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Everyone craves success. | 0:00:05 | 0:00:07 | |
OK, perfect. | 0:00:07 | 0:00:08 | |
We all love a winner. | 0:00:08 | 0:00:10 | |
CHEERING | 0:00:10 | 0:00:12 | |
But no-one makes it to the top on their own. | 0:00:12 | 0:00:14 | |
Behind every star is a team of people, immensely talented, | 0:00:16 | 0:00:19 | |
powerful in their own worlds. | 0:00:19 | 0:00:22 | |
-I need two crab on the pass now. -Yes, Chef! | 0:00:22 | 0:00:25 | |
But invisible to us - until now. | 0:00:25 | 0:00:28 | |
Musical director! | 0:00:28 | 0:00:30 | |
I am an absolute genius at what I do. | 0:00:30 | 0:00:32 | |
These are the stories of the stars | 0:00:34 | 0:00:36 | |
and the teams who strive to make them shine. | 0:00:36 | 0:00:39 | |
Job done. | 0:00:40 | 0:00:42 | |
CHEERING | 0:00:42 | 0:00:43 | |
This is the world of the VIP People. | 0:00:43 | 0:00:46 | |
It's 6.32! | 0:00:49 | 0:00:52 | |
You betcha. Jump in the shower. | 0:00:52 | 0:00:54 | |
DRUMROLL EFFECT | 0:00:54 | 0:00:55 | |
I've checked with my wife, and she doesn't mind. | 0:00:55 | 0:00:59 | |
The Radio 2 Chris Evans Breakfast Show | 0:00:59 | 0:01:01 | |
is the most popular radio show in Britain, | 0:01:01 | 0:01:04 | |
broadcasting live between 6.30 and 9.30 every weekday morning. | 0:01:04 | 0:01:10 | |
Its winning formula of music... | 0:01:11 | 0:01:13 | |
# ..Me somebody to love... # | 0:01:13 | 0:01:17 | |
..celebrity guests... | 0:01:17 | 0:01:18 | |
I'm not a practical man, we know that. | 0:01:18 | 0:01:21 | |
-..crazy jingles... -Yay! | 0:01:21 | 0:01:24 | |
..and audience interaction... | 0:01:24 | 0:01:26 | |
-Did any of the boys dress as girls? -No. | 0:01:26 | 0:01:28 | |
-What does that tell you? -That boys don't like girls. | 0:01:28 | 0:01:31 | |
..attracts over nine million listeners. | 0:01:31 | 0:01:34 | |
That's the same as Chris | 0:01:34 | 0:01:36 | |
performing to 100 Wembley stadiums every single day. | 0:01:36 | 0:01:40 | |
But obviously you can't think about that, | 0:01:40 | 0:01:42 | |
because otherwise you'd be too nervous to speak. | 0:01:42 | 0:01:45 | |
But being Britain's most successful radio DJ isn't a one-man show. | 0:01:46 | 0:01:51 | |
Behind Chris is an expert team of VIP People working under pressure | 0:01:51 | 0:01:57 | |
to deliver brilliant radio to his listeners. | 0:01:57 | 0:01:59 | |
Helping Chris serve up the best breakfast in Britain | 0:02:01 | 0:02:04 | |
is the man in charge of what gets heard when, | 0:02:04 | 0:02:07 | |
the Breakfast Show's producer. | 0:02:07 | 0:02:09 | |
Supporting him is a production team ready for anything, | 0:02:11 | 0:02:14 | |
on air and off. | 0:02:14 | 0:02:16 | |
There's a studio manager taking care of the technology | 0:02:17 | 0:02:21 | |
during the live transmission. | 0:02:21 | 0:02:23 | |
And finally, the sports reporter, who not only tells listeners | 0:02:24 | 0:02:28 | |
the latest sports news, but is game for a laugh with Chris. | 0:02:28 | 0:02:31 | |
Ever since he was a young boy, Chris dreamt of being on the radio. | 0:02:36 | 0:02:41 | |
I've always wanted to be a DJ. I used to give time checks when I was seven. | 0:02:41 | 0:02:45 | |
To my mum. "Mum, it's 12 minutes past seven!" | 0:02:45 | 0:02:47 | |
"I know. I'm a grown-up. I know what time it is, thank you." | 0:02:47 | 0:02:50 | |
Chris became a professional DJ over 20 years ago, | 0:02:52 | 0:02:55 | |
and that led to a hugely successful TV career. | 0:02:55 | 0:02:59 | |
Good evening, friends, welcome to your Friday One Show with Alex Jones! | 0:02:59 | 0:03:02 | |
And Chris Evans! | 0:03:02 | 0:03:04 | |
But he can't keep away from his first love, and he's been | 0:03:04 | 0:03:07 | |
presenting the Radio 2 Breakfast Show for the past three years. | 0:03:07 | 0:03:11 | |
Any better, I'd be twins. | 0:03:11 | 0:03:13 | |
And to keep nine million listeners coming back each day, | 0:03:13 | 0:03:16 | |
Chris and his team of VIP People have to be at the top of their game. | 0:03:16 | 0:03:21 | |
All the producers on this team are like the SAS of radio producers. | 0:03:23 | 0:03:28 | |
Especially on Fridays. | 0:03:29 | 0:03:31 | |
The biggest day for the Breakfast Show, | 0:03:33 | 0:03:35 | |
when a top celebrity pops into the studio. | 0:03:35 | 0:03:39 | |
Recent guests include Kylie Minogue, Daniel Radcliffe | 0:03:39 | 0:03:42 | |
and Robbie Williams. | 0:03:42 | 0:03:44 | |
Chris will be working his magic | 0:03:45 | 0:03:47 | |
on Strictly star Darcey Bussell later on. | 0:03:47 | 0:03:50 | |
Morning! | 0:03:50 | 0:03:52 | |
# Monday, Tuesday Wednesday, Thursday, Friday... # | 0:03:52 | 0:03:55 | |
We're following the Breakfast Show team as they crank up | 0:03:55 | 0:03:57 | |
the pace on Mondays | 0:03:57 | 0:03:59 | |
and keep the craziness going all the way | 0:03:59 | 0:04:02 | |
till their star-spangled Fridays. | 0:04:02 | 0:04:04 | |
# Good morning! # | 0:04:04 | 0:04:06 | |
-Hi, good morning. -It's 5am on Monday | 0:04:09 | 0:04:12 | |
and the start of the working day for the Breakfast Show's team. | 0:04:12 | 0:04:16 | |
The first person in the studio is producer Andy Warrell. | 0:04:16 | 0:04:19 | |
It's his job to make sure Chris has everything he needs to go on air. | 0:04:19 | 0:04:24 | |
Part of my routine, as soon as I get to the studio, select the jingles, | 0:04:24 | 0:04:27 | |
make sure the music is in the right order. | 0:04:27 | 0:04:30 | |
Chris can be a bit snuffly first thing in the morning, | 0:04:30 | 0:04:32 | |
so that should keep him going for the next three hours. | 0:04:32 | 0:04:35 | |
You hear these noises on the radio, you may think he's playing them | 0:04:35 | 0:04:38 | |
from one of these machines, no, he's doing them live. One, two, three. | 0:04:38 | 0:04:41 | |
Sometimes all together. | 0:04:41 | 0:04:43 | |
Producer Andy is in charge | 0:04:46 | 0:04:48 | |
of planning the breakfast show each day, | 0:04:48 | 0:04:50 | |
from what music will be played to which guests will appear on air. | 0:04:50 | 0:04:55 | |
During the live broadcast, he's the only member of the team | 0:04:55 | 0:04:59 | |
who communicates directly with Chris. | 0:04:59 | 0:05:01 | |
Growing up, Andy had sporting ambitions. | 0:05:06 | 0:05:09 | |
Until the age of 10 or 11 I wanted to be a professional cricketer. | 0:05:09 | 0:05:14 | |
Unfortunately, I'm no good at cricket. | 0:05:14 | 0:05:17 | |
So he turned to his other passion, music, into a career in radio. | 0:05:17 | 0:05:21 | |
Going to give him a cheer? | 0:05:21 | 0:05:23 | |
Andy's been producing the Breakfast Show for the past year. | 0:05:23 | 0:05:27 | |
I'm in charge of everything that happens, | 0:05:27 | 0:05:29 | |
really, during that three hours. Five times a week. | 0:05:29 | 0:05:32 | |
-What are we going to do now? -I'm thinking rapidly. | 0:05:32 | 0:05:35 | |
So the listeners don't hear what's happening behind the scenes, | 0:05:36 | 0:05:40 | |
Andy is separated from Chris by a piece of soundproof glass. | 0:05:40 | 0:05:44 | |
From this control room, Andy keeps everything on schedule, gives Chris | 0:05:44 | 0:05:48 | |
information, and gets him anything he needs to make the show happen. | 0:05:48 | 0:05:53 | |
-It's really bad, the whistling on records. -Oh! Bad whistling. | 0:05:53 | 0:05:56 | |
I'm the person at the front of everything, | 0:05:56 | 0:05:59 | |
face to face with Chris, | 0:05:59 | 0:06:00 | |
who obviously needs a lot of fast answers for when he wants to | 0:06:00 | 0:06:03 | |
do his best possible performance on the air every day. | 0:06:03 | 0:06:06 | |
6:25 AM, and Andy is ready in the studio. | 0:06:08 | 0:06:12 | |
Now back to my side of the glass. | 0:06:12 | 0:06:13 | |
But with five minutes until he's live on air, | 0:06:15 | 0:06:18 | |
-Chris is only just arriving in the building. -Morning! | 0:06:18 | 0:06:22 | |
Chris is at his best when he's at his most spontaneous. | 0:06:23 | 0:06:26 | |
It's my job to make sure that when he comes in, | 0:06:26 | 0:06:29 | |
and there's only time for a quick hello and the microphone goes on, | 0:06:29 | 0:06:32 | |
we both know that, yeah, we're ready for this show. | 0:06:32 | 0:06:34 | |
And sometimes Chris can be a little bit too last-minute. | 0:06:34 | 0:06:38 | |
There was one day that I didn't make it, but nobody noticed, | 0:06:38 | 0:06:41 | |
so let's not talk about that. | 0:06:41 | 0:06:42 | |
-Today, he's here just in time. -Thank you, Tina. | 0:06:44 | 0:06:47 | |
Morning, and welcome to the all-new same-as-last-year show. | 0:06:49 | 0:06:53 | |
Now the show has started, | 0:06:55 | 0:06:56 | |
Andy's focused on everything that's happening on air. | 0:06:56 | 0:06:59 | |
We have to hear the eight o'clock news on time, | 0:07:01 | 0:07:04 | |
so I'm just lining up a few different options here. | 0:07:04 | 0:07:06 | |
He's plotted out on paper | 0:07:06 | 0:07:08 | |
a minute-by-minute plan of the three-hour broadcast, | 0:07:08 | 0:07:12 | |
from what time news, sports and travel happen | 0:07:12 | 0:07:15 | |
to how long Chris has to talk between songs. | 0:07:15 | 0:07:18 | |
If you're looking at this and thinking, | 0:07:18 | 0:07:20 | |
"Can't you just turn up and make it up as you go along?", | 0:07:20 | 0:07:24 | |
there is an element to which we do that, | 0:07:24 | 0:07:26 | |
but we do need to have a structure. | 0:07:26 | 0:07:29 | |
Without this kind of basis, it would be a complete shambles, | 0:07:29 | 0:07:32 | |
and so would I. | 0:07:32 | 0:07:33 | |
Using his plan, | 0:07:33 | 0:07:35 | |
Andy alerts Chris to what's coming up next on the show. | 0:07:35 | 0:07:38 | |
57:49 for that. | 0:07:38 | 0:07:41 | |
Because of the soundproof glass, | 0:07:41 | 0:07:43 | |
they communicate with each other via a machine called a talkback. | 0:07:43 | 0:07:47 | |
I press that button and then using my little microphone here, | 0:07:47 | 0:07:50 | |
what I say goes directly to his headphones. | 0:07:50 | 0:07:53 | |
Is that right? Five dives in 90 minutes? Seriously? | 0:07:53 | 0:07:56 | |
Was that the case? I can't believe that. | 0:07:56 | 0:07:58 | |
-It's eight o'clock now. -Hi there. Can someone check that out, please? | 0:07:58 | 0:08:02 | |
And when Chris needs to grab Andy's attention, | 0:08:04 | 0:08:07 | |
-he's got his own special nickname for him. -Superproducer Mr Tickle! | 0:08:07 | 0:08:11 | |
Mr Tickle! | 0:08:11 | 0:08:13 | |
He's cool, calm, collected, but of course, very long arms. | 0:08:13 | 0:08:17 | |
I think my arms are a perfectly normal length, really. | 0:08:17 | 0:08:21 | |
I can't believe Mr Tickle is defensive about his nickname. | 0:08:21 | 0:08:24 | |
He knows exactly how he got it. | 0:08:24 | 0:08:26 | |
Somebody tie them down, please! | 0:08:26 | 0:08:28 | |
Look at those arms! | 0:08:28 | 0:08:29 | |
However long Mr Tickle's, or rather Andy's, arms are, | 0:08:29 | 0:08:33 | |
they're not long enough to carry the whole show alone. | 0:08:33 | 0:08:37 | |
I'll do you a separate thing. | 0:08:37 | 0:08:39 | |
I think it might be worth it, yeah. | 0:08:39 | 0:08:40 | |
Aside from my own very long arms, | 0:08:40 | 0:08:42 | |
there are a number of other tentacles, if you like, | 0:08:42 | 0:08:45 | |
coming off those arms. | 0:08:45 | 0:08:47 | |
Helping Andy make the biggest breakfast show in Britain | 0:08:47 | 0:08:50 | |
is a small production team | 0:08:50 | 0:08:51 | |
who all have different roles while the show is on air. | 0:08:51 | 0:08:54 | |
We've got our newsreader Tina in there. | 0:08:56 | 0:08:58 | |
Lisa, who is here, booking all the guests | 0:08:59 | 0:09:02 | |
and picking up anything we need. | 0:09:02 | 0:09:03 | |
And Carlene, who is running around doing absolutely everything today. | 0:09:03 | 0:09:07 | |
Making tea for Chris, very important job. | 0:09:07 | 0:09:10 | |
-Lynn in here, doing the travel. Hello, Lynn. -Hello! | 0:09:10 | 0:09:14 | |
And Graham in here, making the podcast | 0:09:14 | 0:09:16 | |
and listening out for any other bits or clips that we need. | 0:09:16 | 0:09:20 | |
Graham is the man who's all over it. | 0:09:20 | 0:09:22 | |
All over it. | 0:09:22 | 0:09:24 | |
And finally, our guide and next VIP Person, | 0:09:24 | 0:09:27 | |
assistant producer Tom Billington. | 0:09:27 | 0:09:30 | |
One of the beauties of this show | 0:09:30 | 0:09:32 | |
and working with someone like Chris Evans as well | 0:09:32 | 0:09:35 | |
is that every day is different. | 0:09:35 | 0:09:37 | |
Hi, Nick, it's Tom here from Radio 2. | 0:09:37 | 0:09:40 | |
Tom is an assistant producer, or AP, | 0:09:44 | 0:09:46 | |
working as part of the team that supports producer Andy | 0:09:46 | 0:09:50 | |
while Chris is on air. | 0:09:50 | 0:09:52 | |
He writes scripts, sources sound effects, | 0:09:52 | 0:09:55 | |
and looks after the celebrity guest on the big Friday shows. | 0:09:55 | 0:09:59 | |
-There you go. -Like Chris, as a child, | 0:10:04 | 0:10:06 | |
Tom used to play at being a DJ. | 0:10:06 | 0:10:09 | |
Lovely stuff. | 0:10:09 | 0:10:10 | |
Me and my friends used to record each other making radio programmes. | 0:10:10 | 0:10:15 | |
And I used to then listen to the professionals or listen to | 0:10:15 | 0:10:18 | |
the radio in the car with my mum and dad and think, | 0:10:18 | 0:10:20 | |
"it would be great to do that one day." | 0:10:20 | 0:10:22 | |
Yeah, OK. | 0:10:23 | 0:10:24 | |
Extend it a little bit? | 0:10:24 | 0:10:25 | |
Tom has been working on the Breakfast Show for 18 months. | 0:10:25 | 0:10:29 | |
As an AP in live radio, he has to expect the unexpected | 0:10:29 | 0:10:33 | |
and react quickly to anything Andy or Chris ask of him. | 0:10:33 | 0:10:37 | |
Ask Neil what track he wants us to play off Alfie's album. | 0:10:37 | 0:10:41 | |
When the pressure is on, when you've really got to do something | 0:10:41 | 0:10:46 | |
and you've got five minutes to do it, that's the best part, for me. | 0:10:46 | 0:10:50 | |
Do you want to just come through, just a second? | 0:10:50 | 0:10:53 | |
It's really buzzing. It's great. I love it when it's like this. | 0:10:53 | 0:10:56 | |
Each of the APs is given specific parts of the show to look after | 0:10:58 | 0:11:02 | |
when Chris is on air. | 0:11:02 | 0:11:04 | |
Today, Tom is in the control booth helping Andy | 0:11:04 | 0:11:08 | |
field requests from Chris and manage texts from listeners. | 0:11:08 | 0:11:11 | |
There will be thousands of texts coming in today | 0:11:11 | 0:11:14 | |
and that happens every single day. | 0:11:14 | 0:11:15 | |
Every one that comes in, I have to cast my eye over. | 0:11:15 | 0:11:19 | |
Chris loves to hear from his listeners, | 0:11:19 | 0:11:22 | |
and it's up to Tom to pick out the best messages that are sent in. | 0:11:22 | 0:11:26 | |
"Me and the kids, that's Niamh and Tilly, | 0:11:26 | 0:11:28 | |
"are up early getting ready for school as mum, that's Emma, | 0:11:28 | 0:11:31 | |
"has left at 5:15 to continue to prepare | 0:11:31 | 0:11:34 | |
"for the opening of her new cake shop!" Hurrah! | 0:11:34 | 0:11:37 | |
If you're doing the text machine and take a text through, | 0:11:37 | 0:11:39 | |
you've chosen that text and thought it was funny | 0:11:39 | 0:11:42 | |
or you thought it would sound good on air, and then Chris takes it | 0:11:42 | 0:11:45 | |
and runs with it, and that turns it into something else, it's brilliant. | 0:11:45 | 0:11:48 | |
Marginally better if it were a pie shop, but that's all right. | 0:11:48 | 0:11:51 | |
Before we go, Ed, whatever you do, don't forget to give Brad... | 0:11:51 | 0:11:55 | |
At 9:30 AM, the show is over. | 0:11:55 | 0:11:58 | |
See you later! | 0:11:58 | 0:11:59 | |
And although Chris can head home, there's still plenty of work to do | 0:11:59 | 0:12:03 | |
for the rest of the team as they prepare for the next day's show. | 0:12:03 | 0:12:07 | |
Andy's straight on to sorting out the music | 0:12:07 | 0:12:10 | |
that will be played tomorrow. | 0:12:10 | 0:12:12 | |
There's many fun parts to this job, | 0:12:12 | 0:12:14 | |
but one of them is actually going through picking out | 0:12:14 | 0:12:17 | |
a really nice variety of songs. | 0:12:17 | 0:12:18 | |
Radio 2 has a giant MP3 player which automatically generates music | 0:12:20 | 0:12:24 | |
to be played on the station 24 hours a day. | 0:12:24 | 0:12:28 | |
Going through tomorrow's music, | 0:12:28 | 0:12:30 | |
making a few little changes to what the computer's given me. | 0:12:30 | 0:12:34 | |
Basically juggling around the music schedule | 0:12:34 | 0:12:36 | |
so we've got a nice mix of old and new music in all the right places. | 0:12:36 | 0:12:40 | |
Andy decides on what order songs are played in, | 0:12:40 | 0:12:42 | |
starting with the most important track - the opening number. | 0:12:42 | 0:12:46 | |
You want to make sure that the show starts with a bit of a bang. | 0:12:46 | 0:12:50 | |
GUITAR SOLO | 0:12:50 | 0:12:52 | |
It's familiar to a lot of our kind of listeners, | 0:12:52 | 0:12:55 | |
got a nice kind of bit of oomph to it. | 0:12:55 | 0:12:57 | |
They've been hard at work since 5am, but at two o'clock | 0:12:59 | 0:13:03 | |
in the afternoon, the Breakfast Show team can finally call it a day. | 0:13:03 | 0:13:07 | |
Bye. | 0:13:07 | 0:13:09 | |
That is Monday done and dusted. | 0:13:09 | 0:13:12 | |
It's time to go home. And go to bed. | 0:13:12 | 0:13:14 | |
And then do it all again on Tuesday. | 0:13:14 | 0:13:16 | |
6:32! | 0:13:16 | 0:13:18 | |
Happy Tuesday! | 0:13:18 | 0:13:19 | |
CHEERING | 0:13:19 | 0:13:23 | |
OK. So we're on the air, and hopefully it'll be that song | 0:13:23 | 0:13:27 | |
we talked about yesterday, opening the show. How about that? | 0:13:27 | 0:13:31 | |
Obviously, Chris being Chris, | 0:13:31 | 0:13:33 | |
he has to add in a Tarzan sound effect over the top of it. | 0:13:33 | 0:13:35 | |
You're listening to the Chris Evans Breakfast Show. | 0:13:38 | 0:13:40 | |
Chris packs the Breakfast Show with sound effects and jingles | 0:13:40 | 0:13:44 | |
that he plays direct from his DJ desk. | 0:13:44 | 0:13:46 | |
My favourite sound effect is probably this one. | 0:13:48 | 0:13:51 | |
-CHILD: -Yay! | 0:13:51 | 0:13:53 | |
That's my son, Noah, saying "Yay!" | 0:13:53 | 0:13:56 | |
But it's the production team who make sure | 0:13:56 | 0:13:58 | |
he has all the sounds he needs at his fingertips. | 0:13:58 | 0:14:02 | |
We've got a database full of amazing sound effects | 0:14:02 | 0:14:05 | |
and we can download them and just stick them on here. | 0:14:05 | 0:14:08 | |
Chris has over 500 sound effects to choose from. | 0:14:08 | 0:14:12 | |
This is a good one! | 0:14:12 | 0:14:14 | |
WHIP CRACKS | 0:14:14 | 0:14:16 | |
This is like a toy, it is like a toy. | 0:14:16 | 0:14:18 | |
And Chris even gets to play at making some sound effects himself. | 0:14:18 | 0:14:22 | |
SQUEAKING | 0:14:22 | 0:14:27 | |
Like that. | 0:14:27 | 0:14:28 | |
Joyous Jo is in charge of all the you-know-what! | 0:14:28 | 0:14:32 | |
SQUEAKING | 0:14:32 | 0:14:33 | |
With so many noises happening on air, | 0:14:33 | 0:14:36 | |
it's our next VIP Person's job | 0:14:36 | 0:14:38 | |
to make sure the show sounds exactly as it should. | 0:14:38 | 0:14:41 | |
Studio manager Jo Miflin. | 0:14:41 | 0:14:43 | |
I've always been very interested in music. | 0:14:43 | 0:14:46 | |
I've always loved pressing buttons and working with gadgets. | 0:14:46 | 0:14:50 | |
Studio manager Jo is responsible for how the show sounds. | 0:14:54 | 0:14:58 | |
She makes sure Chris, his music and his guests | 0:14:58 | 0:15:01 | |
are broadcast at the right volume, | 0:15:01 | 0:15:03 | |
and she's in charge of the technology | 0:15:03 | 0:15:05 | |
that keeps the programme on air. | 0:15:05 | 0:15:07 | |
When Jo couldn't decide between becoming a vet or an actress, | 0:15:11 | 0:15:15 | |
she tapped into her techie side. | 0:15:15 | 0:15:17 | |
It wasn't something I thought about doing, | 0:15:17 | 0:15:19 | |
because it's mostly boys that tend to become sound engineers. | 0:15:19 | 0:15:23 | |
But when I discovered it, it felt absolutely perfectly right for me. | 0:15:23 | 0:15:27 | |
Jo has been a studio manager for nine years, | 0:15:27 | 0:15:30 | |
and is one of several engineers | 0:15:30 | 0:15:32 | |
that work shifts on the Breakfast Show. | 0:15:32 | 0:15:35 | |
And Chris's presenting style | 0:15:35 | 0:15:37 | |
means that Jo has to be ready for anything. | 0:15:37 | 0:15:39 | |
One of the things that Chris likes doing when he's on the radio | 0:15:39 | 0:15:42 | |
is to move around, to stand up, to sit down, to shout, to get intimate. | 0:15:42 | 0:15:47 | |
You can start your dive, and on the way, you go for a treble. | 0:15:47 | 0:15:51 | |
-His job is to create a picture with sound. -Two, three, four, five! | 0:15:51 | 0:15:55 | |
From my point of view, I'm just assisting him | 0:15:55 | 0:15:58 | |
in creating that picture. | 0:15:58 | 0:16:00 | |
However they do that counting thing. | 0:16:00 | 0:16:02 | |
Jo controls the studio sound using a large mixing desk, | 0:16:02 | 0:16:06 | |
with over 200 buttons, faders and switches. | 0:16:06 | 0:16:10 | |
There are many, many, many magic buttons in the studio. | 0:16:10 | 0:16:14 | |
But one false move could spell radio disaster. | 0:16:14 | 0:16:17 | |
From this position here, you could take anything off air. | 0:16:17 | 0:16:21 | |
This one, that says "Pres", is Chris's microphone. | 0:16:25 | 0:16:28 | |
Close this fader, if Chris was talking, it wouldn't go out on air. | 0:16:28 | 0:16:31 | |
I could accidentally lean on one of these buttons. | 0:16:33 | 0:16:36 | |
If I take that bottom off, it's going to reset the desk. | 0:16:37 | 0:16:40 | |
This is the button which powers up the studio. | 0:16:40 | 0:16:44 | |
If I was to turn that button of, the whole studio would go off air. | 0:16:44 | 0:16:46 | |
With great power comes great responsibility. | 0:16:49 | 0:16:51 | |
-Did you get the level on? -I did. -Brilliant. OK. | 0:16:51 | 0:16:54 | |
And like Andy, Jo's job means she had to be at her control desk | 0:16:54 | 0:16:58 | |
for the full three hours of the show, | 0:16:58 | 0:17:00 | |
which can present an altogether different type of problem. | 0:17:00 | 0:17:04 | |
As you know, we drink a lot of tea on this show. | 0:17:04 | 0:17:07 | |
How to fit in a loo break. | 0:17:07 | 0:17:09 | |
What I do is, I wait until the Gobsmackers, | 0:17:09 | 0:17:11 | |
-which is two songs back-to-back. -Go! | 0:17:11 | 0:17:14 | |
I always wait for the news at seven for the first visit, | 0:17:16 | 0:17:19 | |
and then quite often pop in during the eight o'clock news as well. | 0:17:19 | 0:17:22 | |
When I have to go to the toilet, it depends what I need to do whilst | 0:17:22 | 0:17:25 | |
I'm in there, and I'll select the duration of record required. | 0:17:25 | 0:17:29 | |
I can't wait any longer. | 0:17:31 | 0:17:32 | |
I've been meaning to go in the news for the last three hours. | 0:17:32 | 0:17:35 | |
I'm going to the toilet. No-one is going to stop me! | 0:17:35 | 0:17:38 | |
We've seen how the Breakfast Show team keep Chris Evans | 0:17:38 | 0:17:41 | |
at his crazy best, making sure he is on schedule, sounding great | 0:17:41 | 0:17:46 | |
and in touch with his listeners. | 0:17:46 | 0:17:48 | |
With three more days of early mornings still to come, | 0:17:49 | 0:17:52 | |
will sports reporter Vassos keep a straight face | 0:17:52 | 0:17:55 | |
when he makes a mistake? | 0:17:55 | 0:17:57 | |
And can the team keep up the pace | 0:17:57 | 0:17:59 | |
until their biggest show of the week on Friday? | 0:17:59 | 0:18:02 | |
Featuring Strictly Come Dancing star Darcey Bussell. | 0:18:02 | 0:18:06 | |
BEEPING | 0:18:06 | 0:18:08 | |
# Ladies and gentlemen This is your radio talking | 0:18:08 | 0:18:11 | |
# And we want to wish you all A very good morning | 0:18:11 | 0:18:15 | |
# Rise and shine, sleepyhead Now's the time, get out of bed | 0:18:15 | 0:18:21 | |
# This is your wake-up call. # | 0:18:21 | 0:18:23 | |
Halfway through the week and the early mornings | 0:18:23 | 0:18:27 | |
on the Breakfast Show can start to take their toll on the team. | 0:18:27 | 0:18:31 | |
Least favourite part of the job | 0:18:31 | 0:18:33 | |
is when the alarm goes off at four in the morning. | 0:18:33 | 0:18:36 | |
Any time an alarm clock goes off when it starts with a four, | 0:18:36 | 0:18:41 | |
it's a bad alarm time. | 0:18:41 | 0:18:42 | |
I set my alarm for 4:20 every day. | 0:18:42 | 0:18:46 | |
Today I had the luxury of two extra minutes. | 0:18:46 | 0:18:48 | |
I went to bed last night, and I said, | 0:18:48 | 0:18:50 | |
"I'm going to do 4:22 tomorrow." | 0:18:50 | 0:18:52 | |
You never get used to it. | 0:18:52 | 0:18:54 | |
You wander round basically | 0:18:54 | 0:18:57 | |
in a state of semi-jetlag permanently. | 0:18:57 | 0:19:00 | |
CHRIS: 6:36! | 0:19:00 | 0:19:02 | |
Good morning, welcome to the programme! How are we today? | 0:19:02 | 0:19:05 | |
So it's a good job our next VIP person has Chris to keep him awake. | 0:19:05 | 0:19:10 | |
Sports reporter Vassos Alexander. | 0:19:10 | 0:19:14 | |
-Here's the sport. -Let's talk cricket. | 0:19:14 | 0:19:16 | |
Almost celebration time. | 0:19:16 | 0:19:18 | |
We're outraged on your behalf. | 0:19:18 | 0:19:20 | |
I've been doing this job now for about a year and a half, | 0:19:20 | 0:19:23 | |
and I love it. | 0:19:23 | 0:19:25 | |
As part of the on-air news team, Vassos chooses which sports stories | 0:19:28 | 0:19:33 | |
to report on before broadcasting them to the nation. | 0:19:33 | 0:19:36 | |
But he's also Chris's right-hand man | 0:19:36 | 0:19:38 | |
for fun facts and comedy conversation. | 0:19:38 | 0:19:41 | |
Reporting the sport on the radio is a dream job for Vassos. | 0:19:45 | 0:19:49 | |
When I was very young I used to listen to the sport on the radio, | 0:19:49 | 0:19:53 | |
and I was absolutely captivated by it. | 0:19:53 | 0:19:55 | |
The commentaries, bringing it to life just through the radio. | 0:19:55 | 0:19:58 | |
I loved that. I thought, "I'd love to do that." | 0:19:58 | 0:20:00 | |
Vassos has been a sports journalist for over ten years, | 0:20:01 | 0:20:04 | |
and presents two sports bulletins every morning on the Breakfast Show. | 0:20:04 | 0:20:09 | |
It's my call what sports stories to do, | 0:20:09 | 0:20:11 | |
and you have to always think about who the audience is. | 0:20:11 | 0:20:14 | |
The audience aren't a sort of sport audience, | 0:20:14 | 0:20:17 | |
so I try and tell a tale that's interesting to everybody. | 0:20:17 | 0:20:20 | |
It's 7am on Wednesday | 0:20:20 | 0:20:22 | |
and Vassos is getting ready for his first report of the day. | 0:20:22 | 0:20:25 | |
We've got a bulletin in about half an hour's time. | 0:20:25 | 0:20:27 | |
And today there's a big story in the football news. | 0:20:27 | 0:20:31 | |
Bradford, which is a tiny little football club | 0:20:31 | 0:20:33 | |
right at the bottom of the league, | 0:20:33 | 0:20:34 | |
they've beaten Aston Villa, a premier league club, big club. | 0:20:34 | 0:20:38 | |
They've beaten Arsenal, they've beaten Wigan! | 0:20:38 | 0:20:40 | |
Vassos is selecting audio highlights from the radio broadcast | 0:20:40 | 0:20:45 | |
of last night's match to use in his bulletin. | 0:20:45 | 0:20:48 | |
I'm finding the goals, I'm editing them and then | 0:20:48 | 0:20:51 | |
saving them on my computer and then I'll e-mail them to the programme. | 0:20:51 | 0:20:55 | |
COMMENTARY | 0:20:55 | 0:20:57 | |
Andy has given Vassos | 0:20:57 | 0:20:58 | |
a fixed length of time to present his bulletin on air. | 0:20:58 | 0:21:02 | |
The music for the sports bulletin lasts two minutes | 0:21:02 | 0:21:05 | |
so I have to be very aware how long each clip is | 0:21:05 | 0:21:09 | |
and how long what I'm writing lasts. | 0:21:09 | 0:21:11 | |
And he writes every word himself from scratch. | 0:21:11 | 0:21:15 | |
You do have to be good at writing. | 0:21:15 | 0:21:17 | |
It is as much what you leave out than what you include. | 0:21:17 | 0:21:20 | |
I've got two minutes. You can't afford to waffle. | 0:21:20 | 0:21:23 | |
Typed, timed and printed, Vassos is ready to go on air. | 0:21:23 | 0:21:29 | |
Sport, please. | 0:21:29 | 0:21:30 | |
Now, I know it's sometimes a bit of a shock, early in the morning, | 0:21:30 | 0:21:33 | |
to hear shouty goal commentary, so...sorry about this. | 0:21:33 | 0:21:36 | |
Carl McHugh has got a third goal of the night! | 0:21:36 | 0:21:40 | |
But partway through the bulletin, it looks like Vassos | 0:21:40 | 0:21:44 | |
may not have his timings quite right. | 0:21:44 | 0:21:46 | |
To keep the show on schedule, Andy asks him | 0:21:46 | 0:21:49 | |
to speed up the rest of his report. | 0:21:49 | 0:21:51 | |
Up to Hastings. | 0:21:51 | 0:21:52 | |
This is Sean Ray, he's the manager of non-league Hastings United. | 0:21:52 | 0:21:57 | |
But Vassos takes it all in his stride. | 0:21:57 | 0:21:59 | |
I didn't miss the music, but I nearly did. | 0:22:00 | 0:22:04 | |
I interrupted one of the clips as well. | 0:22:04 | 0:22:06 | |
Two mistakes in one bulletin, that's, you know... | 0:22:06 | 0:22:09 | |
par for the course. | 0:22:09 | 0:22:11 | |
Chris's spontaneous presenting style allows any mistakes | 0:22:11 | 0:22:15 | |
to be all part of the entertainment. | 0:22:15 | 0:22:17 | |
I'm actually laughing here in the studio, I'm laughing out loud. | 0:22:17 | 0:22:20 | |
And although it sounds like everything Chris says | 0:22:20 | 0:22:23 | |
is made up on the spot, there are some parts of his on-air chat | 0:22:23 | 0:22:26 | |
which Andy and his team script in advance. | 0:22:26 | 0:22:30 | |
Here's our team on today. | 0:22:30 | 0:22:32 | |
When you hear Chris at the start of the show talk about everybody | 0:22:32 | 0:22:35 | |
and who's doing what on the programme today... | 0:22:35 | 0:22:37 | |
Lady Lisa, cranking up the text message machine | 0:22:37 | 0:22:39 | |
for your Good Morning Chris Club requests. | 0:22:39 | 0:22:41 | |
"Lady Lisa's cranking up the text message machine | 0:22:41 | 0:22:43 | |
"for your Good Morning Chris Club requests." That's good. | 0:22:43 | 0:22:46 | |
Tip-top Tom is tackling the e-mail inbox. | 0:22:46 | 0:22:49 | |
"Tip-top Tom is tackling the e-mail inbox. | 0:22:49 | 0:22:51 | |
"Golden Graham is prepping the podcast." | 0:22:51 | 0:22:53 | |
Golden Graham is prepping the podcast. | 0:22:53 | 0:22:56 | |
It's Andy's job to make sure | 0:22:56 | 0:22:57 | |
different scripts written by different members of the team | 0:22:57 | 0:23:01 | |
will all sound the same when Chris reads them on air. | 0:23:01 | 0:23:04 | |
With everything that's written for the show, | 0:23:04 | 0:23:07 | |
I've just got to make sure that the house style is right for Chris. | 0:23:07 | 0:23:10 | |
And it's Chris's skill as a broadcaster | 0:23:10 | 0:23:12 | |
which brings these scripts to life. | 0:23:12 | 0:23:15 | |
As an early morning wake-up song you can't beat it, | 0:23:15 | 0:23:17 | |
Tony's Big-Screen Belter from the movie Back To The Future, | 0:23:17 | 0:23:20 | |
here's Chuck Berry with Johnny B Goode. | 0:23:20 | 0:23:23 | |
Lynn's next. She's always good. | 0:23:23 | 0:23:25 | |
Once a script is finished with, | 0:23:26 | 0:23:27 | |
there's only one place Chris can put it | 0:23:27 | 0:23:30 | |
so he doesn't end up reading it twice. | 0:23:30 | 0:23:32 | |
So it's stress, stress, stress, all day, all the way, | 0:23:32 | 0:23:35 | |
-says Charles in North Yorkshire. -And that's on the floor. | 0:23:35 | 0:23:38 | |
But at least he tidies up after himself. | 0:23:40 | 0:23:42 | |
Rubbish! Rubbish! | 0:23:42 | 0:23:44 | |
Some people think the show is rubbish. | 0:23:44 | 0:23:46 | |
This part of it is rubbish, cos this is the rubbish. | 0:23:46 | 0:23:49 | |
-The actual rubbish, yes. -The actual rubbish. -This is the actual rubbish. | 0:23:49 | 0:23:52 | |
And it is technically the contents of the show, so you could say | 0:23:52 | 0:23:55 | |
-the content of the show is rubbish. Eventually. -Yeah. | 0:23:55 | 0:23:58 | |
-Thank you. -Morning! | 0:23:58 | 0:24:00 | |
Happy Thursday, everyone. | 0:24:00 | 0:24:02 | |
It's 6:32! | 0:24:02 | 0:24:04 | |
The demands of live radio mean that even by Thursday... | 0:24:06 | 0:24:10 | |
OK, quick as you can. | 0:24:10 | 0:24:11 | |
..there's no chance of the Breakfast Show team putting their feet up. | 0:24:11 | 0:24:15 | |
I think Carlene is definitely | 0:24:15 | 0:24:17 | |
getting exercise in this morning, yeah. | 0:24:17 | 0:24:19 | |
She's going to need a lie down after the show. | 0:24:19 | 0:24:21 | |
People have said, when they come and watch the show, | 0:24:21 | 0:24:24 | |
"My goodness me, it's so chaotic and it sounds so smooth on the air." | 0:24:24 | 0:24:27 | |
Obviously there are busy times, | 0:24:27 | 0:24:29 | |
constantly having to turn things around quickly, make changes | 0:24:29 | 0:24:32 | |
at the last-minute - it's just one of the challenges altogether. | 0:24:32 | 0:24:36 | |
It's more fun than stress. | 0:24:36 | 0:24:37 | |
So does making the same show day in, day out, week in, week out, | 0:24:37 | 0:24:42 | |
ever become boring? | 0:24:42 | 0:24:44 | |
There's no monotony at all. | 0:24:44 | 0:24:46 | |
It's excitement and it's adrenaline, it's just a buzz every day, | 0:24:46 | 0:24:49 | |
whether it's the first Monday after a break | 0:24:49 | 0:24:52 | |
or the 16th Friday without a break. And at the end of it, of course, | 0:24:52 | 0:24:56 | |
I have my massive sleep on a Friday night. | 0:24:56 | 0:24:58 | |
# Friday I'm in Love. # | 0:24:58 | 0:25:01 | |
On 88 to 91 FM... | 0:25:01 | 0:25:04 | |
It's the biggest day of the breakfast team's week, | 0:25:04 | 0:25:07 | |
the celebrity-filled Friday show. | 0:25:07 | 0:25:11 | |
Today's star guest is Strictly Come Dancing judge Darcey Bussell. | 0:25:11 | 0:25:15 | |
This morning, she'll be spending an hour on air with Chris. | 0:25:18 | 0:25:21 | |
But first, is the job of assistant producer Tom | 0:25:21 | 0:25:24 | |
to give her a warm welcome. | 0:25:24 | 0:25:25 | |
Hello, how are you doing? All right? I'm Tom. | 0:25:25 | 0:25:27 | |
'The reason for speaking to Darcey | 0:25:27 | 0:25:29 | |
'when she gets here is just to calm her down.' | 0:25:29 | 0:25:31 | |
Even though they're celebrities who come in here, | 0:25:31 | 0:25:34 | |
they still sometimes get nervous. | 0:25:34 | 0:25:35 | |
Thanks for your music choices. | 0:25:35 | 0:25:37 | |
-They were really good. -Did you like them? -Yeah! | 0:25:37 | 0:25:39 | |
As well as making Darcey feel at home, | 0:25:39 | 0:25:41 | |
Tom's job is to discuss the music she'd like to play on the show. | 0:25:41 | 0:25:46 | |
I've always been a Lenny Kravitz fan. | 0:25:46 | 0:25:48 | |
And brief her on what will happen when she's in the studio. | 0:25:48 | 0:25:52 | |
Darcey's here, everyone! 'It's a great part of the job, really.' | 0:25:52 | 0:25:55 | |
Little bit of stardust and celebrity coming through, | 0:25:55 | 0:25:58 | |
it makes it exciting. | 0:25:58 | 0:26:00 | |
Now that Tom has Darcey fully prepared to go on air... | 0:26:00 | 0:26:04 | |
Nice to see you, my God! Such a thrill. | 0:26:04 | 0:26:07 | |
..It's all down to Chris. | 0:26:07 | 0:26:09 | |
Watched on by producer Andy and studio manager Joe. | 0:26:09 | 0:26:12 | |
Would you like the Greatest Dancer or would you like a bit of this? | 0:26:12 | 0:26:16 | |
-# Let's dance... # Bit of David Bowie? -David Bowie. | 0:26:16 | 0:26:19 | |
There's something special about knowing that you're | 0:26:19 | 0:26:21 | |
going into a weekend, you look back and you think, do you know what, | 0:26:21 | 0:26:24 | |
that was a pretty good week, wasn't it? | 0:26:24 | 0:26:26 | |
Rounded off by a big star coming in, chatting to Chris, | 0:26:26 | 0:26:30 | |
playing some of their favourite records. | 0:26:30 | 0:26:32 | |
It's a great way to end the week. | 0:26:32 | 0:26:34 | |
And as it's Friday, Vassos also gets in on the celebrity action. | 0:26:34 | 0:26:38 | |
It's his job to involve Darcey in the listeners' e-mails and text. | 0:26:38 | 0:26:43 | |
"I capsized a dinghy with Darcey just before she started Swan Lake. | 0:26:43 | 0:26:47 | |
-"She wasn't supposed to do anything risky!" Is that true? -It's true! | 0:26:47 | 0:26:50 | |
So how does Vassos find the switch from sports news to celebrity chat? | 0:26:50 | 0:26:55 | |
It's nice to just kind of interact and find out | 0:26:55 | 0:26:57 | |
what these people are like as people. | 0:26:57 | 0:27:00 | |
If you're not different and you're not in awe... | 0:27:00 | 0:27:02 | |
Chris isn't, and he has fantastic interviews with these people. | 0:27:02 | 0:27:06 | |
-You'll be there, won't you, Chris? -Of course! In my tutu. | 0:27:06 | 0:27:10 | |
And with the end of Darcey's interview... | 0:27:10 | 0:27:13 | |
That was your Darcey Bussell! | 0:27:13 | 0:27:15 | |
..that's another Friday, and another week of shows, over. | 0:27:15 | 0:27:19 | |
It's been a great morning. Non-stop from start to finish. | 0:27:19 | 0:27:23 | |
But a lot of fun. | 0:27:23 | 0:27:24 | |
Thank you so much. Well done. It was great. Thanks a lot. | 0:27:24 | 0:27:28 | |
Often people are really buzzing. | 0:27:28 | 0:27:29 | |
They're always buzzing after a Friday show, to be honest. | 0:27:29 | 0:27:32 | |
And what better way to celebrate five days of fab radio | 0:27:32 | 0:27:36 | |
than with a nice cup of tea and a sit down? | 0:27:36 | 0:27:40 | |
So all smiles around here now as we prepare for the weekend. | 0:27:40 | 0:27:44 | |
And then Monday. | 0:27:46 | 0:27:47 | |
# Express yourself | 0:27:47 | 0:27:49 | |
# Express yourself | 0:27:52 | 0:27:54 | |
# See it's not what you look like | 0:27:57 | 0:28:00 | |
# When you're doin' what you're doin' | 0:28:00 | 0:28:03 | |
# Express yourself... # | 0:28:03 | 0:28:05 | |
Subtitles by Red Bee Media Ltd | 0:28:06 | 0:28:09 |