Browse content similar to Part 2. Check below for episodes and series from the same categories and more!
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13 Bannerman Road is where Sarah Jane Smith lives. | 0:00:02 | 0:00:04 | |
And it's home to things way beyond your imagination. | 0:00:04 | 0:00:07 | |
There's an extra-terrestrial super computer in the wall. | 0:00:07 | 0:00:09 | |
Her, son a genetically-engineered boy genius. | 0:00:09 | 0:00:14 | |
A schoolgirl investigator across the road. | 0:00:14 | 0:00:16 | |
And a whole universe of adventure, | 0:00:16 | 0:00:19 | |
right here on the doorstep. | 0:00:19 | 0:00:20 | |
-Ready? -Always. | 0:00:26 | 0:00:30 | |
This is a time window. | 0:00:31 | 0:00:33 | |
Find the objects and they will bring you home. | 0:00:33 | 0:00:36 | |
Is this Buckingham Palace? | 0:00:36 | 0:00:38 | |
'Tis the tower of London. | 0:00:38 | 0:00:40 | |
-What are you looking at? -Germans. -I see it, you're right. | 0:00:40 | 0:00:41 | |
-I'm not a spirit. -Ta-da. | 0:00:41 | 0:00:44 | |
Eight o'clock, that's it. | 0:00:44 | 0:00:45 | |
-Good morning. -That must be what that junk shop bloke's after. | 0:00:45 | 0:00:48 | |
-It's coming from in there. -If Sarah Jane and her friends do not return | 0:00:48 | 0:00:51 | |
soon they'll be trapped in the past. | 0:00:51 | 0:00:54 | |
And she dies...tonight. | 0:00:54 | 0:00:56 | |
Get after them! Los! Los! | 0:01:10 | 0:01:12 | |
Nazis are right behind me. | 0:01:15 | 0:01:17 | |
Right, nice one! Let's get help! | 0:01:17 | 0:01:19 | |
-'Ben, it's locked.' -'Let me try.' | 0:01:34 | 0:01:38 | |
It's horrible. | 0:01:38 | 0:01:40 | |
It's exactly how my mother died. | 0:01:40 | 0:01:42 | |
It's over now. It's all over. | 0:01:46 | 0:01:50 | |
But why did it stop so suddenly? | 0:01:50 | 0:01:53 | |
I guess because that's where it ends for those children. | 0:01:54 | 0:01:59 | |
Matilda! No! | 0:02:06 | 0:02:09 | |
Lady Matilda? No! | 0:02:16 | 0:02:20 | |
-Get away from her! -Lady Rani, be careful! | 0:02:20 | 0:02:23 | |
MATILDA SHOUTS | 0:02:23 | 0:02:26 | |
-Hold still! I will not hesitate to use this! -Are you all right? | 0:02:36 | 0:02:40 | |
I am fine, thank you. | 0:02:40 | 0:02:42 | |
And you have just saved my life. | 0:02:42 | 0:02:44 | |
-What is all this commotion? -Matilda just tried to kill Lady Jane! | 0:02:44 | 0:02:48 | |
-A treacherous Catholic? -I am no Catholic. | 0:02:48 | 0:02:52 | |
I am a Protestant. | 0:02:52 | 0:02:54 | |
One of my own? Then why? | 0:02:54 | 0:02:56 | |
Your death would have inspired thousands to rise up against Mary. | 0:02:56 | 0:03:01 | |
And now she will simply lock you up. | 0:03:01 | 0:03:03 | |
Then, one day, | 0:03:05 | 0:03:07 | |
she will have you quietly executed, when you could have died a martyr. | 0:03:07 | 0:03:12 | |
That's it. The object that's changing history. | 0:03:17 | 0:03:21 | |
But you weren't supposed to die tonight. I saved you. | 0:03:24 | 0:03:27 | |
That's what I was sent here to do. | 0:03:27 | 0:03:30 | |
Lady Jane has not been saved. | 0:03:30 | 0:03:33 | |
You have condemned her to die, | 0:03:33 | 0:03:35 | |
like a common traitor. | 0:03:35 | 0:03:37 | |
Forgotten and alone. | 0:03:37 | 0:03:41 | |
It brought it all back to me, hearing those children. | 0:03:41 | 0:03:45 | |
It must have been like that for Mother. | 0:03:45 | 0:03:47 | |
I know what you went through, Emily, I know what you're going through. | 0:03:47 | 0:03:50 | |
I lost both my parents when I was very young. | 0:03:50 | 0:03:52 | |
You understand then, that if | 0:03:52 | 0:03:54 | |
I'd found ghosts here, I'd know also that Mother was out there somewhere. | 0:03:54 | 0:03:58 | |
Yes, but you have to live in the here and now. | 0:03:58 | 0:04:00 | |
Oh, you're lucky, because there's someone here and now, who loves you. | 0:04:00 | 0:04:04 | |
-Your father. -I know. The here and now. | 0:04:04 | 0:04:07 | |
But we must help those children. | 0:04:07 | 0:04:09 | |
I couldn't save Mother, but there's got to some way we can save them. | 0:04:09 | 0:04:12 | |
Trouble is, it's all over now. | 0:04:12 | 0:04:14 | |
But remember, it happens every night at eight o'clock. | 0:04:14 | 0:04:17 | |
We'll have to come back tomorrow. | 0:04:17 | 0:04:21 | |
Not necessarily. | 0:04:21 | 0:04:23 | |
Think about this house, Emily. | 0:04:23 | 0:04:27 | |
It's empty... | 0:04:27 | 0:04:29 | |
The clock! | 0:04:31 | 0:04:34 | |
So we can make it happen? | 0:04:34 | 0:04:37 | |
Let's see, shall we? | 0:04:37 | 0:04:39 | |
CLOCK CHIMES It's going to begin again, isn't it? | 0:04:44 | 0:04:47 | |
It has to. We can't help those children unless we understand. | 0:04:47 | 0:04:50 | |
-DOOR OPENS -I'm so sorry I'm late, Mrs Bruce. | 0:04:56 | 0:05:01 | |
Look, Sarah Jane, you did it! | 0:05:01 | 0:05:03 | |
We can see her now! | 0:05:03 | 0:05:05 | |
See you about half eleven. | 0:05:05 | 0:05:07 | |
The echoes of the future must be getting stronger. | 0:05:07 | 0:05:10 | |
Hello? Can you hear me? | 0:05:10 | 0:05:14 | |
I've got to get back to the church. I need that hammer. | 0:05:25 | 0:05:28 | |
Why's it so important? | 0:05:28 | 0:05:30 | |
Anyway, you can get it when the Home Guard nobble the Jerries. | 0:05:30 | 0:05:33 | |
Good golly, young man! Look where you're going. | 0:05:33 | 0:05:37 | |
-George? -Well, am I glad to see you, Miss. | 0:05:37 | 0:05:38 | |
-Three Germans! At the church! -Who's this? | 0:05:38 | 0:05:42 | |
Miss Wyckham, our teacher. They held us hostage but we escaped. | 0:05:42 | 0:05:45 | |
We have to inform the Home Guard. | 0:05:45 | 0:05:46 | |
They've been captured too, and the whole of Little Malding! | 0:05:46 | 0:05:49 | |
Really? Everyone in the village? How many Germans are there, then? | 0:05:49 | 0:05:52 | |
Dozens! The place is surrounded, but I managed to slip through. | 0:05:52 | 0:05:55 | |
-We can't go anywhere near the village. -Then what now? | 0:05:55 | 0:05:58 | |
-We must all go back to St Michael's. -She's right. | 0:05:58 | 0:06:01 | |
We're the only ones who can stop the Nazis now and their radio thingy. | 0:06:01 | 0:06:04 | |
-But they're all armed, remember? -Yes, George... | 0:06:04 | 0:06:07 | |
and so are we. | 0:06:07 | 0:06:09 | |
PLANE FLIES OVERHEAD | 0:06:09 | 0:06:11 | |
I am afraid of what the morning may bring. | 0:06:17 | 0:06:19 | |
I fear I do not have long for this world. | 0:06:19 | 0:06:23 | |
Forgive me, but I feel so alone. | 0:06:29 | 0:06:31 | |
You're not alone, Lady Jane, remember. | 0:06:31 | 0:06:35 | |
You have me. | 0:06:35 | 0:06:38 | |
Has Lady Matilda been secured? | 0:06:38 | 0:06:40 | |
Yes, Jane, but so have we. | 0:06:40 | 0:06:44 | |
The palace is surrounded by Mary's guards. | 0:06:44 | 0:06:47 | |
Then I was right, the end is not far off. | 0:06:49 | 0:06:52 | |
This is so unfair! | 0:06:52 | 0:06:54 | |
Can't we tell them, tell Mary that you were used? | 0:06:54 | 0:06:58 | |
You didn't want to be Queen! | 0:06:58 | 0:07:00 | |
I fear Mary still sees Jane as a threat. | 0:07:00 | 0:07:03 | |
If she is to restore the Catholic faith, | 0:07:03 | 0:07:06 | |
she will not want Jane fuelling the Protestant cause. | 0:07:06 | 0:07:10 | |
You may go now and try to get to safety. | 0:07:10 | 0:07:13 | |
Somehow I knew, | 0:07:19 | 0:07:21 | |
when Father brought me here to be crowned that I would not leave. | 0:07:21 | 0:07:24 | |
This castle was my palace, | 0:07:24 | 0:07:27 | |
but now it is my prison. | 0:07:27 | 0:07:29 | |
As I am no longer Queen, you may return home, if you wish. | 0:07:34 | 0:07:38 | |
You're right, I could go home so easily. | 0:07:39 | 0:07:44 | |
I'm not going to. Not yet. Not while you still need a friend. | 0:07:44 | 0:07:48 | |
NO! She must not delay! | 0:07:52 | 0:07:55 | |
PARROT SQUAWKS | 0:07:55 | 0:07:57 | |
The Sands of Time have run out, Captain! | 0:08:01 | 0:08:04 | |
They have failed in their missions! | 0:08:05 | 0:08:08 | |
All is lost! | 0:08:08 | 0:08:10 | |
But the Time Window should have closed! | 0:08:18 | 0:08:20 | |
The Chronosteen must be holding it open! | 0:08:22 | 0:08:25 | |
And unless it is found, | 0:08:25 | 0:08:27 | |
the whole planet will be sucked in and destroyed! | 0:08:27 | 0:08:32 | |
Come on, Sarah Jane! | 0:08:32 | 0:08:34 | |
Yes, but I can't come out, Joe, not tonight, it's impossible. | 0:08:37 | 0:08:43 | |
You know I've got to look after Ben and Katy. | 0:08:43 | 0:08:46 | |
Yeah, I know but... | 0:08:46 | 0:08:49 | |
Yeah, all right, just chill out. | 0:08:49 | 0:08:51 | |
OK, I'll slip out. Where shall we meet you? | 0:08:53 | 0:08:56 | |
She must be the babysitter. And not a very trustworthy one it seems. | 0:08:56 | 0:09:00 | |
So she's from the future? | 0:09:00 | 0:09:02 | |
Goodness. She's got funny clothes, just like you. | 0:09:02 | 0:09:05 | |
And what's that she's talking into? | 0:09:05 | 0:09:07 | |
It's a mobile telephone. | 0:09:07 | 0:09:09 | |
I knew Mr Bell's invention would catch on. | 0:09:09 | 0:09:12 | |
But a wireless telephone? | 0:09:12 | 0:09:15 | |
The future must be very exciting. | 0:09:15 | 0:09:18 | |
No, those two will be fine. I've locked their bedroom door. | 0:09:18 | 0:09:22 | |
Keep 'em out of trouble. | 0:09:22 | 0:09:24 | |
Anyway, they'll be asleep soon. | 0:09:24 | 0:09:26 | |
CHILDREN LAUGH | 0:09:28 | 0:09:32 | |
You two! Go to sleep! | 0:09:32 | 0:09:37 | |
-It's still not here. -What's not here? | 0:09:44 | 0:09:46 | |
This object I'm looking for. | 0:09:46 | 0:09:49 | |
-There's still upstairs. -Then it's got to be there, | 0:09:49 | 0:09:52 | |
otherwise Earth's future is in serious trouble. | 0:09:52 | 0:09:55 | |
Listen to me. | 0:10:17 | 0:10:18 | |
When the Jerries have their backs to the door, give me a signal, | 0:10:18 | 0:10:21 | |
I'll burst in, you two bring up the rear. Understood? | 0:10:21 | 0:10:24 | |
Good luck, Miss. | 0:10:24 | 0:10:26 | |
This is our chance. | 0:10:36 | 0:10:39 | |
(Now!) | 0:10:39 | 0:10:40 | |
Right you lot, put your hands up! | 0:10:44 | 0:10:46 | |
Good going, Miss. | 0:10:46 | 0:10:50 | |
-What a star! -Quite right. | 0:10:50 | 0:10:52 | |
The star of the Fuhrer's conquering army. | 0:10:52 | 0:10:56 | |
Welcome back, schwein! | 0:10:59 | 0:11:01 | |
I was sent here, on a mission. | 0:11:03 | 0:11:06 | |
On a mission to save me? | 0:11:06 | 0:11:09 | |
I only wish... | 0:11:09 | 0:11:12 | |
that I could really save you, | 0:11:12 | 0:11:15 | |
from what's to come. But I can't, can I? | 0:11:15 | 0:11:17 | |
We each have a path that we must tread, | 0:11:19 | 0:11:23 | |
and this is mine. | 0:11:23 | 0:11:25 | |
All I hope is that I will be remembered even though | 0:11:25 | 0:11:28 | |
I was Queen just nine days. | 0:11:28 | 0:11:31 | |
Of course you're remembered. | 0:11:31 | 0:11:33 | |
I mean, will be remembered. | 0:11:33 | 0:11:36 | |
For hundreds of years to come. | 0:11:36 | 0:11:39 | |
You say that with such strange certainty, Lady Rani. | 0:11:39 | 0:11:43 | |
That's cos it's true. | 0:11:43 | 0:11:44 | |
How is it you seem so wise? | 0:11:44 | 0:11:47 | |
Is there something you are not telling me? | 0:11:47 | 0:11:50 | |
-Are you truly of this world? -Don't be daft, | 0:11:50 | 0:11:54 | |
course I am. | 0:11:54 | 0:11:57 | |
Whoever you are, wherever you are from, | 0:11:59 | 0:12:01 | |
I would not wish to spend these last hours of freedom with anyone else. | 0:12:01 | 0:12:05 | |
Koenig, what is the matter with you? How could you let them escape? | 0:12:07 | 0:12:11 | |
She was lying about everything, about the village, the Home Guard. | 0:12:11 | 0:12:16 | |
Definitely what that shop bloke's after. | 0:12:16 | 0:12:19 | |
Perhaps I can kill two birds with one stone. | 0:12:19 | 0:12:21 | |
If you're planning another escape, don't bother. | 0:12:21 | 0:12:24 | |
Within the hour the German invasion will be underway. | 0:12:24 | 0:12:27 | |
Invasion? What are you talking about? | 0:12:27 | 0:12:29 | |
I wasn't posted to this dreary village at random. | 0:12:29 | 0:12:32 | |
Little Malding's coastline is dotted with early-warning radar. | 0:12:32 | 0:12:36 | |
They have proved irritatingly successful at alerting the enemy | 0:12:36 | 0:12:39 | |
to our aircraft and ships. | 0:12:39 | 0:12:41 | |
But we can render the entire system useless, with our Sieg Transmitter. | 0:12:41 | 0:12:44 | |
So that thing blocks British radar? | 0:12:44 | 0:12:46 | |
Right now the glorious German fleet is preparing to depart harbours all | 0:12:46 | 0:12:50 | |
along the Dutch and Belgian coast. | 0:12:50 | 0:12:52 | |
Your so-called British Intelligence will not suspect | 0:12:52 | 0:12:55 | |
until it is far too late. | 0:12:55 | 0:12:57 | |
We know. | 0:12:57 | 0:12:59 | |
-Clyde and me. -And what can two schoolboys do? | 0:12:59 | 0:13:04 | |
You'd be surprised. | 0:13:04 | 0:13:06 | |
I've taken on bigger loonies than you lot. | 0:13:06 | 0:13:11 | |
I've fought hideous, bug-eyed monsters. | 0:13:11 | 0:13:13 | |
And defeated them all, with this! | 0:13:13 | 0:13:15 | |
-What is that? -Oh, this, this is a bomb. | 0:13:18 | 0:13:21 | |
A very small bomb, but powerful enough to blast this entire church! | 0:13:21 | 0:13:26 | |
He's bluffing! It can't be! | 0:13:26 | 0:13:28 | |
Do you really want to take that chance? | 0:13:28 | 0:13:30 | |
-Here you go... catch! -I've got it! | 0:13:30 | 0:13:33 | |
-It was a trick! -Give that to me! -Get back! Or we'll smash it. | 0:13:33 | 0:13:37 | |
People like you disgust me. | 0:13:38 | 0:13:40 | |
You hate and you fear anyone who isn't the same as you. | 0:13:40 | 0:13:43 | |
But we're British and we will fight you every step of the way. | 0:13:43 | 0:13:46 | |
And in the end, though it'll cost lives, lots of lives, | 0:13:46 | 0:13:50 | |
we'll crush you lot. | 0:13:50 | 0:13:53 | |
You don't stand a chance. | 0:13:53 | 0:13:56 | |
Really? | 0:13:56 | 0:13:57 | |
But remember, you've lost this battle, and you'll lose the war. | 0:13:57 | 0:14:01 | |
I know... I've seen it. | 0:14:01 | 0:14:03 | |
Loess! | 0:14:03 | 0:14:05 | |
-Open the door now! -Make like it's Sunday, Georgie! | 0:14:10 | 0:14:12 | |
BELLS CHIME OUT | 0:14:12 | 0:14:16 | |
It's over, Koenig! Come on! | 0:14:21 | 0:14:23 | |
The children's room. But that door's different. | 0:14:33 | 0:14:35 | |
It's got to be what the shopkeeper was after. | 0:14:46 | 0:14:48 | |
So he must have sent me to the wrong time. | 0:14:48 | 0:14:51 | |
-But why? -Maybe you came to meet me. | 0:14:51 | 0:14:55 | |
Well, I'm certainly glad I did. | 0:14:55 | 0:14:58 | |
So that key is in the future? | 0:14:58 | 0:15:01 | |
And the door is still open in our time? | 0:15:01 | 0:15:03 | |
Precisely. Which means... | 0:15:03 | 0:15:06 | |
we can walk straight through it. | 0:15:06 | 0:15:08 | |
-Amazing! -Ben, don't! You mustn't! | 0:15:20 | 0:15:22 | |
-You know what Mum told us. -Shut up, Katy! | 0:15:22 | 0:15:25 | |
-It's only a candle! -Please don't! | 0:15:25 | 0:15:28 | |
So he starts the fire. And they've been locked in here. | 0:15:28 | 0:15:30 | |
-How can we help them? -I'm thinking, I'm racking my brain. | 0:15:30 | 0:15:33 | |
-Ben! You'll start a fire. -I can't stand it! | 0:15:33 | 0:15:36 | |
-They heard me! -But how? | 0:15:38 | 0:15:41 | |
They're at a completely different point in time. | 0:15:41 | 0:15:43 | |
-I'm telling Gemma! -I was thinking about the night Mother died, | 0:15:49 | 0:15:52 | |
and then I felt it, just for a moment. | 0:15:52 | 0:15:54 | |
I'm sure I crossed over into their time. | 0:15:54 | 0:15:58 | |
Your fear, it must be connecting to theirs! | 0:15:58 | 0:16:01 | |
-Ben, it's locked! -Let me try. | 0:16:01 | 0:16:04 | |
Oh, if you can cross over, you can turn your fear | 0:16:04 | 0:16:08 | |
into a force for good! Come on! | 0:16:08 | 0:16:11 | |
Ben, we're trapped! | 0:16:13 | 0:16:15 | |
Ben, we're trapped! | 0:16:15 | 0:16:17 | |
Concentrate on that terrible night. | 0:16:17 | 0:16:20 | |
It'll save them. | 0:16:22 | 0:16:24 | |
Come on, Emily. | 0:16:24 | 0:16:28 | |
Remember your mum, Emily. | 0:16:28 | 0:16:29 | |
Your fear will connect you. | 0:16:29 | 0:16:32 | |
-Yes! -It worked! | 0:16:32 | 0:16:34 | |
-We did it! We saved them! -No, Emily, you saved them. | 0:16:51 | 0:16:54 | |
And your mother would be very, very proud of you. | 0:16:54 | 0:16:58 | |
How do I look? | 0:17:06 | 0:17:09 | |
Most becoming, my lady. | 0:17:09 | 0:17:12 | |
I wish to be prepared. | 0:17:18 | 0:17:20 | |
But promise me you will leave soon. It's too dangerous here. | 0:17:20 | 0:17:22 | |
I said I'd stay by your side, | 0:17:22 | 0:17:24 | |
-and I meant it. -But they will arrest you too. | 0:17:24 | 0:17:27 | |
Don't worry about me, I can look after myself. | 0:17:27 | 0:17:33 | |
I'm so sorry, Jane. Queen Mary has ordered you be taken to the Keep, | 0:17:36 | 0:17:42 | |
to await trial. | 0:17:42 | 0:17:44 | |
-You must come now. -Do not fret, Ellen. | 0:17:44 | 0:17:48 | |
I have done my living, | 0:17:50 | 0:17:52 | |
and I am ready for something far more important. | 0:17:52 | 0:17:55 | |
I may go to my death, | 0:17:55 | 0:17:57 | |
but it will not be in vain. | 0:17:59 | 0:18:01 | |
Tell me again that I am not forgotten. | 0:18:01 | 0:18:04 | |
I promise you. | 0:18:04 | 0:18:07 | |
Not by your people, and not by history, | 0:18:07 | 0:18:11 | |
and never by me. | 0:18:11 | 0:18:13 | |
Goodbye, Rani. My friend. | 0:18:16 | 0:18:19 | |
-It is time for me to leave you now. -And me to leave you. | 0:18:19 | 0:18:23 | |
Goodbye, Jane. | 0:18:25 | 0:18:27 | |
'Tis witchcraft! | 0:18:42 | 0:18:44 | |
Lady Rani is not of this world, | 0:18:46 | 0:18:49 | |
but she is no witch, Ellen. | 0:18:49 | 0:18:51 | |
She is an angel. | 0:18:52 | 0:18:55 | |
I have always suspected so. | 0:18:55 | 0:18:58 | |
And as angels speak only the truth, | 0:18:58 | 0:19:01 | |
I know I do not die in vain. | 0:19:03 | 0:19:06 | |
BELLS PEAL | 0:19:07 | 0:19:09 | |
They'll probably be back at the beach by now. | 0:19:09 | 0:19:12 | |
I hope they don't get away after all we've done. | 0:19:12 | 0:19:14 | |
The Home Guard will catch 'em, you can bet your life on that. | 0:19:14 | 0:19:17 | |
You're right, Clyde, what you said to them Jerries. | 0:19:17 | 0:19:19 | |
We will crush 'em. I'm going to join up and help do it myself. | 0:19:19 | 0:19:23 | |
That's not what I meant, George. I don't want you to fight. | 0:19:23 | 0:19:25 | |
It's dangerous out there. | 0:19:25 | 0:19:27 | |
It's my duty, for King and Country. | 0:19:27 | 0:19:30 | |
At least leave it a few years. | 0:19:30 | 0:19:32 | |
1945, to be precise. | 0:19:32 | 0:19:34 | |
Not likely. I'm going to get stuck in, soon as they let me. | 0:19:34 | 0:19:36 | |
Just you wait and see. | 0:19:36 | 0:19:39 | |
Right, you wait for the Home Guard. | 0:19:39 | 0:19:41 | |
Keep the door locked though, in case the Jerries come back. | 0:19:41 | 0:19:44 | |
-And where are you going? -Back to where I came from, I hope. | 0:19:44 | 0:19:47 | |
London? But what about the bombing? | 0:19:47 | 0:19:51 | |
It's not the London you're thinking of. | 0:19:51 | 0:19:53 | |
Look, I can't explain. | 0:19:53 | 0:19:54 | |
Good luck though, Georgie-boy. | 0:19:54 | 0:19:56 | |
And if you do sign up, please, | 0:19:56 | 0:19:58 | |
be careful. | 0:19:58 | 0:20:00 | |
Well, stone me! | 0:20:05 | 0:20:07 | |
Come on! Come on! | 0:20:07 | 0:20:10 | |
THEY GASP | 0:20:11 | 0:20:13 | |
-Yep, all in one piece. -Please, let me have the Chronosteen! | 0:20:13 | 0:20:19 | |
-And I'm loving the new look. -What is happening here? | 0:20:19 | 0:20:24 | |
-And where's Sarah Jane? -She's still in the past. | 0:20:24 | 0:20:28 | |
And without her the Earth is doomed! | 0:20:31 | 0:20:34 | |
Do you think my father will believe that I've travelled in time? | 0:20:38 | 0:20:41 | |
Not everyone's as open to new ideas as us. | 0:20:41 | 0:20:45 | |
But at least you two you'll be talking, sharing things, and... | 0:20:45 | 0:20:48 | |
not dwelling on what's gone and can't come back. | 0:20:48 | 0:20:51 | |
Yes, it's the here and now that counts, you were right. | 0:20:51 | 0:20:55 | |
Though the future does sound exciting. | 0:20:55 | 0:20:58 | |
The future's got its problems too. | 0:20:58 | 0:21:01 | |
Talking of which. Emily, I need that key. | 0:21:01 | 0:21:04 | |
Thank you. | 0:21:06 | 0:21:09 | |
What's happening? | 0:21:12 | 0:21:14 | |
I'm going back, to my own time. I'm sorry, but this is goodbye. | 0:21:14 | 0:21:17 | |
But I don't want you to go! I want you here! I want to learn more! | 0:21:17 | 0:21:20 | |
You will, all by yourself. Please, let go! | 0:21:20 | 0:21:23 | |
Oh, Sarah Jane, I'm sorry. | 0:21:30 | 0:21:32 | |
Rani, Clyde, you're OK! | 0:21:36 | 0:21:39 | |
Where is the Chronosteen, Miss Smith? | 0:21:39 | 0:21:43 | |
-The key! I need the third object! -I'm so sorry, but I lost it. | 0:21:43 | 0:21:46 | |
-Send me, I'll get it back! -The Time Window is too dangerous now. | 0:21:46 | 0:21:49 | |
Only the key can close it. And it must be closed! | 0:21:49 | 0:21:52 | |
There must be something we can do! | 0:21:52 | 0:21:54 | |
It's too late! The Earth is about to be sucked into the Time Vortex! | 0:21:54 | 0:21:57 | |
We've got to stop it! | 0:22:00 | 0:22:01 | |
BELL RINGS | 0:22:01 | 0:22:05 | |
Are you Sarah Jane Smith? | 0:22:06 | 0:22:09 | |
I've been asked to give you... | 0:22:09 | 0:22:13 | |
this. SARAH JANE GASPS | 0:22:13 | 0:22:16 | |
We did it! The Time Window's shut! | 0:22:23 | 0:22:27 | |
Indeed you did. How marvellous! | 0:22:29 | 0:22:32 | |
Where are you going? | 0:22:35 | 0:22:37 | |
Now, that would be telling. | 0:22:37 | 0:22:39 | |
The Captain's work is done here, which is all you need to know. | 0:22:39 | 0:22:43 | |
I'd love to stay and chat, but, well, duty calls. | 0:22:43 | 0:22:47 | |
'The Captain's work'? | 0:22:50 | 0:22:52 | |
We've been working for a flippin' parrot? | 0:22:52 | 0:22:56 | |
-THEY LAUGH -But who were they anyway? | 0:22:56 | 0:22:58 | |
Uh... I don't think they wanted us to know. | 0:22:58 | 0:23:01 | |
Can't stick these enigmatic types. | 0:23:01 | 0:23:03 | |
Well, I was warned to expect some strange things. | 0:23:03 | 0:23:06 | |
And I must say, Miss Smith, you do not disappoint. | 0:23:06 | 0:23:09 | |
Well, welcome to my world. And thank you, Miss... Morris? | 0:23:09 | 0:23:12 | |
Angela Pryce. | 0:23:12 | 0:23:14 | |
Emily Morris was my grandmother. | 0:23:14 | 0:23:15 | |
Oh, good on Emily. She came through in the end. | 0:23:15 | 0:23:19 | |
When I was a little girl, Granny gave me that key, said she'd | 0:23:19 | 0:23:22 | |
made a terrible mistake by taking it, and told me to bring it to the place | 0:23:22 | 0:23:26 | |
in this article, on this very day. | 0:23:26 | 0:23:30 | |
She said I'd meet a woman called Sarah Jane Smith. | 0:23:30 | 0:23:34 | |
It's been quite a wait. | 0:23:34 | 0:23:36 | |
A lifetime or two, in fact. | 0:23:36 | 0:23:38 | |
-You and your granny have just saved the world. -Oh! | 0:23:38 | 0:23:42 | |
So, what happened to Emily? | 0:23:42 | 0:23:45 | |
She became a doctor, then founded a hospital for children. | 0:23:45 | 0:23:49 | |
She inspired so many to follow in her footsteps, | 0:23:49 | 0:23:52 | |
including my mother and me. | 0:23:52 | 0:23:53 | |
We loved her very much. | 0:23:53 | 0:23:55 | |
Let's get a cuppa, shall we, Angela? | 0:23:57 | 0:23:59 | |
I want to hear lots more about your grandmother, and you. | 0:23:59 | 0:24:02 | |
-That's a...nice dress. -Oi! | 0:24:06 | 0:24:10 | |
BELL RINGS | 0:24:10 | 0:24:15 | |
WHOOSHING SOUNDS | 0:24:15 | 0:24:18 | |
"Following his triumph as an evacuee in Norfolk, George Woods | 0:24:21 | 0:24:24 | |
"joined the Army, aged just 16, and fought in the Battle of Ardennes. | 0:24:24 | 0:24:29 | |
"But it's for his work in the field of radar development that George, | 0:24:29 | 0:24:34 | |
"now 83, has been honoured this week by Her Majesty the Queen." | 0:24:34 | 0:24:39 | |
"And in the final hours before her execution, | 0:24:52 | 0:24:57 | |
"Lady Jane wrote to her sister, Katherine, | 0:24:57 | 0:24:59 | |
"I am touching my death, | 0:24:59 | 0:25:02 | |
"but rejoice, good sister. | 0:25:02 | 0:25:05 | |
"I shall be delivered of corruption. | 0:25:05 | 0:25:07 | |
"And though I lose my mortal life, | 0:25:07 | 0:25:10 | |
"I am assured that I win immortality." | 0:25:10 | 0:25:14 | |
-What are you doing here? -Saving the world. | 0:25:23 | 0:25:25 | |
She's exactly like you! | 0:25:25 | 0:25:27 | |
-What's your name? -Ruby White. | 0:25:27 | 0:25:29 | |
You used a bio-coolant spray on a | 0:25:29 | 0:25:30 | |
meteor you couldn't have known had fallen to Earth. | 0:25:30 | 0:25:33 | |
Don't think I haven't met amateurs before. | 0:25:33 | 0:25:35 | |
Rani, take that! | 0:25:35 | 0:25:37 | |
Whoa! Get down! | 0:25:38 | 0:25:40 | |
Wait till you see what I've got for you! | 0:25:40 | 0:25:43 | |
THEY COCK WEAPONS | 0:25:43 | 0:25:44 | |
I've got us killed. | 0:25:44 | 0:25:46 | |
Subtitles by Red Bee Media Ltd | 0:25:57 | 0:26:00 | |
E-mail [email protected] | 0:26:00 | 0:26:03 |