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# You've been found guilty | 0:00:04 | 0:00:06 | |
# Of a howling showbiz crime | 0:00:06 | 0:00:08 | |
# So welcome to The Slammer | 0:00:08 | 0:00:10 | |
# Where you're going to serve your time | 0:00:10 | 0:00:13 | |
# With every type of minstrel, entertainer, artiste | 0:00:13 | 0:00:17 | |
# Performing to the limit To try and get released | 0:00:17 | 0:00:21 | |
# So go fetch the audience Bring them to The Slammer | 0:00:21 | 0:00:25 | |
# And polish up your act With a bit of glitz and glamour | 0:00:25 | 0:00:29 | |
# Your fate is in their hands So make them cheer and clamour | 0:00:29 | 0:00:34 | |
# It's the only way you'll ever leave The Slammer | 0:00:34 | 0:00:38 | |
# It's the only way you'll ever leave The Slammer! # | 0:00:38 | 0:00:42 | |
Thanks for those lovely tea towels. Finally, a reminder to you all, | 0:00:45 | 0:00:50 | |
the possession of clowning equipment is a serious offence. | 0:00:50 | 0:00:54 | |
HORN BLASTS AND SPOON RATTLES | 0:00:54 | 0:00:58 | |
Two, two... All right, all right, campers, thank you. | 0:01:00 | 0:01:04 | |
Now then, I have here the results you've all been waiting for. | 0:01:04 | 0:01:09 | |
The performers in this week's Freedom Show are... | 0:01:09 | 0:01:13 | |
-DRUM ROLL -The performer of impossible feats... | 0:01:13 | 0:01:16 | |
-Mat Ricardo! -'Wait, get on with your pudding. | 0:01:16 | 0:01:20 | |
'Save it for Showtime.' | 0:01:20 | 0:01:22 | |
-Bendy Wendy! -APPLAUSE | 0:01:22 | 0:01:27 | |
DRUM ROLL | 0:01:30 | 0:01:32 | |
The BMX Master - Rob Alton! | 0:01:32 | 0:01:36 | |
APPLAUSE | 0:01:36 | 0:01:38 | |
And finally... | 0:01:40 | 0:01:42 | |
-Yes! -Mickey the Amazing Mind reader! | 0:01:42 | 0:01:46 | |
-I knew it. -So to those four acts, congratulations. | 0:01:46 | 0:01:51 | |
To the rest of you - there's always next week. | 0:01:51 | 0:01:54 | |
Or maybe not. | 0:01:54 | 0:01:56 | |
-Where's that list of new inmates you were promising me? -Here, Uncle... | 0:01:56 | 0:02:01 | |
-I mean, Governor. -Right. | 0:02:01 | 0:02:03 | |
Yes, thank you. | 0:02:03 | 0:02:06 | |
Ooh! | 0:02:08 | 0:02:09 | |
-What's this, The Great Alfredo!? -He's a magician or something... | 0:02:10 | 0:02:15 | |
-He got two years for keeping disorderly rabbits! -Alfredo! | 0:02:15 | 0:02:19 | |
He's a Slammer legend. | 0:02:19 | 0:02:21 | |
He was here 20 years ago, did this amazing disappearing act. | 0:02:21 | 0:02:25 | |
-He escaped from prison? -No! | 0:02:25 | 0:02:27 | |
He made his wife disappear. | 0:02:27 | 0:02:29 | |
Oh, the times I wished I could do that. | 0:02:29 | 0:02:32 | |
Left, right, left, right, left, right... Halt! | 0:02:32 | 0:02:37 | |
-Alfredo! -Governor! -BOTH: How you doing? | 0:02:37 | 0:02:42 | |
-Well? -So-so, you know. | 0:02:43 | 0:02:46 | |
-Oh, you remember Debbie? -Oh, Debbie, of course. | 0:02:46 | 0:02:49 | |
Enchante. | 0:02:49 | 0:02:50 | |
-How have you been? -DEBBIE MUMBLES INCOHERENTLY | 0:02:50 | 0:02:54 | |
Really? Well, you can't always get them, can you? | 0:02:54 | 0:02:57 | |
Anyway, I want you two to get changed immediately. | 0:02:57 | 0:03:02 | |
I'm putting you straight into this week's Freedom Show. | 0:03:02 | 0:03:06 | |
But, sir, you...can't do that. You've already announced the acts. | 0:03:06 | 0:03:11 | |
It's against the rules. | 0:03:11 | 0:03:12 | |
Mr Burgess... | 0:03:12 | 0:03:14 | |
-Uh-huh? -I -am the rules. | 0:03:15 | 0:03:19 | |
I'd like you to escort our guests to their cell | 0:03:19 | 0:03:22 | |
and if there's anything you need, just say the word. | 0:03:22 | 0:03:26 | |
Alfredo. | 0:03:26 | 0:03:27 | |
Do we have our own cell back? | 0:03:28 | 0:03:31 | |
You'll get what you're given, you cheeky conjurer! | 0:03:31 | 0:03:34 | |
Left turn! left, right, left, right, left, right... | 0:03:34 | 0:03:38 | |
HORN TOOTS | 0:03:42 | 0:03:43 | |
OK, so that's one horn, two hats, | 0:03:43 | 0:03:47 | |
15 cans of shaving foam... | 0:03:47 | 0:03:51 | |
Ten red noses and 15 squirty flowers. | 0:03:51 | 0:03:57 | |
BURGESS: Right, left, right, left... - Burgess! | 0:03:57 | 0:04:01 | |
No, No! That's our old cell. Please, let us go back in there. | 0:04:01 | 0:04:06 | |
No, you're coming in this one. It's got your name on the door. | 0:04:06 | 0:04:10 | |
Excuse me, could you keep the noise down, please? > | 0:04:10 | 0:04:14 | |
-I want to go in my old cell! -In there, and you! | 0:04:14 | 0:04:19 | |
Get in! | 0:04:19 | 0:04:21 | |
Erm, hello. | 0:04:21 | 0:04:23 | |
You...excuse me... | 0:04:23 | 0:04:25 | |
Erm... | 0:04:25 | 0:04:27 | |
Help! | 0:04:27 | 0:04:29 | |
I wonder why they were so keen on this cell. | 0:04:30 | 0:04:33 | |
-Eh? -That magician bloke and his missus. -Oh, them. | 0:04:33 | 0:04:36 | |
-They'll know about the tunnel. -What!? | 0:04:36 | 0:04:39 | |
-The one behind that poster. -'Flippin' heck, another one!' | 0:04:39 | 0:04:43 | |
I don't believe it. | 0:04:48 | 0:04:49 | |
-Did you dig this tunnel? -It was there when I got here. -All this time... | 0:04:49 | 0:04:54 | |
'we've been sat here in this flamin' cell...' We could just escape. | 0:04:54 | 0:04:58 | |
-What do you wanna escape for? -To get out, to be free, to perform. | 0:04:58 | 0:05:03 | |
-'Yeah, perform.' -Perform, you don't wanna do that | 0:05:03 | 0:05:07 | |
after the last time... | 0:05:07 | 0:05:08 | |
APPLAUSE | 0:05:08 | 0:05:11 | |
-Oh, bum. -AUDIENCE: Ooh! | 0:05:16 | 0:05:18 | |
OK, so you messed up at The Royal Variety... | 0:05:22 | 0:05:25 | |
'Mess up, mess up, mess up... Phrrt!' | 0:05:25 | 0:05:28 | |
Stop it. It's serious. | 0:05:28 | 0:05:30 | |
Come on. You could be home by teatime. | 0:05:30 | 0:05:33 | |
-Don't you wanna be free? -I am free, | 0:05:33 | 0:05:35 | |
free to make as much money as I like. I'm off to see a bloke, | 0:05:35 | 0:05:39 | |
you wouldn't believe how much money he's paying for this. | 0:05:39 | 0:05:43 | |
Cover that tunnel. Don't want Burgess to see it. | 0:05:43 | 0:05:45 | |
Hello, my lovely. | 0:05:50 | 0:05:52 | |
Oh, how do I look? Divine! | 0:05:56 | 0:05:59 | |
Ah-hem... | 0:05:59 | 0:06:01 | |
Yes, can I help you? | 0:06:01 | 0:06:03 | |
It's Bendy Wendy, she isn't going to be up for the show. | 0:06:03 | 0:06:06 | |
What? She's first on, where is she? | 0:06:06 | 0:06:08 | |
In here and... | 0:06:08 | 0:06:10 | |
-in here. -What!? | 0:06:10 | 0:06:12 | |
-BENDY WENDY: -It's OK. I'm all right. | 0:06:12 | 0:06:15 | |
-I over-bent myself in rehearsals. -What a disaster! | 0:06:15 | 0:06:19 | |
Where are we going to find another act now? | 0:06:19 | 0:06:21 | |
Left, right, left, right... Halt! | 0:06:21 | 0:06:25 | |
Odoom, sir. He's your man. | 0:06:25 | 0:06:29 | |
Mr Burgess, you're a life saver. | 0:06:29 | 0:06:32 | |
-Melvin, go and get yourself changed. -Changed? | 0:06:32 | 0:06:35 | |
-For what? -What do you think? | 0:06:35 | 0:06:38 | |
-You can't go on stage like that. -Me? | 0:06:38 | 0:06:40 | |
-There must be some kind of mistake. -Never mind. Congratulations. | 0:06:40 | 0:06:44 | |
You're in the show, you might be released. | 0:06:44 | 0:06:47 | |
-Take him away. -Unlucky, lads. | 0:06:47 | 0:06:49 | |
Please! | 0:06:49 | 0:06:51 | |
Think positive. You've just got to go out there...'and mess it all up. | 0:06:55 | 0:07:00 | |
'Hee-hee!' Shh! He'll be brilliant. | 0:07:00 | 0:07:02 | |
SIREN WAILS < You've got two minutes. | 0:07:02 | 0:07:05 | |
< The audience are coming in. | 0:07:05 | 0:07:08 | |
Oh, not now, please! | 0:07:08 | 0:07:11 | |
I had stage fright once. There's a light at the end of the tunnel. | 0:07:11 | 0:07:15 | |
The tunnel, you're a genius. | 0:07:16 | 0:07:19 | |
Thanks. I thought you didn't want to escape. | 0:07:19 | 0:07:23 | |
That was before they put me in the show. So long. Peace! | 0:07:23 | 0:07:27 | |
'So long, Melvin. Respect, dude.' | 0:07:27 | 0:07:30 | |
What are we going to do? Melvin! | 0:07:30 | 0:07:33 | |
-What are you doing looking at my tunnel? -Since when was it yours? | 0:07:33 | 0:07:37 | |
Since WE built it for the disappearing trick. | 0:07:37 | 0:07:42 | |
-I suppose you want to escape? -Escape, no, young man, | 0:07:42 | 0:07:45 | |
that tunnel leads to the stage. | 0:07:45 | 0:07:49 | |
-The stage! -I shouldn't be telling you, but... | 0:07:49 | 0:07:52 | |
Melvin! | 0:07:52 | 0:07:54 | |
-How do I look? -Divine, Uncle. -Thank you very much. | 0:07:54 | 0:07:58 | |
-In that case... -Can I? | 0:07:58 | 0:08:00 | |
No! It's Showtime! | 0:08:00 | 0:08:03 | |
Ladies and gentlemen, welcome to HM Slammer, | 0:08:05 | 0:08:08 | |
where you decide which prisoner is to be released. | 0:08:08 | 0:08:12 | |
So please welcome your host... | 0:08:12 | 0:08:14 | |
-Give us a G! AUDIENCE: -G! | 0:08:14 | 0:08:17 | |
-Give us an O! -O! | 0:08:17 | 0:08:18 | |
-Give us a V! -V! -Give us a... | 0:08:18 | 0:08:21 | |
No, I can't be bothered. It's the Governor! | 0:08:21 | 0:08:24 | |
CHEERING AND APPLAUSE | 0:08:24 | 0:08:27 | |
-Who's the governor? -AUDIENCE: -You're the governor! | 0:08:39 | 0:08:44 | |
Wonderful to see you. We've got a wonderful Freedom Show today. | 0:08:44 | 0:08:48 | |
You'll decide who's going to go free. | 0:08:48 | 0:08:52 | |
-We've got a marvellous act called Mat Ricardo... -Oooh! | 0:08:52 | 0:08:56 | |
-..we've got Rob Alton who does great things on his BMX! -Oooh! | 0:08:56 | 0:09:01 | |
-We've got a magician called The Great Alfredo! -Oooh! | 0:09:01 | 0:09:05 | |
But first, we've got a wonderful performer. He's a marvellous dancer. | 0:09:05 | 0:09:10 | |
You're going to enjoy him. Will you give a big hand | 0:09:10 | 0:09:13 | |
for the one and only Melvin Odoom! | 0:09:13 | 0:09:17 | |
CHEERING AND APPLAUSE | 0:09:17 | 0:09:22 | |
Sorry about that. A big hand for the one and only Melvin Odoom. | 0:09:24 | 0:09:30 | |
CHEERING | 0:09:30 | 0:09:33 | |
Yes, you have. ..The surprising and, when I get my hands on him, | 0:09:36 | 0:09:42 | |
late Melvin Odoom! | 0:09:42 | 0:09:45 | |
-AUDIENCE: -Yes! | 0:09:45 | 0:09:47 | |
Melvin! | 0:09:47 | 0:09:50 | |
Oh, bum. | 0:09:50 | 0:09:52 | |
Come here, you! Come here, you! | 0:09:52 | 0:09:54 | |
Erm... Yes... | 0:09:56 | 0:09:58 | |
Sorry about that, ladies and gentlemen. | 0:10:02 | 0:10:05 | |
On with the show! On with the show. | 0:10:05 | 0:10:08 | |
-Mr Burgess? -What? -Is the next act ready? | 0:10:08 | 0:10:10 | |
I'm afraid the next act isn't ready, sir. | 0:10:10 | 0:10:14 | |
Oh, good, good. That means erm... | 0:10:14 | 0:10:18 | |
Anyone else fancy a go? | 0:10:18 | 0:10:20 | |
Anyone want to do an act? | 0:10:20 | 0:10:22 | |
What about you? You'll have a go. A round of applause, please. | 0:10:22 | 0:10:26 | |
All right, well. | 0:10:26 | 0:10:29 | |
-What's your name? -Shaun. | 0:10:30 | 0:10:32 | |
-Shaun, have you got another name? -Walsh. -Shaun Walsh. | 0:10:32 | 0:10:36 | |
Shaun Walsh, what are you going to do? | 0:10:36 | 0:10:38 | |
-Sing Rockin' Robin. -For Shaun Walsh, singing Rockin' Robin, | 0:10:38 | 0:10:43 | |
it's a slap-up welcome. | 0:10:43 | 0:10:45 | |
CHEERING | 0:10:45 | 0:10:47 | |
# He rocks in the tree tops all day long | 0:10:49 | 0:10:51 | |
# Hoppin' and a-boppin' and singin' that song | 0:10:51 | 0:10:54 | |
# All the little birdies on J-bird Street | 0:10:54 | 0:10:57 | |
# Love to hear the robin go tweet, tweet, tweet | 0:10:57 | 0:10:59 | |
# Rockin' robin Rock, rock, rockin' robin | 0:10:59 | 0:11:03 | |
# Flow rockin' robin cos we're really gonna rock tonight | 0:11:05 | 0:11:09 | |
# Pretty little raven at the bird's dance | 0:11:27 | 0:11:29 | |
# Taught him how to do the bop It was grand | 0:11:29 | 0:11:32 | |
# They started going steady and bless my soul | 0:11:32 | 0:11:34 | |
# He out-bopped the buzzard and the oriole | 0:11:34 | 0:11:37 | |
# He rocks in the tree tops all day long | 0:11:37 | 0:11:41 | |
# Hoppin' and a-boppin' just singing that song | 0:11:41 | 0:11:43 | |
# All the little birdies on J-bird Street | 0:11:43 | 0:11:46 | |
# Love to hear the robin go tweet, tweet, tweet | 0:11:46 | 0:11:49 | |
# Rockin' robin Rock, rock, rockin' robin | 0:11:49 | 0:11:52 | |
# Flow rockin' robin cos we're really gonna rock tonight | 0:11:55 | 0:11:58 | |
# Tweedley-deedley-dee Tweedley, deedley | 0:12:00 | 0:12:03 | |
# Tweedley-deedley-dee Tweedley, deedley | 0:12:03 | 0:12:06 | |
# Tweedley-deedley-dee Tweedley, deedley | 0:12:06 | 0:12:08 | |
# Tweet, tweet, tweet, tweet. # | 0:12:08 | 0:12:11 | |
CHEERING | 0:12:11 | 0:12:14 | |
Give him a round of applause. | 0:12:17 | 0:12:19 | |
Put him in a holding cell, he's not really a prisoner. | 0:12:19 | 0:12:23 | |
I thought he was marvellous. Rocking Robin, what do you think of that? | 0:12:23 | 0:12:27 | |
-Mr Burgess. -What did you think, sir? -He was very good and excellent. | 0:12:27 | 0:12:32 | |
-What about his dance moves? Were you impressed? -Yeah, better than mine. | 0:12:32 | 0:12:37 | |
-Did you enjoy him? -Yeah, he was brilliant. | 0:12:37 | 0:12:40 | |
Well, his dance moves were exotic. I've never seen them, but... | 0:12:40 | 0:12:45 | |
Exotic! Mr Burgess likes exotic dancers, don't you? | 0:12:45 | 0:12:49 | |
LAUGHTER | 0:12:49 | 0:12:50 | |
-Could you sum that act up in one word? -Dramatic. -Dramatic! | 0:12:50 | 0:12:56 | |
-Dramatic, sir. -This next performing prisoner, he's marvellous. | 0:12:56 | 0:13:01 | |
Jailers and jailbirds, convict connoisseurs, | 0:13:01 | 0:13:05 | |
will you give a big cheer to welcome... | 0:13:05 | 0:13:07 | |
the one and only, the unique Mat Ricardo! | 0:13:07 | 0:13:11 | |
CHEERING | 0:13:11 | 0:13:13 | |
Thanks very much. Just one trick for you. | 0:13:17 | 0:13:20 | |
A trick involving one table, two trays, one vase of flowers, | 0:13:20 | 0:13:24 | |
four cups, four saucers, three spoons, | 0:13:24 | 0:13:27 | |
one teaset and one tablecloth. Watch...very closely. | 0:13:27 | 0:13:31 | |
DRUM ROLL | 0:13:31 | 0:13:33 | |
One quick question. | 0:13:38 | 0:13:39 | |
If you think I can do this, | 0:13:39 | 0:13:42 | |
clap now. | 0:13:42 | 0:13:43 | |
All right, fair enough. | 0:13:46 | 0:13:48 | |
If you do not think I can do this, | 0:13:48 | 0:13:50 | |
clap now. SCATTERED CLAPPING | 0:13:50 | 0:13:52 | |
That's a few people. If you don't care if I can do this or not, | 0:13:52 | 0:13:58 | |
and you're just watching to see me smash this, clap now. | 0:13:58 | 0:14:02 | |
Fine. | 0:14:05 | 0:14:06 | |
DRUM ROLL | 0:14:07 | 0:14:08 | |
It's gone very quiet, hasn't it? You're looking at me, thinking | 0:14:11 | 0:14:16 | |
it must be fake, strings, magnets. I'll prove to you now | 0:14:16 | 0:14:21 | |
everything on the table is real. | 0:14:21 | 0:14:24 | |
OK, the flowers are plastic... LAUGHTER | 0:14:24 | 0:14:27 | |
Everything else is real. No tricks, no gimmicks, no strings. | 0:14:27 | 0:14:32 | |
No magnets. | 0:14:32 | 0:14:33 | |
Any questions? | 0:14:38 | 0:14:39 | |
My favourite joke in the act. | 0:14:42 | 0:14:45 | |
Obviously not yours. | 0:14:45 | 0:14:46 | |
Everything's real. To prove it, here's one you can try at home. | 0:14:46 | 0:14:51 | |
CHINA CLINKS | 0:14:51 | 0:14:52 | |
Hup! | 0:14:52 | 0:14:54 | |
A flying saucer! APPLAUSE | 0:14:54 | 0:14:56 | |
You're too kind. | 0:14:56 | 0:14:58 | |
AUDIENCE: Oh! APPLAUSE | 0:15:01 | 0:15:03 | |
Oh-ho-ho! | 0:15:05 | 0:15:06 | |
I made it. | 0:15:08 | 0:15:09 | |
Real genuine spoons. | 0:15:09 | 0:15:12 | |
Watch closely. To prove the spoons are completely real... | 0:15:12 | 0:15:16 | |
DRUM ROLL | 0:15:23 | 0:15:25 | |
Every single one of you... | 0:15:28 | 0:15:30 | |
I haven't done it yet. | 0:15:31 | 0:15:33 | |
Hup! DRUM ROLL | 0:15:33 | 0:15:35 | |
APPLAUSE | 0:15:41 | 0:15:43 | |
So...real cups, real saucers, | 0:15:47 | 0:15:51 | |
real spoons, one question. | 0:15:51 | 0:15:53 | |
Do you want to see this? AUDIENCE: Yeah! | 0:15:53 | 0:15:57 | |
Oh, no. | 0:15:57 | 0:15:58 | |
OK, I need your help. I need you to start clapping slowly. | 0:15:58 | 0:16:02 | |
I need every single one of you to clap slowly with me, | 0:16:02 | 0:16:05 | |
getting gradually faster and louder and, if we're lucky, | 0:16:05 | 0:16:09 | |
if you clap loud enough we won't hear the crockery smashing. | 0:16:09 | 0:16:13 | |
With me. Everybody! | 0:16:13 | 0:16:16 | |
CLAPPING SPEEDS UP, DRUM ROLL | 0:16:16 | 0:16:22 | |
Thank you very much indeed. Oh, OK. | 0:16:22 | 0:16:24 | |
Hup! | 0:16:24 | 0:16:25 | |
CHEERING | 0:16:25 | 0:16:27 | |
That's all very well, but that's not the finale. | 0:16:29 | 0:16:33 | |
This is the finale. | 0:16:33 | 0:16:35 | |
One more time, everybody. | 0:16:35 | 0:16:37 | |
CLAPPING GETS FASTER | 0:16:39 | 0:16:43 | |
DRUM ROLL | 0:16:46 | 0:16:48 | |
Hup! | 0:16:48 | 0:16:49 | |
Give him a big round of applause, folks - Mat Ricardo! | 0:16:55 | 0:16:59 | |
CHEERING | 0:16:59 | 0:17:01 | |
Well, Mat Ricardo, what a wonderful performance. | 0:17:01 | 0:17:05 | |
We know what he thought, but what did you think of him? | 0:17:05 | 0:17:09 | |
Let's find out. | 0:17:09 | 0:17:10 | |
-Views? -I think he's very skilled and talented. | 0:17:10 | 0:17:14 | |
He chipped a bit of crockery, | 0:17:14 | 0:17:17 | |
-do you think we could extend his sentence? -Erm... I didn't see it. | 0:17:17 | 0:17:23 | |
-You didn't, I did. -What did you think about Ricardo? | 0:17:23 | 0:17:26 | |
-Boring because tons of people have done that before. -Thank you. | 0:17:26 | 0:17:30 | |
Mr Burgess, over to you for a final word. | 0:17:30 | 0:17:33 | |
-I thought he was brilliant. -That's not one final word. | 0:17:33 | 0:17:37 | |
-Amazing. -Amazing. -Another performing prisoner now, | 0:17:37 | 0:17:41 | |
over in C block. This guy's wonderful. | 0:17:41 | 0:17:44 | |
-Who's got a bike? Yeah. Can you do tricks on your bikes? -Yeah. | 0:17:44 | 0:17:48 | |
I bet you ain't seen tricks like this. | 0:17:48 | 0:17:52 | |
Would you please welcome | 0:17:52 | 0:17:54 | |
the unique talent of Rob Alton, BMX Master. | 0:17:54 | 0:17:57 | |
POP MUSIC PLAYS | 0:18:07 | 0:18:12 | |
HE MOUTHS | 0:18:12 | 0:18:13 | |
# Though I saw Miss Luce down along the track | 0:18:15 | 0:18:18 | |
# She lost her home and her family and she won't be coming back | 0:18:18 | 0:18:22 | |
# Without love Where would you be right now? | 0:18:22 | 0:18:27 | |
# Without love... # | 0:18:30 | 0:18:35 | |
# We've got to educate our young boys and girls | 0:18:36 | 0:18:39 | |
# Originality is what I'm living for today | 0:18:39 | 0:18:41 | |
# Situations... # CLAPPING DROWNS OUT WORDS | 0:18:41 | 0:18:46 | |
# ..All come together and act like human beings | 0:18:46 | 0:18:50 | |
# Look around me | 0:18:50 | 0:18:51 | |
# I see the sunlight never reaches the ground | 0:18:51 | 0:18:53 | |
# My mind is lost My head is spinning round and round | 0:18:53 | 0:18:56 | |
# Let me tell you what we must do | 0:18:56 | 0:18:58 | |
# Making choices of the future depends on you | 0:18:58 | 0:19:01 | |
# We know we have ten years to save the planet | 0:19:01 | 0:19:04 | |
# Know what I mean? I hope... # | 0:19:04 | 0:19:06 | |
CHEERING AND WHOOPING | 0:19:08 | 0:19:10 | |
RAP CONTINUES | 0:19:29 | 0:19:32 | |
CHEERING | 0:20:16 | 0:20:20 | |
Very good. Give him a big cheer, boys and girls. | 0:20:20 | 0:20:23 | |
Give him a big cheer. | 0:20:23 | 0:20:25 | |
Marvellous Rob Alton. Very impressive, | 0:20:25 | 0:20:28 | |
but it used to take him 5-and-a-half hours to do his paper round. | 0:20:28 | 0:20:32 | |
-What did you think? -Can you ride a bike? | 0:20:32 | 0:20:35 | |
-Yeah. -Good for you. | 0:20:35 | 0:20:36 | |
-Now then, miss, what did you think? -I thought he was wonderful | 0:20:36 | 0:20:41 | |
-and he's got my vote. -He's got your vote. We've got one act left to go, | 0:20:41 | 0:20:45 | |
-you don't think the last act will top that? -I don't think so. | 0:20:45 | 0:20:49 | |
-You don't think anything can better that? -No. | 0:20:49 | 0:20:52 | |
Sir, for a final word on that act... Sum that up in one word, sir. | 0:20:52 | 0:20:57 | |
-One word, sir. -Brilliant. | 0:20:57 | 0:21:00 | |
-Thank you. -Well, one more performing prisoner to see. | 0:21:00 | 0:21:04 | |
This act is a great favourite of mine. | 0:21:04 | 0:21:07 | |
It was 20 years ago I first saw them perform | 0:21:07 | 0:21:10 | |
their amazing disappearing act and I can't work out how they did it. | 0:21:10 | 0:21:15 | |
It's got nothing to do with that tunnel. Oh! | 0:21:15 | 0:21:18 | |
-Tunnel? -No, I can explain. | 0:21:18 | 0:21:22 | |
-Tunnel? -It was the other bloke. | 0:21:22 | 0:21:24 | |
-Listen... -You! I thought you were magic. | 0:21:24 | 0:21:29 | |
I am, I am The Great Alfredo. | 0:21:29 | 0:21:32 | |
The Great Alfraudo, more like. Mr Burgess, Gimbert, take him away. | 0:21:32 | 0:21:36 | |
-No, no! -Right, come on. | 0:21:36 | 0:21:38 | |
-No magic tunnel for you. Never mind the... -Cheat, it was a tunnel. | 0:21:38 | 0:21:42 | |
And you can clear off and all. Big hairy thing, go on, off you go. | 0:21:42 | 0:21:47 | |
Dear, oh, dear. | 0:21:47 | 0:21:48 | |
-Well... -AUDIENCE: AW! -No, jailers and jailbirds, | 0:21:48 | 0:21:54 | |
we promised you four acts and four acts you're going to have. | 0:21:54 | 0:21:58 | |
So, jailers and jailbirds, for one night only, | 0:21:58 | 0:22:02 | |
at no expense whatsoever, | 0:22:02 | 0:22:03 | |
I'd like to present for you, The Swinging Slammers... | 0:22:03 | 0:22:07 | |
and me! Music, maestro, please. | 0:22:07 | 0:22:10 | |
Hit it! | 0:22:10 | 0:22:11 | |
Oh, yes, here we go. | 0:22:11 | 0:22:13 | |
# Now, stop what you're doing cos the governor's back in town | 0:22:15 | 0:22:19 | |
# I'm gonna do a song Cos the inmates let me down | 0:22:19 | 0:22:23 | |
# So hang on to your underpants | 0:22:23 | 0:22:25 | |
# I've got a point to prove | 0:22:25 | 0:22:28 | |
-# Who's the governor? # -ALL: You're the governor! | 0:22:28 | 0:22:30 | |
# Governor of groove | 0:22:30 | 0:22:32 | |
# I used to be a legend in the clubs of Lancashire | 0:22:32 | 0:22:37 | |
# Not saying I was red hot | 0:22:37 | 0:22:39 | |
# But me trumpet once caught fire | 0:22:39 | 0:22:41 | |
# The king of swing The boss of bling | 0:22:41 | 0:22:43 | |
# Ambassador of smooth | 0:22:43 | 0:22:46 | |
# Who's the governor? The governor of groove... # | 0:22:46 | 0:22:50 | |
MUSIC CONTINUES | 0:22:59 | 0:23:00 | |
# So jailers and jailbirds, let me hear you cheer and clamour | 0:23:08 | 0:23:12 | |
# If I don't win the competition No-one leaves The Slammer | 0:23:12 | 0:23:16 | |
# Your fate is in my hands So let me hear you approve | 0:23:16 | 0:23:21 | |
-# Who's the governor? # -ALL: You're the governor. | 0:23:21 | 0:23:25 | |
# I am the governor of groove Oh, yeah! # | 0:23:25 | 0:23:30 | |
CHEERING | 0:23:30 | 0:23:33 | |
Thanks, jailers and jail... No, no. | 0:23:33 | 0:23:35 | |
Get off. I'm the governor. | 0:23:35 | 0:23:38 | |
He's Mr Burgess? Dear, oh dear. | 0:23:38 | 0:23:41 | |
I thought you were going to put us in a cell. | 0:23:41 | 0:23:44 | |
I thought that was marvellous. Let's have a few comments. | 0:23:44 | 0:23:47 | |
Erm...excellent, fantastic, really, really good. | 0:23:47 | 0:23:53 | |
-Yes, and what about you? -Some improvements to be made... -Shut up. | 0:23:53 | 0:23:57 | |
Well, jailers and jailbirds, I'd like a great big round of applause | 0:23:57 | 0:24:02 | |
for some wonderful choreography from Mr Burgess and Gimbert. | 0:24:02 | 0:24:06 | |
-Oh, yes. -WHISTLING | 0:24:06 | 0:24:09 | |
All right, then. Very smart, very smart. | 0:24:11 | 0:24:14 | |
It's time to find out who goes free with the clapometer. | 0:24:14 | 0:24:19 | |
Clapometer as modelled by Gimbert. Is there no beginning to his talent? | 0:24:19 | 0:24:25 | |
Whoever gets the biggest clap and cheer will go free | 0:24:25 | 0:24:28 | |
because the clapometer will turn it into points. | 0:24:28 | 0:24:32 | |
Let's welcome back all our performing prisoners. | 0:24:32 | 0:24:35 | |
Shaun Walsh, Mat Ricardo, Rob Alton, | 0:24:35 | 0:24:38 | |
and well...me. | 0:24:38 | 0:24:41 | |
All right, folks. | 0:24:41 | 0:24:43 | |
There we go. Now... | 0:24:43 | 0:24:46 | |
I will ask each performing prisoner to step forward, | 0:24:46 | 0:24:51 | |
you will give them applause and then we'll see how many they get. | 0:24:51 | 0:24:55 | |
The highest score goes free from The Slammer. | 0:24:55 | 0:24:58 | |
This young man stepped in because somebody went missing - Mr Odoom - | 0:24:58 | 0:25:02 | |
-who we'll deal with later. -We certainly will. | 0:25:02 | 0:25:06 | |
-Thank you very much to a young man.. How old are you? -11. | 0:25:06 | 0:25:09 | |
He's only 11 and he sang wonderfully. | 0:25:09 | 0:25:12 | |
Will you give a rocking welcome for Shaun Walsh? | 0:25:12 | 0:25:15 | |
ENTHUSIASTIC APPLAUSE AND CHEERING | 0:25:15 | 0:25:19 | |
The score coming up for you now... | 0:25:21 | 0:25:24 | |
That's a good score. | 0:25:25 | 0:25:27 | |
Right this next gentleman, he did amazing things. | 0:25:27 | 0:25:30 | |
Don't try this when having your tea. | 0:25:30 | 0:25:33 | |
Please show your appreciation for the wonderful Mat Ricardo! | 0:25:33 | 0:25:39 | |
-APPLAUSE -Come on, let's hear it. | 0:25:39 | 0:25:41 | |
Check the sound decibels. That's... | 0:25:41 | 0:25:46 | |
That means you are staying in The Slammer, Mat. | 0:25:46 | 0:25:50 | |
Now this gentleman, what things he did on his bike. | 0:25:50 | 0:25:54 | |
Let's see what you thought of Rob Alton. | 0:25:54 | 0:25:57 | |
RAPTUROUS APPLAUSE AND SCREAMING | 0:25:57 | 0:26:00 | |
Dear, oh dear. | 0:26:07 | 0:26:11 | |
Let's have a look there. | 0:26:11 | 0:26:14 | |
He's in the lead, which means he can only be beaten by one performer. | 0:26:15 | 0:26:20 | |
Oh, I wonder, who could that be? | 0:26:20 | 0:26:23 | |
You better show your appreciation for a slim, talented young man... | 0:26:23 | 0:26:28 | |
Is he? No, it was me. | 0:26:28 | 0:26:29 | |
It was me! | 0:26:29 | 0:26:30 | |
ENTHUSIASTIC APPLAUSE | 0:26:30 | 0:26:32 | |
Oh, fantastic. | 0:26:36 | 0:26:38 | |
Well, that means that the winner this week and going free, | 0:26:40 | 0:26:44 | |
he's paid his debt and he can go, on his bike, | 0:26:44 | 0:26:47 | |
is Rob Alton. You're free to go. | 0:26:47 | 0:26:49 | |
CHEERING | 0:26:49 | 0:26:51 | |
Back in your cells. Shaun, we'll let you go later. | 0:26:51 | 0:26:56 | |
Give them a nice big hand, ladies and gentlemen. | 0:26:56 | 0:27:00 | |
Oh, marvellous. | 0:27:00 | 0:27:01 | |
Rob Alton goes free, I can go to my office | 0:27:03 | 0:27:06 | |
and everything's hunky-dory in The Slammer. | 0:27:06 | 0:27:09 | |
We hope we see you again soon and remember... Come here. | 0:27:09 | 0:27:13 | |
If you can't sing, dance or rhyme, | 0:27:13 | 0:27:15 | |
don't do the crime. | 0:27:15 | 0:27:17 | |
We'll catch you soon for some more fun on The Slammer. | 0:27:17 | 0:27:21 | |
Bye-bye. | 0:27:21 | 0:27:22 | |
Subtitles by Red Bee Media Ltd 2006 | 0:27:22 | 0:27:25 | |
E-mail [email protected] | 0:27:25 | 0:27:28 | |
-SHE MUTTERS -What's that? | 0:27:43 | 0:27:45 | |
I can't hear you! | 0:27:45 | 0:27:50 | |
I said, can I take this off now? | 0:27:55 | 0:27:58 | |
Oh, right, why didn't you just say? | 0:27:58 | 0:28:00 | |
I don't know why you're wearing it? | 0:28:00 | 0:28:03 |