Browse content similar to Part 1. Check below for episodes and series from the same categories and more!
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13 Bannerman Road is where Sarah Jane Smith lives. It's home to things way beyond your imagination. | 0:00:02 | 0:00:07 | |
There's an extraterrestrial supercomputer in the wall, | 0:00:09 | 0:00:13 | |
her son, a genetically-engineered boy genius. | 0:00:13 | 0:00:16 | |
A schoolgirl investigator across the road, | 0:00:16 | 0:00:19 | |
her adopted daughter from another world, | 0:00:19 | 0:00:21 | |
and a whole universe of adventure right here on the doorstep. | 0:00:21 | 0:00:25 | |
-Ready? -Always. | 0:00:41 | 0:00:45 | |
BELL TINGS | 0:00:48 | 0:00:51 | |
Hi, I'm Joseph Serf. | 0:00:51 | 0:00:53 | |
I'm here to introduce the SerfBoard, from Serf Systems. | 0:00:53 | 0:00:57 | |
The world's newest and best portable computer. | 0:00:57 | 0:01:00 | |
The 15th at 5pm, put it in your diary. | 0:01:00 | 0:01:05 | |
The day the SerfBoard arrives and the revolution begins. | 0:01:05 | 0:01:09 | |
Billions of dollars of research and development... | 0:01:09 | 0:01:12 | |
Where's my billion dollars, Mr Serf? | 0:01:12 | 0:01:15 | |
Excuse me, did I say device? I mean friend. | 0:01:18 | 0:01:22 | |
From the 15th, the world will have another question to ask... | 0:01:22 | 0:01:26 | |
STRANGE GIBBERING | 0:01:26 | 0:01:28 | |
Hello? | 0:01:29 | 0:01:31 | |
GIGGLING | 0:01:31 | 0:01:33 | |
Hello? | 0:01:40 | 0:01:42 | |
BANGING | 0:01:42 | 0:01:45 | |
LIFT BELL RINGS | 0:01:45 | 0:01:46 | |
Idiot! | 0:01:51 | 0:01:52 | |
GIBBERING | 0:01:52 | 0:01:54 | |
Ah! | 0:01:56 | 0:01:57 | |
Do you want to see tomorrow today? | 0:01:57 | 0:02:00 | |
-Morning, Sky. -Well, I think I've got everything he wants. | 0:02:18 | 0:02:21 | |
"Oh, it doesn't matter, Mum." He says and then, when he turns up, | 0:02:21 | 0:02:25 | |
straight to the fridge and "Why haven't we got bacon?" | 0:02:25 | 0:02:28 | |
Let him starve. When I went up to Oxford, the cupboards were bare. | 0:02:28 | 0:02:32 | |
-Are you all right, Sky? -Just a little nervous. | 0:02:33 | 0:02:36 | |
I'm meeting Luke face-to-face, not just on the screen. | 0:02:36 | 0:02:40 | |
You couldn't have a better brother. | 0:02:41 | 0:02:44 | |
Right. | 0:02:49 | 0:02:51 | |
Yeah. | 0:02:51 | 0:02:52 | |
Not my room anymore. | 0:02:52 | 0:02:54 | |
-Luke! Oh, welcome home! -Hi, Mum. | 0:03:03 | 0:03:07 | |
-Hi, Clani. Don't call us that. -Clani? Who's Clani? -Clyde, Rani - Clani. | 0:03:09 | 0:03:14 | |
-It's meant to be funny. -You can't keep away. | 0:03:14 | 0:03:17 | |
-Luke, meet Sky. In person. -Sky. | 0:03:18 | 0:03:22 | |
Hi. Hi, Sky. | 0:03:22 | 0:03:24 | |
You're taller than you look on webcam. | 0:03:24 | 0:03:27 | |
Yes. Yes, I am. | 0:03:27 | 0:03:29 | |
Sorry, I just went in your room. Forgot it wasn't mine anymore. | 0:03:29 | 0:03:33 | |
-It's the best room and you don't live here anymore. -It's fine. | 0:03:33 | 0:03:37 | |
It's really fine. | 0:03:37 | 0:03:39 | |
Hey! Finally, face-to-face. | 0:03:42 | 0:03:44 | |
It's the clash of the nerds. | 0:03:44 | 0:03:47 | |
Sky, behold my greatest success. | 0:03:47 | 0:03:49 | |
Frankenbane's monster, now a normal human student, | 0:03:49 | 0:03:52 | |
living off Pot Noodles and rising at 12 sharp | 0:03:52 | 0:03:56 | |
-to watch Loose Women. -Yeah, shut up. | 0:03:56 | 0:03:59 | |
-Sky, I really hope we can be friends. -Of course we'll be friends. | 0:03:59 | 0:04:03 | |
I suppose we're sort of brother and sister. | 0:04:03 | 0:04:06 | |
-Tea? -Yeah. | 0:04:06 | 0:04:08 | |
Oh, I had to leave K-9 back at uni. But look, | 0:04:10 | 0:04:13 | |
I made this. | 0:04:13 | 0:04:16 | |
-Dog whistle, cos you never know. -What's he doing up there? | 0:04:16 | 0:04:20 | |
He's backing up the Bodleian Library, the whole lot. | 0:04:20 | 0:04:24 | |
-He wouldn't come back with me. -Oh, good...ness me. | 0:04:24 | 0:04:27 | |
-What a terrible shame(!) -Oi, Mr Smith. Don't be nasty. | 0:04:27 | 0:04:30 | |
We could always swap you for another computer, like the SerfBoard. | 0:04:30 | 0:04:34 | |
-I hardly think -that -would be a good exchange. | 0:04:34 | 0:04:37 | |
It's the launch this afternoon, at 5. | 0:04:37 | 0:04:39 | |
'..affordable device. Excuse me, did I say device? | 0:04:41 | 0:04:44 | |
-'I mean...' -Nobody knows what it does when you switch it on. | 0:04:44 | 0:04:47 | |
The rumours say everything. | 0:04:47 | 0:04:49 | |
There's a rehearsal this morning. Just three of the country's | 0:04:49 | 0:04:52 | |
very top journalists have been invited to watch. | 0:04:52 | 0:04:55 | |
Do you know any of them? Could you blag us in? | 0:04:55 | 0:04:58 | |
Er, I said just the top journalists have been invited. | 0:04:58 | 0:05:01 | |
Yeah, so what if we swap a ticket? | 0:05:01 | 0:05:04 | |
I mean me. Me! What do you think pays for all this? | 0:05:04 | 0:05:09 | |
Taking in washing? | 0:05:09 | 0:05:11 | |
Sorry, I just didn't think it was your kind of a story. | 0:05:11 | 0:05:14 | |
-Yeah, almost good enough, Rani. -I am not going to miss that! | 0:05:14 | 0:05:17 | |
Who said you're going to miss it? Homecoming treat. | 0:05:17 | 0:05:20 | |
-I'm not missing it either. -You can come too, Sky. | 0:05:20 | 0:05:23 | |
And? | 0:05:23 | 0:05:25 | |
Oh, I'm sorry. That's all I could manage. | 0:05:25 | 0:05:28 | |
I shouldn't really be taking anyone. Highly unprofessional. | 0:05:28 | 0:05:31 | |
So unfair. | 0:05:31 | 0:05:33 | |
Sorry, Clani. Family outing. | 0:05:33 | 0:05:36 | |
Basically, we blab anything about the SerfBoard before the actual release, | 0:05:38 | 0:05:42 | |
and they'll sue us to death. | 0:05:42 | 0:05:44 | |
-But what if I disagree with the terms and conditions? -They're fine. | 0:05:44 | 0:05:47 | |
-Just sign. -Believe me, if he says they're fine, they're fine. | 0:05:47 | 0:05:52 | |
Whatever you say. | 0:05:52 | 0:05:54 | |
Sarah Jane Smith! | 0:05:54 | 0:05:56 | |
Let me drink you in, as lovely as ever! | 0:05:58 | 0:06:01 | |
Oh, Luke, Sky? Lionel Carson. | 0:06:03 | 0:06:06 | |
-An old, old fried. -I could have been so much more. Now I am a ruin. | 0:06:06 | 0:06:10 | |
You remain a paragon. | 0:06:10 | 0:06:12 | |
Lionel was my editor when I first started on the nationals, | 0:06:12 | 0:06:15 | |
-then he moved on to food and wine. -Why are you covering the SerfBoard? | 0:06:15 | 0:06:20 | |
I pulled rank to impress my grandchildren. | 0:06:20 | 0:06:23 | |
I've met the great Mr Serf. | 0:06:23 | 0:06:25 | |
I leave the technical stuff to you young people. | 0:06:25 | 0:06:29 | |
I can't abide computers. | 0:06:29 | 0:06:31 | |
Nothing wrong with a typewriter, says I. | 0:06:31 | 0:06:34 | |
-What's a typewriter? -Goodness me! | 0:06:34 | 0:06:37 | |
Make me feel even more old-fashioned, why don't you? | 0:06:37 | 0:06:40 | |
Oh, you were already old-fashioned when I was new-fangled. | 0:06:40 | 0:06:43 | |
My son and my daughter. | 0:06:43 | 0:06:44 | |
Sorry to keep you waiting. Good afternoon, ladies and gentlemen. | 0:06:46 | 0:06:50 | |
I'm John Harrison. Serf Systems public relations. | 0:06:50 | 0:06:54 | |
The rehearsal's about to begin, so if you'd like to follow me up. | 0:06:54 | 0:06:58 | |
Well, that's us. Would you care to accompany me, | 0:06:58 | 0:07:03 | |
oh radiant one, in memory of what might have been? | 0:07:03 | 0:07:06 | |
Oh, go on then! | 0:07:06 | 0:07:09 | |
LOW THRUMMING | 0:07:09 | 0:07:11 | |
-Luke, can you feel that? -Feel what? | 0:07:11 | 0:07:14 | |
Like electricity building up. | 0:07:14 | 0:07:16 | |
-It's strong. -Probably just a storm on the way. | 0:07:16 | 0:07:20 | |
No, this is different. Strange. | 0:07:20 | 0:07:24 | |
And I shall say, "Please say hi to Joseph Serf." | 0:07:25 | 0:07:29 | |
And cue Mr Serf. | 0:07:29 | 0:07:31 | |
-Not half bad in the flesh. -He's like you, Sarah Jane. | 0:07:37 | 0:07:41 | |
He's got charisma. | 0:07:41 | 0:07:43 | |
Thank you, John. Then I'll say, "Pleased to meet you." | 0:07:43 | 0:07:46 | |
And then I'll do this. | 0:07:46 | 0:07:48 | |
Woah, who's that beautiful guy? | 0:07:48 | 0:07:52 | |
Yes, very good, sir. Very spontaneous. | 0:07:52 | 0:07:55 | |
-What next? -You stand there, sir, | 0:07:55 | 0:07:58 | |
and your close-ups will be in camera three. | 0:07:58 | 0:08:02 | |
-Is the teleprompter in the right position? -Yeah, it looks good to me. | 0:08:02 | 0:08:06 | |
-And then straight into the spiel? -Straight into the spiel. | 0:08:06 | 0:08:10 | |
The SerfBoard will revolutionise the way we work, the way we play. | 0:08:11 | 0:08:17 | |
Every home should have one. Soon, every home will have one. | 0:08:17 | 0:08:21 | |
That's perfect, sir. | 0:08:21 | 0:08:23 | |
And then the attendees will each be given a SerfBoard, like so. | 0:08:24 | 0:08:29 | |
The SerfBoard. Take it home, | 0:08:31 | 0:08:34 | |
press go, play and learn. | 0:08:34 | 0:08:36 | |
It's a phenomenon and you're going to love it. | 0:08:38 | 0:08:42 | |
-You're going to love it. -"Why wait?" Is my motto. | 0:08:42 | 0:08:45 | |
Download, browse, photos, books, anything. | 0:08:45 | 0:08:49 | |
You're going to love it. | 0:08:49 | 0:08:51 | |
It's the future. It's tomorrow. And you love it. | 0:08:52 | 0:08:57 | |
You want one, you need one. | 0:08:58 | 0:09:01 | |
Everybody wants one, Everybody's got to get one. | 0:09:01 | 0:09:05 | |
-Did you see that? -Yeah. | 0:09:05 | 0:09:08 | |
-That's impossible. -Er, excuse me? | 0:09:08 | 0:09:11 | |
Can we have a little bit of hush, please? | 0:09:11 | 0:09:13 | |
-But, Sarah Jane... -Quiet, Sky. | 0:09:13 | 0:09:16 | |
-But you did see that? -Yes, but no-one else did. | 0:09:17 | 0:09:20 | |
It's tomorrow and you love it. | 0:09:20 | 0:09:24 | |
It's so easy to use. He was right. | 0:09:26 | 0:09:30 | |
It's revolution, it's beautiful. | 0:09:30 | 0:09:32 | |
-I love it. -Well, it must be good to impress you. | 0:09:32 | 0:09:35 | |
I never saw the point of computers, | 0:09:35 | 0:09:38 | |
but this is so easy to use. | 0:09:38 | 0:09:41 | |
-I'll see you at the launch. -Bye. | 0:09:41 | 0:09:44 | |
Oh, look what you've got! Hurrah for Mum! | 0:09:44 | 0:09:48 | |
Hurrah...for Mum. | 0:09:48 | 0:09:50 | |
Something weird happened in there, to Mr Serf. | 0:09:50 | 0:09:53 | |
-What are you talking about? -Mum, he glitched. -He what? | 0:09:53 | 0:09:57 | |
Just for a moment, he flickered. | 0:09:57 | 0:09:59 | |
Right, back home. We need to check this out. | 0:09:59 | 0:10:01 | |
What if I stay, look for more glitches? | 0:10:01 | 0:10:04 | |
There could be others like Serf, whatever he is. | 0:10:04 | 0:10:07 | |
-Good idea. Where to start? -Oh, no. | 0:10:07 | 0:10:09 | |
-Luke is old enough to look after himself. -And I'm not? | 0:10:09 | 0:10:13 | |
-No, you're not. Sorry. -You be careful. | 0:10:13 | 0:10:16 | |
Come on, Sky. Home. | 0:10:16 | 0:10:18 | |
Right. Let's have look at you, my beauty. | 0:10:20 | 0:10:24 | |
No, Clyde. Wait. We should check it out first. | 0:10:24 | 0:10:27 | |
Only Luke and me saw it happen. | 0:10:27 | 0:10:29 | |
Well, Luke's got superior senses | 0:10:29 | 0:10:31 | |
and Sky's sensitive to electrical fluctuations, however tiny. | 0:10:31 | 0:10:35 | |
Mr Smith, tap into the digital database. The rehearsal was recorded, | 0:10:35 | 0:10:38 | |
so somebody at Serf must have sent the movie file. Get us a copy. | 0:10:38 | 0:10:42 | |
That may take some considerable time, Sarah Jane. Here you are. | 0:10:42 | 0:10:46 | |
Hey! You're doing that on purpose now. | 0:10:46 | 0:10:50 | |
It was when Serf was saying everybody will want a SerfBoard. | 0:10:50 | 0:10:54 | |
'Everybody wants one. Everybody's got one...' | 0:10:56 | 0:10:59 | |
Freeze it between frame 4:34:21 and 23. | 0:10:59 | 0:11:03 | |
-There's nothing there. You imagined it. -I did not! | 0:11:08 | 0:11:11 | |
-Roll back a tenth of a frame, Mr Smith. -Time flexing applied. | 0:11:11 | 0:11:16 | |
-That's impossible. -Enhancing. | 0:11:18 | 0:11:22 | |
That's not the recording, that's him. The picture didn't move. | 0:11:22 | 0:11:25 | |
That's what I've been telling you. | 0:11:25 | 0:11:27 | |
I'm getting just a bit suspicious and preparing to say the A-word. | 0:11:27 | 0:11:31 | |
-What A-word? -Aliens. | 0:11:31 | 0:11:33 | |
Mr Smith, give us all you've got on Joseph Serf. What is he? | 0:11:33 | 0:11:36 | |
Joseph Samuel Serf. | 0:11:36 | 0:11:39 | |
Born Dayton, Ohio, 25th May 1972. | 0:11:39 | 0:11:43 | |
Graduated Harvard 1993. | 0:11:43 | 0:11:46 | |
Founded Serf Systems, then completely disappeared from public view | 0:11:46 | 0:11:50 | |
after a near fatal skiing accident | 0:11:50 | 0:11:54 | |
in Val d'Isere in 2007. | 0:11:54 | 0:11:56 | |
Following this, he became famously reclusive. No interviews or pictures. | 0:11:56 | 0:12:01 | |
The only images available after this date | 0:12:01 | 0:12:03 | |
are these publicity photographs. | 0:12:03 | 0:12:06 | |
Look. In all these photographs, | 0:12:06 | 0:12:09 | |
he never once holds anything He never touches anybody. | 0:12:09 | 0:12:13 | |
-So what, he's a hologram? -No, more than that. | 0:12:13 | 0:12:17 | |
He walks, talks, interacts with people. He's amazing. | 0:12:17 | 0:12:20 | |
This technology, it's fantastic. | 0:12:20 | 0:12:22 | |
But he sits down, he gets into cars. | 0:12:22 | 0:12:25 | |
It's like a photo, you can fold it up and move it around. | 0:12:25 | 0:12:28 | |
Oi-oi, who's that guy that's always right next to him? Who's he? | 0:12:28 | 0:12:32 | |
John Harrison. PR for Serf Systems. | 0:12:32 | 0:12:36 | |
The skiing accident. The real Serf died. He was replaced. | 0:12:36 | 0:12:40 | |
And shortly afterwards, Serf Systems began the development of the SerfBoard. | 0:12:40 | 0:12:44 | |
Oh, wait. Lionel. | 0:12:44 | 0:12:47 | |
He hates computers. | 0:12:47 | 0:12:49 | |
The moment he switched that on, he raved about it. | 0:12:49 | 0:12:52 | |
What if it's got some sort of hypnotic power? | 0:12:52 | 0:12:54 | |
Well, they replaced Serf and took over his company. But why? | 0:12:54 | 0:12:59 | |
-What's this all for? -And today's the launch. | 0:12:59 | 0:13:01 | |
A SerfBoard in every home. You can count me out. | 0:13:01 | 0:13:04 | |
Mr Smith, deep scan. | 0:13:04 | 0:13:06 | |
Full spectrum analysis. Let's see what Luke finds out. | 0:13:06 | 0:13:10 | |
While we wait, I want an interview with Mr Serf. | 0:13:11 | 0:13:16 | |
-But he doesn't give interviews. -Watch and learn, Rani. | 0:13:16 | 0:13:20 | |
Mr Serf does not give interviews, Miss Smith. | 0:13:23 | 0:13:26 | |
Oh, but the SerfBoard is just amazing. | 0:13:26 | 0:13:29 | |
I have to do a personal follow-up with Mr Serf. | 0:13:29 | 0:13:32 | |
You are invited to the launch later. | 0:13:32 | 0:13:34 | |
Oh, what if I could just speak to Mr Serf? | 0:13:34 | 0:13:36 | |
Just to tell him there are no glitches. | 0:13:36 | 0:13:40 | |
Go on, Miss Smith. | 0:13:42 | 0:13:44 | |
Well, Mr Serf seems so warm, so real, so...natural. | 0:13:44 | 0:13:47 | |
I'm sure my readers would like to get to know | 0:13:47 | 0:13:51 | |
such a genuine human being. | 0:13:51 | 0:13:53 | |
Well, that's different, Miss Smith. Please come right over. | 0:13:53 | 0:13:57 | |
That's marvellous. I'll see you soon. | 0:13:57 | 0:13:59 | |
-One of the country's top journalists. -Wow, Sarah Jane. | 0:14:00 | 0:14:04 | |
-Just wow. -Isn't it a bit dangerous though? They know you know. | 0:14:04 | 0:14:08 | |
Oh, I know they know I know. That's the only way to get in. | 0:14:08 | 0:14:12 | |
And they know you know they know you know. | 0:14:12 | 0:14:16 | |
Sometimes, that's best. I need to bring Serf Systems into the open. | 0:14:16 | 0:14:19 | |
Find out what they're planning. | 0:14:19 | 0:14:21 | |
And you need me. I saw the glitch and I might see something else. | 0:14:21 | 0:14:25 | |
-What, another family outing? -Yeah, OK. No, no, you wait here. | 0:14:25 | 0:14:30 | |
Find out what Mr Smith makes of that. Come on, let's go. | 0:14:30 | 0:14:33 | |
What's up? | 0:14:39 | 0:14:41 | |
Oh, it's daft, but I feel like it's watching us. | 0:14:41 | 0:14:44 | |
-How's the spying? -I checked the car park, the reception, | 0:14:47 | 0:14:50 | |
got a coffee from the machine, but nothing. No glitching, nothing weird. | 0:14:50 | 0:14:53 | |
It's time for your interview. | 0:14:53 | 0:14:55 | |
OK. Meet you both back here in half an hour. | 0:14:55 | 0:14:59 | |
Miss Smith, I hear you're a fan of the Board. | 0:15:02 | 0:15:05 | |
-I certainly am, Mr Serf. Call me Sarah Jane. -Joseph. | 0:15:05 | 0:15:12 | |
-I'm sorry. I can't shake your hand. -Oh, really? | 0:15:13 | 0:15:17 | |
-Why ever not? -Mr Serf suffers from an acute peanut allergy. | 0:15:17 | 0:15:22 | |
I haven't been eating nuts. | 0:15:22 | 0:15:24 | |
But you might have been in a nutty environment. | 0:15:24 | 0:15:26 | |
Can't be too careful. | 0:15:26 | 0:15:28 | |
Oh, I'm so sorry. How very convenient. | 0:15:28 | 0:15:31 | |
Of course, I mean inconvenient. | 0:15:31 | 0:15:33 | |
Does Mr Harrison need to be here, Joseph? | 0:15:33 | 0:15:37 | |
Erm, actually, I'd prefer to stay. | 0:15:37 | 0:15:42 | |
After all, I'd hate there to be any more glitches. | 0:15:42 | 0:15:45 | |
Oh, with you around, Mr Harrison, | 0:15:45 | 0:15:48 | |
I'm sure everything will run like clockwork. | 0:15:48 | 0:15:50 | |
I pride myself I can deal with any old spanners | 0:15:50 | 0:15:53 | |
that get into those works. | 0:15:53 | 0:15:56 | |
Erm, before we start, could I get something to drink? | 0:15:56 | 0:15:59 | |
I'm parched. | 0:15:59 | 0:16:01 | |
Certainly, Miss Smith. Tea, coffee, anthrax? | 0:16:01 | 0:16:05 | |
-What was that? -Nothing. | 0:16:05 | 0:16:06 | |
HE LAUGHS | 0:16:06 | 0:16:09 | |
No, I'll just have water, please. | 0:16:10 | 0:16:13 | |
Nice, clear water | 0:16:15 | 0:16:16 | |
-that I can see right through. -Coming right up. | 0:16:16 | 0:16:20 | |
Wouldn't you like some, Joseph? It's hot in here. | 0:16:20 | 0:16:23 | |
I'm fine, thank you. Now, let's talk about the SerfBoard. | 0:16:23 | 0:16:27 | |
Yes, let's. | 0:16:27 | 0:16:30 | |
MR SMITH: Deep scan complete. | 0:16:30 | 0:16:33 | |
Ooh, tell us the worst. | 0:16:33 | 0:16:35 | |
The SerfBoard is a standard, low specification laptop computer. | 0:16:35 | 0:16:39 | |
-And? -That is all. -Well, it can't be. | 0:16:39 | 0:16:42 | |
The hologram, the big launch tonight. | 0:16:42 | 0:16:44 | |
-One in every home. -Hold on. | 0:16:44 | 0:16:46 | |
(What if it's got him?) | 0:16:51 | 0:16:55 | |
I can hear you, Clyde, and no, it hasn't got me. | 0:16:55 | 0:17:00 | |
It's not the first time you've said something was OK | 0:17:00 | 0:17:03 | |
and it turned out to be deadly. | 0:17:03 | 0:17:05 | |
Eh, leave it alone! | 0:17:05 | 0:17:07 | |
-We wait for the others to get back. -But there's not much time. | 0:17:07 | 0:17:11 | |
How are you going to feel when everyone's going, | 0:17:11 | 0:17:14 | |
-"Serve the computer". -Clyde. | 0:17:14 | 0:17:17 | |
-No. -Oh, come on, the clock's ticking. | 0:17:17 | 0:17:20 | |
-Let's switch it on, see what it does. -OK, but we do it my way. | 0:17:20 | 0:17:23 | |
We take precautions. | 0:17:23 | 0:17:26 | |
The implication for global communications... | 0:17:26 | 0:17:31 | |
Ooh, butter fingers! | 0:17:31 | 0:17:34 | |
Would you mind picking that up for me, Joseph? | 0:17:34 | 0:17:37 | |
Oh, please, Miss Smith. | 0:17:37 | 0:17:40 | |
Do use mine. | 0:17:40 | 0:17:41 | |
An electrical surge? | 0:17:48 | 0:17:49 | |
No, it feels strange. Coming from down below. | 0:17:49 | 0:17:53 | |
We'll tell Mum when she gets back. | 0:17:53 | 0:17:57 | |
Let's take a look. | 0:17:57 | 0:17:59 | |
Come on, it's what you always do. | 0:17:59 | 0:18:01 | |
-I'll go. You go back to the car. -Not a chance. -Sky! | 0:18:01 | 0:18:05 | |
Going down. | 0:18:07 | 0:18:09 | |
-How's the liking each other thing going now? -I'll let you know. | 0:18:09 | 0:18:12 | |
COMPUTER PLAYS A TUNE | 0:18:14 | 0:18:17 | |
-Hey, it was my idea! -Yeah, but it needs a delicate touch. | 0:18:21 | 0:18:24 | |
Well, I'm delicate. In a very manly way. | 0:18:24 | 0:18:28 | |
I've got artists fingers. | 0:18:28 | 0:18:30 | |
SHE LAUGHS | 0:18:30 | 0:18:33 | |
Just like the old days. You and me. Having a laugh. | 0:18:33 | 0:18:37 | |
-Yeah, I meant to say, all that stuff with Ellie... -It's OK. | 0:18:37 | 0:18:42 | |
Right, let's do this. | 0:18:44 | 0:18:46 | |
COMPUTER PLAYS A TUNE | 0:18:48 | 0:18:50 | |
SCREECHING | 0:18:58 | 0:19:00 | |
OK, I can't sense the electrical surge, | 0:19:00 | 0:19:03 | |
but I can hear that. | 0:19:03 | 0:19:04 | |
-Coming from further down. -But this is the bottom floor. | 0:19:04 | 0:19:08 | |
Unless there's an override command. I can reverse the code. | 0:19:08 | 0:19:13 | |
LIFT BEEPS | 0:19:17 | 0:19:18 | |
Knew it. | 0:19:18 | 0:19:20 | |
-There's nothing. Really, nothing. I'm going to take these off. -Careful! | 0:19:24 | 0:19:30 | |
In fact, it's more than a bit rubbish. | 0:19:33 | 0:19:35 | |
It's bog standard. What's so special about this? | 0:19:35 | 0:19:38 | |
It's not the Board itself. That's normal. | 0:19:38 | 0:19:41 | |
-It looks cool, that's all. -What did I tell you? | 0:19:41 | 0:19:44 | |
Then, what is going on? | 0:19:44 | 0:19:47 | |
Down here. | 0:19:57 | 0:19:59 | |
SCREECHING | 0:20:19 | 0:20:24 | |
Whatever it is, it's through there. | 0:20:29 | 0:20:32 | |
-It is the functionality... -That's Mum. | 0:20:34 | 0:20:37 | |
I mean, you've revolutionised the entire company. | 0:20:37 | 0:20:42 | |
Our team of specialists made improving the functionality | 0:20:42 | 0:20:45 | |
their number one priority. | 0:20:45 | 0:20:47 | |
So, you must have been amazed, Joseph, | 0:20:48 | 0:20:50 | |
when you got your hand on the keyboard for the first time. | 0:20:50 | 0:20:54 | |
I mean, to see your dreams made into a solid reality. | 0:20:54 | 0:20:57 | |
I'd love to tell my readers how that felt. | 0:20:57 | 0:20:59 | |
From your unique point of view. | 0:20:59 | 0:21:02 | |
It was a great moment. I always had faith in my tech guys. | 0:21:02 | 0:21:06 | |
Keep up! Keep up! | 0:21:15 | 0:21:18 | |
Well, ideas can be so intangible, can't they? | 0:21:25 | 0:21:29 | |
Oh, dear, what am I saying? | 0:21:29 | 0:21:30 | |
That's OK, Miss Smith. | 0:21:30 | 0:21:33 | |
Smile! | 0:21:33 | 0:21:34 | |
Joseph, are you all right? | 0:21:41 | 0:21:43 | |
Keep up! Keep up! | 0:21:43 | 0:21:45 | |
Oh! Keep up, keep up! | 0:21:49 | 0:21:53 | |
We all say thongs we don't moan. | 0:21:54 | 0:21:58 | |
Spelling! Spelling! | 0:22:00 | 0:22:02 | |
Forgove me. Things we don't mean. | 0:22:04 | 0:22:07 | |
Keep trying and smile again! | 0:22:10 | 0:22:12 | |
Thoughtful smile, not sexy smile! | 0:22:17 | 0:22:20 | |
-It's incredible. -They're controlling him. | 0:22:26 | 0:22:30 | |
Everything he says and does, it's them. | 0:22:30 | 0:22:32 | |
What else do you want to know? | 0:22:41 | 0:22:42 | |
Ooh! | 0:22:42 | 0:22:44 | |
Emergency stand! | 0:22:44 | 0:22:46 | |
Steady on, bum! | 0:22:47 | 0:22:49 | |
And one, two, three and up! | 0:22:50 | 0:22:55 | |
Quick, fabric! | 0:22:59 | 0:23:01 | |
I'm so sorry. | 0:23:04 | 0:23:06 | |
What a clumsy clot you are, Miss Smith. | 0:23:06 | 0:23:09 | |
One of our country's most famously shrewd journalists | 0:23:09 | 0:23:14 | |
is apparently such a loveable scatterbrain. | 0:23:14 | 0:23:18 | |
Well, Miss Moss... | 0:23:18 | 0:23:20 | |
Miss Smith, what else do you want to know? | 0:23:23 | 0:23:26 | |
-I just hope I can stop embarrassing myself for a start. -Hypno to ten. | 0:23:26 | 0:23:32 | |
Hypno power to ten! Hypno power to ten! | 0:23:32 | 0:23:35 | |
She must trust! She must trust! | 0:23:35 | 0:23:37 | |
You love the SerfBoard, Sarah Jane. | 0:23:42 | 0:23:45 | |
It's the most amazing computer you've ever seen. | 0:23:45 | 0:23:49 | |
Stronger, hypno! Stronger, hypno! | 0:23:49 | 0:23:50 | |
And I am the most amazing man you've ever seen. | 0:23:55 | 0:24:00 | |
Yes, yes, you're such a handsome man, Mr Serf. | 0:24:00 | 0:24:04 | |
But I'm an old hand at hypnotism and when it comes to men, | 0:24:06 | 0:24:10 | |
I actually prefer something I can grab hold of. | 0:24:10 | 0:24:13 | |
Got you! | 0:24:13 | 0:24:14 | |
Failure! Legs failed! | 0:24:14 | 0:24:17 | |
Failed! Stand down. Await orders. | 0:24:17 | 0:24:21 | |
This is alien technology. | 0:24:23 | 0:24:26 | |
And it's pretty erratic. | 0:24:28 | 0:24:32 | |
Alien technology? | 0:24:32 | 0:24:34 | |
You mean, something that's not made on this planet. Like this? | 0:24:34 | 0:24:38 | |
-One false move, Miss Smith, and you are dead. -Mum! No! | 0:24:42 | 0:24:48 | |
Intruders! | 0:24:48 | 0:24:50 | |
-You! -Please, let her go! | 0:25:02 | 0:25:04 | |
She's my sister. She's just a child, please! | 0:25:04 | 0:25:08 | |
You! You! | 0:25:08 | 0:25:10 | |
-Sky, get out of there! -They're going to kill us! | 0:25:13 | 0:25:15 | |
ALARM SOUNDS | 0:25:15 | 0:25:18 | |
We're in! Trevor and Janet Sharpe. | 0:25:18 | 0:25:22 | |
Escaped? Well, then, find her. | 0:25:23 | 0:25:26 | |
The cavalry's coming and it's me and the missus. | 0:25:28 | 0:25:30 | |
This time, you are working for your lives. | 0:25:30 | 0:25:34 | |
You've got to work Serf. | 0:25:34 | 0:25:36 | |
No! | 0:25:37 | 0:25:39 | |
Subtitles by Red Bee Media Ltd | 0:25:52 | 0:25:56 | |
E-mail [email protected] | 0:25:56 | 0:25:59 |