Browse content similar to X Marks the Spot Factor. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Dear Mum, today The Slammer has been full of surprises! | 0:00:01 | 0:00:04 | |
Surprising treats... | 0:00:04 | 0:00:05 | |
Surprising beats... | 0:00:06 | 0:00:08 | |
# Hey, hey! # | 0:00:08 | 0:00:09 | |
And surprising feats! | 0:00:09 | 0:00:10 | |
It all started like this... | 0:00:13 | 0:00:14 | |
# You've been found guilty of a howling showbiz crime | 0:00:19 | 0:00:24 | |
# So welcome to The Slammer where you're gonna serve your time | 0:00:24 | 0:00:28 | |
# With every type of minstrel, entertainer and artiste | 0:00:28 | 0:00:32 | |
# Performing to the limit to try and get released | 0:00:32 | 0:00:36 | |
# So go and fetch the audience, bring them to The Slammer | 0:00:36 | 0:00:41 | |
# And polish up your act, with a bit of glitz and glamour | 0:00:41 | 0:00:45 | |
# Your fate is in their hands, so make them cheer and clamour | 0:00:45 | 0:00:50 | |
# It's the only way you'll ever leave The Slammer | 0:00:50 | 0:00:54 | |
# It's the only way you'll ever leave The Slammer! # | 0:00:54 | 0:00:58 | |
So may I ask everyone to raise a glass, | 0:01:01 | 0:01:04 | |
in memory of The Slammer's greatest ever practical joker... | 0:01:04 | 0:01:07 | |
Rodney "Oh, What A Surprise" Flimflam. | 0:01:07 | 0:01:09 | |
-ALL: -Rest in peace! | 0:01:09 | 0:01:11 | |
Bleh! | 0:01:12 | 0:01:14 | |
Somebody's put washing up liquid in this! | 0:01:16 | 0:01:18 | |
Oh, yes... A joker to the end. | 0:01:18 | 0:01:20 | |
He could never catch me out that easily. | 0:01:20 | 0:01:22 | |
WHOOPEE CUSHION BLOWS | 0:01:22 | 0:01:25 | |
Who did that? Was it you? | 0:01:25 | 0:01:27 | |
Rodney strikes again! | 0:01:27 | 0:01:28 | |
Ha! Sweetie... | 0:01:28 | 0:01:30 | |
Oh! Hot! Hot! | 0:01:32 | 0:01:34 | |
I'll have that... | 0:01:36 | 0:01:38 | |
Flimflam was the greatest practical joker this place has ever seen. | 0:01:40 | 0:01:43 | |
Rumour has it he's hidden a priceless treasure | 0:01:43 | 0:01:45 | |
somewhere in The Slammer. | 0:01:45 | 0:01:46 | |
What's the matter? Am I dribbling limeade again? | 0:01:48 | 0:01:50 | |
You've got writing on your face, sir! | 0:01:50 | 0:01:52 | |
Well, there's certainly lines on it. | 0:01:52 | 0:01:55 | |
There's writing here, too. | 0:01:55 | 0:01:56 | |
It must have rubbed off when you were wiping your sweaty head. | 0:01:56 | 0:01:59 | |
-Well, what does it say? -Um, splagurge the, the... | 0:01:59 | 0:02:03 | |
Not my head, the note! | 0:02:03 | 0:02:04 | |
Oh, I see, sir! | 0:02:04 | 0:02:06 | |
"Whilst I was at Her Majesty's pleasure | 0:02:06 | 0:02:09 | |
"I managed to hide my priceless treasure | 0:02:09 | 0:02:11 | |
"Solve these clues to find the place | 0:02:11 | 0:02:12 | |
"Where I hid something to put a smile on your face!" | 0:02:12 | 0:02:15 | |
It's a clue from Rodney where he hid the treasure. | 0:02:15 | 0:02:18 | |
Well deduced, Sherlock. | 0:02:18 | 0:02:19 | |
Hey, back off. What's the first clue? | 0:02:21 | 0:02:25 | |
"Food in the canteen was never ever good | 0:02:25 | 0:02:27 | |
"But the good stuff hides in a place made of wood!" | 0:02:27 | 0:02:30 | |
The canteen! | 0:02:30 | 0:02:31 | |
"Good stuff hides in a place made of wood..." | 0:02:40 | 0:02:42 | |
Look for something wooden. | 0:02:42 | 0:02:44 | |
-No, not me! -Well, what about that, sir? | 0:02:44 | 0:02:47 | |
Don't be ridiculous, Frank. Who ever heard of a wooden banana? | 0:02:47 | 0:02:50 | |
Not the bananas, sir, the crate! | 0:02:50 | 0:02:52 | |
Oh... | 0:02:52 | 0:02:53 | |
Oh, she's right. There's something hidden on the back side! | 0:02:53 | 0:02:56 | |
-Oh, I'll get it off. -Not my backside! | 0:02:56 | 0:02:58 | |
-The crate. -Another note. -A note, a note. | 0:02:58 | 0:03:01 | |
Clue number two... | 0:03:01 | 0:03:02 | |
"My window was covered in old iron bars | 0:03:02 | 0:03:04 | |
"But my treasure is hidden close to the stars." | 0:03:04 | 0:03:07 | |
He's hidden his treasure on the moon. | 0:03:07 | 0:03:09 | |
How crafty! | 0:03:09 | 0:03:11 | |
Yes, either that, sir, or it's in his cell. | 0:03:11 | 0:03:14 | |
No treasure here, either. | 0:03:29 | 0:03:31 | |
And you're not exactly helping, sir, are you? | 0:03:31 | 0:03:33 | |
-Yes, I am, Frank. -How? | 0:03:33 | 0:03:35 | |
By not getting in the way. | 0:03:35 | 0:03:36 | |
Fair point. | 0:03:36 | 0:03:37 | |
Although, I must say, Rodney's bunk isn't very comfy. | 0:03:37 | 0:03:41 | |
-Another note! -Oh, a note? | 0:03:43 | 0:03:45 | |
"I always had such a hoot | 0:03:48 | 0:03:50 | |
"When the Governor wore his showtime suit." | 0:03:50 | 0:03:52 | |
But my suit's in my office. | 0:03:52 | 0:03:53 | |
Well, that's where the loot is, then. | 0:03:53 | 0:03:56 | |
We must stop meeting like this. | 0:04:05 | 0:04:06 | |
Catapult, antacid chew, lucky jelly bean... | 0:04:11 | 0:04:15 | |
I mean, all treasures of a sort, Frank, | 0:04:15 | 0:04:17 | |
but nothing left there by Rodney. | 0:04:17 | 0:04:19 | |
I wouldn't say that, sir. | 0:04:19 | 0:04:22 | |
Allow me, Shirley. Or should I say "sir". | 0:04:22 | 0:04:25 | |
-Another note! -A note! | 0:04:25 | 0:04:27 | |
"If you're really very clever and put my clues together | 0:04:27 | 0:04:30 | |
"You'll finally find my special treasure!" | 0:04:30 | 0:04:33 | |
We're obviously not clever enough... | 0:04:33 | 0:04:35 | |
Speak for yourself, sir! | 0:04:35 | 0:04:36 | |
We've no time to find the treasure now, | 0:04:36 | 0:04:37 | |
the Freedom Show's about to start. | 0:04:37 | 0:04:39 | |
-We'll keep looking as soon as it's over. Deal? -Deal. | 0:04:39 | 0:04:41 | |
And no sneaking off trying to find the treasure for yourselves. | 0:04:41 | 0:04:44 | |
No, no, no... | 0:04:44 | 0:04:47 | |
-Eh, eh, eh. -I was just doing the... | 0:04:47 | 0:04:49 | |
-Right. -How do I look? | 0:04:49 | 0:04:51 | |
-BOTH: -Shifty. -Thank you very much. | 0:04:51 | 0:04:53 | |
It's showtime! | 0:04:53 | 0:04:54 | |
-ANNOUNCER: -Ladies and gentlemen. | 0:04:58 | 0:04:59 | |
Welcome to HMP Slammer, | 0:04:59 | 0:05:01 | |
where you decide which prisoner is to be released. | 0:05:01 | 0:05:04 | |
Now, please welcome your host... | 0:05:04 | 0:05:06 | |
he's spent all morning looking for treasure, | 0:05:06 | 0:05:09 | |
on his day off, he tickles chickens for pleasure. | 0:05:09 | 0:05:11 | |
Please welcome the Governor! | 0:05:11 | 0:05:14 | |
APPLAUSE | 0:05:14 | 0:05:16 | |
Who's the Governor? | 0:05:29 | 0:05:30 | |
-AUDIENCE: -You're the Governor! | 0:05:30 | 0:05:33 | |
Welcome jailers and jailbirds to another fantastic Freedom Show. | 0:05:33 | 0:05:36 | |
And I've heard that there's treasure hidden somewhere in The Slammer. | 0:05:36 | 0:05:40 | |
Oh, hey! No, hang on a minute! | 0:05:40 | 0:05:43 | |
Where are you lot going? No, no, no. I don't mean there. | 0:05:43 | 0:05:46 | |
Come on, sit down, everybody. | 0:05:46 | 0:05:47 | |
We've got real treasure to unearth in the Freedom Show, first of all. | 0:05:47 | 0:05:50 | |
We've got some marvellous acts, | 0:05:50 | 0:05:52 | |
and nobody's going looking for treasure until after the show... | 0:05:52 | 0:05:55 | |
Ain't that right, Mr Burgess? Miss Meadows? | 0:05:55 | 0:05:59 | |
Let's get off with a real wonderful act, | 0:05:59 | 0:06:01 | |
and they're doing three years here in The Slammer | 0:06:01 | 0:06:03 | |
for giving the judge a tap on the head | 0:06:03 | 0:06:05 | |
and making water come out of his ears. | 0:06:05 | 0:06:07 | |
Because they are called Tap Factory! | 0:06:07 | 0:06:09 | |
APPLAUSE | 0:06:09 | 0:06:11 | |
Hey, come on! | 0:06:55 | 0:06:56 | |
Oh, boy! | 0:08:17 | 0:08:19 | |
The Tap Factory, yeah. I wouldn't mind, | 0:08:19 | 0:08:22 | |
but we only booked them to paint the corridor. Takes for ever! | 0:08:22 | 0:08:24 | |
Wonderful tapping there. What did you think of that? | 0:08:24 | 0:08:27 | |
Let's find out with Mr Burgess - no mean tapper himself. | 0:08:27 | 0:08:31 | |
Well, the Tap Factory, there. | 0:08:31 | 0:08:32 | |
Was it a production line or was it a chorus line, miss? | 0:08:32 | 0:08:36 | |
It was good, awesome and beautiful | 0:08:36 | 0:08:39 | |
because they were doing it really quickly and really fast. | 0:08:39 | 0:08:44 | |
Tell me what you thought of Tap Factory, sir. | 0:08:44 | 0:08:46 | |
It was amazingly hilarious with a topping of cool. | 0:08:46 | 0:08:49 | |
A topping of cool? I like that. | 0:08:49 | 0:08:52 | |
-Right, for one final word, sum that act up for me, sir. -Moves. | 0:08:52 | 0:08:55 | |
Moves, sir, moves! Very good. | 0:08:55 | 0:08:57 | |
Well, a very exciting act, weren't they, the Tap Factory? | 0:08:57 | 0:09:01 | |
'I'm sure that treasure's in the canteen somewhere.' | 0:09:01 | 0:09:04 | |
This is another little piece of buried treasure. | 0:09:07 | 0:09:10 | |
Absolutely golden this act is and he's serving five years | 0:09:10 | 0:09:13 | |
in The Slammer for giving the judge a lot of hot air | 0:09:13 | 0:09:16 | |
which he blew into balloons. | 0:09:16 | 0:09:17 | |
Which is just as well because he is Bob Wooding. | 0:09:17 | 0:09:20 | |
CHEERING AND APPLAUSE | 0:09:20 | 0:09:24 | |
PINK PANTHER MUSIC PLAYS | 0:09:30 | 0:09:34 | |
007 THEME PLAYS | 0:10:00 | 0:10:02 | |
DR WHO MUSIC PLAYS | 0:10:26 | 0:10:30 | |
GHOSTBUSTERS THEME PLAYS | 0:10:48 | 0:10:52 | |
# Ghostbusters! | 0:11:00 | 0:11:02 | |
# If there's something strange in the neighbourhood | 0:11:02 | 0:11:06 | |
# Who you gonna call? # | 0:11:06 | 0:11:08 | |
-ALL: -Ghostbusters! | 0:11:08 | 0:11:10 | |
# I ain't afraid of no ghost. # | 0:11:17 | 0:11:18 | |
ET SONG PLAYS | 0:11:18 | 0:11:21 | |
ET, phone home. | 0:11:30 | 0:11:33 | |
# Five | 0:11:38 | 0:11:40 | |
# Four | 0:11:40 | 0:11:42 | |
# Three | 0:11:42 | 0:11:45 | |
# Two | 0:11:45 | 0:11:46 | |
# One | 0:11:46 | 0:11:48 | |
# Thunderbirds are go! # | 0:11:48 | 0:11:50 | |
THUNDERBIRDS MUSIC PLAYS | 0:11:52 | 0:11:55 | |
Bob Wooding, what a fantastic act, ladies and gentlemen! | 0:12:26 | 0:12:29 | |
Did you enjoy that, yeah? | 0:12:29 | 0:12:30 | |
-ALL: -Yeah! | 0:12:30 | 0:12:32 | |
Real treasure. | 0:12:32 | 0:12:33 | |
Yes, and all those aliens and scary monsters... | 0:12:33 | 0:12:36 | |
almost as scary as Mr Burgess. | 0:12:36 | 0:12:38 | |
Bob Wooding, balloon bending or mind-boggling? | 0:12:38 | 0:12:41 | |
I think he was really creative | 0:12:41 | 0:12:43 | |
and I think he really kept us entertained instead of boring us. | 0:12:43 | 0:12:46 | |
That's it. | 0:12:49 | 0:12:50 | |
Bob Wooding, was he "gooding"? | 0:12:50 | 0:12:52 | |
He was very extraordinary and because it was different | 0:12:52 | 0:12:56 | |
and nobody has done anything amazing like that. | 0:12:56 | 0:12:59 | |
And for one final word, some that act up for me, sir. | 0:12:59 | 0:13:02 | |
-Funny. -Funny. | 0:13:02 | 0:13:04 | |
Will they be going free? You'll be deciding later with the Clapometer. | 0:13:05 | 0:13:09 | |
Fruitless! | 0:13:14 | 0:13:15 | |
Right now, it's time for the act that we call Solitary Confinement. | 0:13:16 | 0:13:21 | |
-AUDIENCE: -Boo! | 0:13:21 | 0:13:24 | |
The part of the Freedom Show where we give an act a chance to perform. | 0:13:25 | 0:13:29 | |
They're too naughty to let them free, | 0:13:29 | 0:13:30 | |
but if they do well, they get a little treat. | 0:13:30 | 0:13:33 | |
And today's treat is, they can have a day in The Slammer's spa... | 0:13:33 | 0:13:36 | |
We've got a spa! | 0:13:36 | 0:13:37 | |
They can have a sunbed, they can lie on the sun lounger | 0:13:37 | 0:13:39 | |
and get a lovely, honey-toasted suntan. They look gorgeous. | 0:13:39 | 0:13:42 | |
Nice, isn't it? | 0:13:42 | 0:13:43 | |
If they don't do well, they get a cruel and unusual punishment. | 0:13:43 | 0:13:46 | |
-Mr Burgess! -Yeah? | 0:13:46 | 0:13:47 | |
What is today's cruel and unusual punishment? | 0:13:47 | 0:13:49 | |
Today, sir, it's the old sack and porridge routine, sir! | 0:13:49 | 0:13:53 | |
Ah, ye olde sack and porridge. First of all, we need a judge, Mr Burgess. | 0:13:53 | 0:13:56 | |
-We do, indeed. -Somebody looking wise? | 0:13:56 | 0:13:58 | |
-Fine, I'm going to this lady right here. -She looks very wise. | 0:13:58 | 0:14:01 | |
Yes, bring her up. Give her a round of applause, please. Thank you. | 0:14:01 | 0:14:04 | |
-Here you go. -Thank you, young lady. | 0:14:04 | 0:14:07 | |
-Your name, please? -Savanna. | 0:14:07 | 0:14:10 | |
-Savanna, apply the... -The wig of justice, sir. | 0:14:10 | 0:14:12 | |
Savanna, you are our judge as we go onto the Solitary Confinement act | 0:14:12 | 0:14:16 | |
that we call Nutty Noah! | 0:14:16 | 0:14:19 | |
-AUDIENCE: -Boo! | 0:14:21 | 0:14:24 | |
MUSIC PLAYS | 0:14:30 | 0:14:32 | |
CHEERING AND APPLAUSE | 0:15:04 | 0:15:06 | |
Well, Savanna, it's up to you now to decide the fate of Nutty Noah. | 0:15:09 | 0:15:13 | |
Remember, thumbs up, you're sunny like honey and flat on your back. | 0:15:13 | 0:15:17 | |
Thumbs down, you're ploppy and sloppy in a sweaty old sack. | 0:15:17 | 0:15:21 | |
Get that thumb up there. Your five seconds start now. | 0:15:21 | 0:15:24 | |
Oh, straight down! Oh, straightaway! | 0:15:24 | 0:15:27 | |
Your act was weak and sloppy, so for your it's... | 0:15:27 | 0:15:30 | |
-ALL: -It's plop, plop, sloppy! | 0:15:30 | 0:15:33 | |
Let him have it, both buckets! Go on! | 0:15:33 | 0:15:36 | |
Sloppy! Ploppy! | 0:15:36 | 0:15:38 | |
-CROWD CHANTS: -Sloppy! Ploppy! | 0:15:38 | 0:15:45 | |
Sloppy! Ploppy! | 0:15:50 | 0:15:52 | |
Sir! Come on, sir! | 0:15:52 | 0:15:54 | |
Take him back to the cells! | 0:15:54 | 0:15:57 | |
Yeah, give him a cheer, and Justice Savanna, as well! | 0:15:57 | 0:16:00 | |
CHEERING AND APPLAUSE | 0:16:00 | 0:16:02 | |
Sloppy, ploppy part... I love it! | 0:16:04 | 0:16:07 | |
-Mr Burgess. -Ah! -Continue, please, with the Freedom Show. -Daaargh! | 0:16:07 | 0:16:11 | |
Right, jailers and jailbirds, our next Freedom Show act is marvellous. | 0:16:11 | 0:16:15 | |
Been in The Slammer for seven years, he's the man of a thousand voices, | 0:16:15 | 0:16:19 | |
it's cost us a fortune, we have to feed every one of those voices. | 0:16:19 | 0:16:22 | |
It's Anil Desai! | 0:16:22 | 0:16:25 | |
APPLAUSE AND CHEERING | 0:16:25 | 0:16:30 | |
Hello, boys and girls. | 0:16:35 | 0:16:36 | |
I'm going to do as many impressions as I can | 0:16:36 | 0:16:39 | |
in as much time as I have, | 0:16:39 | 0:16:41 | |
so I need a volunteer. | 0:16:41 | 0:16:43 | |
Officer Meadows, would you help me with my act, please? | 0:16:43 | 0:16:47 | |
Please, it's the only chance I have to get out of here! | 0:16:47 | 0:16:51 | |
CHEERING | 0:16:51 | 0:16:53 | |
Now, I have a deck of cards. | 0:16:53 | 0:16:56 | |
On each card is a famous name that I'm going to impersonate. | 0:16:56 | 0:16:59 | |
What I would like you to do, please, | 0:16:59 | 0:17:00 | |
is you say the name on the card, I'll do the impression, | 0:17:00 | 0:17:03 | |
you guys enjoy it, I'll move on to the next one. | 0:17:03 | 0:17:05 | |
-Are you ready for this? KIDS: -YEAH! -Me too! Take it away! | 0:17:05 | 0:17:10 | |
The movie trailer voice man. | 0:17:10 | 0:17:13 | |
Get ready for the time of your life. | 0:17:13 | 0:17:15 | |
APPLAUSE | 0:17:15 | 0:17:17 | |
-Just warming up. -Shaggy and Scooby-Doo. | 0:17:17 | 0:17:21 | |
Come on, Scoob, let's get out of here. Zoiks! | 0:17:21 | 0:17:25 | |
LAUGHS AS SCOOBY-DOO | 0:17:25 | 0:17:26 | |
-Homer Simpson. -Homer Simpson. Yay, I like burgers and pizza and chicken. | 0:17:26 | 0:17:31 | |
Has anyone seen Lisa or Bart? | 0:17:31 | 0:17:33 | |
Anywhere? I don't know where those kids are. | 0:17:33 | 0:17:37 | |
AS MARGE: Homer, they're at home watching the show on TV. | 0:17:37 | 0:17:39 | |
AS HOMER: Thanks, Marge. Heh-heh-heh, Marge. | 0:17:39 | 0:17:43 | |
APPLAUSE | 0:17:43 | 0:17:46 | |
-Captain Jack Sparrow. -Listen, mate, here's the thing. Whoa. | 0:17:46 | 0:17:49 | |
Whoa, this isn't the Black Pearl. Where am I? | 0:17:49 | 0:17:52 | |
Hit the deck and man the sails, here comes a big wave. | 0:17:52 | 0:17:55 | |
Batman. | 0:17:55 | 0:17:56 | |
AS CHRISTIAN BALE'S BATMAN: I'm Batman, where are they? | 0:17:56 | 0:17:59 | |
Where are they? Oh, there they are. | 0:17:59 | 0:18:02 | |
LAUGHTER AND APPLAUSE | 0:18:02 | 0:18:06 | |
Mr T. | 0:18:06 | 0:18:07 | |
I pity the fool that impersonates me. | 0:18:07 | 0:18:09 | |
Huh! Eat your greens, kids. Don't make me mad. Huh! | 0:18:09 | 0:18:13 | |
APPLAUSE | 0:18:13 | 0:18:16 | |
Gandalf from Lord Of The Rings. | 0:18:16 | 0:18:19 | |
Oh, Frodo, all we can do now is to decide what to do with the time | 0:18:19 | 0:18:23 | |
we have left. | 0:18:23 | 0:18:25 | |
Oh, it's tea-time. Bye. | 0:18:25 | 0:18:27 | |
APPLAUSE | 0:18:27 | 0:18:29 | |
Kermit the Frog. | 0:18:29 | 0:18:32 | |
I'm Kermit the Frog. I'm here at The Slammer, reporting. | 0:18:32 | 0:18:34 | |
Someone is going to get released today. Who's it going to be? Let's find out in a few minutes. | 0:18:34 | 0:18:39 | |
-Angelina Jolie. -Ooh. | 0:18:39 | 0:18:41 | |
LAUGHTER | 0:18:43 | 0:18:47 | |
-Austin Powers. -Austin Powers. Very groovy. | 0:18:47 | 0:18:50 | |
You know, you are heading for a smacked bottom, yeah. | 0:18:50 | 0:18:53 | |
LAUGHTER Oh, behave. | 0:18:53 | 0:18:55 | |
I've been Anil Desai and many other people. | 0:18:55 | 0:18:58 | |
Folks, you've been great. Thank you very much. | 0:18:58 | 0:19:00 | |
APPLAUSE AND CHEERING | 0:19:00 | 0:19:02 | |
Anil Desai, the man of a thousand voices. | 0:19:07 | 0:19:10 | |
Let's hear from another voice, Mr Burgess. | 0:19:10 | 0:19:13 | |
Mr Burgess? Frank? | 0:19:13 | 0:19:15 | |
It's all feathers and no treasures! | 0:19:17 | 0:19:19 | |
Atchoo! | 0:19:19 | 0:19:21 | |
I bet he's gone treasure hunting again. | 0:19:22 | 0:19:25 | |
Miss Meadows, I know you've been very busy, but would you mind helping out? | 0:19:25 | 0:19:30 | |
So, tell me about that act. | 0:19:30 | 0:19:32 | |
I think he was amazing, I especially liked the Simpsons one. | 0:19:32 | 0:19:36 | |
-I think he was the best act yet. -Do you like impressions, sir? | 0:19:36 | 0:19:41 | |
-Yeah, I love impressions. -Do you do any? -Yeah. -Who do you do? -You. | 0:19:41 | 0:19:47 | |
-No. -Yeah. -Go on, then, here's the microphone, do me. | 0:19:47 | 0:19:50 | |
Ladies and gentlemen, | 0:19:50 | 0:19:53 | |
welcome to-o-o-o-o The Slammer! | 0:19:53 | 0:19:58 | |
LAUGHTER | 0:19:58 | 0:19:59 | |
-Very good. Very good. What's your name? -Jake. | 0:19:59 | 0:20:04 | |
-Jake, did you like the impressions? -Yeah. -What was the best impression? | 0:20:04 | 0:20:08 | |
-Batman. -Batman? -Yeah. -And for one final word, please sum that act up. | 0:20:08 | 0:20:12 | |
-Marvellodrome. -Marvellodrome, sir. | 0:20:12 | 0:20:16 | |
Well, that's what you thought of Anil Desai. Marvellous. | 0:20:16 | 0:20:20 | |
Mm. Mm. | 0:20:20 | 0:20:23 | |
It's on to our final performing prisoner act. | 0:20:23 | 0:20:26 | |
From the young offenders section here at The Slammer, they're young, | 0:20:26 | 0:20:29 | |
just like yourselves. What will you think of them? | 0:20:29 | 0:20:32 | |
They're a mini band and they've been banned from outside society | 0:20:32 | 0:20:34 | |
but they might get back in if they win tonight. | 0:20:34 | 0:20:37 | |
Let's hear it for the Mini Band! | 0:20:37 | 0:20:39 | |
APPLAUSE AND CHEERING | 0:20:39 | 0:20:45 | |
MUSIC STARTS | 0:20:48 | 0:20:50 | |
# They're coming for you, so you better watch | 0:21:06 | 0:21:09 | |
# See your every movement | 0:21:11 | 0:21:13 | |
# Still, you'll think you've won | 0:21:13 | 0:21:17 | |
# And now I know what's on your mind | 0:21:17 | 0:21:20 | |
# Cos you're so hard, so hard to find | 0:21:22 | 0:21:28 | |
# I'm seeing through the lying | 0:21:28 | 0:21:33 | |
# Hey, hey, I saw the picture now that you are not a fake | 0:21:33 | 0:21:39 | |
# Hey, hey, step into the light and you will never hurt again | 0:21:39 | 0:21:44 | |
# Hey, hey, you'll find your way that you can win your special place | 0:21:44 | 0:21:49 | |
# Hey, hey | 0:21:49 | 0:21:51 | |
# Never, never, ever feel the pain | 0:21:51 | 0:21:55 | |
# I'm seeing through your lying eyes | 0:22:05 | 0:22:11 | |
# And I know what's on your mind | 0:22:11 | 0:22:17 | |
# Hey, hey, I'm sure the people know that you are not a fake | 0:22:37 | 0:22:42 | |
# Hey, hey, step into the light and you will never feel the pain | 0:22:42 | 0:22:48 | |
# Hey, hey | 0:22:48 | 0:22:49 | |
# Never, never, ever feel the pain | 0:22:49 | 0:22:53 | |
# Hey, hey | 0:22:53 | 0:22:55 | |
# Never, never, ever feel the pain. # | 0:22:55 | 0:23:00 | |
Whoa! Come on, let's hear it again for the Mini Band. Yeah. | 0:23:10 | 0:23:14 | |
APPLAUSE | 0:23:14 | 0:23:16 | |
Oh! Well, what did you think of the Mini Band? | 0:23:16 | 0:23:19 | |
I was going to leap out into the mosh pit. Would you have caught me? | 0:23:19 | 0:23:23 | |
No, you wouldn't, would you? | 0:23:23 | 0:23:25 | |
Let's find out what you thought with that old mosher, Mr Burgess. | 0:23:25 | 0:23:29 | |
Rock 'n' roll! | 0:23:29 | 0:23:30 | |
Mini plus band equals noise. | 0:23:30 | 0:23:33 | |
I've been to lots of music festivals | 0:23:33 | 0:23:35 | |
and I think these have been the best ones ever. | 0:23:35 | 0:23:39 | |
-And I think they're as hot as lava. -They're as hot as lava? -Yep! | 0:23:39 | 0:23:44 | |
-And what about a man's perspective on that? -I didn't like it at all. | 0:23:44 | 0:23:48 | |
I didn't think they could sing or play music, to be honest. | 0:23:48 | 0:23:51 | |
-Oh, so, you're in my camp, sir. -Yeah. | 0:23:51 | 0:23:53 | |
-KIDS BOO -Oi, oi, oi! | 0:23:53 | 0:23:55 | |
Right. Shut up. Shut up. | 0:23:55 | 0:23:57 | |
The man is entitled to his opinion | 0:23:57 | 0:23:59 | |
and it happens to be the same opinion as mine. | 0:23:59 | 0:24:01 | |
Have you thought about joining the prison service, sir? | 0:24:01 | 0:24:03 | |
-No. -I'll give you an application form afterwards. | 0:24:03 | 0:24:06 | |
What did you think of the Mini Band? | 0:24:06 | 0:24:07 | |
So absolutely amazing that I have nothing to say. | 0:24:07 | 0:24:12 | |
Thank you very much and goodbye. | 0:24:12 | 0:24:14 | |
One final word. Sum up that noise, sir. | 0:24:14 | 0:24:18 | |
Rocktastic! | 0:24:18 | 0:24:19 | |
Rocktastic, sir! | 0:24:19 | 0:24:21 | |
Well, it's that time when we decide who goes free. | 0:24:21 | 0:24:24 | |
Let's invite everybody back on the stage. | 0:24:24 | 0:24:27 | |
Tap Factory, Bob Wooding... | 0:24:27 | 0:24:29 | |
APPLAUSE AND CHEERING | 0:24:29 | 0:24:30 | |
..Anil Desai, | 0:24:30 | 0:24:33 | |
and, of course, the Mini Band. | 0:24:33 | 0:24:36 | |
Well, four very different acts indeed, | 0:24:37 | 0:24:40 | |
you decide who goes free with this, Officer Meadows' Clapometer. | 0:24:40 | 0:24:44 | |
The more noise you make, the higher they score. It's as simple as that. | 0:24:44 | 0:24:48 | |
What did you make of them? | 0:24:48 | 0:24:49 | |
All the way from France, let's hear it for Tap Factory. | 0:24:49 | 0:24:54 | |
APPLAUSE AND CHEERING | 0:24:54 | 0:24:57 | |
78.3. Great score. Well done, lads. Tres bon, tres bon. | 0:25:01 | 0:25:06 | |
Next, jailers and jailbirds, | 0:25:06 | 0:25:07 | |
what did you think of the fabulous balloon antics of Bob Wooding? | 0:25:07 | 0:25:11 | |
APPLAUSE AND CHEERING | 0:25:11 | 0:25:16 | |
Brilliant, Bob, but, oh, you're in second place, Bob. | 0:25:19 | 0:25:22 | |
In the lead, it's Tap Factory at the moment. | 0:25:22 | 0:25:24 | |
Now, a very clever gentleman, lots of different voices, | 0:25:24 | 0:25:28 | |
which one did you like the best? | 0:25:28 | 0:25:30 | |
Will he be going out? It's Anil Desai! | 0:25:30 | 0:25:33 | |
APPLAUSE AND SCREAMING | 0:25:33 | 0:25:36 | |
He's working the crowd. 84.7, he's in the lead, ladies and gentlemen. | 0:25:40 | 0:25:44 | |
Only one act now can pip Anil. | 0:25:44 | 0:25:49 | |
Jailers and jailbirds, felon fans, | 0:25:49 | 0:25:51 | |
what did you think of the rocking sounds of the Mini Band? | 0:25:51 | 0:25:55 | |
APPLAUSE AND SCREAMING | 0:25:55 | 0:25:59 | |
Well, guess what, they're the winners. | 0:26:02 | 0:26:05 | |
Look at that, with a great score right at the end of 90.6 | 0:26:05 | 0:26:08 | |
and going free, it's the Mini Band. | 0:26:08 | 0:26:11 | |
APPLAUSE AND CHEERING | 0:26:11 | 0:26:14 | |
Off you go, take them away there. That's great news for them. | 0:26:15 | 0:26:19 | |
The not so great news for everybody else is you've got to stay for tea. | 0:26:19 | 0:26:22 | |
What do we have for tea in The Slammer? | 0:26:22 | 0:26:24 | |
-KIDS: -Sloppy, ploppy porridge! | 0:26:24 | 0:26:27 | |
And there's no point asking you, Mr Burgess, cos you'll just make out | 0:26:27 | 0:26:30 | |
it's some fancy French a la mode | 0:26:30 | 0:26:33 | |
and it'll just turn out to be sloppy, ploppy porridge. | 0:26:33 | 0:26:36 | |
-It might not be, sir. -It might not be? Oh! What is for tea? | 0:26:36 | 0:26:40 | |
Sloppy, ploppy porridge, sir. | 0:26:40 | 0:26:42 | |
Oh! Away you go. Go and enjoy the porridge. | 0:26:42 | 0:26:44 | |
Give them a big hand, ladies and gentlemen. | 0:26:44 | 0:26:46 | |
Tap Factory, Bob Wooding and Anil Desai. | 0:26:46 | 0:26:50 | |
Well, there is only one winner | 0:26:50 | 0:26:52 | |
but they're all winners here on the Freedom Show. | 0:26:52 | 0:26:54 | |
Brilliant acts and a brilliant audience. | 0:26:54 | 0:26:56 | |
I hope you come and join Officer Meadows and me and Mr Burgess | 0:26:56 | 0:26:59 | |
for more fun soon on The Slammer. | 0:26:59 | 0:27:01 | |
And remember, if you can't sing, dance or rhyme... | 0:27:01 | 0:27:05 | |
-KIDS: -Don't do the time! | 0:27:05 | 0:27:08 | |
And I will see you soon on the Freedom Show in The Slammer. Bye-bye. | 0:27:08 | 0:27:12 | |
# It's the only way you'll ever leave the Slammer! # | 0:27:35 | 0:27:40 | |
So, that's it, then, no treasure? | 0:27:40 | 0:27:42 | |
We just couldn't put the clues together. | 0:27:42 | 0:27:44 | |
But that's just what I did, put the clues together. | 0:27:44 | 0:27:47 | |
Somewhere made of wood, somewhere close to the stars | 0:27:47 | 0:27:50 | |
and somewhere where I wear my showtime suit. | 0:27:50 | 0:27:53 | |
BOTH: The Freedom Show stage. | 0:27:53 | 0:27:54 | |
Yes! Ha-ha-ha! | 0:27:54 | 0:27:56 | |
Ohhhh! | 0:27:56 | 0:27:58 | |
ALL: The treasure! | 0:27:58 | 0:28:00 | |
Is that it? | 0:28:09 | 0:28:10 | |
Yep. | 0:28:10 | 0:28:12 |