Browse content similar to Master of Disguise. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Dear Steven Spielberg. Or can I call you "Stevie Baby"? | 0:00:02 | 0:00:05 | |
Course I can. Stevie Baby, have I got an idea for you! | 0:00:05 | 0:00:08 | |
It's the true story of what happened in The Slammer this week, | 0:00:08 | 0:00:12 | |
and like all the best movies, it's full of excitement... | 0:00:12 | 0:00:15 | |
..laughter... | 0:00:17 | 0:00:19 | |
# I like to move it! # | 0:00:19 | 0:00:20 | |
..and tension! | 0:00:20 | 0:00:21 | |
By the way, when it comes to casting my part, | 0:00:23 | 0:00:26 | |
may I suggest Brad Pitt for the role? | 0:00:26 | 0:00:28 | |
I look just like him, | 0:00:28 | 0:00:30 | |
or his brother Cess. | 0:00:30 | 0:00:32 | |
Anyway, here's how it all started. | 0:00:32 | 0:00:36 | |
And action! | 0:00:36 | 0:00:38 | |
# You've been found guilty of a howling show-biz crime | 0:00:43 | 0:00:48 | |
# So welcome to The Slammer where you're gonna serve your time | 0:00:48 | 0:00:53 | |
# With every type of minstrel, entertainer and artiste | 0:00:53 | 0:00:56 | |
# Performing to the limit to try and get released | 0:00:56 | 0:01:01 | |
# So go and fetch the audience, bring them to The Slammer | 0:01:01 | 0:01:06 | |
# And polish up your act, with a bit of glitz and glamour | 0:01:06 | 0:01:10 | |
# Your fate is in their hands, so make them cheer and clamour | 0:01:10 | 0:01:14 | |
# It's the only way you'll ever leave The Slammer | 0:01:14 | 0:01:19 | |
# It's the only way you'll ever leave The Slammer! # | 0:01:19 | 0:01:24 | |
All right, Gibling. Move along, nothing to see here! | 0:01:27 | 0:01:30 | |
Yes, yes, very good, lad, but you won't catch me out that easily. | 0:01:31 | 0:01:34 | |
Who's in that cell, Mr Burgess? | 0:01:34 | 0:01:37 | |
I don't ever think I've seen it opened. | 0:01:37 | 0:01:39 | |
Never you mind who's in that cell, Miss Meadows! | 0:01:39 | 0:01:42 | |
All you need to know is whoever's in there, | 0:01:42 | 0:01:45 | |
they must never, ever be let out. Don't even talk to them. | 0:01:45 | 0:01:48 | |
-But... -Ah! | 0:01:48 | 0:01:49 | |
I said no talkie talkie! Sh! | 0:01:49 | 0:01:51 | |
Never let out and never talked to. That's mean even for Mr Burgess. | 0:01:51 | 0:01:56 | |
I wonder who's in there, they can't be that bad... | 0:01:56 | 0:02:00 | |
Silly me, I seem to have locked myself in one of my own cells! | 0:02:02 | 0:02:06 | |
Not again, sir! | 0:02:06 | 0:02:08 | |
Again?! I mean, oh, yes! Daft as a brush, I am! | 0:02:08 | 0:02:11 | |
Out you come! | 0:02:11 | 0:02:13 | |
Yes! Yes! At last! | 0:02:13 | 0:02:16 | |
Must be nearly biccie time. | 0:02:16 | 0:02:19 | |
CUCKOO! | 0:02:20 | 0:02:22 | |
I was right! Must dash! | 0:02:22 | 0:02:24 | |
DRUMS FINGERS | 0:02:31 | 0:02:33 | |
DRUMMING CONTINUES | 0:02:33 | 0:02:34 | |
Enjoy biccie time, sir? | 0:02:36 | 0:02:37 | |
Why does everyone always assume I've just had a biccie? | 0:02:37 | 0:02:40 | |
Because you usually have, sir. That and the crumbs. | 0:02:40 | 0:02:43 | |
When I saw you earlier, you said you were popping off for one, | 0:02:43 | 0:02:45 | |
-so I thought... -What are you talking about, Meadows? | 0:02:45 | 0:02:48 | |
-I haven't seen you all day. -But... | 0:02:48 | 0:02:50 | |
Now, listen, I've called this emergency meeting | 0:02:50 | 0:02:52 | |
because Henrico De Marco, the world's greatest impressionist, | 0:02:52 | 0:02:55 | |
has escaped from his cell. | 0:02:55 | 0:02:56 | |
Right, what does he look like? | 0:02:56 | 0:02:58 | |
That's exactly the problem. Nobody knows! | 0:02:58 | 0:03:00 | |
He can make himself look and sound exactly like anyone he's ever met! | 0:03:00 | 0:03:04 | |
That's why we have to keep him in a cell on his own. | 0:03:04 | 0:03:06 | |
Not in cell 101... | 0:03:06 | 0:03:08 | |
Exactly. | 0:03:08 | 0:03:09 | |
Oops. I might have accidentally let him out. | 0:03:09 | 0:03:13 | |
That means he could be impersonating any one of us here right now. | 0:03:13 | 0:03:16 | |
It could even be you, Officer Meadows! | 0:03:16 | 0:03:18 | |
-Well, when I let him out he looked just like The Governor. -Ah! | 0:03:18 | 0:03:22 | |
Hang on! I'm not Henrico. | 0:03:22 | 0:03:25 | |
That's exactly what Henrico would say. | 0:03:25 | 0:03:27 | |
To be sure, you're going to have to tell us something only you know. | 0:03:27 | 0:03:31 | |
Like what? | 0:03:31 | 0:03:32 | |
Like, what was your nickname at school? | 0:03:32 | 0:03:35 | |
I'm not answering that! | 0:03:35 | 0:03:36 | |
Ha! That proves it! You are Henrico De Marco! | 0:03:36 | 0:03:39 | |
All right, then. All right, then. | 0:03:39 | 0:03:42 | |
If it's the only way that'll prove it. | 0:03:42 | 0:03:44 | |
My nickname at school was... | 0:03:44 | 0:03:46 | |
HE MUMBLES | 0:03:46 | 0:03:47 | |
Come again, sir? | 0:03:47 | 0:03:49 | |
HE MUMBLES | 0:03:49 | 0:03:51 | |
Didn't quite catch that either, sir. | 0:03:51 | 0:03:53 | |
Jellybum Wobblechops! | 0:03:53 | 0:03:56 | |
Satisfied? That proves I'm not Henrico! | 0:03:56 | 0:03:59 | |
Then who is? | 0:03:59 | 0:04:01 | |
Can I have a word, sir? | 0:04:01 | 0:04:03 | |
What is it, Frank? Can't you see that I'm... | 0:04:03 | 0:04:06 | |
HE BLOWS A RASPBERRY | 0:04:08 | 0:04:10 | |
Aha! | 0:04:10 | 0:04:12 | |
Our Mr De Marco, sir? | 0:04:12 | 0:04:14 | |
He didn't fool me for a second, did he, Meadows? | 0:04:14 | 0:04:17 | |
Of course not, Jellybum... I mean Governor! Sorry! | 0:04:17 | 0:04:19 | |
-He won't get very far! -Wait! | 0:04:19 | 0:04:22 | |
We know that all three of us are really us, yes? | 0:04:22 | 0:04:25 | |
Yes. | 0:04:25 | 0:04:26 | |
So, if we give ourselves a secret mark, | 0:04:26 | 0:04:29 | |
we'll always be able to tell who the real us are. | 0:04:29 | 0:04:32 | |
Like this. | 0:04:32 | 0:04:34 | |
Good idea, I suppose! | 0:04:36 | 0:04:37 | |
So long as the person we're talking to has one of these marks, | 0:04:37 | 0:04:40 | |
we'll know they're really us. | 0:04:40 | 0:04:42 | |
So, how do I look? | 0:04:42 | 0:04:43 | |
Divine, Jellybum...sir. | 0:04:43 | 0:04:45 | |
In that case, it is Showtime! | 0:04:45 | 0:04:47 | |
Ladies and gentlemen. | 0:04:52 | 0:04:53 | |
Welcome to HMP Slammer, | 0:04:53 | 0:04:55 | |
where you decide which prisoner is to be released. | 0:04:55 | 0:04:58 | |
Now please welcome your host, | 0:04:58 | 0:05:01 | |
accept no imitations, | 0:05:01 | 0:05:03 | |
it's the one and only Governor! | 0:05:03 | 0:05:06 | |
CHEERING | 0:05:06 | 0:05:08 | |
Who's the Governor? | 0:05:22 | 0:05:23 | |
-ALL: -You're the Governor! | 0:05:23 | 0:05:26 | |
Yes, jailers and jailbirds, it is I, your Governor, | 0:05:26 | 0:05:28 | |
and I've got the mark to prove it. | 0:05:28 | 0:05:30 | |
But we have a problem in the Slammer today, | 0:05:30 | 0:05:32 | |
there's an imposter running around, | 0:05:32 | 0:05:34 | |
the world's greatest impressionist, | 0:05:34 | 0:05:37 | |
and he could be any one of you. | 0:05:37 | 0:05:40 | |
It could be you! So keep your eyes out. | 0:05:40 | 0:05:44 | |
All right, will you do that, jailers and jailbirds, yes? | 0:05:44 | 0:05:47 | |
ALL: Yes! | 0:05:47 | 0:05:48 | |
Fantastic. We've got four brilliant performing prisoner acts, | 0:05:48 | 0:05:51 | |
all hoping to go free. Which one will it be? | 0:05:51 | 0:05:53 | |
It could be this very first one. A marvellous magic act. | 0:05:53 | 0:05:57 | |
Serving six years in the Slammer - it's quite a spell - | 0:05:57 | 0:06:00 | |
which is just as well because he's a magician. | 0:06:00 | 0:06:02 | |
It's Jamie Allan! | 0:06:02 | 0:06:05 | |
APPLAUSE | 0:06:05 | 0:06:09 | |
Thanks very much, everybody, my name's Jamie Allan. | 0:06:14 | 0:06:18 | |
I was going to show you a great new trick today I've been working on, | 0:06:18 | 0:06:21 | |
and it uses a newspaper, but a lot of people are now | 0:06:21 | 0:06:24 | |
reading all of their newspapers and comic books online. | 0:06:24 | 0:06:28 | |
So if I'm going to show you this little piece of magic, | 0:06:28 | 0:06:30 | |
we're going to have to use a bit of imagination. | 0:06:30 | 0:06:33 | |
Now, this trick is more of an illusion than a trick. | 0:06:33 | 0:06:36 | |
An illusion is just something | 0:06:36 | 0:06:38 | |
which appears to be happening when it's not. | 0:06:38 | 0:06:41 | |
I'm going to demonstrate that for you | 0:06:41 | 0:06:43 | |
with these couple of sheets of newspaper and nothing else. | 0:06:43 | 0:06:46 | |
I call it the illusion of the torn newspaper. | 0:06:46 | 0:06:51 | |
It's called an illusion because I never actually tear the newspaper. | 0:06:51 | 0:06:55 | |
Now... It's good, isn't it? | 0:06:55 | 0:06:58 | |
You even think you can hear it. It becomes so convincing, look. | 0:06:58 | 0:07:02 | |
You'd think that you can see all the individual pieces | 0:07:04 | 0:07:07 | |
of the newspaper, but you don't, it's just an illusion. | 0:07:07 | 0:07:10 | |
The paper is still completely whole. | 0:07:10 | 0:07:15 | |
Thank you. | 0:07:18 | 0:07:20 | |
You see, because there is the newspaper. That is the front page, | 0:07:20 | 0:07:23 | |
that's the middle, that's the back. | 0:07:23 | 0:07:26 | |
I wanted to show you something brand-new today. | 0:07:28 | 0:07:31 | |
Something which uses not one tablet computer, but actually four. | 0:07:31 | 0:07:35 | |
This is a brand-new illusion, and I call this digital art. | 0:07:35 | 0:07:40 | |
Please watch this carefully. | 0:07:40 | 0:07:43 | |
CHEERING | 0:08:23 | 0:08:26 | |
APPLAUSE | 0:09:19 | 0:09:23 | |
Marvellous. Hang on, hang on... | 0:09:29 | 0:09:32 | |
That's not Meadows! Her mark's gone! | 0:09:32 | 0:09:34 | |
That must be Henrico! | 0:09:34 | 0:09:36 | |
What? No! This is me! | 0:09:36 | 0:09:38 | |
Where's your mark? | 0:09:38 | 0:09:39 | |
It's on this wrist, sir. | 0:09:39 | 0:09:41 | |
Oh, yes. Just checking. That's all right, carry on. | 0:09:41 | 0:09:45 | |
On with your opinions of that marvellous magic act. | 0:09:45 | 0:09:48 | |
What did you think of Jamie Allan - did he cast a spell on you? | 0:09:48 | 0:09:52 | |
Let's find out from the wizard in chief, Mr Burgess. | 0:09:52 | 0:09:54 | |
Sir! Let's get a man's perspective on this, | 0:09:54 | 0:09:57 | |
you look like you've got a solid head on your shoulders, sir! | 0:09:57 | 0:10:00 | |
-It was mind-blowing. -Why? | 0:10:00 | 0:10:03 | |
-Because he pulled all them things... -Did your head actually explode, sir? | 0:10:03 | 0:10:08 | |
Was Jamie Allan magical for you? | 0:10:08 | 0:10:11 | |
-Yes. -In what way? | 0:10:11 | 0:10:14 | |
Like, he used the tablets to transfer things | 0:10:14 | 0:10:21 | |
into different places. | 0:10:21 | 0:10:23 | |
Good, wasn't it? Very original. | 0:10:23 | 0:10:25 | |
-Has he done enough to go free? -Yes. | 0:10:25 | 0:10:27 | |
One final word, sum that act up for me, miss. | 0:10:27 | 0:10:30 | |
-Magical. -It was, really. Magical, sir. | 0:10:30 | 0:10:33 | |
Well, jailers and jailbirds, on to our next performing prisoner act. | 0:10:33 | 0:10:37 | |
An act that's going to scale new heights. | 0:10:37 | 0:10:40 | |
Absolutely wonderful, what a sense of balance she has. | 0:10:40 | 0:10:42 | |
She's serving ten years in the Slammer, | 0:10:42 | 0:10:45 | |
for having ladders in her tights. | 0:10:45 | 0:10:46 | |
She put them in her tights and snuck off with them. Naughty! | 0:10:46 | 0:10:49 | |
But she's brilliant. Will you please show your appreciation for | 0:10:49 | 0:10:52 | |
Miss Claire Marie! | 0:10:52 | 0:10:54 | |
APPLAUSE | 0:10:54 | 0:10:56 | |
# It's a new dawn | 0:10:59 | 0:11:02 | |
# It's a new day | 0:11:02 | 0:11:04 | |
# It's a new life | 0:11:04 | 0:11:07 | |
# For me | 0:11:07 | 0:11:11 | |
# And I'm feeling good | 0:11:14 | 0:11:18 | |
# Feeling good | 0:11:24 | 0:11:28 | |
# Fish in the sea | 0:11:32 | 0:11:34 | |
# You know how I feel | 0:11:34 | 0:11:36 | |
# River running free | 0:11:38 | 0:11:40 | |
# You know how I feel | 0:11:40 | 0:11:43 | |
# Blossom on the tree | 0:11:43 | 0:11:47 | |
# You know how I feel | 0:11:47 | 0:11:49 | |
# It's a new dawn | 0:11:49 | 0:11:51 | |
# It's a new day | 0:11:51 | 0:11:52 | |
# It's a new life | 0:11:52 | 0:11:54 | |
# For me | 0:11:54 | 0:11:58 | |
# And I'm feeling good | 0:11:58 | 0:12:01 | |
# Dragonfly out in the sun | 0:12:05 | 0:12:08 | |
# You know what I mean, don't you know | 0:12:08 | 0:12:11 | |
# Butterflies all having fun | 0:12:11 | 0:12:15 | |
# You know what I mean | 0:12:15 | 0:12:17 | |
# Sleep in peace when day is done | 0:12:17 | 0:12:21 | |
# That's what I mean | 0:12:21 | 0:12:23 | |
# And this old world is a new world | 0:12:23 | 0:12:26 | |
# And a bold world | 0:12:26 | 0:12:29 | |
# For me | 0:12:29 | 0:12:31 | |
# For me | 0:12:35 | 0:12:37 | |
# Stars when they shine | 0:12:49 | 0:12:52 | |
# You know how I feel | 0:12:52 | 0:12:54 | |
# Scent of the pine | 0:12:54 | 0:12:58 | |
# You know how I feel | 0:12:58 | 0:13:01 | |
# Oh, freedom is mine | 0:13:01 | 0:13:04 | |
# And I know how I feel | 0:13:04 | 0:13:07 | |
# It's a new dawn | 0:13:07 | 0:13:09 | |
# It's a new day | 0:13:09 | 0:13:10 | |
# It's a new dawn | 0:13:13 | 0:13:15 | |
# It's a new day | 0:13:15 | 0:13:16 | |
# It's a new life | 0:13:16 | 0:13:19 | |
# For me | 0:13:19 | 0:13:22 | |
# And I'm feeling | 0:13:22 | 0:13:25 | |
# Good. # | 0:13:25 | 0:13:30 | |
CHEERING | 0:13:30 | 0:13:34 | |
Bring her back here. Let's hear it for Miss Claire Marie. Wow! | 0:13:39 | 0:13:43 | |
Remember the next time you're asked to set the table for tea, | 0:13:47 | 0:13:50 | |
don't go messing around like that. It'd take for ever! | 0:13:50 | 0:13:53 | |
But what did you think of that as a performing prisoner act? | 0:13:53 | 0:13:55 | |
Let's find out, with Mr Very Well Balanced Burgess. | 0:13:55 | 0:14:00 | |
What do you call a woman with a table on her head? | 0:14:00 | 0:14:03 | |
Miss Claire Marie, quite obviously. | 0:14:03 | 0:14:05 | |
I thought it was shockingly fantastic. | 0:14:05 | 0:14:07 | |
Shockingly fantastic? What shocked you about it in particular, sir? | 0:14:07 | 0:14:10 | |
She was on a ladder with a table on her head. What more could shock you? | 0:14:10 | 0:14:14 | |
Do you find Claire Marie a very exciting act? | 0:14:14 | 0:14:17 | |
I was flabbergasted when she balanced... | 0:14:17 | 0:14:21 | |
the drinks and the table on just her head | 0:14:21 | 0:14:25 | |
and she went up and down the ladders. | 0:14:25 | 0:14:28 | |
-One final word, sum that act up for me, sir. -Brilliant! | 0:14:28 | 0:14:31 | |
BRILLIANT! | 0:14:31 | 0:14:34 | |
Now, performing prisoner appreciators, | 0:14:35 | 0:14:37 | |
it's time for the part of the Slammer Freedom Show | 0:14:37 | 0:14:40 | |
that we call solitary confinement! | 0:14:40 | 0:14:42 | |
Yes, a chance for the acts | 0:14:45 | 0:14:46 | |
who are locked away in the vaults to perform. | 0:14:46 | 0:14:49 | |
They don't go free, but if they do well, they get the thumbs up. | 0:14:49 | 0:14:51 | |
They get a nice little treat, and today's treat is | 0:14:51 | 0:14:54 | |
a lovely colour picture of Norwich. | 0:14:54 | 0:14:56 | |
Lovely place, Norwich. | 0:14:56 | 0:14:58 | |
But if not, if they get the thumbs down, | 0:14:58 | 0:15:00 | |
then it's a cruel and unusual punishment. Mr Burgess! | 0:15:00 | 0:15:03 | |
-Sir! -What is today's cruel and unusual punishment? | 0:15:03 | 0:15:05 | |
Today, sir, it's the old sack and porridge routine, sir. | 0:15:05 | 0:15:10 | |
Oh, the old sack and porridge. | 0:15:10 | 0:15:11 | |
Nobody wants the old sack and porridge. | 0:15:11 | 0:15:13 | |
Well, jailers and jailbirds, we need a judge. | 0:15:13 | 0:15:16 | |
Certainly do, sir. Got my eye on this young man here, sir. | 0:15:16 | 0:15:20 | |
-Looks full of discernment. -Give him a round of applause, please. | 0:15:20 | 0:15:22 | |
APPLAUSE | 0:15:22 | 0:15:25 | |
-Your name, sir? -Ian. | 0:15:25 | 0:15:27 | |
You're to be the judge, apply the wig of justice, | 0:15:27 | 0:15:30 | |
as we welcome - if that's the right word - the solitary confinement act | 0:15:30 | 0:15:34 | |
that we call Competitive Nose Blowing! | 0:15:34 | 0:15:38 | |
HONK! | 0:15:51 | 0:15:53 | |
FOGHORN | 0:15:57 | 0:15:59 | |
TRUMPET PLAYS | 0:16:05 | 0:16:08 | |
MUSIC: Flight Of The Bumblebee by Rimsky-Korsakov | 0:16:12 | 0:16:15 | |
TRUMPET PLAYS | 0:16:18 | 0:16:22 | |
FOGHORN | 0:16:30 | 0:16:31 | |
RICOCHET | 0:16:31 | 0:16:32 | |
He's blown his nose off. | 0:16:34 | 0:16:36 | |
That'll do. Come on. Give them a something, I don't know what. | 0:16:36 | 0:16:40 | |
I don't know what you do with an act like that. | 0:16:40 | 0:16:42 | |
Competitive Nose Blowing - an act not to be sneezed at. | 0:16:42 | 0:16:46 | |
But will it be the thumbs up or the thumbs down? | 0:16:46 | 0:16:48 | |
Ian, it's up to you to decide. | 0:16:48 | 0:16:50 | |
Remember, thumbs up, nice picture of Norwich. | 0:16:50 | 0:16:53 | |
Thumbs down, and it's the sack and porridge. | 0:16:53 | 0:16:55 | |
Your five seconds starts now. | 0:16:55 | 0:16:58 | |
Hold your thumb up, sir. | 0:16:58 | 0:17:00 | |
Oh, straightaway, it's down! It's down! | 0:17:00 | 0:17:02 | |
That's it! Your act was weak and sloppy, so for you it's... | 0:17:02 | 0:17:07 | |
ALL: Sloppy ploppy porridge! | 0:17:07 | 0:17:10 | |
How many buckets? Both buckets! Come on, yes! | 0:17:10 | 0:17:14 | |
Sloppy, ploppy! | 0:17:14 | 0:17:15 | |
ALL: Sloppy, ploppy! | 0:17:15 | 0:17:19 | |
-Sir. Sir! -What is it? | 0:17:24 | 0:17:27 | |
Sorry, Mr Burgess, yes, sorry. Take them away. | 0:17:27 | 0:17:31 | |
-Mr Burgess. -Sir. -On with the Freedom Show. | 0:17:34 | 0:17:38 | |
Now, the next act, jailers and jailbirds, is unbelievable. | 0:17:38 | 0:17:42 | |
He's a beat boxer, he makes all the sounds himself, no special effects, | 0:17:42 | 0:17:46 | |
so will he be staying in the Slammer? Will he be | 0:17:46 | 0:17:49 | |
boxed up any longer? Let's find out as we welcome Lee Gibling! | 0:17:49 | 0:17:54 | |
APPLAUSE | 0:17:54 | 0:17:57 | |
IMITATES SIREN | 0:17:59 | 0:18:02 | |
IMITATES DRUM KIT | 0:18:12 | 0:18:16 | |
RECORD SCRATCHING | 0:18:31 | 0:18:33 | |
DRUMS WITH SCRATCHING | 0:18:33 | 0:18:36 | |
APPLAUSE | 0:18:47 | 0:18:51 | |
IMITATES DRUM PATTERN | 0:18:51 | 0:18:53 | |
APPLAUSE | 0:19:10 | 0:19:12 | |
RECORD SCRATCHING | 0:19:14 | 0:19:17 | |
HUMS BASS LINE FROM "I LIKE TO MOVE IT" | 0:19:17 | 0:19:21 | |
CLAPPING | 0:19:24 | 0:19:26 | |
# I like to move it, move it | 0:19:34 | 0:19:36 | |
# I like to move it, move it | 0:19:36 | 0:19:37 | |
# I like to move it, move it | 0:19:37 | 0:19:39 | |
# I like to move it! | 0:19:39 | 0:19:41 | |
# I like to move it, move it | 0:19:41 | 0:19:43 | |
# I like to move it, move it | 0:19:43 | 0:19:44 | |
# I like to move it, move it | 0:19:44 | 0:19:46 | |
# You like to move it! | 0:19:46 | 0:19:48 | |
APPLAUSE | 0:20:06 | 0:20:08 | |
He liked to move it, but will he be moving it out of The Slammer? | 0:20:13 | 0:20:16 | |
Let's find out with Mr Boo-bip-beep-beep Burgess. | 0:20:16 | 0:20:20 | |
Lee Gibling, Human Beatbox. Was he? | 0:20:20 | 0:20:23 | |
Yeah. | 0:20:23 | 0:20:24 | |
Very, very good. Epic. | 0:20:24 | 0:20:28 | |
What did you think of Lee Gibling? | 0:20:28 | 0:20:30 | |
I loved him. He was dead good when he went... | 0:20:30 | 0:20:33 | |
Sounds like a duck, but it's very good. | 0:20:33 | 0:20:35 | |
Fantastic, that. | 0:20:35 | 0:20:37 | |
And for one final word, you, young man, will have to sum up | 0:20:37 | 0:20:41 | |
that act. | 0:20:41 | 0:20:42 | |
Astonishing! | 0:20:42 | 0:20:44 | |
Astonishing, sir! | 0:20:44 | 0:20:47 | |
Well, prancing prisoner appraisers, on to one more act. | 0:20:48 | 0:20:52 | |
Yes, this act could be going free. Absolutely tremendous. | 0:20:52 | 0:20:55 | |
They're called The Shockerellas, and it was quite a shock | 0:20:55 | 0:20:57 | |
when they got six months in The Slammer. What will you make of them? | 0:20:57 | 0:21:00 | |
Make some noise, please, for Shockarellas! | 0:21:00 | 0:21:03 | |
CHEERING | 0:21:03 | 0:21:07 | |
MUSIC: "#thatPOWER" by will.i.am | 0:21:13 | 0:21:17 | |
# I know | 0:21:28 | 0:21:30 | |
# I'm alive, I'm alive, I'm alive | 0:21:30 | 0:21:34 | |
# And I'm loving every second | 0:21:34 | 0:21:37 | |
# Minute, hour | 0:21:37 | 0:21:39 | |
# Bigger, better | 0:21:39 | 0:21:40 | |
# Stronger power | 0:21:40 | 0:21:43 | |
# I got that power | 0:21:48 | 0:21:51 | |
# I got that power, power, power, power | 0:21:53 | 0:21:57 | |
# They call me Will-A | 0:21:57 | 0:22:00 | |
# Stay so cool, I'm chilli | 0:22:00 | 0:22:01 | |
# I done made that milli | 0:22:01 | 0:22:03 | |
# On my way to that billi | 0:22:03 | 0:22:05 | |
# Used to have a piggy bank | 0:22:05 | 0:22:06 | |
# But now I got that bigger bank | 0:22:06 | 0:22:08 | |
# Who-who cares what the haters say | 0:22:08 | 0:22:10 | |
# They hate on me cos we doing what they can't | 0:22:10 | 0:22:13 | |
# I stay on that hustle | 0:22:13 | 0:22:14 | |
# I flex that little muscle | 0:22:14 | 0:22:16 | |
# Hate to bust your bubble | 0:22:16 | 0:22:18 | |
# I'm on that other level | 0:22:18 | 0:22:20 | |
# Imma take it higher | 0:22:20 | 0:22:22 | |
# And high and high and higher | 0:22:22 | 0:22:24 | |
# I stay and buy attire | 0:22:24 | 0:22:25 | |
# Keep burning like that fire | 0:22:25 | 0:22:27 | |
# I know | 0:22:27 | 0:22:30 | |
# I'm alive, I'm alive, I'm alive | 0:22:30 | 0:22:35 | |
# And I'm loving every second | 0:22:35 | 0:22:37 | |
# Minute, hour | 0:22:37 | 0:22:39 | |
# Bigger, better | 0:22:39 | 0:22:41 | |
# Stronger power | 0:22:41 | 0:22:43 | |
# I got that power | 0:22:49 | 0:22:52 | |
# I got that power, power, power, power. # | 0:22:52 | 0:22:57 | |
CHEERING | 0:22:59 | 0:23:02 | |
Let's hear it for Shockarella, yeah! | 0:23:05 | 0:23:08 | |
Yes, marvellous. | 0:23:08 | 0:23:11 | |
Well, Shockarella, were they shockingly good? | 0:23:11 | 0:23:14 | |
Will they be going free? Let's find out with our very own live wire, | 0:23:14 | 0:23:18 | |
Mr Burgess! | 0:23:18 | 0:23:20 | |
-Shockarellas there. Miss, did they do it for you? -Yeah. | 0:23:20 | 0:23:22 | |
I think the Shockarellas were amazing | 0:23:22 | 0:23:24 | |
and they're my favourite act. | 0:23:24 | 0:23:25 | |
-They're your favourite act today. -Yeah. | 0:23:25 | 0:23:27 | |
-They've done enough, as far as you're concerned, to set them free. -Yeah. | 0:23:27 | 0:23:31 | |
What bit did you like about it the best? | 0:23:31 | 0:23:33 | |
I liked it when they did, like... | 0:23:33 | 0:23:34 | |
when they took it in turns to do their own separate bit. | 0:23:34 | 0:23:37 | |
One final word to sum that act up for me, miss. | 0:23:37 | 0:23:40 | |
Shockalicious. | 0:23:40 | 0:23:42 | |
Shockalicious, that'll do. | 0:23:42 | 0:23:43 | |
Well, there we are. | 0:23:43 | 0:23:44 | |
Your views and opinions on all our performing prisoners. | 0:23:44 | 0:23:47 | |
Who's going free? Let's find out. | 0:23:47 | 0:23:49 | |
But before we do that, welcome them back on the stage, please. | 0:23:49 | 0:23:52 | |
CHEERING | 0:23:52 | 0:23:54 | |
Jamie Allan... | 0:23:54 | 0:23:56 | |
Miss Claire Marie... | 0:23:56 | 0:23:57 | |
Lee Gibling and Shockarellas. | 0:23:57 | 0:24:01 | |
Well, there they are, four brilliant performing prisoner acts, | 0:24:01 | 0:24:03 | |
I think you'll agree. Only one act will be stepping out of The Slammer, | 0:24:03 | 0:24:07 | |
their debt to society paid, and we'll find out with this. | 0:24:07 | 0:24:10 | |
Yes, Miss Meadows' Clap-o-meter. | 0:24:10 | 0:24:12 | |
The more noise you make, the higher the score, | 0:24:12 | 0:24:14 | |
it's as simple as that. | 0:24:14 | 0:24:16 | |
Well, he mesmerised you with magic old and new. | 0:24:16 | 0:24:18 | |
Will he be going free? | 0:24:18 | 0:24:20 | |
Let's find out from the iMagician Jamie Allan! | 0:24:20 | 0:24:24 | |
CHEERING | 0:24:24 | 0:24:26 | |
71's a good score, Jamie. | 0:24:29 | 0:24:32 | |
Can it be bettered now by this young lady? | 0:24:32 | 0:24:34 | |
She soared to the heights while balancing a table on her head, | 0:24:34 | 0:24:38 | |
and you don't see that every day of the week. | 0:24:38 | 0:24:41 | |
Your views, please, for Claire Marie. | 0:24:41 | 0:24:43 | |
CHEERING | 0:24:43 | 0:24:46 | |
Claire goes into the lead, top hat and all. | 0:24:49 | 0:24:51 | |
72.4. | 0:24:51 | 0:24:53 | |
Well, next, he was a ba-ba-ba-ba-beat boxer. | 0:24:53 | 0:24:56 | |
Will he be getting out of The Slammer today? | 0:24:56 | 0:24:58 | |
Will he be avoiding the sloppy, ploppy porridge? | 0:24:58 | 0:25:01 | |
Your appreciation for Lee Gibling! | 0:25:01 | 0:25:03 | |
CHEERING | 0:25:03 | 0:25:05 | |
Big score. 91.1 for Lee. | 0:25:09 | 0:25:12 | |
He's in the lead. There's only one act that can catch him now. | 0:25:12 | 0:25:16 | |
Steady, jailers and jailbirds. Steady. The excitement's... | 0:25:16 | 0:25:19 | |
The tension's almost alive. | 0:25:19 | 0:25:21 | |
Will they be going free? | 0:25:21 | 0:25:23 | |
Let's hear it for Shockarellas! | 0:25:23 | 0:25:25 | |
CHEERING | 0:25:25 | 0:25:28 | |
Wow! | 0:25:29 | 0:25:31 | |
Oh! | 0:25:31 | 0:25:32 | |
Oh, there's no doubt there. | 0:25:32 | 0:25:34 | |
Four tremendous acts, four great scores, but going free, | 0:25:34 | 0:25:37 | |
with 95.1, is the Shockarellas. | 0:25:37 | 0:25:41 | |
-CHEERING -Stop! Stop! | 0:25:41 | 0:25:44 | |
-Wait a minute. What is it, Meadows? -Don't let them leave. -Why not? | 0:25:44 | 0:25:47 | |
Well, because one of them is Henrico De Marco. | 0:25:47 | 0:25:50 | |
-But they've just won the Freedom Show. -Exactly. | 0:25:50 | 0:25:53 | |
And what better way for Henrico to escape? | 0:25:53 | 0:25:56 | |
If that's Henrico, where's the real Shockarella? | 0:25:56 | 0:25:58 | |
I've got an idea where they might be, sir. | 0:25:58 | 0:26:01 | |
-Excuse me. -Well done, Mr Burgess. | 0:26:01 | 0:26:02 | |
Ah, found you. Right... | 0:26:02 | 0:26:05 | |
come with me. | 0:26:05 | 0:26:07 | |
-Right, out you go. -Oh, well done, Mr Burgess. | 0:26:07 | 0:26:12 | |
There's the real Shockarella. | 0:26:12 | 0:26:14 | |
Oh, that's marvellous. That means you can now go free. | 0:26:14 | 0:26:17 | |
Jailers and jailbirds, Shockarellas are all going free. | 0:26:17 | 0:26:20 | |
CHEERING | 0:26:20 | 0:26:23 | |
Well done. Well done. Well, that's...great news for them. | 0:26:23 | 0:26:27 | |
And we've recaptured Henrico as well, which is marvellous. | 0:26:27 | 0:26:30 | |
The bad news for everybody else is you're staying for tea. | 0:26:30 | 0:26:34 | |
-What's for tea, Mr Burgess? -Nothing, sir. | 0:26:34 | 0:26:36 | |
-What do you mean, nothing? -Nothing. | 0:26:36 | 0:26:38 | |
I haven't got a scrap in the kitchen, sir. | 0:26:38 | 0:26:40 | |
We must have something! | 0:26:40 | 0:26:41 | |
Well, we might have a bit of something, I suppose. There's... | 0:26:41 | 0:26:44 | |
Oh, I tell you what we have got. We've got that... | 0:26:44 | 0:26:46 | |
-The sloppy, ploppy porridge. -That's it, sir. Right, you lot... | 0:26:46 | 0:26:49 | |
Oh, I don't believe it. Give them a big cheer, everybody. | 0:26:49 | 0:26:51 | |
CHEERING | 0:26:51 | 0:26:53 | |
Claire Marie, Lee Gibling, Shockarellas, they've gone through, | 0:26:53 | 0:26:56 | |
Jamie Allan's staying. | 0:26:56 | 0:26:57 | |
And you, jailers and jailbirds, have been brilliant. | 0:26:57 | 0:27:00 | |
Join us again soon for another Freedom Show, | 0:27:00 | 0:27:02 | |
here at The Slammer. | 0:27:02 | 0:27:03 | |
And remember, if you can't sing, dance or rhyme... | 0:27:03 | 0:27:05 | |
-ALL: -Don't do the crime! | 0:27:05 | 0:27:08 | |
Bye-bye, everybody! Bye-bye! | 0:27:08 | 0:27:10 | |
CHEERING | 0:27:10 | 0:27:13 | |
Well, you better settle in, De Marco. | 0:27:36 | 0:27:38 | |
You're going to be in there for a long time, son. | 0:27:38 | 0:27:41 | |
Well done, both of you. | 0:27:44 | 0:27:45 | |
We can all sleep safely in our beds tonight. | 0:27:45 | 0:27:48 | |
-Now, who's up for a nice cup of tea and a biccie? -Why not? | 0:27:48 | 0:27:51 | |
I'll be with you in just one tick. | 0:27:51 | 0:27:54 | |
Sir. | 0:27:54 | 0:27:55 | |
KLAXON | 0:28:00 | 0:28:02 |