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What's up, dudes? | 5:49:33 | 5:49:35 | |
Sit up straight and keep your eyes peeled | 5:49:35 | 5:49:37 | |
because it's time for Whoops, I Missed The Bus | 5:49:37 | 5:49:39 | |
and we're dishing up a double-decker load of CBBC for you. | 5:49:39 | 5:49:43 | |
What's going on here, then? | 5:49:43 | 5:49:44 | |
Wait, can I get breakfast? | 5:49:44 | 5:49:46 | |
Although I already had three hash browns. | 5:49:46 | 5:49:48 | |
A bit of Tee Cee is doing something! | 5:49:48 | 5:49:51 | |
And the voice said... | 5:49:51 | 5:49:53 | |
-BOOMING: -'Get on with it, Tee Cee!' | 5:49:53 | 5:49:55 | |
And whose lovely visage is this? | 5:49:55 | 5:49:58 | |
It just gets me entertained and it's really good. | 5:49:58 | 5:50:01 | |
Here with their own brand of opinionated nonsense | 5:50:01 | 5:50:05 | |
are CBBC's shiniest faces. Someone get them a cloth. | 5:50:05 | 5:50:08 | |
It's our very own vloggers, Myles and Laura. | 5:50:08 | 5:50:11 | |
It's a CBBC party and you're the guest of honour! | 5:50:11 | 5:50:13 | |
Oh, and can you bring the cake, please, | 5:50:13 | 5:50:15 | |
because I forgot to go shopping? | 5:50:15 | 5:50:17 | |
What do you get if you cross CBBC's biggest fan | 5:50:21 | 5:50:23 | |
with a case of the funnies, a bear and a pair of glasses? | 5:50:23 | 5:50:26 | |
It's only Myles, by Jove! | 5:50:26 | 5:50:29 | |
Matilda And The Ramsay Bunch is back | 5:50:29 | 5:50:31 | |
and once again, it's all about cooking and... | 5:50:31 | 5:50:34 | |
As soon as we touch down, we're dropping off the luggage, | 5:50:34 | 5:50:37 | |
hitting the beach and trying to outdo each other. | 5:50:37 | 5:50:40 | |
And not cooking? It is a cooking show, though. Matilda cooks a lot. | 5:50:40 | 5:50:45 | |
She can't just be always having fun on the beach. | 5:50:45 | 5:50:47 | |
When am I going to learn how to cook? | 5:50:50 | 5:50:52 | |
My nan always tells me that cooking is a great skill to have, | 5:50:52 | 5:50:55 | |
being able to create something from scratch. She says it's priceless. | 5:50:55 | 5:50:59 | |
But you know what isn't priceless? | 5:50:59 | 5:51:00 | |
There's 100 to the person that's first in the sea. | 5:51:00 | 5:51:05 | |
Going into the sea, apparently. 100 dollars for that. | 5:51:05 | 5:51:07 | |
100 dollars for a quick swim. | 5:51:07 | 5:51:09 | |
I mean, I'd do that. I'm not complaining. | 5:51:09 | 5:51:11 | |
Please let me do it. That's LA for you. What's next? A dog... | 5:51:11 | 5:51:14 | |
A dog... Dogs on surfboards? | 5:51:14 | 5:51:17 | |
That's not a shark, it's a surfboarding dog. | 5:51:17 | 5:51:19 | |
That's a dog on a surfboard. How do you get a dog to surf? | 5:51:19 | 5:51:23 | |
How do you just...? "Stand on there and surf." "But I'm a dog." | 5:51:23 | 5:51:27 | |
How do you know if a dog wants to surf. Did you just sense it? | 5:51:27 | 5:51:30 | |
"He's getting his surf on. Look at him." If not, just pay it 100. | 5:51:30 | 5:51:33 | |
He'll want to surf. What if even that doesn't work? | 5:51:33 | 5:51:36 | |
"Please don't make me surf. I'm a dog. | 5:51:36 | 5:51:38 | |
"I just want to learn how to cook | 5:51:38 | 5:51:40 | |
"a recipe with a secret spice mix, please. | 5:51:40 | 5:51:42 | |
"You're making me surf again, aren't you? Rrr! I'm a dog." | 5:51:42 | 5:51:44 | |
Fried chicken with my secret spice mix. | 5:51:44 | 5:51:46 | |
I think the guys are going to love this. | 5:51:46 | 5:51:48 | |
OK, good, we're getting into the cooking, I like it, I can smell it. | 5:51:48 | 5:51:51 | |
Something's cooking in the kitchen. It's Matilda, she's in the kitchen. | 5:51:51 | 5:51:54 | |
She's not at the beach any more. She's cooking up a dish. | 5:51:54 | 5:51:57 | |
And Matilda's a great cook, but I don't think I trust anything | 5:51:57 | 5:52:00 | |
with the word "secret" in the recipe, | 5:52:00 | 5:52:02 | |
however good of a cook you are. | 5:52:02 | 5:52:03 | |
If you say, "Oh, it's a secret recipe." | 5:52:03 | 5:52:05 | |
Please can you just tell me? | 5:52:05 | 5:52:06 | |
"Sh-sh! It's a secret." So whilst Tilly is off working hard | 5:52:06 | 5:52:09 | |
and cooking some great meals, | 5:52:09 | 5:52:10 | |
the rest of the family's also doing some cool things like... | 5:52:10 | 5:52:13 | |
Sophie on the Ferris wheel. It's a high-rise must. | 5:52:16 | 5:52:19 | |
Taking photos? OK. | 5:52:19 | 5:52:21 | |
It's just like a regular family holiday | 5:52:21 | 5:52:23 | |
with a bit of cooking thrown in. | 5:52:23 | 5:52:24 | |
If it was just a show about, like, any other family, just mine, | 5:52:24 | 5:52:28 | |
like, it would be a little less exciting. It would just be us | 5:52:28 | 5:52:30 | |
at the dinner table and then we're not at the dinner table | 5:52:30 | 5:52:33 | |
because we've finished dinner and then we're watching TV | 5:52:33 | 5:52:36 | |
and then someone asks, "Shall we watch a film?" | 5:52:36 | 5:52:38 | |
And then there's not much of an enthusiastic response | 5:52:38 | 5:52:41 | |
and then we all kind of go off into our own individual rooms | 5:52:41 | 5:52:44 | |
and that's then when we take selfies and there's a dog on a surfboard. | 5:52:44 | 5:52:47 | |
Matilda And The Ramsay Bunch always leaves me feeling a bit hungry. | 5:52:47 | 5:52:50 | |
And that's because I am a fan... I am a fan of cooking shows, | 5:52:50 | 5:52:53 | |
I like seeing something made, | 5:52:53 | 5:52:54 | |
but I think the reason this is slightly better | 5:52:54 | 5:52:56 | |
than other cooking shows is because other cooking shows | 5:52:56 | 5:52:59 | |
don't have boyfriend chats. | 5:52:59 | 5:53:00 | |
Banana split is a dessert that you'll see on menus that you share. | 5:53:00 | 5:53:04 | |
-Yeah. -So, it's normally for two people, | 5:53:04 | 5:53:06 | |
so maybe one day when you're in a restaurant | 5:53:06 | 5:53:08 | |
and you're with somebody, you're going to share... | 5:53:08 | 5:53:12 | |
-Good chat. -No, that was... | 5:53:12 | 5:53:14 | |
All right, Dad, stop trying to embarrass her, | 5:53:14 | 5:53:16 | |
literally, everyone is watching on TV. | 5:53:16 | 5:53:18 | |
There's no time for boyfriends anyway, | 5:53:18 | 5:53:20 | |
Matilda's got to cook her great recipes... | 5:53:20 | 5:53:23 | |
or go to the beach and have a swim. There is 100 on the line, so... | 5:53:23 | 5:53:27 | |
Champion job, my long-haired friend. | 5:53:27 | 5:53:29 | |
But now I hand the vlogging baton over to you, show us | 5:53:29 | 5:53:32 | |
what you're made of, 15 Second Fans. | 5:53:32 | 5:53:36 | |
My favourite show is The Next Step and Just Kidding. | 5:53:36 | 5:53:39 | |
I love The Next Step because I do freestyle dancing | 5:53:39 | 5:53:42 | |
and I love the way they dance, too, and I love Just Kidding because | 5:53:42 | 5:53:45 | |
it's very funny and it just gets me entertained and it's really good. | 5:53:45 | 5:53:49 | |
-Thank you. -Well done. | 5:53:49 | 5:53:52 | |
My favourite CBBC TV show is The Dengineers. | 5:53:52 | 5:53:57 | |
I love it when they go round people's houses and build dens. | 5:53:57 | 5:54:01 | |
-It's really fun to watch. -Yes! | 5:54:01 | 5:54:04 | |
I love The Next Step because I love dancing | 5:54:04 | 5:54:07 | |
and that's where I get all my moves from. | 5:54:07 | 5:54:09 | |
I just never used to dance without The Next Step. | 5:54:09 | 5:54:12 | |
Want me to show you one? | 5:54:12 | 5:54:13 | |
Lovely work. | 5:54:16 | 5:54:17 | |
I love, love, love, love, love, love The Dumping Ground | 5:54:17 | 5:54:22 | |
because you never know what's going to happen next and you never know | 5:54:22 | 5:54:26 | |
if Sasha's going to do something naughty, so I love it. | 5:54:26 | 5:54:30 | |
Mwah! | 5:54:30 | 5:54:31 | |
That was fan-tastic! Did you see what I... Yeah. | 5:54:31 | 5:54:35 | |
If you have something to say about your favourite CBBC show, | 5:54:35 | 5:54:38 | |
why not record your own 15-second mini vlog and send it in to us | 5:54:38 | 5:54:41 | |
via the Whoops web page? | 5:54:41 | 5:54:42 | |
You could be on the telly. | 5:54:42 | 5:54:44 | |
Now, get ready, because I've found the lost entrance | 5:54:44 | 5:54:48 | |
into a behind-the-scenes exclusive look at... | 5:54:48 | 5:54:50 | |
Yeah, Lost & Found. | 5:54:50 | 5:54:52 | |
I've had to do a lot of different scenes on Lost & Found, | 5:55:01 | 5:55:04 | |
but, for me, the most difficult are my emotional scenes. | 5:55:04 | 5:55:08 | |
It's pretty difficult at first, just to get into that mind-set, | 5:55:08 | 5:55:12 | |
because I'm always in such a good mood on set, cos, like, hair | 5:55:12 | 5:55:15 | |
and make-up's really fun and there's food. | 5:55:15 | 5:55:17 | |
Wait, can I get breakfast? | 5:55:17 | 5:55:19 | |
Although I already had three hash browns. | 5:55:19 | 5:55:21 | |
But after that, | 5:55:21 | 5:55:22 | |
you have to just kind of put yourself in the character's shoes, | 5:55:22 | 5:55:25 | |
so I'll normally find a quiet place on set | 5:55:25 | 5:55:28 | |
and really try to feel what she's feeling | 5:55:28 | 5:55:30 | |
because she has a lot going on and once I get that, | 5:55:30 | 5:55:33 | |
I can just keep going and as long as I don't get distracted | 5:55:33 | 5:55:36 | |
in between takes, it works out pretty well. | 5:55:36 | 5:55:38 | |
A really difficult thing for me in the show is, | 5:55:38 | 5:55:41 | |
um, my character is a little bit more timid than me. | 5:55:41 | 5:55:44 | |
She's a little bit more shy, whereas I'm a little bit more sassy | 5:55:44 | 5:55:47 | |
and I'm a little bit more talkative. | 5:55:47 | 5:55:49 | |
OK, back here, I'm digging your cam. | 5:55:49 | 5:55:52 | |
-I just don't know what to do. -Ask Leia for an invitation. | 5:55:54 | 5:55:58 | |
But what if she says no? | 5:55:58 | 5:56:01 | |
She's still kind of in that shell, so it's difficult for me. | 5:56:01 | 5:56:04 | |
Once you're there emotionally, the scene takes over | 5:56:04 | 5:56:06 | |
and you don't have to worry about a thing. | 5:56:06 | 5:56:08 | |
You just go in, know what you're doing, know how you're feeling | 5:56:08 | 5:56:11 | |
and when you know how you feel, | 5:56:11 | 5:56:13 | |
it manifests in the way that it's portrayed, | 5:56:13 | 5:56:15 | |
but when you get there, there's the cast, the camera people, | 5:56:15 | 5:56:18 | |
there's the directors and everybody's saying, | 5:56:18 | 5:56:20 | |
"OK, get in your place, and back to one." | 5:56:20 | 5:56:23 | |
Camera. And action. | 5:56:23 | 5:56:25 | |
# Hmm-hmm-hmm! # | 5:56:26 | 5:56:29 | |
All these things are going through your head, | 5:56:29 | 5:56:31 | |
but you have to stay focused on what your goal is and what | 5:56:31 | 5:56:34 | |
your objective is in the scene and once you do that, the magic happens. | 5:56:34 | 5:56:38 | |
Oh, what's the time? Could it be four o'clock. I'm mean, it's not | 5:56:43 | 5:56:45 | |
four o'clock, but let's pretend so this fits in with the vlog, | 5:56:45 | 5:56:48 | |
because I've been watching The 5 O'Clock Club, 4 O'Clock, 4. | 5:56:48 | 5:56:52 | |
# The time is now four o'clock... # | 5:56:52 | 5:56:55 | |
And in this episode, it's Valentine's Day | 5:56:55 | 5:56:57 | |
and I'm certain that Nero and Clem will finally get together. | 5:56:57 | 5:57:00 | |
They definitely will. | 5:57:00 | 5:57:01 | |
I mean, these two are worse than James and Riley, | 5:57:01 | 5:57:03 | |
but this episode is the one. | 5:57:03 | 5:57:04 | |
I can feel it in my bones. | 5:57:04 | 5:57:05 | |
Don't stress. You're definitely getting a Valentine's card. | 5:57:05 | 5:57:08 | |
-I told you, I don't care. -Not even if it's from Nero? | 5:57:08 | 5:57:11 | |
He well fancies you. | 5:57:11 | 5:57:13 | |
It's OK, Clem, you don't need to get a card on Valentine's Day to be | 5:57:13 | 5:57:16 | |
happy, you could give one instead, or write a Valentine's song. | 5:57:16 | 5:57:19 | |
# Do-do-do Will you be my Valentine? | 5:57:19 | 5:57:22 | |
# Do-do, do-do, you make me feel like I'm on cloud nine | 5:57:22 | 5:57:24 | |
# Do-do, do-do... # What rhymes with Valentine? | 5:57:24 | 5:57:27 | |
Something, something...dinnertime? | 5:57:27 | 5:57:29 | |
And an even better idea, a Valentine's mime. | 5:57:29 | 5:57:32 | |
FRENCH ACCORDION MUSIC PLAYS | 5:57:32 | 5:57:36 | |
-SHE RAPS: -What's my reaction if he does? | 5:57:36 | 5:57:39 | |
Do I even know what I want? | 5:57:39 | 5:57:41 | |
My feelings, all mixed up | 5:57:41 | 5:57:42 | |
Like a bittersweet cake mixed, just | 5:57:42 | 5:57:44 | |
Tangled like rope Is there any hope? | 5:57:44 | 5:57:46 | |
'Course I like him How much, though? | 5:57:46 | 5:57:48 | |
It seems like the Valentine's mail delivery has got a bit too much. | 5:57:48 | 5:57:51 | |
I need a break. | 5:57:51 | 5:57:53 | |
Well, of course it's too much, it's a terrible idea, | 5:57:53 | 5:57:56 | |
it's the worst idea in the history of bad ideas ever. | 5:57:56 | 5:57:58 | |
Those people who do receive a card, how will they know who gave it to them? | 5:57:58 | 5:58:02 | |
How do the people giving a card know it's gone to the right people? | 5:58:02 | 5:58:05 | |
And the most important question of all, what do the people do who don't get any cards? | 5:58:05 | 5:58:09 | |
All of those questions go away when the cards get burned. What? | 5:58:09 | 5:58:12 | |
-SHE RAPS: -We're in real trouble now | 5:58:13 | 5:58:15 | |
We were too cocky, pretending to help Bell | 5:58:15 | 5:58:18 | |
We shoulda played hockey with Ingrid using a stick | 5:58:18 | 5:58:20 | |
Like a guillotine | 5:58:20 | 5:58:21 | |
Be better than seeing those cards burnt to smithereens. | 5:58:21 | 5:58:24 | |
I don't know what's more awkward than that. Yes, I do. | 5:58:24 | 5:58:26 | |
Dexter talking to Lizzie. Come on, Dexter. | 5:58:26 | 5:58:29 | |
And I thought, maybe, to show you how I feel, I, um... | 5:58:29 | 5:58:32 | |
-Um,... -Hey, Dexter. Are you still OK giving me a hand setting up? | 5:58:32 | 5:58:36 | |
Uh, yeah, sure. | 5:58:36 | 5:58:38 | |
-Lizzie, you remember Emily. -Yes. Yes, I do. | 5:58:38 | 5:58:42 | |
At least things can't get any worse. | 5:58:42 | 5:58:44 | |
Actually, I think I am handcuffed to the table. | 5:58:44 | 5:58:46 | |
I'll go get the keys. | 5:58:46 | 5:58:48 | |
He can't get himself into any more trouble. | 5:58:48 | 5:58:51 | |
I hope you don't mind, but I bought you a small token... | 5:58:51 | 5:58:54 | |
-SHE GASPS -Ow. | 5:58:54 | 5:58:55 | |
Wow. There's a lot of embarrassment in this episode, isn't there? | 5:58:55 | 5:58:58 | |
Are you sorry? | 5:58:58 | 5:59:00 | |
Or are you...secretly pleased? | 5:59:01 | 5:59:04 | |
Why would I be pleased? | 5:59:05 | 5:59:07 | |
Oh, come, come, let's not play games. | 5:59:07 | 5:59:09 | |
I know it was you that sent this card. | 5:59:09 | 5:59:12 | |
No, she didn't. This confusion is too much. | 5:59:12 | 5:59:14 | |
I'm going to work on my Valentine's Day ideas that don't involve cards. | 5:59:14 | 5:59:18 | |
Cover your ears if you've not seen it because here is a spoiler alert. | 5:59:18 | 5:59:21 | |
ALARM BLARES | 5:59:21 | 5:59:23 | |
Clem and Nero didn't get together. | 5:59:23 | 5:59:25 | |
I guess I'll put my wedding outfit back in the wardrobe. | 5:59:25 | 5:59:27 | |
Now back to my song. What rhymes with Valentine? Shmalentine. | 5:59:27 | 5:59:30 | |
Fralentine. | 5:59:30 | 5:59:31 | |
Hacker Time. | 5:59:31 | 5:59:32 | |
Mm. | 5:59:32 | 5:59:33 | |
Quick, quick, quick, you'll miss the best part. You too, Winston. | 5:59:38 | 5:59:42 | |
-BOTH: Hello. -Welcome to Copycats where, unlike school, | 5:59:42 | 5:59:46 | |
we actively encourage copying | 5:59:46 | 5:59:47 | |
-the work of the person next to you. -We do indeed. | 5:59:47 | 5:59:50 | |
Told you. Not that I would encourage copying anyone. | 5:59:50 | 5:59:54 | |
It's so rude. | 5:59:54 | 5:59:56 | |
Mum might be listening. But let's face it, copying is fun. | 5:59:56 | 6:00:00 | |
Don't you judge me. Sam and Mark said it first. | 6:00:00 | 6:00:03 | |
I don't know about you but after watching this show, | 6:00:03 | 6:00:06 | |
I discovered my creative genius. | 6:00:06 | 6:00:08 | |
It's as if the very skies opened, | 6:00:08 | 6:00:11 | |
the sun shined its glorious light down on me, and a voice said... | 6:00:11 | 6:00:15 | |
-BOOMING: -Get on with it, Tee Cee. | 6:00:15 | 6:00:18 | |
Sorry, but who couldn't help feeling arty after seeing this? | 6:00:20 | 6:00:23 | |
Wrong clip. What is this? | 6:00:29 | 6:00:31 | |
Mix-up with the clips? I meant this. | 6:00:31 | 6:00:34 | |
You have got ten seconds. | 6:00:34 | 6:00:35 | |
Ready, steady, draw. | 6:00:35 | 6:00:37 | |
Draw binoculars in ten seconds. No problem. I can do that. | 6:00:40 | 6:00:44 | |
Pen at the ready. | 6:00:44 | 6:00:45 | |
I call this "Binoculars with a twist." | 6:00:54 | 6:00:57 | |
BELL TOLLS | 6:00:57 | 6:01:02 | |
You don't get any points but give them a round of applause anyway. | 6:01:02 | 6:01:06 | |
One of my favourite things about watching Copycats is watching it | 6:01:06 | 6:01:09 | |
with the sound off and trying to work out what they're doing. | 6:01:09 | 6:01:12 | |
Give it a go. It's so much fun. | 6:01:12 | 6:01:13 | |
Hitting the ball. Hitting ball into an imaginary space. | 6:01:13 | 6:01:17 | |
Tennis. Ping-pong. Er... | 6:01:17 | 6:01:20 | |
Hitting a ball? | 6:01:20 | 6:01:22 | |
So, Copycats - highly recommended. | 6:01:22 | 6:01:25 | |
And talking about copying stuff, | 6:01:25 | 6:01:27 | |
# C-B-B-C. # | 6:01:27 | 6:01:29 | |
Now, copy that, Sam and Mark. | 6:01:29 | 6:01:31 | |
High-five yourself, Tee Cee, that was super. | 6:01:32 | 6:01:35 | |
But, now, put your paws in the air if you're covered in hair | 6:01:35 | 6:01:38 | |
and you just don't care. | 6:01:38 | 6:01:40 | |
It's your pets' time to shine. | 6:01:40 | 6:01:42 | |
What are you thinking, pet? | 6:01:42 | 6:01:44 | |
If I sit right here, I reckon I can blend into the TV stand | 6:01:44 | 6:01:48 | |
and watch Dragons: Defenders of Berk in peace. | 6:01:48 | 6:01:50 | |
Uh-oh. Did I tidy up that catnip I spilt earlier? | 6:01:50 | 6:01:54 | |
I've been rumbled, haven't I? | 6:01:54 | 6:01:56 | |
Oh... | 6:01:56 | 6:01:57 | |
Nia, has it started yet? Oh, I'm stuck in my shell again. | 6:01:57 | 6:02:02 | |
Oh, no, I think I can hear Barney and Lindsey. | 6:02:02 | 6:02:05 | |
Why me? Why me? I'm so embarrassed. | 6:02:05 | 6:02:07 | |
I hope no-one is filming this. | 6:02:07 | 6:02:10 | |
Oh, that was fun, I do love All Over The Place: Europe. | 6:02:10 | 6:02:13 | |
Right, I'm peckish, how do I get down from here? | 6:02:13 | 6:02:16 | |
Well, this is higher than I thought. Have I been up here the whole time? | 6:02:16 | 6:02:19 | |
Somebody help me get down, please. | 6:02:19 | 6:02:22 | |
Kian! Mum! Anyone! | 6:02:22 | 6:02:24 | |
What's going on now? I'll never understand modern technology. | 6:02:24 | 6:02:29 | |
Edith, I think my telly is broken. It's frozen or something. | 6:02:29 | 6:02:33 | |
Edith, can you hear me? Never mind. I'll finish it myself. | 6:02:33 | 6:02:38 | |
Where's me spanner? | 6:02:38 | 6:02:40 | |
Do you want to know your pet's real thoughts? | 6:02:40 | 6:02:46 | |
Well, just record a clip of them watching a CBBC show that gets | 6:02:46 | 6:02:49 | |
their tail wagging and send it in to us via the Whoops web page. | 6:02:49 | 6:02:53 | |
What are you thinking, pet? | 6:02:53 | 6:02:55 | |
Now, set your faces to fun because you are about to be | 6:02:55 | 6:02:57 | |
hit by an extreme mashup of all the best bits from CBBC this week. | 6:02:57 | 6:03:01 | |
Ready, steady, play. | 6:03:01 | 6:03:03 | |
MISSION: IMPOSSIBLE THEME TUNE PLAYS | 6:03:03 | 6:03:12 | |
# Hold on, I said, there's people, they see me | 6:03:23 | 6:03:25 | |
# They brought me light | 6:03:25 | 6:03:27 | |
# Cos I'm the man, I said so | 6:03:27 | 6:03:29 | |
# Insecurities, you've got to really let go | 6:03:29 | 6:03:31 | |
# OK, head to the top Do it right | 6:03:31 | 6:03:33 | |
# Through the darkness Who will you fight? | 6:03:33 | 6:03:35 | |
# Cos I can't see through the light I don't understand | 6:03:35 | 6:03:38 | |
# You have to shine bright... # | 6:03:38 | 6:03:39 | |
Here we are in the dressing room. | 6:03:39 | 6:03:41 | |
This is where everyone gets dressed for the match. | 6:03:41 | 6:03:44 | |
Let's have a nosy about, Cocker. | 6:03:44 | 6:03:46 | |
Boots. Stink. | 6:03:47 | 6:03:49 | |
Showers. Wet. | 6:03:51 | 6:03:52 | |
That's not mine. That is not mine. That's not mine. But, wait! | 6:03:54 | 6:03:59 | |
That's mine, oooh... | 6:03:59 | 6:04:03 | |
-Karim, it is right about now. -Oh, no, it is not me. | 6:04:03 | 6:04:05 | |
-This is happening live. -Karim is ageing, it says. | 6:04:05 | 6:04:10 | |
That's not very fair to yourself, is it? Sparticles is so good... | 6:04:10 | 6:04:14 | |
I think Karim was trying to comment about himself | 6:04:14 | 6:04:17 | |
and write, "Karim is amazing, Sparticles is so good." | 6:04:17 | 6:04:19 | |
-But that little comma got in the way, didn't it? -That is perfect. That is what live TV is all about. | 6:04:19 | 6:04:25 | |
That's your lot for now. I hope you've had a lovely time with me. | 6:04:25 | 6:04:27 | |
If you missed anything at all, you can catch it on the CBBC iPlayer. | 6:04:27 | 6:04:30 | |
In the meanwhiles, I shall begin my long walk home in the rain | 6:04:30 | 6:04:33 | |
because as you can see, there goes the bus again. | 6:04:33 | 6:04:36 | |
Why does this always happen to me? | 6:04:36 | 6:04:38 |