hope. | 0:02:46 | 0:02:49 | |
Even if I believe you, how can we possibly find this Chronosteen? | 0:02:49 | 0:02:52 | |
This is a Time Window, Sarah Jane. | 0:02:52 | 0:02:54 | |
It will take you close to the objects. | 0:02:54 | 0:02:59 | |
If you can create that, why can't you go yourself? | 0:02:59 | 0:03:02 | |
It is forbidden for me to travel through time, but you can. | 0:03:02 | 0:03:07 | |
All of you have passed through it before. | 0:03:07 | 0:03:08 | |
Look, if we go, and I'm not saying that we will, | 0:03:08 | 0:03:11 | |
then how do we get back? | 0:03:11 | 0:03:12 | |
Find the objects, and they will bring you home, | 0:03:12 | 0:03:16 | |
and I'm afraid, Sarah Jane, | 0:03:16 | 0:03:17 | |
there is no choice in the matter! | 0:03:17 | 0:03:21 | |
And be careful! | 0:03:26 | 0:03:27 | |
History can be a dangerous place. | 0:03:29 | 0:03:31 | |
PARROT CAWS | 0:03:31 | 0:03:34 | |
That's right, Captain, | 0:03:34 | 0:03:37 | |
they have until the sands run out... | 0:03:37 | 0:03:41 | |
or this world is doomed. | 0:03:41 | 0:03:42 | |
Sarah Jane? | 0:04:07 | 0:04:09 | |
Rani? Where are you?! | 0:04:09 | 0:04:14 | |
More to the point, | 0:04:18 | 0:04:20 | |
where am I? | 0:04:20 | 0:04:22 | |
Hello? | 0:04:38 | 0:04:41 | |
Clyde? | 0:04:41 | 0:04:43 | |
Rani? | 0:04:43 | 0:04:45 | |
Can anyone hear me? | 0:04:45 | 0:04:47 | |
Can anyone hear me?! | 0:04:47 | 0:04:48 | |
FOOTSTEPS THEN HEAVY BREATHING | 0:04:48 | 0:04:51 | |
Oh! Heavens, oh, you gave me a fair fright! | 0:05:04 | 0:05:07 | |
Creeping up like that! | 0:05:07 | 0:05:09 | |
You are not expected till the morrow. | 0:05:10 | 0:05:13 | |
Where am I? | 0:05:13 | 0:05:15 | |
-Where is this? -I beg your pardon, my lady, are you quite well? | 0:05:15 | 0:05:18 | |
I am sure it has been a long journey from the East, but... | 0:05:18 | 0:05:21 | |
Did you say you were expecting me? | 0:05:21 | 0:05:23 | |
Of course. 'Twas the Queen's personal request that you came. | 0:05:23 | 0:05:27 | |
Seriously? | 0:05:27 | 0:05:28 | |
-Is this Buckingham Palace? -'Tis the Tower of London, the royal chambers. | 0:05:28 | 0:05:34 | |
And Queen Jane is eager to meet you. | 0:05:34 | 0:05:37 | |
Jane... | 0:05:37 | 0:05:39 | |
My, you are tired from the journey. | 0:05:39 | 0:05:41 | |
I am Mistress Ellen, head of Her Majesty's household. | 0:05:43 | 0:05:47 | |
I've been with her since she was a babe. Lady Jane, she was then. | 0:05:47 | 0:05:51 | |
Lady Jane Grey? | 0:05:51 | 0:05:53 | |
I've certainly heard of her. | 0:05:53 | 0:05:56 | |
-She was made Queen, nine days ago. -Of course, the Nine Days' Queen. | 0:05:56 | 0:06:00 | |
Now, we had best find more suitable attire... | 0:06:00 | 0:06:06 | |
for the Queen's new lady-in-waiting. | 0:06:06 | 0:06:08 | |
No network. | 0:06:16 | 0:06:18 | |
I don't think we're in Ealing any more, Clydey. | 0:06:18 | 0:06:21 | |
Psst! | 0:06:24 | 0:06:26 | |
Psst! Quick, or they'll see you! | 0:06:27 | 0:06:30 | |
Get down! | 0:06:30 | 0:06:31 | |
Well, wherever I am, they haven't invented style yet. | 0:06:36 | 0:06:40 | |
I'm Clyde. Who are you? | 0:06:40 | 0:06:42 | |
My name's George, George Woods... | 0:06:42 | 0:06:45 | |
and you can hardly talk. Now, keep your voice down. | 0:06:45 | 0:06:47 | |
-Why, what you looking at? -Germans. | 0:06:47 | 0:06:49 | |
-I'm sure of it. -What, nabbing all the sun loungers? | 0:06:49 | 0:06:52 | |
Mum warned me when I was evacuated | 0:06:52 | 0:06:55 | |
that the country folk was a bit thick. | 0:06:55 | 0:06:57 | |
Evacuated? | 0:06:57 | 0:06:59 | |
Right, I get it, so this is like...1939 or something? | 0:06:59 | 0:07:03 | |
But she didn't say just how thick. | 0:07:03 | 0:07:05 | |
-It's the 7th of June, 1941. -Really? | 0:07:05 | 0:07:09 | |
That's seriously cool. | 0:07:09 | 0:07:12 | |
So when you said Germans, you actually meant... | 0:07:12 | 0:07:15 | |
Nazis! | 0:07:15 | 0:07:17 | |
At last, I have you trapped! | 0:07:18 | 0:07:20 | |
Now, speak your name, spirit! | 0:07:20 | 0:07:22 | |
I'm not a spirit - I'm Sarah Jane Smith. | 0:07:28 | 0:07:32 | |
Why are you haunting this house? | 0:07:32 | 0:07:34 | |
Look, if I was a ghost... | 0:07:34 | 0:07:36 | |
And by the way, there's no such thing. | 0:07:36 | 0:07:38 | |
..you wouldn't be able to touch me, would you? Come on. | 0:07:38 | 0:07:41 | |
See? | 0:07:46 | 0:07:48 | |
Just as solid as you are. | 0:07:48 | 0:07:53 | |
Pleased to meet you...? | 0:07:53 | 0:07:54 | |
E-Emily Morris. | 0:07:54 | 0:07:56 | |
Do you live here? | 0:07:56 | 0:07:58 | |
Nobody lives here. I'm just investigating. | 0:07:58 | 0:08:02 | |
But there are ghosts in this house, everybody says so. | 0:08:02 | 0:08:05 | |
Well, just because everybody says something doesn't make it true. | 0:08:05 | 0:08:08 | |
That door was locked, so if you're not a ghost, | 0:08:10 | 0:08:13 | |
how did you get in here? | 0:08:13 | 0:08:14 | |
Er, yes, well that's a little tricky to explain. | 0:08:14 | 0:08:18 | |
What year is this? | 0:08:18 | 0:08:19 | |
1889. | 0:08:19 | 0:08:21 | |
SPECTRAL VOICES | 0:08:21 | 0:08:22 | |
No such thing as ghosts, you say. | 0:08:27 | 0:08:30 | |
What was that, then? | 0:08:31 | 0:08:33 | |
Come on, let ME have a go. | 0:08:36 | 0:08:38 | |
They could be Brits - it's hard to tell. | 0:08:40 | 0:08:42 | |
Are you sure they're Nazis, George? | 0:08:42 | 0:08:46 | |
Yeah, I see it! You're right! | 0:08:51 | 0:08:54 | |
Time travel's awesome, isn't it? | 0:08:54 | 0:08:55 | |
-I've got to do it more often. -They must have come in on a U-Boat. | 0:08:55 | 0:08:58 | |
An invasion! | 0:08:58 | 0:09:00 | |
We shall fight them on the beaches, we shall fight them on the... | 0:09:00 | 0:09:05 | |
the other places. But, hang on, what ARE going to do? | 0:09:05 | 0:09:08 | |
We're going to call the Home Guard, of course! | 0:09:08 | 0:09:10 | |
Good thinking, '40s boy. | 0:09:10 | 0:09:12 | |
Ready. | 0:09:22 | 0:09:24 | |
Ta-da! Ooh... | 0:09:26 | 0:09:29 | |
What do you think? | 0:09:29 | 0:09:31 | |
Most becoming, my lady. | 0:09:31 | 0:09:33 | |
'Tis only me, Your Majesty, and your new lady. May we enter? | 0:09:34 | 0:09:38 | |
Lady Matilda, my crown, please. Thank you. | 0:09:38 | 0:09:44 | |
We are ready to receive you now. | 0:09:47 | 0:09:49 | |
Your Majesty, | 0:09:55 | 0:09:57 | |
may I present, Lady... | 0:09:57 | 0:09:58 | |
Oh. | 0:09:58 | 0:10:00 | |
Lady Rani. From the court of...the Taj Mahal. | 0:10:00 | 0:10:06 | |
I know it not. | 0:10:08 | 0:10:09 | |
But you have clearly travelled far, Lady Rani. I am most grateful. | 0:10:09 | 0:10:13 | |
You may leave us, Ellen. | 0:10:15 | 0:10:18 | |
You too, Lady Matilda. | 0:10:18 | 0:10:19 | |
Forgive me, but I thought the request | 0:10:22 | 0:10:25 | |
was for an elderly companion. | 0:10:25 | 0:10:27 | |
And I heard the Countess of Arundel was already on her way. | 0:10:27 | 0:10:31 | |
Your Majesty, can we trust this... | 0:10:31 | 0:10:34 | |
foreigner? | 0:10:34 | 0:10:36 | |
I hope the Queen will judge me on my own character, | 0:10:37 | 0:10:40 | |
just as she might judge you on yours. | 0:10:40 | 0:10:42 | |
Well said. | 0:10:45 | 0:10:47 | |
Matilda, where are your manners? | 0:10:48 | 0:10:51 | |
I say again, leave us. | 0:10:51 | 0:10:52 | |
And what is this you bring? | 0:10:58 | 0:11:00 | |
It's a music box. Go on, open it! | 0:11:00 | 0:11:04 | |
MUSIC PLAYS | 0:11:07 | 0:11:11 | |
How is this possible? | 0:11:11 | 0:11:13 | |
-They're dead clever where I come from. -Thank you, Lady Rani. | 0:11:13 | 0:11:16 | |
I will treasure this forever. | 0:11:16 | 0:11:19 | |
It must be hard for you, being so far from home. | 0:11:22 | 0:11:25 | |
Especially if you knew how far away home really is. | 0:11:25 | 0:11:28 | |
I too am alone. | 0:11:28 | 0:11:31 | |
Even those I thought most loyal | 0:11:31 | 0:11:33 | |
now call for Lady Mary to be crowned in my place. | 0:11:33 | 0:11:36 | |
Oh, it is all too distressing to discuss. | 0:11:36 | 0:11:40 | |
No, tell me. It's important. | 0:11:40 | 0:11:42 | |
When the King died without an heir, we thought his sister, Mary, | 0:11:47 | 0:11:50 | |
would take the throne. | 0:11:50 | 0:11:53 | |
But they made me Queen, and I never wanted to be. | 0:11:53 | 0:11:57 | |
My father-in-law saw it as a way to gain power for himself. | 0:11:57 | 0:12:00 | |
Father-in-law? You're married? | 0:12:00 | 0:12:02 | |
My mother forced me to marry Lord Dudley. | 0:12:02 | 0:12:05 | |
But the man is an ass! | 0:12:05 | 0:12:09 | |
He talks of nothing but himself, | 0:12:09 | 0:12:11 | |
fails to compliment me if I wear a new gown... | 0:12:11 | 0:12:14 | |
-Oh, and he never washes. -Yeah, I know guys like that. | 0:12:14 | 0:12:19 | |
I like you, Lady Rani. You speak to me as a person, not a queen. | 0:12:21 | 0:12:27 | |
-Tell me of yourself. -There's not much to tell, really. | 0:12:27 | 0:12:31 | |
-Are you married? -Shut up! | 0:12:31 | 0:12:33 | |
Sorry. I mean, no, Your Majesty. | 0:12:36 | 0:12:40 | |
Well, you know, I'm only 17. | 0:12:40 | 0:12:43 | |
I am but 16 and wed. | 0:12:43 | 0:12:45 | |
Do you not have a sweetheart? | 0:12:45 | 0:12:47 | |
There must be one gentleman who occupies your thoughts. | 0:12:47 | 0:12:51 | |
There is someone I spend a lot of time with. | 0:12:51 | 0:12:53 | |
Wouldn't exactly call him a gentleman, though! | 0:12:53 | 0:12:57 | |
Where are we going? | 0:13:01 | 0:13:03 | |
St Michael's. | 0:13:03 | 0:13:04 | |
They've got a telephone. | 0:13:04 | 0:13:06 | |
-Clyde is doing well... -CAWING | 0:13:08 | 0:13:11 | |
..but you're right, Captain, | 0:13:11 | 0:13:15 | |
he must be quicker. | 0:13:15 | 0:13:17 | |
We cannot keep the Time Window open much longer. | 0:13:18 | 0:13:22 | |
Now...what of Sarah Jane? | 0:13:24 | 0:13:28 | |
Odd. So much chronon energy... | 0:13:32 | 0:13:35 | |
I've checked upstairs - there's nobody there, | 0:13:35 | 0:13:38 | |
so it's got to be ghosts. | 0:13:38 | 0:13:40 | |
Not according to this, it isn't. | 0:13:40 | 0:13:42 | |
What is that? And where are you from exactly? | 0:13:42 | 0:13:46 | |
A long way away. And this measures energy fields, amongst other things. | 0:13:46 | 0:13:51 | |
The readings are very unusual. | 0:13:51 | 0:13:53 | |
-Who owns this house? -The Tillotsons, | 0:13:55 | 0:13:57 | |
but they couldn't bear all the ghastly noises, | 0:13:57 | 0:13:59 | |
so they moved and locked the place up. | 0:13:59 | 0:14:01 | |
I'm rather handy with locks. | 0:14:01 | 0:14:03 | |
Oh, well, yeah. | 0:14:03 | 0:14:05 | |
You and me both. | 0:14:05 | 0:14:07 | |
Funny thing is, | 0:14:07 | 0:14:11 | |
it was 60 degrees Fahrenheit outside, but it's 41 in here. | 0:14:11 | 0:14:15 | |
Classic sign of ghosts. | 0:14:15 | 0:14:17 | |
What is it with you and ghosts? | 0:14:17 | 0:14:21 | |
Just curious. | 0:14:21 | 0:14:23 | |
No, there's more to it than that. | 0:14:23 | 0:14:25 | |
Nine weeks ago... | 0:14:27 | 0:14:30 | |
my mother, she...she... she passed over. | 0:14:30 | 0:14:33 | |
I'm sorry to hear that. | 0:14:36 | 0:14:38 | |
She disappeared from my life. | 0:14:38 | 0:14:40 | |
Father says she's gone, but she can't have gone... | 0:14:40 | 0:14:44 | |
not forever. | 0:14:44 | 0:14:46 | |
CLOCK CHIMES | 0:14:47 | 0:14:50 | |
Eight o'clock! That's it - that's when they say it starts. | 0:14:50 | 0:14:54 | |
-When what starts? -The haunting! | 0:14:54 | 0:14:57 | |
It's supposed to happen each night at eight. | 0:14:57 | 0:14:59 | |
SOUND OF DOOR OPENING | 0:14:59 | 0:15:01 | |
-What was that? -Shh. | 0:15:08 | 0:15:09 | |
Listen. | 0:15:09 | 0:15:11 | |
-WOMAN: -So sorry I'm late, Mrs Bruce. | 0:15:11 | 0:15:15 | |
I know. Well, have a great evening. | 0:15:15 | 0:15:18 | |
See you about half eleven. | 0:15:18 | 0:15:20 | |
RUNNING FOOTSTEPS | 0:15:23 | 0:15:26 | |
The stories are true. | 0:15:26 | 0:15:28 | |
There IS something strange in this house. | 0:15:28 | 0:15:30 | |
Yes...and it went that way. | 0:15:30 | 0:15:33 | |
MUSIC PLAYS The melody is so very pretty. | 0:15:38 | 0:15:41 | |
I shall never tire of hearing it. | 0:15:41 | 0:15:44 | |
Lady Rani, what are you doing? | 0:15:48 | 0:15:51 | |
Are you looking for something? | 0:15:51 | 0:15:53 | |
Sorry, Your Majesty. I'm meant to be. | 0:15:53 | 0:15:56 | |
It's complicated. | 0:15:56 | 0:15:58 | |
You can tell me. | 0:16:01 | 0:16:02 | |
We're friends now, are we not? | 0:16:02 | 0:16:05 | |
Of course we are. | 0:16:05 | 0:16:07 | |
What is it, Mistress Ellen? | 0:16:09 | 0:16:11 | |
It is ill tidings. | 0:16:11 | 0:16:14 | |
They say Mary and her army have reached London. | 0:16:15 | 0:16:18 | |
This was nailed to the door of St Paul's. | 0:16:18 | 0:16:21 | |
I fear to read it. | 0:16:21 | 0:16:23 | |
"On this the 19th day of July, 1553, | 0:16:31 | 0:16:35 | |
"Lady Mary makes just claim to the Crown of England... | 0:16:35 | 0:16:38 | |
"..and she calls upon all of her subjects to reject... | 0:16:40 | 0:16:45 | |
"any unlawful claimants." | 0:16:45 | 0:16:47 | |
Then I have no need of this... | 0:16:52 | 0:16:54 | |
..for I am no longer Queen. And if I am not Queen, | 0:16:55 | 0:16:59 | |
then I made false claim to the throne. | 0:16:59 | 0:17:02 | |
That makes me a traitor. | 0:17:02 | 0:17:04 | |
The punishment for traitors is death. | 0:17:04 | 0:17:07 | |
Right, phone, Georgie-boy? | 0:17:19 | 0:17:20 | |
This way. | 0:17:20 | 0:17:21 | |
Operator? Hello? Operator? | 0:17:28 | 0:17:31 | |
It's dead. The phone's completely dead. That's strange. | 0:17:31 | 0:17:36 | |
So what now? Is there any other way of getting help? | 0:17:36 | 0:17:38 | |
I remember Mr Porter saying something about ringing the church bell. | 0:17:38 | 0:17:40 | |
But that was only in a real emergency. | 0:17:40 | 0:17:41 | |
And what's this when it's at home?! | 0:17:41 | 0:17:43 | |
That's them! Quick! | 0:17:44 | 0:17:46 | |
THEY TALK IN GERMAN | 0:17:59 | 0:18:03 | |
Good morning. | 0:18:30 | 0:18:31 | |
I am Lieutenant Koenig. And you...are my prisoners. | 0:18:31 | 0:18:36 | |
I'm getting the same readings here. | 0:18:41 | 0:18:44 | |
RUNNING AND GIGGLING | 0:18:44 | 0:18:49 | |
What was that if it wasn't a ghost? | 0:18:51 | 0:18:53 | |
Old houses, they sometimes retain an echo of the past, | 0:18:53 | 0:18:57 | |
trapped within the very fabric of the building. | 0:18:57 | 0:19:00 | |
-WOMAN: -Yeah, but I can't come out, Joe, not tonight, it's impossible. | 0:19:00 | 0:19:04 | |
-It's the same voice as in the hallway. -Shh! | 0:19:04 | 0:19:06 | |
You know I've got to look after Ben and Katy. | 0:19:06 | 0:19:09 | |
Yes, I know, but... Yeah, all right, just chill out. | 0:19:09 | 0:19:12 | |
"Chill out"?! She said "chill out"?! | 0:19:12 | 0:19:15 | |
-What does it mean? -Ghosts are supposedly an echo of the past. | 0:19:15 | 0:19:18 | |
But this person... | 0:19:18 | 0:19:21 | |
is from the future. | 0:19:21 | 0:19:22 | |
This doesn't happen. You lot shouldn't even be in this country. | 0:19:28 | 0:19:31 | |
Quite a statement... | 0:19:36 | 0:19:38 | |
from a negro. | 0:19:38 | 0:19:39 | |
Reduced to name-calling, are you? | 0:19:39 | 0:19:42 | |
You're just a gang of bullies, picking on others | 0:19:42 | 0:19:44 | |
for what they look like, and that is why you'll lose this war. | 0:19:44 | 0:19:47 | |
Underestimating the enemy through blind, stupid prejudice! | 0:19:47 | 0:19:51 | |
Kirsch, open the case. | 0:19:53 | 0:19:55 | |
This is what will guarantee certain victory for Germany. | 0:19:56 | 0:19:59 | |
Our technology is so far in advance of your pathetic efforts. | 0:19:59 | 0:20:04 | |
Oddest looking radio I've ever seen. | 0:20:04 | 0:20:06 | |
That's because it is so much more than a radio. | 0:20:06 | 0:20:09 | |
A transmitter then, maybe? | 0:20:09 | 0:20:12 | |
-What is that? -It was discovered beneath the Rhineland. | 0:20:17 | 0:20:22 | |
The Fuhrer himself believes it to be Thor's Hammer. | 0:20:22 | 0:20:24 | |
Our scientists have found it to be a great source of power. | 0:20:24 | 0:20:27 | |
-Did you see that? -See what? | 0:20:29 | 0:20:32 | |
Must be what that junk shop bloke's after - | 0:20:36 | 0:20:38 | |
something that can change history. You've got to give that to me! | 0:20:38 | 0:20:42 | |
Get back! | 0:20:44 | 0:20:46 | |
I've got work to do here, and you are getting in my way. | 0:20:46 | 0:20:49 | |
Bagar, tie them up and lock them in the vestry. | 0:20:49 | 0:20:53 | |
Los! Los! | 0:20:53 | 0:20:56 | |
They're going to execute her. | 0:20:58 | 0:21:01 | |
But she is only 16 and she hasn't done anything wrong. | 0:21:01 | 0:21:05 | |
We could all face the axe, my lady. | 0:21:05 | 0:21:07 | |
There must be something we can do. | 0:21:07 | 0:21:09 | |
Not tonight there isn't. | 0:21:09 | 0:21:12 | |
We shall see what the morning brings. Good night, Lady Rani. | 0:21:12 | 0:21:16 | |
Trent! Trent, are you there? | 0:21:26 | 0:21:30 | |
I hear you bring word from Sir Thomas. | 0:21:30 | 0:21:32 | |
(I have a letter.) | 0:21:32 | 0:21:34 | |
If this is what I think it is, | 0:21:36 | 0:21:38 | |
then I will not have to hide my true purpose for much longer. | 0:21:38 | 0:21:42 | |
Something's causing this time and the future to cross over, | 0:21:44 | 0:21:49 | |
which means there must be a trigger, somewhere in the house. | 0:21:49 | 0:21:53 | |
-You see, I was sent here to find an object. -What object? | 0:21:53 | 0:21:56 | |
All I was told was it's made of metal | 0:21:56 | 0:21:57 | |
and it's interfering with the course of history, which... | 0:21:57 | 0:21:59 | |
which is a very dangerous thing. | 0:21:59 | 0:22:02 | |
So have you come to help? | 0:22:02 | 0:22:04 | |
-Well... -Are you...from the future? | 0:22:04 | 0:22:08 | |
Yes, I am. | 0:22:14 | 0:22:16 | |
2010! | 0:22:16 | 0:22:18 | |
That's over 100 years from now. That's impossible! | 0:22:18 | 0:22:21 | |
GIGGLING | 0:22:21 | 0:22:25 | |
It's coming from in there. | 0:22:25 | 0:22:27 | |
GIGGLING GETS LOUDER | 0:22:27 | 0:22:31 | |
That machine's dangerous, I know it is. | 0:22:33 | 0:22:35 | |
And the hammer, that's what I'm here for, it's got to be. | 0:22:35 | 0:22:37 | |
Then we need to escape then, don't we? | 0:22:37 | 0:22:39 | |
If you hadn't noticed, we're both tied up and locked in. | 0:22:39 | 0:22:42 | |
Just reach into my pocket - I've got a penknife. | 0:22:42 | 0:22:45 | |
Way to go, Georgie-boy! | 0:22:49 | 0:22:52 | |
There's nothing here. | 0:23:00 | 0:23:02 | |
Nothing we can see. | 0:23:02 | 0:23:04 | |
-GIRL: -Ben, don't! You mustn't! You know what Mum told us. | 0:23:04 | 0:23:09 | |
-BOY: -Shut up, Katy! It's only a candle! Mum does it all the time. | 0:23:09 | 0:23:13 | |
But you mustn't! Please don't! | 0:23:13 | 0:23:15 | |
Sarah Jane, look! | 0:23:15 | 0:23:16 | |
It was 41 degrees downstairs, but it's 75 in here! | 0:23:16 | 0:23:21 | |
That's because this room, in the future, | 0:23:21 | 0:23:24 | |
is on fire! | 0:23:24 | 0:23:26 | |
CRACKLING | 0:23:26 | 0:23:28 | |
Tell Sir Thomas the deed will be done by daybreak. | 0:23:37 | 0:23:40 | |
(God speed, my lady.) | 0:23:40 | 0:23:43 | |
It is time to bid Lady Jane Grey farewell... | 0:23:47 | 0:23:51 | |
..for she dies tonight! | 0:23:53 | 0:23:55 | |
-Good...news! Ta-da! -And more good news - | 0:23:57 | 0:24:02 | |
I know a way out that they don't. | 0:24:02 | 0:24:03 | |
There are benefits to being an altar boy. | 0:24:03 | 0:24:06 | |
-CLUNK! -Was ist das?! | 0:24:06 | 0:24:07 | |
-I think they might have heard that! -Clyde, quick! | 0:24:07 | 0:24:10 | |
-Ben, it's locked. -Let me try. -Ben, we're trapped. | 0:24:13 | 0:24:19 | |
-I can't stand it! -CRACKLING | 0:24:19 | 0:24:22 | |
It's just like... | 0:24:22 | 0:24:25 | |
like that night! | 0:24:25 | 0:24:26 | |
Can't we save them? | 0:24:26 | 0:24:28 | |
Somehow, we have to find a way. | 0:24:28 | 0:24:32 | |
They're taking too long, Captain! | 0:24:32 | 0:24:35 | |
We need the Chronosteen now! | 0:24:35 | 0:24:37 | |
CAWING | 0:24:37 | 0:24:39 | |
And the sands have almost run through! | 0:24:39 | 0:24:41 | |
If Sarah Jane and her friends do not return soon, | 0:24:41 | 0:24:44 | |
they'll be trapped in the past... | 0:24:44 | 0:24:46 | |
..forever! | 0:24:47 | 0:24:49 | |
Lady Matilda? | 0:24:52 | 0:24:54 | |
The echoes of the future must be getting stronger. | 0:24:55 | 0:24:57 | |
-George?! -Oh, am I glad to see you, Miss?! | 0:24:57 | 0:24:59 | |
-But they're all armed, remember? -Yes, George...and so are we. | 0:25:01 | 0:25:06 | |
-It's going to begin again, isn't it? -It has to. | 0:25:06 | 0:25:08 | |
We can't help those children unless we understand. | 0:25:08 | 0:25:10 | |
I'll burst in - you two bring up the rear. | 0:25:10 | 0:25:11 | |
You have condemned her to die. | 0:25:11 | 0:25:13 | |
Get after them! | 0:25:14 | 0:25:16 | |
The Time Window should have closed! The whole planet will be sucked in. | 0:25:17 | 0:25:21 | |
So he must have sent me to the wrong time. | 0:25:21 | 0:25:22 | |
The Sands of Time have run out, Captain. | 0:25:22 | 0:25:24 | |
Subtitles by Red Bee Media Ltd | 0:25:31 | 0:25:34 | |
E-mail [email protected] | 0:25:34 | 0:25:38 |