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'Dear Mum, I thought I'd let Mr Hungry, write a few words to say hello.' | 0:00:02 | 0:00:05 | |
GNARLING | 0:00:05 | 0:00:07 | |
"I eated it!" You stupid... Right. | 0:00:10 | 0:00:13 | |
'This week's show was the best Freedom Show since last week. | 0:00:13 | 0:00:16 | |
'There were some astonishing feats. | 0:00:16 | 0:00:18 | |
CHEERING | 0:00:18 | 0:00:20 | |
-'Some astonishing feet. -CHEERING | 0:00:20 | 0:00:23 | |
'And someone astonishing Pete. That's me.' | 0:00:23 | 0:00:26 | |
Stop mucking about! | 0:00:26 | 0:00:28 | |
'Oh, and it was nearly the end for the Gov. Basically, what happened was...' | 0:00:28 | 0:00:31 | |
GNARLING | 0:00:31 | 0:00:33 | |
"I eat a pencil again!" | 0:00:33 | 0:00:36 | |
# You've been found guilty of a howling showbiz crime | 0:00:39 | 0:00:44 | |
# So welcome to The Slammer where you're gonna serve your time | 0:00:44 | 0:00:48 | |
# With every type of minstrel, entertainer and artiste. | 0:00:48 | 0:00:53 | |
# Performing to the limit to try and get released | 0:00:53 | 0:00:58 | |
# So go and fetch the audience, bring them to The Slammer | 0:00:58 | 0:01:03 | |
# And polish up your act with a bit of glitz and glamour | 0:01:03 | 0:01:07 | |
# Your fate is in their hands so make them cheer and clamour | 0:01:07 | 0:01:11 | |
# It's the only way you'll ever leave The Slammer | 0:01:11 | 0:01:14 | |
# It's the only way you'll ever leave The Slammer! # | 0:01:14 | 0:01:20 | |
Sir? | 0:01:21 | 0:01:22 | |
Are you in there, Sir? Sir, are you alright? | 0:01:22 | 0:01:26 | |
Aaaaaaaargh! | 0:01:27 | 0:01:36 | |
Oh, shut up. | 0:01:36 | 0:01:38 | |
-Sir! -Is that you, Frank? | 0:01:38 | 0:01:39 | |
Yes, Sir. What's happened, Sir? You better sit down, Sir. | 0:01:39 | 0:01:42 | |
Not yet, Sir. | 0:01:44 | 0:01:46 | |
-Oh, Frank, Frank. Oh! -Are you alright? | 0:01:46 | 0:01:49 | |
-I haven't slept a week for days. I've been so worried. -Me, too, Sir. | 0:01:49 | 0:01:54 | |
But then I discovered this. | 0:01:54 | 0:01:57 | |
"Its unique formula of pro anti-ceramides | 0:01:57 | 0:02:00 | |
"visibly reduce the signs of aging, | 0:02:00 | 0:02:01 | |
"thus leaving the skin as smooth as a baby's bottom, Sir. | 0:02:01 | 0:02:04 | |
No! I've been worried because there's an inspector coming from the Ministry of Merriment. | 0:02:04 | 0:02:09 | |
Of course, Sir. | 0:02:09 | 0:02:10 | |
If they find something wrong with The Slammer we'll be out of a job. | 0:02:10 | 0:02:14 | |
-What are we going to do, Frank? -All right. Calm down, Sir. | 0:02:14 | 0:02:17 | |
Let's take this one step at a time, shall we? | 0:02:17 | 0:02:20 | |
Let's confirm today's Freedom Show... SNORING | 0:02:20 | 0:02:23 | |
He's gone. Emergency percussion, Gimbert. | 0:02:23 | 0:02:26 | |
Well done. LOUD CRASH | 0:02:29 | 0:02:31 | |
-Stay with us, Sir. Right, act one? -Micro Jackson. | 0:02:32 | 0:02:37 | |
Check. | 0:02:37 | 0:02:39 | |
LOUD CRASH Act two? | 0:02:40 | 0:02:42 | |
-Er, Voodoo Unicycles. -Check. | 0:02:42 | 0:02:46 | |
LOUD CRASH Act three, Sir? | 0:02:48 | 0:02:50 | |
-Sir Wheel. -Check. | 0:02:50 | 0:02:53 | |
LOUD CRASH Act four, Sir? | 0:02:55 | 0:02:57 | |
Szechuan chicken and a spring roll. | 0:02:57 | 0:02:59 | |
No, no, no. Stay with us, Sir. Hang in there. Freedom Show act four, Sir? | 0:02:59 | 0:03:04 | |
-Urban Edge MCs. -Check. | 0:03:04 | 0:03:09 | |
Right, well, that's all the acts for today's Freedom Show. | 0:03:09 | 0:03:12 | |
All you've got to do is get a bit of shut eye before the show | 0:03:12 | 0:03:15 | |
and there'll be nothing to worry about | 0:03:15 | 0:03:17 | |
from the inspector shutting us down, Sir. | 0:03:17 | 0:03:19 | |
I'm so tired, I think I'm starting to hallucinate. | 0:03:19 | 0:03:22 | |
Whatever gives you that idea, Sir? | 0:03:22 | 0:03:25 | |
Everything will be fine if I can just get some sleep. | 0:03:28 | 0:03:32 | |
Governor, it's me. Peter. Governor? | 0:03:32 | 0:03:34 | |
-That's weird. Somebody's lent your light bulb. -Go away, Peter! | 0:03:34 | 0:03:38 | |
-Don't worry. I happen to have my giant torch with me. -Aaaargh! | 0:03:38 | 0:03:43 | |
What are you doing down there? Stop mucking about. | 0:03:43 | 0:03:46 | |
I brought my new puppet to meet you. Meet Mr Foggy! | 0:03:46 | 0:03:50 | |
-Go away! -That's not very nice, is it, Mr Foggy? | 0:03:50 | 0:03:54 | |
Right, that's it, I'm going! I've had enough. I'll get no sleep here. | 0:03:54 | 0:03:58 | |
-I think he likes you. -SQUEALING | 0:03:58 | 0:04:01 | |
Naughty! | 0:04:01 | 0:04:03 | |
Now this is perfect. | 0:04:06 | 0:04:08 | |
The room's dark, the cell's quiet, a scary man in the corner... | 0:04:08 | 0:04:13 | |
Oh, it's you, Peregrin Pogo. Do us a favour, Pogo. Hop it! | 0:04:14 | 0:04:18 | |
Finally, sweet dreams. | 0:04:22 | 0:04:25 | |
-Attention, prisoner. Time for daily punishment. -Frank, it's me. | 0:04:25 | 0:04:29 | |
-Hello, Sir. -No, it's me, Frank. -Indeed it is, Sir. -Frank, stop it! | 0:04:29 | 0:04:34 | |
I can't do that, Sir. Regulation 16. | 0:04:34 | 0:04:36 | |
"Prisoners in solitary confinement are subject to a daily punishment." | 0:04:36 | 0:04:40 | |
Rules is rules, Sir! Besides, it's my favourite bit of the day. | 0:04:40 | 0:04:44 | |
-The quicker it's done, the quicker it's over. -The quicker what's done?! | 0:04:44 | 0:04:48 | |
Move it! | 0:04:48 | 0:04:49 | |
-But, Frank, it's raining. I'll get wet. -You'll get wet all right, Sir. | 0:04:50 | 0:04:54 | |
-Frank, there must be some other way. -I'm afraid not, Sir. | 0:04:54 | 0:04:57 | |
I can't take any chances with this inspector coming, can I? | 0:04:57 | 0:05:01 | |
-But, Frank, I'm wearing my pam-jams. -All right, Sir, seeing as it's you. | 0:05:01 | 0:05:06 | |
-Oh, thanks, Frank. -You can leave them on. | 0:05:06 | 0:05:09 | |
Leave them on? What do you mean?! | 0:05:09 | 0:05:11 | |
No! No! Get off! Get off, Frank! | 0:05:11 | 0:05:15 | |
-All right, Sir, that's the test phase over with. -The test phase?! | 0:05:18 | 0:05:22 | |
Right, Gimbert, crank it up to full pressure and let's see what this bad boy can do. | 0:05:22 | 0:05:26 | |
Noooo! | 0:05:26 | 0:05:29 | |
No, not that way, Sir. Turn around, Sir. One arm in there. | 0:05:31 | 0:05:34 | |
Straight through the tunnel, Sir. Now the shoes, Sir. | 0:05:34 | 0:05:38 | |
Jolly good. SNORING | 0:05:38 | 0:05:40 | |
He's gone again. Emergency percussion, Gimbert. | 0:05:40 | 0:05:43 | |
-Improvise, then. Improvise! -Tssshhh! | 0:05:43 | 0:05:45 | |
It's just a case of mind over matter, Sir. | 0:05:45 | 0:05:48 | |
-But I don't mind and it doesn't matter. -Oh, it does matter, Sir. | 0:05:48 | 0:05:51 | |
The inspector has arrived from the Ministry of Merriment. | 0:05:51 | 0:05:54 | |
-She's sitting now, Sir. -Look nice? | 0:05:54 | 0:05:56 | |
SINISTER MUSIC | 0:05:56 | 0:05:58 | |
It's hard to tell, but you're due on stage any minute now. | 0:05:58 | 0:06:01 | |
But, Frank, how am I going to stay awake during the show? | 0:06:01 | 0:06:04 | |
We'll think of something, Sir. Right, how do you look? | 0:06:04 | 0:06:07 | |
-Sleepy. -No, no, no. | 0:06:07 | 0:06:09 | |
-Just pull the lever, Sir. -Very well. It's bedtime, er, showtime. | 0:06:09 | 0:06:14 | |
'Ladies and gentlemen, welcome to HMP Slammer, | 0:06:16 | 0:06:20 | |
'where you decide which prisoner is to be released. | 0:06:20 | 0:06:25 | |
'Now, please welcome your host...' SNORING | 0:06:25 | 0:06:29 | |
It's the Governor! | 0:06:33 | 0:06:35 | |
CHEERING AND APPLAUSE | 0:06:35 | 0:06:38 | |
-Who's the Governor? -ALL: You are! | 0:06:51 | 0:06:55 | |
Sorry, jailers and jailbirds, I'm a little bit tired today. | 0:06:55 | 0:07:00 | |
-What's that? -Coffee. -Never mind that. I'll have the lot. | 0:07:00 | 0:07:05 | |
LAUGHTER | 0:07:06 | 0:07:08 | |
-That's better. -BURP | 0:07:09 | 0:07:13 | |
Well, we've got some marvellous performing prisoners for you today. | 0:07:13 | 0:07:17 | |
We've got an act on unicycles. They're called Voodoo Unicycles. | 0:07:17 | 0:07:21 | |
ALL: Ooooh! | 0:07:21 | 0:07:23 | |
We've got a wheelie good act called Sir Wheel. | 0:07:23 | 0:07:27 | |
ALL: Ooooh! | 0:07:27 | 0:07:29 | |
We've got some happening DJs in the house called Urban Edge MCs. | 0:07:29 | 0:07:34 | |
ALL: Ooooh! | 0:07:34 | 0:07:36 | |
Now, my little wide-awake jailers and jailbirds, | 0:07:36 | 0:07:39 | |
prisoner appreciators, will you please make some noise | 0:07:39 | 0:07:43 | |
for an act that's hoping to go free from The Slammer? | 0:07:43 | 0:07:46 | |
Remember, only one act can go free, before I drop off. | 0:07:46 | 0:07:50 | |
Yes, he is Micro Jackson! | 0:07:50 | 0:07:54 | |
CHEERING AND APPLAUSE | 0:07:54 | 0:07:56 | |
Yee hee! | 0:08:00 | 0:08:03 | |
Dee-de-da-da! | 0:08:05 | 0:08:07 | |
Aw! | 0:08:07 | 0:08:09 | |
Yee hee! Da! | 0:08:09 | 0:08:12 | |
LAUGHTER | 0:08:12 | 0:08:13 | |
# You have to show them that you're really not scared | 0:08:18 | 0:08:22 | |
# You're playing with your life, this ain't no truth or dare | 0:08:22 | 0:08:26 | |
# They'll get you, they'll beat you, they'll tell you it's fair | 0:08:26 | 0:08:29 | |
# So beat it, but you want to be bad | 0:08:29 | 0:08:32 | |
# So beat it (Beat it) | 0:08:32 | 0:08:34 | |
# Beat it (Beat it) | 0:08:34 | 0:08:36 | |
# No-one wants to be defeated | 0:08:36 | 0:08:39 | |
# Show them how funky and strong is your fight | 0:08:39 | 0:08:43 | |
# It doesn't matter who's wrong or right | 0:08:43 | 0:08:46 | |
# Just beat it, just beat it | 0:08:46 | 0:08:49 | |
# Just beat it, just beat it... # | 0:08:49 | 0:08:52 | |
Aw! | 0:08:55 | 0:08:57 | |
LAUGHTER | 0:08:57 | 0:08:59 | |
# Beat it (Beat it) | 0:09:03 | 0:09:05 | |
# Beat it (Beat it) | 0:09:05 | 0:09:07 | |
# No-one wants to be defeated | 0:09:07 | 0:09:10 | |
# Show them how funky and strong is your fight | 0:09:10 | 0:09:13 | |
# It doesn't matter who's wrong or right | 0:09:13 | 0:09:16 | |
# Just beat it! # | 0:09:16 | 0:09:19 | |
Aw! | 0:09:19 | 0:09:20 | |
LAUGHTER | 0:09:25 | 0:09:28 | |
# As he came into the window it was the sound of a crescendo | 0:09:28 | 0:09:32 | |
# He came into her apartment there were bloodstains on the carpet | 0:09:32 | 0:09:35 | |
# Annie, are you OK? | 0:09:35 | 0:09:37 | |
# Annie, are you OK? Are you OK, Annie? | 0:09:37 | 0:09:39 | |
# Annie, are you OK? | 0:09:39 | 0:09:40 | |
# Annie, are you OK? Are you OK, Annie? | 0:09:40 | 0:09:44 | |
# Annie, are you OK? There were bloodstains on the carpet | 0:09:44 | 0:09:48 | |
# Then you ran into the bedroom | 0:09:48 | 0:09:49 | |
# You were struck down, it was your doom | 0:09:49 | 0:09:52 | |
# Annie, are you OK? | 0:09:52 | 0:09:53 | |
# Annie, are you OK? Are you OK, Annie? | 0:09:53 | 0:09:55 | |
# Annie, are you OK? | 0:09:55 | 0:09:57 | |
# Annie, are you OK? Are you OK, Annie? | 0:09:57 | 0:09:59 | |
# You've been hit by You've been touched by | 0:09:59 | 0:10:02 | |
# A smooth criminal. # | 0:10:02 | 0:10:03 | |
Aw! | 0:10:03 | 0:10:05 | |
CHEERING AND APPLAUSE | 0:10:06 | 0:10:08 | |
Micro Jackson. They were fabulous, weren't they? | 0:10:14 | 0:10:17 | |
But, at the end, were they the top banana or did they make monkeys out of themselves? | 0:10:17 | 0:10:22 | |
Let's see with Mr Burgess. | 0:10:22 | 0:10:24 | |
Micro Jackson, there. Big enough to walk free? | 0:10:24 | 0:10:27 | |
I liked the bit where the monkey threw bananas a lot. | 0:10:27 | 0:10:31 | |
-Do you think putting a monkey in an act adds comedy value? -Yes, rather. | 0:10:31 | 0:10:37 | |
-Rather? -Mm-hm. -Rather so. | 0:10:37 | 0:10:39 | |
Governor. Governor! | 0:10:39 | 0:10:41 | |
What? Oh! Hello. | 0:10:41 | 0:10:44 | |
-So, this Micro Jackson, shall we let him go? -Yes. | 0:10:44 | 0:10:48 | |
-Don't let anyone know I was asleep, will you? -No. -The inspector will find out. | 0:10:48 | 0:10:52 | |
And for one final word, sum that act up for me, chimpy. | 0:10:52 | 0:10:57 | |
Enthusiastic. | 0:10:57 | 0:11:00 | |
Enthusiastic, Sir! Just like you, Sir, obviously(!) | 0:11:00 | 0:11:03 | |
Well, it's on with the next performing prisoner act. | 0:11:03 | 0:11:06 | |
-They're so excited... -SNORING | 0:11:06 | 0:11:08 | |
LAUGHTER | 0:11:08 | 0:11:09 | |
Sorry, jailers and jailbirds. Who is it? Oh, yes! | 0:11:09 | 0:11:12 | |
It's voodoo, hoodoo-voodoo, you-do-voodoo, with Voodoo Unicycles! | 0:11:12 | 0:11:16 | |
CHEERING AND APPLAUSE | 0:11:16 | 0:11:19 | |
MUSIC | 0:11:28 | 0:11:30 | |
CHEERING AND APPLAUSE | 0:11:44 | 0:11:47 | |
CHEERING | 0:11:58 | 0:12:01 | |
CHEERING | 0:12:14 | 0:12:16 | |
CHEERING | 0:12:20 | 0:12:22 | |
RHYTHMIC CLAPPING | 0:12:33 | 0:12:36 | |
CHEERING AND APPLAUSE | 0:12:57 | 0:13:00 | |
CHEERING AND APPLAUSE | 0:13:05 | 0:13:07 | |
Let's find out what you thought of them, with Mr Burgess. Yeah! | 0:13:11 | 0:13:15 | |
Voodoo Unicycles, there. One wheel better than two, Sir? | 0:13:15 | 0:13:19 | |
Well, I liked the high jumps and the tricks. I thought it was awesome. | 0:13:19 | 0:13:23 | |
What made it awesome for you? | 0:13:23 | 0:13:25 | |
Well, I liked when they jumped from that high platform and jumped all the way down. | 0:13:25 | 0:13:31 | |
-Daredevil stuff? -Yeah. | 0:13:31 | 0:13:34 | |
What did you think of Voodoo Unicycles? | 0:13:34 | 0:13:36 | |
I think it was really good and fantastic. | 0:13:36 | 0:13:39 | |
Aah. | 0:13:39 | 0:13:41 | |
-Boo! -Aargh! | 0:13:41 | 0:13:43 | |
-Don't go to sleep. -I'm not going to sleep. -You better not. | 0:13:43 | 0:13:46 | |
I'm not. I wouldn't dare. | 0:13:46 | 0:13:49 | |
-Right, fill me in. -Well, I thought they were quite good, | 0:13:49 | 0:13:52 | |
but they could have used a little bit more work. | 0:13:52 | 0:13:55 | |
Also, um, when that one over there, I don't know his name... | 0:13:55 | 0:13:59 | |
I don't know his name either. That one. | 0:13:59 | 0:14:02 | |
..when he was up there, | 0:14:02 | 0:14:04 | |
he was quite nervous and you could see him shaking. | 0:14:04 | 0:14:07 | |
Maybe he can work on that. | 0:14:07 | 0:14:09 | |
You know, it actually needed a lot more work, I would say, personally. | 0:14:09 | 0:14:15 | |
-Maybe they could put some bungee jumping in. -You get all that? | 0:14:15 | 0:14:21 | |
Can you get some bungee jumping into it? | 0:14:21 | 0:14:24 | |
If you'd like to sum that act up for me in one word, Sir? | 0:14:24 | 0:14:27 | |
Slow-tastic. | 0:14:27 | 0:14:28 | |
Slow-tastic, Sir. Interesting! | 0:14:28 | 0:14:31 | |
Oh, I'm staying awake, just! | 0:14:31 | 0:14:33 | |
Right, it's time for the act we call Solitary Confinement. | 0:14:33 | 0:14:37 | |
CHEERING | 0:14:39 | 0:14:41 | |
These are the acts we keep down in the cell. | 0:14:41 | 0:14:43 | |
If they do well, we allow them a little treat. | 0:14:43 | 0:14:45 | |
If they don't perform well, it's back in their cell. | 0:14:45 | 0:14:49 | |
Today, the treat is, we've got them a lovely bowl of fresh, juicy plums. | 0:14:49 | 0:14:54 | |
Lovely plums. Mmm! | 0:14:54 | 0:14:56 | |
But, if they don't do well, they have a cruel and unusual punishment. | 0:14:56 | 0:15:00 | |
Mr Burgess! | 0:15:00 | 0:15:01 | |
-Sir! -What is today's cruel and unusual punishment? | 0:15:01 | 0:15:05 | |
Today's is being dangled over a pit of snapping crocodiles, | 0:15:05 | 0:15:10 | |
whilst doing their eight times table until they get it right, sir. | 0:15:10 | 0:15:13 | |
-Oh! We need a judge, Mr Burgess. -What about you, sir? | 0:15:13 | 0:15:17 | |
-Step this way, sir. -Give him a round of applause. | 0:15:17 | 0:15:19 | |
APPLAUSE | 0:15:19 | 0:15:21 | |
-What's your name? -Connor. -You're the judge, Connor. | 0:15:21 | 0:15:23 | |
It's time now for Solitary Confinement. | 0:15:23 | 0:15:27 | |
MUSIC | 0:15:27 | 0:15:29 | |
THUNDERCLAP | 0:15:32 | 0:15:34 | |
This is X-Ray Ray! | 0:15:39 | 0:15:42 | |
WHOOPING | 0:15:42 | 0:15:43 | |
Using only the power of his mind juice, | 0:15:45 | 0:15:48 | |
Ray will complete this wooden puzzle totally blindfolded. | 0:15:48 | 0:15:53 | |
DANCE MUSIC | 0:15:53 | 0:15:55 | |
You said you could do it! | 0:16:24 | 0:16:26 | |
BOOING | 0:16:30 | 0:16:32 | |
Oh dear, oh dear. | 0:16:32 | 0:16:34 | |
It's for you to decide. Remember, thumbs up, nice, juicy plums. | 0:16:36 | 0:16:40 | |
Thumbs down, snappy old sums. | 0:16:40 | 0:16:43 | |
Your time starts now. | 0:16:43 | 0:16:46 | |
What's it going to be? Show me, show me! Oh, it's down! | 0:16:46 | 0:16:49 | |
Oh! Take him back! I don't know! | 0:16:49 | 0:16:51 | |
BOOING | 0:16:51 | 0:16:54 | |
Connor, give him a round of applause for being the judge. Thank you. | 0:16:54 | 0:16:58 | |
CHEERING AND APPLAUSE | 0:16:58 | 0:17:00 | |
'Two eights sixteen, then three... Ow! Sorry! Two! Ah! Whoo! Ah!' | 0:17:01 | 0:17:05 | |
SNAPPING AND SHRIEKING | 0:17:05 | 0:17:07 | |
BURP | 0:17:08 | 0:17:10 | |
Jailers and jailbirds, it's time for our next performing prisoner, | 0:17:10 | 0:17:14 | |
if I can stay awake long enough. | 0:17:14 | 0:17:16 | |
He's called Sir Wheel. Yeah! | 0:17:16 | 0:17:19 | |
APPLAUSE | 0:17:19 | 0:17:22 | |
TECHNO MUSIC | 0:17:26 | 0:17:28 | |
CHEERING AND APPLAUSE | 0:17:32 | 0:17:34 | |
CHEERING AND APPLAUSE | 0:19:14 | 0:19:15 | |
Uncle! | 0:19:19 | 0:19:21 | |
HE GAGS | 0:19:22 | 0:19:24 | |
Sir Wheel, there. | 0:19:24 | 0:19:27 | |
The Governor's just doing something, so... | 0:19:27 | 0:19:31 | |
So let's see what you thought with Mr Burgess. | 0:19:31 | 0:19:34 | |
Oh, that's me. I'll go over here. | 0:19:35 | 0:19:38 | |
Right. Sir Wheel. Was it wheely good? | 0:19:38 | 0:19:43 | |
I thought it was amazing and fantastic when he was so close to the ground and how he stayed on. | 0:19:43 | 0:19:48 | |
On a more important point, of course, | 0:19:48 | 0:19:50 | |
should he be released back into showbiz society? | 0:19:50 | 0:19:53 | |
-Yeah. -Why? | 0:19:53 | 0:19:54 | |
Because, um, it was so good. | 0:19:54 | 0:19:56 | |
What did you make of that, Miss? | 0:19:57 | 0:19:59 | |
I think the things he done with the hoop was really excellent. | 0:19:59 | 0:20:03 | |
I can't even do hula-hooping. | 0:20:03 | 0:20:05 | |
You can't even do hula-hooping? | 0:20:05 | 0:20:07 | |
Have you got something to say, madam? | 0:20:07 | 0:20:10 | |
What's with the shades? | 0:20:10 | 0:20:11 | |
LAUGHTER | 0:20:11 | 0:20:13 | |
Yeah! What's with the shades? Why do you wear them sunglasses, lad? | 0:20:13 | 0:20:17 | |
Blinded by the lights, are we? | 0:20:17 | 0:20:19 | |
-Sum that act up in one word, sir. -Anti-gravitational. | 0:20:20 | 0:20:23 | |
Anti-gravitational, sir! | 0:20:23 | 0:20:26 | |
Now have we got an act for you! Have we? Yes. Oh. | 0:20:30 | 0:20:33 | |
It's Urban Edge MCs! | 0:20:33 | 0:20:35 | |
We're going to do some freestyle rapping for you. | 0:20:46 | 0:20:49 | |
Nothing has been prepared whatsoever. | 0:20:49 | 0:20:51 | |
We're going to make everything up on the spot and put it into this rap, OK? | 0:20:51 | 0:20:55 | |
Give us a random word to use in this rap, | 0:20:55 | 0:20:57 | |
stick your hand up. We're going to start over here. | 0:20:57 | 0:21:00 | |
-What random word have you got? -Macaroni. -OK. That's a deep word. | 0:21:00 | 0:21:04 | |
-OK. Give us a word. -Chicken. -Chicken. -Macaroni, chicken. | 0:21:04 | 0:21:09 | |
-What word have you got? -Potato. -Potato that's a great word. | 0:21:09 | 0:21:12 | |
-R2-D2. -R2-D2. -Cheese. -Cheese. -Terrific. -Terrific. | 0:21:13 | 0:21:20 | |
-Wise. -Wise. Excellent. | 0:21:20 | 0:21:22 | |
-OK, everyone. Here we go. -Tomato. -Tomato. That's the last word. | 0:21:22 | 0:21:26 | |
OK. All right, you ready for the freestyle? CHEERING | 0:21:26 | 0:21:31 | |
Let's do this! Whoo! | 0:21:31 | 0:21:33 | |
-BOTH: When we say free, you say style. Free. -Style! -Free. -Style! | 0:21:33 | 0:21:39 | |
Nice to meet you. Testament. You don't know me. | 0:21:39 | 0:21:42 | |
This is Jack Flash and D, the one and only. | 0:21:42 | 0:21:44 | |
Of course we have the flows team, yo. | 0:21:44 | 0:21:46 | |
It's kind of funky like hungry macaroni. | 0:21:46 | 0:21:49 | |
Yo! Boys and girls, men and women. | 0:21:49 | 0:21:51 | |
This is where we start and it's right at the beginning. | 0:21:51 | 0:21:54 | |
You can guarantee when I'm on stage I am winning. | 0:21:54 | 0:21:57 | |
And I eat my competition like it was chicken. | 0:21:57 | 0:21:59 | |
Yo, I have to go. I've got the hardest flow. Yo, right to the top, like a potato. | 0:21:59 | 0:22:04 | |
Competition, I don't see you. Rise to the occasion, I guess I need to. | 0:22:04 | 0:22:10 | |
Believe me, because I believe you. | 0:22:10 | 0:22:13 | |
I could even bust the robot, R2-D2. | 0:22:13 | 0:22:15 | |
I'm R2-D2 and I know the robotics. | 0:22:15 | 0:22:18 | |
This is freestyle, I'm not an apologist. | 0:22:18 | 0:22:21 | |
Pay attention to my knowledge. Freestyle with D. | 0:22:21 | 0:22:24 | |
Urban MCs yes, believe, I am the big cheese. | 0:22:24 | 0:22:26 | |
Yes, and I know, and I've got to bust the lyric. | 0:22:26 | 0:22:28 | |
You said all the words so it has to be specific. | 0:22:28 | 0:22:31 | |
I know that you want it so I had to come and give it. | 0:22:31 | 0:22:33 | |
And after this you say that my rhyming style's terrific. | 0:22:33 | 0:22:36 | |
We never do crime. Yes indeed, we are the funkiest guys. | 0:22:36 | 0:22:41 | |
Use some knowledge, hopefully I'm wise. | 0:22:41 | 0:22:44 | |
Whether you're a northerner or you're a southerner, | 0:22:44 | 0:22:47 | |
check him, he's asleep - wake up, Governor! | 0:22:47 | 0:22:50 | |
Stop right now, I've got a hard flow and I squash rappers like a tomato. | 0:22:50 | 0:22:55 | |
-BOTH: When we say free, you say style. Free. -Style! -Free. -Style! | 0:22:55 | 0:23:00 | |
Of course we spitting, yo, we living it large. | 0:23:00 | 0:23:03 | |
Be quiet for the Governor. Touch it, mister guard. | 0:23:03 | 0:23:05 | |
Of course a freestyle, higher to the treetops, hold on for a second, | 0:23:05 | 0:23:08 | |
I might just beatbox. | 0:23:08 | 0:23:11 | |
BEATBOXING | 0:23:11 | 0:23:13 | |
Yo, my name is Jack Flash, we are about to finish here. | 0:23:13 | 0:23:16 | |
When we step off the stage we disappear. | 0:23:17 | 0:23:20 | |
Testament the beatbox, he break it down. | 0:23:20 | 0:23:22 | |
We about to finish there, so we take a bow. | 0:23:22 | 0:23:25 | |
CHEERING AND APPLAUSE | 0:23:25 | 0:23:27 | |
That's my cue! | 0:23:33 | 0:23:34 | |
I'm now getting the urges to find out what you think with Mr Burgess. | 0:23:34 | 0:23:38 | |
Oh yeah! | 0:23:38 | 0:23:40 | |
Urban Edge MCs, there. What did you think of that? | 0:23:40 | 0:23:44 | |
Fascinating and intriguing. They would definitely get my vote. | 0:23:44 | 0:23:48 | |
What did you think of that performance? | 0:23:48 | 0:23:52 | |
I think it was cool and extremely talented. | 0:23:52 | 0:23:57 | |
-Is it the kind of thing you can do, madam? Rapping there? -No! | 0:23:57 | 0:24:00 | |
I'm not asking you any more. What about you, Miss? What did you make of Urban Edge MCs, there? | 0:24:00 | 0:24:06 | |
-I thought it was brilliant. -Do you want a rewind? | 0:24:06 | 0:24:09 | |
Do you get me? LAUGHTER | 0:24:10 | 0:24:12 | |
Did you like that act? Urban Edge MCs? | 0:24:12 | 0:24:14 | |
I think it was quite good because we gave them some words | 0:24:14 | 0:24:17 | |
and they managed to put it in a rap. | 0:24:17 | 0:24:19 | |
-Yeah. Could you put a word in a rap? -No. | 0:24:19 | 0:24:22 | |
-I like to put chicken and peppers and some nice sauce in a wrap. -LAUGHTER | 0:24:22 | 0:24:27 | |
-One final word. Sum that act up for me, sir. -Rappertalento. | 0:24:28 | 0:24:31 | |
Rappertalento, sir! | 0:24:31 | 0:24:33 | |
It's time to decide who goes free. Let's welcome them all back on stage. | 0:24:33 | 0:24:37 | |
Yes! Micro Jackson and his monkey. The Voodoo Unicycles, they're there. | 0:24:37 | 0:24:43 | |
Sir Wheel and Urban Edge MCs. | 0:24:45 | 0:24:47 | |
It will be decided with this, Gimbert's all-patented clapometer. | 0:24:47 | 0:24:52 | |
You make the noise, it turns it into points. The highest points go free. | 0:24:52 | 0:24:56 | |
Who's it going to be? First out, never seen an act like this before. | 0:24:56 | 0:25:00 | |
Would you please make some noise for Micro Jackson and his monkey! | 0:25:00 | 0:25:04 | |
SCREAMING AND APPLAUSE | 0:25:04 | 0:25:06 | |
What a fabulous score. Well done. 93.8. | 0:25:12 | 0:25:14 | |
He could be going free. | 0:25:15 | 0:25:17 | |
The next performing prisoners were very jumpy, very bouncy. They were the Voodoo Unicycles. | 0:25:17 | 0:25:22 | |
SCREAMING AND APPLAUSE | 0:25:23 | 0:25:25 | |
Oh, lads! Lads, you're going to be staying in for supper. | 0:25:29 | 0:25:32 | |
It's a great score. To get in the nineties is really good. | 0:25:33 | 0:25:36 | |
I've never seen an act like this one before. So original. | 0:25:36 | 0:25:40 | |
Round and round he went. It was Sir Wheel. | 0:25:40 | 0:25:44 | |
SCREAMING AND APPLAUSE | 0:25:44 | 0:25:45 | |
Another ninety. You're right there, Gimbert. 90.6. | 0:25:50 | 0:25:52 | |
Still in the lead, ahead of Voodoo Unicycles, it's Micro Jackson. | 0:25:52 | 0:25:56 | |
Just one performing prisoner act can go free. | 0:25:56 | 0:25:59 | |
Jailers and jailbirds, make your noise known for the Urban Edge MCs. | 0:25:59 | 0:26:05 | |
SCREAMING AND APPLAUSE | 0:26:05 | 0:26:08 | |
It's close. It's so close I don't believe. 93.2. Just in the lead. | 0:26:12 | 0:26:17 | |
Oh, lads. Micro Jackson, you're going free. | 0:26:17 | 0:26:20 | |
Off you go, lads. | 0:26:22 | 0:26:24 | |
-Give him a big cheer, jailers and jailbirds. Give them a big cheer. -SCREAMING AND APPLAUSE | 0:26:24 | 0:26:30 | |
It was very close, lads, but it means you are staying with us. | 0:26:30 | 0:26:35 | |
The good news is you're just in time for tea. | 0:26:35 | 0:26:37 | |
-Mr Burgess. -Yes, I'm just on the phone to the kitchen now. | 0:26:37 | 0:26:41 | |
I'm with chef now. | 0:26:41 | 0:26:43 | |
Sounds delicious, chef. I can smell it from here. Lovely. | 0:26:43 | 0:26:47 | |
-Thank you. -What is it? -Sloppy ploppy porridge, sir. -Oh! | 0:26:47 | 0:26:51 | |
Take them to the cells. Give them a big cheer. | 0:26:51 | 0:26:53 | |
And a round of applause. | 0:26:53 | 0:26:55 | |
Off you go. Great competition. Well done, lads. | 0:26:55 | 0:26:58 | |
There they are. Remember those very important words. | 0:27:00 | 0:27:03 | |
If you can't sing, dance or rhyme... | 0:27:03 | 0:27:06 | |
AUDIENCE: Don't do the crime! | 0:27:06 | 0:27:09 | |
Tatty-bye, everybody! Tatty-bye! | 0:27:09 | 0:27:13 | |
# That's the only way you'll ever leave the Slammer! # | 0:27:17 | 0:27:21 | |
-So, did we pass the inspection? -With flying colours, sir. | 0:27:22 | 0:27:25 | |
-Fantastic! -You were awarded Governor of the Century, sir. | 0:27:25 | 0:27:29 | |
-Wow! -And Gimbert won a lifetime achievement prize. | 0:27:29 | 0:27:33 | |
-Gimbert? -Hm. | 0:27:33 | 0:27:37 | |
Oh, hang on a minute. | 0:27:37 | 0:27:39 | |
-This is a dream, isn't it? -Indeed it is, sir. | 0:27:39 | 0:27:42 | |
Aah! So, did we pass the inspection? | 0:27:42 | 0:27:46 | |
EVIL LAUGH | 0:27:48 | 0:27:51 | |
Aaah! Oh! Uh! | 0:27:51 | 0:27:53 | |
Oh. Ah! | 0:27:55 | 0:27:56 | |
It was just a dream. | 0:27:56 | 0:27:58 | |
KLAXON SOUNDS | 0:27:58 | 0:27:59 | |
HE SCREAMS | 0:27:59 | 0:28:01 |