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The Origin has a plan, but there's work to do first. | 0:00:20 | 0:00:23 | |
I need help. Gaia? | 0:00:23 | 0:00:25 | |
I will do whatever he needs me to do. | 0:00:25 | 0:00:28 | |
Do you still have other Gaia's clothing? | 0:00:28 | 0:00:30 | |
We'll come and get you when it's time. | 0:00:31 | 0:00:33 | |
KEYPAD BEEPS | 0:00:35 | 0:00:37 | |
Come on, guys - think. | 0:00:39 | 0:00:41 | |
If mirror matter can only impact on mirror matter, then... | 0:00:41 | 0:00:44 | |
We need some kind of missile to fire into the asteroid, made of... | 0:00:44 | 0:00:48 | |
-..mirror matter. -Which is invisible. So that'll be easy, right? | 0:00:49 | 0:00:53 | |
-Not helping. -I'm sorry, but... | 0:00:53 | 0:00:56 | |
how are we going to come up with a plan to save the world | 0:00:56 | 0:00:59 | |
-if our parents couldn't? -For once in my life, I agree with AJ. | 0:00:59 | 0:01:03 | |
-I am not giving up. -Me neither. | 0:01:03 | 0:01:06 | |
If we haven't got long left on this planet, | 0:01:06 | 0:01:08 | |
what I'd really like to do is say bye to Mackenzie. | 0:01:08 | 0:01:11 | |
I'd like to say bye to Gregor, too. | 0:01:13 | 0:01:15 | |
Excuse me while I throw up. | 0:01:15 | 0:01:18 | |
OK, what about the object? | 0:01:18 | 0:01:21 | |
It protected the prophecy about the asteroid in the first place, | 0:01:21 | 0:01:24 | |
so perhaps it can tell us how to stop it. | 0:01:24 | 0:01:27 | |
Our parents have already looked into that. | 0:01:27 | 0:01:29 | |
Maybe they didn't know about the stone circle in the cave. | 0:01:29 | 0:01:32 | |
I mean, it was all covered up. | 0:01:32 | 0:01:34 | |
Right... So - object, then cave. | 0:01:34 | 0:01:37 | |
Wait, weren't we told to stay here? | 0:01:37 | 0:01:39 | |
Hm, do as we're told, or save the world? | 0:01:39 | 0:01:41 | |
-Hm, difficult(!) -OK, I'm coming! | 0:01:41 | 0:01:44 | |
Hey, I could fetch Nelly - we could say we're taking her for a walk. | 0:01:46 | 0:01:49 | |
COMPUTER BEEPS | 0:01:50 | 0:01:52 | |
-COMPUTER: -'Six hours to impact.' | 0:01:56 | 0:01:58 | |
Titan 2 already has manual override capability, | 0:01:58 | 0:02:01 | |
so why does he want me to disable the mainframe computer? | 0:02:01 | 0:02:04 | |
How should I know? Just get on with it, quick. | 0:02:04 | 0:02:07 | |
Stop telling me what to do. | 0:02:07 | 0:02:09 | |
I serve The Origin, not you. | 0:02:09 | 0:02:11 | |
Come on, Cat - quick. | 0:02:15 | 0:02:16 | |
DRAWERS RATTLE | 0:02:20 | 0:02:22 | |
Got it! | 0:02:23 | 0:02:24 | |
Nice one. Let's get the others. | 0:02:28 | 0:02:30 | |
NELLY WHINES | 0:02:31 | 0:02:33 | |
Come on...do something. | 0:02:35 | 0:02:37 | |
Now what? | 0:02:42 | 0:02:44 | |
Let's take a closer look at that picture again. | 0:02:44 | 0:02:47 | |
-That's Earth being hit by the asteroid, right? -Yeah... | 0:02:50 | 0:02:54 | |
..but...what's this other picture, next to it? | 0:02:55 | 0:02:59 | |
It's kind of the same, but different. | 0:02:59 | 0:03:02 | |
That's the asteroid being destroyed - look! | 0:03:04 | 0:03:07 | |
You see, that's Earth in the background there, see? | 0:03:07 | 0:03:09 | |
That's one scenario and this here's another. | 0:03:09 | 0:03:13 | |
There's hope for the Earth yet, guys. | 0:03:15 | 0:03:17 | |
We just need to figure out how to destroy that thing. | 0:03:17 | 0:03:20 | |
Look at those - what are those round things? They look like Pictish balls. | 0:03:20 | 0:03:24 | |
They're firing them at the asteroid in a catapult. | 0:03:24 | 0:03:28 | |
Like that's going to work. | 0:03:28 | 0:03:30 | |
What do those symbols say, Luke? | 0:03:30 | 0:03:31 | |
I'd need Lawrence Winters' manuscript. | 0:03:33 | 0:03:35 | |
You see, those symbols look similar | 0:03:35 | 0:03:37 | |
to those on the Pictish ball that you had. | 0:03:37 | 0:03:39 | |
What say we go and liberate it from Casey's room? | 0:03:41 | 0:03:43 | |
Come on! | 0:03:43 | 0:03:45 | |
Hey! Hey, hey! Halt! | 0:03:50 | 0:03:53 | |
Where's your mother? I need to speak to her urgently. | 0:03:58 | 0:04:00 | |
Hey, what are you doing? | 0:04:00 | 0:04:02 | |
It's OK, Sgt Cooper. I can handle this. Mummy's pretty busy right now. | 0:04:02 | 0:04:05 | |
-Is this about you losing your job? -No, it's about Gregor. | 0:04:05 | 0:04:08 | |
Your insane cousin's kidnapped him. | 0:04:08 | 0:04:10 | |
-Guys, we've got to go. -No, we can't - Nelly's gone. | 0:04:16 | 0:04:19 | |
Why would she run off like that? | 0:04:19 | 0:04:22 | |
-Nelly? -It's OK, she wouldn't have gone far. | 0:04:22 | 0:04:24 | |
-I'll help you look for her. -I'm going this way. Nelly? | 0:04:24 | 0:04:27 | |
-OK, I'll look over there. -Er, see you guys back at the castle. | 0:04:27 | 0:04:31 | |
It was all a big lie. | 0:04:32 | 0:04:34 | |
Gregor wasn't there. | 0:04:34 | 0:04:37 | |
I don't know what to do. | 0:04:37 | 0:04:39 | |
Casey says if we go to the police, he's going to hurt Gregor. | 0:04:39 | 0:04:42 | |
Where do you think he could be keeping him? | 0:04:42 | 0:04:44 | |
When we were younger, Casey said something about a den, | 0:04:46 | 0:04:48 | |
somewhere along the beach road. | 0:04:48 | 0:04:50 | |
-We could drive down there, maybe - see if we can spot anything. -Go! | 0:04:50 | 0:04:54 | |
NELLY BARKS | 0:04:54 | 0:04:56 | |
Where's the mutt come from? | 0:04:56 | 0:04:57 | |
There you are! | 0:04:59 | 0:05:00 | |
-What's Moira doing here? -It's a long story. | 0:05:02 | 0:05:04 | |
Get in the van, we're going to look for Gregor. | 0:05:04 | 0:05:07 | |
Hurry! I thought you wanted to say goodbye to him. | 0:05:07 | 0:05:10 | |
Good girl. | 0:05:10 | 0:05:12 | |
This is where The Origin lived. | 0:05:15 | 0:05:17 | |
He spoke to us from here. | 0:05:23 | 0:05:26 | |
Get that one. | 0:05:26 | 0:05:27 | |
Whoa. | 0:05:42 | 0:05:43 | |
-Hey, what are you doing here? -Came to find the Pictish ball. | 0:05:44 | 0:05:47 | |
-What about you? -Oh, great minds think alike. | 0:05:47 | 0:05:49 | |
-Just had a hunch it might be important. -We thought so, too. | 0:05:49 | 0:05:53 | |
You're not our Gaia. | 0:05:53 | 0:05:55 | |
-Oh, yeah! -What's she doing here? | 0:05:55 | 0:05:57 | |
Oh, we're working together on a plan to get the clone bots on the rocket. | 0:05:57 | 0:06:01 | |
We're working on a plan to save the world. | 0:06:01 | 0:06:03 | |
-So, do you need the ball, or...? -No, it's OK. | 0:06:03 | 0:06:05 | |
-Take it. -Great, thanks. | 0:06:07 | 0:06:08 | |
Lawrence's manuscript. | 0:06:08 | 0:06:10 | |
Catch you later, bro. | 0:06:12 | 0:06:15 | |
Yeah. | 0:06:15 | 0:06:16 | |
This is hopeless! We've been up and down this road twice now. | 0:06:18 | 0:06:21 | |
-Maybe if we had a local map. -I've got one in the back. | 0:06:21 | 0:06:24 | |
-I hope Gregor's OK. -You're not going to cry, are you? | 0:06:29 | 0:06:32 | |
I've had enough of that with Moira. | 0:06:32 | 0:06:35 | |
-If that's how you feel, why are you helping her? -Why wouldn't I help her? | 0:06:35 | 0:06:39 | |
It's not normally your thing, helping people. | 0:06:39 | 0:06:41 | |
And when did snidey remarks like that become YOUR thing? | 0:06:41 | 0:06:44 | |
-I'm sorry. -I've known Gregor since I was little. He's my friend. | 0:06:44 | 0:06:48 | |
He is. I've just...never told him. | 0:06:49 | 0:06:53 | |
This should help us to pinpoint some local landmarks. | 0:06:55 | 0:06:58 | |
Nelly? | 0:06:58 | 0:06:59 | |
You left the back door open - she's gone! | 0:07:01 | 0:07:04 | |
Nelly? Nelly! | 0:07:04 | 0:07:06 | |
Nelly, come back! | 0:07:06 | 0:07:09 | |
According to the map, this traitor's gate | 0:07:09 | 0:07:11 | |
-should be around here somewhere. -There are several gates. | 0:07:11 | 0:07:14 | |
It should be to the left of these doors. | 0:07:19 | 0:07:21 | |
-What's that in there? -Yes! | 0:07:30 | 0:07:33 | |
There, is that it? | 0:07:40 | 0:07:42 | |
-"Flame or fire." -A fireball? | 0:07:42 | 0:07:45 | |
How does any of this help us? | 0:07:45 | 0:07:47 | |
OK... This might seem a bit out there... | 0:07:49 | 0:07:52 | |
..but those pictures in the cave show these fireballs | 0:07:53 | 0:07:56 | |
being lobbed into the asteroid and destroying it, right? | 0:07:56 | 0:07:59 | |
-Yeah, by catapult. -Well, that was in Pictish times. | 0:07:59 | 0:08:02 | |
We're a tad more sophisticated these days. | 0:08:02 | 0:08:04 | |
That ball looks pretty solid to me, Slim. | 0:08:04 | 0:08:06 | |
It can't be made of mirror matter. | 0:08:06 | 0:08:08 | |
But what if it contains mirror matter? | 0:08:09 | 0:08:12 | |
Well, if it does, then it can make contact with the asteroid, right? | 0:08:12 | 0:08:15 | |
In theory, I suppose. | 0:08:15 | 0:08:16 | |
Well, then we should test the ball at least for mirror matter, surely? | 0:08:16 | 0:08:19 | |
How do we do that, exactly? | 0:08:19 | 0:08:21 | |
I don't know. | 0:08:21 | 0:08:23 | |
But your mum will. | 0:08:26 | 0:08:27 | |
No! | 0:08:32 | 0:08:33 | |
Do you not have a pass? What about the contact lens? Would that work? | 0:08:33 | 0:08:36 | |
Nope, it's a good old-fashioned lock. We need a key. | 0:08:36 | 0:08:40 | |
There's a great big bunch of them hanging in the cellar. | 0:08:40 | 0:08:44 | |
Nelly? | 0:08:44 | 0:08:45 | |
Nelly? Oh, hi. Have you found her? | 0:08:46 | 0:08:50 | |
-Who? -Nelly. | 0:08:50 | 0:08:52 | |
Yeah, she's back in the castle, with Luke and the others. | 0:08:52 | 0:08:54 | |
Good. | 0:08:54 | 0:08:55 | |
Have you changed your clothes? You're getting as bad as Lexy. | 0:08:56 | 0:09:00 | |
What's this? | 0:09:00 | 0:09:01 | |
-Is that a gate? -It's locked. -Is there a key? | 0:09:03 | 0:09:06 | |
I need to go to the village and say goodbye to Mackenzie. | 0:09:06 | 0:09:09 | |
-We're going to look for one. -OK, I'll come with you. -No, wait... | 0:09:09 | 0:09:12 | |
Wait here, and if we find one, we'll come back and let you have it. | 0:09:12 | 0:09:15 | |
OK. | 0:09:15 | 0:09:17 | |
Why did you say that to him? | 0:09:19 | 0:09:20 | |
To keep him quiet and make sure he stays put. | 0:09:20 | 0:09:23 | |
NELLY BARKS | 0:09:28 | 0:09:30 | |
What's she doing? There's nothing there, you stupid dog. | 0:09:36 | 0:09:40 | |
Nelly, come on. Come on. | 0:09:40 | 0:09:42 | |
-NELLY BARKS -Nelly! | 0:09:42 | 0:09:45 | |
Gaia... Gaia... | 0:09:47 | 0:09:50 | |
Gaia! | 0:09:52 | 0:09:53 | |
GREGOR COUGHS | 0:09:53 | 0:09:55 | |
GREGOR COUGHS | 0:09:59 | 0:10:01 | |
Gaia! | 0:10:10 | 0:10:11 | |
I told you there wouldn't be anyone up here. | 0:10:14 | 0:10:16 | |
They'll all be down in the SZ. | 0:10:16 | 0:10:17 | |
Let's head back to the mess, see if Noah's around. | 0:10:17 | 0:10:19 | |
-He can let us in there. -Yeah. | 0:10:19 | 0:10:20 | |
-Mom? -Are we glad to see you! -Slim has a theory... | 0:10:20 | 0:10:23 | |
-About this Pictish ball. -Where did you get that? | 0:10:23 | 0:10:26 | |
What would you say | 0:10:26 | 0:10:28 | |
if I told you we think there's a chance to save the world? | 0:10:28 | 0:10:31 | |
Is this some kind of joke? | 0:10:31 | 0:10:33 | |
Far from it. We're deadly serious. | 0:10:33 | 0:10:35 | |
-COMPUTER: -'Five hours to impact.' | 0:10:38 | 0:10:40 | |
Yes! Noah, you're my hero. You don't know how much this means to me. | 0:10:46 | 0:10:50 | |
-That's OK. -Thanks, mate. | 0:10:50 | 0:10:52 | |
We'll just let him get down the steps. | 0:10:53 | 0:10:55 | |
Thank you. | 0:11:16 | 0:11:17 | |
Can we just test the ball and see? Please? | 0:11:20 | 0:11:23 | |
-We haven't got time to follow up a hunch, Slim. -It's more than a hunch! | 0:11:23 | 0:11:26 | |
Those pictures in the cave predicted the end of the world, right? | 0:11:26 | 0:11:29 | |
-And so did the object. -And Lawrence Winters followed his hunch | 0:11:29 | 0:11:32 | |
and discovered that it was all true. | 0:11:32 | 0:11:34 | |
Now, there are pictures in that cave | 0:11:34 | 0:11:36 | |
that show the asteroid being destroyed. | 0:11:36 | 0:11:38 | |
Yeah, with those. | 0:11:38 | 0:11:41 | |
Well, what if it's true as well? | 0:11:41 | 0:11:43 | |
What if there's a choice to be made here? | 0:11:43 | 0:11:45 | |
OK. | 0:11:47 | 0:11:49 | |
-I suppose there's no harm in running a few tests. -Yes! | 0:11:49 | 0:11:52 | |
Hello, Gaia. | 0:11:54 | 0:11:56 | |
-Origin... -Yes. | 0:12:01 | 0:12:03 | |
I have returned. | 0:12:04 | 0:12:06 | |
It's time to fulfil our destiny. | 0:12:07 | 0:12:09 |