Browse content similar to The Graveyard Shift. Check below for episodes and series from the same categories and more!
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This programme contains some strong language and some scenes which some viewers may find upsetting. | 0:00:02 | 0:00:05 | |
-She's going to save the world. -Remove your weapon. | 0:00:05 | 0:00:07 | |
-Who sent you here? -Move in here! | 0:00:07 | 0:00:09 | |
Are you somehow drunk? | 0:00:09 | 0:00:11 | |
Griffin's dead. | 0:00:11 | 0:00:12 | |
We seriously need to sort our shit out before the Old Ones arrive. | 0:00:12 | 0:00:15 | |
What we need now is fists and fangs. | 0:00:15 | 0:00:17 | |
The other guy? | 0:00:17 | 0:00:18 | |
He called him Hal. | 0:00:18 | 0:00:20 | |
He called him what? | 0:00:20 | 0:00:22 | |
WOMAN SCREAMS AND WHIMPERS | 0:00:24 | 0:00:28 | |
Look, I'm not going to kill you. | 0:00:31 | 0:00:34 | |
I want to, but he won't let me. | 0:00:34 | 0:00:36 | |
He says it's protocol. | 0:00:36 | 0:00:38 | |
Ah! It's not that I don't have a stomach for killing. | 0:00:43 | 0:00:48 | |
Believe me, I've killed a truly astonishing number of people. | 0:00:48 | 0:00:53 | |
Me and my friend have cut a swathe across Europe. | 0:00:53 | 0:00:56 | |
We're like a plague. | 0:00:56 | 0:00:58 | |
And then the bloody war came along and ballsed it all up. | 0:00:58 | 0:01:02 | |
HE LAUGHS | 0:01:02 | 0:01:04 | |
Ah, well. Please yourself. | 0:01:05 | 0:01:08 | |
MATCH FLARES | 0:01:10 | 0:01:13 | |
Sorry about the mess. We're home on leave. | 0:01:30 | 0:01:33 | |
We couldn't be bothered to get the coach all the way to Richmond, | 0:01:33 | 0:01:36 | |
and thought we liked the look of this place. | 0:01:36 | 0:01:38 | |
My friend can get a bit carnal. | 0:01:39 | 0:01:42 | |
Pretty girls bring out the beast in him, you see. | 0:01:42 | 0:01:46 | |
Shall I tell you a secret? | 0:01:47 | 0:01:49 | |
I think the others are scared of him. | 0:01:51 | 0:01:54 | |
Ivan, Wyndham, Jacob. Even Hettie. | 0:01:55 | 0:01:59 | |
Not Mr Snow, obviously. | 0:01:59 | 0:02:02 | |
Sometimes, I think the only demon worse than him | 0:02:02 | 0:02:05 | |
must be the one he's fleeing from. But I'm not scared of him. | 0:02:05 | 0:02:09 | |
-Don't tell him I said that. -Don't tell him you said what? | 0:02:10 | 0:02:14 | |
Christ, not another one. | 0:02:20 | 0:02:23 | |
FERGUS LAUGHS | 0:02:23 | 0:02:24 | |
How may servants does this house have? | 0:02:24 | 0:02:28 | |
Anything over 20 for a house this size is just showing off. | 0:02:28 | 0:02:31 | |
I'll leave you to her. | 0:02:33 | 0:02:34 | |
Pop down to the cellar. | 0:02:34 | 0:02:36 | |
A little something for you - one of the daughters. | 0:02:38 | 0:02:42 | |
-You shouldn't have. -Leave. | 0:02:43 | 0:02:45 | |
SHE SCREAMS | 0:03:06 | 0:03:08 | |
# ELBOW: Grounds For Divorce | 0:03:13 | 0:03:17 | |
Let's go shopping. | 0:03:28 | 0:03:30 | |
Eat you right up. | 0:03:33 | 0:03:36 | |
Hey, couldn't I? | 0:03:36 | 0:03:38 | |
Aren't you just a darling, aren't you? | 0:03:38 | 0:03:41 | |
Aren't you? I could just eat you up. | 0:03:41 | 0:03:45 | |
So, is Mum at work? | 0:04:05 | 0:04:07 | |
No, she's dead. | 0:04:07 | 0:04:08 | |
Oh! I'm so sorry. | 0:04:08 | 0:04:12 | |
That's really brave of you bringing her up on your own. | 0:04:12 | 0:04:15 | |
Really brave. Being a single dad. | 0:04:15 | 0:04:17 | |
No, I'm not her dad. He's dead and all. | 0:04:17 | 0:04:19 | |
So, what happened? Was it a car crash? Did you adopt her? | 0:04:19 | 0:04:23 | |
No, they were killed by some bad men and, well, my dad was, as well, | 0:04:23 | 0:04:25 | |
so we're looking after her. | 0:04:25 | 0:04:28 | |
That's good of you. | 0:04:28 | 0:04:30 | |
Well, she ain't got no-one else, and we're worried the bad men | 0:04:30 | 0:04:33 | |
might come and kill her, but we're doing all right, so... | 0:04:33 | 0:04:36 | |
Well, that's something. | 0:04:36 | 0:04:39 | |
Ooh, dear me! | 0:04:44 | 0:04:46 | |
Well, nice chatting to you. See you later. | 0:04:47 | 0:04:50 | |
Can't believe that I'm a thief now. Common criminal. | 0:04:53 | 0:04:56 | |
I feel sick. Can I even be sick? | 0:04:56 | 0:04:58 | |
It's not stealing if it's a big shop, McNair said. | 0:04:58 | 0:05:00 | |
I used to blush when I took a free sample. What's happened to me? | 0:05:00 | 0:05:03 | |
She needed food. | 0:05:03 | 0:05:06 | |
Yes, I know she did. It's just... It feels so wrong. | 0:05:06 | 0:05:09 | |
HARPSICHORD MUSIC | 0:05:09 | 0:05:12 | |
MUSIC STOPS | 0:05:31 | 0:05:33 | |
-You need to get a job. -I'm sorry? | 0:05:33 | 0:05:36 | |
Um, we need money for Eve, Hal. We can't go on like this. | 0:05:36 | 0:05:38 | |
Swanning around on your backside all day. | 0:05:38 | 0:05:41 | |
Think I'm relaxing? | 0:05:41 | 0:05:43 | |
This is me holding on by my fingernails. | 0:05:43 | 0:05:46 | |
And going to work? Out of the question. | 0:05:46 | 0:05:50 | |
MUSIC STARTS AGAIN | 0:05:50 | 0:05:53 | |
-OK. Erm... -MUSIC STOPS | 0:05:53 | 0:05:55 | |
Um, I do understand that this might be difficult for you, Hal, | 0:05:55 | 0:05:58 | |
but you can't really expect to stay here for nothing. | 0:05:58 | 0:06:01 | |
Why aren't you loaded, anyway? | 0:06:02 | 0:06:05 | |
Vampires live for ever. Even with a basic bank account, | 0:06:05 | 0:06:07 | |
your compound interest would be through the roof. | 0:06:07 | 0:06:09 | |
McNair said. | 0:06:11 | 0:06:13 | |
A series of unwise investments before the crash. | 0:06:13 | 0:06:16 | |
-Look, on my list, it clearly states... -Oh, stuff your list. | 0:06:16 | 0:06:19 | |
If you want to carry on living here, you've got to pay your way. | 0:06:19 | 0:06:21 | |
Annie? | 0:06:21 | 0:06:23 | |
Please. | 0:06:24 | 0:06:25 | |
Keeping away from people is part of how I manage my condition. | 0:06:26 | 0:06:30 | |
Yes, Hal, but you have been dry for over 50 years. | 0:06:32 | 0:06:34 | |
So, surely you can manage just a couple of weeks out there in the real world. | 0:06:34 | 0:06:39 | |
If you do start eating people, we'll just have to try something else. | 0:06:39 | 0:06:42 | |
Where? Hmm? | 0:06:42 | 0:06:45 | |
Where will I work? Jobs don't just fall off trees, you know? | 0:06:45 | 0:06:49 | |
Kill me. | 0:06:51 | 0:06:52 | |
Seriously, kill me now. You can tell Annie I attacked you, or something. | 0:06:53 | 0:06:58 | |
Maybe later, if you work really hard. | 0:06:58 | 0:07:00 | |
Right. So, the fat collects here and drips into that there. | 0:07:00 | 0:07:04 | |
I want you to scrape it up using this... | 0:07:04 | 0:07:06 | |
..and put it in that bucket. | 0:07:08 | 0:07:09 | |
Tom, are you sure you haven't killed me already? It feels a lot like hell. | 0:07:14 | 0:07:17 | |
You've got two choices, mate - | 0:07:17 | 0:07:19 | |
you can either scrape up the fat or mop up the bogs. It's up to you. | 0:07:19 | 0:07:22 | |
-Fat it is. -OK. | 0:07:22 | 0:07:25 | |
-HE BREATHES HEAVILY -Steeper than it looks. | 0:07:26 | 0:07:29 | |
-What are you doing here? -What are YOU doing here? | 0:07:29 | 0:07:32 | |
I can't believe you're still in Barry. I can't believe you're still in Wales. | 0:07:32 | 0:07:36 | |
-God, the risks I took for you people. -Do they still want her? | 0:07:36 | 0:07:40 | |
They don't want her because they think she's dead. I told them I killed her. | 0:07:40 | 0:07:45 | |
Oh, thank you. | 0:07:45 | 0:07:47 | |
But if they find out I didn't, | 0:07:47 | 0:07:50 | |
say they spotted you shopping with her in bloody Aldi, | 0:07:50 | 0:07:54 | |
then they'd come for her again, and I would get a wooden enema. | 0:07:54 | 0:07:57 | |
Sorry about that. We'll try and keep more of a low profile, OK? | 0:07:57 | 0:08:01 | |
This is not just about the fangs. I found something else in the prophecy. | 0:08:01 | 0:08:06 | |
Something is coming for her. | 0:08:06 | 0:08:08 | |
-That's very nice. Thank you. Goodbye. -Listen, this is serious. | 0:08:08 | 0:08:12 | |
No, this is prophecy, and I know a thing or two about prophecies. | 0:08:12 | 0:08:16 | |
They're bullshit and mind games. | 0:08:16 | 0:08:17 | |
Seems to me that they only get dangerous when you actually start believing in them. | 0:08:17 | 0:08:21 | |
So, if you've come to tell me about real things in the real world, | 0:08:21 | 0:08:24 | |
then, yes, go on, tell me. | 0:08:24 | 0:08:26 | |
But if this is more Saviour nonsense, I think we're done here. | 0:08:26 | 0:08:29 | |
-Thank you. -I just need to... | 0:08:29 | 0:08:31 | |
Look, if you are serious about the wellbeing of that child, | 0:08:31 | 0:08:37 | |
you will listen to me! | 0:08:37 | 0:08:39 | |
She is in danger. | 0:08:41 | 0:08:43 | |
God, I don't know why I bother! | 0:08:44 | 0:08:48 | |
Egg and chips? It'll be about five minutes. | 0:08:52 | 0:08:55 | |
If you just take a seat. Cheers, boss. What's that? | 0:08:55 | 0:08:57 | |
Toad in the hole? That's going to be a while yet | 0:08:59 | 0:09:01 | |
cos I've still got a few more on. I'm really sorry. Obviously... | 0:09:01 | 0:09:06 | |
It's a journal. | 0:09:11 | 0:09:13 | |
Sorry? | 0:09:15 | 0:09:16 | |
What you were going to ask. I'm just writing a journal. | 0:09:16 | 0:09:19 | |
Yeah. Thoughts, feelings, lyrics. | 0:09:19 | 0:09:24 | |
-Good. -Yeah, but it's kind of private. | 0:09:25 | 0:09:29 | |
It's a lot of my private thoughts and ideas. | 0:09:29 | 0:09:33 | |
But I didn't actually ask... | 0:09:36 | 0:09:37 | |
Oh, OK! Just one. | 0:09:37 | 0:09:41 | |
Twisted my arm. | 0:09:41 | 0:09:42 | |
Like, we have this idea | 0:09:42 | 0:09:46 | |
that you could make a skull | 0:09:46 | 0:09:51 | |
with the top sliced off that you could drink from. | 0:09:51 | 0:09:54 | |
What do you think? | 0:09:54 | 0:09:56 | |
It's pretty dark, isn't it? | 0:09:56 | 0:10:00 | |
Wouldn't the drink leak out of the eye sockets where the, um, | 0:10:01 | 0:10:06 | |
the optic nerve goes in? | 0:10:06 | 0:10:07 | |
SHE SCOFFS | 0:10:07 | 0:10:10 | |
It's not a real skull! | 0:10:10 | 0:10:12 | |
Anyway, just the sort of thing I think about, you know, all the time. | 0:10:12 | 0:10:17 | |
I bet you think I'm really weird. | 0:10:17 | 0:10:20 | |
You still doing that? We've got orders in, Hal. | 0:10:20 | 0:10:24 | |
Do you ever just picture the streets full of bones? Like after a war. | 0:10:32 | 0:10:38 | |
And everybody's dead but you. | 0:10:39 | 0:10:44 | |
And the big, bad pig blew and blew and blew, | 0:10:53 | 0:10:57 | |
and the three wolves were very scared inside their little brick house. | 0:10:57 | 0:11:02 | |
SHE GASPS | 0:11:03 | 0:11:06 | |
THUNDER RUMBLES | 0:11:06 | 0:11:08 | |
Well, well, well. Wasn't that idiot Regus supposed to have killed her? | 0:11:08 | 0:11:12 | |
What happened? Did she overpower him? | 0:11:12 | 0:11:16 | |
Can be little buggers, babies, can't they? | 0:11:20 | 0:11:23 | |
Cry like crazy in the house, then you take two steps outside - | 0:11:23 | 0:11:26 | |
boom, off like a light. | 0:11:26 | 0:11:27 | |
Um, do you have any yourself? | 0:11:29 | 0:11:33 | |
Yeah, two boys. Little smashers. | 0:11:33 | 0:11:37 | |
They both died of old age a long time ago, but they had kids who had kids, and so on. | 0:11:38 | 0:11:44 | |
Yeah, I check in occasionally. | 0:11:44 | 0:11:46 | |
See how my genes are getting on. | 0:11:46 | 0:11:49 | |
Might even take the odd one. You know, thin the herd. | 0:11:49 | 0:11:53 | |
Oh! | 0:11:59 | 0:12:01 | |
It's funny. All the others are terrified of this little lady - | 0:12:01 | 0:12:05 | |
the War Child. | 0:12:05 | 0:12:08 | |
They think if you threaten her, a safe will fall on your head, or something. | 0:12:08 | 0:12:12 | |
But not me. | 0:12:12 | 0:12:13 | |
I see her as opportunity. | 0:12:13 | 0:12:17 | |
Just imagine how grateful the Old Ones are going to be | 0:12:17 | 0:12:19 | |
when I give them her head as a welcoming present. | 0:12:19 | 0:12:21 | |
It's your lucky day today. | 0:12:24 | 0:12:26 | |
This is a bit too public, even for me. | 0:12:26 | 0:12:29 | |
I'll be seeing you. | 0:12:31 | 0:12:32 | |
Why can't you just leave her alone? She's just a normal baby! | 0:12:35 | 0:12:39 | |
Do you really believe that, or is this just desperation? | 0:12:41 | 0:12:45 | |
-Which one keeps her alive? -Neither, I'm afraid. | 0:12:47 | 0:12:50 | |
Bloke at table four gets free teas all day. He's a builder. He gave me this. | 0:12:58 | 0:13:02 | |
-What is it? -Muriatic acid. | 0:13:02 | 0:13:04 | |
What? | 0:13:04 | 0:13:07 | |
Yeah, it's for cleaning my swimming pool. | 0:13:07 | 0:13:10 | |
That don't have to be perfect, Hal. We've got people waiting. | 0:13:10 | 0:13:12 | |
I'm doing them a favour. | 0:13:12 | 0:13:14 | |
I'm granting them five more minutes without food poisoning. | 0:13:14 | 0:13:17 | |
Get out of the way, I'll do it. Move. | 0:13:17 | 0:13:20 | |
Fine. Think I've gone as high as I possibly could | 0:13:20 | 0:13:24 | |
in the thrilling world of lettuce chopping, anyway. | 0:13:24 | 0:13:27 | |
What was that? | 0:13:36 | 0:13:37 | |
-It's a stake, Hal. -What the hell's it doing here? | 0:13:37 | 0:13:40 | |
Must have had it with me in my trouser pocket when I was protecting Eve. | 0:13:40 | 0:13:43 | |
-Then I came here. Forgot I even had it. -Tom, you promised Annie... | 0:13:43 | 0:13:45 | |
I know. I told you, I forgot I even had it. | 0:13:45 | 0:13:47 | |
Anyway, it's good that I've got it anyway, just in case. | 0:13:47 | 0:13:49 | |
In case of what? | 0:13:49 | 0:13:51 | |
We're hardly likely to be overrun by vampires in a cafe. | 0:13:51 | 0:13:54 | |
-Jesus, that's for me, isn't it?! -No, of course not. | 0:13:58 | 0:14:01 | |
Just in case I fell off the wagon, hm? | 0:14:01 | 0:14:03 | |
Just in case I dealt with complaints the old-fashioned way? | 0:14:03 | 0:14:05 | |
How was that going to work, Tom? Were you even going to warn me? | 0:14:05 | 0:14:09 | |
Or was it just going to be a swift stake in the back | 0:14:09 | 0:14:11 | |
-the next time I looked at someone funny? -Tell me I'm wrong. | 0:14:11 | 0:14:13 | |
Look me in the eye now and tell me there's not a chance at all that you'll crack. | 0:14:13 | 0:14:16 | |
Nothing to worry about, and I swear to God, I'll bin the thing myself. | 0:14:16 | 0:14:19 | |
It would be nice if I thought you really were worried about me falling off the wagon, | 0:14:19 | 0:14:23 | |
but I think you're hoping I will | 0:14:23 | 0:14:24 | |
because that'll give you the perfect excuse. | 0:14:24 | 0:14:26 | |
-Now, you tell me -I'm -wrong. | 0:14:26 | 0:14:29 | |
BELL RINGS | 0:14:29 | 0:14:31 | |
What happened to your face? | 0:14:42 | 0:14:43 | |
My lunch fought back. | 0:14:43 | 0:14:46 | |
I'd rather not talk about it. | 0:14:47 | 0:14:49 | |
But who takes a crowbar with them when they walk the dog? I mean, who does? | 0:14:49 | 0:14:52 | |
That's just weird. | 0:14:52 | 0:14:54 | |
No, no, first, I want to know why you're helping us. | 0:14:54 | 0:14:58 | |
Why you're helping her. | 0:14:58 | 0:15:00 | |
-I'm all heart. -No, you're not. | 0:15:00 | 0:15:02 | |
And the prophecy says that she will be the doom of the vampire race, or something, | 0:15:02 | 0:15:06 | |
which I don't believe for a second, but I know that you do, | 0:15:06 | 0:15:09 | |
so why would you want to save her? | 0:15:09 | 0:15:11 | |
You love a doorstep row, don't you? You really want to go into this right now? | 0:15:11 | 0:15:16 | |
Before I bring the baby into the weird vampire's house? Yes. | 0:15:16 | 0:15:19 | |
Right. | 0:15:19 | 0:15:22 | |
For 400 years, | 0:15:22 | 0:15:24 | |
I've been collecting and cataloguing vampire history, myths and legends. | 0:15:24 | 0:15:28 | |
400 years. | 0:15:28 | 0:15:30 | |
In dark rooms, libraries and cellars. Poring over scrolls, manuscripts, | 0:15:30 | 0:15:35 | |
books covered in mildew cos you can't Google this stuff, you know? | 0:15:35 | 0:15:40 | |
I've got asthma. Actual asthma. Vampires don't get asthma. | 0:15:40 | 0:15:44 | |
And no-one wanted to know about my work. | 0:15:44 | 0:15:48 | |
They just laughed and ate another virgin, so that has to be worth something. | 0:15:48 | 0:15:53 | |
If it's not true, if that baby doesn't mean the end of the vampires, | 0:15:53 | 0:15:56 | |
then what have I been doing for all those years? | 0:15:56 | 0:15:59 | |
It will have meant nothing! Do you understand? | 0:15:59 | 0:16:04 | |
Yes. | 0:16:05 | 0:16:07 | |
-He came to the house? -No, no. | 0:16:14 | 0:16:17 | |
We were in the park... | 0:16:19 | 0:16:21 | |
The park?! After everything I told you? | 0:16:21 | 0:16:24 | |
Well, she wouldn't stop crying, so I just thought a walk in the park would, you know, calm her down. | 0:16:24 | 0:16:29 | |
Oh, yeah, a walk in the park with the most important baby on the planet. | 0:16:29 | 0:16:33 | |
-You know I don't believe that. -Then, why exactly are you here? | 0:16:33 | 0:16:36 | |
Because I'm scared. | 0:16:36 | 0:16:39 | |
The Old Ones? Is that who you were trying to warn me about? | 0:16:39 | 0:16:43 | |
Oh, come on! You couldn't wait to tell me before. | 0:16:43 | 0:16:46 | |
That was before. Before the door in the face, | 0:16:46 | 0:16:50 | |
before you nearly got her killed. Now it's going to cost you. | 0:16:50 | 0:16:52 | |
What? | 0:16:52 | 0:16:53 | |
My price has just gone up from nothing to something. | 0:16:53 | 0:16:58 | |
I think you need to be taught a lesson. I think you need to feed me. | 0:17:00 | 0:17:04 | |
You do know I'm dead, huh? So, you can try biting me, | 0:17:04 | 0:17:08 | |
but all you're going to get is an ice-cream headache. | 0:17:08 | 0:17:10 | |
Who said anything about blood? I'm more interested in your other charms. | 0:17:10 | 0:17:15 | |
No. | 0:17:18 | 0:17:19 | |
I assume you know how to taste. | 0:17:19 | 0:17:21 | |
That's what I want. Only in reverse. | 0:17:21 | 0:17:24 | |
We are never touching. | 0:17:26 | 0:17:30 | |
I will tell you everything you need to know to save the life of that baby | 0:17:30 | 0:17:34 | |
and, believe me, you need to know. | 0:17:34 | 0:17:37 | |
Put your hand on my head. | 0:17:48 | 0:17:51 | |
Right, think about the first time you had sex. | 0:17:58 | 0:18:01 | |
So, where are we, then? | 0:18:07 | 0:18:08 | |
Well, um, we are in the spot where I first... | 0:18:10 | 0:18:16 | |
You know. | 0:18:16 | 0:18:19 | |
So, who's the lucky fella? | 0:18:19 | 0:18:21 | |
Um, his name was Dave. | 0:18:21 | 0:18:24 | |
Great! So, what time's kick-off? | 0:18:26 | 0:18:29 | |
He'll be here in a minute. | 0:18:29 | 0:18:32 | |
Oh, God. This is so weird! Weird and sick. I feel sick! | 0:18:32 | 0:18:36 | |
So uncomfortable. Why are you making me do this? | 0:18:36 | 0:18:39 | |
You've seen my life. | 0:18:39 | 0:18:42 | |
Food that fights back. | 0:18:42 | 0:18:44 | |
Sharing a bathroom with 14 Polish builders. | 0:18:44 | 0:18:46 | |
And someone like me would never stand a chance with someone like you otherwise. | 0:18:46 | 0:18:50 | |
So, I'll take what I can get. Even if it is a second-hand shag. | 0:18:50 | 0:18:54 | |
Oh! | 0:18:54 | 0:18:55 | |
Hey! Pretend I'm not here. Don't mind me. | 0:18:55 | 0:18:58 | |
Right. What's he doing? | 0:19:05 | 0:19:08 | |
Oh, well, I... I get it. | 0:19:09 | 0:19:13 | |
Well, these are my memories, so I guess the only way you can experience them is... | 0:19:13 | 0:19:18 | |
Is as me. | 0:19:20 | 0:19:21 | |
Ah! Get off. | 0:19:21 | 0:19:23 | |
Don't worry. You know what? He was surprisingly gentle. | 0:19:23 | 0:19:27 | |
Get off! Get off! | 0:19:27 | 0:19:29 | |
Maybe I should leave you guys to it. Just... | 0:19:31 | 0:19:34 | |
-No, I don't like it! -ZIPPER RASPS | 0:19:34 | 0:19:36 | |
-Don't worry, he didn't last that long. -Make it stop! Make it stop! | 0:19:36 | 0:19:41 | |
Oh, my God! That's disgusting. | 0:19:41 | 0:19:43 | |
HE GASPS | 0:19:43 | 0:19:45 | |
Maybe we could leave the sex memories for a while. | 0:19:50 | 0:19:54 | |
Are you sure? Cos I have some great stuff for you. | 0:19:54 | 0:19:57 | |
No, no, it's fine. I'll tell you what you need to know. | 0:19:57 | 0:19:59 | |
Thank you. | 0:19:59 | 0:20:00 | |
I just need a minute. | 0:20:02 | 0:20:04 | |
I feel a bit vulnerable. | 0:20:04 | 0:20:06 | |
Oh, sure. Sure. I understand. You just take your time. | 0:20:06 | 0:20:10 | |
I know who you are. | 0:20:24 | 0:20:26 | |
I don't know who you think I am... | 0:20:28 | 0:20:30 | |
..but you've got the wrong man. | 0:20:32 | 0:20:33 | |
Before I ripped his throat out, that bloke in the pawn shop said your name. | 0:20:33 | 0:20:38 | |
I thought, "No, it can't be." But it is. | 0:20:38 | 0:20:42 | |
It really is you. | 0:20:43 | 0:20:45 | |
My Lord. | 0:20:50 | 0:20:52 | |
You have the wrong man! | 0:20:56 | 0:20:59 | |
Jesus, you weren't joking, were you? | 0:20:59 | 0:21:01 | |
Don't panic. | 0:21:03 | 0:21:04 | |
I'm still loyal. | 0:21:06 | 0:21:09 | |
HE GULPS | 0:21:11 | 0:21:14 | |
Then forget you saw me. | 0:21:14 | 0:21:16 | |
I couldn't believe it when I found you working here with a dog. | 0:21:19 | 0:21:24 | |
I mean, you don't have to work anywhere. | 0:21:24 | 0:21:26 | |
Look, there's a boat of Old Ones on the way, but until they get here, | 0:21:27 | 0:21:31 | |
it's just me and this mouthy little dicksplash. | 0:21:31 | 0:21:34 | |
But an Old One like you? You could walk in and take over, like that. | 0:21:34 | 0:21:38 | |
I'm not interested. | 0:21:40 | 0:21:41 | |
Oh, come on. Come back, huh? | 0:21:41 | 0:21:44 | |
Like the old days? Me and you? | 0:21:44 | 0:21:46 | |
Girl on each arm, one tied up in the boot, huh? | 0:21:46 | 0:21:50 | |
You remember, don't you? | 0:21:50 | 0:21:52 | |
I try to forget. That's not who I am any more. | 0:21:52 | 0:21:55 | |
What, and this is? | 0:21:55 | 0:21:58 | |
Working in a greasy spoon with a lyco? | 0:21:58 | 0:22:00 | |
He's been a busy boy, you know. He's got a target on his head. | 0:22:02 | 0:22:05 | |
Not when he's with me, he doesn't. | 0:22:07 | 0:22:09 | |
Look, you're either an Old One or you're a nobody. | 0:22:09 | 0:22:12 | |
And we're all over nobodies every day. | 0:22:13 | 0:22:15 | |
See, this visit here today is only really a recce. | 0:22:15 | 0:22:18 | |
Tomorrow, we're going to come back all tooled up about ten o'clock. | 0:22:18 | 0:22:21 | |
Teach your little doggie to play dead. | 0:22:21 | 0:22:24 | |
He's not my dog. He's not my anything. | 0:22:24 | 0:22:27 | |
Fine. You won't mind stepping aside, then. | 0:22:27 | 0:22:32 | |
Got you! | 0:22:45 | 0:22:47 | |
It's just a bit dead, so I thought I'd ambush you. | 0:22:49 | 0:22:51 | |
What have you been doing, anyway? Counting the rubbish? | 0:22:51 | 0:22:55 | |
Yes, I was counting the rubbish. | 0:22:55 | 0:22:57 | |
Oh, yeah. Someone's left something on one of the tables. | 0:22:57 | 0:23:00 | |
God, not more sick. | 0:23:00 | 0:23:02 | |
Do you want it, then? | 0:23:02 | 0:23:04 | |
Why would I want it? You have it. | 0:23:05 | 0:23:07 | |
I don't want it. It's demeaning to women. | 0:23:07 | 0:23:09 | |
We should throw it away. | 0:23:11 | 0:23:13 | |
-What must their mothers think? -What? | 0:23:27 | 0:23:30 | |
Those ladies on the cover, showing everything to everyone. | 0:23:30 | 0:23:33 | |
No-one'll want to court them. | 0:23:33 | 0:23:35 | |
-Sorry, court them? -You know what I mean. | 0:23:36 | 0:23:39 | |
Only because I was around during the Coronation. | 0:23:39 | 0:23:42 | |
No-one says "court" any more. | 0:23:42 | 0:23:44 | |
I know. They use "chatting up". | 0:23:44 | 0:23:46 | |
We don't say that because it's disrespectful to the lady, | 0:23:46 | 0:23:49 | |
even if they are in the nuddy. What do you call it? | 0:23:49 | 0:23:52 | |
I don't call it anything because I don't do it. | 0:23:52 | 0:23:54 | |
Is that because you can't do it? | 0:23:54 | 0:23:56 | |
Let's just say it's not good for my condition | 0:23:57 | 0:24:00 | |
-to play in that arena. -Very convenient. | 0:24:00 | 0:24:03 | |
What? | 0:24:03 | 0:24:04 | |
"Oh, I can't chat them up cos I might kill them!" | 0:24:04 | 0:24:07 | |
You can't do it, can you? | 0:24:07 | 0:24:08 | |
-Have you ever even been with a woman? -I'm waiting for the right woman. | 0:24:08 | 0:24:13 | |
Virginity is like a flower - you don't just pluck it for anyone. | 0:24:13 | 0:24:17 | |
Well said. | 0:24:21 | 0:24:22 | |
I still don't reckon you can chat up. | 0:24:22 | 0:24:24 | |
Are we still on with this? Look, I told you, I don't NEED to chat up. | 0:24:24 | 0:24:28 | |
I have charm and wit. | 0:24:28 | 0:24:30 | |
-Prove it. -What? | 0:24:30 | 0:24:33 | |
Chat up the next woman what comes in here. Don't worry, I won't let you kill her. | 0:24:33 | 0:24:37 | |
I'm not the one with something to prove here. | 0:24:37 | 0:24:39 | |
I'll do it with you. First one to get her number wins. | 0:24:39 | 0:24:42 | |
Unless you can't do it. | 0:24:42 | 0:24:45 | |
First one to get her number, whoever she is? | 0:24:45 | 0:24:48 | |
You're on. | 0:24:48 | 0:24:49 | |
Fine. | 0:24:49 | 0:24:50 | |
-But we're not going to ring it? -No. -No. | 0:24:55 | 0:24:58 | |
We'll burn it, or something, as soon as we get it. | 0:24:58 | 0:25:00 | |
Obviously. | 0:25:00 | 0:25:02 | |
BELL JANGLES | 0:25:17 | 0:25:19 | |
SHE SIGHS | 0:25:28 | 0:25:29 | |
These runes describe the coming of a man - "the enemy of the Saviour". | 0:25:34 | 0:25:39 | |
The nearest translation to this rune is "nemesis", arch enemy. | 0:25:39 | 0:25:43 | |
Like Lex Luthor to Superman or Green Goblin to Spider-Man. | 0:25:43 | 0:25:46 | |
Yeah, yeah. No, I get that. | 0:25:46 | 0:25:48 | |
OK, this is a description of the man. | 0:25:48 | 0:25:52 | |
This rune means "fire", but this is past tense, and this means "arm". | 0:25:52 | 0:25:57 | |
And what does that mean? | 0:25:58 | 0:25:59 | |
"The nemesis has a burnt arm". | 0:25:59 | 0:26:03 | |
What, and that's it? | 0:26:03 | 0:26:05 | |
What do you want? An e-mail address?! | 0:26:05 | 0:26:07 | |
Look, if you see a scary man with a burnt arm, run away! | 0:26:07 | 0:26:10 | |
It's pretty specific. You need to get out of town. | 0:26:10 | 0:26:13 | |
Especially now they know that she's alive. | 0:26:13 | 0:26:16 | |
You've got to go and hide somewhere in the middle of nowhere. | 0:26:16 | 0:26:19 | |
-Go to Bangor. -What if the nemesis is waiting in Bangor? | 0:26:19 | 0:26:24 | |
And besides, I've got my two boys guarding the door. | 0:26:24 | 0:26:28 | |
-Hmm. -What? | 0:26:28 | 0:26:31 | |
Something leaked out. | 0:26:33 | 0:26:34 | |
You don't trust them. Not quite. Not yet. | 0:26:36 | 0:26:39 | |
Well, I trust them a lot more than I trust you. | 0:26:39 | 0:26:43 | |
Maybe, in most areas. But never with her. | 0:26:43 | 0:26:47 | |
So, are you having a nice evening? | 0:27:02 | 0:27:04 | |
JK Rowling used to write in a cafe, you know. | 0:27:04 | 0:27:08 | |
-Did he? -I never used to understand why. | 0:27:08 | 0:27:12 | |
But I get it now. Finally. | 0:27:12 | 0:27:15 | |
You know, from here, you can see all the passing warp | 0:27:15 | 0:27:20 | |
and woof of humanity... | 0:27:20 | 0:27:23 | |
..in all its glory and its despair. | 0:27:25 | 0:27:30 | |
Maybe, one day, years from now, people will ask you | 0:27:33 | 0:27:37 | |
-which table I used to sit at. -That's quite a thought. | 0:27:37 | 0:27:41 | |
Isn't it? | 0:27:41 | 0:27:42 | |
Yes, me still here in a year. Anyway... | 0:27:42 | 0:27:46 | |
That's a really nice look you've got going on there. | 0:27:53 | 0:27:56 | |
-Nice? -Sorry. | 0:27:58 | 0:28:01 | |
This is one of those things when negative is positive, isn't it? | 0:28:02 | 0:28:05 | |
Hang on. I know this one. | 0:28:05 | 0:28:07 | |
It's really bad. | 0:28:10 | 0:28:12 | |
Get you, Vanilla Ice(!) | 0:28:12 | 0:28:15 | |
Look, whatever the word is to compliment it, pretend I just said it. | 0:28:17 | 0:28:20 | |
Don't you have, like, floors to mop, or something? | 0:28:22 | 0:28:25 | |
(Please.) | 0:28:25 | 0:28:27 | |
Yes! Anything else? | 0:28:27 | 0:28:30 | |
Er, I like your tights. You look like a bee, and I like bees. | 0:28:46 | 0:28:50 | |
-Are you coming on to me? -I don't know. Is that like chatting up? | 0:28:54 | 0:28:58 | |
Urgh, no offence, but, like, | 0:28:58 | 0:29:01 | |
I'm into guys that are just a little bit more edgy. | 0:29:01 | 0:29:06 | |
You know, a little bit more darkness about them. | 0:29:06 | 0:29:09 | |
BOTH LAUGH | 0:29:09 | 0:29:12 | |
Are you laughing at me? You'd better not be laughing at me. | 0:29:12 | 0:29:15 | |
No, we weren't, honestly. | 0:29:15 | 0:29:16 | |
Sorry, it's just, um, a private joke, you see. | 0:29:16 | 0:29:19 | |
We're actually both quite dark in our own little ways. | 0:29:19 | 0:29:22 | |
Well, he's darker than me. I'm dark occasionally. | 0:29:22 | 0:29:24 | |
Are you simple, or something? | 0:29:24 | 0:29:27 | |
Here's an idea. | 0:29:28 | 0:29:30 | |
Order something or get out! | 0:29:30 | 0:29:32 | |
Fine. Then I guess I'm leaving. | 0:29:32 | 0:29:36 | |
I didn't like her. I don't think I even want her number. | 0:29:41 | 0:29:44 | |
FRONT DOOR BANGS | 0:29:49 | 0:29:52 | |
And how are my two bestest working boys, hmm? | 0:29:55 | 0:29:58 | |
How did it go? | 0:29:58 | 0:30:00 | |
-Went well, then? -We did all right, I suppose. | 0:30:03 | 0:30:06 | |
I think that's the first honest day's work he's done in his life. | 0:30:06 | 0:30:10 | |
Oh, you are so wrong. | 0:30:10 | 0:30:11 | |
If, by honest day's work, you mean mindless drudgery, then let me tell you, | 0:30:11 | 0:30:15 | |
I've drudged with the best of them. | 0:30:15 | 0:30:17 | |
Live as long as I have, sometimes you just can't avoid it. | 0:30:17 | 0:30:19 | |
What crappy jobs have you done? I bet I've done crapper. | 0:30:19 | 0:30:21 | |
Pulling a cart through the streets collecting refuse in barrels. | 0:30:21 | 0:30:24 | |
Binman. | 0:30:24 | 0:30:25 | |
These were the days before flushing toilets. | 0:30:25 | 0:30:29 | |
It wasn't exactly rubbish we were collecting, if you get my drift. | 0:30:29 | 0:30:32 | |
Grave digger. Sometimes, you'd dig through an old grave, unmarked like, | 0:30:32 | 0:30:36 | |
right through a dead body, and it stunk. | 0:30:36 | 0:30:38 | |
Child's play. Try digging plague pits with the bodies piled three deep around you. | 0:30:38 | 0:30:42 | |
Um, I worked in a bar once. | 0:30:42 | 0:30:45 | |
Yeah, and this guy came in to chat me up and later, | 0:30:45 | 0:30:48 | |
he got drunk and crashed his car and died | 0:30:48 | 0:30:51 | |
and he tried to drag me through death's door into purgatory. | 0:30:51 | 0:30:54 | |
Dog food factory. Shifting huge lumps of frozen sheep's lung. | 0:30:54 | 0:30:58 | |
Melted blood all sploshing about on the floor and the gaffer, well, he was... | 0:30:58 | 0:31:02 | |
Annie! How was your day? | 0:31:02 | 0:31:04 | |
Oh, thank you. Thank you for asking, because it was a bit weird. | 0:31:04 | 0:31:07 | |
I got stalked by a vampire in the park and then I pushed my sex memories | 0:31:07 | 0:31:11 | |
into another vampire's sad little vampire brain. | 0:31:11 | 0:31:15 | |
Ooh, that is weird, Annie. | 0:31:15 | 0:31:17 | |
Yes, I know. Thank you for asking. | 0:31:17 | 0:31:19 | |
Is there something you'd like to tell us, Annie? | 0:31:21 | 0:31:24 | |
She's just a baby, Annie. | 0:31:25 | 0:31:28 | |
-This is all just a story. -And what about the Old Ones? | 0:31:28 | 0:31:31 | |
Is that just a story, too, hmm? What happens when they get here? | 0:31:31 | 0:31:34 | |
Let them come. We can take them. | 0:31:34 | 0:31:36 | |
You were the one who said we should just run. | 0:31:36 | 0:31:38 | |
And you were the one saying there's no point. | 0:31:38 | 0:31:40 | |
Well, I think we should run and go and live in a barn. | 0:31:40 | 0:31:43 | |
-A barn? -Or a caravan or a tent or something. | 0:31:46 | 0:31:49 | |
You said we were strong here. | 0:31:49 | 0:31:51 | |
-You said we could face them. -Well, I've changed my mind. | 0:31:51 | 0:31:53 | |
I cannot sleep in a barn or a tent or a caravan or anywhere | 0:31:53 | 0:32:00 | |
without central heating, carpets and Radio 4. | 0:32:00 | 0:32:02 | |
That should be on my list. | 0:32:02 | 0:32:04 | |
Really, it should. You make me do that, I won't be responsible for my actions. | 0:32:04 | 0:32:08 | |
And what about the Old Ones? | 0:32:08 | 0:32:09 | |
If the Old Ones are coming, then it is better that I am here to greet them. | 0:32:09 | 0:32:12 | |
Greet them? | 0:32:12 | 0:32:13 | |
I mean face them. Confront them. | 0:32:15 | 0:32:17 | |
I ain't running. I'm going to fight 'em. | 0:32:17 | 0:32:20 | |
Look, I just... I just think we have enemies coming at us from every angle. | 0:32:21 | 0:32:26 | |
First, the Old Ones and now, this nemesis. | 0:32:26 | 0:32:28 | |
Jesus, Annie! | 0:32:28 | 0:32:29 | |
We've both had a really hard day at work. | 0:32:33 | 0:32:36 | |
-Oh, and I haven't? -That's not what I meant. | 0:32:36 | 0:32:39 | |
Look, I'm not sure what you were used to | 0:32:41 | 0:32:45 | |
when George and, er, Tina were around, but... | 0:32:45 | 0:32:50 | |
Their names were Nina, George and Mitchell, | 0:32:50 | 0:32:55 | |
and this was their home | 0:32:55 | 0:32:57 | |
and they were my friends | 0:32:57 | 0:33:00 | |
and they would have listened to me. | 0:33:00 | 0:33:03 | |
-Thanks, mate. -Thanks very much. | 0:33:07 | 0:33:10 | |
BELL RINGS | 0:33:11 | 0:33:13 | |
Can I have a... | 0:33:23 | 0:33:25 | |
..cheeseburger, please? | 0:33:27 | 0:33:30 | |
1.50. | 0:33:37 | 0:33:38 | |
SHE CLEARS HER THROAT | 0:33:42 | 0:33:44 | |
"The cloak of the reaper blocks the sun over me | 0:33:44 | 0:33:48 | |
("Over me) | 0:33:48 | 0:33:50 | |
"But the beak of the crow pecks at the flesh of my enemy | 0:33:50 | 0:33:53 | |
("Enemy) | 0:33:53 | 0:33:54 | |
"I may be gone, but I'm still here | 0:33:54 | 0:33:59 | |
"Remember me, remember me." | 0:33:59 | 0:34:01 | |
I think you've forgotten to pay. | 0:34:07 | 0:34:09 | |
Er, I think I just did. | 0:34:09 | 0:34:12 | |
That's one of my poems, so... | 0:34:12 | 0:34:15 | |
-Now you've got to pay with money. -Oh, God. | 0:34:15 | 0:34:18 | |
I don't think you quite understand. | 0:34:19 | 0:34:23 | |
One day, you're going to be able to buy this place with that piece of paper, OK? | 0:34:23 | 0:34:29 | |
That's an original Michaela Thompson. | 0:34:29 | 0:34:33 | |
We'd rather have the money. | 0:34:33 | 0:34:35 | |
Look, I don't carry the currency of this so-called society. | 0:34:36 | 0:34:42 | |
I pay with my art. | 0:34:42 | 0:34:43 | |
Not here, you don't. | 0:34:43 | 0:34:44 | |
You either pay or you give it back, so I'll have that back, thank you. | 0:34:44 | 0:34:48 | |
Look, I just told you, I don't have any money. | 0:34:49 | 0:34:53 | |
So, you know, what are you going to do about it? | 0:34:53 | 0:34:55 | |
Lock you in and call the police. Try me. | 0:34:55 | 0:34:59 | |
Right, you can stop that now. | 0:35:09 | 0:35:11 | |
What? This is what you wanted, isn't it? I'm paying, aren't I? | 0:35:11 | 0:35:16 | |
I used to ride a horse once. | 0:35:22 | 0:35:24 | |
-What? What's that got to do with it? -I had a sword, I was respected. | 0:35:24 | 0:35:28 | |
Better than that, I was feared. | 0:35:28 | 0:35:29 | |
Peasants had their backs flayed for looking at me funny. | 0:35:29 | 0:35:32 | |
-Are you all right, Hal? -It was brutal, but it worked. | 0:35:32 | 0:35:34 | |
We had order, we had respect and now, we have this. | 0:35:34 | 0:35:37 | |
OK, then, mate. Let's go in the back and have a bit of a chat, shall we? Come on. | 0:35:37 | 0:35:41 | |
-And I had a shield. A red one. -Is he all right? | 0:35:41 | 0:35:45 | |
You are not a very nice young lady, are you? | 0:35:45 | 0:35:47 | |
You did well back there, mate. | 0:35:56 | 0:35:57 | |
HE SCOFFS Really? | 0:35:57 | 0:35:59 | |
Because I didn't just leap across the counter and rip her throat out, | 0:35:59 | 0:36:02 | |
because, instead, I just babbled like a lunatic. | 0:36:02 | 0:36:05 | |
Yeah, but babbling's better than leaping. | 0:36:05 | 0:36:07 | |
God, look at me. | 0:36:07 | 0:36:09 | |
Hiding from a little girl in a burger bar. | 0:36:09 | 0:36:12 | |
You're not hiding, you're keeping her alive. | 0:36:12 | 0:36:14 | |
It was always much harder for me... | 0:36:14 | 0:36:16 | |
..with women. | 0:36:18 | 0:36:19 | |
So many times... | 0:36:20 | 0:36:21 | |
..I couldn't stop myself. | 0:36:23 | 0:36:26 | |
-I leapt rather than babbled. -Yeah, but not now, though, eh? | 0:36:26 | 0:36:28 | |
No. No, not now. | 0:36:30 | 0:36:33 | |
I don't think we need this any more. | 0:36:43 | 0:36:45 | |
I've got your back, mate. | 0:36:46 | 0:36:49 | |
Do you know what? We should close up early tonight. | 0:36:53 | 0:36:56 | |
-Really? -Yeah. | 0:36:56 | 0:36:58 | |
Yeah, no, we should go. | 0:36:58 | 0:37:01 | |
Have a pint or something. | 0:37:03 | 0:37:06 | |
OK. | 0:37:06 | 0:37:07 | |
Come in. | 0:37:18 | 0:37:19 | |
I've got to say, I was surprised to get your message. | 0:37:22 | 0:37:25 | |
You sure about this? | 0:37:27 | 0:37:29 | |
No, but we're going to do it anyway. I just keep thinking, | 0:37:29 | 0:37:32 | |
"What would George and Nina do if they thought trouble was on its way?" | 0:37:32 | 0:37:35 | |
So, we leave tonight. | 0:37:35 | 0:37:36 | |
HE CLAPS | 0:37:52 | 0:37:54 | |
Closing early. Sorry. | 0:37:55 | 0:37:57 | |
We found a... | 0:37:59 | 0:38:00 | |
We found a dead dog in the oven. Health and safety. | 0:38:02 | 0:38:07 | |
Vampires. Kill the lights. | 0:38:33 | 0:38:36 | |
-How many? -I counted four. | 0:38:47 | 0:38:49 | |
Probably after me. | 0:38:49 | 0:38:51 | |
I had been a bit busy, you know, before, like. | 0:38:51 | 0:38:54 | |
Yeah, probably. | 0:38:54 | 0:38:55 | |
You had more stakes? | 0:38:57 | 0:38:58 | |
-Bet you're glad now, though, aren't you? -That's not the point! | 0:38:58 | 0:39:01 | |
Oh, Lord Hal! Are you in there, Lord Hal? | 0:39:15 | 0:39:19 | |
-Do you know him? -It's complicated. | 0:39:19 | 0:39:22 | |
Is the doggie ready for his walkies? | 0:39:22 | 0:39:25 | |
Have you planned this? Were you just going to hand me over? | 0:39:25 | 0:39:28 | |
Not exactly hand you over. | 0:39:28 | 0:39:30 | |
More just step aside, but I changed my mind. | 0:39:30 | 0:39:32 | |
How do I know that?! | 0:39:32 | 0:39:34 | |
I don't know, maybe because we are whispering in the dark behind a counter! | 0:39:34 | 0:39:38 | |
Besides, don't take the moral high ground - you kept a pile of stakes. | 0:39:38 | 0:39:41 | |
I can't believe you were going to hand me over to them. | 0:39:41 | 0:39:43 | |
-I told you, I changed my mind. -Well, what if you changed it back? | 0:39:43 | 0:39:46 | |
No, you're right. If only you had some way to defend yourself. | 0:39:46 | 0:39:49 | |
Oh, wait. Hang on a minute. You kept a pile of stakes! | 0:39:49 | 0:39:50 | |
DOOR OPENS | 0:39:52 | 0:39:54 | |
Ow! Hello? Anyone? | 0:39:54 | 0:39:56 | |
Listen! Listen to me very carefully. | 0:40:00 | 0:40:02 | |
Outside, there are some... | 0:40:02 | 0:40:04 | |
..some very bad men who want to hurt us, so you have to keep quiet. | 0:40:06 | 0:40:09 | |
Do you understand? | 0:40:09 | 0:40:11 | |
-MUFFLED: -Mm. | 0:40:11 | 0:40:12 | |
Go, go, go, go, go! | 0:40:13 | 0:40:15 | |
Right, you two. | 0:40:34 | 0:40:35 | |
They are good people. | 0:40:49 | 0:40:51 | |
But, you know, it's like they're just lodging here. | 0:40:51 | 0:40:54 | |
You know, this isn't their home and we're not a family. | 0:40:54 | 0:40:58 | |
Not like it was before. | 0:40:58 | 0:40:59 | |
So, you run away with the creepy vampire you've just met? | 0:40:59 | 0:41:03 | |
No, but I promised George that I would do whatever it takes to keep her safe. | 0:41:05 | 0:41:10 | |
And I guess this is what it takes. | 0:41:11 | 0:41:14 | |
SHE BREATHES DEEPLY | 0:41:20 | 0:41:22 | |
Oh, my God! Oh, my God! Who are they? | 0:41:22 | 0:41:24 | |
-Why are they chasing us? -I cannot believe we have to save her. | 0:41:24 | 0:41:28 | |
I cannot believe we've got to save you. | 0:41:28 | 0:41:30 | |
Tom, I'm sorry. And I did change my mind. | 0:41:30 | 0:41:32 | |
Trying to close up early - I was trying to get you out of there. | 0:41:32 | 0:41:34 | |
I can't believe I binned my big stake for you. | 0:41:34 | 0:41:36 | |
A stake! You binned A stake, Tom. | 0:41:36 | 0:41:39 | |
-Give me my phone back. -We've got to keep moving. | 0:41:39 | 0:41:41 | |
No! I am not going another step until you tell me why they're trying to kill us. | 0:41:41 | 0:41:48 | |
Because they're vampires. | 0:41:48 | 0:41:50 | |
Oh, yeah. | 0:41:50 | 0:41:52 | |
Ha-ha, hilarious(!) Mock the Gothic weirdo girl. | 0:41:52 | 0:41:55 | |
Give me my phone back. I'm calling the police. | 0:41:57 | 0:41:59 | |
Hal, do the eyes and the teeth or whatever you do. | 0:41:59 | 0:42:01 | |
-That thing. -What? I am not a performing monkey. | 0:42:01 | 0:42:03 | |
Hal, stop being such a wally. | 0:42:03 | 0:42:05 | |
HISSING | 0:42:10 | 0:42:11 | |
I am a vampire, he is a werewolf. Any questions? | 0:42:14 | 0:42:18 | |
Er... Are you seeing anyone at the moment? | 0:42:18 | 0:42:21 | |
Can I have your number? | 0:42:21 | 0:42:23 | |
-What? We never said that was over. -Oh, for God's sake. | 0:42:23 | 0:42:26 | |
Go and check the street. Go! | 0:42:26 | 0:42:29 | |
Ooh! | 0:42:36 | 0:42:37 | |
Are you feeling weak? | 0:42:39 | 0:42:42 | |
(Do you need to feed?) | 0:42:44 | 0:42:46 | |
Because I wouldn't mind if you need a bit to keep you going, actually. | 0:42:46 | 0:42:51 | |
-What? -Would it leave a scar? | 0:42:51 | 0:42:53 | |
Or could you do it somewhere else on my body? | 0:42:53 | 0:42:58 | |
You don't know... | 0:42:58 | 0:43:00 | |
-..what you're asking. -Hal? | 0:43:02 | 0:43:05 | |
Hal?! I said I've got your back, mate, but don't push it. | 0:43:05 | 0:43:08 | |
-BABY GURGLES -Holiday's over, I guess. | 0:43:22 | 0:43:26 | |
Yeah, well, just think of it as a new type of holiday. | 0:43:27 | 0:43:31 | |
With lots of running, terror and sleeping in ditches. | 0:43:31 | 0:43:35 | |
-Oh, my God! You! -Regus? -What's he doing here? | 0:43:38 | 0:43:41 | |
Nothing that requires woody, pointy things, Tom. | 0:43:41 | 0:43:46 | |
What's happened? | 0:43:48 | 0:43:49 | |
-Vampires. -Yeah, they attacked the cafe. | 0:43:49 | 0:43:51 | |
Completely unexpected. Not planned at all, was it? | 0:43:51 | 0:43:54 | |
Oh, give it a rest! Annie, first-aid kit - where is it? | 0:43:54 | 0:43:58 | |
It's in the kitchen. I'll go and get it. | 0:43:58 | 0:44:00 | |
Um, who's she? | 0:44:00 | 0:44:01 | |
A bloody nightmare that we had to rescue. | 0:44:01 | 0:44:04 | |
Who are you talking to? | 0:44:06 | 0:44:07 | |
Annie's a ghost. You can't see her, but we can. | 0:44:10 | 0:44:13 | |
Because you're a werewolf. Have I got that right? | 0:44:13 | 0:44:16 | |
Yeah. | 0:44:16 | 0:44:18 | |
-You're one of the good guys now? -It would appear so. | 0:44:18 | 0:44:21 | |
Yeah, I think I am, too. | 0:44:21 | 0:44:23 | |
It's fun, isn't it? | 0:44:23 | 0:44:25 | |
Yes. Sometimes, it leaves me positively giddy. | 0:44:25 | 0:44:28 | |
This is so deep. | 0:44:30 | 0:44:32 | |
Annie, why are there piles of Eve's clothes in a suitcase? | 0:44:32 | 0:44:36 | |
Um, can we talk about this later? | 0:44:36 | 0:44:39 | |
I think they need to know. | 0:44:39 | 0:44:42 | |
Um, well... Well, we were thinking that we would take baby Eve | 0:44:44 | 0:44:50 | |
somewhere a little, um, safer. | 0:44:50 | 0:44:53 | |
"We"? Who's "we"? | 0:44:53 | 0:44:56 | |
You and this bloke here? | 0:44:56 | 0:44:57 | |
Um... | 0:44:57 | 0:44:58 | |
House meeting. Yes, I would like a house meeting, please. A house meeting. | 0:45:00 | 0:45:04 | |
Can you just...? | 0:45:04 | 0:45:06 | |
Are you going for ever? Have we done something to upset you? | 0:45:15 | 0:45:19 | |
So, are you a vampire, as well? | 0:45:20 | 0:45:23 | |
-Cos you're not showing up on my camera. -Take a wild guess. | 0:45:23 | 0:45:27 | |
I assume you're taking the piss. | 0:45:31 | 0:45:33 | |
-Well, they started it. -SHE LAUGHS | 0:45:35 | 0:45:38 | |
You're a funny vampire. | 0:45:38 | 0:45:40 | |
So, um, what's your story, then? How did you end up in all this? | 0:45:44 | 0:45:49 | |
I was texting in the bogs when they attacked the cafe. | 0:45:49 | 0:45:52 | |
-Ah, wrong place, wrong time? -No! | 0:45:52 | 0:45:55 | |
I think it was meant to happen. | 0:45:56 | 0:45:58 | |
Don't you believe in fate? Destiny? | 0:45:58 | 0:46:02 | |
-More than anything. -Then you'll know there are no accidents. | 0:46:02 | 0:46:07 | |
I've spent years dreaming about a world like this and now I'm here, | 0:46:09 | 0:46:14 | |
talking to people with no reflections who will live for ever. | 0:46:14 | 0:46:17 | |
But we can protect her. All of us can. | 0:46:17 | 0:46:19 | |
No, not all the time. What about when you're both working? | 0:46:19 | 0:46:22 | |
-BOTH: Where are you going? To change. -But this is important. | 0:46:22 | 0:46:26 | |
I have to change my clothes. | 0:46:26 | 0:46:28 | |
It feels like I'm circling the drain of a world | 0:46:31 | 0:46:34 | |
I've spent the past 55 years trying to avoid. | 0:46:34 | 0:46:37 | |
The more I engage with this, | 0:46:37 | 0:46:40 | |
the greater the danger of being sucked in. | 0:46:40 | 0:46:42 | |
Look, I need some space, OK? | 0:46:42 | 0:46:45 | |
To think. | 0:46:45 | 0:46:47 | |
To breathe! | 0:46:47 | 0:46:49 | |
Sorry. I'm really very sorry. | 0:46:51 | 0:46:55 | |
BANGING | 0:47:06 | 0:47:08 | |
GIRL MOANS | 0:47:08 | 0:47:09 | |
Annie? | 0:47:11 | 0:47:12 | |
Tom? | 0:47:16 | 0:47:17 | |
HE GROANS | 0:47:36 | 0:47:39 | |
Good evening, my Lord. Apologies for the intrusion. | 0:47:42 | 0:47:45 | |
Fergus, I don't remember asking you in. | 0:47:45 | 0:47:49 | |
He was invited in a week ago, when he took Eve. | 0:47:49 | 0:47:53 | |
It's amazing how these things stick. | 0:47:54 | 0:47:57 | |
And then I just invited some of my friends. | 0:47:57 | 0:48:00 | |
-You don't mind, do you? -Not at all. | 0:48:00 | 0:48:03 | |
But is there really any need for the knife? | 0:48:04 | 0:48:07 | |
It's a little crude. | 0:48:07 | 0:48:08 | |
Is that an order, my Lord? The offer's still on the table. | 0:48:08 | 0:48:13 | |
There's a throne with your name on it, if you want. | 0:48:13 | 0:48:16 | |
-What's he talking about, Hal? -Oh, he didn't mention it, did he? | 0:48:16 | 0:48:19 | |
Our Lord Harry is an Old One. | 0:48:19 | 0:48:22 | |
At least, he was. | 0:48:22 | 0:48:24 | |
Pretty high up. | 0:48:25 | 0:48:27 | |
You can be again, Hal. All you've got to do is let us kill the dog. | 0:48:28 | 0:48:32 | |
And you can come back in. All is forgiven. | 0:48:34 | 0:48:37 | |
And the rest live? | 0:48:39 | 0:48:40 | |
I'll be honest with you - probably not. | 0:48:41 | 0:48:45 | |
The fact that that baby's still alive is my secret weapon. | 0:48:45 | 0:48:48 | |
My ace in the hole. | 0:48:48 | 0:48:50 | |
Won't impress the Old Ones if it's still breathing. | 0:48:50 | 0:48:54 | |
-Tom. -You'll have to get through me first. | 0:48:54 | 0:48:56 | |
Me, too. | 0:48:56 | 0:48:58 | |
I think we just did come through you, didn't we? | 0:48:58 | 0:49:00 | |
I'm sure you will again. | 0:49:00 | 0:49:02 | |
It's the thought that counts. | 0:49:03 | 0:49:05 | |
OK. | 0:49:08 | 0:49:10 | |
OK, what? | 0:49:10 | 0:49:12 | |
I'm back in. | 0:49:12 | 0:49:13 | |
I'll come lead your merry band. | 0:49:15 | 0:49:18 | |
For richer or poorer. Mostly richer. | 0:49:18 | 0:49:21 | |
What, just like that? | 0:49:21 | 0:49:23 | |
You know me, Fergus. You've known me for years. | 0:49:23 | 0:49:29 | |
Did you really think I was going to ally myself with these freaks and traitors | 0:49:31 | 0:49:36 | |
when there's an offer like that on the table? | 0:49:36 | 0:49:38 | |
It'll be just like coming home. | 0:49:38 | 0:49:41 | |
OK? Now, go get the dog. | 0:49:44 | 0:49:48 | |
I'll deal with the girl. | 0:49:49 | 0:49:51 | |
No, Hal. | 0:49:51 | 0:49:53 | |
HE BREATHES HEAVILY | 0:50:48 | 0:50:50 | |
He got her. I didn't even see. | 0:50:50 | 0:50:52 | |
He must have nicked the jugular. Oh, shit! | 0:50:52 | 0:50:56 | |
Michaela? Michaela, talk to me. | 0:50:57 | 0:51:00 | |
Who was she? | 0:51:15 | 0:51:16 | |
Just a silly little girl who walked into the wrong cafe. | 0:51:17 | 0:51:20 | |
Who thought that there was more to this world than she could see. | 0:51:20 | 0:51:23 | |
Who thought vampires were cool. | 0:51:23 | 0:51:25 | |
And werewolves. She thought werewolves were cool and all. | 0:51:25 | 0:51:28 | |
And werewolves. | 0:51:28 | 0:51:30 | |
Um, are you finished? | 0:51:32 | 0:51:35 | |
I think I missed a few bits of them under the sofa. | 0:51:35 | 0:51:38 | |
Oh, don't worry. I'll get them later. Thank you very much. | 0:51:38 | 0:51:41 | |
I still think you should come with me. It's not safe out there. | 0:51:41 | 0:51:45 | |
Yeah, I know. It's just that I feel strong here. Stronger than I've ever felt. | 0:51:45 | 0:51:50 | |
Right now, I feel like I could take on a whole army. | 0:51:50 | 0:51:52 | |
You know, with Tom and Lord Harry by my side. | 0:51:52 | 0:51:55 | |
Lord Harry! | 0:51:55 | 0:51:57 | |
Don't. | 0:51:57 | 0:51:59 | |
-Seriously, don't. -Lord Harry! | 0:51:59 | 0:52:02 | |
Trust us to look after the baby now, do you? | 0:52:05 | 0:52:08 | |
Maybe that's the way it should have been from the start. | 0:52:09 | 0:52:12 | |
The War Child protected by you and the lodgers. | 0:52:12 | 0:52:15 | |
Ah, no. They're not lodgers. They are my friends. | 0:52:15 | 0:52:19 | |
Hmm. Yeah, well, most of my friends are arseholes. | 0:52:19 | 0:52:23 | |
There's a couple of them in the Hoover. | 0:52:23 | 0:52:26 | |
Well, maybe you should get yourself some new friends. | 0:52:26 | 0:52:29 | |
SHE INHALES | 0:52:29 | 0:52:31 | |
ELECTRICITY SPARKS | 0:52:34 | 0:52:37 | |
That's the plan. | 0:52:49 | 0:52:50 | |
For what it's worth, I'm really sorry for the way things went. | 0:52:54 | 0:52:58 | |
What are you talking about? I've got everything I've ever wanted. | 0:52:58 | 0:53:01 | |
I mean, I'm going to live for ever. | 0:53:01 | 0:53:04 | |
Reborn into this dark infinity with crimson fuel and eyes of ebony. | 0:53:04 | 0:53:11 | |
Good at poetry. Really good. It nearly rhymes and everything. | 0:53:11 | 0:53:15 | |
I think people might listen to them now, somehow. | 0:53:15 | 0:53:18 | |
I just... I really like the idea of my work being the final thing they hear. | 0:53:18 | 0:53:23 | |
It could be so beautiful. | 0:53:23 | 0:53:24 | |
When you stop thinking that, and you will, remember I'm sorry. | 0:53:24 | 0:53:29 | |
You're not very good at being a vampire, are you? | 0:53:29 | 0:53:32 | |
-I try not to be. -Ignore him. He's never happy unless he's miserable. | 0:53:32 | 0:53:36 | |
And what will you do now? | 0:53:36 | 0:53:37 | |
Keep moving. See the world. Try not to end up in a Hoover bag. | 0:53:37 | 0:53:41 | |
Thank you. | 0:53:43 | 0:53:44 | |
It's for him. Just in case. | 0:53:44 | 0:53:47 | |
But he is my maker, my creator, the granter of this dark gift. | 0:53:47 | 0:53:53 | |
We're going to make poetry of our own. | 0:53:53 | 0:53:55 | |
Skin will be our parchment, blood will be our ink. | 0:53:56 | 0:54:01 | |
Yeah. And then we're going to have sex. | 0:54:01 | 0:54:04 | |
Did you ever meet Ivan and Daisy? | 0:54:16 | 0:54:18 | |
Hmm, now, there's a lovely thought. | 0:54:18 | 0:54:21 | |
-What we watching? -I don't know. | 0:54:25 | 0:54:28 | |
Something about con men. | 0:54:28 | 0:54:31 | |
Anything else on? | 0:54:33 | 0:54:35 | |
TV: ...And had a look at it. | 0:54:40 | 0:54:42 | |
The plumber said, "Oh, it'll probably turn out to be a Lalique". I turned it over | 0:54:42 | 0:54:47 | |
and that's exactly what it was, stamped on the bottom. | 0:54:47 | 0:54:49 | |
What do you reckon? A couple of grand? | 0:54:49 | 0:54:53 | |
No, I'm going to go with a grand. | 0:54:53 | 0:54:55 | |
What do you think, Annie? | 0:54:56 | 0:54:58 | |
Um... | 0:55:00 | 0:55:01 | |
I don't know. Let me have a look. | 0:55:03 | 0:55:05 | |
Um, yeah, a couple of grand, probably. | 0:55:07 | 0:55:11 | |
TV: Together, combined with this wonderful blue opalescence is just... | 0:55:15 | 0:55:20 | |
It just screams Lalique and is a really, really pretty thing. | 0:55:20 | 0:55:23 | |
He had a brilliant understanding of glass moulding. | 0:55:23 | 0:55:27 | |
This is a moulded piece of glass, this is all moulded | 0:55:27 | 0:55:30 | |
and then stained in to enhance the depth of the design. | 0:55:30 | 0:55:34 | |
DOOR OPENS | 0:55:35 | 0:55:36 | |
HE INHALES | 0:55:58 | 0:56:01 | |
It's good to be back. | 0:56:01 | 0:56:03 | |
-Nina sent me. -Nina? -Said you were doing great, Annie, | 0:56:06 | 0:56:09 | |
but thought you could do with an extra pair of hands. | 0:56:09 | 0:56:11 | |
She has a temperature. | 0:56:11 | 0:56:12 | |
They couldn't find any record of the baby on our entire system. | 0:56:12 | 0:56:14 | |
There are things I need to check. | 0:56:14 | 0:56:17 | |
The paper says the Box Tunnel murderer's stomach contained human flesh. | 0:56:17 | 0:56:19 | |
Dr Wilson, why did you lie? | 0:56:19 | 0:56:21 | |
-What did Hal say? -Oh, he didn't mean it. | 0:56:21 | 0:56:23 | |
You're a nice guy, but I need to know. | 0:56:23 | 0:56:25 | |
He doesn't want you growing up. | 0:56:25 | 0:56:27 | |
-What do you want? -I just want us to be a happy family. | 0:56:29 | 0:56:33 | |
Annie deserves that, doesn't she? | 0:56:33 | 0:56:35 | |
Subtitles by Red Bee Media Ltd | 0:56:49 | 0:56:52 |