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KLAXON SOUNDS | 0:00:02 | 0:00:03 | |
# You've been found guilty Of a howlin' showbiz crime | 0:00:05 | 0:00:08 | |
# So welcome to the Slammer | 0:00:08 | 0:00:10 | |
# Where you're gonna serve your time | 0:00:10 | 0:00:12 | |
# With every type of minstrel | 0:00:12 | 0:00:15 | |
# Entertainer and artiste | 0:00:15 | 0:00:17 | |
# Performing to the limit to try and get released | 0:00:17 | 0:00:21 | |
# So go fetch the audience | 0:00:21 | 0:00:24 | |
# Bring them to the Slammer | 0:00:24 | 0:00:26 | |
# Polish up your act | 0:00:26 | 0:00:28 | |
# With a bit of glitz and glamour | 0:00:28 | 0:00:30 | |
# Your fate is in their hands | 0:00:30 | 0:00:33 | |
# So make 'em cheer and clap | 0:00:33 | 0:00:34 | |
# It's the only way you'll ever leave the Slammer | 0:00:34 | 0:00:38 | |
-# Leave the Slammer -It's the only way you'll ever leave | 0:00:38 | 0:00:41 | |
# The Slammer! # | 0:00:41 | 0:00:43 | |
Ri-i-ight! Time for bed, you horrible lot! | 0:00:46 | 0:00:49 | |
Yes, nighty-nighty, everyone. | 0:00:49 | 0:00:51 | |
So, Frank, who's in tomorrow's Freedom Show? | 0:00:51 | 0:00:54 | |
-We've got the Ladder Man. -Oh, he's going up in the world. | 0:00:54 | 0:00:59 | |
Very good, sir. There's Gerry Phillips, the musical 'and trumper. | 0:00:59 | 0:01:03 | |
SQUEEZES THE FRENCH NATIONAL ANTHEM | 0:01:03 | 0:01:08 | |
Phew, don't light a match, Mr Burgess. | 0:01:08 | 0:01:11 | |
It's disgusting, sir. | 0:01:11 | 0:01:13 | |
There's Douglas Lee and his glass harp. | 0:01:13 | 0:01:15 | |
HE PLAYS A HIGH, EERIE MELODY | 0:01:15 | 0:01:19 | |
His glasses are always half-full. I love a positive thinker. | 0:01:19 | 0:01:23 | |
Frank, where's Andrea Alton, the amazing aerial performer? | 0:01:23 | 0:01:27 | |
-She's already asleep, sir. -Best leave her where she is, Frank. | 0:01:27 | 0:01:32 | |
LULLABY PLAYS | 0:01:32 | 0:01:33 | |
Nokio, get yourself in that cell now. | 0:01:35 | 0:01:38 | |
-Mr Burgess, w-w-we're scared. -Captain Burgess, we're scared! | 0:01:38 | 0:01:42 | |
Scary, scary Mary! Strange flashing lights in the sky. | 0:01:42 | 0:01:46 | |
Strange flashing lights in the sky? | 0:01:46 | 0:01:49 | |
Last night, there was something hovering over the prison. | 0:01:49 | 0:01:53 | |
Aliens! They'll abduct us all! | 0:01:53 | 0:01:56 | |
Now, Titch... Oh, er...Peter, this is a prison. | 0:01:56 | 0:02:00 | |
It's impossible for you to get out, | 0:02:00 | 0:02:02 | |
-and it's difficult for anyone else to get in. -Like imaginary aliens! | 0:02:02 | 0:02:07 | |
-But the light... -Get in there, lad! | 0:02:07 | 0:02:09 | |
Oh! | 0:02:11 | 0:02:12 | |
He's got quite an imagination, that lad. | 0:02:12 | 0:02:15 | |
OWL HOOTS | 0:02:15 | 0:02:17 | |
I'm convinced those flashing lights are a UFO, Titch. | 0:02:17 | 0:02:21 | |
Stop saying that, you turkey! | 0:02:21 | 0:02:23 | |
Those googly-eyed aliens, they freak me out, man! A-a-ah! | 0:02:23 | 0:02:28 | |
Pete, will you please go to sleep? | 0:02:28 | 0:02:30 | |
STRANGE THROBBING HUM | 0:02:30 | 0:02:32 | |
Melvin, come and look. | 0:02:32 | 0:02:35 | |
-They're getting closer. -What is that? | 0:02:35 | 0:02:38 | |
I don't know, but it's coming out of... | 0:02:38 | 0:02:41 | |
BOTH: Wa-a-a-ah! | 0:02:41 | 0:02:43 | |
See any little spaceships last night, did we? | 0:02:49 | 0:02:52 | |
-Spaceships? I don't know what you're talking about. -I slept really well. | 0:02:52 | 0:02:57 | |
Mm. | 0:02:57 | 0:02:59 | |
THEY GRUNT | 0:03:02 | 0:03:03 | |
THEY GOBBLE | 0:03:03 | 0:03:04 | |
DRAMATIC MUSIC | 0:03:04 | 0:03:07 | |
Mr Burgess, there's something odd today with Melvin and Pete. | 0:03:10 | 0:03:15 | |
There's always something odd about them. Why's today different? | 0:03:15 | 0:03:19 | |
Melvin? Pete? | 0:03:19 | 0:03:22 | |
Nokio! Odoom! | 0:03:22 | 0:03:23 | |
-Are you talking to us? -Of course I'm talking to you idiots. | 0:03:23 | 0:03:27 | |
What's with all the strange behaviour? | 0:03:27 | 0:03:30 | |
Right! Governor's office, now! | 0:03:43 | 0:03:46 | |
Nice flower! | 0:03:47 | 0:03:49 | |
Behaving a little strangely. | 0:03:49 | 0:03:51 | |
-This is tasty. Do you fancy a bite? -I don't like it. | 0:03:51 | 0:03:55 | |
-They're up to something. It won't work! -Hang on a sec! | 0:03:55 | 0:03:59 | |
Maybe they're not themselves! | 0:03:59 | 0:04:01 | |
What if Melvin and Pete have been abducted by aliens? | 0:04:03 | 0:04:07 | |
THEY LAUGH | 0:04:09 | 0:04:11 | |
That's the craziest thing I've ever heard! | 0:04:11 | 0:04:14 | |
It is a bit silly, even for me. | 0:04:14 | 0:04:17 | |
Hold on a minute. | 0:04:17 | 0:04:19 | |
THEY YELL | 0:04:19 | 0:04:20 | |
THEY SCREAM | 0:04:21 | 0:04:24 | |
I don't believe it! Melvin and Peter have been replaced by aliens! | 0:04:24 | 0:04:28 | |
What have you done, you slimy, green...? | 0:04:28 | 0:04:32 | |
THEY SPEAK AN ALIEN LANGUAGE | 0:04:32 | 0:04:34 | |
HE REPLIES IN THEIR LANGUAGE | 0:04:36 | 0:04:39 | |
THEY LAUGH | 0:04:39 | 0:04:40 | |
What kind of silly language is that then? | 0:04:41 | 0:04:44 | |
It's Yurginalian, Mr Burgess. Spoken on Planet Yurg. | 0:04:44 | 0:04:47 | |
-You speak Yurginalian, Jeremy? -Apparently. | 0:04:47 | 0:04:50 | |
HE SPEAKS YURGINALIAN | 0:04:50 | 0:04:53 | |
..Melvin? | 0:04:53 | 0:04:55 | |
They say they're holding Peter and Melvin captive | 0:04:58 | 0:05:01 | |
on their space saucer... | 0:05:01 | 0:05:03 | |
Ah! They will release them, but they have demands. | 0:05:03 | 0:05:07 | |
Demands? I'll give them demands! | 0:05:07 | 0:05:09 | |
ELECTRIC CRACKLE | 0:05:09 | 0:05:11 | |
Carry on. | 0:05:12 | 0:05:14 | |
HE SPEAKS YURGINALIAN | 0:05:14 | 0:05:16 | |
They want a life-sized cut-out of Sarah from Girls Aloud... | 0:05:16 | 0:05:20 | |
Good choice. | 0:05:20 | 0:05:22 | |
THEY SPEAK YURGINALIAN | 0:05:22 | 0:05:24 | |
-..a signed photo of the Chuckle Brothers and a mackerel. -Deal! | 0:05:25 | 0:05:30 | |
-What was it like on the space saucer? -Space saucer? -What? | 0:05:35 | 0:05:40 | |
-Don't tell me you've forgotten! -I feel weird. | 0:05:40 | 0:05:43 | |
I remember falling asleep in my cell. | 0:05:43 | 0:05:46 | |
You're back just in time for the Freedom Show! | 0:05:46 | 0:05:49 | |
THEY CHATTER EXCITEDLY | 0:05:49 | 0:05:51 | |
-They're saying they'd like to stay and watch the show. -No problem! | 0:05:51 | 0:05:58 | |
So, how do I look? | 0:05:58 | 0:06:00 | |
THEY CHATTER ADMIRINGLY | 0:06:00 | 0:06:02 | |
Thank you very much! | 0:06:02 | 0:06:04 | |
In that case, it's show time! | 0:06:04 | 0:06:06 | |
Ladies and gentlemen, | 0:06:06 | 0:06:09 | |
and beings from another planet! | 0:06:09 | 0:06:11 | |
Welcome to HM Slammer, | 0:06:11 | 0:06:13 | |
where you decide which prisoner is to be released! | 0:06:13 | 0:06:17 | |
Now, please welcome your host - he's a really smashing fella, | 0:06:17 | 0:06:21 | |
and his prison's inter-stellar! | 0:06:21 | 0:06:24 | |
It's...the Governor! | 0:06:24 | 0:06:26 | |
CHEERING AND APPLAUSE | 0:06:26 | 0:06:28 | |
-Who's the Governor? ALL: -You're the Governor! | 0:06:42 | 0:06:45 | |
You're marvellous jailers and jailbirds! | 0:06:45 | 0:06:48 | |
Ready for sensational entertainment? | 0:06:48 | 0:06:51 | |
-ALL: -Yeah! | 0:06:51 | 0:06:53 | |
We've got some sensational performing prisoners. | 0:06:53 | 0:06:57 | |
We've got an act that defies description. | 0:06:57 | 0:07:00 | |
A very handy act, Gerry Phillips! | 0:07:00 | 0:07:02 | |
-ALL: -Ooh! | 0:07:02 | 0:07:04 | |
We've got a marvellous aerial performer, called Andrea Alton. | 0:07:04 | 0:07:09 | |
-ALL: -Ooh! | 0:07:09 | 0:07:11 | |
We've got a gentleman who's a classy, glassy act - Douglas Lee! | 0:07:11 | 0:07:15 | |
-ALL: -O-o-o-oh! | 0:07:15 | 0:07:17 | |
But right now, to kick off the Freedom Show today, | 0:07:17 | 0:07:20 | |
we've got a man who's going right up in the world, | 0:07:20 | 0:07:24 | |
because he's a ladder act. He performs on a ladder. | 0:07:24 | 0:07:27 | |
He's serving 16 months for giving RUNG information to the police! | 0:07:27 | 0:07:33 | |
Will you please, jailers and jailbirds, welcome... | 0:07:33 | 0:07:37 | |
the Ladder Man! | 0:07:37 | 0:07:39 | |
CHEERING AND APPLAUSE | 0:07:39 | 0:07:41 | |
PIANO PLAYS | 0:07:46 | 0:07:49 | |
CHEERING AND APPLAUSE | 0:09:06 | 0:09:09 | |
CHEERING AND APPLAUSE | 0:09:41 | 0:09:43 | |
CHEERING AND APPLAUSE | 0:10:22 | 0:10:24 | |
CHEERING AND APPLAUSE | 0:10:35 | 0:10:37 | |
There we are, yes! Give him a big hand there. | 0:10:40 | 0:10:45 | |
Brilliant! Whoa! | 0:10:45 | 0:10:49 | |
Whatever you do, don't try that on your ladder at home! | 0:10:49 | 0:10:52 | |
What about everybody else? Is the Ladder Man going over the wall? | 0:10:52 | 0:10:57 | |
Let's ask Mr Burgess. | 0:10:57 | 0:10:59 | |
It reminded me I must get the ladders out and paper the bedroom. | 0:10:59 | 0:11:03 | |
-What did you think? -He did really well on his hands, | 0:11:03 | 0:11:06 | |
cos he went on top of the ladder. | 0:11:06 | 0:11:10 | |
-And? -And it was really cool. | 0:11:10 | 0:11:12 | |
-You enjoyed it? -Yes, I did. -What about you? | 0:11:12 | 0:11:15 | |
I liked it when he balanced on the ladder and done tricks. | 0:11:15 | 0:11:19 | |
Did you enjoy it? | 0:11:19 | 0:11:21 | |
I enjoyed it very much. The stunt was mind-blowing, | 0:11:21 | 0:11:25 | |
-and I want his job. -Really? -Yeah. | 0:11:25 | 0:11:28 | |
Anything to say on that, sir? | 0:11:28 | 0:11:30 | |
HE SPEAKS IN YURGINALIAN | 0:11:30 | 0:11:32 | |
Oh, really? Thank you very much. | 0:11:33 | 0:11:36 | |
And, for one final word to sum that act up. Sir? | 0:11:36 | 0:11:43 | |
Fantastic. | 0:11:43 | 0:11:44 | |
Fantastic, sir. | 0:11:44 | 0:11:46 | |
Well, there's your views on the Ladder Man. Will he go free? | 0:11:46 | 0:11:50 | |
Three more prisoners to see. | 0:11:50 | 0:11:52 | |
The next act's hard to describe. He makes noises with his hands. | 0:11:52 | 0:11:56 | |
PFFRT! Know what I mean? Yes! | 0:11:56 | 0:11:58 | |
He's serving 4.5 years in the Basil Brush Wing here, | 0:11:58 | 0:12:03 | |
all on trumped-up charges, will you please welcome Gerry Philips! | 0:12:03 | 0:12:07 | |
CHEERING AND APPLAUSE | 0:12:07 | 0:12:13 | |
MUSIC: Mexican Hat Dance | 0:12:13 | 0:12:16 | |
HE REPLICATES THE TUNE WITH HIS HANDS | 0:12:16 | 0:12:20 | |
LAUGHTER | 0:12:20 | 0:12:23 | |
MUSIC: "Bohemian Rhapsody" by Queen | 0:12:31 | 0:12:34 | |
# I see a little Silhouette-o of a man | 0:12:34 | 0:12:37 | |
# Scaramouche, scaramouche Will you do the fandango | 0:12:37 | 0:12:41 | |
# Thunderbolt and lightning Very, very frightening me | 0:12:41 | 0:12:44 | |
-# Galileo -Galileo | 0:12:44 | 0:12:46 | |
-# Galileo -Galileo | 0:12:46 | 0:12:48 | |
-# Galileo, Figaro -Magnifico-o-o-o-o | 0:12:48 | 0:12:51 | |
# I'm just a poor boy Nobody loves me | 0:12:51 | 0:12:54 | |
# He's just a poor boy From a poor family | 0:12:54 | 0:12:57 | |
# Spare him his life From this monstrosity... # | 0:12:57 | 0:13:00 | |
MUSIC: The Can-Can | 0:13:00 | 0:13:04 | |
MUSIC: "The Slammer" Theme Tune | 0:13:28 | 0:13:34 | |
CHEERING AND APPLAUSE | 0:13:52 | 0:13:55 | |
My word! Let's hear some applause for Gerry Philips! | 0:13:59 | 0:14:02 | |
CHEERING AND APPLAUSE | 0:14:02 | 0:14:07 | |
He shook hands with me, I said, "How dare you?!" | 0:14:07 | 0:14:10 | |
He can blow a raspberry with his mitts! | 0:14:10 | 0:14:13 | |
What did you think of it? Unusual, but enough to go free? | 0:14:13 | 0:14:17 | |
Now. Entertainment? | 0:14:17 | 0:14:19 | |
Incredible. I've never heard anything like it. | 0:14:19 | 0:14:23 | |
-Did you enjoy it? -Yeah. | 0:14:23 | 0:14:24 | |
-You like that sort of filth? -Yeah. | 0:14:24 | 0:14:27 | |
-LAUGHTER -Strange young lady. What about you? | 0:14:27 | 0:14:30 | |
It was noisy, and I'm glad he didn't do it with his bottom. | 0:14:30 | 0:14:34 | |
-That he what? -That he didn't do it with his bottom. -I think we all are! | 0:14:34 | 0:14:40 | |
His job is so wicked, he must love it. But he must hate it in here. | 0:14:40 | 0:14:45 | |
-Yeah. You're quite a deep thinker, aren't you? -Yes. | 0:14:45 | 0:14:49 | |
-Quite a philosopher. -Thank you. | 0:14:49 | 0:14:51 | |
-LAUGHTER -OK. | 0:14:51 | 0:14:53 | |
What type of act is he? | 0:14:53 | 0:14:56 | |
-Hysterical man. -Hysterical man, mm. Mm. | 0:14:56 | 0:14:59 | |
I thought it was funny, | 0:14:59 | 0:15:01 | |
but I'm not sure all the noises were from his hands. | 0:15:01 | 0:15:05 | |
You think they may have been ruminating from below? | 0:15:05 | 0:15:08 | |
-Maybe. -Maybe. | 0:15:08 | 0:15:10 | |
The sloppy, ploppy porridge we serve here tends to do that. | 0:15:10 | 0:15:14 | |
-LAUGHTER -And for a final word - Miss? | 0:15:14 | 0:15:18 | |
-Cool! -Cool, sir! | 0:15:18 | 0:15:20 | |
PFFRT! PFFRT! PFFRT! | 0:15:20 | 0:15:22 | |
I still can't do it. Now, there's more to come. | 0:15:22 | 0:15:25 | |
Now, this next lady is a sensation. She's an aerial performer, | 0:15:25 | 0:15:30 | |
and she's serving four-and-a-half years | 0:15:30 | 0:15:32 | |
in the Bob Monkhouse section of the Slammer, | 0:15:32 | 0:15:35 | |
for fiddling with aerials. She got a bad reception from the court! | 0:15:35 | 0:15:40 | |
But she's a great performer. Please welcome, jailers and jailbirds, | 0:15:40 | 0:15:45 | |
-Andrea Alton! -CHEERING AND APPLAUSE | 0:15:45 | 0:15:48 | |
DRAMATIC MUSIC PLAYS | 0:15:54 | 0:15:56 | |
CHEERING AND APPLAUSE | 0:16:19 | 0:16:21 | |
CHEERING AND APPLAUSE | 0:16:28 | 0:16:30 | |
CHEERING AND APPLAUSE | 0:16:56 | 0:16:59 | |
CHEERING AND APPLAUSE | 0:17:23 | 0:17:26 | |
CHEERING AND APPLAUSE | 0:17:39 | 0:17:42 | |
CHEERING AND APPLAUSE | 0:17:57 | 0:18:00 | |
CHEERING AND APPLAUSE | 0:18:06 | 0:18:09 | |
CHEERING AND APPLAUSE | 0:18:16 | 0:18:19 | |
Andrea Alton, let's hear it for her, convict connoisseurs! | 0:18:21 | 0:18:26 | |
-CHEERING AND APPLAUSE -Marvellous! | 0:18:26 | 0:18:29 | |
She was marvellous. Did she do enough to go free? | 0:18:29 | 0:18:33 | |
Will she fly high or go back down into the cells? | 0:18:33 | 0:18:38 | |
Let's find out, with Mr Burgess. | 0:18:38 | 0:18:41 | |
CHEERING | 0:18:41 | 0:18:43 | |
I thought I was a goner there for a minute. Right. | 0:18:43 | 0:18:47 | |
Did you enjoy the act, sir? | 0:18:47 | 0:18:48 | |
She was good, but I'm not sure she'll win. | 0:18:48 | 0:18:51 | |
-Do you mean she should not be let back into society, sir? -Well...yeah. | 0:18:51 | 0:18:58 | |
-Was that your type of act? -It was amazing | 0:18:58 | 0:19:00 | |
when she hung on by her foot and hand. She must be strong. | 0:19:00 | 0:19:04 | |
And at the end, she went round and round. | 0:19:04 | 0:19:07 | |
-She must be dizzy. -Good though? -Yeah. | 0:19:07 | 0:19:10 | |
Have you anything constructive to say? | 0:19:10 | 0:19:13 | |
THEY CHATTER | 0:19:13 | 0:19:15 | |
Oh... Hold on, hold on... Gimbert! | 0:19:15 | 0:19:18 | |
-Yes, Mr Burgess? Here, sir. -What are these two saying? | 0:19:18 | 0:19:22 | |
THEY CHATTER | 0:19:22 | 0:19:26 | |
-They liked her hat. -That's it?! | 0:19:26 | 0:19:30 | |
-Oh, yes. -They liked her hat?! -They loved it! | 0:19:30 | 0:19:34 | |
Thank you, gentlemen, how very constructive(!) | 0:19:34 | 0:19:37 | |
That was amazing, fantastic, brilliant and superb. | 0:19:37 | 0:19:41 | |
-Not enough good words(!) Think of a few more. -Magnificent. -OK! | 0:19:41 | 0:19:45 | |
-And your final word? -Confused? | 0:19:45 | 0:19:48 | |
-Conf... What?! -Confused. -About what?! | 0:19:48 | 0:19:51 | |
I'm just muddled up! She's dizzy! | 0:19:51 | 0:19:54 | |
About life in general? Do you not know where your life's going, sir? | 0:19:54 | 0:19:59 | |
-Have you ever thought of a career in the prison service? -No! | 0:19:59 | 0:20:03 | |
That's a shame. Think it over. Confused, sir. | 0:20:03 | 0:20:07 | |
Now, this next act is sensational. It's a real class act. | 0:20:07 | 0:20:11 | |
In fact, it's a class glass act. I can't describe it, | 0:20:11 | 0:20:14 | |
so I won't. Jailers and jailbirds, please welcome Douglas Lee! | 0:20:14 | 0:20:20 | |
CHEERING AND APPLAUSE | 0:20:20 | 0:20:23 | |
HE PLAYS A LIVELY TUNE | 0:20:29 | 0:20:32 | |
CHEERING AND APPLAUSE | 0:21:06 | 0:21:09 | |
HE PLAYS "AXEL F" | 0:21:09 | 0:21:13 | |
CHEERING AND APPLAUSE | 0:21:33 | 0:21:35 | |
I'm gonna do something a bit different, so cue the band! | 0:21:35 | 0:21:39 | |
BAND STRIKES UP | 0:21:39 | 0:21:42 | |
HE PLAYS "WHEN THE SAINTS GO MARCHING IN" | 0:21:42 | 0:21:47 | |
AUDIENCE CLAPS ALONG | 0:21:47 | 0:21:50 | |
CHEERING AND APPLAUSE | 0:22:35 | 0:22:39 | |
Let's hear some noise for Douglas Lee, jailers and jailbirds! | 0:22:40 | 0:22:45 | |
-CHEERING AND APPLAUSE -Come on! Marvellous. | 0:22:45 | 0:22:49 | |
A very classy, glassy, glassy, classy act. | 0:22:49 | 0:22:53 | |
But will he cut the mustard? | 0:22:53 | 0:22:54 | |
Will he be raising a glass and saying, "Cheers!"? Let's find out. | 0:22:54 | 0:22:59 | |
-Go on, sir. -That was astonishing, but what was up with his hair? | 0:22:59 | 0:23:03 | |
What was up with his hair indeed, sir. What would you do to it? | 0:23:03 | 0:23:07 | |
-Cut it. -Cut it? Right off? | 0:23:07 | 0:23:10 | |
-Could you describe that, Miss? -Mad and wonderful, like his hair. | 0:23:10 | 0:23:15 | |
I know. He's from America, he certainly looks | 0:23:15 | 0:23:18 | |
like he's been in a few states! | 0:23:18 | 0:23:20 | |
LAUGHTER | 0:23:20 | 0:23:22 | |
-What about you, miss? -It was a bit boring to start, | 0:23:22 | 0:23:25 | |
-but then the tunes got better. And I loved his hair. -You liked it? -Yes. | 0:23:25 | 0:23:30 | |
-Anything you'd like to do to re-style it? -Um... | 0:23:30 | 0:23:33 | |
-No! -Jazz it up a little bit? -No. | 0:23:33 | 0:23:36 | |
What about the costume? Too many scarves? | 0:23:36 | 0:23:39 | |
-Yeah. -You'd lose some? -Yeah. LAUGHTER | 0:23:39 | 0:23:42 | |
It was amazing how he could | 0:23:42 | 0:23:45 | |
make all the pitches and all... with the different cups. | 0:23:45 | 0:23:49 | |
-The pitches? -Yes. -You know about music, pitching the notes! | 0:23:49 | 0:23:53 | |
-Are you musical? -Erm... Kind of...! -Yes. | 0:23:53 | 0:23:57 | |
Gentlemen, could you sum that act up for us in one final word? | 0:23:57 | 0:24:02 | |
-BABBLES: A-fo-wah! -"A-fo-wah!", sir...! | 0:24:02 | 0:24:06 | |
What tremendous performers. Now, the moment of truth. | 0:24:06 | 0:24:10 | |
Welcome them back to the stage of the Slammer! | 0:24:10 | 0:24:13 | |
CHEERING AND APPLAUSE | 0:24:13 | 0:24:16 | |
Ladder Man, Gerry Phillips, Andrea Alton and Douglas Lee! | 0:24:16 | 0:24:23 | |
Four very individual acts | 0:24:23 | 0:24:26 | |
giving meaning to the word variety in the Slammer. | 0:24:26 | 0:24:30 | |
We like variety. But which one will be going free? | 0:24:30 | 0:24:33 | |
You decide, my convict connoisseurs, with the aid of this. | 0:24:33 | 0:24:37 | |
-The clap-o-meter. -FANFARE PLAYS | 0:24:37 | 0:24:40 | |
In all its glory. The higher the noise you make, | 0:24:40 | 0:24:44 | |
the bigger the score the convicted convict gets. OK? | 0:24:44 | 0:24:48 | |
First was a very unusual act, with just a rose and a ladder. | 0:24:48 | 0:24:52 | |
Will he go over the wall? Let's hear it for the Ladder Man! | 0:24:52 | 0:24:57 | |
CHEERING AND APPLAUSE | 0:24:57 | 0:25:00 | |
Right there, Gimbert, a good score, 88.9, very good, very good. | 0:25:03 | 0:25:08 | |
That's good, that's good. Will it be enough? Who knows... | 0:25:08 | 0:25:12 | |
Next, well... An act that was full of fun and trumpery, | 0:25:12 | 0:25:17 | |
will you please show your appreciation - | 0:25:17 | 0:25:20 | |
using your hands only - and some noise, for Gerry Phillips! | 0:25:20 | 0:25:24 | |
CHEERING AND APPLAUSE | 0:25:24 | 0:25:27 | |
Oh, dear! A bad wind blowing for Gerry, there, just 74 points. | 0:25:30 | 0:25:34 | |
You're staying with us another night or week or two! Well, | 0:25:34 | 0:25:38 | |
a high-flying performer next. | 0:25:38 | 0:25:40 | |
She raised the expectations of the Slammer. | 0:25:40 | 0:25:43 | |
Will she go free? Let's see, when you decide on Andrea Alton! | 0:25:43 | 0:25:48 | |
CHEERING AND APPLAUSE | 0:25:48 | 0:25:52 | |
90! A score bang on 90 for Andrea! That takes her into the lead, yes! | 0:25:56 | 0:26:01 | |
At the moment there, as you see, in third position, | 0:26:01 | 0:26:04 | |
it's Mr Phillips, then the Ladder Man, and Andrea's in the lead. | 0:26:04 | 0:26:10 | |
One more performing prisoner to see, you heard him, very unusual, | 0:26:10 | 0:26:14 | |
mixed about his hair, his music was great. | 0:26:14 | 0:26:17 | |
What did you think of Douglas Lee? | 0:26:17 | 0:26:20 | |
CHEERING AND APPLAUSE | 0:26:20 | 0:26:23 | |
Close, oh, close! | 0:26:26 | 0:26:29 | |
Very close! Going free, it's Andrea Alton with a score of 90! | 0:26:29 | 0:26:33 | |
CHEERING AND APPLAUSE | 0:26:33 | 0:26:36 | |
Give her a big hand, jailers and jailbirds, she's free! Free to go! | 0:26:36 | 0:26:42 | |
That means the rest of them are staying with us for another night, | 0:26:42 | 0:26:47 | |
but the good news is you're in time for supper. What's for supper? | 0:26:47 | 0:26:51 | |
-Porridge, sir, served in a very special way. -What's the special way? | 0:26:51 | 0:26:57 | |
-Sloppily and ploppily, sir! -Oh! Take 'em down, Mr Burgess! | 0:26:57 | 0:27:02 | |
Give them a round of applause. Remember, that's it from us, | 0:27:02 | 0:27:08 | |
join us for some more fun in the Slammer! | 0:27:08 | 0:27:10 | |
If you can't sing, dance or rhyme... | 0:27:10 | 0:27:13 | |
ALL: Don't do the crime! | 0:27:13 | 0:27:16 | |
See you, jailers and jailbirds, bye-bye, everybody, bye-bye! | 0:27:16 | 0:27:21 | |
# It's the only way You'll ever leave the Slammer! # | 0:27:28 | 0:27:33 | |
WHOOSH! | 0:27:33 | 0:27:36 | |
Safe journey home. If you leave now you should just miss the traffic. | 0:27:38 | 0:27:44 | |
Glad to see the back of those aliens, Mr Burgess? | 0:27:48 | 0:27:51 | |
-Absolutely, sir. -Let's get the kettle on. -Coming, Uncle. | 0:27:51 | 0:27:55 |