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Now, we're going to start with Mr Church's fun experiment time. | 0:00:02 | 0:00:05 | |
Now, who would like to see the power of methane? | 0:00:05 | 0:00:10 | |
Pat, if you could have the, er, fire extinguisher ready. | 0:00:10 | 0:00:13 | |
So, the methane... | 0:00:13 | 0:00:15 | |
FART | 0:00:15 | 0:00:16 | |
THE KIDS LAUGH | 0:00:16 | 0:00:17 | |
Yes, yes, all right. | 0:00:17 | 0:00:18 | |
All right. That wasn't the experiment. | 0:00:18 | 0:00:20 | |
THIS is the experiment. | 0:00:20 | 0:00:22 | |
Hey, sir, do that fart one again! | 0:00:30 | 0:00:32 | |
THE KIDS LAUGH | 0:00:32 | 0:00:34 | |
# When I think about the days | 0:00:37 | 0:00:39 | |
# There is something of a haze about it | 0:00:39 | 0:00:43 | |
# When we said we'd never change | 0:00:45 | 0:00:47 | |
# Well, we never stopped to think about it | 0:00:47 | 0:00:51 | |
# No, we're not the same | 0:00:53 | 0:00:56 | |
# But let's not break the chain | 0:00:56 | 0:01:00 | |
# We should play this game together. # | 0:01:00 | 0:01:03 | |
Things have been difficult for Josh at home, cos his mum left. | 0:01:08 | 0:01:12 | |
-Mm. Where did she go? -Kenya. | 0:01:12 | 0:01:15 | |
We went for a safari holiday. | 0:01:15 | 0:01:16 | |
Josh had always wanted to see a hippopotamus, hadn't you, mate? | 0:01:16 | 0:01:20 | |
It was on that holiday... | 0:01:20 | 0:01:22 | |
that my wife fell in love with a Masai tribesman. | 0:01:22 | 0:01:26 | |
Aah, really?! I have some photographic books at home. | 0:01:26 | 0:01:30 | |
Superb muscle definition. | 0:01:30 | 0:01:32 | |
As you know, Josh is usually so outgoing, | 0:01:32 | 0:01:35 | |
but he's been quite subdued. | 0:01:35 | 0:01:37 | |
I imagine the Masai lovemaking is very animalistic. | 0:01:37 | 0:01:40 | |
So if you could just let his teachers know. | 0:01:41 | 0:01:44 | |
-What? -About Josh's situation. | 0:01:44 | 0:01:46 | |
Yeah... Oh, yes, yes, yes, of course. | 0:01:46 | 0:01:48 | |
Thank you, Ms Baron. Come on, mate. Go home. | 0:01:48 | 0:01:51 | |
Does the tribe indulge in sexual sharing? | 0:01:53 | 0:01:56 | |
Seven across - "revered philosopher". | 0:02:08 | 0:02:11 | |
Clarkson. | 0:02:11 | 0:02:13 | |
Um, can I just have everyone's attention for a moment? | 0:02:15 | 0:02:18 | |
Can we have silence, please? Sarah has an announcement. | 0:02:18 | 0:02:23 | |
Thank you. Over to you, Sarah. | 0:02:23 | 0:02:25 | |
-Thank you. -My pleasure. | 0:02:25 | 0:02:28 | |
Um, there is a boy in my tutor group called Josh Hardy | 0:02:28 | 0:02:31 | |
who is having some problems at home. | 0:02:31 | 0:02:33 | |
-Ha! Heh! Join the club. -What happened? | 0:02:33 | 0:02:36 | |
It's just a private family matter. | 0:02:36 | 0:02:37 | |
-His mum's on sex safari. -No! | 0:02:37 | 0:02:40 | |
No. Let's just all pretend that we didn't hear that. | 0:02:40 | 0:02:44 | |
We don't need to know exactly what has happened. | 0:02:44 | 0:02:47 | |
We just need to know that something has happened. | 0:02:47 | 0:02:49 | |
And it has happened, so just please bear in mind | 0:02:49 | 0:02:52 | |
that Josh is having a... | 0:02:52 | 0:02:53 | |
I'm going to say "challenging". ..challenging time. | 0:02:53 | 0:02:57 | |
Finished? | 0:02:57 | 0:02:58 | |
Yeah. | 0:02:58 | 0:03:00 | |
Thank you very much, everybody. Thank you. | 0:03:00 | 0:03:02 | |
That was very sensitively put. | 0:03:02 | 0:03:04 | |
Oh, well, thank you. | 0:03:04 | 0:03:06 | |
I've always been one of those people that others come to with a problem. | 0:03:06 | 0:03:09 | |
It's a blessing and curse. | 0:03:09 | 0:03:11 | |
It's mainly a blessing, but it can also a curse. | 0:03:11 | 0:03:14 | |
I think you're right not to let the other teachers | 0:03:14 | 0:03:16 | |
know the specific details. | 0:03:16 | 0:03:18 | |
But what are the specific details? | 0:03:18 | 0:03:20 | |
Um... | 0:03:20 | 0:03:22 | |
I can trust you to keep this to yourself? | 0:03:22 | 0:03:24 | |
No-one to tell. | 0:03:24 | 0:03:25 | |
Well, um... | 0:03:25 | 0:03:28 | |
Josh's mother has started a relationship with a non-white, | 0:03:28 | 0:03:32 | |
black gentleman... | 0:03:32 | 0:03:34 | |
from the continent of, um, Africa. | 0:03:34 | 0:03:37 | |
He's a Masai tribesman. | 0:03:37 | 0:03:39 | |
-Coloured chap, I take it. -You can't say "coloured" any more. | 0:03:39 | 0:03:42 | |
-No. -No, no. But, yes. | 0:03:42 | 0:03:44 | |
Yes, he is a Masai tribesman. They do tend to be coloured! | 0:03:44 | 0:03:46 | |
I mean, black. You know. | 0:03:46 | 0:03:49 | |
No, I mean, Afro-Caribbean. | 0:03:49 | 0:03:51 | |
Well, not...not Caribbean. He's from Africa. | 0:03:51 | 0:03:53 | |
So... | 0:03:53 | 0:03:55 | |
Afro-ican. | 0:03:55 | 0:03:56 | |
Is that the phrase we use now? | 0:03:56 | 0:03:58 | |
-Yeah. Afro-ican. -Hey, Saz. | 0:03:58 | 0:04:01 | |
Er, she's called Sarah, and please respect personal boundaries. | 0:04:01 | 0:04:04 | |
Josh is in my first lesson and I was wondering - | 0:04:04 | 0:04:06 | |
should I say something to the class? | 0:04:06 | 0:04:08 | |
No! No, no, no, no. He wouldn't want everyone to know. | 0:04:08 | 0:04:10 | |
Got it. Got it. Keep it schtum. | 0:04:10 | 0:04:12 | |
Of course, drama can be the most therapeutic therapy. | 0:04:15 | 0:04:18 | |
I was thinking of offering Josh a part in my school play. | 0:04:18 | 0:04:22 | |
Oh, yes! Oh, yes, that would be lovely. | 0:04:22 | 0:04:24 | |
Um, just checking - you're not doing the Lion King? | 0:04:24 | 0:04:27 | |
No. | 0:04:27 | 0:04:29 | |
Great. | 0:04:29 | 0:04:30 | |
No, I think that would really help Josh | 0:04:30 | 0:04:32 | |
get over the thing that I know about but can't tell you about. | 0:04:32 | 0:04:36 | |
I look forward to reviewing it in the school mag. | 0:04:36 | 0:04:40 | |
SHE CHUCKLES No, no, no. | 0:04:40 | 0:04:41 | |
I am not letting you anywhere near any more of my productions. | 0:04:41 | 0:04:45 | |
Janine, I have been the theatre reviewer for The Almanac | 0:04:45 | 0:04:48 | |
for the past 15 years. | 0:04:48 | 0:04:49 | |
And in all that time, | 0:04:49 | 0:04:50 | |
you have never once said anything remotely pleasant about my work! | 0:04:50 | 0:04:53 | |
That is a mendacious smear! Mendacious! | 0:04:53 | 0:04:57 | |
"Mrs Klebb's production was a thought-provoking piece. | 0:05:00 | 0:05:02 | |
"And the thought it provoked was, | 0:05:02 | 0:05:04 | |
'Why doesn't someone strangle Mrs Klebb?'" | 0:05:04 | 0:05:06 | |
"Annie Get Your Gun... | 0:05:08 | 0:05:09 | |
"and put the audience out of its misery." | 0:05:09 | 0:05:12 | |
"Tommy. | 0:05:12 | 0:05:14 | |
"Oh, to be truly deaf, dumb and blind." | 0:05:14 | 0:05:16 | |
I'm not sure this is a fair cross section. | 0:05:16 | 0:05:19 | |
Would you please read the review | 0:05:19 | 0:05:22 | |
of my kabuki performance of The Crucible. | 0:05:22 | 0:05:24 | |
"In Salem, they burned witches at the stake. | 0:05:27 | 0:05:30 | |
"If only we could bring back that fine tradition for Mrs Klebb." | 0:05:30 | 0:05:33 | |
That is not a review. That is a personal attack. | 0:05:33 | 0:05:36 | |
-It's both. -From now on, | 0:05:36 | 0:05:38 | |
I think it's best if someone else reviews the school plays. | 0:05:38 | 0:05:41 | |
-What?! -I've made my decision. | 0:05:41 | 0:05:43 | |
Thank you for your clear judgment in this matter, Headmistress. | 0:05:43 | 0:05:46 | |
I hereby tender my resignation as theatre reviewer for The Almanac. | 0:05:46 | 0:05:50 | |
-You've been fired. -Well, I resign as well. | 0:05:50 | 0:05:53 | |
-It's too late. -Well, just so you know, | 0:05:53 | 0:05:55 | |
I thought about resigning a few seconds before you sacked me. | 0:05:55 | 0:05:57 | |
That's it. | 0:05:57 | 0:05:58 | |
I'm putting you on crosswords. | 0:05:58 | 0:06:00 | |
Crosswords?! | 0:06:02 | 0:06:04 | |
That's disgracious! | 0:06:04 | 0:06:05 | |
Utterly disgracious! | 0:06:08 | 0:06:09 | |
Everything OK? | 0:06:12 | 0:06:13 | |
She's put me on crosswords. | 0:06:13 | 0:06:15 | |
SHE GASPS That's awful! | 0:06:15 | 0:06:16 | |
-In what? -The Almanac. | 0:06:16 | 0:06:18 | |
-What's that? -The school magazine. | 0:06:18 | 0:06:21 | |
Right. Oh! Didn't know we had one. | 0:06:21 | 0:06:23 | |
SHE CHUCKLES Does anyone read it? | 0:06:23 | 0:06:26 | |
No, of course not, but it's the principle that counts! | 0:06:26 | 0:06:28 | |
# America, keep your bombs | 0:06:31 | 0:06:36 | |
# America | 0:06:36 | 0:06:40 | |
# Keep your guns | 0:06:40 | 0:06:42 | |
# Tonight | 0:06:42 | 0:06:43 | |
# There's blood on the Stars and Stripes | 0:06:45 | 0:06:49 | |
# That's right | 0:06:50 | 0:06:51 | |
# Tonight | 0:06:53 | 0:06:54 | |
# Did somebody turn out the light? | 0:06:56 | 0:06:59 | |
# Cos I can't sleep tonight | 0:07:02 | 0:07:06 | |
# With the light... # | 0:07:10 | 0:07:12 | |
GUITAR FADES | 0:07:12 | 0:07:15 | |
STRUMMING RESUMES | 0:07:15 | 0:07:18 | |
# ..N'night. # | 0:07:18 | 0:07:20 | |
Who do you think wrote that song? | 0:07:25 | 0:07:26 | |
A bell-end? | 0:07:26 | 0:07:28 | |
It was actually me, but I'm loving the banter, keep it coming. | 0:07:28 | 0:07:32 | |
What do you think the songwriter was trying to say about America? | 0:07:32 | 0:07:36 | |
Beyonce? | 0:07:36 | 0:07:37 | |
Well, duh! That they don't like it. | 0:07:37 | 0:07:39 | |
Excellent! You've heard the subtext. | 0:07:39 | 0:07:43 | |
Cos when you first listen to it, you're just like, | 0:07:56 | 0:07:58 | |
"That's a really cool song. An anthem, even." | 0:07:58 | 0:08:01 | |
But if you really listen carefully, there's a hidden message. | 0:08:01 | 0:08:04 | |
So, homework... | 0:08:04 | 0:08:06 | |
Boring! | 0:08:06 | 0:08:08 | |
No, guys, this isn't your average boring homework, | 0:08:08 | 0:08:11 | |
because what I want you to do, guys, | 0:08:11 | 0:08:13 | |
is write some lyrics. | 0:08:13 | 0:08:14 | |
THE KIDS GROAN | 0:08:14 | 0:08:16 | |
-What...what...what about? -Write about your life. | 0:08:16 | 0:08:18 | |
That's what people like me and Eddie Sheeran do. | 0:08:18 | 0:08:21 | |
Maybe you've split up with your bitch. | 0:08:21 | 0:08:22 | |
Maybe you're in a funk with your folks cos they won't let you watch Hollyoaks Late. | 0:08:22 | 0:08:26 | |
Maybe your mum's run off with a Masai warrior. | 0:08:26 | 0:08:29 | |
Or any kind of African tribal fella. | 0:08:30 | 0:08:33 | |
Not that that's happened to anyone in this class. | 0:08:35 | 0:08:38 | |
Oooh... | 0:08:43 | 0:08:45 | |
..come on, bell! | 0:08:45 | 0:08:46 | |
CLOCK TICKS | 0:08:46 | 0:08:48 | |
-SCHOOL BELL RINGS -There it is. | 0:08:51 | 0:08:55 | |
MR GUNN: So... | 0:08:55 | 0:08:57 | |
important match tomorrow. | 0:08:57 | 0:08:59 | |
Somerstown. | 0:08:59 | 0:09:00 | |
More like Bummerstown. | 0:09:02 | 0:09:03 | |
THEY ALL GIGGLE | 0:09:03 | 0:09:05 | |
Just improv'd that. | 0:09:05 | 0:09:07 | |
We've gotta play dirty. | 0:09:07 | 0:09:09 | |
Kick the ball at 'em. | 0:09:09 | 0:09:10 | |
Like this. | 0:09:10 | 0:09:12 | |
HE GROANS Or in the nads. | 0:09:12 | 0:09:15 | |
Thank you for volunteering. Good sport. | 0:09:15 | 0:09:17 | |
Time's up, Mr Gunn! Out! | 0:09:18 | 0:09:21 | |
You what?! | 0:09:21 | 0:09:23 | |
We have the sports hall booked from four o'clock for rehearsals. | 0:09:23 | 0:09:27 | |
I'm not having your drama lot gaying up my sports hall. | 0:09:27 | 0:09:30 | |
We need to rehearse Juliet And Romeo. | 0:09:30 | 0:09:32 | |
Swapped the names round. Well done. | 0:09:32 | 0:09:33 | |
Juliet has taken second billing for 400 years. | 0:09:33 | 0:09:37 | |
This is my gender re-imagining of Shakespeare's text. | 0:09:37 | 0:09:40 | |
Didn't understand a word of that. | 0:09:40 | 0:09:42 | |
I need you out of our rehearsal space. | 0:09:42 | 0:09:44 | |
Look... | 0:09:46 | 0:09:48 | |
-WHISPERS: -..this is very important therapy for Josh. | 0:09:48 | 0:09:52 | |
Who's Josh? | 0:09:52 | 0:09:53 | |
Oh, right, what, the one whose mum's banging...? | 0:09:54 | 0:09:57 | |
Yep. Yes. Yes. | 0:09:57 | 0:09:58 | |
Well, I don't care. | 0:09:58 | 0:10:00 | |
I mean, I'm banging Deano's mum. | 0:10:00 | 0:10:01 | |
Look, you don't see him crying about it, do ya? | 0:10:01 | 0:10:04 | |
-We booked the room! -Don't care. Not budging. | 0:10:04 | 0:10:07 | |
All right, then. | 0:10:08 | 0:10:09 | |
We're not budging, are we, actors? | 0:10:09 | 0:10:11 | |
-UNENTHUSIASTICALLY: -No... | 0:10:11 | 0:10:13 | |
All right. | 0:10:16 | 0:10:18 | |
You give us 20 quid and we'll go down the pub. | 0:10:18 | 0:10:20 | |
Boozer! | 0:10:22 | 0:10:23 | |
-KIDS: -Yes! | 0:10:23 | 0:10:25 | |
Phew! Thank the Lord for that. | 0:10:28 | 0:10:30 | |
Right, so, company, gather. | 0:10:30 | 0:10:32 | |
Now, I have set Juliet And Romeo in modern-day Ibiza. | 0:10:32 | 0:10:36 | |
So... | 0:10:36 | 0:10:37 | |
Please don't touch my sports equipment, Mrs Klebb! Thank you! | 0:10:39 | 0:10:42 | |
-MISS POSTERN: -Oh, Mr Church! | 0:10:46 | 0:10:48 | |
There's a seat here. | 0:10:48 | 0:10:49 | |
Thanks. I've got two desserts - going to get fat! | 0:10:49 | 0:10:52 | |
MISS POSTERN CHORTLES | 0:10:52 | 0:10:55 | |
Oh, J-J-Josh! | 0:10:55 | 0:10:56 | |
Oh! Hello, Josh. | 0:10:56 | 0:10:59 | |
-Oh, no. He's binge-eating now. -What? | 0:11:06 | 0:11:10 | |
Look, Josh. He's got a big bucket of chicken. | 0:11:10 | 0:11:14 | |
I got it him for a treat, cheer him up a bit. | 0:11:14 | 0:11:17 | |
That's the kind of guy I am. And what d'you get with a Bargain Bucket? | 0:11:17 | 0:11:20 | |
I don't know, what do you get with a Bargain Bucket? | 0:11:20 | 0:11:23 | |
Free Wall's Viennetta. | 0:11:23 | 0:11:25 | |
-I didn't know that. -Well, I thought you were clever. | 0:11:25 | 0:11:27 | |
Well, do you really think it's wise to be giving a big bucket of fried food | 0:11:27 | 0:11:31 | |
and what is essentially a giant choc-ice to a boy of... | 0:11:31 | 0:11:34 | |
Josh's proportions? | 0:11:34 | 0:11:36 | |
Yes, so he can eat away the pain. | 0:11:36 | 0:11:38 | |
That's what fatties do, innit? | 0:11:38 | 0:11:40 | |
I'll just go over and speak to him. | 0:11:40 | 0:11:42 | |
-Oh, I really don't think... -Oh, don't worry. | 0:11:42 | 0:11:44 | |
I'm good with little 'uns. I'll just go and cheer him up. | 0:11:44 | 0:11:48 | |
Oi-oi, check out Hubble. He's drinking gravy again. | 0:11:48 | 0:11:50 | |
That man should not be allowed near a Bunsen burner. | 0:11:50 | 0:11:53 | |
Hi, Josh. High-five it. | 0:11:59 | 0:12:01 | |
How you doing, all right? | 0:12:02 | 0:12:03 | |
Bleak news about your mother. | 0:12:05 | 0:12:07 | |
You having that popcorn chicken? | 0:12:08 | 0:12:10 | |
Yeah, well, that's women for you, eh! | 0:12:15 | 0:12:18 | |
They all let you down in the end. | 0:12:18 | 0:12:21 | |
For me, it was my wife who left. | 0:12:21 | 0:12:22 | |
No, no, sit down, sit down. I just... | 0:12:22 | 0:12:24 | |
I just want to put a smile on your face, eh? | 0:12:24 | 0:12:27 | |
Anyway, she split the family apart. | 0:12:29 | 0:12:31 | |
Now I'm living in a caravan. | 0:12:32 | 0:12:34 | |
My life's over. | 0:12:35 | 0:12:36 | |
No woman will ever have me. | 0:12:38 | 0:12:40 | |
Some days, I...think I'll just lie in a ditch, wait for it all to end. | 0:12:42 | 0:12:46 | |
We should start on that Viennetta before it starts to melt. | 0:12:50 | 0:12:53 | |
It's, er...Nescafe, isn't it? | 0:12:59 | 0:13:02 | |
Yes, it is. Well remembered. | 0:13:02 | 0:13:04 | |
So I hear you've been removed as the theatre critic? | 0:13:06 | 0:13:09 | |
-I resigned. -Oh, really? Oh, the Head said you'd been sacked. | 0:13:09 | 0:13:12 | |
It was simultaneous. | 0:13:12 | 0:13:13 | |
I wonder who Baron's got to replace me. | 0:13:13 | 0:13:16 | |
Probably some Philistine who knows absolutely nothing about the theatre. | 0:13:16 | 0:13:20 | |
Hm, yeah, it's me! | 0:13:20 | 0:13:21 | |
-Oh, I'm so sorry. -And so am I. | 0:13:21 | 0:13:23 | |
I didn't want to do it. | 0:13:23 | 0:13:25 | |
But she said it was that or the crossword | 0:13:25 | 0:13:27 | |
and I thought, "No, thanks, that's the lowest of the low." | 0:13:27 | 0:13:29 | |
I'm now doing the crossword. | 0:13:29 | 0:13:30 | |
It's brilliant. That was my second choice. | 0:13:30 | 0:13:33 | |
Got some big plans for it. Going to be a total reboot. | 0:13:33 | 0:13:36 | |
So, have you had any experience reviewing? | 0:13:36 | 0:13:38 | |
Yeah. Yeah, I've written loads of reviews over the years. | 0:13:38 | 0:13:41 | |
Oh! Where can I read them? | 0:13:41 | 0:13:43 | |
Amazon. Mainly cookware. | 0:13:43 | 0:13:45 | |
In fact, last night I was reviewing a set of sporks. | 0:13:45 | 0:13:47 | |
What's a spork? | 0:13:47 | 0:13:49 | |
It's a spoon and a fork. | 0:13:49 | 0:13:51 | |
Oh! Well, you learn something new every day! | 0:13:51 | 0:13:54 | |
Will you be coming to see the play at all? | 0:13:54 | 0:13:56 | |
Oh, no, no, no. I mean, I had to go when I was reviewer. | 0:13:56 | 0:13:59 | |
-But, I mean, they're so awful, none of the staff go, no. -Oh. | 0:13:59 | 0:14:03 | |
I'd rather poke my eyes out with a... | 0:14:03 | 0:14:05 | |
-A spork! -..a spork! | 0:14:05 | 0:14:08 | |
To us. | 0:14:08 | 0:14:10 | |
KNOCK ON DOOR | 0:14:14 | 0:14:16 | |
-Excuse me, Miss Postern. -Yes? | 0:14:16 | 0:14:17 | |
Er, I'm Josh's dad. | 0:14:17 | 0:14:19 | |
Oh! Oh, yes, hello. | 0:14:19 | 0:14:22 | |
I just wanted to pop by and say thanks for being so kind to my son. | 0:14:22 | 0:14:25 | |
Oh! He's a pleasure to teach. He's quite a character. | 0:14:25 | 0:14:28 | |
He's the life and soul of the class. | 0:14:28 | 0:14:30 | |
Sometimes it's a bit difficult to get a word in. | 0:14:30 | 0:14:33 | |
Isn't that right, Josh? | 0:14:33 | 0:14:34 | |
Well, I think he is going to wow everyone in the school play. | 0:14:37 | 0:14:41 | |
What part are you playing, Josh? | 0:14:41 | 0:14:44 | |
Well, just make sure you don't steal the show. | 0:14:44 | 0:14:47 | |
I think it's going to be wonderful. It's a version of Romeo And Juliet. | 0:14:47 | 0:14:51 | |
Are you all right? | 0:14:54 | 0:14:55 | |
That was my wife's third-favourite film. | 0:14:55 | 0:14:57 | |
Oh. Oh, dear, I'm sorry. | 0:14:57 | 0:15:00 | |
Um... | 0:15:00 | 0:15:02 | |
Are you all right? | 0:15:02 | 0:15:03 | |
That's awful. I'm sorry. | 0:15:03 | 0:15:05 | |
-This man bothering you? -Er, this is...this is Josh's dad. | 0:15:05 | 0:15:08 | |
Oh! | 0:15:08 | 0:15:09 | |
Sorry to hear about your wife running off with the, um... | 0:15:09 | 0:15:12 | |
-UNDER BREATH: -..Masai tribesman. | 0:15:12 | 0:15:14 | |
I thought only you and the Headmistress knew. | 0:15:14 | 0:15:16 | |
Well, I'm the Deputy Head of Science, | 0:15:16 | 0:15:18 | |
-so I'm pretty high up the food chain. -Nobody else knows. | 0:15:18 | 0:15:21 | |
Well, the PE teacher did make a comment in the staff room | 0:15:21 | 0:15:24 | |
about a sex safari, but he doesn't know the details. | 0:15:24 | 0:15:26 | |
Look, I didn't want to make things worse for Josh. | 0:15:26 | 0:15:29 | |
Oh, he's dealing with it really well. | 0:15:29 | 0:15:30 | |
I mean... I mean, he's such a roister-doister. | 0:15:30 | 0:15:34 | |
Aren't you, eh? Ha-ha. | 0:15:34 | 0:15:36 | |
Well, thanks for your time. | 0:15:36 | 0:15:37 | |
I just popped in to buy a ticket for the show. | 0:15:37 | 0:15:40 | |
-MR CHURCH: -Oh! Rather you than me. | 0:15:40 | 0:15:41 | |
Poor Miss Postern has to sit through the whole thing, cos she's reviewing it. | 0:15:41 | 0:15:44 | |
I, um... I've actually got a spare ticket, so you could come with me. | 0:15:44 | 0:15:48 | |
-What? -Really? That's very kind. | 0:15:48 | 0:15:50 | |
-Are you sure? -Yes! Yes, of course. | 0:15:50 | 0:15:52 | |
Why not? | 0:15:52 | 0:15:53 | |
No, it's crossing a line, fraternising with a parent. | 0:15:53 | 0:15:56 | |
Well, if there's any kind of trouble... | 0:15:56 | 0:15:58 | |
No, no, no. Just ignore him. You can come with me. | 0:15:58 | 0:16:00 | |
-Thank you. -That's, er, quite all right. | 0:16:00 | 0:16:02 | |
I will see you Friday night, then, Mr Hardy. | 0:16:02 | 0:16:04 | |
-Please - Simon. -No, call him Mr Hardy. | 0:16:04 | 0:16:08 | |
Goodbye, Simon. Bye, Josh. | 0:16:08 | 0:16:09 | |
-Goodbye, Mr Church. -Yes! Goodbye! | 0:16:14 | 0:16:16 | |
Well, I hope this doesn't drag the school's good name through the mud. | 0:16:19 | 0:16:23 | |
I know. Mm. | 0:16:23 | 0:16:25 | |
It's a risk I'm willing to take. | 0:16:25 | 0:16:27 | |
You jealous? | 0:16:28 | 0:16:30 | |
-Me? -Yes, you. | 0:16:30 | 0:16:31 | |
-Jealous? -Yes. | 0:16:31 | 0:16:32 | |
-Me? -Yes. -No. | 0:16:32 | 0:16:34 | |
-Little bit jealous? -No. | 0:16:34 | 0:16:35 | |
-A little bit? -No. | 0:16:35 | 0:16:36 | |
-Tiny bit? -Jealous? | 0:16:36 | 0:16:37 | |
-Yes! -Jealous of man whose wife has left him to live in a mud hut?! | 0:16:37 | 0:16:41 | |
We were just discussing another pupil at the school. | 0:16:45 | 0:16:48 | |
I heard you got sacked as the theatre reviewer. | 0:16:50 | 0:16:52 | |
I resigned. | 0:16:52 | 0:16:54 | |
-Everyone says you got sacked. -It was a dead heat. | 0:16:54 | 0:16:57 | |
So, what mug they got doing it now, then? | 0:16:57 | 0:16:59 | |
Sarah's doing it. | 0:16:59 | 0:17:00 | |
Oh, right. Might go and see this thing with her. | 0:17:00 | 0:17:03 | |
-Make a bit of a night of it. -No. She's not going to go with you. | 0:17:03 | 0:17:06 | |
On my suggestion, she's actually taking Josh's father. | 0:17:06 | 0:17:09 | |
Oh! | 0:17:09 | 0:17:10 | |
Oh-oh-oh-oh-oh-oh! | 0:17:10 | 0:17:12 | |
What? What? | 0:17:12 | 0:17:14 | |
You know what happens when you see something with a bird, don't ya? | 0:17:14 | 0:17:16 | |
-Enlighten me. -Well... | 0:17:16 | 0:17:18 | |
he'll have his coat on his lap and then underneath, | 0:17:18 | 0:17:22 | |
she'll tug him off. | 0:17:22 | 0:17:24 | |
This is Sarah Postern we're talking about. | 0:17:24 | 0:17:26 | |
I hardly think that's likely. | 0:17:26 | 0:17:28 | |
No, no, no. Happened to me last week, mate. | 0:17:28 | 0:17:29 | |
Took some munter to see Andy Parsons. | 0:17:29 | 0:17:31 | |
I was laughing and spaffing at the same time. Best night of my life, chief! | 0:17:31 | 0:17:35 | |
Hello, Miss Postern. | 0:17:42 | 0:17:44 | |
Oh, please - Sarah. | 0:17:44 | 0:17:46 | |
Are you excited about tonight? | 0:17:46 | 0:17:48 | |
Not really. I'm missing The One Show. | 0:17:48 | 0:17:51 | |
Thanks again for the tickets. | 0:17:51 | 0:17:53 | |
I picked up a couple of programmes. | 0:17:53 | 0:17:54 | |
Oh! Let's see. Where's Josh? | 0:17:54 | 0:17:57 | |
Oh, there he is! | 0:17:58 | 0:17:59 | |
Josh Hardy... | 0:17:59 | 0:18:01 | |
"Unnamed Servant". | 0:18:01 | 0:18:03 | |
Yeah. I'm proud of him. I'm sure he's going to be great. | 0:18:03 | 0:18:06 | |
Well, let's see how he does. | 0:18:06 | 0:18:09 | |
Oh, good. You've found your seats. I saved you the best ones. | 0:18:09 | 0:18:12 | |
Oh, thank you. Yes, um... This is Janine, the director. | 0:18:12 | 0:18:15 | |
Director, producer, rewriter. | 0:18:15 | 0:18:17 | |
As I put in the programme, "dramaturge". | 0:18:17 | 0:18:20 | |
Now, Sarah, I know that we are very good friends... | 0:18:20 | 0:18:23 | |
Well... | 0:18:23 | 0:18:24 | |
..but, please, please, please, do not let that influence your review. | 0:18:24 | 0:18:27 | |
I... | 0:18:27 | 0:18:28 | |
Here are some tokens for a complimentary tea or squash at the interval. | 0:18:28 | 0:18:32 | |
Oh! Don't think you can buy a good review with a few free soft drinks. | 0:18:32 | 0:18:35 | |
You'll also find a box of Celebrations under your seat. | 0:18:35 | 0:18:37 | |
-Understood. -JANINE SNIFFS | 0:18:37 | 0:18:39 | |
-MR CHURCH: -Good evening. | 0:18:45 | 0:18:46 | |
Oh. | 0:18:46 | 0:18:48 | |
-So you are here. -Yes. | 0:18:48 | 0:18:49 | |
-So you are a little bit jealous. -No. | 0:18:51 | 0:18:53 | |
-Little bit jealous. -No. | 0:18:53 | 0:18:54 | |
-Hmm, tiny bit. -No. | 0:18:54 | 0:18:56 | |
-Sure? -Yep. | 0:18:56 | 0:18:57 | |
-Positive? -Yep. | 0:18:57 | 0:18:58 | |
Hmm. Not convinced. | 0:18:58 | 0:18:59 | |
Hello, everyone, and welcome to Greybridge. | 0:19:02 | 0:19:04 | |
Now, recently the school has come under fire | 0:19:04 | 0:19:08 | |
for not putting enough resources into extracurricular activities. | 0:19:08 | 0:19:11 | |
And that is why I'm here tonight, | 0:19:11 | 0:19:14 | |
for what I hope will be an unforgettable evening of theatre. | 0:19:14 | 0:19:18 | |
Thank you. | 0:19:18 | 0:19:19 | |
Thank you so much, Headmistress. | 0:19:21 | 0:19:23 | |
Right, um... Now, just, um, a few items of housekeeping. | 0:19:23 | 0:19:28 | |
We have fire exits located here, here and... | 0:19:28 | 0:19:32 | |
DOOR SLAMS | 0:19:36 | 0:19:37 | |
So, er... | 0:19:37 | 0:19:38 | |
-CAR ENGINE STARTS -..all that remains | 0:19:38 | 0:19:40 | |
is for me to say that I hope you enjoy this bold re-imagining | 0:19:40 | 0:19:45 | |
of a play by William Shakka-speare, | 0:19:45 | 0:19:47 | |
which is how his name would have been pronounced in Elizabethan times. | 0:19:47 | 0:19:51 | |
-MR CHURCH: -Wrong! | 0:19:51 | 0:19:52 | |
I give you the tragedy of Juliet And Romeo. | 0:19:53 | 0:19:57 | |
Romeo And Juliet. | 0:19:57 | 0:19:58 | |
APPLAUSE | 0:19:58 | 0:20:00 | |
Two house music nights, both alike. | 0:20:05 | 0:20:08 | |
No diggity. | 0:20:09 | 0:20:11 | |
In fair Ibiza, where we lay our scene. | 0:20:11 | 0:20:15 | |
PUMPING HOUSE MUSIC PLAYS | 0:20:15 | 0:20:18 | |
MUSIC FADES | 0:20:33 | 0:20:35 | |
You lookin' at me? | 0:20:35 | 0:20:36 | |
-I wasn't lookin' at you. -Serious, bruv, you lookin' at me? | 0:20:36 | 0:20:39 | |
Have they rewritten any of these lines? | 0:20:39 | 0:20:41 | |
Of course she's rewritten it! She's ruined it! | 0:20:41 | 0:20:43 | |
All right! Keep it down. Shh! | 0:20:43 | 0:20:45 | |
Shh! I don't know if you've been to the theatre before, | 0:20:45 | 0:20:48 | |
but there's actually no talking, so shh! | 0:20:48 | 0:20:52 | |
-Shh, yourself! -Shh! | 0:20:52 | 0:20:53 | |
Oh, you've just missed your son. | 0:20:53 | 0:20:56 | |
How was he? | 0:20:56 | 0:20:58 | |
Not great. | 0:20:58 | 0:21:00 | |
-ACTOR: -..the Capulets wear their best clothes. | 0:21:00 | 0:21:03 | |
O, Romeo, Romeo! Wherefore art thou, Romeo? Send. | 0:21:03 | 0:21:07 | |
TEXT MESSAGE ALERT | 0:21:07 | 0:21:09 | |
Getting Nando's. Send. | 0:21:09 | 0:21:11 | |
TEXT MESSAGE ALERT JULIET: You coming over later? | 0:21:11 | 0:21:13 | |
-Are you enjoying it? -I like the Maltesers. | 0:21:13 | 0:21:15 | |
-They are the best ones. -Oh... | 0:21:15 | 0:21:17 | |
Why don't you shut up?! | 0:21:17 | 0:21:19 | |
-Shush! -JULIET: I'm not that kind of girl! | 0:21:19 | 0:21:21 | |
You have to put a ring on it first. Send. | 0:21:21 | 0:21:24 | |
TEXT MESSAGE ALERT | 0:21:24 | 0:21:25 | |
-ROMEO: -How about some wings instead? Send. | 0:21:25 | 0:21:28 | |
TEXT MESSAGE ALERT | 0:21:28 | 0:21:30 | |
PLAY CONTINUES INDISTINCTLY IN BACKGROUND | 0:21:30 | 0:21:32 | |
What are you doing now? | 0:21:44 | 0:21:45 | |
I know your game. | 0:21:45 | 0:21:47 | |
The old "getting tugged off under the coat" trick. | 0:21:47 | 0:21:49 | |
Ah! Get off! | 0:21:49 | 0:21:50 | |
Can we...? Can we move, please? | 0:21:50 | 0:21:53 | |
-WHISPERS: -Sorry about that. | 0:22:01 | 0:22:03 | |
-WHISPERS: -Yes, good plan. Much better view. | 0:22:06 | 0:22:09 | |
JULIET: ..Dad, listen to me, please! | 0:22:09 | 0:22:10 | |
I tell thee what! | 0:22:10 | 0:22:12 | |
I forbade you from copping off with anybody | 0:22:12 | 0:22:14 | |
-from the Ministry of Montague. -"Copping off"?! | 0:22:14 | 0:22:16 | |
Badminton? | 0:22:20 | 0:22:21 | |
WHISPERS: It's not on tonight. | 0:22:21 | 0:22:23 | |
Oh. | 0:22:23 | 0:22:24 | |
-MR CHURCH: -Best performance of the evening. | 0:22:24 | 0:22:26 | |
-THEY LAUGH -He's not even in it! | 0:22:26 | 0:22:28 | |
-Would you two show some respect?! -Shh! | 0:22:29 | 0:22:32 | |
And we are back in Ibiza! | 0:22:32 | 0:22:33 | |
Thus I take this rave pill... | 0:22:39 | 0:22:42 | |
SHE COUGHS ..and overdose. | 0:22:43 | 0:22:45 | |
-ROMEO: -Where is my Juliet? | 0:22:47 | 0:22:49 | |
Oh, what?! She has OD'd! | 0:22:50 | 0:22:53 | |
This has all gone Pete Tong! | 0:22:54 | 0:22:56 | |
HE GROANS | 0:22:56 | 0:22:58 | |
ROMEO COUGHS | 0:22:58 | 0:22:59 | |
Quick! Get them to Ibiza Hospital. | 0:23:02 | 0:23:04 | |
I think they're gonna be OK. | 0:23:04 | 0:23:06 | |
What? | 0:23:06 | 0:23:08 | |
APPLAUSE | 0:23:08 | 0:23:10 | |
Well, ladies and gentleman, that is the interval. | 0:23:10 | 0:23:14 | |
Well, it's 10:30. | 0:23:14 | 0:23:17 | |
I have taken the liberty of writing a whole new second half. | 0:23:17 | 0:23:19 | |
-JANINE SIGHS -See you in 15 minutes. | 0:23:19 | 0:23:21 | |
APPLAUSE | 0:23:21 | 0:23:23 | |
-Are you enjoying the production? -Er... | 0:23:35 | 0:23:38 | |
Well, you'll be glad to hear there's plenty more to come. | 0:23:38 | 0:23:40 | |
Shakka-speare must be rolling in his grave. | 0:23:40 | 0:23:44 | |
Why are you such a tosspot? | 0:23:44 | 0:23:45 | |
Oh, come on, don't be like that. Be the bigger man. | 0:23:45 | 0:23:48 | |
Not bigger like that. | 0:23:48 | 0:23:49 | |
The other...bigger. | 0:23:49 | 0:23:52 | |
Squash? | 0:23:53 | 0:23:54 | |
Not for me, thanks. It's quite a racket Klebb's got going on there. | 0:23:54 | 0:23:57 | |
15p for a squash? It's a rip off. | 0:23:57 | 0:24:00 | |
-Hmm, well, I've got free tokens. -That's bribery. | 0:24:00 | 0:24:02 | |
-Is it? -On top of the Celebrations, yes. | 0:24:02 | 0:24:04 | |
Cos I thought it was an incentive. | 0:24:04 | 0:24:06 | |
Pretty big incentive. Bumper box. | 0:24:06 | 0:24:08 | |
Mr Church, I've received complaints from members of the audience | 0:24:08 | 0:24:11 | |
that you're ruining the play. | 0:24:11 | 0:24:13 | |
You are ruining the play. | 0:24:13 | 0:24:15 | |
Anyway, how many complaints have you had? | 0:24:15 | 0:24:17 | |
There's only about 12 people in here! | 0:24:17 | 0:24:19 | |
Why don't you just shove off? | 0:24:19 | 0:24:20 | |
Oh, no. I wouldn't miss this for the world! | 0:24:20 | 0:24:23 | |
This is going down as one of the worst productions in school history! | 0:24:23 | 0:24:25 | |
Listen, do yourself a favour and piss off! | 0:24:25 | 0:24:27 | |
How dare you assault the Deputy Head of Science?! | 0:24:27 | 0:24:30 | |
My boy's up there and he's showing real talent | 0:24:30 | 0:24:32 | |
and you're ruining it for him! | 0:24:32 | 0:24:33 | |
Your son is beyond talentless! | 0:24:33 | 0:24:36 | |
He's as wooden as a...wooden tree. | 0:24:36 | 0:24:38 | |
How dare you?! | 0:24:38 | 0:24:40 | |
I do dare you! | 0:24:40 | 0:24:41 | |
He only got the part because his mum's having sex with an Afro-ican. | 0:24:41 | 0:24:44 | |
That's it! | 0:24:44 | 0:24:46 | |
Oh... | 0:24:46 | 0:24:47 | |
THUD | 0:24:49 | 0:24:51 | |
"Renaming the play Juliet And Romeo was an intriguing idea. | 0:24:59 | 0:25:05 | |
"Mrs Klebb's direction throughout was solid, | 0:25:05 | 0:25:08 | |
"and her rewriting of Shakespeare's lines made for an interesting evening. | 0:25:08 | 0:25:12 | |
"Unfortunately, I did not see the second half | 0:25:13 | 0:25:15 | |
"as I was punched quite hard in the face. | 0:25:15 | 0:25:17 | |
"It was a fine effort. Three out of five." | 0:25:20 | 0:25:23 | |
Yes! | 0:25:23 | 0:25:25 | |
I'm glad that you're happy with it. | 0:25:25 | 0:25:27 | |
Oh! Well, it's not about me, is it? | 0:25:27 | 0:25:30 | |
It's about the kids - the kids who worked so hard on the production. | 0:25:30 | 0:25:33 | |
Yes, and, er... | 0:25:33 | 0:25:35 | |
-thank you for the book tokens. -Oh! | 0:25:35 | 0:25:37 | |
Don't forget to check out my crossword. | 0:25:39 | 0:25:42 | |
Oh! | 0:25:42 | 0:25:43 | |
One across - "dramatic failure". | 0:25:46 | 0:25:49 | |
Travesty. Easy! | 0:25:49 | 0:25:52 | |
Boys! I hope you're not bullying Josh. | 0:26:00 | 0:26:03 | |
We ain't bullying him! Man's a legend! | 0:26:03 | 0:26:06 | |
-Really? -His stepdad's a warrior! | 0:26:06 | 0:26:09 | |
-Kills zebras an' shit. -Yes, well, | 0:26:09 | 0:26:11 | |
I think you'll find that's poaching | 0:26:11 | 0:26:13 | |
but, um, it's good that you're making friends. | 0:26:13 | 0:26:16 | |
And, um, congratulations on the school play. | 0:26:16 | 0:26:19 | |
You really were perfectly... | 0:26:19 | 0:26:21 | |
adequate. | 0:26:21 | 0:26:23 | |
"Dire event". | 0:26:26 | 0:26:28 | |
Calamity. | 0:26:29 | 0:26:31 | |
Calamitous. | 0:26:31 | 0:26:32 | |
Well... | 0:26:32 | 0:26:34 | |
I can't sit around watching you do the crossword all day. | 0:26:34 | 0:26:37 | |
If you'll excuse me. | 0:26:37 | 0:26:38 | |
Have a lovely day. | 0:26:45 | 0:26:46 | |
Juliet. | 0:26:50 | 0:26:52 | |
Romeo. | 0:26:52 | 0:26:54 | |
Intellectual poverty. | 0:26:54 | 0:26:56 | |
Dung? | 0:26:58 | 0:27:00 | |
Witch?! | 0:27:00 | 0:27:02 | |
Bastard! | 0:27:05 | 0:27:06 | |
Just get on with some private reading. | 0:27:28 | 0:27:31 | |
Where is he? | 0:27:34 | 0:27:36 | |
BANGING ON DOOR | 0:27:43 | 0:27:44 | |
Open this door! | 0:27:44 | 0:27:45 | |
Oh! Hello, Pat. | 0:27:47 | 0:27:49 | |
BANGING CONTINUES | 0:27:49 | 0:27:51 | |
Mr Church! Come out here! | 0:27:51 | 0:27:53 | |
BANGING CONTINUES | 0:27:58 | 0:28:00 | |
Church! | 0:28:04 | 0:28:06 | |
2.5k swim, 110k bike ride, and then a marathon. | 0:28:06 | 0:28:10 | |
What, all in my wet bikini? | 0:28:10 | 0:28:11 | |
-MS BARON: -This is a new low for the school. | 0:28:11 | 0:28:13 | |
What's the matter? You never seen a huge donger before? | 0:28:13 | 0:28:17 | |
DRYER BLOWS | 0:28:17 | 0:28:20 | |
-What's a "sex man"? -A man who has sex. Regularly. | 0:28:20 | 0:28:22 | |
-MRS KLEBB: -They're fighting! | 0:28:22 | 0:28:24 | |
I'm sorry, but I've got men fighting over me! | 0:28:24 | 0:28:27 | |
# When I think about the days | 0:28:27 | 0:28:29 | |
# There is something of a haze about it | 0:28:29 | 0:28:32 | |
# When you said we'd never change | 0:28:35 | 0:28:37 | |
# Well, we never stopped to think about it | 0:28:37 | 0:28:40 | |
# No, we're not the same | 0:28:42 | 0:28:45 | |
# But let's not break the chain | 0:28:46 | 0:28:49 | |
# We should play this game together. # | 0:28:49 | 0:28:53 |