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# I'm amazed at the things that you say | 0:00:12 | 0:00:15 | |
# I'd heard it all before | 0:00:15 | 0:00:17 | |
# Just another day | 0:00:17 | 0:00:18 | |
# January, February all the same | 0:00:18 | 0:00:21 | |
# March, April, May's coming back again | 0:00:21 | 0:00:24 | |
# Oh, why? | 0:00:24 | 0:00:27 | |
# Cos it's the worst year of my life again | 0:00:27 | 0:00:30 | |
# It's looped around and pulled me back in | 0:00:30 | 0:00:32 | |
# Now yesterday has come again | 0:00:32 | 0:00:35 | |
# Oh, no | 0:00:35 | 0:00:37 | |
# Yeah, yeah, yeah, yeah | 0:00:37 | 0:00:39 | |
# Worst year of my life again. # | 0:00:39 | 0:00:42 | |
ALARM BUZZES | 0:00:46 | 0:00:48 | |
SCHOOL BELL RINGS | 0:00:57 | 0:01:00 | |
Math normally goes next to science, | 0:01:02 | 0:01:05 | |
but the colour blends in much better with my poetry book. | 0:01:05 | 0:01:08 | |
You take locker sorting way too seriously. | 0:01:08 | 0:01:11 | |
Ah! You did that on purpose! | 0:01:13 | 0:01:15 | |
What? Sneak up on you and scare you half to death? | 0:01:15 | 0:01:18 | |
Why would I do that? Why would anyone do that? | 0:01:18 | 0:01:21 | |
Anyway, have you heard the news? | 0:01:21 | 0:01:23 | |
That there are fewer than 150 | 0:01:23 | 0:01:25 | |
New Zealand kakapo parrots left in the wild? | 0:01:25 | 0:01:27 | |
I know, it's depressing. | 0:01:27 | 0:01:29 | |
No, Will Berry's got chickenpox. | 0:01:29 | 0:01:30 | |
-What? -Yeah, sick as a dog. Highly contagious. | 0:01:30 | 0:01:33 | |
Yes, that's fantastic. | 0:01:33 | 0:01:35 | |
Why is that fantastic? | 0:01:35 | 0:01:37 | |
Because he's Romeo in the school play | 0:01:37 | 0:01:40 | |
and the first dress rehearsal is tonight. | 0:01:40 | 0:01:43 | |
So the understudy will have to step in. | 0:01:43 | 0:01:44 | |
I'm Romeo and Nicola is Juliet. | 0:01:46 | 0:01:49 | |
-Yay, exciting! -I know it is, isn't it? | 0:01:49 | 0:01:51 | |
And you know what happened to Romeo and Juliet, don't you? | 0:01:51 | 0:01:54 | |
-They die? -Yes, they die. No. | 0:01:54 | 0:01:56 | |
Well, yes, but before they die, they get to kiss. | 0:01:56 | 0:02:00 | |
Heaps. Me and Nicola are finally going to get somewhere. | 0:02:00 | 0:02:03 | |
How awesome is that?! | 0:02:03 | 0:02:05 | |
So, to you, one of the greatest works of English literature, | 0:02:05 | 0:02:08 | |
is just an excuse for a pash? | 0:02:08 | 0:02:10 | |
What's your point? | 0:02:10 | 0:02:11 | |
Don't get too excited. A lot could happen before tonight. | 0:02:11 | 0:02:13 | |
An infected monkey could break out of a research facility | 0:02:13 | 0:02:16 | |
and infect everyone to make them mindless zombies. | 0:02:16 | 0:02:18 | |
Nothing's going to happen. | 0:02:18 | 0:02:21 | |
Ow! | 0:02:21 | 0:02:22 | |
That was a whole lot of nothing. | 0:02:24 | 0:02:26 | |
Oh, my nose! | 0:02:26 | 0:02:27 | |
I find out you've been bleeding on the floor, King, | 0:02:27 | 0:02:29 | |
you're in a lot of trouble. | 0:02:29 | 0:02:31 | |
Uh, you OK? | 0:02:31 | 0:02:33 | |
Yeah, I'm fine. | 0:02:33 | 0:02:34 | |
Good. Because this is my big break, and if you're not up to it... | 0:02:34 | 0:02:37 | |
It's nothing. It's just a graze. | 0:02:37 | 0:02:39 | |
Ugh! | 0:02:40 | 0:02:43 | |
Can you believe he did that? | 0:02:43 | 0:02:45 | |
Right before your big break. | 0:02:45 | 0:02:47 | |
It's just snot. | 0:02:48 | 0:02:50 | |
Smooth. Very smooth. | 0:02:50 | 0:02:53 | |
Looking good. | 0:02:55 | 0:02:57 | |
Nice hat. | 0:02:57 | 0:02:59 | |
Pointy! | 0:02:59 | 0:03:01 | |
Nicola, you're the perfect Juliet. | 0:03:01 | 0:03:02 | |
So medieval. | 0:03:02 | 0:03:04 | |
Um, Nicola? | 0:03:04 | 0:03:05 | |
Don't worry, I'm not going to wipe snot on you. | 0:03:05 | 0:03:08 | |
Unless I get whacked in the nose again. | 0:03:08 | 0:03:09 | |
Which you will get in a minute. | 0:03:09 | 0:03:11 | |
Haven't you done enough? Nick off. | 0:03:11 | 0:03:14 | |
I just wanted to say that I'm sorry. | 0:03:14 | 0:03:15 | |
I'm not talking to you. | 0:03:15 | 0:03:17 | |
Won't that make the play a bit quiet? | 0:03:17 | 0:03:19 | |
Oh, I'll act with you. Unlike some people, I'm a professional. | 0:03:19 | 0:03:22 | |
But that's it. Now, I need to get into character | 0:03:22 | 0:03:25 | |
of the star-crossed lover who'll do anything for her beloved Romeo. | 0:03:25 | 0:03:29 | |
So, could you please just go? | 0:03:29 | 0:03:31 | |
Ah, sure. OK. | 0:03:32 | 0:03:33 | |
So, ah, as your co-associate producer... | 0:03:35 | 0:03:38 | |
-Attention, please! -Attention for the director, please. | 0:03:38 | 0:03:41 | |
Uh...they were paying attention. | 0:03:41 | 0:03:43 | |
Yes, I know. I was...just... | 0:03:43 | 0:03:46 | |
You're welcome. | 0:03:48 | 0:03:49 | |
Romeo and Juliet. What's it about? | 0:03:51 | 0:03:54 | |
Passion. | 0:03:54 | 0:03:55 | |
Love. | 0:03:55 | 0:03:56 | |
It's about hate and intolerance | 0:03:56 | 0:03:59 | |
and how it can defeat even the purest soul, | 0:03:59 | 0:04:01 | |
no matter how the soul is filled with hope and desire. | 0:04:01 | 0:04:05 | |
What are you all waiting for? The balcony scene. | 0:04:08 | 0:04:11 | |
Did you hear that? | 0:04:11 | 0:04:12 | |
The kiss between Romeo and Juliet | 0:04:12 | 0:04:14 | |
represents the battle against injustice. | 0:04:14 | 0:04:16 | |
Oh, so you won't be kissing Nicola in a selfish way. | 0:04:16 | 0:04:19 | |
You'll be pashing for world peace. | 0:04:19 | 0:04:20 | |
Say what you like. | 0:04:20 | 0:04:22 | |
I don't care because I get to kiss Nicola. | 0:04:22 | 0:04:24 | |
Everything is going to plan. | 0:04:24 | 0:04:26 | |
Oh. | 0:04:27 | 0:04:29 | |
Not again. | 0:04:30 | 0:04:32 | |
It that part of the play, Alex? I don't get it. | 0:04:32 | 0:04:34 | |
Is everything all right? | 0:04:34 | 0:04:35 | |
Uh, fine. I've just, um, I've hurt my nose | 0:04:35 | 0:04:39 | |
and I think it's bleeding. | 0:04:39 | 0:04:40 | |
Good. No, use the pain. | 0:04:40 | 0:04:42 | |
Ignore the critics. | 0:04:42 | 0:04:43 | |
They're just jealous of your dazzling artistic vision. | 0:04:43 | 0:04:46 | |
Now they didn't think of doing Shakespeare | 0:04:46 | 0:04:48 | |
nude on skateboards first. | 0:04:48 | 0:04:50 | |
Positions. | 0:04:50 | 0:04:51 | |
Scene 2, Act 2, night. | 0:04:53 | 0:04:54 | |
Romeo sneaks into the Capulet orchard | 0:04:54 | 0:04:56 | |
to declare his love for Juliet. | 0:04:56 | 0:04:58 | |
Play on. | 0:04:59 | 0:05:00 | |
But soft! | 0:05:07 | 0:05:09 | |
What light through yonder window breaks? | 0:05:09 | 0:05:12 | |
It is the east, and Juliet is the sun. | 0:05:12 | 0:05:15 | |
Radical interpretation. | 0:05:15 | 0:05:17 | |
-He's playing hard to get. -More like gross to get. | 0:05:17 | 0:05:20 | |
Oh, Romeo, Romeo, wherefore art thou, Romeo? | 0:05:20 | 0:05:24 | |
What shall I swear by? | 0:05:24 | 0:05:26 | |
Do not swear at all. | 0:05:26 | 0:05:28 | |
If my heart's dear love... | 0:05:28 | 0:05:29 | |
And now kiss. | 0:05:32 | 0:05:34 | |
Whoa! | 0:05:34 | 0:05:36 | |
Ugh, not again! | 0:05:36 | 0:05:38 | |
Achoo! | 0:05:42 | 0:05:44 | |
THEY LAUGH | 0:05:44 | 0:05:46 | |
-Poor Nicola! -That's totally disgusting. | 0:05:47 | 0:05:49 | |
Right in the face. Nice one! | 0:05:49 | 0:05:52 | |
-I'm going home. -I can get you a tissue! | 0:05:52 | 0:05:55 | |
Don't even talk to me about tissues. | 0:05:55 | 0:05:58 | |
Get her back or you'll be playing Juliet and... | 0:05:58 | 0:06:01 | |
Toby will be Romeo. | 0:06:01 | 0:06:02 | |
Nicola! | 0:06:08 | 0:06:09 | |
Oi, King, what's this? | 0:06:13 | 0:06:16 | |
I'm pretty sure "no swords in the playground" | 0:06:16 | 0:06:18 | |
is one of the basic school rules. | 0:06:18 | 0:06:20 | |
I'll hang onto this for the time being. | 0:06:20 | 0:06:22 | |
But it's a prop for the school play. | 0:06:22 | 0:06:24 | |
You're right, you can probably hang on to it better than I can. | 0:06:24 | 0:06:27 | |
Rehearsal's postponed till 6:00. | 0:06:32 | 0:06:33 | |
They're fitting Toby's costume now. | 0:06:33 | 0:06:35 | |
I can still make it. | 0:06:35 | 0:06:37 | |
Be careful with that. I just had the bell tuned! | 0:06:37 | 0:06:39 | |
Show off. | 0:06:42 | 0:06:43 | |
Whoa! | 0:07:19 | 0:07:20 | |
Ah! | 0:07:28 | 0:07:30 | |
Sorry! | 0:07:30 | 0:07:31 | |
Oh, hot! | 0:07:38 | 0:07:39 | |
Hey, what a coincidence. | 0:08:08 | 0:08:11 | |
What do you want? | 0:08:11 | 0:08:12 | |
The play needs you. The whole school needs you. | 0:08:12 | 0:08:15 | |
You're a star...dazzling light of shining beauty, oh, bright angel. | 0:08:15 | 0:08:19 | |
Well, OK. | 0:08:23 | 0:08:25 | |
But first, I need to freshen up and change my clothes. | 0:08:25 | 0:08:28 | |
Allow me. | 0:08:28 | 0:08:30 | |
No! Bieber, come back! | 0:08:30 | 0:08:32 | |
Don't worry, I'll get him. | 0:08:32 | 0:08:33 | |
Oh! | 0:08:35 | 0:08:36 | |
DOG BARKS | 0:08:43 | 0:08:45 | |
DOG BARKS | 0:08:47 | 0:08:49 | |
DOG WHINES | 0:08:52 | 0:08:54 | |
BREAKS SQUEAL AND CRASH | 0:08:54 | 0:08:56 | |
ALARM BUZZES | 0:09:02 | 0:09:04 | |
SCHOOL BELL RINGS | 0:09:06 | 0:09:09 | |
Math normally goes next to science... | 0:09:09 | 0:09:10 | |
But the colour blends in much better with... | 0:09:10 | 0:09:13 | |
Not listening, not listening. | 0:09:13 | 0:09:14 | |
I will not allow my life to be controlled | 0:09:14 | 0:09:16 | |
by the improper knowledge of events. | 0:09:16 | 0:09:18 | |
Hello! | 0:09:18 | 0:09:19 | |
You did that on purpose. | 0:09:19 | 0:09:21 | |
Good. You hear the news? | 0:09:21 | 0:09:22 | |
Course you did. | 0:09:22 | 0:09:23 | |
I have, too. | 0:09:23 | 0:09:24 | |
We should have used your leap year to help build a sanctuary | 0:09:24 | 0:09:27 | |
for those poor creatures, and made the world a better and kind place. | 0:09:27 | 0:09:30 | |
He's not talking about the kakapo parrots. | 0:09:30 | 0:09:32 | |
He's talking about the fact that Will Berry has a contagious disease | 0:09:32 | 0:09:35 | |
which means that I get to play Romeo in the school play. | 0:09:35 | 0:09:39 | |
Very clever. | 0:09:39 | 0:09:41 | |
So, come on. How'd you manage to mess it up last time? | 0:09:41 | 0:09:44 | |
Did you insult Nicola | 0:09:44 | 0:09:45 | |
and end up kissing some dweeby little year seven with zits? | 0:09:45 | 0:09:48 | |
No way! Toby's in year eight. | 0:09:48 | 0:09:50 | |
But, I got out of that anyway. | 0:09:51 | 0:09:53 | |
Don't tell me, you and Nicola actually snogged? | 0:09:53 | 0:09:56 | |
Close. I sneezed in her face and killed her dog. | 0:09:56 | 0:09:59 | |
What part of the play's that? | 0:09:59 | 0:10:01 | |
But it doesn't matter anyway, because this time | 0:10:01 | 0:10:03 | |
I'm going to get my snog | 0:10:03 | 0:10:05 | |
and no animals are going to be hurt in the production. | 0:10:05 | 0:10:08 | |
Because the universe holds no secrets from me. | 0:10:08 | 0:10:10 | |
Oh, not again. | 0:10:10 | 0:10:11 | |
No, I, Alex King, am the master of my own destiny. | 0:10:11 | 0:10:14 | |
Watch and learn. | 0:10:14 | 0:10:15 | |
It's as simple as... | 0:10:17 | 0:10:18 | |
A, B, and... | 0:10:19 | 0:10:22 | |
-C. -Oh, Alex, are you OK? | 0:10:25 | 0:10:28 | |
Oh, that destiny will get you every time. | 0:10:28 | 0:10:31 | |
It's OK. My nose is OK. | 0:10:31 | 0:10:34 | |
You don't snog with your nose, mate. | 0:10:34 | 0:10:36 | |
Unless I've been doing it wrong all these years. What? | 0:10:36 | 0:10:40 | |
Are you OK? | 0:10:40 | 0:10:42 | |
Yeah, I'm fine. | 0:10:43 | 0:10:44 | |
Good. Because this is my big break. | 0:10:44 | 0:10:47 | |
-If you're not up to it... -It's nothing. It's just a graze. | 0:10:47 | 0:10:50 | |
OK. | 0:10:50 | 0:10:51 | |
Come on, then. Don't want to be late for rehearsals. | 0:10:51 | 0:10:54 | |
-Can you believe he did that? -Right before your big break. | 0:10:54 | 0:10:57 | |
Rehearsals. Nicola. | 0:10:58 | 0:11:00 | |
Pashing. Going to make it! | 0:11:00 | 0:11:02 | |
-Other way. -Oh, I know. | 0:11:02 | 0:11:04 | |
Alex, you should really go to sick bay... | 0:11:04 | 0:11:06 | |
Don't be silly, Simon. | 0:11:06 | 0:11:07 | |
-Simon? -I love that guy. | 0:11:09 | 0:11:11 | |
The nurse gave him the all-clear. | 0:11:14 | 0:11:16 | |
She went a bit over the top with the bandages. | 0:11:16 | 0:11:18 | |
Looks like a mummified zombie. I like it. | 0:11:18 | 0:11:21 | |
Lady, by yonder blessed moon I swear, | 0:11:28 | 0:11:31 | |
the tips with silver all these fruit tree tops... | 0:11:31 | 0:11:35 | |
Oh, swear not by the moon, | 0:11:35 | 0:11:36 | |
the inconstant moon, that monthly changes in her circled orb, | 0:11:36 | 0:11:40 | |
Lest that thy love prove likewise variable. | 0:11:40 | 0:11:43 | |
What shall I swear by? | 0:11:45 | 0:11:46 | |
Do not swear at all, or if thou wilt, swear by thy gracious self, | 0:11:46 | 0:11:50 | |
which is the god of my idolatry, | 0:11:50 | 0:11:52 | |
and I'll believe thee. | 0:11:52 | 0:11:54 | |
If my heart's dear love... | 0:11:55 | 0:11:58 | |
Radical interpretation! | 0:12:01 | 0:12:03 | |
Back off if you want to keep your lips. | 0:12:03 | 0:12:06 | |
I think he thinks Parker is Nicola. | 0:12:06 | 0:12:09 | |
If you squint your eyes and tilt your head, | 0:12:09 | 0:12:11 | |
there's definitely a resemblance. | 0:12:11 | 0:12:12 | |
I'm over here. | 0:12:12 | 0:12:13 | |
HE VOMITS | 0:12:17 | 0:12:19 | |
Ugh! | 0:12:19 | 0:12:20 | |
-Poor Nicola! -That's totally disgusting! | 0:12:20 | 0:12:23 | |
SHE SCREAMS | 0:12:26 | 0:12:27 | |
Erm... | 0:12:29 | 0:12:31 | |
I wonder if that hurt. | 0:12:31 | 0:12:32 | |
Cate Blanchett never had to deal with anything like this. | 0:12:35 | 0:12:37 | |
The sword bearer's still an important member of the cast. | 0:12:37 | 0:12:40 | |
Don't even talk to me about casts. | 0:12:41 | 0:12:43 | |
Bring on the stand-in Juliet. | 0:12:45 | 0:12:47 | |
"What shall I swear by" and get to the kiss. | 0:12:49 | 0:12:51 | |
What shall I swear by... | 0:12:53 | 0:12:54 | |
OK. Good. Um, now feel the emotion. | 0:12:57 | 0:13:01 | |
HE MUMBLES | 0:13:01 | 0:13:03 | |
Become the character. | 0:13:03 | 0:13:04 | |
Well, he got a snog. | 0:13:07 | 0:13:09 | |
Should have known it would have been with anybody but Nicola. | 0:13:09 | 0:13:12 | |
Not anybody. | 0:13:12 | 0:13:14 | |
It says Juliet kisses him, not tries to eat him. | 0:13:14 | 0:13:17 | |
I know! She's not even a mummified zombie. | 0:13:17 | 0:13:20 | |
-That's enough. Hannah! -My face! | 0:13:22 | 0:13:24 | |
Hannah! | 0:13:24 | 0:13:25 | |
Onto Act 3. | 0:13:28 | 0:13:29 | |
Um, can I take a break? | 0:13:29 | 0:13:32 | |
I have a headache and could we come back at 6:00? | 0:13:32 | 0:13:35 | |
Why not? Oh, be my guest. | 0:13:35 | 0:13:37 | |
I bet Geoffrey Rush takes breaks all the time. | 0:13:37 | 0:13:39 | |
Kevin Spacey probably wanders off whenever he feels like it. | 0:13:39 | 0:13:43 | |
Off you go. Get up. | 0:13:43 | 0:13:45 | |
Nicola! | 0:13:47 | 0:13:49 | |
Ow! Stop it! Stop hitting me! | 0:13:54 | 0:13:57 | |
I'm pretty sure "not hitting people with swords" | 0:13:57 | 0:13:59 | |
is one of the basic school rules. | 0:13:59 | 0:14:01 | |
Oh, it's King. Carry on. | 0:14:01 | 0:14:03 | |
All I've ever wanted to do was act. | 0:14:14 | 0:14:16 | |
You don't know how hard it is being me... | 0:14:16 | 0:14:19 | |
having to live up to perfection. | 0:14:19 | 0:14:20 | |
But when I'm on stage, I can just forget about all that. | 0:14:21 | 0:14:25 | |
I can be someone else. | 0:14:25 | 0:14:27 | |
Now you've ruined everything. | 0:14:27 | 0:14:28 | |
Now I'll probably never be famous, or marry a footballer. | 0:14:33 | 0:14:36 | |
I hope you're happy. | 0:14:37 | 0:14:38 | |
Well, I think your chances of a snog with Nicola now are pretty much zero. | 0:14:47 | 0:14:52 | |
The universe seems to want you in the play, just not with Nicola. | 0:14:52 | 0:14:55 | |
So, maybe it's trying to tell you something. | 0:14:55 | 0:14:58 | |
Yeah, it is, but it's not about the snog. | 0:14:58 | 0:15:00 | |
My meddling with history has cost the hopes and dreams | 0:15:00 | 0:15:02 | |
of an innocent party. | 0:15:02 | 0:15:04 | |
I have to set things right. | 0:15:04 | 0:15:06 | |
I have to get Nicola back in the play. | 0:15:06 | 0:15:08 | |
We could manufacture a cybernetic arm. | 0:15:08 | 0:15:11 | |
Or maybe a whole body transplant. | 0:15:11 | 0:15:13 | |
We just have to remove her brain. | 0:15:13 | 0:15:14 | |
Forget it, mate. Unless the rest of the cast break their arms, | 0:15:14 | 0:15:17 | |
I think she's going to stand out just a tiny bit, don't you? | 0:15:17 | 0:15:20 | |
-That's it! -Yeah! | 0:15:20 | 0:15:22 | |
What? | 0:15:22 | 0:15:23 | |
But we don't even know whose body he wants to transplant. | 0:15:25 | 0:15:27 | |
Why don't we fight back? | 0:15:29 | 0:15:30 | |
What are you talking about? | 0:15:31 | 0:15:33 | |
Why don't we use Romeo and Juliet to say we won't take it any more? | 0:15:33 | 0:15:37 | |
And by "we," I mean everyone who's ever been laughed at, | 0:15:37 | 0:15:40 | |
or made fun of. | 0:15:40 | 0:15:42 | |
Like those of us who are forced to come to school | 0:15:42 | 0:15:44 | |
in casts or crutches or weird head-metal-bracey things, | 0:15:44 | 0:15:50 | |
only to be mocked and ridiculed. | 0:15:50 | 0:15:53 | |
And I'm not just talking about broken bones, either. | 0:15:53 | 0:15:56 | |
I'm talking about the four-eyed spectacle wearers | 0:15:56 | 0:16:00 | |
and the acne-ridden. | 0:16:00 | 0:16:01 | |
I'm talking about the ginger-haired, the freakishly tall, | 0:16:01 | 0:16:06 | |
the cross-eyed, those of us who have home haircuts | 0:16:06 | 0:16:10 | |
or weird packed lunches. | 0:16:10 | 0:16:12 | |
Why don't we celebrate that diversity? | 0:16:12 | 0:16:15 | |
Aren't we all sick, lame, or deformed in some way? | 0:16:15 | 0:16:20 | |
That is nothing to be ashamed of. | 0:16:20 | 0:16:22 | |
We're all freaks. We should be proud of that! | 0:16:22 | 0:16:25 | |
THEY CHEER | 0:16:25 | 0:16:27 | |
I haven't seen him this worked up | 0:16:27 | 0:16:29 | |
since he campaigned for longer sleep afternoons in kinder. | 0:16:29 | 0:16:31 | |
That's the power of the snog. | 0:16:31 | 0:16:33 | |
You! Run to the sick bay and fetch all the plasters, | 0:16:33 | 0:16:36 | |
bandages, and crutches we've got. | 0:16:36 | 0:16:38 | |
You, go to costume and grab any of the ginger wigs we have. | 0:16:38 | 0:16:41 | |
And you, stay exactly how you are. | 0:16:41 | 0:16:46 | |
Bring me the Juliet with the broken arm. | 0:16:46 | 0:16:48 | |
Broadway, here I c-o-o-me! | 0:16:48 | 0:16:50 | |
Great speech. | 0:16:50 | 0:16:51 | |
GLASS BREAKS | 0:16:57 | 0:16:59 | |
Hey, you, you're paying for that. What's your name? | 0:16:59 | 0:17:02 | |
HONKS HORN | 0:17:46 | 0:17:48 | |
Hey! | 0:18:00 | 0:18:01 | |
Still got it. | 0:18:01 | 0:18:03 | |
Oh, chilli! | 0:18:03 | 0:18:05 | |
Bike. | 0:18:11 | 0:18:12 | |
Got to hide the bike. | 0:18:12 | 0:18:13 | |
Bieber. Bieber! | 0:18:32 | 0:18:34 | |
CAR ENGINE STARTS | 0:18:40 | 0:18:42 | |
The bike! | 0:18:45 | 0:18:46 | |
Soft, what light through yonder window... | 0:19:06 | 0:19:08 | |
Breaks? Well, yes, it is now. Like my arm. | 0:19:08 | 0:19:12 | |
You just don't know when to quit. | 0:19:13 | 0:19:15 | |
I can't quit, and neither can you. | 0:19:15 | 0:19:18 | |
The play needs you. | 0:19:18 | 0:19:19 | |
The whole school needs you. | 0:19:19 | 0:19:22 | |
You're a star. | 0:19:22 | 0:19:23 | |
A beauteous light of shining dazzle, or something like that. | 0:19:23 | 0:19:27 | |
Wait there. | 0:19:31 | 0:19:33 | |
If I leave Bieber alone in the house, | 0:19:39 | 0:19:40 | |
he uses every room as a toilet. | 0:19:40 | 0:19:42 | |
Yeah, my sister's like that. | 0:19:42 | 0:19:43 | |
Just don't shake him. It upsets his bladder. | 0:19:46 | 0:19:49 | |
I knew they couldn't do the play without me. | 0:19:54 | 0:19:56 | |
Oh, look, there's the bus, right on time. | 0:19:56 | 0:19:59 | |
It must be destiny, Alex. | 0:19:59 | 0:20:00 | |
Alex? | 0:20:02 | 0:20:03 | |
Do you think he saw us? | 0:20:10 | 0:20:12 | |
-DOG WHINES -Looks like we have to walk. | 0:20:12 | 0:20:14 | |
What are you whingeing about? You get to get carried. | 0:20:15 | 0:20:18 | |
GROWLING | 0:20:18 | 0:20:20 | |
DOG BARKS | 0:20:20 | 0:20:23 | |
Oh, yes, that's right. | 0:20:30 | 0:20:32 | |
Make fun of the girl with the broken arm. | 0:20:32 | 0:20:34 | |
-We're not making fun of... -No, we're embracing weakness | 0:20:34 | 0:20:37 | |
and affliction to celebrate the downtrodden and oppressed. | 0:20:37 | 0:20:40 | |
Another brilliant idea of mine. | 0:20:40 | 0:20:42 | |
Although throwing yourself off stage | 0:20:42 | 0:20:44 | |
to try and actually break a leg was taking it too far. | 0:20:44 | 0:20:46 | |
-So, where's your Romeo? -Ah, he's dog-sitting. | 0:20:46 | 0:20:49 | |
What? When there's theatrical history we need to create? | 0:20:49 | 0:20:52 | |
What are we supposed to do now? | 0:20:52 | 0:20:54 | |
I should have listened to my father and become a plumber. | 0:20:54 | 0:20:57 | |
Anyone could play Romeo. | 0:20:57 | 0:20:58 | |
After sitting through all those endless rehearsals, | 0:20:58 | 0:21:00 | |
even I know the stupid thing backwards. | 0:21:00 | 0:21:02 | |
What? | 0:21:06 | 0:21:07 | |
Act 2, Scene 2, night. Play on. | 0:21:07 | 0:21:12 | |
Do not swear at all. | 0:21:12 | 0:21:13 | |
Or if thou wilt, swear by thy gracious self, | 0:21:13 | 0:21:16 | |
which is the god of my idolatry, and I'll believe thee. | 0:21:16 | 0:21:19 | |
If my heart's dear love... | 0:21:19 | 0:21:20 | |
And again, with feeling. | 0:21:25 | 0:21:27 | |
That should be me. | 0:21:28 | 0:21:29 | |
Are you sure about that? | 0:21:29 | 0:21:31 | |
After everything I've been through. | 0:21:31 | 0:21:33 | |
I got chased by a bus, I fell in compost, | 0:21:33 | 0:21:35 | |
I almost got eaten by a huge dog. | 0:21:35 | 0:21:37 | |
And that's just today. | 0:21:37 | 0:21:39 | |
'Stop messing with the universe. | 0:21:39 | 0:21:41 | |
'The more you try and change things, the worse they get. | 0:21:41 | 0:21:44 | |
'If you do things for your own benefit, | 0:21:44 | 0:21:45 | |
'the universe will course correct | 0:21:45 | 0:21:47 | |
'and push things back to how they were.' | 0:21:47 | 0:21:49 | |
Do not swear at all... | 0:21:49 | 0:21:50 | |
You made a recording? | 0:21:50 | 0:21:52 | |
Well, I got sick and tired of saying the same thing over and over again. | 0:21:52 | 0:21:55 | |
-DOG WHINES -Why are you so restless? | 0:21:55 | 0:21:58 | |
Maybe it knows you killed it last time round. Dogs are very intuitive. | 0:21:58 | 0:22:02 | |
What's it picking up now? | 0:22:02 | 0:22:03 | |
DOGS BARK | 0:22:03 | 0:22:05 | |
Where are you going, you mutt? | 0:22:05 | 0:22:07 | |
DOGS BARK | 0:22:07 | 0:22:09 | |
Bieber, come to Mum! | 0:22:11 | 0:22:13 | |
Bieber! | 0:22:13 | 0:22:14 | |
I've got him! | 0:22:16 | 0:22:17 | |
DOGS BARK | 0:22:18 | 0:22:20 | |
Sit. I like your energy. | 0:22:37 | 0:22:39 | |
I got him. I got him! | 0:22:42 | 0:22:44 | |
Bieber! | 0:22:44 | 0:22:45 | |
Bieber! | 0:22:49 | 0:22:51 | |
My leg. | 0:22:51 | 0:22:52 | |
I saved your dog. | 0:22:54 | 0:22:55 | |
My Romeo. Thank you... | 0:22:55 | 0:22:57 | |
Ugh! | 0:22:57 | 0:22:59 | |
I told you not to shake him! | 0:22:59 | 0:23:01 | |
Ah, what part of the play is all this? | 0:23:01 | 0:23:04 | |
How would you like to play the lead in an all dog version | 0:23:11 | 0:23:14 | |
of Merchant of Venice? | 0:23:14 | 0:23:15 | |
Cheer up, Alex. | 0:23:20 | 0:23:22 | |
Last time you killed a dog. | 0:23:22 | 0:23:24 | |
This year you saved a dog's life. | 0:23:24 | 0:23:27 | |
You're sort of a hero. | 0:23:27 | 0:23:28 | |
And you did get Nicola back playing Juliet. | 0:23:28 | 0:23:31 | |
And even though you didn't get to kiss Nicola, | 0:23:31 | 0:23:34 | |
you did get a kiss from her dog. | 0:23:34 | 0:23:36 | |
I guess you're getting closer. | 0:23:36 | 0:23:38 | |
It's sort of less of a disaster than usual. | 0:23:38 | 0:23:40 | |
Right, well... | 0:23:42 | 0:23:44 | |
I think I've had quite enough of this for one day. | 0:23:44 | 0:23:47 | |
I am off. | 0:23:47 | 0:23:49 | |
Where's my bike? | 0:23:52 | 0:23:54 | |
Um... | 0:23:54 | 0:23:55 | |
Why are you so restless? | 0:23:58 | 0:24:00 | |
Maybe it knows it killed you... | 0:24:00 | 0:24:02 | |
Maybe you know it killed you last time. | 0:24:02 | 0:24:05 | |
If my heart's dear love... | 0:24:06 | 0:24:08 | |
If my heart's dear love... | 0:24:12 | 0:24:14 |