Browse content similar to Come Lie with Me. Check below for episodes and series from the same categories and more!
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My name is Hugo Tenderhorn and I am the world's greatest liar. | 0:00:02 | 0:00:07 | |
-ECHO: -Greatest liar! | 0:00:07 | 0:00:09 | |
Raised by pygmy monks in Hartlepool... | 0:00:09 | 0:00:11 | |
I am the identical twin brother of Justin Bieber. | 0:00:11 | 0:00:14 | |
Prisoner 715 34 forward slash B, | 0:00:17 | 0:00:20 | |
your three years of solitary confinement are over. | 0:00:20 | 0:00:23 | |
Can you please confirm your name? | 0:00:23 | 0:00:25 | |
Alfonso Trombone the Third! | 0:00:26 | 0:00:28 | |
Here we go again. | 0:00:30 | 0:00:32 | |
HOOTER BLOWS | 0:00:32 | 0:00:35 | |
# You've been found guilty of a howling showbiz crime | 0:00:35 | 0:00:40 | |
# So welcome to the Slammer Where you've got to serve your time | 0:00:40 | 0:00:45 | |
# There's every type of minstrel, entertainer - what a feast! | 0:00:45 | 0:00:49 | |
# Performing to the limit to try and get released | 0:00:49 | 0:00:53 | |
# So call everybody and bring them to the Slammer | 0:00:53 | 0:00:57 | |
# And come and show your act With a bit of glitz and glamour | 0:00:57 | 0:01:02 | |
# Your fate is in their hands So make them cheer and clamour | 0:01:02 | 0:01:07 | |
# It's the only way you'll ever leave the Slammer | 0:01:07 | 0:01:09 | |
-# Leave the Slammer -# It's the only way You'll ever leave the Slammer! # | 0:01:09 | 0:01:14 | |
You will not believe the Freedom Show we have for you this week. | 0:01:18 | 0:01:21 | |
There's the Harper Brothers. | 0:01:21 | 0:01:23 | |
Unicycle Guru. | 0:01:24 | 0:01:26 | |
And Sebastian Walton. | 0:01:27 | 0:01:29 | |
CHEERING | 0:01:30 | 0:01:31 | |
Come in! Ah! | 0:01:31 | 0:01:34 | |
The nerve centre! Ha-ha! | 0:01:34 | 0:01:37 | |
GLASS SMASHING | 0:01:39 | 0:01:41 | |
Excuse me, Hello. You may remember me. | 0:01:51 | 0:01:53 | |
I'm Hugo Tenderhorn, the world's greatest liar. | 0:01:53 | 0:01:55 | |
-Now, I need your help. -Sure. -You see, I've got these letters... | 0:01:55 | 0:01:59 | |
What do you want us to do? | 0:01:59 | 0:02:01 | |
I want you to... Mm! | 0:02:01 | 0:02:03 | |
I want you to... Ohhh! | 0:02:03 | 0:02:04 | |
I want you to stick wet salmon in your armpits. | 0:02:04 | 0:02:07 | |
No, it's a lie! I'm sorry. It's a lie. Oh! | 0:02:07 | 0:02:10 | |
Oh, hello. I'm Hugo. | 0:02:10 | 0:02:12 | |
I'm trying to find someone I've been corresponding with whilst I've been in solitary. | 0:02:12 | 0:02:17 | |
Oh, yes. And what is their name? | 0:02:17 | 0:02:19 | |
Their name is... Mmm! | 0:02:19 | 0:02:20 | |
Their... Spoonella McTrifle! | 0:02:20 | 0:02:23 | |
No, it's a fib! I'm sorry, no. Please don't ask me any questions. | 0:02:23 | 0:02:26 | |
No. I'm looking for a woman called Lydia Starshine. | 0:02:26 | 0:02:30 | |
-Why? -Why? | 0:02:30 | 0:02:32 | |
Because... Mm-hmm-mm! | 0:02:32 | 0:02:34 | |
Because... Because she washes her hair with cheese! | 0:02:34 | 0:02:37 | |
No, I'm sorry, no. Please don't! No... | 0:02:37 | 0:02:40 | |
Oh! Oh, dear. | 0:02:40 | 0:02:42 | |
Excuse me! | 0:02:42 | 0:02:43 | |
So how do you respond to accusations that this prison is badly run, | 0:02:43 | 0:02:47 | |
it lacks discipline, the food is rotten | 0:02:47 | 0:02:50 | |
and it's generally a waste of tax payer's money? | 0:02:50 | 0:02:53 | |
You know, David, I've worked tirelessly for many years | 0:02:53 | 0:02:57 | |
to make this place the most successful showbiz prison in the country. | 0:02:57 | 0:03:00 | |
But the proof is in the pudding, so let's talk pudding. | 0:03:00 | 0:03:03 | |
We're like the custard on the pudding... | 0:03:03 | 0:03:05 | |
That didn't go very well. Can we start again? | 0:03:05 | 0:03:07 | |
-No, no, no. Keep going. -Well... -Why don't you come this way, sir? | 0:03:07 | 0:03:10 | |
Yes. Come along. I'll show you around, Frank. | 0:03:10 | 0:03:13 | |
Walk this way, sir. | 0:03:13 | 0:03:14 | |
-Come along, sir. -Out the door, here. | 0:03:14 | 0:03:16 | |
GOVERNOR CHATTERING AWAY | 0:03:18 | 0:03:21 | |
-This is where the Freedom Show takes place. -Sir, sir, sir! | 0:03:21 | 0:03:24 | |
-Yes? -Can I...? | 0:03:24 | 0:03:25 | |
Now, let's not be hasty. There's lots of inmates to talk to. | 0:03:25 | 0:03:28 | |
-Take your time. Have a look round. -I want to talk to him. | 0:03:28 | 0:03:31 | |
Oh, excellent choice. | 0:03:31 | 0:03:32 | |
But I think you'd be much more interested | 0:03:32 | 0:03:34 | |
in our Brazilian dancer, Fenella from the Favela. | 0:03:34 | 0:03:37 | |
-She's good her, isn't she? -I really want to talk to this inmate. | 0:03:37 | 0:03:42 | |
If you must. I knew having you lot in would be trouble. | 0:03:42 | 0:03:45 | |
Excuse me, sir. Would you tell me, please, is this a good prison? | 0:03:45 | 0:03:49 | |
Mm...Mm... This is the greatest prison since the dawn of man. | 0:03:50 | 0:03:53 | |
See what I mean? Now come along. | 0:03:53 | 0:03:55 | |
Since early life forms joined hand in hand and walked down Wimbledon High Street. | 0:03:55 | 0:03:58 | |
Since the Apollo missions were powered solely by fish paste. | 0:03:58 | 0:04:01 | |
-Now... -Since David Hasselhoff... -Right that's enough. Mr Burgess? | 0:04:01 | 0:04:04 | |
Yeah, a pleasure, sir. | 0:04:04 | 0:04:06 | |
If you wouldn't mind coming this way, sir? | 0:04:06 | 0:04:08 | |
There's a little discussion we need to have. | 0:04:08 | 0:04:11 | |
-But I haven't finished. -Oh, you're finished, all right, lad. | 0:04:11 | 0:04:13 | |
You're finished all right. | 0:04:13 | 0:04:15 | |
-All right. Keep moving, lad. -But Mr Burgess, I have to find Lydia. | 0:04:18 | 0:04:21 | |
-We've written hundreds of letters to each other. -Go in, get in there! | 0:04:21 | 0:04:25 | |
-We're in love! -Shut up! -Aarggh! | 0:04:27 | 0:04:29 | |
ROMANTIC MUSIC | 0:04:31 | 0:04:34 | |
# And, yes... | 0:04:40 | 0:04:42 | |
Yes, Lydia! | 0:04:42 | 0:04:43 | |
-# You'll be the only one -LYDIA: # You'll be the only one! | 0:04:45 | 0:04:50 | |
BOTH: # Cos no-one can deny | 0:04:50 | 0:04:56 | |
# This love I have inside | 0:04:56 | 0:05:00 | |
# And I'll give it all to you | 0:05:00 | 0:05:05 | |
# My love | 0:05:06 | 0:05:08 | |
-# My love -# My endless love! # | 0:05:08 | 0:05:15 | |
I have to find Lydia. | 0:05:17 | 0:05:19 | |
KNOCKING | 0:05:23 | 0:05:25 | |
I really shouldn't be doing this | 0:05:26 | 0:05:29 | |
but I think there's someone you might like to meet. | 0:05:29 | 0:05:32 | |
DOOR OPENING | 0:05:34 | 0:05:37 | |
Lydia! | 0:05:39 | 0:05:40 | |
Oh, Lydia. I never thought this moment would come. | 0:05:41 | 0:05:44 | |
Oh, you're everything I imagined you would be. | 0:05:44 | 0:05:47 | |
Really? Do you really mean that? | 0:05:47 | 0:05:49 | |
Whoa! | 0:05:49 | 0:05:51 | |
Of course I do. | 0:05:51 | 0:05:52 | |
But you're the world's greatest liar! | 0:05:52 | 0:05:54 | |
I am not! These flip-flops are made of steak and kidney pie! | 0:05:54 | 0:05:57 | |
-D'oh! -I think this is going to be a problem. | 0:05:57 | 0:05:59 | |
No, no, it's not a problem, Lydia, unless you ask me a question. | 0:05:59 | 0:06:02 | |
Otherwise I am free to tell you what an enchanting and beautiful woman you are. | 0:06:02 | 0:06:07 | |
Ooh! Do you really think so? | 0:06:07 | 0:06:09 | |
Absolutely not. You're a pig in a frock. | 0:06:09 | 0:06:11 | |
-Oh! -It's a lie! It's a lie! You see, that was a question. | 0:06:11 | 0:06:15 | |
Hey, hey, hey! What's the matter? | 0:06:16 | 0:06:18 | |
How's it ever going to work? | 0:06:18 | 0:06:21 | |
-Well, it's already working. -Is it? | 0:06:21 | 0:06:24 | |
-Are you lying? -Yes. I mean, no. | 0:06:24 | 0:06:26 | |
I mean... Oh, I don't know! I'm confused. I... | 0:06:26 | 0:06:29 | |
Oh! Oh, no, no, no, Lydia. Lydia, don't cry. | 0:06:29 | 0:06:33 | |
Look, I tell you what. | 0:06:33 | 0:06:34 | |
Why don't you sing one of those songs you've told me about in your letters? | 0:06:34 | 0:06:38 | |
Really? Do you want to hear me sing? | 0:06:38 | 0:06:42 | |
-I... -Best not answer. | 0:06:42 | 0:06:45 | |
Ahem. | 0:06:45 | 0:06:47 | |
DEEP BASS VOICE # Swing low | 0:06:48 | 0:06:51 | |
# Sweet chariot | 0:06:51 | 0:06:54 | |
# Coming for to carry me home... # GLASS SMASHING | 0:06:54 | 0:06:59 | |
...with the shiniest hair in the whole of Manchester... | 0:06:59 | 0:07:02 | |
-You know? -# Swing! | 0:07:02 | 0:07:04 | |
-What is that? -# ..sweet chariot... | 0:07:04 | 0:07:06 | |
-Finally something interesting! Come on! -ALARM BELL RINGING | 0:07:06 | 0:07:08 | |
# ..coming for to carry me home! # | 0:07:08 | 0:07:10 | |
-It's just there. -All right, sir. It's Tenderhorn's cell, sir. | 0:07:10 | 0:07:14 | |
-What's going on here? -We're having a secret romantic meeting. | 0:07:16 | 0:07:19 | |
Hang on - isn't he supposed to lie? | 0:07:19 | 0:07:21 | |
Does that mean they are having a secret meeting or not? | 0:07:21 | 0:07:24 | |
-What question did you ask again, sir? -I said... | 0:07:24 | 0:07:26 | |
-I didn't lie! Lydia. I'm cured. -Oh! | 0:07:26 | 0:07:29 | |
-That's enough of all this, you two. -But I didn't lie, I tell you. | 0:07:29 | 0:07:32 | |
Oh, very exciting! Let's call it a night, shall we? | 0:07:32 | 0:07:34 | |
No, no, no! Lydia! Ask me any question. | 0:07:34 | 0:07:38 | |
Er... Do you want to get married? | 0:07:38 | 0:07:40 | |
I... I... | 0:07:40 | 0:07:41 | |
I'd love to sit in a bath of spaghetti hoops! | 0:07:41 | 0:07:44 | |
-What?! -Oh, I thought as much. -No, no! But I'm cured! | 0:07:44 | 0:07:47 | |
Wishful thinking, laddie, wishful thinking. | 0:07:47 | 0:07:49 | |
No, no, don't take me away. | 0:07:49 | 0:07:50 | |
-No! No!! -Shall we go? | 0:07:50 | 0:07:53 | |
But I still don't understand why he was cured for a moment. | 0:07:54 | 0:07:57 | |
What was different? | 0:07:57 | 0:07:59 | |
-But it doesn't make sense. -HOOTER SOUNDING | 0:08:01 | 0:08:03 | |
Surely you'd want to stay here with Lydia. | 0:08:03 | 0:08:05 | |
I can't bear it, sir. I can never be truthful with her. | 0:08:05 | 0:08:07 | |
I think it's best we stay apart. | 0:08:07 | 0:08:09 | |
Put me in the Freedom Show so I can get out of this place. | 0:08:09 | 0:08:12 | |
-Are you sure about this? -Absolutely not. | 0:08:12 | 0:08:15 | |
Oh! Well, I suppose I have no choice. | 0:08:15 | 0:08:18 | |
-How do I look? -You look divine. | 0:08:20 | 0:08:22 | |
-Oh! -In that case, it's show time! | 0:08:22 | 0:08:25 | |
Ladies and gentlemen, welcome to HMP Slammer, | 0:08:27 | 0:08:31 | |
where you decide which prisoner is to be released. | 0:08:31 | 0:08:34 | |
Now, please welcome your host, a magical talking tiger called Martin. | 0:08:34 | 0:08:39 | |
He's got a brand-new fridge-freezer for every single one of you! | 0:08:39 | 0:08:43 | |
I'm sorry, that was a lie. | 0:08:43 | 0:08:44 | |
-It's the Governor! -BAND PLAYS, AUDIENCE CHEERING | 0:08:44 | 0:08:48 | |
-Who's the Governor? -You're the Governor! | 0:09:02 | 0:09:05 | |
Oh, my jailers and jailbirds, welcome to another Freedom Show, | 0:09:05 | 0:09:09 | |
where you decide who gets set free from the Slammer. | 0:09:09 | 0:09:12 | |
What wonderful acts we've got for you today. | 0:09:12 | 0:09:14 | |
And a bit special today. | 0:09:14 | 0:09:16 | |
We've got a TV crew in with us, in case you're wondering what the smell is. | 0:09:16 | 0:09:19 | |
But on with the Freedom Show. Well, what acts we've got! | 0:09:19 | 0:09:23 | |
We've got Unicycle Guru! | 0:09:23 | 0:09:25 | |
-Oh, yes! -AUDIENCE OOHS | 0:09:25 | 0:09:27 | |
And we've got the magical skills of Sebastian Walton. | 0:09:27 | 0:09:31 | |
-Ooh! -He'll amaze you. | 0:09:31 | 0:09:33 | |
And the wonderful Hugo Tenderhorn! | 0:09:33 | 0:09:35 | |
WHOOPING | 0:09:35 | 0:09:37 | |
But right now, jailers and jailbirds, the first performing prisoner act. | 0:09:37 | 0:09:41 | |
They're brothers, they're the Harper Brothers. | 0:09:41 | 0:09:43 | |
They're serving five years in the Slammer because the judge looked at their act and said, | 0:09:43 | 0:09:47 | |
"Oh, brother, you're going to jail." | 0:09:47 | 0:09:49 | |
Will you please welcome the Riverdance as you've never seen or heard it before | 0:09:49 | 0:09:52 | |
with the Harper Brothers! | 0:09:52 | 0:09:54 | |
CHEERING AND APPLAUSE | 0:09:54 | 0:09:57 | |
-Come on, guys! -Come on, guys! -Come on, come on, come on. | 0:09:58 | 0:10:03 | |
IRISH MUSIC | 0:10:03 | 0:10:06 | |
Look! Jump! Look at that! | 0:10:10 | 0:10:12 | |
Whoo! Check me out! Come on! | 0:10:12 | 0:10:17 | |
Come on, now, son! | 0:10:24 | 0:10:26 | |
-GROANING -I'm in trouble, here. I'm in trouble. | 0:10:30 | 0:10:32 | |
-MUSIC STOPS Stop! Stop! -What's up with you, man? | 0:10:32 | 0:10:35 | |
I think I broke me bum. | 0:10:35 | 0:10:38 | |
-What do you mean, you broke your bum? -I don't know. There's a crack right up it. | 0:10:38 | 0:10:42 | |
What are you doing? What are you doing? | 0:10:42 | 0:10:45 | |
You! That dancing's old-fashioned. | 0:10:45 | 0:10:48 | |
That were the Riverdance! That was it. | 0:10:48 | 0:10:50 | |
-Look at them. You know what they want? -What? | 0:10:50 | 0:10:53 | |
They want modern music. | 0:10:53 | 0:10:55 | |
They don't want your old-fashioned Riverdancing music. | 0:10:55 | 0:10:58 | |
That's ridiculous. You're ridiculous, that's what you are. | 0:10:58 | 0:11:01 | |
-I'll prove you wrong. -I'll leave it with you. -I'll prove you wrong. -Modern. | 0:11:01 | 0:11:05 | |
-I'll prove you wrong. -Watch this. | 0:11:05 | 0:11:07 | |
-Rewind the track. -TAPE REWINDS | 0:11:07 | 0:11:09 | |
Let's make it like Glastonbury. I want to see everybody clap their hands. | 0:11:09 | 0:11:13 | |
Let's do the proper Riverdance. Come on, everybody, let's do it. | 0:11:13 | 0:11:16 | |
-RIVERDANCE MUSIC -Come on! | 0:11:16 | 0:11:19 | |
Oh! | 0:11:22 | 0:11:23 | |
RAP MUSIC | 0:11:23 | 0:11:26 | |
-What's that? -Yo! | 0:11:26 | 0:11:29 | |
Yo! Check it out, man! | 0:11:29 | 0:11:33 | |
Hit it! | 0:11:33 | 0:11:34 | |
-Yo! -What are you doing, man? | 0:11:36 | 0:11:39 | |
MUSIC STOPS | 0:11:41 | 0:11:42 | |
-What are you doing? -I'm getting down with the kids, that's what I'm doing. | 0:11:42 | 0:11:46 | |
-Getting down with the kids? -Getting down with the kids. | 0:11:46 | 0:11:49 | |
-Check your bother out. -Yeah! Look at you! -Mr Modern! | 0:11:52 | 0:11:54 | |
-In fact, check your pocket. -Right. -Check it. | 0:11:54 | 0:11:57 | |
-All right. I've got glasses. -Put them on. -Put them on? -Yeah. | 0:11:57 | 0:12:00 | |
-OK. -Right, look at your audience. -I can't see them. | 0:12:00 | 0:12:03 | |
-It doesn't matter. You know what they want? -What? -Modern music. -Modern music? -Look and learn. | 0:12:03 | 0:12:07 | |
-Watch me. Here we go. -I'm watching. | 0:12:07 | 0:12:09 | |
MUSIC: "I'm Shuffling" | 0:12:09 | 0:12:10 | |
-Oh! -CHEERING | 0:12:10 | 0:12:12 | |
Yeah! Come on! | 0:12:12 | 0:12:14 | |
I like it! | 0:12:16 | 0:12:18 | |
Yeah? Are you ready? Check it out. Go! | 0:12:18 | 0:12:19 | |
Whoo! | 0:12:26 | 0:12:28 | |
# Every day I'm shuffling. # | 0:12:32 | 0:12:34 | |
-Yes! -CHEERING | 0:12:34 | 0:12:36 | |
No! What's up with it? What's up with it? | 0:12:37 | 0:12:41 | |
Well, the Harper Brothers doing the Riverdance. | 0:12:41 | 0:12:44 | |
But at the end of the day will they be dancing or will they be thrown in the river? | 0:12:44 | 0:12:48 | |
Let's find out with Mr Burgess. | 0:12:48 | 0:12:50 | |
Right, the Harper Brothers. Bit of old-time variety. | 0:12:50 | 0:12:53 | |
-What did you make of that, Miss? -I thought they were amaze-ballish. | 0:12:53 | 0:12:57 | |
-Amaze-ballish? -Yeah. -That's a mouthful. | 0:12:57 | 0:12:59 | |
They call that kind of humour knockabout humour. | 0:12:59 | 0:13:02 | |
-Did it knock you out? -I thought it was really funny and it was epic at the end. | 0:13:02 | 0:13:07 | |
-Did they make you laugh? -A lot. -How did you laugh when you watched them? | 0:13:07 | 0:13:10 | |
Ha-ha-ha-ha-ha! | 0:13:10 | 0:13:11 | |
KIDS LAUGH | 0:13:11 | 0:13:13 | |
A final word. Sum that act up for me, please. | 0:13:13 | 0:13:17 | |
Funny. | 0:13:17 | 0:13:19 | |
Funny, sir. | 0:13:19 | 0:13:21 | |
That's the Harper Brothers. Will they be going free? | 0:13:21 | 0:13:23 | |
You'll find out at the end of the show. | 0:13:23 | 0:13:25 | |
Onto the next performing prisoner. A unique act. | 0:13:25 | 0:13:27 | |
A cycling act. In fact, a unicycle act. | 0:13:27 | 0:13:31 | |
Doing 14 years in the Slammer for recycling other people's acts. | 0:13:31 | 0:13:34 | |
Jailers and jailbirds, will you please welcome the Unicycle Guru! | 0:13:34 | 0:13:39 | |
CHEERING | 0:13:39 | 0:13:41 | |
GROOVY SOUL MUSIC | 0:13:47 | 0:13:50 | |
CHEERING | 0:14:02 | 0:14:04 | |
CHEERING | 0:14:30 | 0:14:32 | |
CHEERING | 0:14:47 | 0:14:50 | |
CHEERING | 0:14:59 | 0:15:01 | |
CHEERING | 0:15:07 | 0:15:09 | |
WHOOPING | 0:15:16 | 0:15:17 | |
WHOOPING | 0:15:21 | 0:15:23 | |
WHOOPING | 0:15:39 | 0:15:42 | |
WHOOPING | 0:15:50 | 0:15:52 | |
Oh! Give a big cheer! Hooray! | 0:16:01 | 0:16:04 | |
Unicycle Guru. Well, will it be tea for two at home | 0:16:05 | 0:16:09 | |
or staying here for sloppy ploppy porridge? | 0:16:09 | 0:16:12 | |
-Let's find out with Mr Burgess. -Right, man on a bike lobbing crockery. | 0:16:12 | 0:16:16 | |
-Any good? -It was, like, extravagant. | 0:16:16 | 0:16:19 | |
-Why? -Because I thought he was going to fall off but he didn't. | 0:16:19 | 0:16:22 | |
Three bicycle tyres, one on top of the other. Could you do that? | 0:16:22 | 0:16:25 | |
No. I thought it was spectacular | 0:16:25 | 0:16:27 | |
how he could balance all those while cycling on the three wheels. | 0:16:27 | 0:16:32 | |
Now, then, sir, sum that act up for me in one final word. Wait for it. | 0:16:32 | 0:16:37 | |
-Now! -Amusing. | 0:16:37 | 0:16:39 | |
Yeah. It was really, wasn't it? Amusing, sir. | 0:16:39 | 0:16:42 | |
Right, well, that's what you thought of Unicycle Guru | 0:16:42 | 0:16:45 | |
but it's now time, jailers and jailbirds, | 0:16:45 | 0:16:47 | |
for the act that we call Solitary Confinement! | 0:16:47 | 0:16:50 | |
-Oh! Ooh! -DOOMY MUSIC | 0:16:50 | 0:16:53 | |
No, Uncle Norris, not a pickled gherkin again! | 0:16:53 | 0:16:57 | |
Yes, the acts that are too bad and too naughty to be let out. | 0:16:57 | 0:17:00 | |
We let them have a little perform | 0:17:00 | 0:17:02 | |
and if they do well, they get a treat, jailers and jailbirds, | 0:17:02 | 0:17:05 | |
and today's treat is, well, at tea, they get a couple of extra courses to eat. | 0:17:05 | 0:17:09 | |
They get a bowl of soup and some cheese and biscuits. | 0:17:09 | 0:17:12 | |
-It's nice that, if you're a bit peckish. Two extra courses. -AUDIENCE OOHS | 0:17:12 | 0:17:15 | |
But if they don't do well and if they get the thumbs down, | 0:17:15 | 0:17:18 | |
well, it's a cruel and unusual punishment. | 0:17:18 | 0:17:21 | |
-Mr Burgess? -Sir! -What is today's cruel and unusual punishment? | 0:17:21 | 0:17:25 | |
Today, sir, they will be stuffed into a sack | 0:17:25 | 0:17:28 | |
and catapulted into outer space, sir. | 0:17:28 | 0:17:32 | |
-We need a judge, Mr Burgess. -We do indeed, sir. | 0:17:32 | 0:17:34 | |
-Somebody of discernment. -Who'd like to come and be my judge? | 0:17:34 | 0:17:37 | |
-Sir, step this way. -Round of applause, please. | 0:17:37 | 0:17:40 | |
-Up you go, sir. -He looks very wise, Mr Burgess. -Absolutely, sir. | 0:17:40 | 0:17:43 | |
-Hello, sir. Your name, please? -Elliot. | 0:17:43 | 0:17:45 | |
Elliot, you are today's judge. | 0:17:45 | 0:17:46 | |
-Mr Burgess, please apply... -The wig of justice, sir. | 0:17:46 | 0:17:49 | |
The wig of justice. Looking very good indeed. | 0:17:49 | 0:17:51 | |
And have you got a thumb? | 0:17:51 | 0:17:52 | |
You'll need that later to decide whether it's thumbs up or thumbs down. | 0:17:52 | 0:17:57 | |
But right now it's time for the Solitary Confinement act | 0:17:57 | 0:18:00 | |
and today it's Steve "Bad Tomatoes" Jackson! | 0:18:00 | 0:18:04 | |
DOOMY MUSIC | 0:18:04 | 0:18:07 | |
Good evening, ladies and gentlemen. | 0:18:10 | 0:18:12 | |
My name is Steve "Bad Tomatoes" Jackson. | 0:18:12 | 0:18:17 | |
I am sure many of you are familiar with fire walking | 0:18:17 | 0:18:20 | |
and I'm sure you're all wondering, is it possible | 0:18:20 | 0:18:25 | |
to walk across a row of bad tomatoes? | 0:18:25 | 0:18:29 | |
The answer is most definitely yes! | 0:18:29 | 0:18:34 | |
And I'm the man to prove it. | 0:18:34 | 0:18:37 | |
DRAMATIC MUSIC | 0:18:37 | 0:18:39 | |
BOOING | 0:18:48 | 0:18:51 | |
Oh, dear. There we are. | 0:18:53 | 0:18:55 | |
Eh? I don't know where we get them from. | 0:18:55 | 0:18:58 | |
There we are. Judge Elliot, come back, there. | 0:18:58 | 0:19:00 | |
Well, Steve "Bad Tomatoes". Or was he rotten eggs? | 0:19:00 | 0:19:03 | |
Let's find out now with the judge. | 0:19:03 | 0:19:05 | |
OK, Elliot, let's see that thumb. | 0:19:05 | 0:19:07 | |
Remember, thumbs up, it's extra courses, | 0:19:07 | 0:19:10 | |
thumbs down, almost unbearable suborbital G-forces. | 0:19:10 | 0:19:14 | |
The time starts now. | 0:19:14 | 0:19:17 | |
AUDIENCE OOHING | 0:19:18 | 0:19:20 | |
Oh! There we are. Take him off to the catapult. | 0:19:23 | 0:19:27 | |
Marvellous. Unfortunately, you don't keep the wig | 0:19:27 | 0:19:30 | |
but you get something that everybody wants - a signed photograph of the Governor. | 0:19:30 | 0:19:34 | |
Isn't that wonderful? Give him a big round of applause. | 0:19:34 | 0:19:36 | |
-Thank you, Elliot. -There we are. -There we are. | 0:19:36 | 0:19:40 | |
Right, strap him in the sack! | 0:19:40 | 0:19:42 | |
-RUBBER STRETCHING SOUND -Four, three, two, one... | 0:19:42 | 0:19:46 | |
-zero. -Fire! | 0:19:46 | 0:19:48 | |
Aarrggghhhh! | 0:19:49 | 0:19:52 | |
There's a rotten tomato in space now. Thank you very much. | 0:19:52 | 0:19:56 | |
-Mr Burgess? -Sir! -Continue with the Freedom Show! -Right, sir. -Very good. | 0:19:56 | 0:19:59 | |
And what a Freedom Show we've got for you. | 0:19:59 | 0:20:01 | |
Another sensational act now. He's a magician, a magic act. | 0:20:01 | 0:20:04 | |
Serving 18 months in the Slammer | 0:20:04 | 0:20:06 | |
for doing the three-card trick with real credit cards, | 0:20:06 | 0:20:10 | |
jailers and jailbirds, would you please show your appreciation for Sebastian Walton! | 0:20:10 | 0:20:14 | |
CHEERING AND APPLAUSE | 0:20:14 | 0:20:16 | |
-Well, hello, there. -Hello! | 0:20:22 | 0:20:26 | |
For my first trick, I need one of you to join me on stage. | 0:20:26 | 0:20:28 | |
Now, the young lady down here with the pink hairband? | 0:20:28 | 0:20:31 | |
Let's give her a massive round of applause. | 0:20:31 | 0:20:33 | |
-Hello. What's your name? -My name's Milly. | 0:20:36 | 0:20:37 | |
Milly. Would you like to stand here for me, Milly? | 0:20:37 | 0:20:39 | |
Very good, thanks, Milly. | 0:20:39 | 0:20:41 | |
-I see you have a nice shiny ring on your finger. -Yeah. | 0:20:41 | 0:20:43 | |
-Does that come off? -Yeah. | 0:20:43 | 0:20:45 | |
-It's a very nice ring. Is it silver? -Yes. | 0:20:46 | 0:20:47 | |
I'm going to take your ring and place it in the middle of this paper tissue. | 0:20:47 | 0:20:51 | |
I'm going to fold that once, twice, three, four times. | 0:20:51 | 0:20:56 | |
-Can you feel it in there? -Yep. | 0:20:56 | 0:20:58 | |
Very good. So it's real silver, right? | 0:20:58 | 0:21:00 | |
There's only one way to test if it is real silver or not. | 0:21:00 | 0:21:02 | |
I'd like to take your ring | 0:21:02 | 0:21:04 | |
and set it on fire. | 0:21:04 | 0:21:07 | |
Now, if your ring is real silver, then it will vanish and disintegrate into the air. | 0:21:07 | 0:21:11 | |
CHEERING | 0:21:14 | 0:21:15 | |
Tell you what, I'll give you something else | 0:21:15 | 0:21:18 | |
to make up for what I did to your ring. I've got my phone. | 0:21:18 | 0:21:20 | |
-Do you want to see my phone? -Yes! -It's ringing now, actually. | 0:21:20 | 0:21:23 | |
Hello? | 0:21:23 | 0:21:26 | |
Let's see what else I've got. I also have an orange. | 0:21:26 | 0:21:29 | |
-I also have a mouldy potato. KIDS: -Ugh! | 0:21:29 | 0:21:33 | |
Which one's your favourite, Milly? | 0:21:33 | 0:21:35 | |
-Orange. -The orange. Are you sure? | 0:21:35 | 0:21:37 | |
-Shall we eat it now? -Yes. -Let's eat it now. | 0:21:37 | 0:21:40 | |
I have a knife. I'm going to slowly cut open the orange with the knife. | 0:21:40 | 0:21:45 | |
And inside the orange, Milly, is... | 0:21:48 | 0:21:51 | |
My ring? | 0:21:52 | 0:21:54 | |
No, it's juice. Juice. | 0:21:54 | 0:21:56 | |
But also... a walnut. | 0:21:56 | 0:22:00 | |
Milly, I don't want to touch the walnut. Can you take that for me, please? | 0:22:00 | 0:22:03 | |
Milly, what do you think is inside the walnut? | 0:22:03 | 0:22:06 | |
-My ring? -Let's have a look. | 0:22:06 | 0:22:08 | |
Place the walnut into the walnut cracker. | 0:22:08 | 0:22:10 | |
Very good. Before I crack open the walnut, I've got a few questions. | 0:22:10 | 0:22:14 | |
Was your ring expensive? | 0:22:14 | 0:22:17 | |
Quite, yes. | 0:22:17 | 0:22:19 | |
CRACKING NOISE | 0:22:20 | 0:22:21 | |
Milly, question number two. | 0:22:21 | 0:22:22 | |
Was your ring of great sentimental value? | 0:22:22 | 0:22:24 | |
-Yes, very. -CRACKING | 0:22:24 | 0:22:27 | |
Put your hand out like this. | 0:22:27 | 0:22:29 | |
I'm going to place the cracked walnut onto your hand, Milly. | 0:22:29 | 0:22:32 | |
Now, I can break it up and bit by bit... | 0:22:32 | 0:22:34 | |
You can actually see there's a ring inside the walnut. | 0:22:38 | 0:22:40 | |
Milly, in a loud and clear voice, is that your ring? | 0:22:40 | 0:22:46 | |
-Yes! -It is! | 0:22:46 | 0:22:48 | |
CHEERING | 0:22:48 | 0:22:50 | |
Let's give Milly a massive round of applause. | 0:22:51 | 0:22:54 | |
Thank you very much, Milly. Give it up for Milly, everybody. | 0:22:54 | 0:22:56 | |
CHEERING | 0:22:56 | 0:22:59 | |
There we are! | 0:23:00 | 0:23:02 | |
How on earth did he do that? Sebastian Walton. What an act! | 0:23:03 | 0:23:06 | |
But at the end of the day, was it a magic spell he cast | 0:23:06 | 0:23:08 | |
or is he in for a long spell? | 0:23:08 | 0:23:10 | |
Let's find out from Mr Burgess. | 0:23:10 | 0:23:13 | |
Now, then, sir, what did you make of that? | 0:23:13 | 0:23:15 | |
It was very fabulastic and very entertaining. | 0:23:15 | 0:23:17 | |
What did you think of Sebastian Walton? | 0:23:17 | 0:23:19 | |
Well, I didn't think it was good but I thought it was really good. | 0:23:19 | 0:23:22 | |
Oh, not good - really good. | 0:23:22 | 0:23:24 | |
And one final word. Sum that act up for me, Miss. | 0:23:24 | 0:23:26 | |
-Impressive. -Impressive, sir. Very good, very good. | 0:23:26 | 0:23:29 | |
Well, your views on Sebastian Walton, jailers and jailbirds, all welcomed, all valued. | 0:23:29 | 0:23:34 | |
-SOBBING -But who'll go free? We can't decide until the final act has performed. | 0:23:34 | 0:23:38 | |
It's a very strange act. He's the world's biggest liar | 0:23:38 | 0:23:41 | |
and he's in the Slammer for 12 years for lying! | 0:23:41 | 0:23:44 | |
Jailers and jailbirds, will you please welcome Hugo Tenderhorn! | 0:23:44 | 0:23:48 | |
CHEERING | 0:23:48 | 0:23:50 | |
Thank you, ladies and gentlemen. My name is Hugo Tenderhorn. | 0:23:55 | 0:23:59 | |
I am the world's greatest liar. | 0:23:59 | 0:24:01 | |
How this works is you give me a question | 0:24:01 | 0:24:05 | |
and I will give you the most ridiculous lie you have ever heard. | 0:24:05 | 0:24:08 | |
Now, without further ado... | 0:24:08 | 0:24:10 | |
-BAND PLAYS PHRASE -I've still got it. | 0:24:10 | 0:24:12 | |
The first question, please. Anyone. | 0:24:12 | 0:24:14 | |
-Yes, sir? -What's the quickest way to fame and fortune? | 0:24:14 | 0:24:19 | |
Hmm, mm, the quickest way to fame and fortune... | 0:24:19 | 0:24:23 | |
Take the 410 from Croydon bus depot. | 0:24:23 | 0:24:27 | |
-Thank you! -BAND STRIKES UP | 0:24:27 | 0:24:29 | |
-Next question, please. Yes? -How do you fix a broken phone? | 0:24:30 | 0:24:35 | |
How do you fix a broken phone? How do you fix a broken phone? | 0:24:35 | 0:24:38 | |
You give it plenty of rest and steer clear of spicy foods. | 0:24:38 | 0:24:42 | |
-BAND PLAYS -I thank you! | 0:24:42 | 0:24:44 | |
-I'm on fire. The next question, please! Anyone. -Put your hand up. | 0:24:44 | 0:24:48 | |
-Yes? -Do you love Lydia? | 0:24:48 | 0:24:51 | |
GASPING | 0:24:51 | 0:24:53 | |
Wait! | 0:24:53 | 0:24:55 | |
Come on. It's OK. Follow me. | 0:24:58 | 0:25:00 | |
LYDIA GASPS | 0:25:05 | 0:25:07 | |
-Now you can answer. -Yes! Yes, I do love you, Lydia. | 0:25:07 | 0:25:11 | |
-In fact, I want to marry you. -Oh! | 0:25:11 | 0:25:16 | |
CHEERING | 0:25:16 | 0:25:19 | |
Hold on, there. By the powers vested in me, the Governor of the Slammer, | 0:25:20 | 0:25:23 | |
I ask you, Lydia Arthur Starshine, | 0:25:23 | 0:25:27 | |
do you take Hugo McCracken Tenderhorn to be your lawful wedded husband, | 0:25:27 | 0:25:32 | |
to have and to hold from this day forth? | 0:25:32 | 0:25:34 | |
-I do! -And what about you, Hugo? | 0:25:34 | 0:25:36 | |
-I do. -I declare you husband and wife. | 0:25:37 | 0:25:41 | |
Hooray! | 0:25:41 | 0:25:43 | |
Hey, what about the rest of the Freedom Show? | 0:25:43 | 0:25:46 | |
Come on, let's get all the other acts back on board. | 0:25:46 | 0:25:48 | |
You can have that and we welcome back the Harper Brothers. | 0:25:48 | 0:25:51 | |
Unicycle Guru! | 0:25:52 | 0:25:54 | |
Sebastian Walton! | 0:25:55 | 0:25:56 | |
And, of course, Hugo Tenderhorn there, with his lovely Lydia. | 0:25:56 | 0:26:02 | |
Well, of course, only one performing prisoner act can go free | 0:26:02 | 0:26:05 | |
and we normally decide with the help of the Clap-o-meter, don't we, jailers and jailbirds? | 0:26:05 | 0:26:09 | |
But, you know, there's only one act for me today. | 0:26:09 | 0:26:12 | |
It's such a special occasion. | 0:26:12 | 0:26:13 | |
Two people who have been absolutely wonderful. | 0:26:13 | 0:26:16 | |
Don't you think those two people should go free? | 0:26:16 | 0:26:19 | |
Yes, Harper Brothers, hop it. | 0:26:19 | 0:26:21 | |
Come back here! Just a little joke - only a tiny little joke. | 0:26:21 | 0:26:25 | |
Jailers and jailbirds, for one show only, going free, | 0:26:25 | 0:26:29 | |
-the newly-weds, Hugo and Lydia! Off you go! You're free! -Thank you! | 0:26:29 | 0:26:33 | |
-You're free! -CHEERING | 0:26:33 | 0:26:35 | |
-Go on, away you go. -Off you go. | 0:26:35 | 0:26:37 | |
Ah! They're going off for their wedding banquet. | 0:26:39 | 0:26:43 | |
Isn't that wonderful, jailers and jailbirds? | 0:26:43 | 0:26:45 | |
Well, bad news for the rest of you. You're staying. | 0:26:45 | 0:26:47 | |
-Mr Burgess? -Sir? -What are we having for tea? | 0:26:47 | 0:26:49 | |
Er, well, it is sloppy ploppy porridge, sir, | 0:26:49 | 0:26:52 | |
but it's a special wedding breakfast sloppy ploppy porridge. | 0:26:52 | 0:26:55 | |
Wedding breakfast? How is it different? | 0:26:55 | 0:26:56 | |
-Well, it's in tiers, sir. -Oh, in tiers? -Yeah. | 0:26:56 | 0:26:58 | |
Well, you certainly cry when you eat it, sir! | 0:26:58 | 0:27:01 | |
Oh, get 'em off for some sloppy ploppy porridge. | 0:27:01 | 0:27:03 | |
Give them a big hand, jailers and jailbirds. | 0:27:03 | 0:27:05 | |
-There they go. There they go. -CHEERING AND APPLAUSE | 0:27:05 | 0:27:07 | |
Well, that's it for a special wedding Freedom Show, jailers and jailbirds. | 0:27:09 | 0:27:14 | |
But, as we always say here in the Slammer, | 0:27:14 | 0:27:16 | |
come back and see us soon and remember, | 0:27:16 | 0:27:18 | |
if you can't sing, dance or rhyme... | 0:27:18 | 0:27:20 | |
Don't do the crime! | 0:27:20 | 0:27:23 | |
And we'll see you soon for more fun on the Freedom Show. | 0:27:23 | 0:27:25 | |
From the Slammer, bye-bye, everybody. Bye-bye! | 0:27:25 | 0:27:28 | |
CHEERING | 0:27:28 | 0:27:29 | |
Subtitles by Red Bee Media Ltd | 0:27:52 | 0:27:54 |