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CHEERING AND APPLAUSE | 0:00:17 | 0:00:19 | |
Tonight, on Ask Rhod Gilbert, our special guests are: | 0:00:22 | 0:00:25 | |
She's no wipeout, it's: | 0:00:27 | 0:00:29 | |
And First Lady of stand-up: | 0:00:31 | 0:00:32 | |
They're here every week, it's: | 0:00:36 | 0:00:37 | |
Ladies and gentlemen, Ask Rhod Gilbert! | 0:00:46 | 0:00:49 | |
APPLAUSE | 0:00:49 | 0:00:50 | |
Hello, welcome. I'm Rhod Gilbert and tonight I'm finding the answers | 0:00:54 | 0:00:57 | |
to the questions that keep us awake at night. | 0:00:57 | 0:00:59 | |
Questions such as: Should we stop publishing books | 0:00:59 | 0:01:02 | |
until we all catch up reading the ones that are out there? | 0:01:02 | 0:01:06 | |
I love reading but there are just far too many books. | 0:01:06 | 0:01:08 | |
It must be because God has written one and most of us haven't bothered reading it yet. | 0:01:08 | 0:01:13 | |
I certainly don't want any more celebrity autobiographies. | 0:01:13 | 0:01:16 | |
People write them before they've had a life. Justin Bieber has one. | 0:01:16 | 0:01:19 | |
The only reason he needs a book at all is so he can stand on it to reach his Calpol. | 0:01:19 | 0:01:23 | |
LAUGHTER | 0:01:23 | 0:01:24 | |
You shouldn't be allowed to write an autobiography until you're at least 30. Nothing happens until then. | 0:01:26 | 0:01:31 | |
Who'd want to read Jesus: My Life As A Carpenter And Amateur Magician? | 0:01:31 | 0:01:35 | |
Come on. If we carry on like this, pretty soon we'll have people | 0:01:37 | 0:01:42 | |
writing their memoirs before they're even born. | 0:01:42 | 0:01:45 | |
"What are you reading?" "A Womb With A View by Harper Seven Beckham". | 0:01:45 | 0:01:48 | |
Any way, on with the show. | 0:01:50 | 0:01:51 | |
CHEERING AND APPLAUSE | 0:01:51 | 0:01:53 | |
In a world filled with ambiguity, | 0:01:57 | 0:01:59 | |
we need someone with credibility | 0:01:59 | 0:02:00 | |
to help find the answers to our questions. | 0:02:00 | 0:02:02 | |
As always, we begin by asking, who is tonight's Authenticator? | 0:02:02 | 0:02:07 | |
She'll need the energy and enthusiasm it took to present Come Dancing... | 0:02:07 | 0:02:10 | |
# La cucaracha, la cucaracha. # | 0:02:10 | 0:02:12 | |
LAUGHTER | 0:02:12 | 0:02:13 | |
She'll need all the class and refinement it took to get an OBE. | 0:02:17 | 0:02:21 | |
LIGHT SABRE SWOOSH | 0:02:21 | 0:02:22 | |
An OBE, not Obi. | 0:02:24 | 0:02:26 | |
After doing Morecambe and Wise she became famous for her lovely legs. | 0:02:26 | 0:02:29 | |
# La cucaracha, La cucaracha. # | 0:02:29 | 0:02:31 | |
That's right, tonight's Authenticator | 0:02:34 | 0:02:36 | |
is national treasure, Angela Rippon! | 0:02:36 | 0:02:39 | |
JAZZ MUSIC | 0:02:39 | 0:02:41 | |
-Welcome to the show, Angela. -Thank you very much indeed. | 0:02:55 | 0:02:58 | |
As I was reading those, I was thinking, blimey, that's a career. | 0:02:58 | 0:03:01 | |
Not that it's over! | 0:03:01 | 0:03:03 | |
LAUGHTER | 0:03:03 | 0:03:04 | |
-It's already been good is what I mean. -It's been 45 years long. Yeah. | 0:03:05 | 0:03:09 | |
-45?! -Yeah. -What's been the highlight? | 0:03:09 | 0:03:11 | |
The highlight is that after 45 years I'm still here! | 0:03:11 | 0:03:14 | |
You're more than just still here. | 0:03:15 | 0:03:17 | |
CHEERING AND APPLAUSE | 0:03:17 | 0:03:19 | |
And how are you helping us tonight? | 0:03:23 | 0:03:24 | |
I am going to provide the panel with all the information you need | 0:03:24 | 0:03:28 | |
-to answer the questions and hopefully we'll between us get them right. -Brilliant. | 0:03:28 | 0:03:32 | |
Thank you. When I think we have an answer I'll do this. | 0:03:32 | 0:03:35 | |
ANGELIC VOCALISATION | 0:03:35 | 0:03:37 | |
-Wow. -Sarah, have you been asked anything recently? | 0:03:38 | 0:03:41 | |
Yes, I've been asked when my DVD comes out. | 0:03:41 | 0:03:43 | |
LAUGHTER AND APPLAUSE | 0:03:43 | 0:03:45 | |
You did this last time! | 0:03:47 | 0:03:49 | |
You did this on the last series. | 0:03:51 | 0:03:53 | |
I remember saying to you, "What have you learned recently?", | 0:03:53 | 0:03:56 | |
-and you said something about your upcoming tour. -Yeah! I'm not an idiot. November 21st. | 0:03:56 | 0:04:01 | |
-Is it November 21st? -Yes, it is. | 0:04:03 | 0:04:05 | |
Oh. A week earlier you can buy mine on the 14th. | 0:04:05 | 0:04:08 | |
LAUGHTER | 0:04:08 | 0:04:10 | |
I've got two copies of Mrs Doubtfire if anybody wants to buy them. | 0:04:10 | 0:04:14 | |
Are you doing one of your car boots? | 0:04:14 | 0:04:16 | |
-Have you learned anything recently, Amanda? -I have! | 0:04:18 | 0:04:21 | |
I was at the Emmys last week and I interviewed Steve, | 0:04:21 | 0:04:25 | |
what I thought was Buscemi, and apparently it's "boo-skee-mee". | 0:04:25 | 0:04:28 | |
I don't know who he is. I don't. | 0:04:28 | 0:04:31 | |
-AUDIENCE MEMBER: -Con Air. | 0:04:31 | 0:04:33 | |
He's what? | 0:04:33 | 0:04:34 | |
-(IN IRISH ACCENT): Con Air. -LAUGHTER AND APPLAUSE | 0:04:34 | 0:04:37 | |
What's Con Air? What's Con... Do you know who he is? | 0:04:37 | 0:04:41 | |
Do you know who Steve "Bos-kee-mee-boo-skee-mee" is? | 0:04:42 | 0:04:45 | |
I haven't got a clue cos I only listen to Radio 4. | 0:04:45 | 0:04:49 | |
Let's find out who wants to know what. Who have we got? | 0:04:49 | 0:04:52 | |
-Lionel Richie. -Are we fans of Lionel Richie? | 0:04:52 | 0:04:55 | |
-Yeah... -No? Fine. | 0:04:55 | 0:04:58 | |
I know we're all fans of Kim Jong-Il. | 0:04:58 | 0:05:01 | |
Are you a fan? We're fans of him. He's a bit of a friend of the show. | 0:05:01 | 0:05:05 | |
He does write in every week with a question. | 0:05:05 | 0:05:07 | |
-Has he ever appeared on the programme? -He hasn't appeared yet, | 0:05:07 | 0:05:10 | |
but every week on Twitter or Facebook or emails the questions in. | 0:05:10 | 0:05:14 | |
Are they sensible? | 0:05:14 | 0:05:15 | |
-Are they sensible? -Yeah. He's a serious man. | 0:05:15 | 0:05:19 | |
LAUGHTER | 0:05:21 | 0:05:22 | |
Rihanna. What does Rihanna want to know? | 0:05:26 | 0:05:29 | |
I do like it but it's not really new. | 0:05:33 | 0:05:35 | |
We've been doing the Paula Radcliffe over here for years. LAUGHTER | 0:05:35 | 0:05:39 | |
APPLAUSE | 0:05:42 | 0:05:43 | |
Let's have our first round. | 0:05:47 | 0:05:49 | |
Let's see who wants to know what. | 0:05:49 | 0:05:52 | |
It's a sky diver in Australia. What would they like to know? | 0:05:52 | 0:05:56 | |
G'day from Australia, Rhod. I've got a question for you. | 0:05:56 | 0:06:01 | |
Can we live... | 0:06:14 | 0:06:15 | |
..can we live without money? | 0:06:17 | 0:06:19 | |
-What do we think? -I think we can. | 0:06:19 | 0:06:21 | |
The Greeks are about to live without money, aren't they? | 0:06:21 | 0:06:24 | |
What does it mean they've run out of money? | 0:06:24 | 0:06:27 | |
They've just got fatter now. | 0:06:27 | 0:06:29 | |
That's the National Anthem now. | 0:06:29 | 0:06:31 | |
Things Can Only Get Fatter. | 0:06:31 | 0:06:33 | |
To answer the question, | 0:06:36 | 0:06:38 | |
you would just use something else instead of money, wouldn't you? | 0:06:38 | 0:06:41 | |
What would you fall back on? Let's say you've got a blocked toilet. | 0:06:41 | 0:06:44 | |
The plumber comes round and fixes it, you can't give him money. What would you use? | 0:06:44 | 0:06:48 | |
I'm really good at unblocking toilets. | 0:06:48 | 0:06:51 | |
But I wouldn't call a plumber. Would you call a plumber for a blocked toilet? | 0:06:52 | 0:06:56 | |
-Yes! -What?! | 0:06:56 | 0:06:57 | |
Put your nails and get cracking. | 0:06:59 | 0:07:01 | |
Mandy, what would you use instead of money? | 0:07:01 | 0:07:04 | |
Let's say the pizza delivery man comes round. | 0:07:04 | 0:07:06 | |
Well I use the barter system. | 0:07:06 | 0:07:07 | |
It's tit for tat, so you know, you... | 0:07:07 | 0:07:10 | |
Really? Because I've got a load of tat in my room! | 0:07:12 | 0:07:15 | |
What would you fall back on, Lloyd? | 0:07:20 | 0:07:22 | |
I can't imagine you've got anything to fall back on, have you? | 0:07:22 | 0:07:27 | |
I'm all right at doing massages. | 0:07:27 | 0:07:28 | |
I'm not very skilful, but I'm enthusiastic. | 0:07:28 | 0:07:32 | |
Is that still a massage? | 0:07:32 | 0:07:33 | |
So I could, like, unblock your toilet | 0:07:35 | 0:07:37 | |
and you could give us a massage! | 0:07:37 | 0:07:39 | |
Yeah, I'd probably want you to have a shower first! | 0:07:39 | 0:07:42 | |
You don't really actually use money that much any more. | 0:07:45 | 0:07:48 | |
We use debit cards and credit cards. | 0:07:48 | 0:07:50 | |
The last time I used actual money was for, like, a parking metre or wishing well. | 0:07:50 | 0:07:54 | |
The old "parking-metre-and wishing-well" trick! | 0:07:54 | 0:07:57 | |
Did you park just to put money in the wishing well? | 0:07:57 | 0:07:59 | |
That's exactly what I did! | 0:07:59 | 0:08:01 | |
You must have needed that wish, did you, pet? | 0:08:01 | 0:08:05 | |
I think that would really take the kind of romance out of a wishing well. | 0:08:05 | 0:08:08 | |
Imagine, at some point in the future, you just swipe your card across. | 0:08:08 | 0:08:14 | |
-Have you got a fact for us? -Yeah, I have. | 0:08:14 | 0:08:16 | |
Mark Boyle is the founder of the Freeconomy Community, | 0:08:16 | 0:08:18 | |
and he has lived without money since 2008. | 0:08:18 | 0:08:21 | |
And he survives by growing his own food, | 0:08:21 | 0:08:24 | |
by sharing possessions, and by bartering. | 0:08:24 | 0:08:27 | |
And on his very first day of living without money, | 0:08:27 | 0:08:29 | |
he fed 150 people a three-course meal with waste and foraged food. | 0:08:29 | 0:08:36 | |
I'm a member of various online swapping communities. | 0:08:36 | 0:08:40 | |
It's recycling stuff. It's giving stuff away. | 0:08:40 | 0:08:43 | |
I've had loads of good stuff like that. | 0:08:43 | 0:08:45 | |
Somebody advertises online and they say, "I've got this, that and the other. Come round and get it." | 0:08:45 | 0:08:50 | |
And you go round and you get it for free. Or you offer them stuff. | 0:08:50 | 0:08:53 | |
-Are they more specific in their descriptions than, "This that and the other." -Yes! | 0:08:53 | 0:08:57 | |
I can give you some of the descriptions if want, Sarah. Look at this. | 0:08:57 | 0:09:00 | |
"Offered, jars. Hi everybody. | 0:09:00 | 0:09:02 | |
"A bag of various-sized jars going spare. | 0:09:02 | 0:09:04 | |
"Was going to use them for jam, but I can't be bothered." | 0:09:04 | 0:09:08 | |
"Offered, large bag of chargers, etc. | 0:09:11 | 0:09:13 | |
"Will make somebody a lovely Christmas present." | 0:09:13 | 0:09:16 | |
"Offered, broken DVD player. Will not play. | 0:09:18 | 0:09:21 | |
"But spins the disc." | 0:09:21 | 0:09:23 | |
The question was, can we live without money? | 0:09:27 | 0:09:29 | |
And I asked each of you to bring something in that you could swap. | 0:09:29 | 0:09:33 | |
So Sarah, what have you brought in? | 0:09:33 | 0:09:36 | |
Mr Potato Head. | 0:09:38 | 0:09:40 | |
God, only in Ireland would that get an, "Ahh". | 0:09:40 | 0:09:43 | |
And Lloyd, what have you got? | 0:09:46 | 0:09:48 | |
-I've got these, Rhod. -What are they? | 0:09:48 | 0:09:50 | |
They're sunglasses | 0:09:54 | 0:09:56 | |
to stop you being identified by the paparazzi. | 0:09:56 | 0:09:59 | |
-What have you get there, Amanda? -I've got one of these little gadgets. | 0:09:59 | 0:10:02 | |
-That's not quite as good, that, to be honest. -Well, not quite, which is why I would like to swap it. | 0:10:02 | 0:10:07 | |
What have you got, Greg? | 0:10:07 | 0:10:09 | |
I feel a bit embarrassed, actually, Rhod, because I didn't know until this afternoon... | 0:10:09 | 0:10:13 | |
..I genuinely didn't know we were doing this swap item. | 0:10:13 | 0:10:16 | |
So I just had to run around the hotel I'm staying in and bring what I can. | 0:10:16 | 0:10:21 | |
Some soap there as well. | 0:10:21 | 0:10:23 | |
-That's all right! -Shower cap. | 0:10:23 | 0:10:25 | |
Light shade. | 0:10:27 | 0:10:28 | |
Nice dressing gown. | 0:10:37 | 0:10:38 | |
It is a nice dressing gown. | 0:10:38 | 0:10:40 | |
Is there anything left in your hotel room?! | 0:10:49 | 0:10:51 | |
-Who wants what, then? -I quite like all of this. | 0:11:02 | 0:11:06 | |
-Greg, would you swap for a Mr Potato Head? -Yes, I would! | 0:11:06 | 0:11:09 | |
Because I'm staying in the same hotel. | 0:11:09 | 0:11:11 | |
Now I've got two of everything! | 0:11:11 | 0:11:13 | |
Whereas Greg is entirely alone in a bare room with one Mr Potato Head! | 0:11:13 | 0:11:17 | |
And while we clear that little lot away, let's have another fact from Angela, please. | 0:11:20 | 0:11:25 | |
The question was, can we live without money? | 0:11:25 | 0:11:27 | |
Well, I think we've got someone who can give you the answer, | 0:11:27 | 0:11:31 | |
because on the telephone to help you is Professor of International Economics at Nottingham University, | 0:11:31 | 0:11:37 | |
Dr Daniel Bernhofen. | 0:11:37 | 0:11:40 | |
-Dr Bernhofen. -'Yes! | 0:11:40 | 0:11:42 | |
-'Speaking, hello.' -Hello. | 0:11:42 | 0:11:44 | |
-You're on the show. Welcome to the show. -'Thank you.' | 0:11:44 | 0:11:46 | |
You're German? | 0:11:46 | 0:11:48 | |
'I'm German, yes. I teach at the University of Nottingham.' | 0:11:48 | 0:11:51 | |
Right, how did you end up in Nottingham? | 0:11:51 | 0:11:53 | |
'Because I like Robin Hood!' | 0:11:53 | 0:11:55 | |
LAUGHTER | 0:11:55 | 0:11:57 | |
The question is, could we live without money? | 0:12:00 | 0:12:02 | |
Presumably, there are cultures that do live without money, aren't there, Professor? | 0:12:02 | 0:12:07 | |
'Yes, I think we take money for granted in our society. | 0:12:07 | 0:12:11 | |
'It helps to look at some examples where people didn't have money, for instance, prisoners' camps. | 0:12:11 | 0:12:17 | |
-'They came up with cigarettes.' -Yes. Cigarettes as a currency, you mean? | 0:12:17 | 0:12:21 | |
'Yes, as a currency, yes, as a medium of exchange.' | 0:12:21 | 0:12:23 | |
If, Professor, all money was got rid of tomorrow, if the system failed | 0:12:23 | 0:12:28 | |
and all money was worthless, what do you think would happen? | 0:12:28 | 0:12:32 | |
'The system would collapse, because society is quite complex. | 0:12:32 | 0:12:35 | |
'We need a lot of transactions | 0:12:35 | 0:12:37 | |
'and the easiest thing is paper money right now, | 0:12:37 | 0:12:40 | |
'because we probably wouldn't have enough cigarettes to sustain all the exchanges going on.' | 0:12:40 | 0:12:45 | |
To sum up, do we need money? We do? | 0:12:45 | 0:12:47 | |
'We do, yes, the economy is too complex operating without money.' | 0:12:47 | 0:12:51 | |
OK. I'm going to take that as an answer. Thank you, Professor. | 0:12:51 | 0:12:54 | |
-'OK, bye-bye.' -Bye-bye. | 0:12:54 | 0:12:55 | |
I don't know about you, | 0:13:03 | 0:13:05 | |
but I no clearer than I was a little while ago. | 0:13:05 | 0:13:07 | |
So, Skydiver, you asked could we live without money, | 0:13:07 | 0:13:11 | |
and the answer is no, we can't, not as a society. | 0:13:11 | 0:13:13 | |
I'm going to award that round to Greg for his bartering ability. | 0:13:13 | 0:13:18 | |
CHEERING AND APPLAUSE | 0:13:18 | 0:13:20 | |
So, let's see who else has a question for us. | 0:13:20 | 0:13:24 | |
Oh, Lord Coe. Shall we have a question from Lord Coe? Let's see what he would like to know. | 0:13:24 | 0:13:29 | |
LAUGHTER | 0:13:32 | 0:13:35 | |
Oh, hang on, here's another one from Kim Jong-Il. He's a good friend of the show. | 0:13:36 | 0:13:42 | |
He's constantly sending stuff in. He's very active. | 0:13:42 | 0:13:45 | |
Hang on a minute. Look at this. Anthony Worrall Thompson. | 0:13:54 | 0:13:58 | |
It's the image of him! (?) | 0:14:02 | 0:14:03 | |
Let's have a question from Mr Worrall Thompson. | 0:14:03 | 0:14:07 | |
No, I haven't, personally. | 0:14:12 | 0:14:15 | |
What's next? Oh, it's our next round, which is A Famous Face Asks. | 0:14:15 | 0:14:19 | |
Let's see who we've got. | 0:14:19 | 0:14:22 | |
Well, it doesn't look like him, but apparently that's Justin Lee Collins and Shayne Ward. | 0:14:22 | 0:14:26 | |
What would they like to know? | 0:14:26 | 0:14:28 | |
Hi, Rod. | 0:14:28 | 0:14:29 | |
After a long, hard day rocking out on stage, | 0:14:29 | 0:14:32 | |
we like to kick back and contemplate the most serious questions in life. | 0:14:32 | 0:14:36 | |
So our question to you is, | 0:14:36 | 0:14:38 | |
are animals in the modern world pulling their weight? | 0:14:38 | 0:14:41 | |
Are animals in the modern world pulling their weight? | 0:14:41 | 0:14:45 | |
Doesn't look like Justin Lee Collins, that, does it? | 0:14:45 | 0:14:47 | |
I thought the one on the right was Jordan when they first came up. | 0:14:47 | 0:14:51 | |
They're in costume for the show | 0:14:53 | 0:14:56 | |
they're doing in London at the moment. | 0:14:56 | 0:14:58 | |
-Can you see what you can find out? -Yes. -Are animals pulling their weight? | 0:14:58 | 0:15:02 | |
I think it depends on the animal. | 0:15:02 | 0:15:03 | |
Like a dog, you get sniffer dogs, you get guide dogs for the blind, | 0:15:03 | 0:15:08 | |
you get, like, fire dogs. | 0:15:08 | 0:15:11 | |
Hang on a minute. | 0:15:11 | 0:15:13 | |
Did you run out of dogs just before the third one? | 0:15:13 | 0:15:17 | |
What's a fire dog? | 0:15:17 | 0:15:20 | |
They put special protective boots on the dog, and they... | 0:15:20 | 0:15:24 | |
Are you making this up? | 0:15:24 | 0:15:26 | |
If there's a building that's unstable because of a fire, | 0:15:27 | 0:15:31 | |
they think, we won't send any people in, we'll just send a fire dog in. | 0:15:31 | 0:15:35 | |
He's not making it up! | 0:15:35 | 0:15:37 | |
After 9/11, when they were trying to get into Ground Zero, | 0:15:37 | 0:15:41 | |
the dogs that they sent in all had special little booties made for them | 0:15:41 | 0:15:45 | |
so that they could walk across all that hot material, so he's right. | 0:15:45 | 0:15:49 | |
Don't you make fun of him. | 0:15:49 | 0:15:51 | |
AUDIENCE: Oooooh! | 0:15:51 | 0:15:53 | |
And they're off! | 0:15:53 | 0:15:54 | |
Here, you can see this dog is really pulling its weight in the garden. | 0:15:57 | 0:16:02 | |
LAUGHTER | 0:16:05 | 0:16:08 | |
The best bit about that is that little look to camera. | 0:16:15 | 0:16:17 | |
-Did you see that? -It's almost like he's going, yes, I am. | 0:16:17 | 0:16:22 | |
-They act as well, dogs. -You talk about acting dogs. | 0:16:23 | 0:16:26 | |
-Wellard in EastEnders is a boy, isn't he? The character. -Yeah. | 0:16:26 | 0:16:30 | |
I've got a feeling that the dog playing him was a girl. | 0:16:30 | 0:16:34 | |
-Lassie was a girl. Lassie was a girl. -I know Lassie was a girl. But I never saw Lassie go to the toilet. | 0:16:34 | 0:16:41 | |
-Well, she wouldn't on camera, would she? She was a lady. -Wellard did. | 0:16:41 | 0:16:46 | |
Wellard did. | 0:16:46 | 0:16:47 | |
It was a female dog, so he should have squatted, but he was such a good actor, like a method actor, | 0:16:47 | 0:16:52 | |
that he would cock a leg against a... | 0:16:52 | 0:16:54 | |
Absolute nonsense. | 0:16:54 | 0:16:56 | |
They just had a bit of a fishing line on the dog's leg. | 0:16:56 | 0:17:00 | |
Why didn't they just get a male dog in? | 0:17:02 | 0:17:05 | |
-Male dog in just for the toilet scenes. -Yeah, like a stunt dog. | 0:17:05 | 0:17:09 | |
I'm not sure there were that many toilet scenes. | 0:17:09 | 0:17:12 | |
You seem to remember them all, though. | 0:17:12 | 0:17:15 | |
It would be amazing if Phil Mitchell was crying about his drug habit and the camera just panned... | 0:17:15 | 0:17:21 | |
I'm not even boy! | 0:17:25 | 0:17:26 | |
Mostly dogs do pull their weight, I think. | 0:17:28 | 0:17:30 | |
-Others could be working harder. -I feel a bit sorry for them, really. | 0:17:30 | 0:17:34 | |
-Horses are sort of obsolete now. They will have to start developing new skills. -Horses are obsolete! | 0:17:34 | 0:17:39 | |
Tell that to a jockey! | 0:17:39 | 0:17:41 | |
Yeah, but that's just a novelty, isn't it? | 0:17:41 | 0:17:45 | |
-The Grand National would never be the same without them! -No. | 0:17:45 | 0:17:48 | |
I think we could be doing more with them, | 0:17:48 | 0:17:50 | |
and one of the things I would suggest doing is getting elephants involved more. | 0:17:50 | 0:17:55 | |
Elephants are very good at painting, and they could be used in far more painting and decorating. | 0:17:55 | 0:18:00 | |
And just to prove that he is right, | 0:18:00 | 0:18:03 | |
I think this elephant could be the next Picasso. | 0:18:03 | 0:18:06 | |
That is pretty cool, isn't it? | 0:18:20 | 0:18:23 | |
What's happened is, that elephant's just got a really encouraging dad elephant | 0:18:23 | 0:18:27 | |
that's gone, that's brilliant, what you've done there, pet, when really it's a bit shit. | 0:18:27 | 0:18:32 | |
It is. We've all had that. | 0:18:33 | 0:18:36 | |
Is he going to put it on his massive elephant fridge? | 0:18:36 | 0:18:38 | |
The advantage of being an elephant painter is your pictures | 0:18:38 | 0:18:42 | |
are going to sell for peanuts. | 0:18:42 | 0:18:43 | |
Oh! | 0:18:43 | 0:18:45 | |
Why not get them painting the Forth Bridge? | 0:18:45 | 0:18:48 | |
-Doesn't need to any more. -Why not? | 0:18:48 | 0:18:50 | |
They've just come out with a new paint that means it's going to last for ever and ever. | 0:18:50 | 0:18:54 | |
That's one of the reasons why it's not a good idea for elephants to paint the Forth Bridge. | 0:18:54 | 0:18:59 | |
It'll look ridiculous that I'm getting so angry, | 0:19:01 | 0:19:03 | |
but the thing is, I know you believe all these things. | 0:19:03 | 0:19:07 | |
You think animals should be utilised that way | 0:19:07 | 0:19:09 | |
and we should get elephants walking up the Forth Bridge. | 0:19:09 | 0:19:12 | |
As long as it's done humanely - you could get an elephant in a crane... | 0:19:12 | 0:19:18 | |
We could train a load of cranes to fly an elephant up there! | 0:19:18 | 0:19:22 | |
-Let's have another fact. -Zebras as dentists. Do you believe that? | 0:19:23 | 0:19:28 | |
If you don't, here's the proof. | 0:19:28 | 0:19:30 | |
This is the shot from Zurich Zoo of a zebra cleaning a hippo's teeth. | 0:19:30 | 0:19:35 | |
The zebra didn't lose his head! | 0:19:35 | 0:19:37 | |
There's lots of examples of symbiotic relationships in nature. | 0:19:37 | 0:19:41 | |
-My dad was in Peru, in the jungle. -SNIGGERING > | 0:19:41 | 0:19:45 | |
It's true! Why are you laughing?! | 0:19:45 | 0:19:47 | |
My dad was in Peru in the jungle and he went on a tour. | 0:19:47 | 0:19:50 | |
Are you confusing your dad with Paddington Bear? | 0:19:50 | 0:19:53 | |
This is true. He was in Peru and he was on this tour. | 0:19:55 | 0:19:58 | |
They were showing him round and the guy lifted up a stone | 0:19:58 | 0:20:04 | |
or something and there was a spider and a frog that lived together. | 0:20:04 | 0:20:11 | |
Aw, that's really sweet. | 0:20:11 | 0:20:14 | |
-They were cohabitating or they just happened to be under the stone together? -Exactly. | 0:20:14 | 0:20:19 | |
How do you know? Were there two toothbrushes there? How do you know? | 0:20:19 | 0:20:23 | |
Because there's lots - under every stone there would be a spider | 0:20:23 | 0:20:27 | |
and a frog living together. | 0:20:27 | 0:20:30 | |
The spider goes out and hunts and the frog cleans the house. | 0:20:30 | 0:20:34 | |
-It's true! -You may scoff, but he's absolutely right! | 0:20:35 | 0:20:39 | |
The frog benefits by eating small invertebrates that are attracted | 0:20:39 | 0:20:44 | |
to prey remains that are left by the spider, and the spider benefits | 0:20:44 | 0:20:47 | |
because the frog eats ants, which is one of the major predators | 0:20:47 | 0:20:50 | |
of spiders' eggs and they do have this wonderful symbiotic relationship. | 0:20:50 | 0:20:54 | |
You're right. Beavers and woodpeckers live together. | 0:20:54 | 0:20:59 | |
The beaver builds the dam, the house, | 0:20:59 | 0:21:01 | |
and then the woodpecker does the more intricate - the coving... | 0:21:01 | 0:21:05 | |
-Angela, are we any closer to getting an answer? -Yes, indeed. | 0:21:10 | 0:21:13 | |
The facts are, economically, | 0:21:13 | 0:21:15 | |
that working animals in agriculture, zoos and aquariums across the UK | 0:21:15 | 0:21:18 | |
and Ireland rake in around five billion a year for the economy. | 0:21:18 | 0:21:24 | |
But the real money-spinner is in the pet industry, | 0:21:24 | 0:21:27 | |
with pet owners spending an average of £14.9 billion a year. | 0:21:27 | 0:21:31 | |
A guy called Professor David Martin suggests that the pleasure | 0:21:31 | 0:21:35 | |
that we derive from owning pets adds value to our lives | 0:21:35 | 0:21:38 | |
and he concludes that, yes, animals ARE pulling their weight | 0:21:38 | 0:21:42 | |
because if you've really got a very faithful dog, | 0:21:42 | 0:21:45 | |
you can't put a price on that, can you? | 0:21:45 | 0:21:47 | |
-I'll take that as an answer. -CHEERING AND APPLAUSE | 0:21:47 | 0:21:51 | |
Justin and Shane, you asked are animals in the modern world | 0:21:56 | 0:21:59 | |
pulling their weight and the answer is yes, they are. | 0:21:59 | 0:22:03 | |
I'm going to award that round to Sarah. | 0:22:03 | 0:22:06 | |
CHEERING AND APPLAUSE | 0:22:06 | 0:22:07 | |
Next up it's my quick-fire round - The Audience Asks. | 0:22:12 | 0:22:15 | |
I'll get through as many questions as I can before we heard this noise. | 0:22:15 | 0:22:19 | |
# Let's face the music and dance. # | 0:22:19 | 0:22:22 | |
We don't get the answer button - there's no time for that. You just get this bell. | 0:22:24 | 0:22:28 | |
So, our quick-fire round. Who is first? Sam Armstrong. | 0:22:28 | 0:22:31 | |
-What's your question, Sam? -Why do men snore more than women? | 0:22:31 | 0:22:34 | |
I don't know but you've got a good bit of attitude on you. | 0:22:34 | 0:22:38 | |
-"Oh, i want to know!" -What makes you think they do? -My wife told me. | 0:22:38 | 0:22:41 | |
How many men has she slept with to find out? | 0:22:41 | 0:22:43 | |
LAUGHTER | 0:22:43 | 0:22:44 | |
DING! | 0:22:44 | 0:22:46 | |
Lesley Dyson, where are you? | 0:22:50 | 0:22:52 | |
Are you one of the Dysons who's made billions off the hoover? | 0:22:52 | 0:22:55 | |
-I wish. -Shame. -Why do the majority of OAPs have short, permed hair? | 0:22:55 | 0:23:01 | |
I think it's because when they have their photo taken | 0:23:01 | 0:23:04 | |
for their bus pass, they've got that hair | 0:23:04 | 0:23:06 | |
and they've got to keep it or they'll not get recognised. | 0:23:06 | 0:23:09 | |
-DING! -That'll do it. That's an answer! | 0:23:09 | 0:23:11 | |
David Marron. What's your question, David? | 0:23:12 | 0:23:17 | |
On average, how often does a person meet the same stranger in a lifetime? | 0:23:17 | 0:23:22 | |
Just once, or it wouldn't be a stranger? | 0:23:22 | 0:23:25 | |
Randomly, when you're walking down the street. | 0:23:25 | 0:23:28 | |
You don't realise you've met the person you've just walked past. | 0:23:28 | 0:23:32 | |
How often could that happen in a lifetime? | 0:23:32 | 0:23:34 | |
Have you noticed there's an inherent flaw in this question? | 0:23:34 | 0:23:38 | |
How do you know, David? Nobody's going to know. | 0:23:38 | 0:23:41 | |
If you don't recognise the person, you don't know you've passed them, how can anybody... | 0:23:41 | 0:23:45 | |
-Statistically speaking, without knowing. -Statistically speaking, 12%. | 0:23:45 | 0:23:49 | |
DING! | 0:23:49 | 0:23:51 | |
How the hell do we know?! | 0:23:51 | 0:23:52 | |
Who's next? Helen Struthers. | 0:23:54 | 0:23:57 | |
Where are you? Hello! What's your question? | 0:23:57 | 0:24:00 | |
What would you call the eighth dwarf? | 0:24:00 | 0:24:03 | |
-I'd call the eighth one...Stinky. -Why? -Because it goes with all the others. | 0:24:03 | 0:24:09 | |
Happy, Grumpy. It's got an "ee" on the end of it. It sort of goes. | 0:24:09 | 0:24:13 | |
And also, living with seven others, he would be after a while. | 0:24:13 | 0:24:17 | |
Why not a girl's name? Why not Helen? | 0:24:17 | 0:24:22 | |
I think there should be a more modern dwarf. We've got Sneezy. | 0:24:24 | 0:24:27 | |
Let's have Jay-Z. | 0:24:27 | 0:24:29 | |
DING! | 0:24:29 | 0:24:31 | |
I'm going to go Helen. | 0:24:31 | 0:24:33 | |
APPLAUSE | 0:24:33 | 0:24:36 | |
-Barry Donaghey, is that how you say it? -Yep. -Hiya, Barry. -How you doing? | 0:24:36 | 0:24:40 | |
What's your question? | 0:24:40 | 0:24:41 | |
What would the world be like if we could see each other's thoughts. | 0:24:41 | 0:24:45 | |
Quite a hard question, Barry. | 0:24:45 | 0:24:46 | |
-What would the world be like...? -I think it would make people better. | 0:24:46 | 0:24:51 | |
Wouldn't it make you a more good person | 0:24:51 | 0:24:53 | |
if you knew somebody could read your mind? | 0:24:53 | 0:24:56 | |
-I think I'd be a nicer person. -Like censorship. | 0:24:56 | 0:24:59 | |
I'd kill less people, you know. | 0:24:59 | 0:25:01 | |
-Would the thoughts appear? -In a little thought bubble beside your head. | 0:25:01 | 0:25:05 | |
I'd wear one of those big Rastafarian hats. | 0:25:05 | 0:25:07 | |
And track your own thought in your own hat? | 0:25:09 | 0:25:12 | |
I think Sarah's right, it would curb your thoughts and make you a better person. | 0:25:12 | 0:25:16 | |
DING! | 0:25:16 | 0:25:18 | |
APPLAUSE | 0:25:18 | 0:25:20 | |
# Let's face the music and dance. # | 0:25:20 | 0:25:22 | |
That sound meant that we're out of time but I think we did pretty well there | 0:25:22 | 0:25:26 | |
-and I'll award that round to Lloyd for his massive Rastafarian hat. -APPLAUSE | 0:25:26 | 0:25:32 | |
That's nearly all for this week, but there's time for one more question. It is Our Special Guest Asks round. | 0:25:35 | 0:25:41 | |
-Amanda, do you have a question for us this week? -I do, Rhod. | 0:25:41 | 0:25:44 | |
I've always been curious - what is the most romantic nationality? | 0:25:44 | 0:25:49 | |
What is the most romantic nationality? | 0:25:49 | 0:25:52 | |
Angela, see what you can find. | 0:25:52 | 0:25:54 | |
What do YOU think is the most romantic nationality? | 0:25:54 | 0:25:58 | |
Not being biased, but I do think that Irish men are the most | 0:25:58 | 0:26:02 | |
romantic nationality. | 0:26:02 | 0:26:04 | |
-I think...yeah. -CHEERING AND APPLAUSE | 0:26:04 | 0:26:06 | |
Irish men are so romantic - even after 15 pints of Guinness, | 0:26:08 | 0:26:12 | |
they love everyone! | 0:26:12 | 0:26:14 | |
-They do, but that's not romance. -It is in Ireland! | 0:26:16 | 0:26:19 | |
I'll tell you who isn't the most romantic nation | 0:26:21 | 0:26:24 | |
in my experience - the Americans. | 0:26:24 | 0:26:26 | |
When I was 17, my dad was working over in America and I went | 0:26:26 | 0:26:29 | |
and ended up having a nice kiss with a young lady, sitting in a field | 0:26:29 | 0:26:34 | |
in the moonlight, and this is a quote - she said to me, "Oh, I really like you. | 0:26:34 | 0:26:38 | |
"I really want you to be number 11." | 0:26:38 | 0:26:41 | |
LAUGHTER | 0:26:41 | 0:26:43 | |
I wasn't even the one to take her into double figures. | 0:26:43 | 0:26:47 | |
Let's have a fact from Angela, about romance, please. | 0:26:47 | 0:26:49 | |
Apparently there has been research done | 0:26:49 | 0:26:52 | |
to find out the top three things | 0:26:52 | 0:26:54 | |
women would like me to do, to prove how romantic they are. | 0:26:54 | 0:26:57 | |
Let's let our panel guess to see if they can get any of the top three | 0:26:57 | 0:27:00 | |
things that women... It is always what women want men to do! | 0:27:00 | 0:27:04 | |
Always what...! Go on, what are the top three things? | 0:27:04 | 0:27:06 | |
Amanda, what do you like from a man, romance-wise? | 0:27:06 | 0:27:09 | |
-Massage my feet. -A foot massage? | 0:27:09 | 0:27:11 | |
Is that there? | 0:27:11 | 0:27:13 | |
BUZZER | 0:27:13 | 0:27:14 | |
No, it's not. | 0:27:14 | 0:27:16 | |
Women are more practical than that - is it, take the bins out? | 0:27:16 | 0:27:19 | |
It should be! | 0:27:19 | 0:27:21 | |
Top three romantic gestures, is it there, take the bins out? | 0:27:21 | 0:27:23 | |
BUZZER | 0:27:23 | 0:27:25 | |
No. Well, Lloyd? | 0:27:25 | 0:27:28 | |
They are always banging on about leaving the toilet seat down. | 0:27:28 | 0:27:31 | |
You think in the top... In a poll of romantic gestures, | 0:27:31 | 0:27:38 | |
putting the toilet seat up or down is going to be in there? | 0:27:38 | 0:27:41 | |
Is toilet seat there? | 0:27:41 | 0:27:42 | |
BUZZER | 0:27:42 | 0:27:44 | |
I bet flowers is there. | 0:27:44 | 0:27:45 | |
I've never bought a woman flowers. | 0:27:45 | 0:27:46 | |
-Really? -Doesn't surprise me. | 0:27:46 | 0:27:49 | |
We were all away, I can't even remember where | 0:27:49 | 0:27:52 | |
but us three were all away, and Lloyd and I bought flowers for people, | 0:27:52 | 0:27:55 | |
and you took a picture of some flowers in the hotel lobby | 0:27:55 | 0:27:58 | |
and sent it to your girlfriend. | 0:27:58 | 0:28:01 | |
That genuinely happened! | 0:28:01 | 0:28:02 | |
Cos he was feeling guilty. | 0:28:02 | 0:28:05 | |
Is taking a picture of some flowers up there? | 0:28:05 | 0:28:09 | |
BUZZER | 0:28:09 | 0:28:10 | |
What about buying flowers? | 0:28:10 | 0:28:12 | |
BUZZER | 0:28:12 | 0:28:15 | |
What is up there? | 0:28:15 | 0:28:17 | |
-Sexy lingerie? -Got to be. | 0:28:17 | 0:28:19 | |
BUZZER | 0:28:19 | 0:28:20 | |
You don't like sexy lingerie being bought for you, do you, women? | 0:28:20 | 0:28:22 | |
As long as you get the size right. | 0:28:22 | 0:28:25 | |
As long as it's, you know, all filled in. | 0:28:25 | 0:28:28 | |
What's the "filled in" bit?! | 0:28:32 | 0:28:34 | |
-I don't know, somebody else wearing it?! -I didn't mean somebody else trying it on for you! | 0:28:34 | 0:28:39 | |
Are you talking about somebody buying you sexy underwear | 0:28:39 | 0:28:41 | |
with another woman in it?! | 0:28:41 | 0:28:43 | |
That's really romantic, that is(!) | 0:28:43 | 0:28:46 | |
I bought you this woman in knickers! | 0:28:46 | 0:28:49 | |
Is woman in knickers up there? | 0:28:49 | 0:28:50 | |
BUZZER | 0:28:50 | 0:28:52 | |
No! What is up there? Come on, somebody! | 0:28:52 | 0:28:55 | |
There are three of them, I'll give you them in reverse order. | 0:28:55 | 0:29:00 | |
The third on is that woman would apparently love men to write a song or poem about them. | 0:29:00 | 0:29:03 | |
DING! | 0:29:03 | 0:29:05 | |
Song or a poem. What's number two, then? | 0:29:05 | 0:29:09 | |
Number two is whisk her away somewhere exciting for the weekend. | 0:29:09 | 0:29:14 | |
DING! | 0:29:14 | 0:29:15 | |
There's a very fine line between whisking someone away, and kidnap. | 0:29:15 | 0:29:19 | |
First thing women would love men to do to prove they're romantic - | 0:29:22 | 0:29:26 | |
cover her eyes and lead her to a lovely surprise. | 0:29:26 | 0:29:31 | |
I just find it unbelievable that that's the first one, unprompted, that a woman would come out with. | 0:29:31 | 0:29:35 | |
Have you ever been, covered your eyes and... | 0:29:35 | 0:29:39 | |
Had my eyes covered?! | 0:29:39 | 0:29:40 | |
..to a lovely surprise? | 0:29:40 | 0:29:41 | |
I've had me head put under a duvet before, is that... | 0:29:41 | 0:29:44 | |
LAUGHTER | 0:29:44 | 0:29:45 | |
..similar? | 0:29:45 | 0:29:47 | |
-Isn't that a Dutch oven? -Yeah! -Yeah. | 0:29:47 | 0:29:50 | |
And what was the lovely surprise? | 0:29:50 | 0:29:52 | |
The lovely surprise was, "Oh, smells like somebody's cooking gravy!" | 0:29:52 | 0:29:56 | |
"Oh, there's no gravy!" But to be honest... | 0:29:58 | 0:30:01 | |
-You haven't had that done to you! -I have. | 0:30:01 | 0:30:03 | |
And also I've done it! | 0:30:03 | 0:30:04 | |
LAUGHTER AND APPLAUSE | 0:30:04 | 0:30:07 | |
Angela, what do you think the most romantic nationality is, personally? | 0:30:11 | 0:30:13 | |
Erm, from personal experience? | 0:30:13 | 0:30:15 | |
-Mm-hmm. -The French. -Aah! | 0:30:15 | 0:30:17 | |
-Do you? -Mm-hmm. -Go on. | 0:30:17 | 0:30:19 | |
Yeah, just because I had a French boyfriend for many, many years | 0:30:19 | 0:30:23 | |
who was incredibly romantic. | 0:30:23 | 0:30:24 | |
Like, what did he do? | 0:30:24 | 0:30:25 | |
The accent was wonderful | 0:30:25 | 0:30:27 | |
and one of the most romantic things we ever did | 0:30:27 | 0:30:30 | |
was, in New York, | 0:30:30 | 0:30:32 | |
going on July 4th, | 0:30:32 | 0:30:34 | |
he took me on a sailing boat in the River Hudson, | 0:30:34 | 0:30:37 | |
where we had dinner on the boat, and we sailed up the river, | 0:30:37 | 0:30:40 | |
and watched the fireworks as they went off on July 4th. | 0:30:40 | 0:30:44 | |
-Very romantic. -Aaaw, he took you up the Hudson? | 0:30:44 | 0:30:47 | |
-He took me up the Hudson. -LAUGHTER | 0:30:47 | 0:30:50 | |
I've got a way of working out what the most romantic nationality is. | 0:30:53 | 0:30:57 | |
-So... -Have you? -Yes, I have, everyone! | 0:30:57 | 0:30:59 | |
So let's go to the lab! | 0:30:59 | 0:31:01 | |
CHEERING AND APPLAUSE | 0:31:01 | 0:31:03 | |
Welcome to the lab! | 0:31:07 | 0:31:09 | |
Where this week we are trying to determine which is the most romantic nationality | 0:31:09 | 0:31:12 | |
using the most up-to-date scientific methods. | 0:31:12 | 0:31:14 | |
It's America vs Italy. | 0:31:14 | 0:31:17 | |
Representing, first up, America, | 0:31:17 | 0:31:18 | |
please welcome Lloyd 'The Apocalyptic Horseman of Love' Langford! | 0:31:18 | 0:31:22 | |
CHEERING AND APPLAUSE | 0:31:22 | 0:31:24 | |
Representing Italy, it is Greg 'Salami Davis Junior'... | 0:31:24 | 0:31:29 | |
Here he comes now, Greg Davies! | 0:31:29 | 0:31:31 | |
CHEERING AND APPLAUSE | 0:31:31 | 0:31:33 | |
We can see where most of the budget went, on costumes! | 0:31:35 | 0:31:39 | |
-That is what I thought was the national dress of Italy and America. -Did you? -Yeah. | 0:31:39 | 0:31:42 | |
Yeah. Right. A massive sausage and a cowboy. | 0:31:42 | 0:31:45 | |
The aim of the game is to save our damsel in distress, | 0:31:45 | 0:31:48 | |
Amanda Byram, from certain gunging, over there in her tower. | 0:31:48 | 0:31:53 | |
You must compete across this wall of death. | 0:31:53 | 0:31:56 | |
Behind there we have Sarah Millican and Angela Rippon, | 0:31:56 | 0:31:59 | |
who will attempt to punch you off. | 0:31:59 | 0:32:01 | |
Are you ready? | 0:32:01 | 0:32:02 | |
-Yes! -Yee-hah! | 0:32:02 | 0:32:04 | |
OK. In that case, go! | 0:32:04 | 0:32:06 | |
CHEERING | 0:32:06 | 0:32:09 | |
Our valiant hero, the love stallion! | 0:32:09 | 0:32:12 | |
Superb punch from Sarah there! | 0:32:13 | 0:32:15 | |
Up you get, Sergeant Pepperami! | 0:32:16 | 0:32:18 | |
You can do it! Save me, please! Please save me! | 0:32:18 | 0:32:21 | |
It's your agent! | 0:32:21 | 0:32:23 | |
-You're fired! -"It's your agent!" | 0:32:23 | 0:32:25 | |
Come on! You can do it! | 0:32:29 | 0:32:31 | |
Oh, my God! | 0:32:32 | 0:32:35 | |
Never mind that, come on! | 0:32:35 | 0:32:37 | |
Come on! You can do this! This is against the clock, you know! | 0:32:39 | 0:32:42 | |
Help me! Please, Lloyd, please! | 0:32:42 | 0:32:45 | |
Come on, Lloyd! Get your horse... | 0:32:45 | 0:32:48 | |
He's doing... | 0:32:48 | 0:32:49 | |
LAUGHTER | 0:32:49 | 0:32:52 | |
I'm coming, Amanda! | 0:32:52 | 0:32:54 | |
As long as Angela Rippon doesn't... Oh! Tasty! | 0:32:55 | 0:32:58 | |
I know you can do it! | 0:32:58 | 0:33:00 | |
-Come on! -Oh! | 0:33:00 | 0:33:02 | |
Is that a pasty you've got?! | 0:33:06 | 0:33:08 | |
HOOTER | 0:33:08 | 0:33:11 | |
Time's up. Neither Sergeant Pepperami or the Love Stallion | 0:33:14 | 0:33:17 | |
were able to help Amanda Byram, she inevitably gets gunged, I'm afraid! | 0:33:17 | 0:33:20 | |
No! | 0:33:20 | 0:33:22 | |
CHEERING AND APPLAUSE | 0:33:22 | 0:33:25 | |
Unlucky in love! | 0:33:25 | 0:33:26 | |
I think we've established, fairly scientifically, | 0:33:26 | 0:33:29 | |
that neither the USA nor Italy are the most romantic nation! | 0:33:29 | 0:33:32 | |
So, Angela, it leaves us to find out, | 0:33:32 | 0:33:35 | |
who is the most romantic nation? | 0:33:35 | 0:33:37 | |
According to a survey held in 2009, | 0:33:37 | 0:33:41 | |
the French are still the most romantic nation, | 0:33:41 | 0:33:44 | |
with 32% of the vote. | 0:33:44 | 0:33:46 | |
Italians came second with 22%, | 0:33:46 | 0:33:49 | |
whilst in 3rd place, the Irish, with 18%! | 0:33:49 | 0:33:52 | |
CHEERING AND APPLAUSE | 0:33:53 | 0:33:57 | |
I will take that as an answer. | 0:33:57 | 0:33:59 | |
Can you press the button, please, Angela? | 0:33:59 | 0:34:01 | |
I am going to award that round to Amanda, | 0:34:01 | 0:34:04 | |
cos look at the state of her! | 0:34:04 | 0:34:05 | |
CHEERING AND APPLAUSE | 0:34:05 | 0:34:07 | |
That is pretty much it for tonight, ladies and gentlemen, | 0:34:09 | 0:34:12 | |
people of Britain, if you've got a question you can tweet: | 0:34:12 | 0:34:15 | |
But for tonight, it is thanks to Amanda Byram! | 0:34:15 | 0:34:18 | |
Sarah Millican! | 0:34:18 | 0:34:19 | |
Greg Davies! | 0:34:19 | 0:34:20 | |
And Lloyd Langford! | 0:34:20 | 0:34:22 | |
And of course, our authenticator, Angela Rippon, ladies and gentlemen! | 0:34:22 | 0:34:26 | |
I'm Rhod Gilbert, and you can ask me literally anything. | 0:34:26 | 0:34:29 | |
Good night! | 0:34:29 | 0:34:31 | |
Subtitles by Red Bee Media Ltd | 0:34:36 | 0:34:39 | |
E-mail [email protected] | 0:34:39 | 0:34:42 |