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Romi, I want you to visit Sri Lanka. | 0:00:02 | 0:00:05 | |
-Would you like to do that, darling? -No. -Why not? | 0:00:05 | 0:00:08 | |
This programme contains some strong language. | 0:00:08 | 0:00:12 | |
Jesus Christ! | 0:00:12 | 0:00:14 | |
My name's Romesh Ranganathan and I know absolutely nothing | 0:00:14 | 0:00:17 | |
about the culture of where my family are from. | 0:00:17 | 0:00:20 | |
My feet are actually burning. | 0:00:20 | 0:00:21 | |
I know more about Horsham. | 0:00:21 | 0:00:24 | |
That's sad, isn't it? | 0:00:24 | 0:00:27 | |
You are a Sri Lankan, but you're a coconut, isn't it? | 0:00:27 | 0:00:29 | |
Ow! Jesus! | 0:00:29 | 0:00:31 | |
-What do you mean I'm a coconut? -You were born and brought up in England so you speak English. | 0:00:31 | 0:00:35 | |
-You don't know the language. -You made me a coconut. | 0:00:35 | 0:00:39 | |
Yeah, I'm sending you to Sri Lanka to learn about the religion, | 0:00:39 | 0:00:42 | |
the language, | 0:00:42 | 0:00:45 | |
about my relations and learn about their culture. | 0:00:45 | 0:00:47 | |
Shit! | 0:00:49 | 0:00:50 | |
My mum's putting me up to do a tour of Sri Lanka and I do want to | 0:00:52 | 0:00:56 | |
go and do it, but I'm not doing it because my mum's telling me | 0:00:56 | 0:00:58 | |
to except for the fact that my mum told me to and I am doing it. | 0:00:58 | 0:01:04 | |
Pow! Ow! | 0:01:04 | 0:01:05 | |
Ooh! Argh! | 0:01:05 | 0:01:06 | |
Ow! Mate, OK, I'm done, I'm done. | 0:01:07 | 0:01:09 | |
We are in Jaffna, where my dad grew up. | 0:01:18 | 0:01:21 | |
I know that this is a war-torn area but you know, | 0:01:23 | 0:01:25 | |
I don't know the history of it necessarily. | 0:01:25 | 0:01:27 | |
My concern is I'm not informed enough to be an authority figure on it. | 0:01:27 | 0:01:31 | |
So I feel that pressure in terms of...this show is shining a light on that. | 0:01:31 | 0:01:36 | |
Unfortunately, the person holding a torch is a moron. | 0:01:36 | 0:01:39 | |
When you go to Jaffna, you are going to meet your cousin called Krishna. | 0:01:42 | 0:01:46 | |
He's 12 and he teaches English in his spare time. | 0:01:46 | 0:01:50 | |
-He teaches English in his spare time? -Time, yeah. | 0:01:50 | 0:01:53 | |
-What 12-year-old teaches in his spare time? -Why don't you ask him when you meet him? | 0:01:53 | 0:01:57 | |
-I would probably advise him not to do that any more. -Why? | 0:01:57 | 0:02:00 | |
Well, I just think a 12-year-old should have better hobbies than that. | 0:02:00 | 0:02:04 | |
Well, this is where I'm going to meet Krishna. | 0:02:04 | 0:02:06 | |
He and I are going to go and teach a class of kids. | 0:02:06 | 0:02:11 | |
What have you prepared for it? | 0:02:11 | 0:02:12 | |
You know, the filming schedule doesn't allow for a lot of preparation | 0:02:12 | 0:02:16 | |
but what I have got is eight years in the field, teaching... maths... | 0:02:16 | 0:02:20 | |
..to kids in Crawley. | 0:02:22 | 0:02:23 | |
Hey, Krishna. | 0:02:33 | 0:02:34 | |
-Hi, Romeshana. -How you doing? You all right? Nice to meet you. | 0:02:34 | 0:02:37 | |
I'm fine. So, you're late, I think, isn't it? | 0:02:37 | 0:02:40 | |
Yeah, I am late, yeah. | 0:02:40 | 0:02:42 | |
I saw a lot of your shows which were really funny. | 0:02:42 | 0:02:44 | |
Thank you. | 0:02:44 | 0:02:46 | |
Yeah. I think you're going to be famous one day. | 0:02:46 | 0:02:49 | |
-Thanks. -Yeah. | 0:02:49 | 0:02:51 | |
Your English is very good. | 0:02:51 | 0:02:53 | |
I can speak six languages. | 0:02:53 | 0:02:55 | |
How many can you speak? | 0:02:56 | 0:02:58 | |
Er... | 0:02:58 | 0:03:00 | |
Well, I'm working on the first one, to be honest with you. | 0:03:00 | 0:03:04 | |
Today we have a new teacher. | 0:03:04 | 0:03:07 | |
Right, Romesh? | 0:03:07 | 0:03:08 | |
Just for today. | 0:03:08 | 0:03:09 | |
Do you speak English? | 0:03:11 | 0:03:12 | |
Great, great. OK. | 0:03:12 | 0:03:15 | |
So what I'm going to do is I'm going to shout out some numbers, right? | 0:03:15 | 0:03:18 | |
If the number is one of the answers in the two-times table, | 0:03:18 | 0:03:20 | |
I want you to put your left arm in the air. | 0:03:20 | 0:03:23 | |
So if I say six, everybody puts their... | 0:03:23 | 0:03:27 | |
-Left arm. -Left arm, yeah? | 0:03:27 | 0:03:29 | |
If he tells the two-times table, any number from two-times table, | 0:03:29 | 0:03:33 | |
you must put your left hand up. | 0:03:33 | 0:03:35 | |
He's a smart cookie, isn't he? | 0:03:35 | 0:03:37 | |
He likes to tell you what you're doing wrong | 0:03:37 | 0:03:40 | |
but not in a horrible way, in sort of a... | 0:03:40 | 0:03:43 | |
he's just very honest. But I find it endearing. You know? | 0:03:43 | 0:03:46 | |
I sort of...I do like him. | 0:03:46 | 0:03:49 | |
Six, four, six, four, ten. | 0:03:49 | 0:03:54 | |
I could've done a whole maths lesson | 0:03:54 | 0:03:55 | |
but what I wanted to do was do something different. | 0:03:55 | 0:03:58 | |
I took a risk. | 0:03:58 | 0:03:59 | |
I'm going to try and teach you a rap song now, OK? | 0:03:59 | 0:04:02 | |
Has anyone heard of LL Cool J? | 0:04:02 | 0:04:04 | |
LL Cool J. | 0:04:04 | 0:04:07 | |
OK. So can you stand up, please? | 0:04:09 | 0:04:11 | |
OK. So I'm going to say it how you say it and then you repeat after me, OK? | 0:04:14 | 0:04:18 | |
All right? "Don't call it a comeback, I've been here for years", | 0:04:18 | 0:04:22 | |
OK? You guys try it now. Ready? Go. | 0:04:22 | 0:04:25 | |
-ACROSS EACH OTHER: -Don't call it a comeback, I've been here for years. | 0:04:25 | 0:04:29 | |
OK. This is going to be bad. | 0:04:29 | 0:04:33 | |
OK. Just try this bit, "I've been here for years." OK? Ready? | 0:04:33 | 0:04:36 | |
-ACROSS EACH OTHER: -I've been here for years. | 0:04:36 | 0:04:38 | |
I've been here for years. | 0:04:38 | 0:04:41 | |
Feels like it, don't it? | 0:04:41 | 0:04:42 | |
I took a risk and it backfired. | 0:04:42 | 0:04:45 | |
So you go, "I'm going to knock you out, huh", that's how you do it, OK? | 0:04:45 | 0:04:49 | |
Sir. | 0:04:49 | 0:04:50 | |
Right? OK? Ready? OK. Can we... | 0:04:50 | 0:04:52 | |
-ACROSS EACH OTHER: -"I'm going to knock you out." -OK. | 0:04:52 | 0:04:56 | |
It was like teaching in England, except for the fact they | 0:04:56 | 0:04:59 | |
couldn't understand anything I was saying and everything I did failed. | 0:04:59 | 0:05:02 | |
So how did you feel that the programme went on this morning? | 0:05:02 | 0:05:06 | |
Well...yeah, I tried to teach them some rap music. | 0:05:06 | 0:05:09 | |
-But that wasn't successful. -And that was...that was...that wasn't... -That wasn't successful. | 0:05:10 | 0:05:14 | |
That didn't go as well. No. It wasn't successful. You're correct, Krishna. Right. | 0:05:14 | 0:05:19 | |
And the next time you and I are teaching a lesson | 0:05:19 | 0:05:23 | |
and the headmaster comes up and says, "How did that go?" | 0:05:23 | 0:05:26 | |
You say, "Brilliantly, they learnt a lot." You just lie, you know? | 0:05:26 | 0:05:32 | |
I'm not used to lying. | 0:05:32 | 0:05:33 | |
Well, don't tell anybody I told you to do that. | 0:05:33 | 0:05:35 | |
How do you think I got this TV show sorted out? | 0:05:35 | 0:05:37 | |
They said to me, "How's it going?" I said, "It's going really well, I'm really successful," | 0:05:37 | 0:05:42 | |
and then this happened. It's a lie. So I'm going to be seeing your mum later, yeah? | 0:05:42 | 0:05:47 | |
I think so, yeah. | 0:05:47 | 0:05:48 | |
# Right! I'm gonna knock you out | 0:05:51 | 0:05:53 | |
# I'm a say, knock you out | 0:05:53 | 0:05:56 | |
# I'm gonna knock you out... # | 0:05:56 | 0:05:58 | |
Hello. | 0:05:58 | 0:05:59 | |
Hi, Rom. | 0:05:59 | 0:06:00 | |
Hello. How are you? | 0:06:00 | 0:06:02 | |
How are you? I'm good thank you. | 0:06:02 | 0:06:04 | |
-God bless you. -Lovely to see you. -Hello. | 0:06:04 | 0:06:07 | |
Thank God! For the first time. | 0:06:07 | 0:06:08 | |
Every time, I believe Krishna tells you are always late. | 0:06:08 | 0:06:12 | |
-Pardon? -You are always late. | 0:06:12 | 0:06:14 | |
Yeah, I am always late. Yeah, sorry, yeah. | 0:06:14 | 0:06:16 | |
-We had a nice day today, didn't we? -Yeah, really. And... | 0:06:16 | 0:06:19 | |
I think mum knows about the... | 0:06:19 | 0:06:22 | |
About the what? | 0:06:22 | 0:06:23 | |
I heard today's lessons were pretty bad. | 0:06:26 | 0:06:28 | |
That's what I understand. | 0:06:28 | 0:06:30 | |
He was very good. | 0:06:30 | 0:06:31 | |
And what about you? | 0:06:31 | 0:06:33 | |
He was good. I was bad. | 0:06:33 | 0:06:34 | |
No, he was very good. | 0:06:34 | 0:06:35 | |
OK, now both of you, are good. | 0:06:35 | 0:06:37 | |
Supporting each other. That means everything is a lie now. | 0:06:37 | 0:06:40 | |
What is that you both are talking in between in your eyes? | 0:06:40 | 0:06:43 | |
What's that going on? | 0:06:43 | 0:06:45 | |
No, I've just got a lazy eye. | 0:06:45 | 0:06:46 | |
I can't do anything about...I just look like... | 0:06:46 | 0:06:49 | |
No, I can understand. | 0:06:49 | 0:06:50 | |
I see his eye and your eye, eye contact | 0:06:50 | 0:06:52 | |
and it's something you both are speaking, trying to hide from me. | 0:06:52 | 0:06:55 | |
-No, we're not... -Yeah...nothing, nothing, nothing. -No. | 0:06:55 | 0:06:58 | |
No, Romesh. I don't expect this from YOU. | 0:06:58 | 0:07:00 | |
-Wouldn't you... -Not from YOU! | 0:07:00 | 0:07:02 | |
He grassed me up. Krishna grassed me up. | 0:07:05 | 0:07:07 | |
I tried to signal to him, | 0:07:07 | 0:07:09 | |
and then she caught me doing that, | 0:07:09 | 0:07:10 | |
and then that took me into another spiral of arse-whipping. | 0:07:10 | 0:07:13 | |
Now I've realised that everything I tell Krishna | 0:07:13 | 0:07:15 | |
is going to go straight back to his mum. | 0:07:15 | 0:07:17 | |
And then she'll chop my balls off so I've got to | 0:07:17 | 0:07:19 | |
re-think my strategy on that. | 0:07:19 | 0:07:21 | |
-Take care, bye. -Already missing you. Bye, dear. | 0:07:21 | 0:07:23 | |
-Bye-bye. See you. -Bye. | 0:07:23 | 0:07:25 | |
You know, Romesh, say we are living in Sri Lanka, | 0:07:31 | 0:07:35 | |
what kind of job would you select to do? | 0:07:35 | 0:07:39 | |
What jobs could you do in Sri Lanka that you couldn't do here, | 0:07:39 | 0:07:41 | |
for example, like...? | 0:07:41 | 0:07:43 | |
Open a shop. | 0:07:46 | 0:07:48 | |
Yeah, you can... I can't think of any shops here. | 0:07:48 | 0:07:51 | |
Medicine? | 0:07:52 | 0:07:54 | |
-Nah. -No. Tuk-tuk driver? | 0:07:54 | 0:07:56 | |
-No. -No? | 0:07:57 | 0:07:59 | |
Where have you pulled that out of? | 0:07:59 | 0:08:01 | |
I mean, you could drive around all the areas and talk to people | 0:08:01 | 0:08:05 | |
and get to know them. | 0:08:05 | 0:08:07 | |
How safe are the roads? | 0:08:07 | 0:08:09 | |
I think I heard roads are lovely now. | 0:08:09 | 0:08:12 | |
Do you promise? | 0:08:12 | 0:08:14 | |
I promise you, yeah. | 0:08:14 | 0:08:16 | |
-This is a clutch. -Yeah. | 0:08:37 | 0:08:39 | |
Clutch and first gear, OK? | 0:08:39 | 0:08:43 | |
And smoothly... | 0:08:43 | 0:08:46 | |
Oh, wait. | 0:08:46 | 0:08:48 | |
Wait a minute. | 0:08:48 | 0:08:49 | |
All right. OK, switch on that. | 0:08:50 | 0:08:53 | |
First and... | 0:08:53 | 0:08:58 | |
Does this normally happen? | 0:08:58 | 0:08:59 | |
Yeah. | 0:08:59 | 0:09:01 | |
Right, OK. Switch on and slowly... | 0:09:02 | 0:09:06 | |
Slowly out, right? And you can go. | 0:09:10 | 0:09:14 | |
Right. | 0:09:16 | 0:09:17 | |
This tuk-tuk is like... | 0:09:17 | 0:09:20 | |
It's shitter than any other tuk-tuks I've seen on the road. | 0:09:20 | 0:09:24 | |
-Jesus. -Right? | 0:09:24 | 0:09:26 | |
Where's the clutch? | 0:09:26 | 0:09:28 | |
This is the clutch. This is the clutch. | 0:09:28 | 0:09:31 | |
Look at the seats and that. It's not even got the safety barriers. | 0:09:31 | 0:09:35 | |
No mirror. | 0:09:35 | 0:09:36 | |
Yeah, why? | 0:09:36 | 0:09:37 | |
Uh, you have a smartphone? | 0:09:37 | 0:09:41 | |
Yeah. | 0:09:41 | 0:09:43 | |
You can take this way and see the back. This way. | 0:09:43 | 0:09:49 | |
-No, I know how you do it. -See the back side. | 0:09:50 | 0:09:54 | |
-Yeah. -Right, OK? | 0:09:54 | 0:09:56 | |
-So when I'm turning left, put my hand out. -Yeah. | 0:09:56 | 0:09:58 | |
I turn, and then I put the phone there. That's what the procedure is? | 0:09:58 | 0:10:02 | |
Procedure. | 0:10:02 | 0:10:03 | |
Uh, you sometimes... | 0:10:03 | 0:10:06 | |
Difficult, you can turn. | 0:10:06 | 0:10:08 | |
-Oh, you can turn your head? -Yeah, turn and see. | 0:10:08 | 0:10:10 | |
Oh, wow. That's a good feature. Like that, yeah. | 0:10:10 | 0:10:13 | |
I'll try, yeah. There you go. Is that how you...? Am I doing it right? | 0:10:13 | 0:10:16 | |
-No, quickly. -Quickly. -Yeah. | 0:10:16 | 0:10:19 | |
Right? | 0:10:19 | 0:10:20 | |
Honestly, there is | 0:10:20 | 0:10:22 | |
no way that I'm going to be ready to go on the road today. | 0:10:22 | 0:10:26 | |
-This week. -Slowly, slowly. -Whoa! | 0:10:26 | 0:10:29 | |
You can get some practice over on the cones over there. | 0:10:31 | 0:10:33 | |
Yeah, it's just like a road. | 0:10:33 | 0:10:35 | |
That, over there. | 0:10:35 | 0:10:36 | |
I thought I was meant to be spending the week with Krishna. Where is he? | 0:10:38 | 0:10:41 | |
We felt that it was unsafe for him to be in this vehicle. | 0:10:41 | 0:10:46 | |
You really are a prick, aren't you? | 0:10:51 | 0:10:54 | |
Genuine, weapons-grade, nuclear... | 0:10:55 | 0:11:00 | |
-Very good. -Yeah, listen. Couple of things. You got a lot of stuff, | 0:11:01 | 0:11:06 | |
like, wrong with it. You know there's no mirror? | 0:11:06 | 0:11:08 | |
-Mirror, mirror. -No mirror. | 0:11:08 | 0:11:10 | |
-No, no. -Your seats are messed up. | 0:11:10 | 0:11:12 | |
-Ah, right. -This is all messed up. | 0:11:12 | 0:11:14 | |
We'll just do... We'll improve it. | 0:11:14 | 0:11:16 | |
Make it better. | 0:11:16 | 0:11:18 | |
Better. | 0:11:18 | 0:11:19 | |
-Better? -Put the mirror in, fix the seat... | 0:11:19 | 0:11:22 | |
-You want modify? -Modify. | 0:11:22 | 0:11:25 | |
-Modify. -Like, this paint job is shit. | 0:11:25 | 0:11:27 | |
Isn't it? Nobody's going to get in it when it looks like this. | 0:11:27 | 0:11:30 | |
And you're happy for us to just pimp the shit out of this? | 0:11:30 | 0:11:33 | |
Like, paint, fix the seat, fish tank, music. | 0:11:33 | 0:11:39 | |
-Just looks great. -Music? You want music? | 0:11:39 | 0:11:42 | |
Yeah, like boom boom boom. | 0:11:42 | 0:11:44 | |
And wi-wi-wi lights? | 0:11:44 | 0:11:46 | |
Well, yeah, whatever. | 0:11:46 | 0:11:48 | |
Lights and... | 0:11:48 | 0:11:49 | |
Well, yeah, let's not get carried away. | 0:11:49 | 0:11:52 | |
MUSIC PLAYS: The Next Episode by Snoop Dogg ft. Dr Dre | 0:11:55 | 0:12:03 | |
Looks like Cookie Monster's corpse, doesn't it? | 0:12:12 | 0:12:14 | |
I mean, part of the reason I chose so much... I mean, I didn't really want | 0:12:42 | 0:12:46 | |
flames, but I just thought I'd choose as much stuff as possible | 0:12:46 | 0:12:50 | |
so that we'd run out of time and I wouldn't have to drive it. | 0:12:50 | 0:12:53 | |
I'll be honest with you. I wanted to help the guy out, | 0:12:53 | 0:12:56 | |
but also I thought, like, that'll take ages to put on. | 0:12:56 | 0:12:59 | |
That's what I thought. | 0:12:59 | 0:13:01 | |
Unfortunately, you found the only mechanics on the planet that will | 0:13:01 | 0:13:05 | |
turn around something in the time that they actually say they will do. | 0:13:05 | 0:13:08 | |
So I've got no choice. I'm going to take it into Jaffna | 0:13:08 | 0:13:11 | |
and I'm going to have a little drive around, see how it goes. | 0:13:11 | 0:13:13 | |
If you think that's safe. | 0:13:13 | 0:13:15 | |
I'm off duty, sorry! | 0:13:24 | 0:13:26 | |
Fuck off. | 0:13:31 | 0:13:32 | |
HORN BLARES | 0:13:32 | 0:13:34 | |
Jesus Christ! Are you... | 0:13:34 | 0:13:37 | |
That was horrible. | 0:13:38 | 0:13:40 | |
My clutch control on this is not good. | 0:13:40 | 0:13:42 | |
Oh, shit. | 0:13:42 | 0:13:44 | |
I stalled it in the middle of it and got people tooting. | 0:13:44 | 0:13:47 | |
People just walk out in front. How is that safe? | 0:13:47 | 0:13:50 | |
Are you not...? Are you not worried about how that has gone? | 0:13:50 | 0:13:53 | |
You don't seem to be that worried. | 0:13:54 | 0:13:56 | |
You assessed the conditions. You were going quite slowly. | 0:13:56 | 0:13:59 | |
HORN TOOTS | 0:13:59 | 0:14:01 | |
All of you are so full of crap. I'm not driving it any more. So this... | 0:14:03 | 0:14:07 | |
you are going to have to find out a way of getting this to where | 0:14:07 | 0:14:10 | |
it needs to be. | 0:14:10 | 0:14:11 | |
Cos I'm never getting in it again. | 0:14:11 | 0:14:12 | |
I think you're going to have to drive it juts a little bit further. | 0:14:12 | 0:14:15 | |
"I think you're going to have to..." No, I'm not, mate! | 0:14:15 | 0:14:17 | |
No, I'm not. | 0:14:17 | 0:14:19 | |
Romesh, so many people work in Sri Lanka. | 0:14:37 | 0:14:40 | |
They work in restaurants and hotels and you should try that, man. | 0:14:40 | 0:14:46 | |
Yeah. I mean, I have done stuff like that. | 0:14:46 | 0:14:49 | |
Where? | 0:14:49 | 0:14:51 | |
I worked in a fried chicken shop. | 0:14:51 | 0:14:53 | |
Oh, yeah. So you've got experience, then. | 0:14:53 | 0:14:55 | |
I worked in Debenhams cafe for a day, walked out. | 0:14:55 | 0:14:57 | |
-But I still did it for a day. -Oh, right. | 0:14:57 | 0:14:59 | |
So why not give it a try and see, be nice to people... | 0:14:59 | 0:15:03 | |
Mum, I will definitely give it a try, because... | 0:15:03 | 0:15:06 | |
You know, I love you. | 0:15:06 | 0:15:09 | |
You love me? Oh, thank you so much. | 0:15:09 | 0:15:11 | |
I love you too, man. | 0:15:11 | 0:15:13 | |
Is it a fake smile? | 0:15:15 | 0:15:16 | |
Today I'm taking Krishna | 0:15:17 | 0:15:19 | |
and his mum to Nurwara Eliya to work in a hotel that my mum set up. | 0:15:19 | 0:15:24 | |
It's an eight-hour journey. | 0:15:24 | 0:15:26 | |
From what I gather, they like to entertain each other with | 0:15:26 | 0:15:29 | |
little games and singing and stuff like that. | 0:15:29 | 0:15:32 | |
That is... | 0:15:36 | 0:15:37 | |
..the worst | 0:15:38 | 0:15:39 | |
idea of a journey for me. | 0:15:39 | 0:15:42 | |
Sing something. Just for the pastime. | 0:15:42 | 0:15:44 | |
-I can't. -Why? | 0:15:44 | 0:15:46 | |
Well, I don't know how to sing. | 0:15:46 | 0:15:47 | |
Well, you don't know how to run tuk-tuk and you went | 0:15:47 | 0:15:50 | |
-and sat in the tuk-tuk. -Yeah, but I nearly killed myself. | 0:15:50 | 0:15:52 | |
-It's not a great example, the tuk-tuk. -But singing won't kill you. | 0:15:52 | 0:15:55 | |
Don't worry about it. | 0:15:55 | 0:15:57 | |
HE SINGS IN OWN LANGUAGE | 0:15:57 | 0:16:02 | |
So this is where my mum has sent us. | 0:16:26 | 0:16:29 | |
Basically, it's part of the thing that my mum wants me to see | 0:16:29 | 0:16:32 | |
what it's like to do different jobs. | 0:16:32 | 0:16:34 | |
-Hello. I'm Romesh. Are you expecting... ? -Hello, sir. | 0:16:41 | 0:16:43 | |
Good afternoon. | 0:16:43 | 0:16:45 | |
-Nice to meet you. I'm Benedict. -Benedict, hello. | 0:16:45 | 0:16:47 | |
-Just a quick thing, my... This is my cousin... -Yes. | 0:16:47 | 0:16:51 | |
And my auntie wants him to work with me as well. Is that OK? | 0:16:51 | 0:16:56 | |
Yeah, it's all right. | 0:16:56 | 0:16:57 | |
-Yeah. -Yeah? | 0:16:57 | 0:16:59 | |
-Yeah. Please come to the restaurant. -OK. All right. Thanks. | 0:16:59 | 0:17:02 | |
-Hello. -Hello. | 0:17:07 | 0:17:09 | |
Hello. | 0:17:09 | 0:17:10 | |
Please, welcome. Good evening. | 0:17:10 | 0:17:12 | |
Hello. Welcome. | 0:17:12 | 0:17:14 | |
Formal dining. Formal dining. | 0:17:14 | 0:17:17 | |
My jacket doesn't fit. Does it matter? | 0:17:17 | 0:17:19 | |
-So you're nice. Looks smart. -But it doesn't... | 0:17:19 | 0:17:21 | |
-Looks really good. -Is doesn't shut, though. | 0:17:21 | 0:17:23 | |
-Can I try? -We will change another day. | 0:17:23 | 0:17:26 | |
I will give you a nice jacket for you. | 0:17:26 | 0:17:29 | |
-His one fits perfectly. -Yes, looks smart. | 0:17:29 | 0:17:32 | |
Isn't it a bit weird to send a Sri Lankan of British origin to | 0:17:32 | 0:17:36 | |
a colonial hotel? | 0:17:36 | 0:17:38 | |
Does anyone else think that's a bit strange? | 0:17:38 | 0:17:41 | |
There's plenty of Sri Lankan hotels that are just Sri Lankan. | 0:17:41 | 0:17:44 | |
-The room service phone is there. -Yeah. | 0:17:44 | 0:17:46 | |
Phone is there. | 0:17:46 | 0:17:48 | |
OK. Thank you. | 0:17:48 | 0:17:49 | |
-Thank you. -Thank you. | 0:17:49 | 0:17:51 | |
We've basically... This hotel | 0:17:53 | 0:17:55 | |
is a coconut. | 0:17:55 | 0:17:57 | |
This is the hotel version of me. | 0:17:57 | 0:17:59 | |
And I'm working in it. It's bonkers. | 0:17:59 | 0:18:01 | |
PHONE RINGS | 0:18:01 | 0:18:03 | |
OK, answer the phone. Do it. | 0:18:03 | 0:18:05 | |
Hello. Good evening. | 0:18:07 | 0:18:09 | |
This is room service. | 0:18:09 | 0:18:10 | |
A club sandwich. | 0:18:11 | 0:18:13 | |
OK. Thank you so much. | 0:18:14 | 0:18:16 | |
Do you want... Ask them if they want a drink. | 0:18:16 | 0:18:18 | |
If you want a drink or something? | 0:18:18 | 0:18:20 | |
Wha-wha...? | 0:18:23 | 0:18:25 | |
What was that?! | 0:18:25 | 0:18:27 | |
THEY LAUGH | 0:18:27 | 0:18:29 | |
How do you end a phone call with, "Do you want a drink or something?" | 0:18:29 | 0:18:32 | |
KRISHNA LAUGHS | 0:18:32 | 0:18:34 | |
PHONE RINGS Oh, my God. | 0:18:34 | 0:18:37 | |
Hello. Room service. Good evening. | 0:18:37 | 0:18:40 | |
-Room service. -Room service. -Ssh! | 0:18:42 | 0:18:45 | |
PHONE RINGS | 0:18:45 | 0:18:47 | |
Brilliant. Thank you so much. It'll be up with you soon. | 0:18:47 | 0:18:49 | |
-Ginger beer and a Coke? -Yes, that's perfect. | 0:18:49 | 0:18:51 | |
Thank you so much. Thank you so much, madam. Thank you. Enjoy your food. | 0:18:51 | 0:18:55 | |
PHONE RINGS | 0:18:55 | 0:18:56 | |
OK, come on. You're up. | 0:18:56 | 0:18:58 | |
Hello. Good evening. | 0:18:58 | 0:18:59 | |
Room service... | 0:18:59 | 0:19:01 | |
It's what? | 0:19:01 | 0:19:02 | |
Yes, it is the room service. | 0:19:04 | 0:19:06 | |
SS1? I never knew that that kind of room is there... | 0:19:08 | 0:19:13 | |
How can you tell them you don't know the room is there? | 0:19:13 | 0:19:16 | |
Two loose what? | 0:19:16 | 0:19:18 | |
Luciana barbeque chicken, two. Anything else? | 0:19:18 | 0:19:22 | |
What? | 0:19:22 | 0:19:23 | |
OK. Thanks. | 0:19:23 | 0:19:25 | |
Welcome a lot. | 0:19:25 | 0:19:27 | |
How do you think that phone call went? | 0:19:27 | 0:19:29 | |
It was nice. | 0:19:29 | 0:19:30 | |
Why did you keep saying, "What?!" You're not Little John. | 0:19:30 | 0:19:34 | |
What are you doing? | 0:19:34 | 0:19:36 | |
That's one of the worst phone calls I've ever heard. | 0:19:36 | 0:19:39 | |
"What?!" | 0:19:39 | 0:19:42 | |
"Luciana chicken WHAT?!" | 0:19:42 | 0:19:44 | |
Chicken sandwich. | 0:19:45 | 0:19:46 | |
This ain't fun any more, is it? | 0:19:47 | 0:19:49 | |
I did get annoyed during the room service. | 0:19:49 | 0:19:51 | |
I did get frustrated, because it's a high-pressure situation, I suddenly | 0:19:51 | 0:19:55 | |
realised I was actually serving real people. | 0:19:55 | 0:19:57 | |
It's embarrassing going into a room | 0:19:57 | 0:19:59 | |
with actual customers | 0:19:59 | 0:20:01 | |
and not even achieving spending quality time with Krishna here. | 0:20:01 | 0:20:03 | |
Be by the phone in case anybody else orders. | 0:20:03 | 0:20:06 | |
MOBILE PHONE RINGS | 0:20:06 | 0:20:09 | |
OK. OK. Excuse me, I've got to just take this. | 0:20:09 | 0:20:12 | |
He kept phoning me. | 0:20:12 | 0:20:15 | |
DIAL TONE | 0:20:15 | 0:20:18 | |
Hello? | 0:20:19 | 0:20:21 | |
Why are you calling me? | 0:20:23 | 0:20:24 | |
Because you have to deliver it fast. He called me again. | 0:20:24 | 0:20:27 | |
Don't phone me unless it's an emergency. | 0:20:27 | 0:20:29 | |
MOBILE PHONE RINGS | 0:20:31 | 0:20:35 | |
Hello? | 0:20:35 | 0:20:36 | |
Romesh? | 0:20:36 | 0:20:37 | |
What do you want? | 0:20:37 | 0:20:39 | |
Did you serve that? | 0:20:39 | 0:20:41 | |
Yeah, I've served it and I'm back with you now. | 0:20:41 | 0:20:43 | |
What do you think I'm doing? | 0:20:43 | 0:20:45 | |
Delivering it and then having a jog round the hotel? | 0:20:45 | 0:20:47 | |
Are you getting angry? Don't get angry. Don't get angry. | 0:20:47 | 0:20:50 | |
I'm not getting angry! | 0:20:50 | 0:20:52 | |
It got brought to a close because we were shit. | 0:20:52 | 0:20:55 | |
I don't know why I'm laughing... I feel bad. | 0:20:55 | 0:20:59 | |
I do feel bad, but... | 0:20:59 | 0:21:01 | |
..it is what it is. Benedict wasn't happy. | 0:21:01 | 0:21:04 | |
People are complaining to me. | 0:21:04 | 0:21:06 | |
Don't use the mobile. | 0:21:07 | 0:21:09 | |
If you do, everything is wrong. Many, many complain to me. | 0:21:09 | 0:21:14 | |
PHONE RINGS | 0:21:14 | 0:21:16 | |
-Hello? -Look how good he is. | 0:21:16 | 0:21:17 | |
Hello. Good evening. | 0:21:17 | 0:21:19 | |
I have to talk to someone... | 0:21:19 | 0:21:20 | |
Hello, may I know what are you telling? | 0:21:20 | 0:21:22 | |
The mobile phone, personal mobile phones you can't use. | 0:21:22 | 0:21:25 | |
Can you go get two Cokes for the reading room, fast? | 0:21:25 | 0:21:28 | |
-Have you gone into another dimension? Can you hear what...? -Sorry. | 0:21:28 | 0:21:32 | |
You are to leave from the club. | 0:21:32 | 0:21:34 | |
Sorry, Benedict. | 0:21:34 | 0:21:36 | |
I am sad for doing that, but... | 0:21:36 | 0:21:38 | |
Do you know why we got fired? | 0:21:38 | 0:21:40 | |
No, I don't know. Don't tell me it's me. Do not... | 0:21:40 | 0:21:43 | |
I'm not going to tell you it's you, I'm going | 0:21:43 | 0:21:45 | |
to tell you what he said exactly. | 0:21:45 | 0:21:47 | |
"Because of use of the mobile phone." | 0:21:47 | 0:21:49 | |
What? | 0:21:49 | 0:21:51 | |
If you Little John again... | 0:21:51 | 0:21:54 | |
I was pissed off at the time. Now I just think I've just wasted... | 0:21:54 | 0:21:57 | |
Basically, what we've done today has not served the show any purpose | 0:21:57 | 0:22:01 | |
and it's not enhanced my relationship with Krishna at all. | 0:22:01 | 0:22:05 | |
Because the time we spent together was just fraught... | 0:22:05 | 0:22:09 | |
Like, room service, running around a hotel, it's not... | 0:22:09 | 0:22:13 | |
Well, that's not quality time, is it? Nobody chooses to do that. | 0:22:13 | 0:22:16 | |
Nobody goes, "I want to get to know you. | 0:22:16 | 0:22:18 | |
"Let's run room service at a hotel we've never been to before." | 0:22:18 | 0:22:22 | |
Basically, I sort of feel like I should do something good with | 0:22:36 | 0:22:39 | |
Krish, because we did the hotel thing, which... | 0:22:39 | 0:22:42 | |
Well, was a stressful situation, so I'm thinking I want to try | 0:22:42 | 0:22:45 | |
and do something that he likes and will also impress his mum, | 0:22:45 | 0:22:48 | |
so that I can sort of nail the whole being a good cousin-nephew dynamic. | 0:22:48 | 0:22:54 | |
I know he's into, like, drumming and dancing and stuff like that, | 0:23:02 | 0:23:06 | |
so we're going to basically practise and perform some Kandyan dancing. | 0:23:06 | 0:23:11 | |
-Let's start. -Yep. | 0:23:12 | 0:23:14 | |
One, two... | 0:23:15 | 0:23:17 | |
The first dance was this sort of... | 0:23:18 | 0:23:21 | |
Well, you've got to squat down. | 0:23:21 | 0:23:23 | |
I didn't have the requisite flexibility to do it. | 0:23:23 | 0:23:25 | |
Come on, come on, come on. | 0:23:25 | 0:23:28 | |
Down, relax. | 0:23:28 | 0:23:31 | |
You have a space in between your legs. | 0:23:31 | 0:23:33 | |
What's up? You all right? | 0:23:33 | 0:23:34 | |
Then we did the drums. | 0:23:34 | 0:23:37 | |
Don't go like that. Just do this. | 0:23:37 | 0:23:39 | |
Then they showed us this dance, sort of the funny dance. | 0:23:40 | 0:23:44 | |
DRUM BEAT | 0:23:44 | 0:23:46 | |
Something that allowed a little bit of leeway, | 0:23:48 | 0:23:51 | |
sort of freestyle your way in, add a little bit of your own personality. | 0:23:51 | 0:23:55 | |
Good. Very good. Yeah. | 0:24:04 | 0:24:06 | |
OK, guys. Very good. Yeah. Good, good, good. | 0:24:09 | 0:24:13 | |
Yeah, stop it, yeah. | 0:24:14 | 0:24:16 | |
I thought we were going to do some lessons and then we'd go to a hall. | 0:24:16 | 0:24:20 | |
It was like a... You know like you go to bridge club? | 0:24:20 | 0:24:22 | |
I thought we were going to Kandyan dancing club. | 0:24:22 | 0:24:25 | |
Do you know what I mean? And then in front of, like, | 0:24:25 | 0:24:27 | |
the other dancers you sort of have a go at it or whatever. | 0:24:27 | 0:24:30 | |
And it turns out that we've got to put the costumes on | 0:24:35 | 0:24:38 | |
because this is, like, a tourist spot. | 0:24:38 | 0:24:40 | |
Like, they advertise to tourists to come and watch a Kandy dance show. | 0:24:40 | 0:24:45 | |
Excuse me, can I ask you a question? | 0:24:45 | 0:24:47 | |
Are we really doing a performance in front of tourists? | 0:24:47 | 0:24:50 | |
-In front of people? -Yes, yeah. | 0:24:50 | 0:24:52 | |
It's a very good opportunity for you. | 0:24:52 | 0:24:54 | |
Great opportunity, yeah. I've been waiting for it. | 0:24:54 | 0:24:57 | |
Who gets a tourist to come and do a demonstration to tourists? | 0:24:57 | 0:24:59 | |
It was a bad one, because Krishna was involved. | 0:25:05 | 0:25:07 | |
I basically got him worked up. | 0:25:07 | 0:25:09 | |
Like, it looked like he was freaking out a little bit about the fact | 0:25:09 | 0:25:12 | |
that he's going to have to do a public performance and there | 0:25:12 | 0:25:14 | |
were, like, two or 300 seats out, so you're sort of panicking. | 0:25:14 | 0:25:17 | |
I don't know how this can happen. | 0:25:17 | 0:25:18 | |
I haven't shown any aptitude for this, | 0:25:18 | 0:25:20 | |
and now I'm going to be doing a tourist show. | 0:25:20 | 0:25:23 | |
WHISPERING: Are we on now? | 0:25:25 | 0:25:27 | |
You either don't do it at all and just sort of look all nervous | 0:25:33 | 0:25:36 | |
because you haven't got the skill for it or you do something. | 0:25:36 | 0:25:40 | |
I gave them something, and you can't deny that I committed to it. | 0:25:40 | 0:25:44 | |
Did you see that? | 0:25:46 | 0:25:47 | |
That ripped it. | 0:25:47 | 0:25:49 | |
Krishna came out. He started doing the drums. | 0:25:55 | 0:25:57 | |
I thought he did very, very well. | 0:25:57 | 0:25:59 | |
But the long and short of it is I got my cousin into a difficult situation. | 0:26:03 | 0:26:08 | |
And we got through it together. | 0:26:09 | 0:26:11 | |
HE LAUGHS MANICALLY | 0:26:16 | 0:26:18 | |
You know, the whole intention of the thing was that | 0:26:21 | 0:26:23 | |
I set up something nice so that Krishna enjoys himself | 0:26:23 | 0:26:27 | |
and my auntie sort of thinks I'm a good cousin, a good older brother. | 0:26:27 | 0:26:31 | |
If it went wrong, it would've been an absolute nightmare. | 0:26:31 | 0:26:35 | |
As it is, I smashed it. | 0:26:35 | 0:26:37 | |
MUSIC PLAYS: Just The Two Of Us by Bill Withers | 0:26:49 | 0:26:51 | |
With regards to the other things that I did this week, | 0:26:51 | 0:26:54 | |
I don't have an epiphany about what I might be if I was in Sri Lanka. | 0:26:54 | 0:26:58 | |
You know, I certainly wouldn't be working in a members' club. | 0:26:58 | 0:27:01 | |
The positive thing about it is I got to spent time with Krishna. | 0:27:01 | 0:27:04 | |
He's a nice kid. He's a lovely kid. He speaks six languages. | 0:27:04 | 0:27:08 | |
He's got a lot going for him. | 0:27:08 | 0:27:10 | |
I hope he likes me. I hope he feels we've made a good connection. | 0:27:10 | 0:27:13 | |
I met his mum and I spent the week with them and it was good. | 0:27:13 | 0:27:16 | |
He was really enjoying you, | 0:27:16 | 0:27:19 | |
but I thought you were very liberal towards him. | 0:27:19 | 0:27:22 | |
I think you should be a little bit stiff with him. | 0:27:22 | 0:27:24 | |
I'll be stiff with him in the future. | 0:27:24 | 0:27:26 | |
I'm so sad you're going right now. | 0:27:26 | 0:27:28 | |
I'll stay in touch with him and it'll be nice. | 0:27:28 | 0:27:30 | |
And hopefully I'll come back out and visit them. | 0:27:30 | 0:27:34 | |
And hopefully they won't come to the UK. | 0:27:34 | 0:27:36 | |
I would be really happy if you would | 0:27:38 | 0:27:41 | |
take part in one of the soaps. | 0:27:41 | 0:27:42 | |
I can't act in English. | 0:27:42 | 0:27:44 | |
HE SPEAKS FOREIGN LANGUAGE | 0:27:44 | 0:27:46 | |
Tits. | 0:27:46 | 0:27:48 | |
My idea is to make an English tribute to Tamil films. | 0:27:48 | 0:27:51 | |
It's a wrap. | 0:27:51 | 0:27:53 |