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Everyone craves success. | 0:00:05 | 0:00:07 | |
OK, perfect. | 0:00:07 | 0:00:08 | |
We all love a winner. | 0:00:08 | 0:00:10 | |
Yeah! | 0:00:10 | 0:00:12 | |
But no-one makes it to the top on their own. | 0:00:12 | 0:00:16 | |
Behind every star is a team of people - | 0:00:16 | 0:00:18 | |
immensely talented, powerful in their own worlds. | 0:00:18 | 0:00:22 | |
-I need two crab on the pass now! -Yes, chef. | 0:00:22 | 0:00:25 | |
But invisible to us until now. | 0:00:25 | 0:00:28 | |
Musical director. | 0:00:28 | 0:00:30 | |
I am an absolute genius at what I do. | 0:00:30 | 0:00:32 | |
These are the stories of the stars | 0:00:35 | 0:00:37 | |
and the teams who strive to make them shine. | 0:00:37 | 0:00:39 | |
Job done. | 0:00:41 | 0:00:42 | |
CHEERING | 0:00:42 | 0:00:44 | |
This is the world of the VIP people. | 0:00:44 | 0:00:46 | |
They say if you can't stand the heat, get out of the kitchen | 0:00:50 | 0:00:54 | |
and things don't get much hotter than a busy day | 0:00:54 | 0:00:56 | |
at one of the country's top restaurants. | 0:00:56 | 0:00:58 | |
OK, ca marche, two scallops, venison rare, beef rare. 41. | 0:00:58 | 0:01:02 | |
We've seen plenty of hot-headed, shouty chefs on TV but what does | 0:01:02 | 0:01:06 | |
it actually take to be a top-flight chef in a real working kitchen? | 0:01:06 | 0:01:10 | |
This is the important part of the day. | 0:01:10 | 0:01:12 | |
If this is late, we are in trouble. | 0:01:12 | 0:01:14 | |
Adam Bennett is an award-winning | 0:01:14 | 0:01:15 | |
head chef at one of the country's best restaurants. | 0:01:15 | 0:01:19 | |
In fact, the food and service is so good, it's been given | 0:01:20 | 0:01:23 | |
the ultimate stamp of excellence in the cookery world - a Michelin star. | 0:01:23 | 0:01:27 | |
As we know, VIPs always have a top team of VIP people behind them | 0:01:30 | 0:01:35 | |
to make their job possible, and Adam is no exception. | 0:01:35 | 0:01:39 | |
The whole team really pull together and it is a nice buzz. | 0:01:39 | 0:01:43 | |
In a super-posh restaurant like Adam's, the VIP team have | 0:01:44 | 0:01:47 | |
special French names and all have important roles. | 0:01:47 | 0:01:51 | |
The assistant chef, known as a sous chef, | 0:01:52 | 0:01:55 | |
in charge of the day-to-day running of the kitchen. | 0:01:55 | 0:01:58 | |
The section chefs or chef de parties | 0:01:58 | 0:02:01 | |
who are in charge of their own parts of the kitchen. | 0:02:01 | 0:02:05 | |
And the junior chefs, called commis chefs, who fetch and carry. | 0:02:05 | 0:02:09 | |
In the restaurant, the front of house staff, | 0:02:09 | 0:02:12 | |
waiters and hosts are the public face of Adam's kitchen, | 0:02:12 | 0:02:15 | |
making sure they create the perfect posh dining experience. | 0:02:15 | 0:02:20 | |
Simpsons in Birmingham. | 0:02:23 | 0:02:25 | |
It's a top-rated restaurant that serves up to 180 people a day. | 0:02:25 | 0:02:31 | |
Customers book weeks, | 0:02:31 | 0:02:32 | |
even months in advance to get in, and among the famous diners | 0:02:32 | 0:02:36 | |
who've been here are Kylie Minogue and the Prime Minister. | 0:02:36 | 0:02:40 | |
The food is based on fine French cookery and they serve | 0:02:40 | 0:02:44 | |
all sorts of exotic stuff from caviar to tiny quail's eggs. | 0:02:44 | 0:02:49 | |
What we aim for with the food at Simpsons is interesting dishes. | 0:02:49 | 0:02:53 | |
Most emphasis is on flavour but also we go for a striking appearance. | 0:02:53 | 0:02:57 | |
For Adam, who's been cooking for 30 years, | 0:02:57 | 0:03:00 | |
being head chef is a dream job. | 0:03:00 | 0:03:03 | |
School hadn't made all that much sense to me | 0:03:03 | 0:03:06 | |
but as soon as I got to college and started producing food | 0:03:06 | 0:03:09 | |
and dishes from raw products, then that all made sense. | 0:03:09 | 0:03:13 | |
I knew that I belonged in a kitchen then. | 0:03:13 | 0:03:15 | |
The dining experience here will set you back about £100 a head | 0:03:15 | 0:03:20 | |
but it has earned the restaurant something that | 0:03:20 | 0:03:23 | |
most establishments can only dream of - a Michelin star. | 0:03:23 | 0:03:27 | |
A Michelin star for a chef is akin to an Oscar for an actor. | 0:03:27 | 0:03:31 | |
Thought up by French tyre company Michelin to show | 0:03:33 | 0:03:36 | |
drivers where the best restaurants were, Simpsons is one of | 0:03:36 | 0:03:39 | |
170 places in the whole of the UK to have been given a star. | 0:03:39 | 0:03:44 | |
It's a big accolade. It is important stuff. | 0:03:45 | 0:03:48 | |
We're following a typical day at the restaurant. | 0:03:48 | 0:03:51 | |
They have two sittings - | 0:03:51 | 0:03:53 | |
one at lunchtime and one at dinnertime - called services. | 0:03:53 | 0:03:56 | |
The doors don't open to customers until midday | 0:03:56 | 0:03:59 | |
but Adam's kitchen VIP team are at work from eight in the morning. | 0:03:59 | 0:04:04 | |
So, there are various people in the kitchen. | 0:04:04 | 0:04:06 | |
Different chefs with different roles. | 0:04:06 | 0:04:08 | |
Like most top kitchens there's a very strict pecking order here. | 0:04:08 | 0:04:13 | |
It's a system invented more than 100 years ago by French chefs | 0:04:13 | 0:04:16 | |
who wrote the rule book on fine dining. | 0:04:16 | 0:04:20 | |
And it means, whatever the job, | 0:04:20 | 0:04:21 | |
everyone here has a fancy French name. | 0:04:21 | 0:04:24 | |
Sous chef. | 0:04:25 | 0:04:26 | |
Junior sous chef. | 0:04:26 | 0:04:27 | |
I'm a chef de partie. | 0:04:27 | 0:04:29 | |
Then you get your junior chef de partie. | 0:04:29 | 0:04:32 | |
I'm a commis chef. | 0:04:32 | 0:04:33 | |
Starting his day lifting rather than cheffing is | 0:04:33 | 0:04:36 | |
the most junior of Adam's VIP team, | 0:04:36 | 0:04:39 | |
commis chef Paddy. | 0:04:39 | 0:04:41 | |
Every top chef starts their career as a commis chef. | 0:04:43 | 0:04:47 | |
The commis chefs do all the fetching and carrying and help with all the | 0:04:47 | 0:04:50 | |
basic cooking stuff like chopping vegetables and making sauces. | 0:04:50 | 0:04:55 | |
For Paddy, today's a big day. | 0:04:57 | 0:05:00 | |
The first full day on the job. | 0:05:00 | 0:05:02 | |
He's been chosen out of dozens of would-be chefs | 0:05:02 | 0:05:05 | |
looking for a start in this top-class kitchen. | 0:05:05 | 0:05:09 | |
My first day of going full-time after two years part-time, | 0:05:09 | 0:05:16 | |
so a big step up. I've got to step up to the plate. | 0:05:16 | 0:05:18 | |
It's heart-warming, to be honest. It's the best way I could put it. | 0:05:18 | 0:05:23 | |
He spent two years at catering college, but it won't count | 0:05:23 | 0:05:26 | |
for anything if he isn't prepared to put in some seriously hard graft. | 0:05:26 | 0:05:31 | |
They make sure you learn from your mistakes. | 0:05:31 | 0:05:35 | |
That's the best way I can put it. How many mistakes have I made here? | 0:05:35 | 0:05:39 | |
A lot. | 0:05:40 | 0:05:41 | |
'I've wanted to be a chef since I was 12. I went to college. | 0:05:41 | 0:05:45 | |
'College helped me out with a few little jobs' | 0:05:45 | 0:05:49 | |
and here I am now. | 0:05:49 | 0:05:51 | |
'I'm one of the very few in here that has got everything to learn.' | 0:05:51 | 0:05:57 | |
Not only has he got to get his head around the cooking, he also has to | 0:05:57 | 0:06:00 | |
get his head around the language and I don't mean bad language. | 0:06:00 | 0:06:04 | |
Soigne. Soigne. | 0:06:04 | 0:06:05 | |
OK, ca marche. | 0:06:05 | 0:06:06 | |
-Seven amuse-bouches. Apres, apres, yeah? Oui. -Oui! | 0:06:06 | 0:06:10 | |
Because France is the home of really posh cooking, you hear | 0:06:10 | 0:06:14 | |
a lot of French in a really posh kitchen. | 0:06:14 | 0:06:17 | |
I don't know any French. | 0:06:17 | 0:06:18 | |
-Oui. -Oui. | 0:06:18 | 0:06:19 | |
But you learn to pick it up | 0:06:19 | 0:06:21 | |
through phrases that you constantly hear when you are in work. | 0:06:21 | 0:06:25 | |
Venison rare, beef rare, 41. | 0:06:25 | 0:06:28 | |
Oui. | 0:06:28 | 0:06:29 | |
Oui is French. It means yes. So, yes, chef. | 0:06:29 | 0:06:32 | |
Basically, it means yes, they have heard me. | 0:06:32 | 0:06:35 | |
So does he know exactly what his job translates as? | 0:06:35 | 0:06:38 | |
Commis chef. No, that's sous chef. | 0:06:38 | 0:06:43 | |
I couldn't give you the definition of it. | 0:06:43 | 0:06:45 | |
A French to English dictionary might help you, Paddy. | 0:06:45 | 0:06:47 | |
It's got to be around here. Here we go. Clerk. | 0:06:47 | 0:06:51 | |
Assistant clerk, it says here. | 0:06:51 | 0:06:53 | |
Clerk, as in filing clerk, the lowliest job in the office | 0:06:53 | 0:06:57 | |
and in the kitchen. | 0:06:57 | 0:06:59 | |
Nine o'clock, | 0:07:01 | 0:07:02 | |
time to make sure the restaurant has all the right ingredients | 0:07:02 | 0:07:05 | |
coming from the suppliers. | 0:07:05 | 0:07:07 | |
Oh, hello, are you all right? | 0:07:07 | 0:07:08 | |
I am after some hand-dived scallops for tomorrow. | 0:07:08 | 0:07:11 | |
I've got a whole saddle of venison coming today. | 0:07:11 | 0:07:13 | |
Hello, Nigel, are you all right? Like a real proper gem. | 0:07:13 | 0:07:16 | |
Nothing too big and leafy. | 0:07:16 | 0:07:18 | |
Do you know the frozen scallops that came in yesterday with the driver? | 0:07:18 | 0:07:22 | |
With thousands of dishes to make | 0:07:22 | 0:07:23 | |
each week, there's an impressive shopping list, including hundreds | 0:07:23 | 0:07:27 | |
of fish and loads of exotic veggies like these weird-looking salsify. | 0:07:27 | 0:07:32 | |
And it all has to be the best quality and arrive on time. | 0:07:32 | 0:07:36 | |
Some mornings you can spend most of the time on the phone. | 0:07:38 | 0:07:42 | |
That's all sorted by the next member of our VIP team, | 0:07:42 | 0:07:45 | |
chef de partie Georgina. | 0:07:45 | 0:07:48 | |
Chef de partie means a chef of a section. | 0:07:51 | 0:07:54 | |
They're in charge of one area of the kitchen | 0:07:54 | 0:07:57 | |
and have a number of commis chefs working under them. | 0:07:57 | 0:08:00 | |
During a service the chefs de partie prepare specific parts of each meal. | 0:08:00 | 0:08:04 | |
We have people running this section who are known as chef de partie. | 0:08:06 | 0:08:09 | |
They're responsible for checking things within the section, making | 0:08:09 | 0:08:12 | |
sure it is running well, making sure everything is as it should be. | 0:08:12 | 0:08:15 | |
So, on the veg section you will have a chef de partie of the veg. | 0:08:15 | 0:08:18 | |
Sauce section, you have a chef de partie on the sauce section. | 0:08:18 | 0:08:22 | |
Pastry chef de partie. So each section has a chef for that part. | 0:08:22 | 0:08:26 | |
Between the three of us chef de parties, we need to really help | 0:08:26 | 0:08:30 | |
and make sure that everyone is pulling their weight and doing their | 0:08:30 | 0:08:33 | |
bit and the kitchen is kept clean, tidy and everything is done right. | 0:08:33 | 0:08:37 | |
The chef de partie makes sure the cupboards are stocked up | 0:08:37 | 0:08:41 | |
and gets to order the commis chefs about. | 0:08:41 | 0:08:43 | |
Are you ready, Paddy? Paddy. Hot tray, Paddy, yeah. | 0:08:43 | 0:08:47 | |
-Two on the mains, yeah? -Yeah. | 0:08:47 | 0:08:50 | |
Paddy. Spinach. | 0:08:50 | 0:08:52 | |
-Paddy. Quick as you can, Paddy, yeah? -Oui, oui. | 0:08:52 | 0:08:55 | |
Wake up, Paddy, you're not done yet. | 0:08:55 | 0:08:57 | |
Georgina has been here six years. | 0:08:57 | 0:09:00 | |
As a little girl, I always sort of watched my mum cook | 0:09:00 | 0:09:02 | |
and then thought, "The whole sitting in an office thing ain't for me." | 0:09:02 | 0:09:08 | |
I thought, "I'll give cheffing a bit of a go." | 0:09:08 | 0:09:11 | |
I really enjoyed it when I went to college and ended up here. | 0:09:11 | 0:09:15 | |
Georgina gets to make the staff meals. | 0:09:15 | 0:09:18 | |
But there's no fine dining for them. | 0:09:18 | 0:09:21 | |
We've got faggots for staff. | 0:09:21 | 0:09:23 | |
Faggots, or meatballs, and other big food help | 0:09:23 | 0:09:27 | |
keep their energy up during a long busy service. | 0:09:27 | 0:09:31 | |
We provide a good staff meal twice a day and it keeps everyone going. | 0:09:31 | 0:09:35 | |
I'll just spend a couple of minutes eating this | 0:09:35 | 0:09:37 | |
and then we are ready for service then. | 0:09:37 | 0:09:40 | |
It's just gone 11.30 | 0:09:40 | 0:09:42 | |
and Adam's VIP team are working like a well-rehearsed orchestra. | 0:09:42 | 0:09:46 | |
Everyone knows their part. | 0:09:46 | 0:09:49 | |
Ingredients are chopped, sauces are fired up | 0:09:49 | 0:09:52 | |
and meat prepared, ready for when the doors open to the public. | 0:09:52 | 0:09:56 | |
Conducting it all is head chef Adam. | 0:09:58 | 0:10:01 | |
Even as the boss, he has an eye for detail, particularly when it's one | 0:10:01 | 0:10:05 | |
of the most important things in a professional kitchen - cleanliness. | 0:10:05 | 0:10:10 | |
I think if your kitchen is tidy and orderly, | 0:10:11 | 0:10:14 | |
then you have got a good chance of having a good service. | 0:10:14 | 0:10:17 | |
'I think you need a disciplined atmosphere.' | 0:10:17 | 0:10:19 | |
Get the cooked meat onto a separate tray. Get your knives clean, | 0:10:19 | 0:10:23 | |
-get your sink clean and work like a professional. -Yes, chef. | 0:10:23 | 0:10:26 | |
We work very long hours so people need to feel | 0:10:26 | 0:10:28 | |
they're having some fun as well. | 0:10:28 | 0:10:30 | |
But when service is going on, everything else stops | 0:10:30 | 0:10:32 | |
and that's the only concern. | 0:10:32 | 0:10:34 | |
But Adam won't be conducting the show entirely on his own. | 0:10:34 | 0:10:38 | |
Myself and Matt will be running the service, checking everything, | 0:10:38 | 0:10:41 | |
making sure we are happy. | 0:10:41 | 0:10:43 | |
A busy service would not be possible without the most crucial | 0:10:43 | 0:10:46 | |
member of Adam's team, his right-hand man - | 0:10:46 | 0:10:49 | |
sous chef Matt. | 0:10:49 | 0:10:51 | |
Sous is French for under and while Matt works under the head chef | 0:10:54 | 0:10:58 | |
he has to be skilled enough to take over when Adam's not there. | 0:10:58 | 0:11:02 | |
Day to day, Matt ensures that | 0:11:02 | 0:11:04 | |
the kitchen is running at peak performance. | 0:11:04 | 0:11:07 | |
A good sous chef for me should be like a sergeant major in the army. | 0:11:08 | 0:11:11 | |
Keep discipline, keep everything running smoothly | 0:11:11 | 0:11:14 | |
and just look after the details. | 0:11:14 | 0:11:16 | |
Matt has been doing that for a long time | 0:11:16 | 0:11:18 | |
and he really is overdue for a head chef job. | 0:11:18 | 0:11:20 | |
Every chef aspires to be a head chef one day. | 0:11:20 | 0:11:23 | |
Matt has been here 14 years | 0:11:23 | 0:11:25 | |
and knows the style of cooking better than anyone. | 0:11:25 | 0:11:29 | |
I went to catering college. | 0:11:29 | 0:11:30 | |
My parents always tried to put me off that cos they knew | 0:11:30 | 0:11:33 | |
the hours that were involved and the work that was involved. | 0:11:33 | 0:11:36 | |
I went to college anyway. I started at the Birmingham College Of Food | 0:11:36 | 0:11:39 | |
and then I did my work placement at Simpsons about 14 years ago. | 0:11:39 | 0:11:42 | |
I sort of love the place. | 0:11:42 | 0:11:44 | |
As sous chef it's his job to make sure nothing goes into a dish | 0:11:44 | 0:11:48 | |
that doesn't meet very high standards. | 0:11:48 | 0:11:50 | |
It will be myself or one of the chefs de partie that will taste | 0:11:50 | 0:11:54 | |
pretty much everything. | 0:11:54 | 0:11:55 | |
You know, it is on my shoulders, obviously. | 0:11:55 | 0:11:58 | |
He also keeps the newer chefs on their toes, teaching them | 0:11:58 | 0:12:01 | |
the Simpsons way and making sure their equipment is up to scratch. | 0:12:01 | 0:12:05 | |
Blunt. | 0:12:05 | 0:12:06 | |
They keep sending up herbs and they're a bit bruised cos | 0:12:08 | 0:12:10 | |
their knives aren't sharp enough so I've just given it a little tickle. | 0:12:10 | 0:12:15 | |
Knives are quite personal items | 0:12:15 | 0:12:16 | |
and they're a personal preference on what you like to use. | 0:12:16 | 0:12:19 | |
Being a chef at this level, you know, it's a craft. | 0:12:19 | 0:12:22 | |
Every craftsman has his own tools | 0:12:22 | 0:12:23 | |
and for an example, that one is probably about £190. | 0:12:23 | 0:12:27 | |
I have had that a while now. | 0:12:27 | 0:12:28 | |
Everyone in the kitchen is expected to learn on the job. | 0:12:28 | 0:12:32 | |
Matt's there to make sure mistakes aren't repeated. | 0:12:32 | 0:12:35 | |
If they do something wrong, they need to be told. | 0:12:36 | 0:12:39 | |
You know, obviously, the first time, I try and show them | 0:12:39 | 0:12:43 | |
the right way instead of the wrong way. | 0:12:43 | 0:12:46 | |
And then, obviously, if it happens again and again and again, | 0:12:46 | 0:12:52 | |
I might shout a little bit. | 0:12:52 | 0:12:54 | |
Get a grip. Calm down, will you? | 0:12:54 | 0:12:56 | |
I know, yeah, but it's your job. We don't all scream and shout about it. | 0:12:56 | 0:12:59 | |
At the end of the day, we are all here to learn. | 0:12:59 | 0:13:01 | |
You know, I am still learning every day. | 0:13:01 | 0:13:05 | |
Adam and Matt will be conducting the service from the front | 0:13:05 | 0:13:08 | |
in an area known as the pass. | 0:13:08 | 0:13:10 | |
The pass is where we organise the service | 0:13:10 | 0:13:12 | |
so we'll be calling the orders out, | 0:13:12 | 0:13:14 | |
coordinating things between the different sections | 0:13:14 | 0:13:17 | |
and then finally it is where things go on the plate and get sauced | 0:13:17 | 0:13:21 | |
and taken to the restaurant. | 0:13:21 | 0:13:23 | |
It's 20 minutes to service | 0:13:23 | 0:13:25 | |
and preparation time is running out quickly. | 0:13:25 | 0:13:28 | |
Just giving Paddy a little hand now to get ready. He is a little behind. | 0:13:28 | 0:13:32 | |
You can tell by the way he's panicking a little bit. Eh, Paddy? | 0:13:32 | 0:13:35 | |
Yeah. | 0:13:35 | 0:13:37 | |
This is the period of the day where there is | 0:13:37 | 0:13:39 | |
a transition between getting ready and being ready. | 0:13:39 | 0:13:41 | |
Everybody's mind starts to focus on service now rather than | 0:13:41 | 0:13:44 | |
preparation, so this is the important part of the day. | 0:13:44 | 0:13:47 | |
If this is late, we're in trouble. | 0:13:47 | 0:13:50 | |
As the kitchen picks up the pace preparing food, in the restaurant, | 0:13:50 | 0:13:54 | |
the front of house staff are getting ready to serve it. | 0:13:54 | 0:13:57 | |
The waiters are a crucial part of Adam's team. | 0:13:57 | 0:14:01 | |
The service has to match the quality of the food | 0:14:01 | 0:14:04 | |
so the waiting staff are expected to know the menu inside out. | 0:14:04 | 0:14:08 | |
OK, anyone has any questions? | 0:14:08 | 0:14:10 | |
Have you seen the menu, the new menu, Alex? Yeah? OK? | 0:14:10 | 0:14:13 | |
What the customers are looking for from a good waiter is to have all the | 0:14:13 | 0:14:17 | |
information at their fingertips when a question is asked about the dish. | 0:14:17 | 0:14:21 | |
In charge is the final player in Adam's VIP team, | 0:14:21 | 0:14:25 | |
restaurant manager Tony. | 0:14:25 | 0:14:27 | |
Tony meets, greets and seats customers in style and keeps | 0:14:30 | 0:14:34 | |
the kitchen up to speed about what's happening in the restaurant. | 0:14:34 | 0:14:37 | |
It's his job to make sure the waiting staff delivers | 0:14:37 | 0:14:40 | |
a service that's second to none. | 0:14:40 | 0:14:42 | |
As the first customers arrive, | 0:14:46 | 0:14:48 | |
Tony pops into the kitchen to let them know. | 0:14:48 | 0:14:51 | |
First table is in. | 0:14:51 | 0:14:53 | |
Lunch is served. | 0:14:54 | 0:14:55 | |
There are around 50 customers expecting some top-quality grub | 0:14:55 | 0:14:59 | |
and the kitchen is in full swing. | 0:14:59 | 0:15:01 | |
First course went on onion veggie, pork... | 0:15:03 | 0:15:07 | |
This is the main room which is the conservatory. | 0:15:09 | 0:15:11 | |
We have seven tables here and in this room, you normally have... | 0:15:11 | 0:15:15 | |
At the moment it is Yannick and Alexander sort of making sure | 0:15:15 | 0:15:18 | |
that everyone has got bread, wine, water. | 0:15:18 | 0:15:20 | |
Just like the kitchen staff, there are different levels of waiter. | 0:15:22 | 0:15:26 | |
There are waiters to carry the trays of food from the kitchen | 0:15:26 | 0:15:29 | |
and waiters to actually serve the food. | 0:15:29 | 0:15:31 | |
An ideal person who would be working in front of house has | 0:15:31 | 0:15:34 | |
to have the drive, motivation, passion for good food | 0:15:34 | 0:15:37 | |
and good wine, be a good team player. | 0:15:37 | 0:15:39 | |
You have to be a caring person | 0:15:39 | 0:15:41 | |
if you want to work in this kind of industry. | 0:15:41 | 0:15:43 | |
Tony's been at Simpsons for seven years | 0:15:43 | 0:15:46 | |
but started his restaurant career serving takeaway pizza. | 0:15:46 | 0:15:50 | |
You have to have hospitality in your blood. | 0:15:50 | 0:15:53 | |
When an order comes in, the chef announces it with another | 0:15:53 | 0:15:56 | |
French word - ca marche. | 0:15:56 | 0:15:58 | |
OK, ca marche, two scallops, venison rare, beef rare, 41. | 0:15:59 | 0:16:03 | |
Oui. | 0:16:03 | 0:16:04 | |
Ca marche, in kitchen speak, means listen up or else. | 0:16:04 | 0:16:08 | |
Ca marche, three crab, one scallops. | 0:16:09 | 0:16:12 | |
With 150 dishes to make, no-one can afford to miss an order. | 0:16:12 | 0:16:16 | |
Communication is the key for a smooth service. | 0:16:18 | 0:16:20 | |
If everybody communicates well, then you should get a good service. | 0:16:20 | 0:16:23 | |
Ca marche, parfait, two egg, cod, pork, venison. The ven is medium rare. | 0:16:23 | 0:16:27 | |
-Table three. -Oui. | 0:16:27 | 0:16:28 | |
And all the chefs, right from the commis | 0:16:30 | 0:16:32 | |
to the chef de partie to the sous chef aren't told what to do, | 0:16:32 | 0:16:37 | |
they're expected to know. | 0:16:37 | 0:16:40 | |
Three beignets, two raw. | 0:16:40 | 0:16:42 | |
As the elements of each dish are cooked | 0:16:44 | 0:16:46 | |
and delivered to the pass, Adam composes them like a painting | 0:16:46 | 0:16:50 | |
before they go out to the diner. | 0:16:50 | 0:16:52 | |
-We're away. Parfait, two egg. -Oui. | 0:16:55 | 0:16:57 | |
Over the three hours, there's no slacking off. | 0:16:59 | 0:17:03 | |
Just waiting on you now, Pad. | 0:17:03 | 0:17:05 | |
The last dish has to be made with the same care as the first. | 0:17:05 | 0:17:08 | |
And even when the service is over, the work isn't done. | 0:17:14 | 0:17:18 | |
The surfaces have to be scrubbed down. | 0:17:18 | 0:17:20 | |
Everyone is expected to clean up after themselves | 0:17:20 | 0:17:23 | |
ready for the next session in just two hours' time. | 0:17:23 | 0:17:26 | |
Everywhere is soaped down, squeegeed off, | 0:17:28 | 0:17:31 | |
disinfected down, the floor is cleaned as well | 0:17:31 | 0:17:34 | |
just so that we are all fresh, ready to start again. | 0:17:34 | 0:17:37 | |
So while some staff are able to head home for a quick break, | 0:17:37 | 0:17:40 | |
Adam as head chef is never entirely able to switch off. | 0:17:40 | 0:17:44 | |
You need to be a little bit obsessed. Really, it is an ongoing process. | 0:17:46 | 0:17:50 | |
We are always thinking, looking, researching. | 0:17:50 | 0:17:53 | |
It is a job that you live. | 0:17:53 | 0:17:54 | |
We've seen how Adam's VIP team work together | 0:17:56 | 0:17:59 | |
to deliver an award-winning service. | 0:17:59 | 0:18:02 | |
It's a teamwork that's going to be put to the test as Adam takes | 0:18:02 | 0:18:06 | |
a break from the kitchen. | 0:18:06 | 0:18:08 | |
He's off to France to compete in a major | 0:18:08 | 0:18:10 | |
international cooking competition and has several weeks | 0:18:10 | 0:18:14 | |
of serious cooking practice to get in away from Simpsons. | 0:18:14 | 0:18:18 | |
Leaving his VIP squad to run things without him, | 0:18:18 | 0:18:21 | |
everyone has to up their game | 0:18:21 | 0:18:23 | |
and it's young Paddy who's really feeling the pressure. | 0:18:23 | 0:18:26 | |
Paddy, get a grip. I need two crab on the pass now! | 0:18:26 | 0:18:30 | |
It's 7pm, and the evenings are when the crowds | 0:18:33 | 0:18:36 | |
really start to turn up. | 0:18:36 | 0:18:38 | |
Good evening, gents. | 0:18:40 | 0:18:42 | |
Hello. Welcome to Simpsons. Evening. How are you? | 0:18:42 | 0:18:44 | |
Lunch, if we get business people, | 0:18:44 | 0:18:46 | |
it is a little bit more of a rush, and in the evening, | 0:18:46 | 0:18:48 | |
people like to take the time and relax and make an evening of it. | 0:18:48 | 0:18:53 | |
In a top-class restaurant, the waiters don't just serve | 0:18:53 | 0:18:56 | |
the food, they're expected to know almost as much about it as the chef. | 0:18:56 | 0:19:01 | |
You serve from the right | 0:19:01 | 0:19:02 | |
and make sure that you present the food the right way, | 0:19:02 | 0:19:05 | |
explain the main ingredients, what's in a dish, let them enjoy. | 0:19:05 | 0:19:09 | |
It can be difficult to remember though who exactly is having | 0:19:10 | 0:19:13 | |
what so they've developed a very special way of keeping track. | 0:19:13 | 0:19:17 | |
We have got a check here which describes every starter | 0:19:18 | 0:19:21 | |
for the individual. Gentleman, glasses. | 0:19:21 | 0:19:23 | |
Gentleman, no hair. Gentleman, hair, etc, etc. | 0:19:23 | 0:19:25 | |
So it just describes who is having what. | 0:19:25 | 0:19:27 | |
When we actually come to the table with the food on the tray, | 0:19:27 | 0:19:30 | |
we don't ask who is having what. We know already. | 0:19:30 | 0:19:32 | |
Sometimes being a waiter means being a mind-reader. | 0:19:32 | 0:19:35 | |
A customer has ordered a dish without realising they're | 0:19:35 | 0:19:39 | |
allergic to most of it, causing a bit of friction in the kitchen. | 0:19:39 | 0:19:42 | |
So, she is allergic to nuts, fruit. | 0:19:42 | 0:19:47 | |
It's your job to, you know, speak to them and find out more information. | 0:19:47 | 0:19:52 | |
I can't cook for someone if I don't know what they can and can't have. | 0:19:52 | 0:19:55 | |
You know, you have to have the information and | 0:19:55 | 0:19:57 | |
communicate with your colleagues and the chef. | 0:19:57 | 0:20:00 | |
That's how we deal and then prevent it. By communicating. | 0:20:00 | 0:20:03 | |
The service continues until the very last customer finishes. | 0:20:03 | 0:20:07 | |
The kitchen might not pack up until the early hours, | 0:20:07 | 0:20:10 | |
ready to start all over again. | 0:20:10 | 0:20:13 | |
Adam's always on the hunt for new menu ideas | 0:20:21 | 0:20:25 | |
and today he's looking for them at a local plant grower's. | 0:20:25 | 0:20:28 | |
We are going to see Will. | 0:20:28 | 0:20:30 | |
He's the guy that grows a lot of our herbs, shoots, leaves, etc. | 0:20:30 | 0:20:35 | |
Also flowers that we use in the dishes. | 0:20:35 | 0:20:37 | |
He is always working on something new | 0:20:37 | 0:20:39 | |
so hopefully today he will have something exciting to show us. | 0:20:39 | 0:20:42 | |
For Adam, just cooking the food is not enough, he needs to keep | 0:20:42 | 0:20:46 | |
the menu fresh and is constantly searching for new ingredients. | 0:20:46 | 0:20:50 | |
We are off to the greenhouse | 0:20:50 | 0:20:52 | |
to have a look at some of Will's new products. | 0:20:52 | 0:20:55 | |
Looking for something a little bit novel, a little bit new. | 0:20:55 | 0:21:00 | |
This is incredible. | 0:21:00 | 0:21:01 | |
The flavour of this is actually like oyster, seafood. | 0:21:01 | 0:21:04 | |
That is a perfect pea flower. | 0:21:06 | 0:21:08 | |
You will see an ingredient and it will start you | 0:21:08 | 0:21:11 | |
thinking in a certain direction and that can become a dish. | 0:21:11 | 0:21:14 | |
Edible flowers are a distinctive part of Adam's cooking | 0:21:14 | 0:21:18 | |
but not all flowers are safe to eat. | 0:21:18 | 0:21:20 | |
These have been grown especially for him, to look and taste great. | 0:21:20 | 0:21:25 | |
Flowers have been used before in food. It is not a new thing. | 0:21:25 | 0:21:28 | |
I think they have gone out of fashion a little | 0:21:28 | 0:21:30 | |
but they have come back with a vengeance now. | 0:21:30 | 0:21:33 | |
Look at those. Beautiful. This is red butterfly sorrel. | 0:21:33 | 0:21:36 | |
Sorrel is a herb with a distinct-looking flower | 0:21:36 | 0:21:39 | |
and a strong, lemony flavour. | 0:21:39 | 0:21:42 | |
Wow, yeah, it's sorrel-y. | 0:21:42 | 0:21:45 | |
So we will hopefully try to use this on our new dish. | 0:21:45 | 0:21:48 | |
Back at Simpsons, Adam's thinking about how | 0:21:50 | 0:21:53 | |
he can use the flowers he picked up. | 0:21:53 | 0:21:55 | |
So these are the flowers from this sorrel. | 0:21:55 | 0:21:58 | |
Then we have got the butterfly sorrel flowers as well. | 0:22:00 | 0:22:03 | |
So I think between all of these different things | 0:22:03 | 0:22:06 | |
we should come up with something good to go with the venison. | 0:22:06 | 0:22:08 | |
Venison is the name for meat that comes from deer | 0:22:08 | 0:22:11 | |
and is one of the luxury foods that the restaurant specialises in. | 0:22:11 | 0:22:15 | |
They'll be serving it tartare, which means raw, | 0:22:15 | 0:22:18 | |
and it's as much about getting the look right as the taste. | 0:22:18 | 0:22:21 | |
-Are we on the right lines? -Yeah, yeah. | 0:22:22 | 0:22:24 | |
I think it would be nice to have it with watercress as well. | 0:22:24 | 0:22:28 | |
-For pepperiness. -Yeah. | 0:22:28 | 0:22:29 | |
Even developing a new dish is not a one-man show. | 0:22:29 | 0:22:32 | |
Adam, as always, relies on sous chef Matt to help get things right. | 0:22:32 | 0:22:37 | |
Which is just as well | 0:22:37 | 0:22:38 | |
because Adam won't be in the kitchen here at all over the next few weeks. | 0:22:38 | 0:22:43 | |
Adam's such a top chef he's been asked to compete in a big | 0:22:45 | 0:22:48 | |
international cooking competition in France, called the Bocuse d'Or. | 0:22:48 | 0:22:52 | |
It's going to take a lot of preparation to get ready. | 0:22:54 | 0:22:57 | |
It's a bit like a sporting event with a bit of Eurovision thrown in. | 0:22:57 | 0:23:01 | |
It's quite a spectacle. | 0:23:01 | 0:23:02 | |
He even has a specially-built practice kitchen | 0:23:02 | 0:23:05 | |
set up at the local catering college. | 0:23:05 | 0:23:08 | |
It means Adam won't see the inside of Simpsons for at least | 0:23:09 | 0:23:13 | |
eight weeks, leaving Matt and the rest of his VIP team to | 0:23:13 | 0:23:16 | |
keep up Simpsons' high standards while Adam's away. | 0:23:16 | 0:23:20 | |
And today is really going to test them. | 0:23:23 | 0:23:25 | |
-Strain off three crab, one for table three. Soigne. -Oui. | 0:23:26 | 0:23:30 | |
Sous chef Matt is in charge. | 0:23:30 | 0:23:32 | |
More than 80 guests - 240 dishes to make. | 0:23:32 | 0:23:37 | |
-Prawn cocktail, sea bream, two scallops, yeah? -Oui. | 0:23:37 | 0:23:41 | |
When you got a really full-on service and it's going well, | 0:23:41 | 0:23:43 | |
it's a bit like flying, you know. You almost don't have to think. | 0:23:43 | 0:23:46 | |
Everything is automatic and you just get in the zone. | 0:23:46 | 0:23:49 | |
Dishes are flying out the door, the orders are coming in thick and fast. | 0:23:49 | 0:23:53 | |
Perhaps a little too fast. | 0:23:53 | 0:23:55 | |
You have got to slow it down. You're killing me here. | 0:23:55 | 0:23:57 | |
You're putting us under too much pressure here. | 0:23:57 | 0:24:00 | |
You can't get too many orders all together and you can't also | 0:24:00 | 0:24:04 | |
rush your diners because if they feel rushed they feel uncomfortable. | 0:24:04 | 0:24:08 | |
It is not an easy job finding a balance, you know. | 0:24:08 | 0:24:11 | |
Come on, Paddy, quick. | 0:24:11 | 0:24:12 | |
With Adam out of the kitchen, everyone has to up their game and | 0:24:12 | 0:24:16 | |
young Paddy has been given a salmon and crab starter dish to make. | 0:24:16 | 0:24:20 | |
-I need three crab, one potato terrine, soigne. -Oui. | 0:24:20 | 0:24:23 | |
-Ready on three crab? -30 seconds. -Come on, hurry up, Paddy, please. | 0:24:23 | 0:24:27 | |
Paddy, get a grip. I need two crab on the pass now! | 0:24:27 | 0:24:32 | |
How many times do I have to call a check | 0:24:32 | 0:24:34 | |
before it registers in your head? | 0:24:34 | 0:24:36 | |
It's big step up for a commis chef like him. | 0:24:36 | 0:24:39 | |
And he's feeling the pressure. | 0:24:39 | 0:24:41 | |
Let's go, Paddy. | 0:24:41 | 0:24:42 | |
When it gets a bit trickier is when you're not in the zone | 0:24:42 | 0:24:45 | |
and you have to pull it back together. | 0:24:45 | 0:24:47 | |
Any dish, before it gets to the restaurant, | 0:24:47 | 0:24:49 | |
goes through a series of checks. | 0:24:49 | 0:24:50 | |
Everybody who handles it should be looking at it | 0:24:50 | 0:24:52 | |
and making sure everything is right. | 0:24:52 | 0:24:54 | |
-About time. Let's go. Come on, Paddy. Move, now. -Oui. | 0:24:54 | 0:24:57 | |
Service, please. | 0:24:57 | 0:24:58 | |
Occasionally there is a slip up. | 0:24:58 | 0:25:00 | |
Restaurant manager Tony has noticed something missing | 0:25:00 | 0:25:04 | |
and it's on Paddy's dish. | 0:25:04 | 0:25:06 | |
In fact, the most important part of a crab dish - the crab. | 0:25:06 | 0:25:10 | |
Oh. | 0:25:10 | 0:25:11 | |
Did you definitely put crab on that salmon? | 0:25:11 | 0:25:14 | |
-The three salmon that you just sent. Was there crab? -I didn't send it. | 0:25:14 | 0:25:18 | |
You have to be, first of all, apologetic about it | 0:25:20 | 0:25:23 | |
and offer apologies. | 0:25:23 | 0:25:24 | |
Just try and correct it as much as possible. | 0:25:24 | 0:25:26 | |
Paddy. | 0:25:26 | 0:25:28 | |
Paddy, when I say a soigne table, it's got to be the best you can do. | 0:25:28 | 0:25:32 | |
You forget the crab. The main thing on the dish is the crab. | 0:25:32 | 0:25:36 | |
Matt shows Paddy the right way to do it | 0:25:38 | 0:25:40 | |
and let's loose with some colourful kitchen language. | 0:25:40 | 0:25:44 | |
-Soigne. Soigne. -Yes, chef. | 0:25:44 | 0:25:47 | |
French, of course. Soigne, meaning make it excellent. | 0:25:47 | 0:25:50 | |
-How long on four crab? -Gone, chef. | 0:25:52 | 0:25:55 | |
-With the crab. -Yes, chef. | 0:25:55 | 0:25:57 | |
The rest of the service is trouble-free. | 0:25:59 | 0:26:02 | |
Matt wouldn't have it any other way. | 0:26:02 | 0:26:06 | |
30 seconds on scallops. | 0:26:06 | 0:26:07 | |
I got shouted at more than Paddy, probably, | 0:26:07 | 0:26:10 | |
you know, when I was training. | 0:26:10 | 0:26:12 | |
But, you know, | 0:26:12 | 0:26:13 | |
that's what we like mistakes for cos you learn by your mistakes. | 0:26:13 | 0:26:16 | |
It sometimes gets frustrating when | 0:26:16 | 0:26:17 | |
you think you're past the learning curve and then go back. | 0:26:17 | 0:26:20 | |
Come here. Mate, that is like the worst service I've ever seen. | 0:26:20 | 0:26:24 | |
By far the worst service you've ever had. OK. | 0:26:24 | 0:26:27 | |
We have learnt a few things today, haven't we? | 0:26:27 | 0:26:30 | |
It's the tough days where you learn the most. | 0:26:30 | 0:26:33 | |
It is hectic and it is mad but that's part of the fun. | 0:26:33 | 0:26:36 | |
We are a family and we work together | 0:26:36 | 0:26:38 | |
and that is what makes our job easier and better. | 0:26:38 | 0:26:40 | |
And what about the boss? | 0:26:40 | 0:26:42 | |
Between services, Matt and the kitchen crew follow Adam | 0:26:42 | 0:26:46 | |
online as he competes in that big cooking competition in France. | 0:26:46 | 0:26:50 | |
Everyone is on Twitter, aren't they? Finding out, trying to find out. | 0:26:50 | 0:26:54 | |
A British chef has never done better than sixth place. | 0:26:54 | 0:26:58 | |
'United Kingdom.' | 0:26:59 | 0:27:01 | |
CHEERING | 0:27:01 | 0:27:03 | |
It's a fourth for Britain, the best result ever | 0:27:03 | 0:27:06 | |
and Adam's meat dish was so good it won an award of its own. | 0:27:06 | 0:27:11 | |
Done brilliantly well. We are chuffed. Chuffed. | 0:27:11 | 0:27:14 | |
A few days later, | 0:27:17 | 0:27:18 | |
Adam's back at Simpsons to celebrate with his VIP team. | 0:27:18 | 0:27:23 | |
Adam has only been able to step away from Simpsons | 0:27:23 | 0:27:26 | |
because his talented crew has what it takes to deliver | 0:27:26 | 0:27:29 | |
a Michelin star service even when he's not there. | 0:27:29 | 0:27:33 | |
You need everyone to concentrate, communicate | 0:27:33 | 0:27:36 | |
and really work well as a team. They're the three key things. | 0:27:36 | 0:27:40 | |
Everyone from commis chefs to the front of house staff have | 0:27:40 | 0:27:44 | |
played a part in Adam's success. | 0:27:44 | 0:27:46 | |
And his prize-winning efforts | 0:27:46 | 0:27:48 | |
establish him as one of Britain's top chefs. | 0:27:48 | 0:27:51 | |
Subtitles by Red Bee Media Ltd | 0:27:57 | 0:28:00 |