Episode 9 The Slammer


Episode 9

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Transcript


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# You've been found guilty

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# Of a howling showbiz crime

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# So welcome to The Slammer

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# Where you're going to serve your time

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# With every type of minstrel, entertainer, artiste

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# Performing to the limit To try and get released

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# So go fetch the audience Bring them to The Slammer

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# And polish up your act With a bit of glitz and glamour

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# Your fate is in their hands So make them cheer and clamour

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# It's the only way you'll ever leave The Slammer

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# It's the only way you'll ever leave The Slammer! #

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Thanks for those lovely tea towels. Finally, a reminder to you all,

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the possession of clowning equipment is a serious offence.

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HORN BLASTS AND SPOON RATTLES

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Two, two... All right, all right, campers, thank you.

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Now then, I have here the results you've all been waiting for.

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The performers in this week's Freedom Show are...

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-DRUM ROLL

-The performer of impossible feats...

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-Mat Ricardo!

-'Wait, get on with your pudding.

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'Save it for Showtime.'

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-Bendy Wendy!

-APPLAUSE

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DRUM ROLL

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The BMX Master - Rob Alton!

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APPLAUSE

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And finally...

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-Yes!

-Mickey the Amazing Mind reader!

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-I knew it.

-So to those four acts, congratulations.

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To the rest of you - there's always next week.

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Or maybe not.

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-Where's that list of new inmates you were promising me?

-Here, Uncle...

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-I mean, Governor.

-Right.

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Yes, thank you.

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Ooh!

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-What's this, The Great Alfredo!?

-He's a magician or something...

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-He got two years for keeping disorderly rabbits!

-Alfredo!

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He's a Slammer legend.

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He was here 20 years ago, did this amazing disappearing act.

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-He escaped from prison?

-No!

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He made his wife disappear.

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Oh, the times I wished I could do that.

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Left, right, left, right, left, right... Halt!

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-Alfredo!

-Governor!

-BOTH: How you doing?

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-Well?

-So-so, you know.

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-Oh, you remember Debbie?

-Oh, Debbie, of course.

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Enchante.

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-How have you been?

-DEBBIE MUMBLES INCOHERENTLY

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Really? Well, you can't always get them, can you?

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Anyway, I want you two to get changed immediately.

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I'm putting you straight into this week's Freedom Show.

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But, sir, you...can't do that. You've already announced the acts.

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It's against the rules.

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Mr Burgess...

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-Uh-huh?

-I

-am the rules.

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I'd like you to escort our guests to their cell

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and if there's anything you need, just say the word.

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Alfredo.

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Do we have our own cell back?

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You'll get what you're given, you cheeky conjurer!

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Left turn! left, right, left, right, left, right...

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HORN TOOTS

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OK, so that's one horn, two hats,

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15 cans of shaving foam...

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Ten red noses and 15 squirty flowers.

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BURGESS: Right, left, right, left... - Burgess!

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No, No! That's our old cell. Please, let us go back in there.

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No, you're coming in this one. It's got your name on the door.

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Excuse me, could you keep the noise down, please? >

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-I want to go in my old cell!

-In there, and you!

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Get in!

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Erm, hello.

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You...excuse me...

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Erm...

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Help!

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I wonder why they were so keen on this cell.

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-Eh?

-That magician bloke and his missus.

-Oh, them.

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-They'll know about the tunnel.

-What!?

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-The one behind that poster.

-'Flippin' heck, another one!'

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I don't believe it.

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-Did you dig this tunnel?

-It was there when I got here.

-All this time...

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'we've been sat here in this flamin' cell...' We could just escape.

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-What do you wanna escape for?

-To get out, to be free, to perform.

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-'Yeah, perform.'

-Perform, you don't wanna do that

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after the last time...

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APPLAUSE

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-Oh, bum.

-AUDIENCE: Ooh!

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OK, so you messed up at The Royal Variety...

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'Mess up, mess up, mess up... Phrrt!'

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Stop it. It's serious.

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Come on. You could be home by teatime.

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-Don't you wanna be free?

-I am free,

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free to make as much money as I like. I'm off to see a bloke,

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you wouldn't believe how much money he's paying for this.

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Cover that tunnel. Don't want Burgess to see it.

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Hello, my lovely.

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Oh, how do I look? Divine!

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Ah-hem...

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Yes, can I help you?

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It's Bendy Wendy, she isn't going to be up for the show.

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What? She's first on, where is she?

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In here and...

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-in here.

-What!?

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-BENDY WENDY:

-It's OK. I'm all right.

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-I over-bent myself in rehearsals.

-What a disaster!

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Where are we going to find another act now?

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Left, right, left, right... Halt!

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Odoom, sir. He's your man.

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Mr Burgess, you're a life saver.

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-Melvin, go and get yourself changed.

-Changed?

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-For what?

-What do you think?

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-You can't go on stage like that.

-Me?

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-There must be some kind of mistake.

-Never mind. Congratulations.

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You're in the show, you might be released.

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-Take him away.

-Unlucky, lads.

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Please!

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Think positive. You've just got to go out there...'and mess it all up.

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'Hee-hee!' Shh! He'll be brilliant.

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SIREN WAILS < You've got two minutes.

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< The audience are coming in.

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Oh, not now, please!

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I had stage fright once. There's a light at the end of the tunnel.

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The tunnel, you're a genius.

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Thanks. I thought you didn't want to escape.

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That was before they put me in the show. So long. Peace!

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'So long, Melvin. Respect, dude.'

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What are we going to do? Melvin!

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-What are you doing looking at my tunnel?

-Since when was it yours?

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Since WE built it for the disappearing trick.

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-I suppose you want to escape?

-Escape, no, young man,

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that tunnel leads to the stage.

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-The stage!

-I shouldn't be telling you, but...

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Melvin!

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-How do I look?

-Divine, Uncle.

-Thank you very much.

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-In that case...

-Can I?

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No! It's Showtime!

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Ladies and gentlemen, welcome to HM Slammer,

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where you decide which prisoner is to be released.

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So please welcome your host...

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-Give us a G! AUDIENCE:

-G!

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-Give us an O!

-O!

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-Give us a V!

-V!

-Give us a...

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No, I can't be bothered. It's the Governor!

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CHEERING AND APPLAUSE

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-Who's the governor?

-AUDIENCE:

-You're the governor!

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Wonderful to see you. We've got a wonderful Freedom Show today.

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You'll decide who's going to go free.

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-We've got a marvellous act called Mat Ricardo...

-Oooh!

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-..we've got Rob Alton who does great things on his BMX!

-Oooh!

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-We've got a magician called The Great Alfredo!

-Oooh!

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But first, we've got a wonderful performer. He's a marvellous dancer.

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You're going to enjoy him. Will you give a big hand

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for the one and only Melvin Odoom!

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CHEERING AND APPLAUSE

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Sorry about that. A big hand for the one and only Melvin Odoom.

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CHEERING

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Yes, you have. ..The surprising and, when I get my hands on him,

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late Melvin Odoom!

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-AUDIENCE:

-Yes!

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Melvin!

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Oh, bum.

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Come here, you! Come here, you!

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Erm... Yes...

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Sorry about that, ladies and gentlemen.

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On with the show! On with the show.

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-Mr Burgess?

-What?

-Is the next act ready?

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I'm afraid the next act isn't ready, sir.

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Oh, good, good. That means erm...

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Anyone else fancy a go?

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Anyone want to do an act?

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What about you? You'll have a go. A round of applause, please.

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All right, well.

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-What's your name?

-Shaun.

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-Shaun, have you got another name?

-Walsh.

-Shaun Walsh.

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Shaun Walsh, what are you going to do?

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-Sing Rockin' Robin.

-For Shaun Walsh, singing Rockin' Robin,

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it's a slap-up welcome.

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CHEERING

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# He rocks in the tree tops all day long

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# Hoppin' and a-boppin' and singin' that song

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# All the little birdies on J-bird Street

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# Love to hear the robin go tweet, tweet, tweet

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# Rockin' robin Rock, rock, rockin' robin

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# Flow rockin' robin cos we're really gonna rock tonight

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# Pretty little raven at the bird's dance

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# Taught him how to do the bop It was grand

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# They started going steady and bless my soul

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# He out-bopped the buzzard and the oriole

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# He rocks in the tree tops all day long

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# Hoppin' and a-boppin' just singing that song

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# All the little birdies on J-bird Street

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# Love to hear the robin go tweet, tweet, tweet

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# Rockin' robin Rock, rock, rockin' robin

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# Flow rockin' robin cos we're really gonna rock tonight

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# Tweedley-deedley-dee Tweedley, deedley

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# Tweedley-deedley-dee Tweedley, deedley

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# Tweedley-deedley-dee Tweedley, deedley

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# Tweet, tweet, tweet, tweet. #

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CHEERING

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Give him a round of applause.

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Put him in a holding cell, he's not really a prisoner.

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I thought he was marvellous. Rocking Robin, what do you think of that?

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-Mr Burgess.

-What did you think, sir?

-He was very good and excellent.

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-What about his dance moves? Were you impressed?

-Yeah, better than mine.

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-Did you enjoy him?

-Yeah, he was brilliant.

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Well, his dance moves were exotic. I've never seen them, but...

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Exotic! Mr Burgess likes exotic dancers, don't you?

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LAUGHTER

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-Could you sum that act up in one word?

-Dramatic.

-Dramatic!

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-Dramatic, sir.

-This next performing prisoner, he's marvellous.

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Jailers and jailbirds, convict connoisseurs,

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will you give a big cheer to welcome...

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the one and only, the unique Mat Ricardo!

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CHEERING

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Thanks very much. Just one trick for you.

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A trick involving one table, two trays, one vase of flowers,

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four cups, four saucers, three spoons,

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one teaset and one tablecloth. Watch...very closely.

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DRUM ROLL

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One quick question.

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If you think I can do this,

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clap now.

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All right, fair enough.

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If you do not think I can do this,

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clap now. SCATTERED CLAPPING

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That's a few people. If you don't care if I can do this or not,

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and you're just watching to see me smash this, clap now.

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Fine.

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DRUM ROLL

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It's gone very quiet, hasn't it? You're looking at me, thinking

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it must be fake, strings, magnets. I'll prove to you now

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everything on the table is real.

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OK, the flowers are plastic... LAUGHTER

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Everything else is real. No tricks, no gimmicks, no strings.

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No magnets.

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Any questions?

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My favourite joke in the act.

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Obviously not yours.

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Everything's real. To prove it, here's one you can try at home.

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CHINA CLINKS

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Hup!

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A flying saucer! APPLAUSE

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You're too kind.

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AUDIENCE: Oh! APPLAUSE

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Oh-ho-ho!

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I made it.

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Real genuine spoons.

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Watch closely. To prove the spoons are completely real...

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DRUM ROLL

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Every single one of you...

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I haven't done it yet.

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Hup! DRUM ROLL

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APPLAUSE

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So...real cups, real saucers,

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real spoons, one question.

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Do you want to see this? AUDIENCE: Yeah!

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Oh, no.

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OK, I need your help. I need you to start clapping slowly.

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I need every single one of you to clap slowly with me,

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getting gradually faster and louder and, if we're lucky,

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if you clap loud enough we won't hear the crockery smashing.

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With me. Everybody!

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CLAPPING SPEEDS UP, DRUM ROLL

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Thank you very much indeed. Oh, OK.

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Hup!

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CHEERING

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That's all very well, but that's not the finale.

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This is the finale.

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One more time, everybody.

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CLAPPING GETS FASTER

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DRUM ROLL

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Hup!

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Give him a big round of applause, folks - Mat Ricardo!

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CHEERING

0:16:590:17:01

Well, Mat Ricardo, what a wonderful performance.

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We know what he thought, but what did you think of him?

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Let's find out.

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-Views?

-I think he's very skilled and talented.

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He chipped a bit of crockery,

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-do you think we could extend his sentence?

-Erm... I didn't see it.

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-You didn't, I did.

-What did you think about Ricardo?

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-Boring because tons of people have done that before.

-Thank you.

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Mr Burgess, over to you for a final word.

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-I thought he was brilliant.

-That's not one final word.

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-Amazing.

-Amazing.

-Another performing prisoner now,

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over in C block. This guy's wonderful.

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-Who's got a bike? Yeah. Can you do tricks on your bikes?

-Yeah.

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I bet you ain't seen tricks like this.

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Would you please welcome

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the unique talent of Rob Alton, BMX Master.

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POP MUSIC PLAYS

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HE MOUTHS

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# Though I saw Miss Luce down along the track

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# She lost her home and her family and she won't be coming back

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# Without love Where would you be right now?

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# Without love... #

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# We've got to educate our young boys and girls

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# Originality is what I'm living for today

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# Situations... # CLAPPING DROWNS OUT WORDS

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# ..All come together and act like human beings

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# Look around me

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# I see the sunlight never reaches the ground

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# My mind is lost My head is spinning round and round

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# Let me tell you what we must do

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# Making choices of the future depends on you

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# We know we have ten years to save the planet

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# Know what I mean? I hope... #

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CHEERING AND WHOOPING

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RAP CONTINUES

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CHEERING

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Very good. Give him a big cheer, boys and girls.

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Give him a big cheer.

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Marvellous Rob Alton. Very impressive,

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but it used to take him 5-and-a-half hours to do his paper round.

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-What did you think?

-Can you ride a bike?

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-Yeah.

-Good for you.

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-Now then, miss, what did you think?

-I thought he was wonderful

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-and he's got my vote.

-He's got your vote. We've got one act left to go,

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-you don't think the last act will top that?

-I don't think so.

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-You don't think anything can better that?

-No.

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Sir, for a final word on that act... Sum that up in one word, sir.

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-One word, sir.

-Brilliant.

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-Thank you.

-Well, one more performing prisoner to see.

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This act is a great favourite of mine.

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It was 20 years ago I first saw them perform

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their amazing disappearing act and I can't work out how they did it.

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It's got nothing to do with that tunnel. Oh!

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-Tunnel?

-No, I can explain.

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-Tunnel?

-It was the other bloke.

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-Listen...

-You! I thought you were magic.

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I am, I am The Great Alfredo.

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The Great Alfraudo, more like. Mr Burgess, Gimbert, take him away.

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-No, no!

-Right, come on.

0:21:360:21:38

-No magic tunnel for you. Never mind the...

-Cheat, it was a tunnel.

0:21:380:21:42

And you can clear off and all. Big hairy thing, go on, off you go.

0:21:420:21:47

Dear, oh, dear.

0:21:470:21:48

-Well...

-AUDIENCE: AW!

-No, jailers and jailbirds,

0:21:480:21:54

we promised you four acts and four acts you're going to have.

0:21:540:21:58

So, jailers and jailbirds, for one night only,

0:21:580:22:02

at no expense whatsoever,

0:22:020:22:03

I'd like to present for you, The Swinging Slammers...

0:22:030:22:07

and me! Music, maestro, please.

0:22:070:22:10

Hit it!

0:22:100:22:11

Oh, yes, here we go.

0:22:110:22:13

# Now, stop what you're doing cos the governor's back in town

0:22:150:22:19

# I'm gonna do a song Cos the inmates let me down

0:22:190:22:23

# So hang on to your underpants

0:22:230:22:25

# I've got a point to prove

0:22:250:22:28

-# Who's the governor? #

-ALL: You're the governor!

0:22:280:22:30

# Governor of groove

0:22:300:22:32

# I used to be a legend in the clubs of Lancashire

0:22:320:22:37

# Not saying I was red hot

0:22:370:22:39

# But me trumpet once caught fire

0:22:390:22:41

# The king of swing The boss of bling

0:22:410:22:43

# Ambassador of smooth

0:22:430:22:46

# Who's the governor? The governor of groove... #

0:22:460:22:50

MUSIC CONTINUES

0:22:590:23:00

# So jailers and jailbirds, let me hear you cheer and clamour

0:23:080:23:12

# If I don't win the competition No-one leaves The Slammer

0:23:120:23:16

# Your fate is in my hands So let me hear you approve

0:23:160:23:21

-# Who's the governor? #

-ALL: You're the governor.

0:23:210:23:25

# I am the governor of groove Oh, yeah! #

0:23:250:23:30

CHEERING

0:23:300:23:33

Thanks, jailers and jail... No, no.

0:23:330:23:35

Get off. I'm the governor.

0:23:350:23:38

He's Mr Burgess? Dear, oh dear.

0:23:380:23:41

I thought you were going to put us in a cell.

0:23:410:23:44

I thought that was marvellous. Let's have a few comments.

0:23:440:23:47

Erm...excellent, fantastic, really, really good.

0:23:470:23:53

-Yes, and what about you?

-Some improvements to be made...

-Shut up.

0:23:530:23:57

Well, jailers and jailbirds, I'd like a great big round of applause

0:23:570:24:02

for some wonderful choreography from Mr Burgess and Gimbert.

0:24:020:24:06

-Oh, yes.

-WHISTLING

0:24:060:24:09

All right, then. Very smart, very smart.

0:24:110:24:14

It's time to find out who goes free with the clapometer.

0:24:140:24:19

Clapometer as modelled by Gimbert. Is there no beginning to his talent?

0:24:190:24:25

Whoever gets the biggest clap and cheer will go free

0:24:250:24:28

because the clapometer will turn it into points.

0:24:280:24:32

Let's welcome back all our performing prisoners.

0:24:320:24:35

Shaun Walsh, Mat Ricardo, Rob Alton,

0:24:350:24:38

and well...me.

0:24:380:24:41

All right, folks.

0:24:410:24:43

There we go. Now...

0:24:430:24:46

I will ask each performing prisoner to step forward,

0:24:460:24:51

you will give them applause and then we'll see how many they get.

0:24:510:24:55

The highest score goes free from The Slammer.

0:24:550:24:58

This young man stepped in because somebody went missing - Mr Odoom -

0:24:580:25:02

-who we'll deal with later.

-We certainly will.

0:25:020:25:06

-Thank you very much to a young man.. How old are you?

-11.

0:25:060:25:09

He's only 11 and he sang wonderfully.

0:25:090:25:12

Will you give a rocking welcome for Shaun Walsh?

0:25:120:25:15

ENTHUSIASTIC APPLAUSE AND CHEERING

0:25:150:25:19

The score coming up for you now...

0:25:210:25:24

That's a good score.

0:25:250:25:27

Right this next gentleman, he did amazing things.

0:25:270:25:30

Don't try this when having your tea.

0:25:300:25:33

Please show your appreciation for the wonderful Mat Ricardo!

0:25:330:25:39

-APPLAUSE

-Come on, let's hear it.

0:25:390:25:41

Check the sound decibels. That's...

0:25:410:25:46

That means you are staying in The Slammer, Mat.

0:25:460:25:50

Now this gentleman, what things he did on his bike.

0:25:500:25:54

Let's see what you thought of Rob Alton.

0:25:540:25:57

RAPTUROUS APPLAUSE AND SCREAMING

0:25:570:26:00

Dear, oh dear.

0:26:070:26:11

Let's have a look there.

0:26:110:26:14

He's in the lead, which means he can only be beaten by one performer.

0:26:150:26:20

Oh, I wonder, who could that be?

0:26:200:26:23

You better show your appreciation for a slim, talented young man...

0:26:230:26:28

Is he? No, it was me.

0:26:280:26:29

It was me!

0:26:290:26:30

ENTHUSIASTIC APPLAUSE

0:26:300:26:32

Oh, fantastic.

0:26:360:26:38

Well, that means that the winner this week and going free,

0:26:400:26:44

he's paid his debt and he can go, on his bike,

0:26:440:26:47

is Rob Alton. You're free to go.

0:26:470:26:49

CHEERING

0:26:490:26:51

Back in your cells. Shaun, we'll let you go later.

0:26:510:26:56

Give them a nice big hand, ladies and gentlemen.

0:26:560:27:00

Oh, marvellous.

0:27:000:27:01

Rob Alton goes free, I can go to my office

0:27:030:27:06

and everything's hunky-dory in The Slammer.

0:27:060:27:09

We hope we see you again soon and remember... Come here.

0:27:090:27:13

If you can't sing, dance or rhyme,

0:27:130:27:15

don't do the crime.

0:27:150:27:17

We'll catch you soon for some more fun on The Slammer.

0:27:170:27:21

Bye-bye.

0:27:210:27:22

Subtitles by Red Bee Media Ltd 2006

0:27:220:27:25

E-mail [email protected]

0:27:250:27:28

-SHE MUTTERS

-What's that?

0:27:430:27:45

I can't hear you!

0:27:450:27:50

I said, can I take this off now?

0:27:550:27:58

Oh, right, why didn't you just say?

0:27:580:28:00

I don't know why you're wearing it?

0:28:000:28:03

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