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"The Secret Diary of the Governor, day one. | 0:00:02 | 0:00:05 | |
"Started my new diary." | 0:00:07 | 0:00:09 | |
Er... | 0:00:10 | 0:00:12 | |
"Had some tea. | 0:00:13 | 0:00:14 | |
"And a choccie biccie. | 0:00:17 | 0:00:19 | |
"And remembered the amazing Freedom Show we had today." | 0:00:19 | 0:00:23 | |
"Oh, the sweat... | 0:00:23 | 0:00:24 | |
CHEERING | 0:00:24 | 0:00:26 | |
"..the tears... | 0:00:26 | 0:00:27 | |
"..the turnips! | 0:00:29 | 0:00:31 | |
"Had some more choccie biccie!" | 0:00:36 | 0:00:37 | |
What an action-packed life I lead! | 0:00:39 | 0:00:41 | |
# You've been found guilty of a howling showbiz crime | 0:00:45 | 0:00:50 | |
# So welcome to The Slammer where you're gonna serve your time | 0:00:50 | 0:00:55 | |
# With every type of minstrel, entertainer and artiste | 0:00:55 | 0:00:59 | |
# Performing to the limit to try and get released | 0:00:59 | 0:01:03 | |
# So go and fetch the audience, bring them to The Slammer | 0:01:03 | 0:01:08 | |
# And polish up your act, with a bit of glitz and glamour | 0:01:08 | 0:01:12 | |
# Your fate is in their hands, so make them cheer and clamour | 0:01:12 | 0:01:16 | |
# It's the only way you'll ever leave The Slammer | 0:01:16 | 0:01:21 | |
# It's the only way you'll ever leave The Slammer! # | 0:01:21 | 0:01:24 | |
Meadows! What on Earth's going on?! | 0:01:30 | 0:01:32 | |
New inmate, sir! Her breakfast was one minute late, | 0:01:32 | 0:01:34 | |
so she threw a wobbly. | 0:01:34 | 0:01:35 | |
And the corn flakes! | 0:01:37 | 0:01:38 | |
All right! Stop that, or you're toast! | 0:01:38 | 0:01:42 | |
WAH-WAH | 0:01:44 | 0:01:45 | |
To be perfectly honest, you asked for that, Frank. | 0:01:45 | 0:01:48 | |
I did, sir, yes. | 0:01:48 | 0:01:49 | |
Right, I think she's out of ammo, I'm going in! | 0:01:49 | 0:01:52 | |
OK, hands up! | 0:01:54 | 0:01:55 | |
Da-da-da-daa... | 0:01:58 | 0:02:00 | |
This is her, Guv. | 0:02:00 | 0:02:02 | |
-Da-da-da-daa... -Hilda Baton, | 0:02:02 | 0:02:04 | |
serving three years for taking a bow that didn't belong to her. | 0:02:04 | 0:02:07 | |
She's an all-round pain in the piccolo! | 0:02:07 | 0:02:10 | |
Hilda, hold it! | 0:02:10 | 0:02:12 | |
Hold what exactly? | 0:02:12 | 0:02:13 | |
Your hat? This pot plant? | 0:02:13 | 0:02:16 | |
I'm afraid you'll have to be more specific. | 0:02:16 | 0:02:18 | |
Da-da-da-daa... | 0:02:18 | 0:02:20 | |
See what I mean? | 0:02:20 | 0:02:21 | |
All right, Meadows, let me handle this. | 0:02:21 | 0:02:24 | |
I am, after all, the calm voice of experience. | 0:02:24 | 0:02:27 | |
All right, Baton, have you got a second? | 0:02:27 | 0:02:29 | |
-Of course. -Right. | 0:02:29 | 0:02:31 | |
-You see the thing is... -Da-da-da-daa... -Oi! | 0:02:31 | 0:02:33 | |
You asked for a second. | 0:02:34 | 0:02:36 | |
I believe that was actually 1.5 seconds. You can owe me. | 0:02:36 | 0:02:39 | |
Oh, just one, sir. Just one. | 0:02:39 | 0:02:40 | |
-Da-da-da-daa... -Frank, leave it. | 0:02:40 | 0:02:42 | |
Polish your pepper spray! I'll deal with this. | 0:02:42 | 0:02:45 | |
Now, you are an irritating know-it-all. | 0:02:45 | 0:02:48 | |
-I know. -Precisely! | 0:02:48 | 0:02:49 | |
I think you're the most annoying inmate | 0:02:49 | 0:02:51 | |
we've ever had in The Slammer. | 0:02:51 | 0:02:53 | |
And can I remember Snorting Stevens! | 0:02:53 | 0:02:55 | |
HE SNORTS | 0:02:55 | 0:02:58 | |
Now, for all our sakes, we need for you to be released. | 0:02:58 | 0:03:01 | |
I've chosen three acts for today's Freedom Show. | 0:03:01 | 0:03:03 | |
The fourth act will be you. | 0:03:03 | 0:03:05 | |
And trust me, we'll all be wishing you and your orchestra | 0:03:05 | 0:03:08 | |
the very best of luck! | 0:03:08 | 0:03:10 | |
Now, get rehearsing! | 0:03:10 | 0:03:12 | |
Very well, Governor. | 0:03:12 | 0:03:14 | |
I shall oblige | 0:03:14 | 0:03:15 | |
and perform in your little "show". | 0:03:15 | 0:03:19 | |
But there is one thing. | 0:03:19 | 0:03:21 | |
I don't have an orchestra. | 0:03:21 | 0:03:23 | |
BULLET RICOCHETING | 0:03:23 | 0:03:25 | |
Da-da-da-daa... | 0:03:25 | 0:03:28 | |
ALL: Shut up! | 0:03:28 | 0:03:30 | |
See, Guv, I told you people would be crying out | 0:03:30 | 0:03:32 | |
to join our new Slammer Symphony Orchestra. | 0:03:32 | 0:03:35 | |
Yes, but we've only got a minute | 0:03:35 | 0:03:37 | |
before they realise we've run out of free orange pop! | 0:03:37 | 0:03:39 | |
BATON TAPS AND CLEARS HER THROAT | 0:03:39 | 0:03:41 | |
Where are your instruments? | 0:03:49 | 0:03:51 | |
Ah, yes, about that. | 0:03:52 | 0:03:54 | |
You see, we don't have any actual instruments, | 0:03:54 | 0:03:57 | |
so we thought they could just maybe just, um, mime! | 0:03:57 | 0:04:00 | |
What do you people think this is? | 0:04:00 | 0:04:02 | |
A social club? A holiday camp?! | 0:04:02 | 0:04:04 | |
To be perfectly honest, it can be a bit like a holiday camp, | 0:04:04 | 0:04:07 | |
-can't it Frank? -It can, sir. -Shh! | 0:04:07 | 0:04:09 | |
They are in my orchestra now. And that means two words... | 0:04:09 | 0:04:12 | |
Orange pop? | 0:04:12 | 0:04:14 | |
Hard work. | 0:04:14 | 0:04:15 | |
An orchestra needs... | 0:04:15 | 0:04:17 | |
discipline, timing, control. | 0:04:17 | 0:04:21 | |
They can't create great music by pretending! | 0:04:21 | 0:04:24 | |
So go and find them some real instruments, | 0:04:24 | 0:04:28 | |
or I won't be performing in your show! | 0:04:28 | 0:04:30 | |
Well, don't just stand there gawping! You heard what she said. | 0:04:32 | 0:04:35 | |
Get looking. There must be some old instruments | 0:04:35 | 0:04:37 | |
lying around somewhere. Come on! D'oh! | 0:04:37 | 0:04:39 | |
D'oh! | 0:04:39 | 0:04:40 | |
Oh! | 0:04:40 | 0:04:41 | |
Oh... | 0:04:41 | 0:04:43 | |
Could this be an instrument? | 0:04:48 | 0:04:49 | |
Oh, well, let me have a look, Meadows. | 0:04:49 | 0:04:52 | |
Of course not, you idiot. It's for draining veg! | 0:04:52 | 0:04:55 | |
That's it! | 0:04:58 | 0:05:00 | |
Meadows, you're supposed to be cooking up an orchestra, | 0:05:00 | 0:05:03 | |
not a turnip hash! | 0:05:03 | 0:05:05 | |
In the Academy, they always told us to use our imaginations. | 0:05:05 | 0:05:08 | |
And I'm telling you to use well-worn, humdrum procedure! | 0:05:08 | 0:05:11 | |
The Slammer Vegetable Orchestra?! | 0:05:13 | 0:05:16 | |
HE BLOWS RASPBERRY | 0:05:19 | 0:05:20 | |
And the brilliant thing is, if they play five pieces a day, | 0:05:20 | 0:05:23 | |
it's really good for them! | 0:05:23 | 0:05:25 | |
Well, I suppose it's the only idea we've got. | 0:05:25 | 0:05:27 | |
Just make sure you wash those instruments thoroughly! | 0:05:27 | 0:05:30 | |
Baton's not going to like this! | 0:05:31 | 0:05:33 | |
I'm not going to like what? | 0:05:33 | 0:05:34 | |
ALL: Nothing! | 0:05:34 | 0:05:36 | |
Keep her locked up till the last minute, | 0:05:37 | 0:05:39 | |
and do everything you can to make sure that orchestra sound amazing. | 0:05:39 | 0:05:42 | |
Don't worry, sir, they'll be full of beans. | 0:05:42 | 0:05:44 | |
Runner beans, mainly. | 0:05:44 | 0:05:46 | |
Right, how do I look? | 0:05:46 | 0:05:47 | |
BOTH: Peachy, sir! | 0:05:47 | 0:05:48 | |
Thank you very much. In that case, it's show time! | 0:05:48 | 0:05:51 | |
ANNOUNCER: Ladies and gentlemen, welcome to HMP Slammer, | 0:05:55 | 0:05:58 | |
where you decide which prisoner is to be released. | 0:05:58 | 0:06:01 | |
Now, "peas" welcome your host | 0:06:01 | 0:06:05 | |
with a super-tasty Freedom Show, suitable for vegetarians... | 0:06:05 | 0:06:08 | |
COW MOOS AND GUNSHOT | 0:06:08 | 0:06:10 | |
It's the Governor! | 0:06:10 | 0:06:12 | |
CHEERING AND APPLAUSE | 0:06:12 | 0:06:15 | |
Who's the Governor? | 0:06:28 | 0:06:29 | |
ALL: You're the Governor! | 0:06:29 | 0:06:32 | |
Oh, my little jailors and jailbirds, | 0:06:32 | 0:06:33 | |
it's great to see you for another sensational Freedom Show. | 0:06:33 | 0:06:36 | |
Are you ready for this, yes? | 0:06:36 | 0:06:38 | |
ALL: YES! | 0:06:38 | 0:06:40 | |
We've got performing prisoners, each hoping to earn your vote | 0:06:40 | 0:06:44 | |
and go free at the end of the show. | 0:06:44 | 0:06:46 | |
And what acts we've got for you locked up in the Slammer today. | 0:06:46 | 0:06:49 | |
We've got acts like Amanda Sandow. Woo! | 0:06:49 | 0:06:52 | |
AUDIENCE: Woo! | 0:06:52 | 0:06:54 | |
Very high up. We've got a really fascinating act called Chris Cross. | 0:06:54 | 0:06:58 | |
AUDIENCE: Woo! | 0:06:58 | 0:07:01 | |
And musical madness from The Slammer Vegetable Orchestra! | 0:07:01 | 0:07:05 | |
AUDIENCE: Woo! | 0:07:05 | 0:07:06 | |
But first we've got an act hoping to earn your vote | 0:07:06 | 0:07:09 | |
and go free today. Will they be good enough? | 0:07:09 | 0:07:12 | |
Let's see as we welcome Chris & Wes! | 0:07:12 | 0:07:15 | |
CHEERING | 0:07:15 | 0:07:17 | |
MUSIC: "PYT (Pretty Young Thing)" by Michael Jackson | 0:07:25 | 0:07:28 | |
MUSIC SLOWS | 0:08:21 | 0:08:22 | |
Chris, hold on, hold on! | 0:08:22 | 0:08:24 | |
Hold on! | 0:08:24 | 0:08:25 | |
BANGING AND CRASHING | 0:08:28 | 0:08:30 | |
CAT SNARLS | 0:08:30 | 0:08:32 | |
Woo! | 0:08:32 | 0:08:34 | |
See? | 0:08:34 | 0:08:35 | |
I thought we could show them a different side to Chris & Wes. | 0:08:35 | 0:08:38 | |
MOODY GRIME MUSIC | 0:08:39 | 0:08:42 | |
AUDIENCE CHEERS | 0:08:51 | 0:08:53 | |
CHEERING | 0:09:00 | 0:09:01 | |
MUSIC: "Move Your Feet" by Junior Senior | 0:09:01 | 0:09:05 | |
CHEERING AND APPLAUSE | 0:09:30 | 0:09:33 | |
Well, well! | 0:09:33 | 0:09:34 | |
Oh, hey! Chris & Wes... | 0:09:34 | 0:09:37 | |
Chris & Wes, there. Hey, I could join them. | 0:09:37 | 0:09:39 | |
I could throw a few shapes, couldn't I? | 0:09:39 | 0:09:41 | |
Yeah, mostly circles! | 0:09:41 | 0:09:43 | |
But they were marvellous, weren't they? | 0:09:43 | 0:09:45 | |
But will they be getting hippity-hop going free | 0:09:45 | 0:09:48 | |
or staying for porridge, ploppity-plop? | 0:09:48 | 0:09:51 | |
-Let's find out with Mr Burgess. -Take that hat off, sir. | 0:09:51 | 0:09:55 | |
Well, Chris & Wes. | 0:09:55 | 0:09:57 | |
Good for hanging about shopping centres | 0:09:57 | 0:09:59 | |
or putting on at the London Palladium, sir? | 0:09:59 | 0:10:01 | |
They were fantastic. They were the best dance act I've ever seen. | 0:10:01 | 0:10:05 | |
What did you think of that act, sir? | 0:10:05 | 0:10:06 | |
I think they were hilarious and had awesome moves. | 0:10:06 | 0:10:10 | |
I wish I knew how to do them. | 0:10:10 | 0:10:12 | |
Sum that act up for me in your best dictive voice, sir, now. | 0:10:12 | 0:10:15 | |
-Awesome! -Awesome, sir! | 0:10:15 | 0:10:18 | |
Well, still lots of sensational acts | 0:10:18 | 0:10:20 | |
to come here on the Freedom Show! | 0:10:20 | 0:10:22 | |
AUDIENCE: Woo! | 0:10:22 | 0:10:23 | |
Now, onto our next performing prisoner act, | 0:10:23 | 0:10:26 | |
and before I introduce her, I just want to say one thing - | 0:10:26 | 0:10:29 | |
do not ever try any of what you're about to see at home, all right? | 0:10:29 | 0:10:33 | |
-She's highly trained, she's marvellous... -Hiya, excuse me. | 0:10:33 | 0:10:37 | |
-Can I borrow that? -Yes. -Thanks! | 0:10:37 | 0:10:40 | |
She's serving five years of a "suspended" sentence. | 0:10:40 | 0:10:43 | |
And you'll see why | 0:10:43 | 0:10:45 | |
when you welcome the high-flying antics of Amanda Sandow! | 0:10:45 | 0:10:49 | |
CHEERING AND APPLAUSE | 0:10:49 | 0:10:51 | |
CHEERING | 0:12:33 | 0:12:35 | |
CHEERING AND APPLAUSE | 0:12:51 | 0:12:54 | |
Wow, what a sensational act! | 0:12:58 | 0:13:00 | |
But let me say one thing - | 0:13:00 | 0:13:01 | |
Amanda is a highly-trained acrobat with years of experience. | 0:13:01 | 0:13:05 | |
Don't ever try it. Well, she was sensational, I think you'll agree. | 0:13:05 | 0:13:09 | |
Did she do enough to swing her way out of the Slammer? | 0:13:09 | 0:13:12 | |
Let's find out with Mr Burgess. | 0:13:12 | 0:13:13 | |
Miss, Amanda Sandow, tell us all about it. | 0:13:13 | 0:13:17 | |
-Come on, quick! -She was incredible. | 0:13:17 | 0:13:19 | |
It was so good I'm practically speechless. She was very flexible. | 0:13:19 | 0:13:23 | |
It was amazing. At first I thought it was just going on... | 0:13:23 | 0:13:28 | |
A bit like you. | 0:13:28 | 0:13:29 | |
Thanks (!) | 0:13:29 | 0:13:31 | |
Sir, your views on Amanda Sandow, please. | 0:13:31 | 0:13:33 | |
I've got one question for her, it's three letters - | 0:13:33 | 0:13:37 | |
how? How does she do that? | 0:13:37 | 0:13:38 | |
One final word, sum that act up for me, sir! | 0:13:38 | 0:13:42 | |
-Amazing! -Amazing, sir. | 0:13:42 | 0:13:44 | |
Well, your valued views on Amanda Sandow, there. | 0:13:44 | 0:13:47 | |
So you see Hilda, the only solution was... | 0:13:48 | 0:13:51 | |
vegetables! Ta-daaa! | 0:13:51 | 0:13:54 | |
I think... | 0:13:57 | 0:13:59 | |
..this the most magnificent thing I've ever seen! | 0:14:00 | 0:14:04 | |
Wait until you see your new baton! | 0:14:05 | 0:14:07 | |
-Oh! -Hmm! | 0:14:07 | 0:14:09 | |
This is the part of the Slammer Freedom Show that we call | 0:14:09 | 0:14:12 | |
Solitary Confinement! | 0:14:12 | 0:14:14 | |
SCREAMING | 0:14:16 | 0:14:18 | |
No, Uncle Wilfred, not the pickled eggs! | 0:14:18 | 0:14:21 | |
Yes, the part of the show where we let some of the performing prisoners | 0:14:21 | 0:14:25 | |
that are too naughty to be let out | 0:14:25 | 0:14:26 | |
with all the other prisoners perform. | 0:14:26 | 0:14:28 | |
We give them a chance to have a little go at a show. | 0:14:28 | 0:14:31 | |
If they do well, they get a treat, but if they don't do well, | 0:14:31 | 0:14:34 | |
they get a cruel and unusual punishment. | 0:14:34 | 0:14:36 | |
Now, today, the treat is, if they get the thumbs-up, | 0:14:36 | 0:14:39 | |
they get a nice bottle of eye lotion. | 0:14:39 | 0:14:41 | |
Yeah, quite dusty in the Slammer. Bit of eye lotion, lovely. | 0:14:41 | 0:14:44 | |
But if they don't do well, thumbs down, | 0:14:44 | 0:14:46 | |
it's a cruel and unusual punishment. | 0:14:46 | 0:14:48 | |
-Mr Burgess? -Sir! -What is today's cruel and unusual punishment? | 0:14:48 | 0:14:53 | |
Today, sir, I've simply got written, | 0:14:53 | 0:14:55 | |
"sack", "catapult" and "outer space", sir. | 0:14:55 | 0:14:58 | |
Oh, dear! Well, we need a judge | 0:14:58 | 0:14:59 | |
for the Solitary Confinement act, Mr Burgess. | 0:14:59 | 0:15:02 | |
I think this young lady here looks like she might make | 0:15:02 | 0:15:04 | |
rather a good judge. Up you come, miss. | 0:15:04 | 0:15:06 | |
Round of applause for this young lady, please. | 0:15:06 | 0:15:09 | |
How do you do? Yes, and what is your name, please? | 0:15:09 | 0:15:11 | |
-May. -May, what a lovely name. The month of May. | 0:15:11 | 0:15:14 | |
-We need the Wig of Justice. -The Wig of Justice, sir. | 0:15:14 | 0:15:17 | |
And of course, the Thumb of Fate. | 0:15:17 | 0:15:19 | |
Have you got a thumb? | 0:15:19 | 0:15:20 | |
Hold it up. That's good, yes. | 0:15:20 | 0:15:22 | |
You're going to decide thumbs up or thumbs down, as we meet this | 0:15:22 | 0:15:26 | |
performing prisoner act that we call Solitary Confinement. | 0:15:26 | 0:15:29 | |
They go under the name of Mr Extreme! | 0:15:29 | 0:15:34 | |
I am the man they call Mr Extreme. | 0:15:38 | 0:15:41 | |
Donald Extreme. | 0:15:41 | 0:15:43 | |
I can read minds. | 0:15:43 | 0:15:44 | |
That's very rude, madam. Very rude indeed. | 0:15:45 | 0:15:48 | |
And I can do magic! | 0:15:48 | 0:15:50 | |
Now, you will have seen magicians pull rabbits out of a hat. | 0:15:50 | 0:15:54 | |
But have you ever seen a magician pull hats out of a rabbit? | 0:15:54 | 0:15:58 | |
Meet my assistant, Hoppity. | 0:15:58 | 0:16:00 | |
There was a cloth over my face and I woke up here. | 0:16:00 | 0:16:03 | |
You are about to find out why he is called Hoppity, | 0:16:03 | 0:16:06 | |
as I pull hats from a rabbit! | 0:16:06 | 0:16:09 | |
I feel most unwell. | 0:16:09 | 0:16:11 | |
-Brace yourself, Hoppity. -Why? | 0:16:11 | 0:16:13 | |
SQUELCHING | 0:16:13 | 0:16:14 | |
Oh, you might have warmed your hands! | 0:16:14 | 0:16:16 | |
-Oh! Oh! -Hat number one! | 0:16:16 | 0:16:20 | |
-See what else we can find. -Hat number one?! | 0:16:20 | 0:16:22 | |
-How many hats are there? -More than one. -Oh! | 0:16:22 | 0:16:24 | |
SQUELCHING AUDIENCE: Ewww! | 0:16:24 | 0:16:26 | |
-It's in the ribcage! -Oh, oh! That's my tonsils! Ah! | 0:16:26 | 0:16:30 | |
Christmas has come early! | 0:16:30 | 0:16:32 | |
-And hat number three, finally. -Oh, I like the sound of that. | 0:16:33 | 0:16:36 | |
-It's a crown. -Oh, I don't like the sound of that! | 0:16:36 | 0:16:38 | |
-SQUELCHING -Oh! | 0:16:38 | 0:16:40 | |
Oh, that's spiky! I should have listened to my mum! | 0:16:40 | 0:16:43 | |
She said, "Have a career in cosmetics testing." | 0:16:43 | 0:16:45 | |
Now I have three hats. But where should I put them? | 0:16:45 | 0:16:48 | |
A hat rack! | 0:16:48 | 0:16:50 | |
Oh, ah, ah, ah, ah! | 0:16:50 | 0:16:52 | |
-Oh! -One hat rack. | 0:16:52 | 0:16:54 | |
Three hats. | 0:16:54 | 0:16:56 | |
And one very happy rabbit. | 0:16:56 | 0:16:57 | |
Come on, what do you think? | 0:17:00 | 0:17:03 | |
BOOING | 0:17:03 | 0:17:05 | |
Well, I don't know. There's in solitary confinement, | 0:17:05 | 0:17:08 | |
I sometimes think that's the best place for them. | 0:17:08 | 0:17:10 | |
Well, here's our judge, | 0:17:10 | 0:17:11 | |
and remember, thumbs up - something nice for the eye. | 0:17:11 | 0:17:15 | |
Thumbs down - off to Alpha Centauri. | 0:17:15 | 0:17:18 | |
Here we go, your time starts now. | 0:17:18 | 0:17:20 | |
AUDIENCE: Ohhhh! | 0:17:22 | 0:17:24 | |
Oh, thumbs up! How lovely! | 0:17:26 | 0:17:29 | |
How lovely. Well, very surprising result there. | 0:17:29 | 0:17:32 | |
Give them a round of applause, then. Fair dos, they've won it. | 0:17:32 | 0:17:35 | |
BOOING | 0:17:35 | 0:17:36 | |
Unfortunately, judge, you've got to give the wig back, | 0:17:36 | 0:17:39 | |
but nobody leaves empty-handed, I say, nobody leaves empty handed! | 0:17:39 | 0:17:42 | |
They often wish they did, because they get a lovely signed photo | 0:17:42 | 0:17:46 | |
of the Governor, and what child | 0:17:46 | 0:17:48 | |
wouldn't be thrilled to receive that? | 0:17:48 | 0:17:50 | |
That's for you to take away and a big round of applause | 0:17:50 | 0:17:53 | |
and that's Solitary Confinement! | 0:17:53 | 0:17:56 | |
Well, Mr Burgess, thank you very much indeed. | 0:17:56 | 0:17:58 | |
-Ha! -It's time to carry on now with the rest of the Freedom Show. | 0:17:58 | 0:18:02 | |
Now, jailers and jailbirds, we've got a most unusual act. | 0:18:02 | 0:18:06 | |
He's a sort of escapologist and if you've ever tried to keep | 0:18:06 | 0:18:09 | |
an escapologist in prison, believe you me, it's very difficult. | 0:18:09 | 0:18:13 | |
Would you please welcome him as he tries one more time? | 0:18:13 | 0:18:16 | |
It's Chris Cross! | 0:18:16 | 0:18:18 | |
CHEERING AND APPLAUSE | 0:18:18 | 0:18:21 | |
Boys and girls, that's right, my name is Chris Cross. | 0:18:26 | 0:18:29 | |
I'm a contortionist and escapologist. | 0:18:29 | 0:18:31 | |
AUDIENCE: Woo! | 0:18:31 | 0:18:33 | |
I'm going to show you something really dangerous. | 0:18:33 | 0:18:36 | |
It's a death-defying stunt, boys and girls. | 0:18:36 | 0:18:38 | |
I'm going to stand right here on the platform, | 0:18:38 | 0:18:41 | |
right on top of this trap door right here. | 0:18:41 | 0:18:43 | |
I'm going to be chained up and handcuffed. | 0:18:43 | 0:18:45 | |
Now, if I don't get out of the chains and handcuffs | 0:18:45 | 0:18:47 | |
and jump down onto this crash mat from way up there, | 0:18:47 | 0:18:50 | |
then the trap door opens and I'll plunge | 0:18:50 | 0:18:53 | |
onto these solid steel spikes. | 0:18:53 | 0:18:55 | |
I could really hurt myself. | 0:18:55 | 0:18:56 | |
If you want to see it, boys and girls, say "yeah!" | 0:18:56 | 0:18:58 | |
AUDIENCE: YEAH! | 0:18:58 | 0:19:01 | |
What is wrong with you?! Mr Burgess, if you please... | 0:19:01 | 0:19:04 | |
I'm going to try and beat my personal best record | 0:19:05 | 0:19:08 | |
at escaping from this. | 0:19:08 | 0:19:09 | |
Here we go, OK. | 0:19:09 | 0:19:11 | |
Get it nice and tight, there. Solid steel handcuffs. | 0:19:11 | 0:19:14 | |
Perfect, Mr Burgess, perfect. | 0:19:14 | 0:19:15 | |
Now, for 15 metres of solid steel chain, boys and girls. | 0:19:15 | 0:19:21 | |
-Mr Burgess, padlock number one, if you please. -Padlock number one, lad. | 0:19:21 | 0:19:26 | |
Stick that in there like that. That's in. And the key's locked. | 0:19:26 | 0:19:29 | |
The keys are in my pocket. | 0:19:29 | 0:19:30 | |
Now, gentlemen, if you want to walk around, make it nice and tight. | 0:19:30 | 0:19:33 | |
Make the chain really tight on me. | 0:19:33 | 0:19:35 | |
Go for it. On the right leg, under the left leg. | 0:19:35 | 0:19:37 | |
Let's make this a real tight, real genuine challenge. | 0:19:37 | 0:19:40 | |
-And over the shoulders. -Nice and tight, boys. | 0:19:40 | 0:19:42 | |
I think you've given me a wedgie. | 0:19:42 | 0:19:45 | |
Good job. All right, there we go. That's perfect. Thank you very much. | 0:19:45 | 0:19:48 | |
OK, up the steps. | 0:19:48 | 0:19:50 | |
-Here we go. -Get him up. | 0:19:50 | 0:19:52 | |
You've got 45 seconds, starting now! | 0:19:52 | 0:19:55 | |
MUSIC: PIRATES OF THE CARIBBEAN THEME SONG | 0:19:55 | 0:19:58 | |
I think I might be stuck. | 0:20:00 | 0:20:01 | |
15 seconds gone - start the clock! | 0:20:08 | 0:20:11 | |
Bit of encouragement, boys and girls! | 0:20:15 | 0:20:18 | |
CHEERING | 0:20:18 | 0:20:19 | |
15 seconds left. | 0:20:22 | 0:20:23 | |
ALL: Ten! Nine! | 0:20:26 | 0:20:28 | |
Eight! Seven! | 0:20:28 | 0:20:30 | |
Six! Five! | 0:20:30 | 0:20:32 | |
Four! Three! | 0:20:32 | 0:20:33 | |
Two! | 0:20:33 | 0:20:35 | |
Yes! Come on! Everybody! | 0:20:35 | 0:20:36 | |
Well, there we are. Chris Cross, ladies and gentlemen. | 0:20:43 | 0:20:46 | |
He's out of it there. He got out of his chains. | 0:20:46 | 0:20:50 | |
But will he get out of the Slammer? | 0:20:50 | 0:20:52 | |
Better find out with his assistant, Mr Burgess. | 0:20:52 | 0:20:56 | |
-What did you make of it? -Ouch! | 0:20:56 | 0:20:59 | |
Well, yes. That puts it rather well. | 0:20:59 | 0:21:00 | |
What did you think of Chris Cross? | 0:21:00 | 0:21:02 | |
It was a bit of a shock when we got down to three | 0:21:02 | 0:21:05 | |
and it was just like afiach. | 0:21:05 | 0:21:07 | |
Is that Welsh? | 0:21:07 | 0:21:09 | |
-Yes. -What does it mean in English? -Disgusting. | 0:21:09 | 0:21:11 | |
Could you describe that act for me in Welsh, please? | 0:21:11 | 0:21:15 | |
SHE SPEAKS WELSH | 0:21:15 | 0:21:19 | |
-Yep. -One final word. | 0:21:22 | 0:21:25 | |
Sum that act up for me, miss. | 0:21:25 | 0:21:28 | |
Er... | 0:21:28 | 0:21:30 | |
Yeah, that'll do. | 0:21:30 | 0:21:31 | |
"Er..." | 0:21:31 | 0:21:33 | |
Well, jailers and jailbirds, one more performing prisoner act to go. | 0:21:34 | 0:21:38 | |
-30 seconds, orchestra. -Very well. | 0:21:38 | 0:21:40 | |
Players, this is it. Asparagus, | 0:21:41 | 0:21:44 | |
I want lots of bite on the high notes. | 0:21:44 | 0:21:47 | |
Carrots, keep it loose. Radishes, not too much wind. | 0:21:47 | 0:21:50 | |
Now, I don't normally get emotional at times like this. | 0:21:50 | 0:21:55 | |
And I'm not about to start now! | 0:21:57 | 0:21:59 | |
So get moving! | 0:21:59 | 0:22:00 | |
Vegetable Orchestra! | 0:22:00 | 0:22:02 | |
CHEERING AND APPLAUSE | 0:22:02 | 0:22:05 | |
Shall we take an A? | 0:22:17 | 0:22:19 | |
THEY TUNE UP | 0:22:21 | 0:22:23 | |
THEY PLAY "SOUL BOSSA NOVA" BY QUINCY JONES | 0:22:28 | 0:22:31 | |
CHEERING AND APPLAUSE | 0:23:20 | 0:23:23 | |
There they are, the Slammer Vegetable Orchestra | 0:23:23 | 0:23:27 | |
with Miss Baton in the lead there, ladies and gentlemen. | 0:23:27 | 0:23:30 | |
Were they the cream of the crop? | 0:23:30 | 0:23:32 | |
Or have they lost the plot? | 0:23:32 | 0:23:33 | |
Let's find out, with Mr Burgess. | 0:23:33 | 0:23:36 | |
Right, Miss, what did you make of our very own Slammer Orchestra? | 0:23:36 | 0:23:40 | |
I thought it was very fun | 0:23:40 | 0:23:42 | |
because you usually don't use vegetables for music and stuff. | 0:23:42 | 0:23:46 | |
You usually use it for eating. | 0:23:46 | 0:23:49 | |
Do you think they should be let free? | 0:23:49 | 0:23:51 | |
-Yeah, definitely. -Why? | 0:23:51 | 0:23:53 | |
Because it was unusual but it sounded really good. | 0:23:53 | 0:23:56 | |
And for one final word, miss, sum that act up for me. | 0:23:56 | 0:23:59 | |
-Fabulous. -Fabulous, sir. | 0:23:59 | 0:24:01 | |
Well, jailers and jailbirds, there they are - | 0:24:01 | 0:24:04 | |
the four performing prisoner acts, all hoping to go free. | 0:24:04 | 0:24:07 | |
Let's welcome them all back onto the stage! | 0:24:07 | 0:24:09 | |
Chris & Wes, | 0:24:09 | 0:24:11 | |
Amanda Sandow, | 0:24:11 | 0:24:13 | |
Chris Cross | 0:24:13 | 0:24:15 | |
and the fabulous Slammer Vegetable Orchestra. | 0:24:15 | 0:24:19 | |
Well, there they come. So, who's it going to be? | 0:24:19 | 0:24:22 | |
Well, a very, very popular popping act. | 0:24:22 | 0:24:26 | |
Will you please make some noise, jailers and jailbirds, | 0:24:26 | 0:24:28 | |
for Chris & Wes? | 0:24:28 | 0:24:31 | |
SCREAMING AND CHEERING | 0:24:31 | 0:24:33 | |
Have they finished, Meadows? | 0:24:38 | 0:24:39 | |
Yes, they have - a great score, 83.7. | 0:24:39 | 0:24:42 | |
Puts them into the lead, | 0:24:42 | 0:24:43 | |
but of course, they're the first act. | 0:24:43 | 0:24:46 | |
The next act, what did you think about Amanda Sandow? | 0:24:46 | 0:24:48 | |
Will she go free? Let's hear it for her now, please. | 0:24:48 | 0:24:51 | |
SCREAMING AND CHEERING | 0:24:51 | 0:24:54 | |
Oh, Amanda - I think you could still be with us a teatime, | 0:24:57 | 0:25:01 | |
because in the lead, still, it's Chris & Wes. | 0:25:01 | 0:25:04 | |
But 74.7, a good score. | 0:25:04 | 0:25:06 | |
Right, well, the next act - he was an escapologist, | 0:25:06 | 0:25:09 | |
he was sensational, he was Chris Cross! | 0:25:09 | 0:25:12 | |
SCREAMING AND CHEERING | 0:25:12 | 0:25:15 | |
Up into the greens, there. | 0:25:18 | 0:25:20 | |
There we are, Meadows, look at that - 72.6. | 0:25:20 | 0:25:23 | |
He's in third, second place Amanda Sandow. | 0:25:23 | 0:25:25 | |
Still in the lead, bopping and popping away, | 0:25:25 | 0:25:28 | |
it's Chris & Wes. | 0:25:28 | 0:25:29 | |
They could be going free. | 0:25:29 | 0:25:31 | |
Only one performing prisoner act could pip them at the post. | 0:25:31 | 0:25:35 | |
Led by their conductor, the wonderful Ms Baton herself, | 0:25:35 | 0:25:39 | |
what did you think of the fantastic Slammer Vegetable Orchestra? | 0:25:39 | 0:25:44 | |
SCREAMING AND CHEERING | 0:25:44 | 0:25:47 | |
Oh - I'm afraid you didn't reach the top notes. | 0:25:50 | 0:25:53 | |
You got 71.3 - that means you're staying with us, | 0:25:53 | 0:25:56 | |
but the winners are going free. | 0:25:56 | 0:25:57 | |
From the Freedom Show and the Slammer, | 0:25:57 | 0:25:59 | |
it's Chris & Wes! | 0:25:59 | 0:26:02 | |
Go on, lads, off you go. | 0:26:02 | 0:26:04 | |
Go on, you're free! You're free to go. | 0:26:04 | 0:26:07 | |
Take them, take them - give them a big cheer! | 0:26:07 | 0:26:09 | |
Go, lads, go - give them a big cheer. | 0:26:09 | 0:26:11 | |
They don't want to go! | 0:26:11 | 0:26:13 | |
APPLAUSE | 0:26:13 | 0:26:15 | |
That's good news for Chris & Wes. | 0:26:16 | 0:26:18 | |
-The bad news is that you're staying in the Slammer. Mr Burgess. -Sir! | 0:26:18 | 0:26:21 | |
You know, I can't bear to hear it. | 0:26:21 | 0:26:23 | |
I can't bear for you to say "Sloppy, ploppy porridge". | 0:26:23 | 0:26:26 | |
I'm sick of hearing sloppy, ploppy porridge. | 0:26:26 | 0:26:29 | |
-It's always sloppy, ploppy porridge. -All right, sir. | 0:26:29 | 0:26:31 | |
For those of you who don't want to hear the results | 0:26:31 | 0:26:34 | |
of tonight's supper, look away now. | 0:26:34 | 0:26:36 | |
Oh, very funny, Mr Burgess. | 0:26:37 | 0:26:39 | |
Right, go on, get them back to the cells. | 0:26:39 | 0:26:41 | |
Give them a big cheer, ladies and gentlemen. | 0:26:41 | 0:26:43 | |
There they are - Amanda, Chris Cross and the Vegetable Orchestra. | 0:26:43 | 0:26:47 | |
Sloppy, ploppy porridge for tea - when will it ever end? | 0:26:47 | 0:26:50 | |
I don't know. | 0:26:50 | 0:26:51 | |
Well, jailers and jailbirds, | 0:26:51 | 0:26:53 | |
that's it for another Freedom show here at the Slammer, | 0:26:53 | 0:26:56 | |
but I hope you'll join us again soon for more fun in The Slammer, | 0:26:56 | 0:26:59 | |
and remember - if you can't sing, dance or rhyme... | 0:26:59 | 0:27:04 | |
ALL: Don't do the crime! | 0:27:04 | 0:27:06 | |
See you all again soon. | 0:27:06 | 0:27:08 | |
Take care, my little jailers and jailbirds. God bless you! | 0:27:08 | 0:27:11 | |
Bye, everybody, bye-bye! | 0:27:11 | 0:27:13 | |
# It's the only way you'll ever leave the Slammer! # | 0:27:33 | 0:27:38 | |
JAZZY TUNE PLAYS | 0:27:38 | 0:27:40 | |
DANCE TUNE STARTS PLAYING | 0:27:52 | 0:27:55 | |
Subtitles by Red Bee Media Ltd | 0:28:01 | 0:28:04 |