Browse content similar to Being Human 1955. Check below for episodes and series from the same categories and more!
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The rest of the Old Ones arrive in two months. | 0:00:02 | 0:00:04 | |
We create a new context and we show them something worse. | 0:00:04 | 0:00:07 | |
I knew you'd come to save her. She's the War Child. | 0:00:07 | 0:00:10 | |
GROWLS | 0:00:10 | 0:00:12 | |
You'll have to look after her now. | 0:00:13 | 0:00:15 | |
She needs a name, George. | 0:00:15 | 0:00:17 | |
She's called Eve. | 0:00:17 | 0:00:19 | |
I'm going to save the world. | 0:00:19 | 0:00:21 | |
We need a miracle. | 0:00:21 | 0:00:22 | |
I'm going to kill that baby. | 0:00:24 | 0:00:27 | |
This programme contains some strong language | 0:00:28 | 0:00:32 | |
This programme contains some scenes which some viewers may find upsetting | 0:00:32 | 0:00:37 | |
# When you kiss me, heaven sighs... # | 0:00:43 | 0:00:48 | |
Oh! Your friend's back. | 0:00:48 | 0:00:50 | |
I beg your pardon? | 0:00:51 | 0:00:53 | |
Yeah, I just saw him. | 0:00:53 | 0:00:55 | |
Where? | 0:00:55 | 0:00:56 | |
I love this song. | 0:00:56 | 0:00:57 | |
Upstairs. Oh! | 0:00:57 | 0:00:59 | |
It's good to sit down. | 0:00:59 | 0:01:00 | |
And you just left him there? | 0:01:00 | 0:01:02 | |
I met him once, you know. | 0:01:02 | 0:01:03 | |
Satchmo. | 0:01:03 | 0:01:04 | |
Stage door. | 0:01:04 | 0:01:06 | |
The New Opera House, 1950. | 0:01:06 | 0:01:08 | |
Why didn't you kill him? | 0:01:08 | 0:01:10 | |
At least, I think it was him. | 0:01:10 | 0:01:11 | |
I was so drunk, it could have been Shirley Bassey. | 0:01:11 | 0:01:13 | |
I won't do your dirty work for you. | 0:01:13 | 0:01:15 | |
I can't do it. | 0:01:15 | 0:01:16 | |
You know I can't. | 0:01:16 | 0:01:18 | |
Leo, do you hear this? | 0:01:18 | 0:01:20 | |
-You can't do that, Pearl. -We need to get rid of him. | 0:01:21 | 0:01:24 | |
He's filthy and he hates me. | 0:01:24 | 0:01:27 | |
He doesn't hate you, Hal! | 0:01:27 | 0:01:30 | |
Pearl, could you...? | 0:01:30 | 0:01:32 | |
Why should I have blood on my hands?! | 0:01:32 | 0:01:35 | |
There doesn't have to be blood on anyone's hands! | 0:01:35 | 0:01:38 | |
He's a spider. | 0:01:38 | 0:01:39 | |
Just catch him in a cup and put him outside. | 0:01:39 | 0:01:42 | |
Fine! You're helping! | 0:01:44 | 0:01:47 | |
RADIO STATIC | 0:01:54 | 0:01:56 | |
WOMAN: 'Leo? | 0:01:56 | 0:01:59 | |
'Leo, can you hear me? | 0:01:59 | 0:02:02 | |
'Don't be afraid. | 0:02:02 | 0:02:05 | |
'I bring news of great joy. | 0:02:05 | 0:02:07 | |
'You must journey west. | 0:02:07 | 0:02:09 | |
'There, you will find a house wherein dwells a man like you | 0:02:09 | 0:02:13 | |
'and a woman like Pearl. | 0:02:13 | 0:02:15 | |
'They are the guardians to a child. | 0:02:16 | 0:02:20 | |
'That child is the Chosen One. | 0:02:20 | 0:02:22 | |
'She will save you, Leo. | 0:02:22 | 0:02:24 | |
'She will save us all.' | 0:02:25 | 0:02:27 | |
MUSIC: "Dog Scratched Ear" by Henry's Funeral Shoe | 0:02:33 | 0:02:35 | |
# Your actions are infectious | 0:02:55 | 0:02:58 | |
# Like a dog-scratched ear | 0:02:58 | 0:03:00 | |
# Your pleasure is high | 0:03:00 | 0:03:02 | |
# You been climbing walls two at a time | 0:03:06 | 0:03:10 | |
# Looking for joy | 0:03:10 | 0:03:13 | |
# When there's none to find | 0:03:13 | 0:03:15 | |
# There's none to find | 0:03:15 | 0:03:17 | |
# None to find. # | 0:03:17 | 0:03:18 | |
Where have you been? | 0:03:22 | 0:03:23 | |
Out! Stop doing that. | 0:03:23 | 0:03:25 | |
"Aht" where? | 0:03:25 | 0:03:26 | |
Just out. | 0:03:26 | 0:03:27 | |
Right, let's get this over with. | 0:03:27 | 0:03:29 | |
Annie! | 0:03:29 | 0:03:30 | |
Please assume the position. | 0:03:30 | 0:03:32 | |
I ain't done nowt! | 0:03:32 | 0:03:34 | |
You haven't done anything! | 0:03:34 | 0:03:37 | |
Exactly. | 0:03:37 | 0:03:38 | |
No, Tom, I'm not agreeing with you. Your grammar is appalling. | 0:03:38 | 0:03:41 | |
-Right, you're clean. -See? | 0:03:41 | 0:03:43 | |
What do you expect when you sneak in here all... | 0:03:43 | 0:03:48 | |
sneakily, hm? | 0:03:48 | 0:03:50 | |
No, I agreed to let you live under my roof under one condition - | 0:03:50 | 0:03:54 | |
that you abide by all of my commandments. | 0:03:54 | 0:03:56 | |
-You talking about the house rules, Annie? -Yes, I am, Tom, | 0:03:56 | 0:03:59 | |
and why don't we just run through them again | 0:03:59 | 0:04:03 | |
so that we're clear? | 0:04:03 | 0:04:04 | |
No smoking, no dialling 0800 numbers, all dishes must be washed, | 0:04:06 | 0:04:09 | |
dried and put away, not left to drip, | 0:04:09 | 0:04:11 | |
no bringing girls home, | 0:04:11 | 0:04:12 | |
never put a cup down without a coaster, | 0:04:12 | 0:04:14 | |
and if I'm going to be late, two rings. | 0:04:14 | 0:04:16 | |
A-A-And we're missing one, aren't we? | 0:04:18 | 0:04:21 | |
No killing vampires. | 0:04:21 | 0:04:22 | |
So sorry? | 0:04:22 | 0:04:23 | |
No killing vampires, but I was thinking, if I'm out on the street | 0:04:23 | 0:04:26 | |
and I see a vampire, are you saying that I can't kill him? | 0:04:26 | 0:04:29 | |
Yes, Tom. Yes, that is exactly what I'm saying. | 0:04:29 | 0:04:31 | |
OK, what if he attacks me? | 0:04:31 | 0:04:33 | |
Then, yes, you can, yes. | 0:04:36 | 0:04:39 | |
Right, well, make a note of that, then. | 0:04:39 | 0:04:42 | |
I'm just going to make a note...of that. | 0:04:42 | 0:04:45 | |
Good. | 0:04:45 | 0:04:46 | |
Why don't the three of us go away somewhere? | 0:04:47 | 0:04:50 | |
The Old Ones are coming, I don't understand why we're still here. | 0:04:50 | 0:04:52 | |
What? No, it wouldn't make any difference. | 0:04:52 | 0:04:55 | |
We could go to Timbuk-bloody-tu and the mayor would be a vampire. | 0:04:55 | 0:04:58 | |
No, we've tried running and it doesn't work. | 0:04:58 | 0:05:00 | |
If the Old Ones want to find you, they will. | 0:05:00 | 0:05:03 | |
No, a better idea is to stay put, don't draw attention to ourselves | 0:05:03 | 0:05:08 | |
and just stay out of trouble. | 0:05:08 | 0:05:10 | |
You know I am responsible | 0:05:10 | 0:05:11 | |
for the Saviour of the world, after all. | 0:05:11 | 0:05:13 | |
Don't do that face, Tom. | 0:05:13 | 0:05:15 | |
-You know my feelings about that face. -Annie, she's not the Saviour. | 0:05:15 | 0:05:19 | |
I love that little girl to pieces, I really do, but this is insane. | 0:05:19 | 0:05:22 | |
She's just a baby. | 0:05:22 | 0:05:24 | |
She's not going to walk on water, she's not going to feed the 5,000 | 0:05:24 | 0:05:27 | |
and she's not going to be visited | 0:05:27 | 0:05:29 | |
by the three wise men following a star. | 0:05:29 | 0:05:31 | |
MUSIC: "I'm The Wolf" by Howlin' Wolf | 0:05:31 | 0:05:34 | |
# You know I'm the wolf, baby | 0:05:39 | 0:05:42 | |
# You know I stays in the woods...# | 0:05:44 | 0:05:46 | |
-Not much further. -Seven, Hal. | 0:05:46 | 0:05:49 | |
There were all on the left-hand side of the road. | 0:05:49 | 0:05:52 | |
I never stop on the left-hand side, you know that. | 0:05:52 | 0:05:55 | |
-Seven petrol stations! -It's unlucky. | 0:05:55 | 0:05:58 | |
Listen, Rain Man... | 0:05:58 | 0:06:00 | |
Everything OK? | 0:06:00 | 0:06:01 | |
-Everything's good. -Great! | 0:06:01 | 0:06:04 | |
Everything's just...great. | 0:06:04 | 0:06:07 | |
Couldn't you have talked him out of this? | 0:06:07 | 0:06:10 | |
He was adamant. | 0:06:10 | 0:06:11 | |
Oh, it's madness! | 0:06:11 | 0:06:12 | |
Do you really think we're going to knock on this door | 0:06:12 | 0:06:15 | |
and find a ghost and a werewolf shacked up together? | 0:06:15 | 0:06:18 | |
Like that would ever happen. | 0:06:18 | 0:06:19 | |
Shacked up together, baby-sitting the Messiah. | 0:06:19 | 0:06:21 | |
You're right, it is madness, but he's not well, Pearl. | 0:06:21 | 0:06:26 | |
He doesn't ask much of us. | 0:06:26 | 0:06:27 | |
I know he's not well. | 0:06:27 | 0:06:29 | |
I'm perfectly aware of that, thank you. | 0:06:29 | 0:06:32 | |
I'm sorry. | 0:06:32 | 0:06:33 | |
It's times like this I'm glad I'm invisible, | 0:06:33 | 0:06:36 | |
because when some unsuspecting man or woman answers that door, | 0:06:36 | 0:06:40 | |
you're going to have to tell them we're here to visit a godchild. | 0:06:40 | 0:06:43 | |
Good luck with that. | 0:06:43 | 0:06:45 | |
I'll explain that we are humouring our friend. | 0:06:45 | 0:06:49 | |
I'll say that he's old and... | 0:06:49 | 0:06:50 | |
And what? Losing his mind? Is that how he's going to leave us? | 0:06:50 | 0:06:56 | |
He's not going to leave us. | 0:06:56 | 0:06:58 | |
I think we're here. | 0:06:58 | 0:07:01 | |
Great. | 0:07:05 | 0:07:06 | |
Tom. | 0:07:19 | 0:07:21 | |
Who's that? | 0:07:25 | 0:07:26 | |
Oh, please don't! We mean no harm, young man, I promise you. | 0:07:31 | 0:07:34 | |
It's all right, Leo. | 0:07:34 | 0:07:35 | |
Remove your weapon. | 0:07:35 | 0:07:36 | |
I know what you are, but who are you and who sent you here? | 0:07:36 | 0:07:39 | |
Thomas, what are you doing?! And where did you get that? | 0:07:39 | 0:07:43 | |
I'm going to count to ten. | 0:07:43 | 0:07:45 | |
I suggest you use that time wisely and step away. | 0:07:45 | 0:07:49 | |
You don't scare me... | 0:07:49 | 0:07:50 | |
One... | 0:07:50 | 0:07:52 | |
-two... -Did you hide that in my hanging basket? | 0:07:52 | 0:07:55 | |
-..three... -That is it, I'm going to have to add | 0:07:55 | 0:07:57 | |
-another commandment. -..four... | 0:07:57 | 0:07:59 | |
Thou shall not hide stakes in my shrubbery. | 0:07:59 | 0:08:02 | |
-..five... -Is she serious? | 0:08:02 | 0:08:03 | |
-..six... -Who sent you? | 0:08:03 | 0:08:05 | |
We were told to come here. | 0:08:05 | 0:08:06 | |
By who? | 0:08:06 | 0:08:07 | |
-Can you see me? -Can you see me? | 0:08:07 | 0:08:09 | |
-I'm a ghost. -So am I. | 0:08:09 | 0:08:11 | |
..eight... | 0:08:11 | 0:08:12 | |
An angel who was sent here by an angel. | 0:08:12 | 0:08:14 | |
-..nine... -Hold on. You're a ghost? | 0:08:14 | 0:08:17 | |
Is he a werewolf? | 0:08:17 | 0:08:19 | |
A very naughty werewolf. | 0:08:19 | 0:08:21 | |
She sent us to see... | 0:08:21 | 0:08:22 | |
-BABY CRYING -..the Saviour. | 0:08:22 | 0:08:26 | |
Well. Well, well, well, well, well. | 0:08:26 | 0:08:28 | |
Did you hear that, Tom? | 0:08:28 | 0:08:30 | |
They've been sent to see the Saviour, by an angel no less. | 0:08:30 | 0:08:34 | |
Well, isn't that just brilliant(!) | 0:08:34 | 0:08:38 | |
Fantastic. | 0:08:38 | 0:08:39 | |
Hmm. | 0:08:39 | 0:08:40 | |
Here we go. | 0:08:47 | 0:08:48 | |
Now, are you sure there isn't anything else I can get you, Leo? | 0:08:48 | 0:08:52 | |
I'm fine, honestly. | 0:08:52 | 0:08:53 | |
OK. | 0:08:53 | 0:08:55 | |
Would...would you like to...sort of... | 0:08:55 | 0:08:58 | |
No? OK. OK. | 0:09:03 | 0:09:05 | |
Sit down, Hal, you're making them nervous. | 0:09:05 | 0:09:07 | |
Yeah, Hal, sit down. | 0:09:07 | 0:09:09 | |
Thank you, I'll stand. | 0:09:09 | 0:09:11 | |
Great. Lovely. | 0:09:13 | 0:09:17 | |
So, um, how do you all know each other? | 0:09:18 | 0:09:21 | |
We live together. | 0:09:21 | 0:09:22 | |
You what? | 0:09:22 | 0:09:24 | |
I know it's a bit unusual. | 0:09:24 | 0:09:26 | |
No, it's not that. It's just that, um... Well... | 0:09:26 | 0:09:28 | |
Three supernaturals all under the same roof. | 0:09:28 | 0:09:30 | |
Yes, exactly, and I... | 0:09:30 | 0:09:33 | |
I mean, a werewolf and a vampire becoming friends. | 0:09:33 | 0:09:35 | |
It's unheard of, I suppose. | 0:09:35 | 0:09:37 | |
No, actually, not that unheard of because... | 0:09:37 | 0:09:39 | |
I think it's largely my influence. | 0:09:39 | 0:09:42 | |
Interestingly enough, I... | 0:09:42 | 0:09:44 | |
Some might say I've achieved the impossible. | 0:09:44 | 0:09:46 | |
SHOUTS: I did it! | 0:09:46 | 0:09:48 | |
I'm sorry. Um, I did it. | 0:09:48 | 0:09:49 | |
I did it too. It's not anything to shout about really, is it? | 0:09:49 | 0:09:53 | |
But I did do it. | 0:09:53 | 0:09:55 | |
What, there's a vampire here? | 0:09:55 | 0:09:56 | |
Er...no, not exactly. | 0:09:56 | 0:09:59 | |
Um...things have changed a lot for us recently. | 0:09:59 | 0:10:02 | |
Oh, that's a pity. | 0:10:02 | 0:10:04 | |
Over 55 years and I've never had to change my line-up. | 0:10:04 | 0:10:08 | |
Good. | 0:10:10 | 0:10:11 | |
Annie... | 0:10:13 | 0:10:15 | |
I understand that you are the Saviour's guardian. | 0:10:15 | 0:10:18 | |
Well, yes. | 0:10:18 | 0:10:19 | |
I appreciate how demanding that must be. | 0:10:19 | 0:10:22 | |
And, so, one minute in her presence is all I ask. | 0:10:22 | 0:10:26 | |
And I shall make it so. | 0:10:30 | 0:10:32 | |
Thomas... | 0:10:35 | 0:10:36 | |
bring forth the Chosen One. | 0:10:36 | 0:10:38 | |
Go. | 0:10:41 | 0:10:43 | |
Go and get the baby, Tom. | 0:10:43 | 0:10:44 | |
Um, now, Leo, | 0:10:48 | 0:10:49 | |
when exactly did this angel speak to you? | 0:10:49 | 0:10:52 | |
Over Louis Armstrong, on the radio. | 0:10:52 | 0:10:55 | |
And, um... And what did she sound like, this...this angel? | 0:10:55 | 0:10:59 | |
- Where did you get this? - Um, well, a man. | 0:10:59 | 0:11:02 | |
Well, a, no... A vampire. | 0:11:02 | 0:11:04 | |
He gave it me. He said it comes with Eve. | 0:11:04 | 0:11:06 | |
You do know that it's human skin? | 0:11:06 | 0:11:09 | |
No. No, that one's not, actually. No, that one's fake. | 0:11:09 | 0:11:12 | |
It's just prosthetics. | 0:11:12 | 0:11:13 | |
Would it make it easier for you to believe that? | 0:11:13 | 0:11:15 | |
Yes. | 0:11:15 | 0:11:17 | |
- Then that's what it is. - Thank you. | 0:11:17 | 0:11:20 | |
Oh, and...this is she. | 0:11:20 | 0:11:23 | |
She's so tiny! How can something so powerful be so tiny? | 0:11:25 | 0:11:30 | |
I'm not a young man any more. | 0:11:34 | 0:11:36 | |
I'm ill and I'm useless. | 0:11:37 | 0:11:40 | |
But I need more time. This can't happen yet. | 0:11:40 | 0:11:44 | |
I've... (COUGHING) | 0:11:44 | 0:11:47 | |
It's OK. | 0:11:50 | 0:11:51 | |
Don't say anything, Leo, just breathe. | 0:11:51 | 0:11:55 | |
Just concentrate on breathing. | 0:11:55 | 0:11:57 | |
What's happening? | 0:11:57 | 0:11:59 | |
Will you help me? | 0:12:02 | 0:12:04 | |
-Annie? -It's Eve! Isn't it? | 0:12:04 | 0:12:07 | |
It's Eve. Don't you get it? Eve's saying yes. | 0:12:07 | 0:12:10 | |
Leo, Eve is saying yes. | 0:12:10 | 0:12:12 | |
She will help you. | 0:12:12 | 0:12:13 | |
Gotta stop this before it goes any further. | 0:12:21 | 0:12:22 | |
Look, | 0:12:22 | 0:12:23 | |
I know that you don't think Eve is gifted, so just leave it, OK? | 0:12:23 | 0:12:27 | |
I'm not saying that. I don't know what she'll do when she grows up. | 0:12:27 | 0:12:30 | |
She might be an amazing pianist or a maths genius, | 0:12:30 | 0:12:33 | |
or a barrister. | 0:12:33 | 0:12:35 | |
She might own her own restaurant | 0:12:35 | 0:12:36 | |
or become President of the United States. | 0:12:36 | 0:12:38 | |
Highly unlikely! | 0:12:38 | 0:12:41 | |
She's a British citizen. | 0:12:41 | 0:12:42 | |
Oh, that's unlikely, but it's all right for an angel | 0:12:42 | 0:12:44 | |
to interrupt Louis Armstrong to bring them lot here? | 0:12:44 | 0:12:47 | |
That's fine, innit?! | 0:12:47 | 0:12:48 | |
We cannot begin to understand the forces at work here. | 0:12:48 | 0:12:52 | |
If this was just us, if this was all something to help you cope | 0:12:52 | 0:12:56 | |
with everything that's happened, then fine. | 0:12:56 | 0:12:57 | |
But you're dragging other people into it and it ain't right. | 0:12:57 | 0:13:00 | |
Eve can't save that man. | 0:13:00 | 0:13:02 | |
After everything that you've been through, | 0:13:02 | 0:13:04 | |
why is this so difficult for you to believe? | 0:13:04 | 0:13:07 | |
What's all this really about, Annie? | 0:13:07 | 0:13:09 | |
Pfff... | 0:13:09 | 0:13:11 | |
I am not going to argue about this with you, Tom. | 0:13:11 | 0:13:13 | |
I'm on your side. | 0:13:13 | 0:13:15 | |
Then, please, just support me in this. | 0:13:15 | 0:13:19 | |
Hmm? | 0:13:19 | 0:13:21 | |
Unbelievable. | 0:13:21 | 0:13:22 | |
That angel was right. | 0:13:22 | 0:13:24 | |
But, then again, I sensed it, when we were approaching the house. | 0:13:24 | 0:13:29 | |
Oh, so, she's an angel now? | 0:13:29 | 0:13:31 | |
This morning, she was a hallucination! | 0:13:31 | 0:13:34 | |
I don't think I actually used the word "hallucination". | 0:13:34 | 0:13:37 | |
You did. | 0:13:37 | 0:13:39 | |
I think we should just forget about all that. | 0:13:39 | 0:13:42 | |
The important thing is, she's going to make you better. | 0:13:42 | 0:13:46 | |
Well, Hal, it seems Pearl's been converted. | 0:13:46 | 0:13:50 | |
What about you? | 0:13:50 | 0:13:51 | |
What is that thing anyway? | 0:13:53 | 0:13:55 | |
To us... | 0:13:55 | 0:13:56 | |
..this is holy scripture, | 0:13:58 | 0:14:00 | |
the only thing we really believe in. | 0:14:00 | 0:14:01 | |
I didn't even know it physically existed. | 0:14:01 | 0:14:04 | |
Yet here it is, in the same house as that child. | 0:14:05 | 0:14:08 | |
It's not just a coincidence. | 0:14:08 | 0:14:09 | |
What are you talking about? | 0:14:09 | 0:14:11 | |
I think that Eve really is the War Child. | 0:14:11 | 0:14:14 | |
She's actually going to do it. She's going to rid the world of us. | 0:14:15 | 0:14:18 | |
-Us? -Vampires. | 0:14:18 | 0:14:20 | |
Is that what that thing says? | 0:14:20 | 0:14:21 | |
The child of the moon, the Godhead, death of the vampires. | 0:14:21 | 0:14:24 | |
It won't happen today or tomorrow, | 0:14:24 | 0:14:26 | |
it could be years from now, but it will happen. | 0:14:26 | 0:14:28 | |
Oh, I'm so sorry, Hal. | 0:14:28 | 0:14:30 | |
If I'd known, I wouldn't have brought you here. | 0:14:30 | 0:14:32 | |
No, I think I was meant to come. | 0:14:32 | 0:14:34 | |
I think I was meant to find her. | 0:14:34 | 0:14:36 | |
Hey. Well, um... | 0:14:39 | 0:14:42 | |
We have some very, very exciting news for you, don't we, Tom? | 0:14:42 | 0:14:45 | |
Yeah, s'pose. | 0:14:45 | 0:14:47 | |
Right, we're gonna do this thing to channel Eve's energy, | 0:14:51 | 0:14:54 | |
because she's God and that. Um... | 0:14:54 | 0:14:57 | |
And, hopefully, that might help you not die, or whatever. | 0:14:57 | 0:15:00 | |
There's subtitles for this conversation? | 0:15:01 | 0:15:04 | |
OK, so, basically, what Tom is saying is... | 0:15:04 | 0:15:07 | |
we are going to have a ceremony! | 0:15:07 | 0:15:11 | |
GEORGE SHRIEKING | 0:15:11 | 0:15:13 | |
SHRIEKING AND SCREAMING CONTINUES | 0:15:22 | 0:15:27 | |
HOWLING | 0:15:35 | 0:15:40 | |
All right, then. | 0:15:40 | 0:15:43 | |
Now, as you'll see on the sheets in front of you, | 0:15:43 | 0:15:47 | |
I need you to answer three simple questions. | 0:15:47 | 0:15:50 | |
Firstly, I want you to tell me what you think you just saw. | 0:15:50 | 0:15:54 | |
Second, whether such a thing can even be possible and third, | 0:15:54 | 0:15:57 | |
if creatures like this did exist, how would that make you feel? | 0:15:57 | 0:16:00 | |
Frightened? Excited? | 0:16:00 | 0:16:04 | |
Curious? | 0:16:04 | 0:16:06 | |
Threatened? | 0:16:06 | 0:16:07 | |
Horny? Seriously, you'd be surprised. | 0:16:07 | 0:16:10 | |
-And then, I want... -What the shit's this? | 0:16:10 | 0:16:13 | |
Excuse me. | 0:16:15 | 0:16:17 | |
Fergus! Come on! | 0:16:18 | 0:16:20 | |
-Who are they? -My focus group. | 0:16:28 | 0:16:30 | |
Oh, that's all right, then. | 0:16:30 | 0:16:31 | |
Here's me worried you might've been dicking about. | 0:16:31 | 0:16:35 | |
Look, Griffin's dead. Everything's falling apart. | 0:16:35 | 0:16:37 | |
All the others have gone back to their Clark Kents. | 0:16:37 | 0:16:39 | |
We seriously need to sort our shit out before the Old Ones arrive. | 0:16:39 | 0:16:42 | |
And is that what you've been doing, is it? Sorting our shit out? | 0:16:42 | 0:16:46 | |
Yes. I set up a war council, actually. | 0:16:46 | 0:16:49 | |
Are they your war council? Interesting. | 0:16:49 | 0:16:52 | |
Yeah? What about you? | 0:16:52 | 0:16:54 | |
Giving it all Peter Mendelssohn. | 0:16:54 | 0:16:56 | |
OK, Fergus, either you mean Peter Mandelson | 0:16:56 | 0:16:59 | |
or you're comparing me to a German composer. | 0:16:59 | 0:17:01 | |
See, this, this is exactly what I'm talking about. | 0:17:01 | 0:17:03 | |
What we need now is fists and fangs. | 0:17:03 | 0:17:05 | |
I'll tell you something... | 0:17:05 | 0:17:08 | |
Those guys, they're dedicated... SCREAMING | 0:17:08 | 0:17:10 | |
-..they're disciplined... -They're eating my focus group. | 0:17:10 | 0:17:13 | |
SCREAMING | 0:17:13 | 0:17:14 | |
Yeah, we skipped lunch. | 0:17:14 | 0:17:17 | |
Right, that's it. Now, just piss off! | 0:17:17 | 0:17:20 | |
Who do you think you're talking to? | 0:17:20 | 0:17:22 | |
An irrelevance? | 0:17:22 | 0:17:24 | |
The perennial henchman? | 0:17:24 | 0:17:25 | |
I mean, you seriously think the Old Ones | 0:17:25 | 0:17:27 | |
are gonna appoint you as Griffin's successor? | 0:17:27 | 0:17:29 | |
Better me than you. They don't even know who you are. | 0:17:29 | 0:17:32 | |
Ah, not yet, maybe, but I've got something to show them | 0:17:32 | 0:17:35 | |
a whole lot better than your shit-eating grin. | 0:17:35 | 0:17:37 | |
Uh? | 0:17:37 | 0:17:38 | |
Huh, we'll see about that. | 0:17:38 | 0:17:41 | |
Come on, you guys. | 0:17:43 | 0:17:44 | |
Pricks. | 0:17:52 | 0:17:54 | |
I can't even read it. | 0:18:00 | 0:18:02 | |
CLATTER | 0:18:02 | 0:18:03 | |
Welcome to you all. | 0:18:07 | 0:18:11 | |
Do not be afraid. Come closer and gather round the prophet. | 0:18:11 | 0:18:15 | |
Don't be afraid. | 0:18:15 | 0:18:16 | |
I would like to ask you now all to hold hands. | 0:18:18 | 0:18:21 | |
Go ahead. | 0:18:23 | 0:18:25 | |
All powerful and merciful Eve, | 0:18:34 | 0:18:37 | |
we have come here today to ask you to assist our dear friend, Leo. | 0:18:37 | 0:18:43 | |
We humbly beseech thee to restore him to health, | 0:18:45 | 0:18:49 | |
drive away all illness and infirmary, | 0:18:49 | 0:18:53 | |
strengthen him, | 0:18:53 | 0:18:55 | |
raise him up so that he may... | 0:18:55 | 0:18:58 | |
Um... | 0:19:02 | 0:19:03 | |
Ahem. | 0:19:07 | 0:19:09 | |
Raise him up so that he may... stand on mountains. | 0:19:09 | 0:19:13 | |
Raise him up so that he may walk on stormy seas. | 0:19:13 | 0:19:17 | |
Let the road...rise to meet him. | 0:19:17 | 0:19:20 | |
Let the force...be with him. | 0:19:20 | 0:19:24 | |
Carpe diem. | 0:19:24 | 0:19:25 | |
Veni vidi vici. | 0:19:25 | 0:19:29 | |
Et tu, Brute, Dolce et Gabbana est. | 0:19:29 | 0:19:33 | |
For thine is the power, the kingdom and the glory, | 0:19:33 | 0:19:36 | |
for ever and ever, amen. | 0:19:36 | 0:19:38 | |
-Oh, my God! -Christ! | 0:19:41 | 0:19:43 | |
ELECTRICAL BUZZING Oh, my gosh, what's happening?! | 0:19:43 | 0:19:46 | |
He can't breathe, that's what's happening. | 0:19:46 | 0:19:49 | |
Get my bag. Leo! | 0:19:49 | 0:19:51 | |
-Leo? -What the hell did you do? | 0:19:51 | 0:19:55 | |
Don't you talk to her like that, mate! | 0:19:55 | 0:19:57 | |
You've no idea what you're doing, do you? | 0:19:57 | 0:19:58 | |
-I'm warning ya! -You said she would 'elp him! | 0:19:58 | 0:20:01 | |
So why doesn't she? | 0:20:01 | 0:20:02 | |
Never mind switching the bloody lights on and off, | 0:20:02 | 0:20:04 | |
why doesn't she cure him? | 0:20:04 | 0:20:06 | |
Cos she's just a baby, an innocent baby. | 0:20:06 | 0:20:08 | |
Why are you trying to make her out to be something she ain't? | 0:20:08 | 0:20:10 | |
She's George and Nina's baby. Why ain't that enough? | 0:20:10 | 0:20:12 | |
Come on, little 'un. | 0:20:12 | 0:20:14 | |
SIGHS | 0:20:32 | 0:20:34 | |
I don't want to hear this, Leo, please. | 0:20:39 | 0:20:41 | |
Please, let me finish. | 0:20:41 | 0:20:43 | |
I've been a fool, Pearl. | 0:20:45 | 0:20:47 | |
I'm going to die. I know that now. | 0:20:48 | 0:20:51 | |
And I'm not afraid. I swear, I'm not. | 0:20:51 | 0:20:54 | |
The only thing I'm afraid of is what would happen | 0:20:54 | 0:20:58 | |
to you and Hal when I'm gone. | 0:20:58 | 0:21:00 | |
That's why I wanted to be cured. | 0:21:00 | 0:21:03 | |
I needed more time to, I don't know, prepare you both. | 0:21:03 | 0:21:07 | |
To teach you how to cope without me. | 0:21:07 | 0:21:11 | |
It will be so different when you only have each other. | 0:21:12 | 0:21:14 | |
I don't want to think about that. | 0:21:14 | 0:21:18 | |
That's my point. You have to. | 0:21:18 | 0:21:21 | |
# The beast in me | 0:21:24 | 0:21:29 | |
# Has had to learn to live with pain | 0:21:29 | 0:21:34 | |
# And how to shelter from the rain | 0:21:37 | 0:21:41 | |
# And in the twinkling of an eye | 0:21:44 | 0:21:48 | |
# Might have to be restrained | 0:21:48 | 0:21:52 | |
# God help the beast in me. # | 0:21:53 | 0:22:00 | |
Wow! | 0:22:04 | 0:22:05 | |
I used to love that game when I was younger. | 0:22:05 | 0:22:08 | |
Oh, knocking them over is the best feeling in the world. | 0:22:08 | 0:22:10 | |
-I never do that. -What?! | 0:22:10 | 0:22:14 | |
I build them up, piece by piece, | 0:22:14 | 0:22:18 | |
and when I'm finished, I take them down again, | 0:22:18 | 0:22:22 | |
piece by piece. | 0:22:22 | 0:22:23 | |
Well, you are missing out a very important part of that game, then. | 0:22:26 | 0:22:30 | |
Leo gave me these. Every day, he'd make me line them up, | 0:22:30 | 0:22:36 | |
but never let me knock them down. | 0:22:36 | 0:22:39 | |
Why? | 0:22:42 | 0:22:43 | |
He wanted to show me that I'm in control. | 0:22:43 | 0:22:45 | |
If I could teach myself to fight small urges... | 0:22:45 | 0:22:48 | |
..then I could train myself to resist much bigger ones. | 0:22:52 | 0:22:55 | |
So... So you used to do all of that, every single day? | 0:22:57 | 0:23:01 | |
I still do. | 0:23:01 | 0:23:02 | |
It's part of my routine now, Annie. | 0:23:02 | 0:23:05 | |
I like routine. | 0:23:05 | 0:23:07 | |
It keeps me... | 0:23:07 | 0:23:09 | |
It keeps my mind occupied and stops me from thinking too much. | 0:23:09 | 0:23:13 | |
Being responsible for the Saviour of the world must dominate your time? | 0:23:15 | 0:23:19 | |
Oh...yes. | 0:23:20 | 0:23:22 | |
Yes, I s'pose so. | 0:23:22 | 0:23:23 | |
DOOR OPENS | 0:23:23 | 0:23:24 | |
Where's his inhaler? | 0:23:24 | 0:23:26 | |
What? | 0:23:26 | 0:23:28 | |
Leo's inhaler. I told you to pack it. | 0:23:28 | 0:23:31 | |
-It's in my bag. -Oh, I'll do it. | 0:23:34 | 0:23:37 | |
No, let me. I know where it is! | 0:23:37 | 0:23:40 | |
There's a system. Pearl, there's a system! | 0:23:40 | 0:23:42 | |
-Bugger the bloody system. -LIGHTS FIZZING AND CRACKLING | 0:23:42 | 0:23:47 | |
Um... Um, listen, listen, Pearl. | 0:23:52 | 0:23:54 | |
I'm really sorry that the, um, the ceremony didn't work. | 0:23:54 | 0:23:58 | |
Yeah, right. | 0:23:58 | 0:24:00 | |
Um, but it's just...I've been thinking. | 0:24:01 | 0:24:03 | |
Sometimes, when you get a message from the other side, | 0:24:03 | 0:24:05 | |
it needs to be interpreted. | 0:24:05 | 0:24:07 | |
So, maybe, Leo didn't come here to get cured. | 0:24:07 | 0:24:11 | |
Here we go. It's not the baby's fault, God forbid. | 0:24:11 | 0:24:16 | |
Um, no, maybe he was supposed to bring you two here, | 0:24:16 | 0:24:20 | |
so that, you know, when he does finally... go, | 0:24:20 | 0:24:24 | |
that he'll know you'll both be all right. | 0:24:24 | 0:24:26 | |
What are you saying? | 0:24:28 | 0:24:29 | |
OK, um... | 0:24:29 | 0:24:31 | |
What I'm saying is...move in here! | 0:24:31 | 0:24:35 | |
Are you somehow drunk? | 0:24:38 | 0:24:41 | |
No. Um, no. | 0:24:42 | 0:24:44 | |
I just don't see the point in having this big house | 0:24:44 | 0:24:46 | |
with all these rooms if I can't help people. | 0:24:46 | 0:24:49 | |
And, besides, it'll be really good for me to...um, I mean, for you two, | 0:24:49 | 0:24:53 | |
both of you, to have something new to focus on. | 0:24:53 | 0:24:56 | |
That's the worst idea I've ever heard. | 0:24:58 | 0:25:00 | |
Be quiet, Hal. | 0:25:00 | 0:25:02 | |
You're not actually considering this, are you? | 0:25:02 | 0:25:04 | |
Well, look, I mean, you can't really go back to Southend without Leo. | 0:25:04 | 0:25:09 | |
It would just be so...empty and... | 0:25:09 | 0:25:13 | |
quiet and... | 0:25:13 | 0:25:16 | |
different. | 0:25:16 | 0:25:17 | |
I'm going to the shop. Do you want to come? | 0:25:31 | 0:25:33 | |
I'd love to, but I've made plans to sit in and self-harm, so... | 0:25:33 | 0:25:36 | |
-You're a dickhead. -If you say so. | 0:25:36 | 0:25:39 | |
Have we finished flirting? | 0:25:41 | 0:25:43 | |
Because I'd like to go inside now. | 0:25:43 | 0:25:45 | |
Wait a sec. Do you know what this is? | 0:25:46 | 0:25:49 | |
It's a ring, Tom. | 0:25:50 | 0:25:51 | |
As in jewellery. | 0:25:53 | 0:25:54 | |
Jewellery is the term given to personal dress ornaments, | 0:25:55 | 0:25:58 | |
such as rings, watches, bracelets. | 0:25:58 | 0:26:00 | |
I know what it is, Hal. Why does Leo want it? | 0:26:00 | 0:26:03 | |
-What? -Leo calls me into his room, | 0:26:03 | 0:26:05 | |
stuffs this into me hand and says he wants it, or one like it. | 0:26:05 | 0:26:08 | |
What else did he say? | 0:26:08 | 0:26:10 | |
MIMICS LEO: "Take Hal with you." | 0:26:10 | 0:26:12 | |
Then Pearl came in and he hid under the covers. | 0:26:12 | 0:26:14 | |
Why didn't he simply ask me? You barely know him. | 0:26:14 | 0:26:16 | |
Well, it involves going to the shop, Hal, | 0:26:16 | 0:26:18 | |
and you're not exactly a people person, are you? | 0:26:18 | 0:26:20 | |
You don't think this is intended to help us bond, do you? | 0:26:21 | 0:26:24 | |
Some random quest he imagines will bring us together? | 0:26:25 | 0:26:28 | |
Nah. Look at the state of that picture. | 0:26:28 | 0:26:30 | |
How many years has he been carrying it around wi' 'im? | 0:26:30 | 0:26:34 | |
It must mean something to him. | 0:26:34 | 0:26:35 | |
Right, well, we shall retrieve this ring, if that's what he wants. | 0:26:35 | 0:26:38 | |
Yeah, but we won't start liking each other, | 0:26:38 | 0:26:40 | |
because you're a dickhead. | 0:26:40 | 0:26:41 | |
And you are a Neanderthal. | 0:26:41 | 0:26:43 | |
Exactly. Now, are you coming to the shop, or what? | 0:26:43 | 0:26:45 | |
So, I was thinking I would put Hal in the double bedroom, | 0:26:50 | 0:26:54 | |
or the bridal suite, as we like to call it. | 0:26:54 | 0:26:56 | |
It's quite a big room, but he seems like a man who, | 0:26:56 | 0:27:00 | |
you know, needs his own space. | 0:27:00 | 0:27:02 | |
Um, and then we will put you in the second guest bedroom, | 0:27:02 | 0:27:05 | |
which is right next to Leo's and it's quite, um... It's cosy, if that's OK? | 0:27:05 | 0:27:11 | |
-I haven't even see it. -Great, lovely! | 0:27:12 | 0:27:14 | |
Settled, perfect, brilliant! | 0:27:14 | 0:27:17 | |
Well, I'll just let you make yourself at home, | 0:27:17 | 0:27:19 | |
and feel free to fix it up however you would like, | 0:27:19 | 0:27:21 | |
provided you do check it with me first, | 0:27:21 | 0:27:23 | |
so you don't do anything too crazy or over the top. That'd be great. | 0:27:23 | 0:27:26 | |
Yes, because your home is the epitome of understated elegance, | 0:27:26 | 0:27:30 | |
isn't it, Annie(?) | 0:27:30 | 0:27:31 | |
Thank you. | 0:27:31 | 0:27:33 | |
I was being sarcastic. | 0:27:33 | 0:27:35 | |
Look. | 0:27:35 | 0:27:37 | |
I want to make one thing clear. | 0:27:37 | 0:27:39 | |
The only reason I'm even considering this | 0:27:39 | 0:27:42 | |
is because Leo thinks it's a good idea. | 0:27:42 | 0:27:45 | |
OK. | 0:27:45 | 0:27:47 | |
Thank you, Annie, for welcoming me into your home(!) | 0:27:47 | 0:27:50 | |
(That's OK, don't worry about it, it's fine.) | 0:27:50 | 0:27:51 | |
If we do decide to stay, there's gonna have to be a few changes. | 0:27:51 | 0:27:54 | |
That'll have to go, for a start. | 0:27:54 | 0:27:57 | |
SHE LAUGHS | 0:27:57 | 0:27:59 | |
That? | 0:27:59 | 0:28:00 | |
Well, no, that... that is not going anywhere. | 0:28:00 | 0:28:03 | |
It's an eyesore. | 0:28:03 | 0:28:05 | |
It's retro. | 0:28:05 | 0:28:06 | |
-What?! -You know, like, cool. | 0:28:06 | 0:28:10 | |
In an ironic kind of way. | 0:28:10 | 0:28:13 | |
I thought you'd have an appreciation for that, | 0:28:13 | 0:28:16 | |
-considering how you're dressed. -Ohh! | 0:28:16 | 0:28:18 | |
Is this the lady in the longjohns attacking my dress sense? | 0:28:18 | 0:28:21 | |
I'm not attacking... Sorry, I beg your pardon? | 0:28:21 | 0:28:23 | |
The carpets need a good clean. | 0:28:23 | 0:28:25 | |
These are not longjohns, they're leggings. | 0:28:25 | 0:28:28 | |
And a bar in the living room? What message does that send out? | 0:28:28 | 0:28:31 | |
And, actually, I died in 2007 | 0:28:31 | 0:28:33 | |
and I do still see people wearing them today, so... | 0:28:33 | 0:28:36 | |
You know, actually, | 0:28:36 | 0:28:37 | |
I was quite fashion forward with these...leggings. | 0:28:37 | 0:28:40 | |
We'll need to start using a new brand of tea. | 0:28:40 | 0:28:42 | |
That stuff you make always looks very anaemic. | 0:28:42 | 0:28:45 | |
There is nothing wrong with my tea. | 0:28:47 | 0:28:49 | |
Hal has been dry for 55 years, | 0:28:52 | 0:28:54 | |
and we've had hardly any problems with him. | 0:28:54 | 0:28:58 | |
So, I thought, since he's going to be living here, | 0:28:58 | 0:29:01 | |
I'd jot down one or two things to help him stay that way. | 0:29:01 | 0:29:05 | |
It might seem silly, | 0:29:06 | 0:29:09 | |
keeping a list of instructions for a grown man. | 0:29:09 | 0:29:12 | |
Not so silly. | 0:29:12 | 0:29:14 | |
So, first off, try to keep him away from people. | 0:29:14 | 0:29:19 | |
What kind of people? | 0:29:19 | 0:29:20 | |
Oh, general people. | 0:29:20 | 0:29:22 | |
-And dogs. Mainly the small ones. -And budgies. | 0:29:22 | 0:29:26 | |
That only happened the once, | 0:29:26 | 0:29:27 | |
and he sent a letter of apology to the miniature circus. | 0:29:27 | 0:29:30 | |
It's best to err on the side of caution, I think. | 0:29:30 | 0:29:33 | |
This is a given, but blood is a definite no-go. | 0:29:34 | 0:29:39 | |
Sure. | 0:29:39 | 0:29:40 | |
Absolutely, yep. | 0:29:40 | 0:29:42 | |
So, um, that's people, small dogs, budgies and blood. | 0:29:42 | 0:29:48 | |
This is an important one, Annie. | 0:29:48 | 0:29:50 | |
Never, under any circumstances, ever allow him to drink | 0:29:50 | 0:29:56 | |
Kia-Ora. | 0:29:56 | 0:29:57 | |
Kia-Ora - the squash? | 0:30:00 | 0:30:02 | |
You should steer clear of all diluted drinks and cordials, really. | 0:30:02 | 0:30:05 | |
But Kia-Ora - that's the one to look out for. | 0:30:05 | 0:30:10 | |
Why? What happens when he drinks Kia-Ora? | 0:30:10 | 0:30:13 | |
-We don't talk about it, Annie. -Oh. | 0:30:13 | 0:30:15 | |
Well, do they even still make Kia-Ora? | 0:30:17 | 0:30:18 | |
Oh, they're making it all right! | 0:30:18 | 0:30:20 | |
-They're making it. -It's OK, Pearl! | 0:30:20 | 0:30:23 | |
It's all right. | 0:30:23 | 0:30:25 | |
Wow. | 0:30:26 | 0:30:27 | |
-I think that covers it. -Good. Lovely. | 0:30:27 | 0:30:30 | |
So, um, what about you, Pearl? | 0:30:32 | 0:30:33 | |
Any dark secrets? Anything I should know? | 0:30:33 | 0:30:36 | |
Pearl...is a woman without fault. | 0:30:36 | 0:30:39 | |
(I'll tell you later.) | 0:30:42 | 0:30:43 | |
BABY CRYING | 0:30:47 | 0:30:49 | |
Oh, gosh, I wish Tom would get back. | 0:30:49 | 0:30:50 | |
I think she needs to go out for some fresh air. | 0:30:50 | 0:30:53 | |
Well, why don't you take her? | 0:30:53 | 0:30:55 | |
Floating baby. Freaks people out! | 0:30:55 | 0:30:58 | |
Just swaddle. | 0:30:59 | 0:31:01 | |
I beg your pardon? | 0:31:01 | 0:31:02 | |
Are you telling me you've never swaddled? | 0:31:02 | 0:31:04 | |
No, I haven't, and I don't think I want to! | 0:31:04 | 0:31:07 | |
That sounds like something they do on Girls Behind Bars. Urgh! | 0:31:07 | 0:31:10 | |
You swaddle! | 0:31:10 | 0:31:12 | |
Call yourself a ghost! | 0:31:12 | 0:31:15 | |
Here we are. | 0:31:18 | 0:31:20 | |
-Why are you so bothered? -What? | 0:31:26 | 0:31:28 | |
I mean, I know why I'm here, | 0:31:28 | 0:31:30 | |
but why are you going to all this trouble | 0:31:30 | 0:31:32 | |
-for a sick old man you barely know? -I happen to quite like him. | 0:31:32 | 0:31:35 | |
He's sound, even if he has got seriously bad judgment | 0:31:35 | 0:31:37 | |
-when it comes to picking his mates. -Huh. | 0:31:37 | 0:31:39 | |
The fact that you are so young | 0:31:41 | 0:31:43 | |
and so narrow-minded is truly staggering. | 0:31:43 | 0:31:45 | |
Look, some of us do terrible things occasionally, | 0:31:45 | 0:31:48 | |
-that's true. -Yeah, occasionally. | 0:31:48 | 0:31:49 | |
Yeah, but so do werewolves. | 0:31:49 | 0:31:51 | |
So do humans, for that matter. | 0:31:51 | 0:31:53 | |
I don't understand why you hate vampires so much. | 0:31:53 | 0:31:55 | |
Oh, they're arrogant, egotistical, predatory, | 0:31:55 | 0:31:58 | |
they often have stupid haircuts, and what was the other one? | 0:31:58 | 0:32:01 | |
There was another one. Oh, yeah, they killed me dad, Hal. | 0:32:01 | 0:32:04 | |
So nobody can actually see her like this? | 0:32:07 | 0:32:11 | |
No. They don't see you, they don't see her. | 0:32:11 | 0:32:14 | |
It's the oldest trick in the book. | 0:32:14 | 0:32:16 | |
Wow, but this is amazing! | 0:32:16 | 0:32:19 | |
She once sneaked me into a Beatles concert underneath her skirt. | 0:32:19 | 0:32:23 | |
No! Really?! | 0:32:23 | 0:32:25 | |
Yeah. We were right up at the front. | 0:32:25 | 0:32:28 | |
I caught one of Ringo's drumsticks. | 0:32:28 | 0:32:30 | |
As I remember it, you yanked it out of some poor girl's hand. | 0:32:30 | 0:32:34 | |
He's a stickler for detail. | 0:32:34 | 0:32:36 | |
Oh, it was a good day. | 0:32:36 | 0:32:39 | |
Yeah. | 0:32:40 | 0:32:41 | |
It was. | 0:32:41 | 0:32:43 | |
I didn't want it to end. | 0:32:43 | 0:32:44 | |
I have to, um... | 0:32:48 | 0:32:49 | |
LIGHTS FIZZING AND CRACKLING | 0:32:49 | 0:32:51 | |
I forgot. There's something I have to do. | 0:32:58 | 0:33:01 | |
-That's the one, there. -That's the one. | 0:33:07 | 0:33:09 | |
I bet they do rubber tubing in here. | 0:33:13 | 0:33:15 | |
What? | 0:33:15 | 0:33:16 | |
I'm thinking about building a swimming pool in the back yard. | 0:33:17 | 0:33:21 | |
Then I could use some for the, er... | 0:33:21 | 0:33:23 | |
-...for the water jets. -Fascinating. Please hurry. | 0:33:24 | 0:33:28 | |
Hiya, mate. I'm just enquiring about the ring that's... | 0:33:28 | 0:33:30 | |
That's not for sale. | 0:33:36 | 0:33:38 | |
Hey! | 0:33:41 | 0:33:42 | |
Don't touch that. | 0:33:42 | 0:33:45 | |
-It's not for sale. -What's it for? | 0:33:45 | 0:33:47 | |
Decoration. | 0:33:49 | 0:33:50 | |
And it cost me a bloody fortune, so take your hands off it. | 0:33:51 | 0:33:54 | |
I'll not ask again. | 0:33:55 | 0:33:57 | |
Decoration? | 0:33:57 | 0:33:58 | |
Is he deaf...or thick? Or both? | 0:33:58 | 0:34:01 | |
It's an old hunting trophy, Tom, that's all. | 0:34:01 | 0:34:04 | |
I know what it is, Hal. | 0:34:04 | 0:34:05 | |
Look, it's probably ancient. | 0:34:05 | 0:34:07 | |
That's supposed to make a difference? | 0:34:07 | 0:34:09 | |
What kind of a person buys something like this? | 0:34:12 | 0:34:14 | |
Who'd want it? | 0:34:15 | 0:34:17 | |
It's an animal. | 0:34:17 | 0:34:18 | |
A proud, majestic, noble animal. | 0:34:19 | 0:34:22 | |
Listen to David-fucking-Attenborough! | 0:34:22 | 0:34:25 | |
And his head shouldn't be on a stick | 0:34:25 | 0:34:26 | |
in the middle of some filthy backstreet pawn shop. | 0:34:26 | 0:34:29 | |
Tom, let's just leave. | 0:34:29 | 0:34:31 | |
I'm not in the mood for this. Just piss off. Go on, out. | 0:34:31 | 0:34:35 | |
-I'm not going till you take it down. -Or you'll do what, exactly? | 0:34:35 | 0:34:39 | |
Bloody tree-hugging, Guardian-reading... | 0:34:39 | 0:34:43 | |
soya-milk-drinking, bicycle-riding, aluminium-collecting fuckwit. | 0:34:43 | 0:34:48 | |
This is my shop. | 0:34:50 | 0:34:52 | |
What I choose to hang from its walls is my business. | 0:34:52 | 0:34:55 | |
And that is staying put, so clear off. | 0:34:55 | 0:34:58 | |
-No, it ain't. -Hey! | 0:34:58 | 0:35:00 | |
-No, you're... -Get off me! | 0:35:00 | 0:35:02 | |
BOTH SHOUTING | 0:35:02 | 0:35:04 | |
-Shit. -Ow! | 0:35:07 | 0:35:10 | |
He's got me in a Heimlich...Nelson! | 0:35:10 | 0:35:13 | |
I've never come across it. | 0:35:13 | 0:35:15 | |
Well, gentlemen, I'm going to have to split this up. | 0:35:15 | 0:35:18 | |
He's completely mental! | 0:35:25 | 0:35:27 | |
-Clean yourself up. -What? | 0:35:32 | 0:35:34 | |
Do it now! | 0:35:34 | 0:35:35 | |
You people have no self-control. | 0:35:35 | 0:35:38 | |
I wasn't the one punching him. | 0:35:38 | 0:35:39 | |
He punched me first! | 0:35:39 | 0:35:41 | |
Hey! | 0:35:41 | 0:35:42 | |
HAL TUTTING | 0:35:44 | 0:35:45 | |
What do you think you're doing? | 0:35:46 | 0:35:48 | |
What does it look like? | 0:35:48 | 0:35:49 | |
Well, it looks like you're pointing a firearm at us. | 0:35:49 | 0:35:52 | |
You've picked on the wrong man today. | 0:35:52 | 0:35:55 | |
So it would seem(!) | 0:35:56 | 0:35:57 | |
-You should probably get on with it. -What? | 0:35:59 | 0:36:01 | |
What?! | 0:36:01 | 0:36:02 | |
Oh, you haven't done this before, have you? | 0:36:03 | 0:36:05 | |
It's OK. | 0:36:06 | 0:36:08 | |
Just breathe and I'll take you through it. | 0:36:08 | 0:36:10 | |
-Just shut up! -Yeah, Hal, shut up! | 0:36:10 | 0:36:12 | |
Right, now, your heart feels like it's swollen. | 0:36:13 | 0:36:17 | |
And it's beating so fast, | 0:36:17 | 0:36:18 | |
you're worried it might burst right through your chest. | 0:36:18 | 0:36:22 | |
Your body's weighted, | 0:36:22 | 0:36:23 | |
like you've been welded to the spot you stand in. | 0:36:23 | 0:36:26 | |
Your hands are sweating. | 0:36:26 | 0:36:29 | |
Spasming. | 0:36:31 | 0:36:32 | |
And you don't know if you're going to be able | 0:36:32 | 0:36:35 | |
to hold onto that thing for much longer, let alone fire it. | 0:36:35 | 0:36:38 | |
But all of this is perfectly normal, | 0:36:40 | 0:36:42 | |
because, you see, everything in your body is telling you to fight this. | 0:36:42 | 0:36:46 | |
Killing is the most difficult thing in the world. | 0:36:46 | 0:36:50 | |
Which is why, when you actually do it... | 0:36:51 | 0:36:53 | |
..there's nothing more exhilarating. | 0:36:54 | 0:36:57 | |
You played God. | 0:36:57 | 0:36:58 | |
And it makes you feel powerful. | 0:36:58 | 0:37:02 | |
Invincible. | 0:37:03 | 0:37:05 | |
-Don't even think about it! -That feeling doesn't last. | 0:37:05 | 0:37:08 | |
Soon, you realise that even if you get away with it, | 0:37:08 | 0:37:11 | |
you'll never really... get away with it. | 0:37:11 | 0:37:14 | |
My conscience will cope. | 0:37:15 | 0:37:17 | |
No. No, you think you'll walk away from something like this unscathed, | 0:37:17 | 0:37:21 | |
but it's impossible. | 0:37:21 | 0:37:24 | |
It all clings to you. | 0:37:24 | 0:37:25 | |
The mess you made of him, the scars you placed on him, | 0:37:27 | 0:37:30 | |
the blood you bathed him in, it sticks to you. | 0:37:30 | 0:37:33 | |
(It stains you.) | 0:37:35 | 0:37:36 | |
Do this... | 0:37:36 | 0:37:38 | |
..and it won't be the last time you see his face. | 0:37:39 | 0:37:41 | |
You'll see him first thing in the morning, last thing at night. | 0:37:41 | 0:37:45 | |
And he'll be with you while you dream. | 0:37:45 | 0:37:48 | |
You end his life... and he'll invade yours. | 0:37:51 | 0:37:55 | |
The way I see it, there's only two ways you could know those things. | 0:38:11 | 0:38:17 | |
Either you're a man of God... | 0:38:17 | 0:38:20 | |
or you're speaking from experience. | 0:38:20 | 0:38:23 | |
I'm not a man of God. | 0:38:25 | 0:38:28 | |
SHOP DOOR CLOSES | 0:38:32 | 0:38:33 | |
-Do you think he'd have done it? -Maybe, I don't know. | 0:38:38 | 0:38:41 | |
Well, whatever, thanks. | 0:38:41 | 0:38:42 | |
You're very welcome! | 0:38:42 | 0:38:44 | |
We forgot the ring. | 0:38:46 | 0:38:48 | |
Did we? | 0:38:48 | 0:38:49 | |
Ha! | 0:38:52 | 0:38:53 | |
BANG | 0:38:56 | 0:38:57 | |
Great(!) | 0:38:57 | 0:38:59 | |
Are you OK? | 0:38:59 | 0:39:01 | |
Yeah... | 0:39:01 | 0:39:02 | |
-The kettle. Little Eve... -Is not here. | 0:39:02 | 0:39:06 | |
And, actually, she's usually somewhere else | 0:39:07 | 0:39:09 | |
when this stuff starts happening. | 0:39:09 | 0:39:12 | |
What are you saying, Annie? | 0:39:12 | 0:39:14 | |
Well, this started when you showed up. | 0:39:14 | 0:39:16 | |
Yes. | 0:39:16 | 0:39:18 | |
It's related to Leo's illness - you said so yourself. | 0:39:18 | 0:39:20 | |
And I still believe that to be true. | 0:39:20 | 0:39:23 | |
I just don't think it's Eve causing it. | 0:39:23 | 0:39:25 | |
I think it's you. | 0:39:25 | 0:39:27 | |
Don't be ridiculous! | 0:39:29 | 0:39:31 | |
It's grief, Pearl. | 0:39:34 | 0:39:35 | |
You know that... | 0:39:36 | 0:39:38 | |
Leo's... | 0:39:38 | 0:39:39 | |
..dying, and... ELECTRICAL FIZZING | 0:39:40 | 0:39:42 | |
..you're very upset. | 0:39:42 | 0:39:43 | |
Of course I'm upset. | 0:39:46 | 0:39:48 | |
He's my friend. | 0:39:50 | 0:39:51 | |
You're in love with him, Pearl. | 0:39:54 | 0:39:56 | |
And I know how you feel! | 0:39:56 | 0:39:59 | |
I fell in love with my best friend and I lost him | 0:39:59 | 0:40:02 | |
and it was... It was awful. | 0:40:02 | 0:40:03 | |
RADIO BLARES But if I hadn't have told him, | 0:40:03 | 0:40:05 | |
it would've been even more unbearable. | 0:40:05 | 0:40:08 | |
I would've regretted it every single second of every single day. | 0:40:08 | 0:40:11 | |
RAISES VOICE: I am right, aren't I? | 0:40:13 | 0:40:15 | |
Yeah. | 0:40:19 | 0:40:21 | |
It's too late, Annie. | 0:40:22 | 0:40:24 | |
It's 55 years too late. | 0:40:26 | 0:40:29 | |
How can I possibly tell him now? | 0:40:29 | 0:40:32 | |
How could you possibly not?! | 0:40:32 | 0:40:34 | |
You have got to tell him how you feel, because you... | 0:40:35 | 0:40:38 | |
..you might not get another chance. | 0:40:40 | 0:40:42 | |
For over half a century, I've been stuck here. | 0:40:47 | 0:40:49 | |
But that didn't matter, because I was stuck here with him. | 0:40:51 | 0:40:54 | |
He's... | 0:40:56 | 0:40:58 | |
everything to me. | 0:40:58 | 0:41:00 | |
Always has been. | 0:41:02 | 0:41:03 | |
I don't want to be without him, Annie. | 0:41:05 | 0:41:08 | |
I know. | 0:41:08 | 0:41:09 | |
No, I know you don't. | 0:41:09 | 0:41:12 | |
I know you don't. | 0:41:12 | 0:41:13 | |
I need to talk to you. | 0:41:19 | 0:41:22 | |
Oh, my God. | 0:41:23 | 0:41:24 | |
50 years ago, you were looking at that picture | 0:41:24 | 0:41:29 | |
and you stared straight into my eyes | 0:41:29 | 0:41:32 | |
and said, "I just wish I'd been loved. | 0:41:32 | 0:41:36 | |
"I wish someone would give me a ring, just like this one." | 0:41:36 | 0:41:41 | |
I should've given this to you then. | 0:41:42 | 0:41:44 | |
But I was too shy. | 0:41:46 | 0:41:48 | |
And too scared. | 0:41:48 | 0:41:50 | |
And too stupid. | 0:41:50 | 0:41:52 | |
But I want you to have it now. | 0:41:55 | 0:41:57 | |
And I want you to know that you were loved. | 0:42:07 | 0:42:10 | |
I loved you since the moment I met you. | 0:42:10 | 0:42:13 | |
And I'll die loving you, Pearl. | 0:42:13 | 0:42:16 | |
The thing is, Leo... | 0:42:17 | 0:42:19 | |
..I love you too. | 0:42:20 | 0:42:22 | |
God, it's all moving so fast! | 0:42:23 | 0:42:26 | |
It's only been 55 years(!) | 0:42:26 | 0:42:28 | |
I had to tell you. | 0:42:30 | 0:42:32 | |
I couldn't leave without telling you. | 0:42:34 | 0:42:36 | |
No! | 0:42:41 | 0:42:42 | |
-Oh, God. -Oh, my God! | 0:42:42 | 0:42:44 | |
Get Hal! | 0:42:44 | 0:42:45 | |
Leo. | 0:42:45 | 0:42:47 | |
Don't you do this, don't you dare do this! | 0:42:47 | 0:42:50 | |
-Hal, it's Leo! Get up here! -I have to go. Let me. | 0:42:50 | 0:42:54 | |
Help! Stop him! | 0:42:56 | 0:42:57 | |
Make him stop. | 0:42:57 | 0:42:59 | |
Leo, please. | 0:42:59 | 0:43:01 | |
This had to happen one day. | 0:43:02 | 0:43:05 | |
There's no point trying to stop it. | 0:43:05 | 0:43:09 | |
We've had the most amazing life together. | 0:43:11 | 0:43:15 | |
No. | 0:43:19 | 0:43:21 | |
Eve was going to save you! | 0:43:21 | 0:43:23 | |
That's why we came here. | 0:43:23 | 0:43:25 | |
We'll try again in another ceremony. | 0:43:25 | 0:43:27 | |
Hal! | 0:43:27 | 0:43:28 | |
It's all right. | 0:43:28 | 0:43:29 | |
I don't understand. | 0:43:34 | 0:43:36 | |
He's here. | 0:43:38 | 0:43:40 | |
He's ours. | 0:43:41 | 0:43:43 | |
You told him you loved him. | 0:43:43 | 0:43:45 | |
That was your unfinished business. | 0:43:46 | 0:43:49 | |
You're both leaving me. | 0:43:49 | 0:43:51 | |
Hal, I'm sorry. | 0:43:51 | 0:43:53 | |
I wasn't expecting this to happen. | 0:43:54 | 0:43:56 | |
I'll stay. | 0:43:58 | 0:44:00 | |
-I can stay! -No, Pearl... | 0:44:00 | 0:44:04 | |
you might not get another chance. That's your door. | 0:44:04 | 0:44:06 | |
I'll be fine. | 0:44:07 | 0:44:08 | |
We can't leave him on his own! | 0:44:08 | 0:44:10 | |
I won't be on my own. I'll be here. | 0:44:10 | 0:44:13 | |
Promise me you'll look after him, Annie. | 0:44:13 | 0:44:16 | |
Go. | 0:44:25 | 0:44:26 | |
-Are you sure? -Go. | 0:44:29 | 0:44:30 | |
Both of you, please, just go! | 0:44:30 | 0:44:33 | |
You were the best friend I ever had. | 0:44:39 | 0:44:43 | |
You too. > | 0:44:45 | 0:44:46 | |
Leo, I'll never forget you. | 0:44:47 | 0:44:50 | |
DOOR SHUTS | 0:45:03 | 0:45:04 | |
KNOCKS | 0:45:14 | 0:45:15 | |
So, how do you like your new room? | 0:45:15 | 0:45:19 | |
You don't actually have to go through with this, you know. | 0:45:19 | 0:45:22 | |
Oh, no, Hal, you are staying with us. | 0:45:22 | 0:45:24 | |
I made a promise, and if there's anything I take very seriously, | 0:45:24 | 0:45:27 | |
it's promises I make to disembodied spirits about looking after someone. | 0:45:27 | 0:45:30 | |
You'd have said anything to get Pearl and Leo through that door. | 0:45:30 | 0:45:33 | |
No, Hal, don't be stupid, this is your home now. | 0:45:33 | 0:45:36 | |
OK? And we're going to be very happy here, the four of us. | 0:45:36 | 0:45:40 | |
God. | 0:45:40 | 0:45:41 | |
Annie, | 0:45:41 | 0:45:43 | |
yours is even better than mine(!) | 0:45:43 | 0:45:45 | |
My...what? | 0:45:45 | 0:45:48 | |
Your mask. | 0:45:48 | 0:45:51 | |
Um... | 0:45:54 | 0:45:55 | |
OK. | 0:45:56 | 0:45:57 | |
EVE CRYING | 0:45:59 | 0:46:03 | |
CRYING GETS LOUDER | 0:46:08 | 0:46:10 | |
CRYING | 0:46:12 | 0:46:14 | |
CRYING | 0:46:21 | 0:46:22 | |
Why are you crying? | 0:46:36 | 0:46:38 | |
You've got nothing to cry about. | 0:46:39 | 0:46:42 | |
Have you? | 0:46:42 | 0:46:43 | |
EVE GRIZZLING | 0:46:45 | 0:46:46 | |
Me, on the other hand... | 0:46:51 | 0:46:54 | |
I should be crying. | 0:46:56 | 0:46:57 | |
EVE CRIES | 0:46:58 | 0:47:00 | |
My best friend is dead. | 0:47:10 | 0:47:12 | |
But it's difficult to shed tears over a fool. | 0:47:16 | 0:47:19 | |
You made a fool of him. | 0:47:22 | 0:47:23 | |
Do it, do it, do it. | 0:47:25 | 0:47:28 | |
You made fools of us all. | 0:47:31 | 0:47:32 | |
The Messiah. | 0:47:35 | 0:47:36 | |
Thought you were going to destroy us. | 0:47:39 | 0:47:42 | |
And do you know what? I welcomed it. | 0:47:42 | 0:47:46 | |
But now... | 0:47:46 | 0:47:48 | |
..I see how ridiculous it all is. | 0:47:49 | 0:47:51 | |
Do it. | 0:47:53 | 0:47:54 | |
You're not the Saviour. | 0:47:55 | 0:47:57 | |
No-one's ever going to stop us. | 0:47:57 | 0:48:01 | |
Do it, do it, do it, do it. | 0:48:03 | 0:48:06 | |
What are you doing? | 0:48:06 | 0:48:07 | |
EVE CRYING | 0:48:10 | 0:48:13 | |
I don't know. | 0:48:18 | 0:48:20 | |
Put her down. | 0:48:20 | 0:48:22 | |
I wasn't going to hurt her. | 0:48:23 | 0:48:25 | |
Put...her...down. | 0:48:25 | 0:48:28 | |
She's a defenceless child, and you make me sick. | 0:48:29 | 0:48:32 | |
You're an animal. | 0:48:32 | 0:48:34 | |
I am an animal?! Jesus Christ. | 0:48:34 | 0:48:36 | |
I should kill you where you stand. | 0:48:36 | 0:48:38 | |
-Then why don't you? -I want to. | 0:48:38 | 0:48:40 | |
I want to so much. I've killed dozens of ya. | 0:48:40 | 0:48:43 | |
It doesn't get any harder. Just gets more enjoyable. | 0:48:43 | 0:48:47 | |
Then do the world a favour, Tom. | 0:48:47 | 0:48:49 | |
Get rid of me. | 0:48:52 | 0:48:53 | |
I wouldn't kill anybody in Annie's house. | 0:48:53 | 0:48:56 | |
And I wouldn't kill anybody in front of baby Eve. | 0:48:56 | 0:48:58 | |
So, today's your lucky day. | 0:48:58 | 0:49:01 | |
But if I ever see you again, I'll kill ya. | 0:49:02 | 0:49:05 | |
Now, get out. | 0:49:07 | 0:49:09 | |
HE SIGHS | 0:49:18 | 0:49:19 | |
I'm closing in five. | 0:49:56 | 0:49:58 | |
LOCK CLICKS | 0:49:59 | 0:50:00 | |
I was protecting Eve. | 0:50:00 | 0:50:02 | |
-Where is he now? -I don't know and I don't care. | 0:50:02 | 0:50:06 | |
He's very dangerous, Tom. | 0:50:06 | 0:50:08 | |
I think we've established that much, Annie. | 0:50:08 | 0:50:10 | |
Oh, this is my fault! | 0:50:10 | 0:50:11 | |
If you're thinking of buying, make it quick, | 0:50:11 | 0:50:15 | |
cos... | 0:50:15 | 0:50:16 | |
What the hell do you want? | 0:50:16 | 0:50:18 | |
Piss off. | 0:50:18 | 0:50:19 | |
He had some blood on his face. | 0:50:22 | 0:50:24 | |
Jesus Christ! | 0:50:27 | 0:50:28 | |
Not quite! | 0:50:28 | 0:50:29 | |
I'll shoot this time. I mean it! | 0:50:32 | 0:50:33 | |
Go on, then, right through the heart. | 0:50:33 | 0:50:35 | |
It won't stop me, it won't even slow me down. | 0:50:35 | 0:50:37 | |
There he is! | 0:50:39 | 0:50:40 | |
My God! | 0:50:40 | 0:50:42 | |
Yes. I'd forgotten how all the others did that too - | 0:50:42 | 0:50:45 | |
they all called for their God. Funny - he never came. | 0:50:45 | 0:50:48 | |
-Got her, got her, got her. -You got her? | 0:50:48 | 0:50:50 | |
Count backwards from ten. Before you know, it'll all be over. | 0:50:50 | 0:50:53 | |
No, please, God, no. No, please, God, no. | 0:50:53 | 0:50:56 | |
I'll start you off. Ten... | 0:50:56 | 0:50:58 | |
-Hal! Is this how you repay Leo? -Shut up. | 0:50:58 | 0:51:02 | |
Not you. Count. | 0:51:02 | 0:51:04 | |
Nine. | 0:51:05 | 0:51:07 | |
Get away from him. | 0:51:08 | 0:51:09 | |
Why are you doing this? | 0:51:09 | 0:51:10 | |
I need to vent and I don't like him much. | 0:51:10 | 0:51:14 | |
Now, leave, both of you. | 0:51:14 | 0:51:16 | |
-You promised Leo. -I don't care. | 0:51:16 | 0:51:18 | |
He devoted his whole life to helping you! | 0:51:18 | 0:51:20 | |
He should've known we can't change. This is what I am. | 0:51:20 | 0:51:23 | |
-And this is what I am. -Oh, Christ. | 0:51:23 | 0:51:25 | |
You kill him and I'll kill you. | 0:51:25 | 0:51:27 | |
OK. | 0:51:27 | 0:51:29 | |
OK. | 0:51:30 | 0:51:32 | |
SHOP BELL JANGLES | 0:51:35 | 0:51:36 | |
Schoolboy error, Tom. | 0:51:37 | 0:51:38 | |
Well? I'm waiting. Make your move. | 0:51:38 | 0:51:41 | |
Stop this. | 0:51:41 | 0:51:42 | |
-Both of you. -Annie, go home. | 0:51:42 | 0:51:44 | |
-I don't want Eve seeing this. -Well, she's not going anywhere. | 0:51:44 | 0:51:46 | |
For God's sake, take the baby and leave. | 0:51:46 | 0:51:49 | |
Oh! You think you're men, do you? Huh? | 0:51:49 | 0:51:52 | |
You think you're big and brave? | 0:51:52 | 0:51:54 | |
You are dancing around your pain - both of you are. | 0:51:54 | 0:51:57 | |
Facing it head on - now, that takes real courage. | 0:51:57 | 0:52:00 | |
And I'm not judging you, because I've done it myself. | 0:52:00 | 0:52:03 | |
I've needed a god, | 0:52:03 | 0:52:04 | |
so I created one. | 0:52:04 | 0:52:06 | |
But, Tom, you're right. Eve is not a god. | 0:52:08 | 0:52:11 | |
And my friends have not died in some great, glorious master plan. | 0:52:11 | 0:52:16 | |
They just died. | 0:52:16 | 0:52:18 | |
And it hurts. It really hurts. | 0:52:19 | 0:52:22 | |
But I can't avoid feeling this pain any longer, | 0:52:23 | 0:52:26 | |
because avoiding it leads to this. | 0:52:26 | 0:52:28 | |
So, if you two want to kill each other, | 0:52:32 | 0:52:34 | |
you will be taking one step further away | 0:52:34 | 0:52:36 | |
from the man that your father and your friend wanted you to be. | 0:52:36 | 0:52:40 | |
Now, can we please go home? | 0:52:55 | 0:52:57 | |
And his eyes... | 0:53:37 | 0:53:40 | |
They went black. | 0:53:40 | 0:53:42 | |
They turned... | 0:53:42 | 0:53:43 | |
..black. | 0:53:45 | 0:53:46 | |
And fangs. | 0:53:47 | 0:53:48 | |
He had fangs. | 0:53:50 | 0:53:51 | |
MAN: Black eyes...fangs. > | 0:53:52 | 0:53:56 | |
I know what this must sound like. | 0:53:57 | 0:53:59 | |
I know you must think I'm mad. | 0:53:59 | 0:54:01 | |
But I swear it's true. | 0:54:02 | 0:54:06 | |
And did either of them say their names? | 0:54:06 | 0:54:08 | |
Yeah, yeah. The other guy? He called him Hal. | 0:54:08 | 0:54:12 | |
He called him what? | 0:54:16 | 0:54:17 | |
ANNIE: Right. | 0:54:24 | 0:54:25 | |
-Um, milk, no sugar. -Thank you very much. | 0:54:27 | 0:54:30 | |
And black with a splash of water. | 0:54:30 | 0:54:33 | |
And I went for a herbal. | 0:54:34 | 0:54:36 | |
Kiwi and strawberry. It's been that sort of day. | 0:54:36 | 0:54:40 | |
You know, um, I was just thinking... | 0:54:42 | 0:54:45 | |
If it wasn't for Eve, Leo wouldn't have come here, | 0:54:45 | 0:54:48 | |
so he probably wouldn't have told Pearl how he felt, | 0:54:48 | 0:54:50 | |
-which means she wouldn't have been able to pass over. -I suppose so. | 0:54:50 | 0:54:54 | |
And, you know, she brought us three together. | 0:54:56 | 0:55:00 | |
So she's been responsible for quite a few miraculous things, you know, | 0:55:01 | 0:55:04 | |
even if she isn't...the Saviour. | 0:55:04 | 0:55:07 | |
I'm still hoping she is. | 0:55:07 | 0:55:09 | |
What? | 0:55:09 | 0:55:11 | |
I want it to be true. | 0:55:11 | 0:55:13 | |
I want her to kill us all. | 0:55:13 | 0:55:15 | |
Well... I think that covers it. | 0:55:23 | 0:55:26 | |
-And you'll find him, yeah? -Oh, you can count on that. | 0:55:31 | 0:55:35 | |
LOCK CLICKS | 0:55:37 | 0:55:38 | |
What are you doing? | 0:55:38 | 0:55:40 | |
I'm afraid there's just one more thing. | 0:55:43 | 0:55:45 | |
SHRIEKING | 0:55:49 | 0:55:51 | |
MUNCHING | 0:55:51 | 0:55:54 | |
GURGLING | 0:55:54 | 0:55:56 | |
Something is coming for her. | 0:56:21 | 0:56:22 | |
-This is prophecy. -This is serious. | 0:56:22 | 0:56:25 | |
-We have enemies coming at us from every angle. -Jesus, Annie! | 0:56:25 | 0:56:28 | |
Tomorrow, we're going to come back, about ten o'clock, | 0:56:28 | 0:56:31 | |
teach your little doggy to play dead. | 0:56:31 | 0:56:33 | |
That's for me, isn't it? | 0:56:33 | 0:56:34 | |
Just in case I dealt with complaints the old-fashioned way. | 0:56:34 | 0:56:37 | |
Are you getting weak? | 0:56:37 | 0:56:39 | |
Do you need to feed? | 0:56:39 | 0:56:41 | |
Subtitles by Red Bee Media Ltd | 0:56:49 | 0:56:53 |