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Luke? | 0:00:15 | 0:00:17 | |
What? I thought I'd come and say hi. | 0:00:17 | 0:00:20 | |
You mean you still can't tell us apart? Noah's the surly one. | 0:00:21 | 0:00:26 | |
He's also right-handed. | 0:00:30 | 0:00:31 | |
You're the ambidextrous one, Noah. | 0:00:34 | 0:00:37 | |
You know, you have turned out | 0:00:37 | 0:00:40 | |
exactly as I imagined. | 0:00:40 | 0:00:42 | |
Oh, yeah, and how's that? | 0:00:42 | 0:00:44 | |
Have you taken something? | 0:00:45 | 0:00:47 | |
Get off of me! | 0:00:50 | 0:00:51 | |
No wonder Mom left you! | 0:00:53 | 0:00:55 | |
AJ? | 0:01:05 | 0:01:06 | |
I'm up. I'm up. | 0:01:06 | 0:01:08 | |
Sorry. The alarm must be busted. | 0:01:08 | 0:01:09 | |
Relax. It's the weekend. Here. Don't say I never give you anything. | 0:01:09 | 0:01:13 | |
Oh great. Another phone. | 0:01:15 | 0:01:18 | |
For heaven's sake, AJ. Some kids would die for a present like that. | 0:01:18 | 0:01:21 | |
There's no signal at the castle. | 0:01:21 | 0:01:24 | |
Fine. I'll have it back then. | 0:01:24 | 0:01:27 | |
No! It's great. Thank you. | 0:01:27 | 0:01:29 | |
Morning. | 0:01:36 | 0:01:38 | |
Morning. | 0:01:38 | 0:01:39 | |
What's he looking so pleased about? | 0:01:39 | 0:01:41 | |
Nice phone. | 0:01:43 | 0:01:45 | |
It's another guilt-gift. He'll have got it free from supplies. | 0:01:45 | 0:01:48 | |
So? Don't look a guilt-gift in the horse's mouth or whatever. | 0:01:48 | 0:01:53 | |
You should have asked first. | 0:01:54 | 0:01:56 | |
The key was for both of us according to you. | 0:01:56 | 0:01:59 | |
Did you see Dad, then? | 0:01:59 | 0:02:00 | |
Yeah, I saw him. | 0:02:00 | 0:02:02 | |
Is he mad at me for not wanting to go and stay? | 0:02:02 | 0:02:04 | |
Why do you even care what he thinks? For your information, | 0:02:04 | 0:02:08 | |
no, he wasn't mad at you, but as far as I know he was pretty mad at me. | 0:02:08 | 0:02:13 | |
Why? | 0:02:13 | 0:02:14 | |
Because he hates me. | 0:02:14 | 0:02:16 | |
Who hates you? | 0:02:18 | 0:02:19 | |
Duncan. | 0:02:19 | 0:02:21 | |
Don't be silly. He doesn't know either of you yet. | 0:02:21 | 0:02:24 | |
How could he possibly dislike you? | 0:02:24 | 0:02:26 | |
It's obvious he favours Luke. | 0:02:26 | 0:02:28 | |
So? Mom's always favoured you. | 0:02:28 | 0:02:30 | |
That is not true. Is that really what you think? | 0:02:30 | 0:02:33 | |
He got more attention I guess. | 0:02:35 | 0:02:36 | |
Because he was better than me at everything. | 0:02:36 | 0:02:38 | |
Well, when you put it like that... | 0:02:38 | 0:02:41 | |
It's a joke! | 0:02:41 | 0:02:43 | |
I love you both equally, all right? You do know that, don't you? | 0:02:43 | 0:02:47 | |
Yeah. | 0:02:47 | 0:02:49 | |
Good. | 0:02:49 | 0:02:50 | |
Still, I am the better looking one. | 0:02:50 | 0:02:53 | |
Oh, I am so much better looking than you. | 0:02:53 | 0:02:56 | |
Eh, I'm sorry, you will find I'm the good looking one around here, so ... | 0:02:56 | 0:02:59 | |
-All right. -OK. -OK, Mom. | 0:02:59 | 0:03:01 | |
KNOCK ON DOOR | 0:03:01 | 0:03:03 | |
I need to speak to you about Noah. | 0:03:08 | 0:03:10 | |
You'll excuse me if I don't stay to listen to the character assassination. | 0:03:10 | 0:03:14 | |
Cat! I've got a present for you. | 0:03:18 | 0:03:21 | |
Ta-da! | 0:03:26 | 0:03:28 | |
The map. You are a star! | 0:03:28 | 0:03:30 | |
'Caitlin Sharpe, Noah and Luke Morrelle, Lexy Winters, | 0:03:32 | 0:03:35 | |
'Gaia Roberts, Adam Jackson Junior, and Lars Butt | 0:03:35 | 0:03:38 | |
'to the mess immediately.' | 0:03:38 | 0:03:40 | |
Lars Butt?! | 0:03:40 | 0:03:42 | |
Hey, Anyone seen a Lars Butt anywhere? | 0:03:43 | 0:03:46 | |
-Funny. Not. -It was quite funny. | 0:03:46 | 0:03:49 | |
I hope this isn't about you breaking into Dad's. | 0:03:52 | 0:03:54 | |
I didn't break in. I had a key, remember? | 0:03:54 | 0:03:57 | |
Hey, Luke, Gaia's got a theory about the ghosts. | 0:03:59 | 0:04:03 | |
She thinks she knows why they've been trying to contact us. | 0:04:03 | 0:04:06 | |
They want us to find their remains so we can lay them to rest. | 0:04:06 | 0:04:09 | |
Quiet everyone. Yesterday evening, | 0:04:09 | 0:04:11 | |
two village girls were caught attempting to break into the base. | 0:04:11 | 0:04:14 | |
They said they'd been invited here. Well? | 0:04:14 | 0:04:18 | |
If it's the two girls I think you mean | 0:04:18 | 0:04:21 | |
there's no way we'd invite them here. | 0:04:21 | 0:04:23 | |
They're totally loopy. | 0:04:23 | 0:04:24 | |
Your appearance in the village is going to make the locals curious.... | 0:04:24 | 0:04:27 | |
So it's up to you lot to extinguish that curiosity. | 0:04:27 | 0:04:30 | |
Do we make ourselves clear? | 0:04:30 | 0:04:31 | |
I think they may have come looking for the cave. | 0:04:32 | 0:04:35 | |
What cave? | 0:04:37 | 0:04:38 | |
They kept going on about it. Somewhere in the castle grounds. | 0:04:38 | 0:04:41 | |
A place where people have been known to disappear. | 0:04:41 | 0:04:44 | |
Complete and utter nonsense. | 0:04:44 | 0:04:46 | |
Now get out of here before we decide to stop your privileges altogether. | 0:04:46 | 0:04:51 | |
What did you do that for? | 0:04:54 | 0:04:55 | |
To get a reaction. And it worked. Did you see their faces? | 0:04:55 | 0:04:58 | |
That cave definitely exists, Cat, and we are going to find it. | 0:04:58 | 0:05:01 | |
Not going to say, "I told you so", Adam? | 0:05:03 | 0:05:05 | |
I told you so. Good job I've got everything under control. | 0:05:05 | 0:05:10 | |
This is awesome. | 0:05:19 | 0:05:20 | |
I've uploaded a couple of tracks online if you want to hear them. | 0:05:20 | 0:05:24 | |
Yeah. | 0:05:24 | 0:05:25 | |
You want to have a listen, Lexy? | 0:05:25 | 0:05:27 | |
I'd rather stick pins in my eyes. | 0:05:30 | 0:05:32 | |
Ah, the Carters. Yeah. Tragic story. | 0:05:33 | 0:05:37 | |
What do you think happened to them? | 0:05:37 | 0:05:40 | |
Nobody knows. They just disappeared. Very mysterious. | 0:05:40 | 0:05:44 | |
Hey, Makrazy and Stink, | 0:05:46 | 0:05:48 | |
next time you attempt to break in to the castle, | 0:05:48 | 0:05:50 | |
leave our names out of it OK? | 0:05:50 | 0:05:52 | |
I'm sorry, Skink, can you hear something? | 0:05:52 | 0:05:54 | |
No. Just some annoying whiney noise. | 0:05:54 | 0:05:58 | |
Poor Alice and Henry. | 0:05:58 | 0:05:59 | |
You've had the strongest ghost activity in your place, Slim, right? | 0:05:59 | 0:06:04 | |
You think that's where we should start looking? | 0:06:04 | 0:06:07 | |
Yeah. | 0:06:07 | 0:06:08 | |
I take it you've heard the voices then? | 0:06:08 | 0:06:10 | |
Have you been listening to our conversation? | 0:06:10 | 0:06:12 | |
-Well, have you? -Maybe we have, maybe we haven't. | 0:06:12 | 0:06:15 | |
Why? Have you heard them? Well, we think they might be ghosts. | 0:06:15 | 0:06:21 | |
I suggest we go and talk somewhere private. | 0:06:21 | 0:06:23 | |
You should check out the tower-room. It was my nursery. | 0:06:23 | 0:06:26 | |
I used to hear them there all the time. | 0:06:26 | 0:06:27 | |
-And there's some kids' writing... -What kind of writing? | 0:06:27 | 0:06:30 | |
I'll show you if you tell me what you've heard? | 0:06:30 | 0:06:32 | |
Thanks, Lexy, but no thanks. | 0:06:32 | 0:06:34 | |
Wait, Slim, what are you doing? She wants to help us. | 0:06:35 | 0:06:38 | |
Yeah, like Foxie-loxie wanted to help Chicken-lickin(?) AJ, we're off! | 0:06:38 | 0:06:42 | |
Thanks. | 0:06:45 | 0:06:47 | |
-Not so fast. -This won't take long. | 0:06:47 | 0:06:50 | |
Maybe we should take a break? | 0:06:51 | 0:06:53 | |
Not yet. What do you think this is here? | 0:06:53 | 0:06:56 | |
The...Spelio Monument. | 0:06:56 | 0:06:59 | |
I'm guessing...a monument. | 0:06:59 | 0:07:01 | |
Why Spelio, though? | 0:07:01 | 0:07:03 | |
It's the name of the Greek dude it was built to commemorate. | 0:07:03 | 0:07:06 | |
I did classics at my old school, right, | 0:07:06 | 0:07:09 | |
and I think "Speleo", spelt with an "E" not an "I", means cave. | 0:07:09 | 0:07:15 | |
What is it you're doing exactly? | 0:07:16 | 0:07:18 | |
Checking to make sure he's not been experimented on. | 0:07:18 | 0:07:21 | |
And that he's not an alien. | 0:07:21 | 0:07:23 | |
Because she definitely is. | 0:07:23 | 0:07:25 | |
And you two need brain transplants. | 0:07:25 | 0:07:27 | |
So what's the verdict? | 0:07:29 | 0:07:30 | |
Well... You look pretty human to me. | 0:07:30 | 0:07:34 | |
Did anyone tell you, you have really long eyelashes? | 0:07:36 | 0:07:39 | |
MOBILE PHONE RINGS | 0:07:39 | 0:07:42 | |
-Your phone's ringing. -What phone? | 0:07:44 | 0:07:46 | |
The one in your bag? | 0:07:46 | 0:07:49 | |
What bag? | 0:07:49 | 0:07:50 | |
Oh... It's your mum. | 0:07:53 | 0:07:57 | |
This is so embarrassing. | 0:07:59 | 0:08:01 | |
Hello. Yes, Mum. No, Mum. | 0:08:02 | 0:08:05 | |
Half an hour, Mum. | 0:08:07 | 0:08:08 | |
This is all your fault. | 0:08:08 | 0:08:10 | |
My life has been totally destroyed | 0:08:10 | 0:08:12 | |
along with my top of the range smartphone. | 0:08:12 | 0:08:14 | |
How many more times do I need to apologise? | 0:08:14 | 0:08:16 | |
You're the girl whose phone got totalled. | 0:08:16 | 0:08:19 | |
See, I'm already an object of pity. | 0:08:19 | 0:08:21 | |
Here. You can have this if you like. | 0:08:21 | 0:08:24 | |
Seriously. Take it. | 0:08:26 | 0:08:28 | |
I love you! | 0:08:30 | 0:08:32 | |
I mean...it. | 0:08:34 | 0:08:36 | |
-I love it. Thank you. -It's all right. | 0:08:36 | 0:08:40 | |
What's that over there? | 0:08:44 | 0:08:46 | |
"In memory of our beloved children Alice and Henry Carter. | 0:08:56 | 0:09:00 | |
"Gone but always in our hearts." | 0:09:00 | 0:09:02 | |
It looks like it is just an old monument after all. | 0:09:02 | 0:09:05 | |
It doesn't make any sense, though. Why Spelio? | 0:09:05 | 0:09:08 | |
It has to be around here somewhere, Noah. I know it does. | 0:09:10 | 0:09:12 | |
-I don't think you should be doing that. -Help me! | 0:09:12 | 0:09:14 | |
-Cat, stop, this is a memorial. -I have to find that cave, Noah! | 0:09:14 | 0:09:17 | |
Cat, stop it! | 0:09:17 | 0:09:18 | |
MUFFLED VOICE ON WALKIE TALKIE | 0:09:27 | 0:09:29 | |
Hey, check this place out. | 0:09:32 | 0:09:35 | |
Look at this. | 0:09:39 | 0:09:41 | |
Could they have belonged to the Carters? | 0:09:43 | 0:09:45 | |
Not old enough, are they? | 0:09:45 | 0:09:47 | |
So these were Lexy's toys? | 0:09:47 | 0:09:50 | |
What did Lexy mean about the writing? | 0:09:50 | 0:09:53 | |
I can't see anything. | 0:09:53 | 0:09:54 | |
Hold on, I think there's something here. Has anyone got a torch? | 0:09:56 | 0:10:00 | |
O-UB... | 0:10:05 | 0:10:07 | |
Oubliette. | 0:10:07 | 0:10:10 | |
FOOTSTEPS | 0:10:10 | 0:10:11 | |
SHE GASPS | 0:10:11 | 0:10:12 | |
-What are you all doing in here? -Sorry, we were... | 0:10:22 | 0:10:24 | |
This is my place. Get out. | 0:10:24 | 0:10:26 | |
Just get out! Get out! | 0:10:26 | 0:10:29 | |
Has anyone seen Cat? | 0:10:39 | 0:10:40 | |
Have you two fallen out? | 0:10:40 | 0:10:42 | |
Why? Where is she? | 0:10:42 | 0:10:43 | |
Tower room. She... She seems a bit upset. | 0:10:43 | 0:10:46 | |
It let me on the site. Yay! | 0:10:46 | 0:10:49 | |
-Well, you never know in this place. -What are you doing? | 0:10:50 | 0:10:53 | |
Research. OK, listen up. | 0:10:53 | 0:10:55 | |
"An oubliette, from the French verb oublier, | 0:10:56 | 0:11:00 | |
"to forget, is a specific type of dungeon, | 0:11:00 | 0:11:03 | |
"with only one escape route, through a trap door in its ceiling. | 0:11:03 | 0:11:07 | |
"Prisoners were put in there and literally forgotten." | 0:11:07 | 0:11:11 | |
Ugh! But how is that linked to Alice and Henry? | 0:11:11 | 0:11:15 | |
Maybe that's where their bones are. | 0:11:15 | 0:11:17 | |
Gruesome! | 0:11:17 | 0:11:19 | |
We should check it out though, right? | 0:11:19 | 0:11:20 | |
I know where the holding cells are in this place. | 0:11:20 | 0:11:23 | |
Maybe this oubliette is down there. | 0:11:23 | 0:11:24 | |
Oh. It's you. | 0:11:29 | 0:11:31 | |
Are you OK? | 0:11:31 | 0:11:32 | |
-Sorry about... -Why are you apologising? | 0:11:35 | 0:11:38 | |
Everything just...got to me. I know I must seem crazy | 0:11:40 | 0:11:46 | |
thinking my parents disappeared here at World's End. | 0:11:46 | 0:11:50 | |
You don't seem crazy. | 0:11:50 | 0:11:52 | |
And we're going to find that cave. | 0:12:00 | 0:12:02 | |
You bugged his phone? | 0:12:05 | 0:12:07 | |
It's surveillance software. Lots of parents do it. | 0:12:07 | 0:12:09 | |
And given the special circumstances here... It's really clever. Look. | 0:12:09 | 0:12:14 | |
This tracker shows me exactly where the phone is at any one time... | 0:12:14 | 0:12:17 | |
That's the village. | 0:12:17 | 0:12:19 | |
Yep. | 0:12:19 | 0:12:21 | |
And this function here allows me | 0:12:21 | 0:12:22 | |
to remotely turn on the microphone and the camera... | 0:12:22 | 0:12:26 | |
Isn't that going a bit far? | 0:12:26 | 0:12:28 | |
We need to know what the kids are up to | 0:12:28 | 0:12:29 | |
when they're away from the castle, Marcus. | 0:12:29 | 0:12:32 | |
AJ may not be a soul stealer, Skink. | 0:12:32 | 0:12:34 | |
But he just stole my heart. | 0:12:34 | 0:12:36 | |
What on earth...? | 0:12:36 | 0:12:37 | |
And if this present is anything to go by | 0:12:37 | 0:12:39 | |
it looks like I've stolen his. | 0:12:39 | 0:12:41 | |
He's given his phone away. | 0:12:44 | 0:12:46 | |
HE LAUGHS | 0:12:46 | 0:12:49 | |
Your mum spent a whole night in here? | 0:13:00 | 0:13:03 | |
Yeah. | 0:13:03 | 0:13:04 | |
STAMPING | 0:13:06 | 0:13:08 | |
These floors are solid. | 0:13:08 | 0:13:10 | |
TAPPING | 0:13:10 | 0:13:11 | |
No hollowed out walls either, by the sound of it. | 0:13:11 | 0:13:14 | |
Maybe this isn't the place after all. | 0:13:16 | 0:13:18 | |
Wait. I'm getting some vibes. | 0:13:18 | 0:13:20 | |
Guys, come on! | 0:13:20 | 0:13:22 | |
DOOR CLOSES | 0:13:25 | 0:13:26 | |
Slim? | 0:13:26 | 0:13:27 | |
Guys? | 0:13:34 | 0:13:35 | |
Guys, wait for me! | 0:13:37 | 0:13:38 |