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# You've been found guilty of a howling showbiz crime | 0:00:03 | 0:00:08 | |
# So welcome to The Slammer where you're gonna serve your time | 0:00:08 | 0:00:13 | |
# With every type of minstrel, entertainer and artiste | 0:00:13 | 0:00:17 | |
# Performing to the limit to try and get released | 0:00:17 | 0:00:21 | |
# So go and fetch the audience Bring them to The Slammer | 0:00:21 | 0:00:26 | |
# And polish up your act With a bit of glitz and glamour | 0:00:26 | 0:00:30 | |
# Your fate is in their hands So make them cheer and clamour | 0:00:30 | 0:00:34 | |
# It's the only way you'll ever leave The Slammer | 0:00:34 | 0:00:39 | |
# It's the only way you'll ever leave The Slammer! # | 0:00:39 | 0:00:44 | |
Today, I am here for an exclusive interview with Governor Ted Robbins | 0:00:44 | 0:00:48 | |
and senior prison officer Frank Burgess. | 0:00:48 | 0:00:51 | |
Governor, Mr Burgess, thanks for agreeing to this. | 0:00:51 | 0:00:54 | |
It's a great pleasure, Laura, and please call me Ted. | 0:00:54 | 0:00:58 | |
-Thanks, Ted it is. Mr Burgess, may I call you Frank? -No. | 0:00:58 | 0:01:03 | |
OK. So, first question. What makes The Slammer so special? | 0:01:03 | 0:01:06 | |
Well, Laura, I am glad you asked me that, because The Slammer is | 0:01:06 | 0:01:10 | |
a unique institution that's solely for the rehabilitation of | 0:01:10 | 0:01:14 | |
performers who have committed crimes against the world of showbiz. | 0:01:14 | 0:01:17 | |
Does that mean that these entertainers are less | 0:01:17 | 0:01:20 | |
trouble than regular prisoners? | 0:01:20 | 0:01:22 | |
-Well, you see... -Now, hold on, sir. | 0:01:22 | 0:01:24 | |
Let's not forget, these so-called entertainers are | 0:01:24 | 0:01:27 | |
common criminals and require dealing with accordingly. | 0:01:27 | 0:01:31 | |
Yes, Frank is rather old-school. | 0:01:31 | 0:01:33 | |
We do differ in our approach, yes. | 0:01:33 | 0:01:35 | |
I prefer the softly-softly way. | 0:01:35 | 0:01:37 | |
Whereas I prefer them marching in the exercise yard. | 0:01:37 | 0:01:41 | |
Masters of dance, until next time, complete. | 0:03:54 | 0:03:58 | |
-What an act, eh, Frank? -Average, sir. | 0:03:58 | 0:04:00 | |
What were both of you doing before you came | 0:04:00 | 0:04:03 | |
to work here at The Slammer? Ted? | 0:04:03 | 0:04:05 | |
Oh, well, I was a showbiz baby, Laura. I was born in a trunk. | 0:04:05 | 0:04:09 | |
Well, I was born and my parents put me in a trunk. | 0:04:09 | 0:04:12 | |
But I have done the lot. | 0:04:12 | 0:04:13 | |
Juvenile, dancer, comedian, xylophone act, the lot. | 0:04:13 | 0:04:17 | |
Along the way, I have seen many fall by the wayside | 0:04:17 | 0:04:20 | |
and end up in places like The Slammer. | 0:04:20 | 0:04:23 | |
So I thought it was time to give something back | 0:04:23 | 0:04:26 | |
to my fellow performers. | 0:04:26 | 0:04:27 | |
Plus, the hours are good and I have my own sauna. | 0:04:27 | 0:04:30 | |
Mr Burgess, what did you do before The Slammer? | 0:04:30 | 0:04:33 | |
-British Army, 20 years, man and boy, RASC. -Royal Army Service Corps? | 0:04:33 | 0:04:38 | |
No, Run Away, Someone's Coming. | 0:04:38 | 0:04:41 | |
So, have you never dreamt of being in showbiz yourself, Mr Burgess? | 0:04:41 | 0:04:46 | |
I have no ambition in that direction. | 0:04:46 | 0:04:48 | |
For me, it's all about the prison service. | 0:04:48 | 0:04:50 | |
Oh, Frank! I happen to know that he's a brilliant tap dancer. | 0:04:50 | 0:04:54 | |
I don't know what you're talking about. | 0:04:54 | 0:04:56 | |
Our viewers would love to see some tap dancing. | 0:04:56 | 0:04:59 | |
I'd love to see England win the World Cup, but it ain't going to happen. | 0:04:59 | 0:05:03 | |
I tell you what, while we enjoy Micro Jackson | 0:05:03 | 0:05:05 | |
and Theo Dari, Laserman, I will work on Mr Burgess. | 0:05:05 | 0:05:08 | |
See if he can show us his skills. | 0:05:08 | 0:05:10 | |
Come on, get those feet going. | 0:05:10 | 0:05:12 | |
# As he came into the window | 0:05:21 | 0:05:23 | |
# It was the sound of a crescendo | 0:05:23 | 0:05:25 | |
# He came into her apartment | 0:05:25 | 0:05:27 | |
# There were bloodstains on the carpet | 0:05:27 | 0:05:29 | |
# Annie, are you OK? | 0:05:29 | 0:05:31 | |
# Annie, are you OK? Are you OK, Annie? | 0:05:31 | 0:05:33 | |
# Annie, are you OK? Annie, are you OK? | 0:05:33 | 0:05:35 | |
# Are you OK, Annie? | 0:05:35 | 0:05:37 | |
# He came into your apartment | 0:05:37 | 0:05:39 | |
# There were bloodstains on the carpet | 0:05:39 | 0:05:41 | |
# Then you ran into the bedroom | 0:05:41 | 0:05:43 | |
# You were struck down It was your doom | 0:05:43 | 0:05:45 | |
# Annie, are you OK? Annie, are you OK? | 0:05:45 | 0:05:47 | |
# Are you OK, Annie? Annie, are you OK? | 0:05:47 | 0:05:51 | |
# Annie, are you OK? Are you OK, Annie? | 0:05:51 | 0:05:53 | |
# You've been hit by... You've been struck by...a smooth criminal | 0:05:53 | 0:05:57 | |
# You've been hit by... You've been struck by...a smooth criminal. # | 0:06:05 | 0:06:09 | |
Mr Burgess, that was pretty impressive. | 0:08:09 | 0:08:13 | |
-Well, it's a gift, you know. -It's amazing, Frank. | 0:08:13 | 0:08:16 | |
It reminded me of two spectacular acts we had | 0:08:16 | 0:08:18 | |
on The Freedom Show recently. Two Tricky, and Juggling On Tap. | 0:08:18 | 0:08:22 | |
-Marvellous, eh, Frank? -I can take it or leave it, sir. | 0:10:18 | 0:10:22 | |
One criticism levelled at The Slammer is its security issues. | 0:10:22 | 0:10:26 | |
Recently, you've had a few escapes. | 0:10:26 | 0:10:28 | |
Well, maybe one or two, yes. | 0:10:28 | 0:10:30 | |
According to my figures, you've had 254 escapes over the past year. | 0:10:30 | 0:10:35 | |
I will admit to one or two security lapses. | 0:10:35 | 0:10:38 | |
But every prison loses a few inmates now and again. | 0:10:38 | 0:10:40 | |
I hear Pentonville is leaking like a sieve. | 0:10:40 | 0:10:43 | |
If I might interject, sir, as the senior prison officer. | 0:10:43 | 0:10:46 | |
I can now reveal that security has been completely tightened, | 0:10:46 | 0:10:51 | |
and it's impossible to escape from The Slammer. | 0:10:51 | 0:10:54 | |
-PHONE RINGS -Get that, Frank. | 0:10:54 | 0:10:55 | |
-What do you mean, someone's escaped? -Give it here. What's that, Gimbert? | 0:10:55 | 0:10:59 | |
Someone nipped out for some biscuits and left the door open? | 0:10:59 | 0:11:03 | |
We lost another six. Get down there, Frank. | 0:11:03 | 0:11:05 | |
I'll sort this out, sir. | 0:11:05 | 0:11:07 | |
Oh, dear, while, Mr Burgess sorts that out, | 0:11:07 | 0:11:10 | |
let's enjoy two more acts from recent Freedom Shows. | 0:11:10 | 0:11:13 | |
Granny Turismo and the Hull Highflyers. | 0:11:13 | 0:11:16 | |
Everything OK, Mr Burgess? | 0:13:17 | 0:13:19 | |
Yes, Frank. Did you manage to recapture those prisoners? | 0:13:19 | 0:13:22 | |
Unfortunately, we've lost three clowns, two jugglers, | 0:13:22 | 0:13:25 | |
and that fellow who does the amusing thing with the parakeet, sir. | 0:13:25 | 0:13:29 | |
I shall miss the parakeets. | 0:13:29 | 0:13:31 | |
Isn't that embarrassing for you, prisoners walking out the door? | 0:13:31 | 0:13:34 | |
I mean, it's frankly outrageous! | 0:13:34 | 0:13:36 | |
I agree with you, Laura, something must be done. | 0:13:36 | 0:13:40 | |
-So I suggest lunch. Pizzas on me? -Oh, just a sec... -Hello, Laudini's? | 0:13:40 | 0:13:44 | |
Governor from The Slammer, here. | 0:13:44 | 0:13:46 | |
Can I have two extra large pepperoni pizzas? | 0:13:46 | 0:13:48 | |
What about you, Frank? | 0:13:48 | 0:13:50 | |
I will have my usual, the Jardiniere, garlic bread on the side. | 0:13:50 | 0:13:53 | |
Thanks, ten minutes? Great. | 0:13:53 | 0:13:55 | |
I can't believe you ordered pizza in the middle of my interview. | 0:13:55 | 0:13:58 | |
It's all right, they deliver. While we wait, let's enjoy | 0:13:58 | 0:14:01 | |
some more marvellous performances from the Freedom Show. | 0:14:01 | 0:14:05 | |
Oh, what about your dough balls, sir? | 0:14:05 | 0:14:08 | |
We have to finish my act off. What will you do for us? | 0:15:47 | 0:15:50 | |
-We're going to sing a song. -A song? | 0:15:50 | 0:15:53 | |
-Yeah. -Are you going to do it? -Oh, yeah. -Yeah? -Yeah. -Yeah. -Yeah. -Yeah. | 0:15:53 | 0:15:58 | |
-Are you both singing? -Yes, it's a duet. -It's a duet? -Yeah. -Yeah. | 0:15:58 | 0:16:03 | |
-So, you're singing together? -Yeah. -Yeah. -Yeah? | 0:16:03 | 0:16:05 | |
I will count to three, and you two can take it away with a song. | 0:16:05 | 0:16:09 | |
-So, here we go. One. Two. -# I like to move it, move it | 0:16:09 | 0:16:13 | |
# I like to move it, move it. # | 0:16:13 | 0:16:15 | |
Eh? | 0:16:15 | 0:16:18 | |
-Wait a minute. Did I count to three? -No, you didn't. -I didn't, did I? | 0:16:18 | 0:16:22 | |
I'm sorry, that's the end of the act now. | 0:16:22 | 0:16:26 | |
-Oh. I want a go. -You want a go? -I want to do a solo. -All right. | 0:16:26 | 0:16:31 | |
-So, one. Two. Three. -Yes! | 0:16:31 | 0:16:35 | |
# I'm a little teapot Short and stout | 0:16:35 | 0:16:38 | |
# Here is my handle | 0:16:40 | 0:16:42 | |
-# And here is my spout... # -Yes. | 0:16:42 | 0:16:48 | |
# ..When the kettle is boiling Hear me shout | 0:16:48 | 0:16:52 | |
# Lift me up and pour meeeeeeeeeeee... | 0:16:52 | 0:16:59 | |
# Eeeh... # | 0:16:59 | 0:17:03 | |
-# Out! # -Hey! He did it again. | 0:17:03 | 0:17:06 | |
Give him a nice big round of applause. | 0:17:06 | 0:17:09 | |
It's me, it's the Governor. | 0:18:22 | 0:18:25 | |
On the show, we see the official face of Governor Ted Robbins, | 0:18:25 | 0:18:29 | |
and senior prison officer Frank Burgess. | 0:18:29 | 0:18:32 | |
But what do you both like to do to relax? Ted. | 0:18:32 | 0:18:34 | |
Well, Laura, I am a big fan of a night in, | 0:18:34 | 0:18:37 | |
in front of the telly, with the wife. | 0:18:37 | 0:18:39 | |
In fact, I prefer it if the telly is in front of the wife. | 0:18:39 | 0:18:42 | |
As you can probably see why. Still, she's good to the kids. | 0:18:42 | 0:18:46 | |
And, how about you, Mr Burgess? | 0:18:46 | 0:18:48 | |
What do you like to do on a night off? | 0:18:48 | 0:18:50 | |
And is there a Mrs Burgess? | 0:18:50 | 0:18:51 | |
Yes, there certainly is, the lovely Marjorie. | 0:18:51 | 0:18:55 | |
She's got everything a man could want. | 0:18:55 | 0:18:57 | |
Strong arms, big feet, luxuriant moustache. | 0:18:57 | 0:19:00 | |
And do your wives have any favourite acts? | 0:19:00 | 0:19:03 | |
Marjorie is partial to a bit of Paul Burling. | 0:19:03 | 0:19:06 | |
Oh, yes, and my wife likes head-butting tractor tyres, | 0:19:06 | 0:19:08 | |
-and Team Kinetics. -Very nice. | 0:19:08 | 0:19:11 | |
Now, if I say these names to you, all right? | 0:20:09 | 0:20:11 | |
Let's try and think of the cartoon. Fred, Daphne, Velma, who is it? | 0:20:11 | 0:20:18 | |
Scooby Doo! | 0:20:18 | 0:20:20 | |
-AS SHAGGY: -Scooby Doo, where are you?! | 0:20:20 | 0:20:24 | |
-AS SCOOBY: -Huh? | 0:20:24 | 0:20:28 | |
Raggie! | 0:20:28 | 0:20:30 | |
Raggie! Uh, uh, uh, uh. | 0:20:30 | 0:20:34 | |
Scooby snack, hee-hee-hee-hee-hee. | 0:20:34 | 0:20:37 | |
Scooby Dooby Doo! | 0:20:37 | 0:20:42 | |
Well, I have to say that this next | 0:20:46 | 0:20:48 | |
and final cartoon has got to be my most favourite cartoon of all time. | 0:20:48 | 0:20:52 | |
Here we go. Ready? | 0:20:52 | 0:20:55 | |
-AS MARGE: -Homie, Homie! You know I love you, honey. | 0:20:55 | 0:21:01 | |
-AS HOMER: -But, Marge, I love doughnuts. | 0:21:01 | 0:21:04 | |
Sweet doughnuts. Is there nothing they can't do? | 0:21:08 | 0:21:12 | |
-Doh! Bart, why, you little...! -AS BART: -Hey, eat my shorts, man. | 0:21:12 | 0:21:15 | |
-Look who's on telly, dude. -AS KRUSTY: -Heh, heh, heh! Hi, kids, | 0:21:15 | 0:21:18 | |
it's old Krusty the Clown. Hoo-ha-ha! | 0:21:18 | 0:21:22 | |
-AS MR BURNS: -Excellent, Smithers. Who's that man? | 0:21:23 | 0:21:28 | |
-AS SMITHERS: -That's Simpson, sir. | 0:21:28 | 0:21:30 | |
-AS BARNEY: -Hi, Homer! -HE BELCHES | 0:21:30 | 0:21:34 | |
-AS NELSON: -Ha-ha! -AS APU: -Thank you. Call again. | 0:21:34 | 0:21:38 | |
And all I can say is, "Ibdi-ib-ib-ib that's all, folks!" | 0:21:38 | 0:21:42 | |
OK, another question for you. | 0:21:46 | 0:21:48 | |
-Have there ever been any...? -KNOCK ON DOOR | 0:21:48 | 0:21:50 | |
Oh, that'll be the pizza. Sort this out, will you? | 0:21:50 | 0:21:52 | |
-I haven't got my wallet, sir. -I haven't either. | 0:21:52 | 0:21:55 | |
Laura, could you do the honours? 30 quid should do it. | 0:21:55 | 0:21:59 | |
-Thanks, Frank. -There you go, sir. | 0:21:59 | 0:22:01 | |
Right, OK, next question. | 0:22:01 | 0:22:04 | |
What advice do you have for anyone watching who wants a career | 0:22:04 | 0:22:07 | |
working in a prison for entertainers? Ted? | 0:22:07 | 0:22:10 | |
First of all, put on a great weekly Freedom Show. | 0:22:10 | 0:22:12 | |
A bit of stand-up comedy. Join a holiday camp, perhaps. | 0:22:12 | 0:22:16 | |
Do a spot of Cabaret, up Blackpool way. Marvellous. | 0:22:16 | 0:22:20 | |
-And, Mr Burgess, how about you? -It all comes down to shouting, really. | 0:22:20 | 0:22:24 | |
-Yes, it's all in the voice. -And could you give us a blast of the voice? | 0:22:24 | 0:22:28 | |
Certainly, Miss... STAND UP! | 0:22:28 | 0:22:30 | |
-GLASS SMASHES -Good, isn't he? | 0:22:30 | 0:22:32 | |
I will tell you another act that was good. Team Extreme. | 0:22:32 | 0:22:36 | |
OK, here's an interesting question. | 0:23:36 | 0:23:38 | |
You work together all day, every day, in this enclosed environment. | 0:23:38 | 0:23:42 | |
If you could change one thing about each other, what would it be? | 0:23:42 | 0:23:46 | |
-Mr Burgess? -With respect, sir, I wish you'd be a bit more strict | 0:23:46 | 0:23:49 | |
-with the prisoners. -Oh, OK. I have to admit, | 0:23:49 | 0:23:53 | |
I do find the whole punishment side of prison rather difficult, Laura. | 0:23:53 | 0:23:58 | |
I'm a lover, not a fighter. That's just me. | 0:23:58 | 0:24:01 | |
OK, Ted, same question. If you could change | 0:24:01 | 0:24:03 | |
one thing about Mr Burgess, what would it be? | 0:24:03 | 0:24:06 | |
-Well, that's easy. The smelly feet. -I do not have smelly feet, sir. | 0:24:06 | 0:24:10 | |
-Yes, you do. They're well stinky. -They are not well stinky, sir. | 0:24:10 | 0:24:14 | |
Yes, they are. They smell like a gorilla's bottom. | 0:24:14 | 0:24:17 | |
Well, I have never been so insulted. I am off. | 0:24:17 | 0:24:20 | |
Well, your feet certainly are. Ha-ha! | 0:24:20 | 0:24:22 | |
-DOOR SLAMS -Oh, dear. | 0:24:22 | 0:24:23 | |
Don't mind Mr Burgess. He's a little bit sensitive at times. | 0:24:23 | 0:24:26 | |
Right, well, changing the subject from Mr Burgess's feet, | 0:24:26 | 0:24:29 | |
Ted, do you have a favourite recent act? | 0:24:29 | 0:24:32 | |
There's been so many wonderful Freedom Show acts, | 0:24:32 | 0:24:35 | |
but one that really comes to mind, yes, The World's Greatest Liar. | 0:24:35 | 0:24:39 | |
Hello, ladies and gentlemen. My name is Hugo Tenderhorn, | 0:24:39 | 0:24:43 | |
and I am The World's Greatest Liar. | 0:24:43 | 0:24:46 | |
ALL: Ooh! | 0:24:46 | 0:24:48 | |
I was raised by Pygmy monks in Hartlepool. | 0:24:48 | 0:24:52 | |
And I'm proud of the fact that I'm the identical | 0:24:52 | 0:24:56 | |
twin brother of Justin Bieber. | 0:24:56 | 0:24:58 | |
Now then, the way it works today is that you ask me a question, | 0:25:01 | 0:25:04 | |
and I give you the greatest lie you've ever heard. | 0:25:04 | 0:25:07 | |
But, obviously, it's going to take a few seconds for you | 0:25:07 | 0:25:10 | |
to decipher what question to ask me. | 0:25:10 | 0:25:12 | |
So, in the meantime, | 0:25:12 | 0:25:14 | |
I shall give you my award-winning dance from the 2010 | 0:25:14 | 0:25:18 | |
Online Robotic Dance Championships, | 0:25:18 | 0:25:22 | |
where I competed against over 14 million competitors. | 0:25:22 | 0:25:27 | |
-First question, please. -Why is the sky blue? -Why is the sky blue? | 0:25:35 | 0:25:41 | |
That's an excellent question. Why is the sky blue? The answer is... | 0:25:41 | 0:25:45 | |
because Darren Warns, who painted it, couldn't spell yellow. | 0:25:45 | 0:25:50 | |
What's my mum's middle name? | 0:25:55 | 0:25:58 | |
What's this young lady's mother's middle name? The answer is... | 0:25:58 | 0:26:02 | |
Derek von Stroodlehooman. | 0:26:02 | 0:26:04 | |
-What shampoo do you use? -A very good question again. | 0:26:11 | 0:26:14 | |
What shampoo do I use? The answer is...I don't, I am bald. | 0:26:14 | 0:26:20 | |
One of my personal favourites there. | 0:26:26 | 0:26:28 | |
And, may I also say, Mr Burgess, Frank, | 0:26:28 | 0:26:31 | |
that I am glad you're back, | 0:26:31 | 0:26:32 | |
and I am sorry about my earlier comments regarding your stinky feet. | 0:26:32 | 0:26:37 | |
Well, apology accepted, sir, but it was rather hurtful at the time. | 0:26:37 | 0:26:42 | |
-Oh, good. Come here, give us a hug, you big lummox. -Not now, sir. | 0:26:42 | 0:26:46 | |
Oh, come on, Frank, yeah. | 0:26:46 | 0:26:48 | |
OK. I have got a final question for you both. | 0:26:51 | 0:26:54 | |
You're meant to be running a prison, | 0:26:54 | 0:26:56 | |
but today, I've seen you let a load of prisoners escape, | 0:26:56 | 0:26:59 | |
order pizza and make me pay for it, do a bit of tap dancing, | 0:26:59 | 0:27:02 | |
and generally muck around. In today's harsh economic climate, | 0:27:02 | 0:27:06 | |
do you think we'd all be better off if The Slammer got shut down? | 0:27:06 | 0:27:10 | |
-What, shut down the slammer?! -That's an outrageous suggestion. | 0:27:10 | 0:27:14 | |
All the poor showbiz criminals would have nowhere to go for proper | 0:27:14 | 0:27:18 | |
rehabilitation. | 0:27:18 | 0:27:19 | |
This so-called prison is a chaotic mess. | 0:27:19 | 0:27:22 | |
It's a complete joke. You both deserve the boot. | 0:27:22 | 0:27:24 | |
Right, I have had enough of this. This interview is over. | 0:27:24 | 0:27:28 | |
For once, sir, I agree with you. Right, up you get. | 0:27:28 | 0:27:31 | |
-I'll get the camera. Go on, get her out of here. -Go on, get out of it. | 0:27:31 | 0:27:36 | |
Take your filters with you. | 0:27:36 | 0:27:38 | |
-Mr Burgess? -Sir! | 0:27:38 | 0:27:40 |