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Behind the doors is the man with the most dangerous act in show business. | 0:00:05 | 0:00:10 | |
I should know. I was around the first time for Peter Andre. | 0:00:10 | 0:00:14 | |
-What's his mask for, sir? Eczema? -No, for protection. | 0:00:18 | 0:00:22 | |
To stop him joking. That, gentlemen, is Jake LePlant, | 0:00:22 | 0:00:27 | |
the man with the deadliest jokes in show business. | 0:00:27 | 0:00:30 | |
Have you got a yoga mat? Looks like I'm in for a long stretch. | 0:00:30 | 0:00:36 | |
# You've been found guilty of a show biz crime | 0:00:47 | 0:00:52 | |
# So, welcome to The Slammer | 0:00:52 | 0:00:53 | |
# Where you're gonna serve your time with every type of minstrel | 0:00:53 | 0:00:58 | |
# Entertainer and artiste | 0:00:58 | 0:01:01 | |
# Performing to the limit | 0:01:01 | 0:01:03 | |
# To try and get released | 0:01:03 | 0:01:05 | |
# Go fetch the audience Bring them to The Slammer | 0:01:05 | 0:01:08 | |
# And go and show off your act | 0:01:08 | 0:01:11 | |
# With a bit of glitz and glamour | 0:01:11 | 0:01:14 | |
# Your fate is in their hands So make them cheer and clamour | 0:01:14 | 0:01:18 | |
# It's the only way you'll ever leave The Slammer | 0:01:18 | 0:01:21 | |
-# Leave The Slammer -# It's the only way | 0:01:21 | 0:01:24 | |
# You'll ever leave The Slammer! # | 0:01:24 | 0:01:27 | |
You're dangerous. | 0:01:28 | 0:01:30 | |
HE SALIVATES LIKE HANNIBAL LECTOR, THEN SPITS | 0:01:30 | 0:01:34 | |
I've never been a fan of chocolate limes. Don't worry. | 0:01:34 | 0:01:37 | |
In this jacket, I'm completely 'armless. 'Armless - get it?! | 0:01:37 | 0:01:43 | |
Your jokes can render men useless. | 0:01:43 | 0:01:45 | |
-Looks like my work here's done, then. -Stop it! | 0:01:45 | 0:01:49 | |
Stop it! Listen. The rule is no jokes, OK? | 0:01:49 | 0:01:52 | |
Does that include his moustache? | 0:01:52 | 0:01:55 | |
This is more difficult than I thought. | 0:01:55 | 0:01:57 | |
I want Jake watched. Today is freedom show day. | 0:01:57 | 0:02:01 | |
I have some great acts. | 0:02:01 | 0:02:02 | |
-Black Eagles... -# I've got soul... # | 0:02:03 | 0:02:06 | |
-..Duo Magic... -SALSA MUSIC | 0:02:07 | 0:02:09 | |
..Tamara Puzanova... | 0:02:09 | 0:02:11 | |
and Pupski. | 0:02:11 | 0:02:13 | |
If this man goes near them, he could sabotage the show. | 0:02:13 | 0:02:17 | |
I want him kept in his cell. It's a tough job. | 0:02:17 | 0:02:20 | |
-I want my best wardens on it. -They're sick. It's just these two. | 0:02:20 | 0:02:24 | |
-THEY ALL LAUGH -Get him out of here! | 0:02:25 | 0:02:28 | |
HE SIGHS | 0:02:30 | 0:02:31 | |
Pete, I can't believe it. I've done 23 sighs today. | 0:02:33 | 0:02:36 | |
< So the policeman says to the king, | 0:02:36 | 0:02:39 | |
< "Because your prince was all over it." | 0:02:39 | 0:02:41 | |
-Have you seen my stereo batteries? -Sh! New neighbour. Jake LePlant. | 0:02:41 | 0:02:46 | |
He was on Crimewatch. | 0:02:46 | 0:02:48 | |
-AS PUPPET: -Oh! He's been on TV! Poo-po-poom! | 0:02:48 | 0:02:51 | |
He's dangerous. They should throw away the key. | 0:02:51 | 0:02:54 | |
You can't speak to him. Promise me that? | 0:02:54 | 0:02:57 | |
-Er, all right, I promise. -AS PUPPET: -I don't promise! | 0:02:57 | 0:03:01 | |
HE PUTS ON MUFFLED VOICE AS PUPPET | 0:03:01 | 0:03:03 | |
-Mr Gimbert? -Yes. | 0:03:05 | 0:03:07 | |
-Can I ask you a question? -Yes. | 0:03:07 | 0:03:09 | |
How do you kill a circus? | 0:03:09 | 0:03:11 | |
I don't know. How? | 0:03:11 | 0:03:13 | |
Go for the juggler! | 0:03:13 | 0:03:14 | |
Shut up! | 0:03:15 | 0:03:16 | |
Got my eyes on you, LePlant. No more jokes. | 0:03:17 | 0:03:21 | |
Sorry, Mr Burgess. | 0:03:23 | 0:03:25 | |
I forgot. | 0:03:25 | 0:03:26 | |
-I'll just go back to reading my paper. -Yes. | 0:03:26 | 0:03:29 | |
Ah! | 0:03:30 | 0:03:32 | |
I see that detective's solved the case of the killer walnut. | 0:03:32 | 0:03:36 | |
Took him ten years to crack it! | 0:03:37 | 0:03:40 | |
-Ten years to crack it! -Now, all right, LePlant. | 0:03:41 | 0:03:44 | |
You may have got him, but he's as useful as chocolate toilet paper. | 0:03:44 | 0:03:49 | |
But you won't get me, lad. | 0:03:49 | 0:03:51 | |
I haven't laughed since I ran over that pigeon. | 0:03:51 | 0:03:54 | |
Sorry, Mr Burgess. | 0:03:56 | 0:03:57 | |
-No more jokes. -No more jokes. | 0:03:59 | 0:04:01 | |
-But can I ask you a question? -Very well. | 0:04:01 | 0:04:04 | |
Why did the baker have brown fingers? | 0:04:04 | 0:04:07 | |
I don't know. Why did the baker 'ave brown fingers? | 0:04:08 | 0:04:12 | |
Because he kneaded a pooh. | 0:04:12 | 0:04:14 | |
HE BURSTS OUT LAUGHING | 0:04:16 | 0:04:19 | |
MR BURGESS SHRIEKS WITH LAUGHTER | 0:04:19 | 0:04:22 | |
Seriously, he's really dangerous. | 0:04:26 | 0:04:29 | |
LAUGHTER FROM NEXT CELL | 0:04:29 | 0:04:31 | |
All right, chaps. The name's Jake. | 0:04:31 | 0:04:33 | |
-We know. We're not talking to you. -Oh, really? | 0:04:33 | 0:04:37 | |
That's a shame. Just wanted a little chat. | 0:04:37 | 0:04:39 | |
-So you won't wanna know what happened to Mr Burgess. -What happened? | 0:04:40 | 0:04:45 | |
OK! He went into this cell with two colour-blind lobsters... | 0:04:46 | 0:04:51 | |
LAUGHTER ECHOES ALL AROUND | 0:04:51 | 0:04:53 | |
This is unbelievable, but don't worry. I can deal with LePlant. | 0:04:53 | 0:04:58 | |
You've got a brave man to capture the criminal? | 0:04:58 | 0:05:01 | |
-Risk your own life and save The Slammer? -Yes. | 0:05:01 | 0:05:04 | |
-< SHRIEKING LAUGHTER -I'm not gonna do it. | 0:05:04 | 0:05:07 | |
So, the giraffe says, "Stop! I've had it up to here!" | 0:05:09 | 0:05:12 | |
-I said not to talk to him. -I'm sorry, Melvin. | 0:05:15 | 0:05:18 | |
-AS PUPPET: -I'm sorry too! He he! | 0:05:18 | 0:05:20 | |
Pete, Melvin, you've been a great audience. And that ties things up. | 0:05:20 | 0:05:25 | |
-Remember the show biz rule. -Don't work with animals or Shayne Ward. | 0:05:26 | 0:05:31 | |
No. Escape the prison via the freedom show. | 0:05:31 | 0:05:34 | |
So, you're gonna wait for the show, | 0:05:34 | 0:05:36 | |
take out the last guard, and escape incognito? | 0:05:36 | 0:05:40 | |
No. In a taxi - it's cheaper. | 0:05:40 | 0:05:42 | |
I'd love to stay here and torture you with my jokes, | 0:05:45 | 0:05:48 | |
but instead, I'll leave you with my best material. | 0:05:48 | 0:05:53 | |
Jake LePlant live, available from all good retailers. | 0:05:53 | 0:05:57 | |
Enjoy. | 0:05:59 | 0:06:00 | |
At least you'll die laughing. | 0:06:00 | 0:06:03 | |
CD: 'So, I said to the cashier, "Can I have £2?"' | 0:06:06 | 0:06:09 | |
-You've been a good friend, Pete. -COMEDY CD CONTINUES | 0:06:09 | 0:06:13 | |
Melv, I've got one last thing to confess. | 0:06:13 | 0:06:16 | |
CD: 'It's a currant account!' | 0:06:16 | 0:06:18 | |
-I -borrowed the batteries in your CD player. | 0:06:18 | 0:06:21 | |
COMEDY CD FINISHES | 0:06:21 | 0:06:24 | |
-Right. -AS PUPPET: -Argh! | 0:06:25 | 0:06:27 | |
Come on! Oh! | 0:06:27 | 0:06:28 | |
So...no problems with Jake LePlant, then? | 0:06:32 | 0:06:35 | |
Absolutely not, sir. He's locked in his cell and he didn't overpower us. | 0:06:35 | 0:06:40 | |
No. He's definitely not at large threatening everyone's...lives. | 0:06:40 | 0:06:46 | |
-Good. -LePlant's threatening everyone's lives! | 0:06:46 | 0:06:49 | |
-What?! -Ah. Er, that LePlant, sir. Yes, he is, sir. Sorry, sir. | 0:06:49 | 0:06:54 | |
I'll deal with you later! Summon the guard! He can't be far. | 0:06:54 | 0:06:58 | |
-I want him bound and gagged. -Ha ha! Gagged. Very good. | 0:06:58 | 0:07:01 | |
Never mind that, Frank. SIREN WAILS | 0:07:01 | 0:07:04 | |
How do I look? ALL: Divine. | 0:07:04 | 0:07:06 | |
Thank you. In that case... SIREN CONTINUES | 0:07:06 | 0:07:10 | |
It's...show time! | 0:07:10 | 0:07:12 | |
COCKEREL CROWS, BUZZER DINGS, SIREN WAILS | 0:07:12 | 0:07:16 | |
'Ladies and gentlemen, welcome to HM Slammer, | 0:07:16 | 0:07:19 | |
'where you decide which prisoner is released. | 0:07:19 | 0:07:23 | |
-'Now, please welcome your host...' -HE LAUGHS | 0:07:23 | 0:07:26 | |
HE CONTINUES TO LAUGH | 0:07:26 | 0:07:28 | |
LAUGHTER TURNS INTO CLUCKING | 0:07:31 | 0:07:33 | |
-HE CLEARS HIS THROAT -'Sorry. It's...the Governor!' | 0:07:34 | 0:07:39 | |
CHEERING AND APPLAUSE | 0:07:39 | 0:07:40 | |
Who's the Governor?! AUDIENCE: You're the Governor! | 0:07:54 | 0:07:58 | |
Hello! We have some great performing prisoners. | 0:07:58 | 0:08:01 | |
First, we've got a magical mystical act | 0:08:01 | 0:08:05 | |
called Duo Magic. Whoo! | 0:08:05 | 0:08:08 | |
AUDIENCE: Whoo! | 0:08:08 | 0:08:09 | |
We've got a lovely act called Pupski. AUDIENCE: Whoo! | 0:08:09 | 0:08:14 | |
And a set of performing prisoners, The Black Eagles. | 0:08:14 | 0:08:18 | |
AUDIENCE: Whoo! | 0:08:18 | 0:08:19 | |
Are you ready for our first performing prisoners? | 0:08:19 | 0:08:22 | |
MUFFLED CHEERING, GOVERNOR TALKS | 0:08:22 | 0:08:26 | |
-JAKE: -'Cor! Look at the size of that audience.' | 0:08:27 | 0:08:31 | |
CHEERING | 0:08:32 | 0:08:33 | |
This lady's marvellous... Hey! Whoa! Hey! | 0:08:33 | 0:08:36 | |
Give it here, you. Hey! Hello, boys and girls! | 0:08:36 | 0:08:40 | |
How do prisoners call each other? | 0:08:40 | 0:08:43 | |
-They use cell phones! -LAUGHTER | 0:08:43 | 0:08:46 | |
Why doesn't Cinderella like football? | 0:08:46 | 0:08:49 | |
She ran away from the ball! | 0:08:49 | 0:08:51 | |
CHEERING AND LAUGHTER | 0:08:51 | 0:08:53 | |
It's Jake LePlant, Mr Burgess. | 0:08:54 | 0:08:57 | |
Don't worry, boys and girls, he's locked up. | 0:08:57 | 0:09:00 | |
Oh! | 0:09:00 | 0:09:02 | |
-Ready for your first performing prisoner? -Yeah! | 0:09:02 | 0:09:05 | |
Jailors and jailbirds, please welcome the wonderful Tamara Puzanova! | 0:09:05 | 0:09:10 | |
CHEERING AND APPLAUSE | 0:09:10 | 0:09:12 | |
UPBEAT ELECTRONIC MUSIC | 0:09:18 | 0:09:21 | |
APPLAUSE | 0:09:49 | 0:09:51 | |
APPLAUSE | 0:09:58 | 0:09:59 | |
CARIBBEAN-STYLE MUSIC | 0:10:12 | 0:10:16 | |
DRUM ROLL | 0:10:50 | 0:10:53 | |
Oh! Whoa-hey! | 0:11:04 | 0:11:06 | |
Ho ho ho! Marvellous. | 0:11:06 | 0:11:08 | |
Ooh, it's exciting, eh? | 0:11:08 | 0:11:10 | |
Tamara Puzanova! Wasn't that wonderful, yes? | 0:11:10 | 0:11:14 | |
-But will she be juggling her way to freedom? -Will she walk free? | 0:11:14 | 0:11:19 | |
-Yes. -Why? | 0:11:19 | 0:11:21 | |
Because... | 0:11:21 | 0:11:23 | |
Don't take too long to think about it, miss. | 0:11:24 | 0:11:27 | |
-Cos I like her act. -You like her. Why? What made it so good? | 0:11:27 | 0:11:31 | |
The...balls...when she went...erm... up to the top. | 0:11:31 | 0:11:36 | |
Just tell us what you've written about Tamara. | 0:11:36 | 0:11:39 | |
-Bit of a show-off... -LAUGHTER | 0:11:39 | 0:11:41 | |
..talented...bad hairdo... | 0:11:41 | 0:11:44 | |
-LAUGHTER -..er...brilliant. | 0:11:44 | 0:11:46 | |
-What did you write about her? -Brilliant. Fabulous. Talented. | 0:11:46 | 0:11:51 | |
-So, is she going free? -Yeah. | 0:11:51 | 0:11:53 | |
One final word to sum that act up. Miss? | 0:11:53 | 0:11:56 | |
-Fantastic-o. -Fantastic-o, sir! | 0:11:56 | 0:11:59 | |
Performing prisoner applauders, will you give your vote to Tamara? | 0:11:59 | 0:12:04 | |
We'll find out later on. | 0:12:04 | 0:12:06 | |
LePlant...don't think you're going to get away with this. | 0:12:06 | 0:12:12 | |
Why would I want to get away with that? | 0:12:12 | 0:12:14 | |
Next! | 0:12:17 | 0:12:18 | |
Calendars. | 0:12:20 | 0:12:21 | |
They're looking a bit dated, aren't they? | 0:12:21 | 0:12:24 | |
It's a marvellous magic act, serving six years in Forsyth Wing, | 0:12:28 | 0:12:32 | |
for making a Chuckle Brother disappear. | 0:12:32 | 0:12:35 | |
Will you please make some noise for Duo Magic? | 0:12:35 | 0:12:40 | |
CHEERING | 0:12:40 | 0:12:42 | |
# Into the night | 0:12:53 | 0:13:01 | |
# Shadows fall | 0:13:01 | 0:13:04 | |
# I cry out | 0:13:04 | 0:13:09 | |
# For you-ou-ou | 0:13:09 | 0:13:14 | |
# Night so dark | 0:13:14 | 0:13:18 | |
# Where are you? | 0:13:18 | 0:13:23 | |
# Come back in my... # | 0:13:23 | 0:13:27 | |
SULTRY JAZZ SAXOPHONE | 0:14:19 | 0:14:21 | |
AUDIENCE: Whoo! | 0:15:00 | 0:15:03 | |
APPLAUSE | 0:15:03 | 0:15:05 | |
AUDIENCE: Whoo! | 0:15:10 | 0:15:12 | |
APPLAUSE | 0:15:12 | 0:15:14 | |
# We could find out we're all alone in the dream of the night. # | 0:15:24 | 0:15:30 | |
DRAMATIC ELECTRIC GUITAR | 0:15:35 | 0:15:38 | |
APPLAUSE | 0:15:56 | 0:15:58 | |
CHEERING | 0:16:07 | 0:16:10 | |
CHEERING | 0:16:14 | 0:16:15 | |
Duo Magic, wow! | 0:16:21 | 0:16:22 | |
What an incredible performance. | 0:16:22 | 0:16:25 | |
But what did you think of the wonderful magic act? | 0:16:25 | 0:16:29 | |
Magic. Was it? | 0:16:29 | 0:16:31 | |
-Well, it was all good and... -I feel there's a but coming here, sir. | 0:16:31 | 0:16:36 | |
I don't think that was actually real. | 0:16:36 | 0:16:38 | |
-You don't think it was real? -No. -You don't believe in magic? -Yes. | 0:16:38 | 0:16:43 | |
-You believe in the tooth fairy? -No. -Angels? -No. | 0:16:43 | 0:16:46 | |
-You don't believe in much. -No. | 0:16:46 | 0:16:50 | |
-What do you say? -It was really good. -Yes? -Yes. | 0:16:50 | 0:16:54 | |
-What was your favourite part? -All of it. | 0:16:54 | 0:16:58 | |
-Did you like them? -Yes. -Why? | 0:16:58 | 0:17:00 | |
-Because erm...they... -Come on, come on! | 0:17:00 | 0:17:05 | |
I haven't got all day. | 0:17:05 | 0:17:07 | |
I like magic, and I think they were fabulous. | 0:17:07 | 0:17:11 | |
-What did you think of Duo Magic? -In one word, magic-llious phantomonous. | 0:17:11 | 0:17:16 | |
-Magically phantomonous? -No, magic-llious phantomonous. | 0:17:16 | 0:17:20 | |
-Magic-llious? -Yes, phantomonous. -And a final word | 0:17:20 | 0:17:24 | |
-on that act - miss? -Fabulous. -Fabulous, sir! | 0:17:24 | 0:17:28 | |
Duo Magic. You like, you like, yeah?! | 0:17:28 | 0:17:30 | |
AUDIENCE: Yeah! | 0:17:30 | 0:17:32 | |
Where do you weigh a whale? The whale-weigh station! | 0:17:32 | 0:17:36 | |
DRUM ROLL | 0:17:41 | 0:17:42 | |
GUARD LAUGHS | 0:17:47 | 0:17:49 | |
Jailors and jailbirds, show your appreciation for Pupski! Woof woof! | 0:17:56 | 0:18:02 | |
CHEERING AND APPLAUSE | 0:18:02 | 0:18:04 | |
CIRCUS MUSIC WITH A LATIN BEAT | 0:18:09 | 0:18:12 | |
APPLAUSE | 0:18:21 | 0:18:22 | |
HE PRETENDS TO COCK GUN AND FIRE IT | 0:18:31 | 0:18:33 | |
LAUGHTER | 0:18:34 | 0:18:36 | |
APPLAUSE | 0:18:50 | 0:18:52 | |
APPLAUSE | 0:19:18 | 0:19:20 | |
CHEERING | 0:19:39 | 0:19:41 | |
Give Pupski a big hand, jailors and jailbirds. | 0:20:11 | 0:20:14 | |
Let's "paws" for thought with Mr Burgess. | 0:20:16 | 0:20:20 | |
I thought it was absolutely brilliant. | 0:20:20 | 0:20:23 | |
-Was it the best act you've seen? -Yes. -Why? -Just because... | 0:20:23 | 0:20:28 | |
Because it had a little doggie in? | 0:20:28 | 0:20:30 | |
I like the bit where they did the handstand. | 0:20:30 | 0:20:33 | |
-The handstand? -Yeah. | 0:20:33 | 0:20:35 | |
-Do you think he was cute, miss? -Yes. -Would you like to take it home? -Yes. | 0:20:35 | 0:20:40 | |
-Give it a good 'ome? -Yes. -Pat it and love it? -Yes. | 0:20:40 | 0:20:43 | |
Was it Pupski or Poopski? | 0:20:43 | 0:20:46 | |
-Pupski. -Yeah? -Yeah. -What did you think of the act? | 0:20:48 | 0:20:51 | |
-I think it was...paw-tastic. -Paw-tastic? Ooh! Not poor? | 0:20:51 | 0:20:56 | |
-Good, but "paw" as in "paw"? -Yeah. | 0:20:56 | 0:20:59 | |
-As in a paw, not poor. -A dog paw. -A dog paw? -Yeah. | 0:20:59 | 0:21:04 | |
What did you think of Pupski? | 0:21:04 | 0:21:07 | |
What a dog! He should sign up for the gymnastic Olympic team. | 0:21:07 | 0:21:11 | |
-He'd get gold. -But wouldn't they spot he's a dog? -Yeah, but who cares? | 0:21:11 | 0:21:16 | |
I quite agree. | 0:21:16 | 0:21:17 | |
-What did you think of that in one word, sir? -It was woof-tastic. | 0:21:17 | 0:21:22 | |
-Woof-tastic, sir. -Ooh! It's getting exciting now. | 0:21:22 | 0:21:26 | |
Just one more performing prisoner act. | 0:21:26 | 0:21:29 | |
Just one more guard to go. | 0:21:29 | 0:21:32 | |
Why do you invite mushrooms to parties? | 0:21:32 | 0:21:35 | |
Well, they're fun guys to be around. | 0:21:35 | 0:21:37 | |
Fungis! Mushrooms! | 0:21:38 | 0:21:41 | |
Come on! You must get one of my jokes. | 0:21:41 | 0:21:43 | |
GUARD SPEAKS FOREIGN LANGUAGE | 0:21:43 | 0:21:45 | |
Please show your appreciation for the wonderful Black Eagles! | 0:21:48 | 0:21:53 | |
CHEERING | 0:21:53 | 0:21:55 | |
RHYTHMIC UPBEAT MUSIC | 0:22:02 | 0:22:04 | |
# Ooh-uh ooh-uh ahh | 0:22:23 | 0:22:25 | |
# Ooh-uh ooh-uh ooh-uh ahh | 0:22:25 | 0:22:29 | |
# Ooh-uh ooh-uh | 0:22:29 | 0:22:31 | |
# Ooh-uh ooh-uh ahh! # | 0:22:31 | 0:22:33 | |
CHEERING AND APPLAUSE | 0:22:33 | 0:22:35 | |
CHEERING | 0:23:20 | 0:23:21 | |
-# C'est bon -Oui | 0:23:25 | 0:23:26 | |
# C'est bon | 0:23:26 | 0:23:28 | |
# That's good! Ca bouge | 0:23:28 | 0:23:29 | |
-# Oui -Ca bouge | 0:23:29 | 0:23:32 | |
-# Ca bouge -Oui | 0:23:32 | 0:23:34 | |
# That's good... # | 0:23:34 | 0:23:38 | |
CHEERING | 0:23:50 | 0:23:52 | |
CHEERING AND APPLAUSE | 0:24:12 | 0:24:14 | |
Come on, jailors and jailbirds, let's hear it for The Black Eagles! | 0:24:30 | 0:24:34 | |
You need a good head for heights for that! What did you think, Mr Burgess? | 0:24:37 | 0:24:42 | |
-Miss? -It was spectacular. | 0:24:42 | 0:24:44 | |
-I wish I could do that. -Do you think they needed a lot of energy? -Yes. | 0:24:44 | 0:24:50 | |
-What about you, young lady? -It was fire-rific and they should go free. | 0:24:50 | 0:24:55 | |
-You wouldn't try it yourself, would you? -No! | 0:24:55 | 0:24:58 | |
Very wise. Over to you, Mr Burgess, for a last word. | 0:24:58 | 0:25:01 | |
-Think of something without -tastic at the end. -Afrika Afrika. | 0:25:01 | 0:25:06 | |
Afrika Afrika, sir! | 0:25:06 | 0:25:07 | |
Four sensational performing acts, but only one can go free. | 0:25:07 | 0:25:12 | |
Who will it be? Let's welcome them back. All the acts! | 0:25:12 | 0:25:16 | |
CHEERING | 0:25:16 | 0:25:17 | |
Tamara Puzanova! Duo Magic! | 0:25:17 | 0:25:19 | |
Pupski! And The Black Eagles! | 0:25:19 | 0:25:22 | |
CHEERING | 0:25:22 | 0:25:23 | |
You will decide now who takes that walk of freedom. | 0:25:24 | 0:25:28 | |
Please show your appreciation for the first performing prisoner, | 0:25:28 | 0:25:33 | |
Tamara Puzanova! CHEERING | 0:25:33 | 0:25:37 | |
A great score, there. | 0:25:41 | 0:25:43 | |
73.6 for Tamara on the Clap-O-Meter. Marvellous! | 0:25:43 | 0:25:47 | |
Will you be shouting "abracadabra"? Let's hear it for Duo Magic! | 0:25:47 | 0:25:52 | |
LOUD CHEERING | 0:25:52 | 0:25:54 | |
Wow! A great score. 92.3 puts them in the lead! | 0:25:59 | 0:26:03 | |
Yes! Yes, yes. Right...on to our next double act, | 0:26:03 | 0:26:07 | |
a unique double act, because it was half human, half canine. | 0:26:07 | 0:26:12 | |
Will they be going free? | 0:26:12 | 0:26:13 | |
Please whoop it up for Pupski! | 0:26:13 | 0:26:16 | |
LOUD CHEERING | 0:26:16 | 0:26:18 | |
Sensational! Let's see the scores. Duo Magic still first. | 0:26:22 | 0:26:26 | |
Let's see what happens now. Only one more performer can beat that score | 0:26:26 | 0:26:31 | |
of 92.3. Will it be...The Black Eagles?! | 0:26:31 | 0:26:35 | |
LOUD CHEERING | 0:26:35 | 0:26:38 | |
Oh! Fantastic! | 0:26:43 | 0:26:45 | |
There we are, The Black Eagles. Let's look. | 0:26:47 | 0:26:50 | |
Yes, it just does. What a sensational score. | 0:26:50 | 0:26:53 | |
They've pipped them at the post | 0:26:53 | 0:26:56 | |
in 92.8, going free! It's The Black Eagles! | 0:26:56 | 0:26:59 | |
Take them away to freedom! | 0:27:00 | 0:27:02 | |
The rest of you, great performances! But it's time for...what is it? | 0:27:02 | 0:27:07 | |
-Sloppy-ploppy porridge! -Sloppy-ploppy porridge! | 0:27:07 | 0:27:11 | |
Give 'em a big cheer, jailors and jailbirds! Brilliant! | 0:27:11 | 0:27:15 | |
Join us again soon for some more mayhem and magic in The Slammer. | 0:27:18 | 0:27:22 | |
But remember, if you can't sing, dance or rhyme... | 0:27:22 | 0:27:26 | |
AUDIENCE: Don't do the crime! | 0:27:26 | 0:27:29 | |
Bye, everybody. Bye-bye! | 0:27:29 | 0:27:32 | |
Subtitles by Red Bee Media Ltd | 0:27:32 | 0:27:35 | |
E-mail [email protected] | 0:27:35 | 0:27:38 | |
-MAN: -So, 12 new charges of grievous comedy harm. | 0:27:38 | 0:27:41 | |
-And the defendant's name? -Jake LePlant. | 0:27:41 | 0:27:44 | |
And how do you plead? | 0:27:44 | 0:27:46 | |
Like this. I'm Jake LePlant. Please don't put me in prison again. | 0:27:46 | 0:27:51 | |
LAUGHTER Please let me go, people. | 0:27:51 | 0:27:53 | |
LAUGHTER | 0:27:53 | 0:27:55 |