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'Some people are given gifts on their birthdays. This guy was born with a gift on the day of his birth. | 0:00:02 | 0:00:06 | |
'Please put your hands together for the man who eats bees - | 0:00:06 | 0:00:10 | |
'Mr Nick | 0:00:10 | 0:00:13 | |
'He-e-e-elm!' | 0:00:13 | 0:00:19 | |
HEAVY ROCK MUSIC PLAYS | 0:00:19 | 0:00:23 | |
This programme contains strong language | 0:00:23 | 0:00:29 | |
CHEERING AND APPLAUSE | 0:00:34 | 0:00:37 | |
# I'm heavier than metal I'm heavier than steel | 0:00:49 | 0:00:53 | |
# I'm heavy like an elephant that's eaten a big meal | 0:00:53 | 0:00:57 | |
# I'm heavier than science I'm heavy like a whale | 0:00:57 | 0:01:00 | |
# I'm heavy like a hammer as it drives upon a nail | 0:01:00 | 0:01:04 | |
# Think of something heavy I'm heavier than that | 0:01:04 | 0:01:08 | |
# I'm heavy like a man who's lifting up a cat | 0:01:08 | 0:01:12 | |
# I'm heavier than thunder I'm heavier than rain | 0:01:12 | 0:01:16 | |
# I'm heavier than funky stuff So let me entertain | 0:01:16 | 0:01:20 | |
# Nick Helm, heavy entertainment | 0:01:20 | 0:01:23 | |
# There's so much of it that it is spilling on the pavement | 0:01:23 | 0:01:27 | |
# Nick Helm, heavy entertainment | 0:01:27 | 0:01:31 | |
# When you hear me coming, you'll be wondering where your brain went | 0:01:31 | 0:01:35 | |
# Nick Helm, heavy entertainment | 0:01:35 | 0:01:38 | |
# If you want it changing We can come to an arrangement... # | 0:01:38 | 0:01:42 | |
CHEERING AND APPLAUSE | 0:01:57 | 0:02:00 | |
LAUGHTER | 0:02:20 | 0:02:21 | |
# ..It's inherently within me to do heavy entertainment | 0:02:35 | 0:02:40 | |
# Nick Helm, heavy entertainment | 0:02:40 | 0:02:43 | |
# Heavy, heavy, heavy, heavy, heavy entertainment | 0:02:43 | 0:02:47 | |
# Nick Helm, heavy entertainment | 0:02:47 | 0:02:50 | |
# It's the title of the show | 0:02:50 | 0:02:51 | |
# If you were wondering what the sign meant. # | 0:02:51 | 0:02:55 | |
CHEERING AND APPLAUSE | 0:02:55 | 0:02:58 | |
Good evening, cock-suckers! | 0:03:06 | 0:03:11 | |
AND gentlemen. | 0:03:13 | 0:03:16 | |
-Are you all right? -AUDIENCE: Yes! | 0:03:16 | 0:03:19 | |
-Louder than that. Are you all right? -AUDIENCE: Yes! | 0:03:19 | 0:03:22 | |
-Louder than that. Are you all right? -AUDIENCE: Yes! | 0:03:22 | 0:03:24 | |
Let's kick it in the dick! | 0:03:24 | 0:03:28 | |
Welcome to Nick Helm's Heavy Entertainment. | 0:03:28 | 0:03:31 | |
I am Nick Helm, and this is Heavy Entertainment. | 0:03:31 | 0:03:35 | |
This is my one-man mission to bring back entertainment, | 0:03:35 | 0:03:39 | |
so get ready to see the best thing you have ever seen with your eyes | 0:03:39 | 0:03:44 | |
and hear the best thing you have ever heard with your ears! | 0:03:44 | 0:03:48 | |
CHEERING | 0:03:48 | 0:03:50 | |
Do you like jokes? Do you like jokes? Do you like jokes? | 0:03:50 | 0:03:54 | |
Do you like jokes? Do you like jokes? Do you like jokes? | 0:03:54 | 0:03:57 | |
Do you like jokes? Do you like jokes? Do you like jokes? | 0:03:57 | 0:04:00 | |
Do you like jokes? Do you like jokes? Fucking answer me, mate! | 0:04:00 | 0:04:04 | |
-Do you like jokes? -I do, yeah. -You're in luck, mate. | 0:04:05 | 0:04:09 | |
I got six of the pricks, let's do this. | 0:04:09 | 0:04:12 | |
Everyone's heard about my impressive sock collection - | 0:04:12 | 0:04:16 | |
that's my big drawer! | 0:04:16 | 0:04:19 | |
LOUD BANG | 0:04:19 | 0:04:21 | |
You're welcome! | 0:04:21 | 0:04:23 | |
That joke works on two levels. | 0:04:25 | 0:04:27 | |
First level - if I had an impressive sock collection, | 0:04:27 | 0:04:29 | |
people would be queuing round the block to see it. | 0:04:29 | 0:04:32 | |
Second level - where would I keep such a thing? | 0:04:32 | 0:04:34 | |
In literally a massive drawer. Don't worry, | 0:04:34 | 0:04:36 | |
I'll be explaining them all. | 0:04:36 | 0:04:38 | |
I've never been abroad. | 0:04:38 | 0:04:40 | |
I've always had a cock and balls. | 0:04:40 | 0:04:43 | |
LOUD BANG, GLASS SHATTERS | 0:04:43 | 0:04:44 | |
APPLAUSE | 0:04:44 | 0:04:46 | |
Self-explanatory, innit, though? | 0:04:48 | 0:04:50 | |
What d'you call an alcoholic wizard? | 0:04:50 | 0:04:53 | |
Merlot! | 0:04:53 | 0:04:55 | |
-LOUD BANGING -Oh, my God! | 0:04:55 | 0:04:57 | |
I started with "merl" and worked backwards - mythical! | 0:04:57 | 0:05:02 | |
What do you call a choc ice with a moustache? | 0:05:03 | 0:05:06 | |
Magnum PI! | 0:05:06 | 0:05:08 | |
MACHINE-GUN FIRE | 0:05:08 | 0:05:10 | |
MUSIC PLAYS | 0:05:10 | 0:05:12 | |
MUSIC STOPS, MACHINE-GUN FIRE | 0:05:19 | 0:05:22 | |
This is happening! Someone told me that joke doesn't work. | 0:05:23 | 0:05:27 | |
The only way to make that joke work is to say, | 0:05:27 | 0:05:30 | |
what d'you call a choc ice with a stick in it? | 0:05:30 | 0:05:32 | |
Magnum PI. See if that works. | 0:05:32 | 0:05:35 | |
What do you call a choc ice with a stick in it? | 0:05:35 | 0:05:38 | |
Magnum PI. | 0:05:38 | 0:05:39 | |
Doesn't work, all right? | 0:05:39 | 0:05:41 | |
Mainly cos Tom Selleck never fucking walked round | 0:05:41 | 0:05:43 | |
with a fucking stick in 'im. | 0:05:43 | 0:05:44 | |
The only way to make that joke work is to say, | 0:05:44 | 0:05:47 | |
what d'you call a choc ice with a stick in it? | 0:05:47 | 0:05:50 | |
A Magnum. That is just a fact. | 0:05:50 | 0:05:51 | |
So, in future, keep your fucking opinions to yourself... | 0:05:53 | 0:05:56 | |
Mum. | 0:05:56 | 0:05:58 | |
What did the shepherd's wife say to the shepherd? | 0:06:00 | 0:06:03 | |
-You HERD! Yes! -EXPLOSION | 0:06:03 | 0:06:06 | |
MUSIC: "SOS" by Abba | 0:06:06 | 0:06:08 | |
EXPLOSION | 0:06:11 | 0:06:13 | |
Works on two levels. | 0:06:15 | 0:06:17 | |
First level - he's a shepherd, that's what he does for a living, | 0:06:17 | 0:06:19 | |
he herds. Second level - you can just imagine | 0:06:19 | 0:06:22 | |
what a joyless fucking life he's had. | 0:06:22 | 0:06:25 | |
I had sex with a model the other day. A model village. | 0:06:26 | 0:06:29 | |
I was like a sexy Godzilla! | 0:06:29 | 0:06:32 | |
MUSIC PLAYS | 0:06:32 | 0:06:35 | |
-EXPLOSION -And we're off! | 0:06:40 | 0:06:42 | |
Right, I'm on TV and I don't want to waste a moment of it, | 0:06:42 | 0:06:45 | |
so without further ado, | 0:06:45 | 0:06:47 | |
here is a list of all the people that have wronged me. | 0:06:47 | 0:06:50 | |
Tom Dugan, Phillip Franks, Tristan Billingswade, | 0:06:53 | 0:06:57 | |
Frederick Forsyth, Pete Chesterfield. | 0:06:57 | 0:07:01 | |
Pete Chesterfield - you said I was an idiot | 0:07:01 | 0:07:03 | |
and that I would never amount to anything. | 0:07:03 | 0:07:05 | |
Well, I've got three cars, Pete, | 0:07:05 | 0:07:07 | |
and I can't even drive. Who's the idiot now? | 0:07:07 | 0:07:09 | |
It's you, Pete, you are the idiot. | 0:07:09 | 0:07:12 | |
Ian Christianson, you also said I was an idiot | 0:07:12 | 0:07:14 | |
and I would never amount to anything. | 0:07:14 | 0:07:16 | |
Well, check out what I just said to Pete Chesterfield | 0:07:16 | 0:07:19 | |
and apply that to yourself. | 0:07:19 | 0:07:21 | |
You'll get a rough idea of what I would've said to you | 0:07:21 | 0:07:23 | |
had you been number one on the list. And finally, | 0:07:23 | 0:07:25 | |
Sophie Fleming. If you're out there, | 0:07:25 | 0:07:27 | |
I hope that every day is filled with a trudging regret | 0:07:27 | 0:07:31 | |
as you look at what you left behind | 0:07:31 | 0:07:33 | |
and see what you ended up with, | 0:07:33 | 0:07:35 | |
and that not a moment goes by | 0:07:35 | 0:07:37 | |
that you're either kicking yourself | 0:07:37 | 0:07:38 | |
or at least thinking about kicking yourself | 0:07:38 | 0:07:41 | |
because you are so frustrated with what you had | 0:07:41 | 0:07:43 | |
and let slip through your fingers. | 0:07:43 | 0:07:45 | |
And when I say kicking yourself, I don't mean metaphorically. | 0:07:45 | 0:07:48 | |
I mean actually kicking yourself, hard in the leg, | 0:07:48 | 0:07:50 | |
or maybe you can lean over and you can kick yourself in the arm. | 0:07:50 | 0:07:53 | |
Anyway, kicking yourself | 0:07:53 | 0:07:54 | |
because of what you let slip through your fingers, this is all for you. | 0:07:54 | 0:07:59 | |
You're very friendly, aren't you? | 0:08:02 | 0:08:04 | |
-What's your name? -Piers. | 0:08:04 | 0:08:06 | |
Piers, Piers, Piers... Have you got piercings? | 0:08:06 | 0:08:11 | |
-I haven't. -I mean, that is the best I could come up with, but... | 0:08:11 | 0:08:14 | |
You've got to allow it. I'm under considerable pressure, all right? | 0:08:14 | 0:08:18 | |
Yeah, yeah. | 0:08:18 | 0:08:21 | |
-What's your name? -David. -Yeah, get out the way, David. | 0:08:21 | 0:08:24 | |
Right, I'm going to do a little poem for you. | 0:08:27 | 0:08:29 | |
Smile a smile | 0:08:29 | 0:08:32 | |
As big as your face... | 0:08:32 | 0:08:34 | |
He's doing it. | 0:08:34 | 0:08:36 | |
Smile a smile all over the place | 0:08:39 | 0:08:43 | |
A smile is a gift That you give out to others | 0:08:45 | 0:08:48 | |
From fathers and sisters To mothers and brothers | 0:08:48 | 0:08:51 | |
From strangers and rangers And teachers and friends | 0:08:51 | 0:08:54 | |
From ear to ear Turning up at the ends | 0:08:54 | 0:08:59 | |
Smile out in public Or smile all alone | 0:08:59 | 0:09:03 | |
But if you smile alone in public | 0:09:03 | 0:09:06 | |
People WILL think you're mental. | 0:09:06 | 0:09:08 | |
You're not mental, are you, Piers? | 0:09:11 | 0:09:13 | |
-I'm not, no. -I'm going to let you live. | 0:09:13 | 0:09:17 | |
So, Piers, what is your favourite soft drink? | 0:09:28 | 0:09:35 | |
-7UP. -Whoa, just like that! | 0:09:35 | 0:09:38 | |
Straight out - 7UP. Why 7UP? Why not Sprite? | 0:09:38 | 0:09:42 | |
7UP seems more authentic. | 0:09:42 | 0:09:44 | |
LAUGHTER | 0:09:44 | 0:09:46 | |
How so, Piers? | 0:09:48 | 0:09:50 | |
It feels like they really care about the lemonade-y taste, | 0:09:50 | 0:09:53 | |
whereas Sprite seems like they're just pumping it out, | 0:09:53 | 0:09:56 | |
they're just pumping it out to people who'll just drink anything. | 0:09:56 | 0:09:59 | |
I mean, I've just got, like, a blanket understanding of everything, | 0:10:01 | 0:10:05 | |
but you've specialised, so... | 0:10:05 | 0:10:07 | |
No, that's really... That's really good. | 0:10:09 | 0:10:13 | |
Thanks. | 0:10:13 | 0:10:14 | |
Fanta. | 0:10:22 | 0:10:23 | |
Mine's Fanta, Piers. | 0:10:25 | 0:10:27 | |
That's how you do it, innit? | 0:10:27 | 0:10:29 | |
I ask you a question and then you ask me a question back | 0:10:29 | 0:10:31 | |
and then soon enough we become friends! | 0:10:31 | 0:10:34 | |
But it's all you, you, you, you, isn't it, Piers? | 0:10:34 | 0:10:36 | |
I've only known you two minutes | 0:10:36 | 0:10:38 | |
and half that time you're going on about your fucking 7UP addiction. | 0:10:38 | 0:10:41 | |
LAUGHTER | 0:10:41 | 0:10:43 | |
Still, you got nice eyes. | 0:10:43 | 0:10:45 | |
This is a special joke just for you. | 0:10:46 | 0:10:49 | |
I had sex with a model the other day... | 0:10:49 | 0:10:52 | |
This guy! | 0:10:52 | 0:10:54 | |
You're very welcome. | 0:10:59 | 0:11:02 | |
Right, on with the entertainment. | 0:11:02 | 0:11:04 | |
What would a show like this be | 0:11:04 | 0:11:05 | |
without some cutting-edge sketch humour? Nothing! | 0:11:05 | 0:11:10 | |
Nothing without sketch humour. | 0:11:10 | 0:11:11 | |
Everyone says, "You can't write sketch humour, Nick. | 0:11:11 | 0:11:14 | |
"You're not a sketch man." Fuck all of you, right, | 0:11:14 | 0:11:18 | |
cos I have written a fucking sketch and it's fucking amazing. | 0:11:18 | 0:11:21 | |
Hold that a minute. | 0:11:21 | 0:11:23 | |
Do you know what? It's actually more difficult getting dressed | 0:11:33 | 0:11:36 | |
when there's 250 people watching you | 0:11:36 | 0:11:39 | |
than at first you would imagine. | 0:11:39 | 0:11:41 | |
HE LAUGHS FALSELY | 0:11:44 | 0:11:46 | |
So, I said to the guy, | 0:11:57 | 0:11:59 | |
"If you keep pulling on it like that, it's going to fall off." | 0:11:59 | 0:12:03 | |
So what happened? | 0:12:03 | 0:12:05 | |
It fell off. Ohh. | 0:12:05 | 0:12:08 | |
Oh, my word, you are so funny. | 0:12:08 | 0:12:12 | |
And I should know - after all, | 0:12:12 | 0:12:13 | |
I am a highly respected brain doctor and bikini model. | 0:12:13 | 0:12:17 | |
What the FORK! | 0:12:18 | 0:12:20 | |
HE SIGHS | 0:12:22 | 0:12:24 | |
Oh, you are so strong and powerful, Nick, | 0:12:24 | 0:12:26 | |
and I don't know how any girl could resist you. | 0:12:26 | 0:12:29 | |
Who says they can? | 0:12:29 | 0:12:31 | |
What the KNIFE? | 0:12:33 | 0:12:35 | |
Oh, waiter! | 0:12:39 | 0:12:41 | |
Can we get a bottle of the Chardonnay '62, please? | 0:12:42 | 0:12:47 | |
Certainly, sir. And may I say | 0:12:47 | 0:12:50 | |
what a remarkably handsome young man you are. | 0:12:50 | 0:12:52 | |
Thank you very much. | 0:12:52 | 0:12:54 | |
-I'll be right back with that wine. -WAY TO go. | 0:12:54 | 0:12:58 | |
Wh-What are you doing here? | 0:13:07 | 0:13:10 | |
Nick, I've come to say I'm sorry. | 0:13:10 | 0:13:12 | |
I'm sorry for leaving you and thinking that | 0:13:12 | 0:13:15 | |
I could do better elsewhere - forward slash - cheating on you. | 0:13:15 | 0:13:18 | |
I want us to be together and for our souls to entwine once more | 0:13:21 | 0:13:26 | |
and for us to grow old together | 0:13:26 | 0:13:28 | |
and to produce babies as a manifestation of our undying love. | 0:13:28 | 0:13:31 | |
And you were right about Sliding Doors, it IS a terrible film. | 0:13:31 | 0:13:36 | |
I mean, what were they thinking, | 0:13:38 | 0:13:40 | |
casting John Hannah as a plausible romantic lead? | 0:13:40 | 0:13:43 | |
Your guess is as good as mine. | 0:13:44 | 0:13:48 | |
Why have you come back? | 0:13:48 | 0:13:49 | |
I'm trying to move on with my life. I'm trying to rebuild it. | 0:13:49 | 0:13:53 | |
-It's a bit late now, isn't it? -Yeah. | 0:13:53 | 0:13:56 | |
You'd better just leave. | 0:13:56 | 0:13:58 | |
Take care of him. | 0:13:59 | 0:14:02 | |
I'm so sorry. I guess I'm not completely over her. | 0:14:09 | 0:14:12 | |
I don't want to waste your time. I'm sorry, you'd better just go. | 0:14:12 | 0:14:16 | |
Curse you for always being right. | 0:14:17 | 0:14:20 | |
Your wine, sir. | 0:14:27 | 0:14:29 | |
Whoa, whoa, whoa... What's all this tears? | 0:14:29 | 0:14:34 | |
They both left. | 0:14:35 | 0:14:36 | |
I don't know how anybody could leave you, Nick. | 0:14:36 | 0:14:40 | |
I've only just met you, but I can honestly say | 0:14:40 | 0:14:44 | |
you are the greatest man that's ever walked this earth. | 0:14:44 | 0:14:47 | |
Look at you, | 0:14:47 | 0:14:50 | |
you glorious hero. | 0:14:50 | 0:14:53 | |
This may be a little forward, Nick, | 0:14:53 | 0:14:55 | |
but would you consider being godfather to my unborn child? | 0:14:55 | 0:15:00 | |
What the SPOON? | 0:15:06 | 0:15:07 | |
See, that's great, right? | 0:15:10 | 0:15:12 | |
Well, I can fucking do it. I wrote that! | 0:15:18 | 0:15:21 | |
I wrote that all by myself. | 0:15:21 | 0:15:25 | |
I wrote that. | 0:15:25 | 0:15:26 | |
So, yeah, I met a girl once, actually, | 0:15:26 | 0:15:30 | |
whose favourite films were Sliding Doors and Armageddon. | 0:15:30 | 0:15:34 | |
I just thought, "You'd better have only seen two fucking films!" | 0:15:34 | 0:15:39 | |
Here, just hold that for a second, thanks. | 0:15:48 | 0:15:51 | |
Right, so, um... | 0:15:51 | 0:15:53 | |
AUDIENCE GROANS THEN APPLAUDS | 0:15:57 | 0:16:00 | |
Yes, I'm going to do... | 0:16:03 | 0:16:06 | |
HE CLEARS HIS THROAT | 0:16:06 | 0:16:08 | |
I'm going to do a little poem for you. | 0:16:10 | 0:16:13 | |
Should be another fucking sound cue, shouldn't there? | 0:16:13 | 0:16:16 | |
MUSIC: "Adagio For Strings, Op 11" by Samuel Barber | 0:16:16 | 0:16:19 | |
This is called Please Don't Go. | 0:16:21 | 0:16:23 | |
Please don't go | 0:16:25 | 0:16:26 | |
Please don't go | 0:16:28 | 0:16:29 | |
If you go, I can't go on | 0:16:29 | 0:16:32 | |
I won't go on | 0:16:32 | 0:16:33 | |
I'll never make it through the night without you | 0:16:33 | 0:16:37 | |
Please don't go | 0:16:37 | 0:16:38 | |
Please don't go | 0:16:38 | 0:16:41 | |
We've been together too long to throw all this away | 0:16:42 | 0:16:44 | |
Eight years | 0:16:44 | 0:16:46 | |
It was just beginning to get good | 0:16:46 | 0:16:48 | |
If you leave me | 0:16:49 | 0:16:51 | |
I will never, ever get over you | 0:16:51 | 0:16:53 | |
No-one will ever replace you | 0:16:53 | 0:16:55 | |
No-one will ever replace you for ages | 0:16:55 | 0:16:57 | |
For ages and ages | 0:16:57 | 0:16:59 | |
For months even | 0:16:59 | 0:17:00 | |
I will literally not be able to replace you for months | 0:17:00 | 0:17:03 | |
Don't go | 0:17:03 | 0:17:04 | |
If you go I will gradually get over you | 0:17:04 | 0:17:06 | |
And end up with someone else | 0:17:06 | 0:17:07 | |
If you leave me, I will KILL MYSELF | 0:17:07 | 0:17:10 | |
I probably won't kill myself | 0:17:12 | 0:17:14 | |
But I will certainly feel pretty shit about it for a while | 0:17:14 | 0:17:18 | |
I will put on weight | 0:17:18 | 0:17:19 | |
Or I will lose some weight | 0:17:19 | 0:17:21 | |
One or the other | 0:17:21 | 0:17:23 | |
Or maybe I'll maintain my current weight | 0:17:23 | 0:17:25 | |
Maybe that's how I'll deal with it this time | 0:17:25 | 0:17:27 | |
By just maintaining my current weight | 0:17:27 | 0:17:29 | |
I don't know what I'll do if you leave me | 0:17:29 | 0:17:30 | |
Please don't go | 0:17:30 | 0:17:32 | |
I'll do anything you want | 0:17:32 | 0:17:33 | |
I will fill your bed with red roses | 0:17:33 | 0:17:35 | |
Or rub the antiseptic cream on your back | 0:17:35 | 0:17:37 | |
From all the thorn scratches you get when you get home late | 0:17:37 | 0:17:39 | |
And fail to notice all the red roses in your bed | 0:17:39 | 0:17:42 | |
I will go out on Fridays | 0:17:42 | 0:17:44 | |
I will stay in on Saturdays | 0:17:44 | 0:17:45 | |
I will stay in on Sundays | 0:17:45 | 0:17:47 | |
I'll go out for a bit on Mondays | 0:17:47 | 0:17:48 | |
Tuesday and Wednesdays vary | 0:17:48 | 0:17:50 | |
Thursdays is mine, I thank you | 0:17:50 | 0:17:52 | |
I'll watch Sliding Doors with you I saw it the other day | 0:17:52 | 0:17:55 | |
And it wasn't as bad as I remembered | 0:17:55 | 0:17:57 | |
Once you get over John Hannah's eyebrows | 0:17:57 | 0:17:59 | |
And that Spanish Inquisition sketch halfway through | 0:17:59 | 0:18:01 | |
What the fuck were they thinking?! | 0:18:01 | 0:18:03 | |
I'll try harder to remember your friends' names | 0:18:03 | 0:18:05 | |
Even the ones I haven't met Or you don't talk to any more | 0:18:05 | 0:18:07 | |
Like Wendy | 0:18:07 | 0:18:09 | |
I can't believe she got an abortion without telling Darren | 0:18:09 | 0:18:11 | |
How the hell must've he felt about all that? | 0:18:11 | 0:18:13 | |
I can literally only imagine | 0:18:13 | 0:18:14 | |
I don't even know what their faces look like | 0:18:14 | 0:18:16 | |
I will keep my stuff in a very specific, isolated area of the house | 0:18:16 | 0:18:19 | |
Somewhere between the bedroom door and the bed | 0:18:19 | 0:18:22 | |
Somewhere specifically out of sight and tucked away | 0:18:22 | 0:18:24 | |
Say, in a bedside drawer | 0:18:24 | 0:18:26 | |
That is the perfect place for all my stuff | 0:18:26 | 0:18:29 | |
I will love all of your new haircuts | 0:18:31 | 0:18:33 | |
Or at least give the impression I love them | 0:18:33 | 0:18:35 | |
I'm sorry I screamed when I saw your new haircut | 0:18:35 | 0:18:37 | |
It looks really good | 0:18:37 | 0:18:38 | |
I just thought at first a stranger was invading our home | 0:18:38 | 0:18:43 | |
I will listen to all of your problems | 0:18:43 | 0:18:44 | |
And never try and solve them | 0:18:44 | 0:18:46 | |
I will love you as much or as little as the situation requires | 0:18:46 | 0:18:48 | |
I will not overreact when you tell me how many people you slept with | 0:18:48 | 0:18:51 | |
Even though that number keeps increasing despite the fact | 0:18:51 | 0:18:54 | |
That we've been going out with each other for eight years | 0:18:54 | 0:18:56 | |
I am surrounded | 0:18:56 | 0:18:58 | |
I am wrong | 0:18:58 | 0:19:00 | |
You are right | 0:19:00 | 0:19:01 | |
I am beaten | 0:19:01 | 0:19:03 | |
I am unarmed | 0:19:03 | 0:19:04 | |
I am defenceless | 0:19:04 | 0:19:07 | |
You have won | 0:19:07 | 0:19:09 | |
Please don't go. | 0:19:09 | 0:19:11 | |
APPLAUSE | 0:19:11 | 0:19:14 | |
Well... | 0:19:25 | 0:19:27 | |
I came here today | 0:19:33 | 0:19:35 | |
and I looked at that | 0:19:35 | 0:19:37 | |
and I shat myself. | 0:19:37 | 0:19:39 | |
And today's been a fucking nightmare, | 0:19:43 | 0:19:46 | |
so I guess the real lesson is, Piers, | 0:19:46 | 0:19:49 | |
just be careful what you wish for, innit? | 0:19:49 | 0:19:52 | |
I think that's what we're here for, just to learn, innit? | 0:19:54 | 0:19:59 | |
Today, that's what I'm here for. That's not what you're here for. | 0:19:59 | 0:20:02 | |
You're here for a bit of fucking...bit of fun, innit? | 0:20:02 | 0:20:05 | |
People say to me, "Why don't you just shave your back, Nick?" | 0:20:05 | 0:20:09 | |
LAUGHTER | 0:20:09 | 0:20:11 | |
So, I was meant to do some props at the... | 0:20:13 | 0:20:16 | |
You'll fit right in. | 0:20:20 | 0:20:21 | |
LAUGHTER | 0:20:21 | 0:20:24 | |
Checking out my bootie, that was another... | 0:20:28 | 0:20:32 | |
HE MUMBLES | 0:20:32 | 0:20:33 | |
-HORN TOOTS -That's just funny, innit? | 0:20:33 | 0:20:36 | |
Helm is other people. | 0:20:38 | 0:20:41 | |
It's a pun... | 0:20:41 | 0:20:43 | |
..on hell is other people. | 0:20:45 | 0:20:46 | |
Came up with the title, they built the sign, it's in the show. | 0:20:48 | 0:20:52 | |
The idea would be if it went to series, um, I would do... | 0:20:56 | 0:21:01 | |
If it went to series, I'd do an impression every week, um, | 0:21:05 | 0:21:10 | |
but I only know two impressions, one of them is Cary Grant | 0:21:10 | 0:21:14 | |
and the other one is Tony Curtis doing an impression of Cary Grant. | 0:21:14 | 0:21:18 | |
And no-one that watches BBC Three | 0:21:18 | 0:21:20 | |
even knows who the fuck Cary Grant is, | 0:21:20 | 0:21:23 | |
and maybe that's what's wrong with the world! | 0:21:23 | 0:21:27 | |
Look at you just sitting there! You're not even watching | 0:21:27 | 0:21:30 | |
because you're too busy tweeting! You're a fucking disgrace! | 0:21:30 | 0:21:34 | |
You've got the remote control in one hand and your cock in the other! | 0:21:34 | 0:21:38 | |
What's the point in any of this? | 0:21:38 | 0:21:41 | |
I mean, even this... I mean, you go, yeah, that's good. | 0:21:41 | 0:21:45 | |
I mean, it's slightly off centre, innit? | 0:21:45 | 0:21:48 | |
Still, not bad for a first attempt. | 0:21:48 | 0:21:51 | |
I mean, all I wanted to do was the best show | 0:21:57 | 0:22:01 | |
that anyone had ever seen. That's all I wanted to do, | 0:22:01 | 0:22:05 | |
just do the best show ever, and I couldn't even get that right! | 0:22:05 | 0:22:08 | |
I had sex with a model the other day, this guy! | 0:22:11 | 0:22:14 | |
-IMITATES EXPLOSION -This guy. | 0:22:14 | 0:22:16 | |
-IMITATES EXPLOSION -This guy. | 0:22:16 | 0:22:18 | |
-IMITATES EXPLOSION -This guy. | 0:22:18 | 0:22:19 | |
-IMITATES EXPLOSION -This guy. | 0:22:19 | 0:22:21 | |
-IMITATES EXPLOSION -This guy. | 0:22:21 | 0:22:23 | |
-IMITATES EXPLOSION -This guy. | 0:22:23 | 0:22:26 | |
-IMITATES EXPLOSION -This guy. | 0:22:26 | 0:22:27 | |
-IMITATES EXPLOSION -This guy. | 0:22:27 | 0:22:29 | |
-IMITATES EXPLOSION -This guy. | 0:22:29 | 0:22:32 | |
-IMITATES EXPLOSION -This guy. | 0:22:32 | 0:22:35 | |
-IMITATES EXPLOSION -This guy. | 0:22:35 | 0:22:37 | |
-IMITATES EXPLOSION -This guy. | 0:22:37 | 0:22:39 | |
Pull yourself together, Piers. | 0:22:50 | 0:22:52 | |
Do you think we can save the show? | 0:22:55 | 0:22:58 | |
I think YOU can save the show. | 0:22:58 | 0:23:00 | |
All right, I think WE can. | 0:23:00 | 0:23:03 | |
# Every time I look into your face | 0:23:33 | 0:23:35 | |
# Takes me high above To another place | 0:23:35 | 0:23:39 | |
# Up above the birds and clouds and bees | 0:23:39 | 0:23:41 | |
# Up above the butterflies and fleas | 0:23:41 | 0:23:44 | |
# You make me feel like I can touch the moon | 0:23:44 | 0:23:47 | |
# Rising like a helium balloon | 0:23:47 | 0:23:50 | |
# Shining brighter than a shining star | 0:23:50 | 0:23:52 | |
# Speeding faster than a speeding car | 0:23:52 | 0:23:55 | |
# I'm swelling up above into the sky | 0:23:55 | 0:23:58 | |
# You help me spread my wings and learn to fly | 0:23:58 | 0:24:01 | |
# Never knew a love like this before | 0:24:01 | 0:24:03 | |
# You make me soar | 0:24:03 | 0:24:07 | |
# Down below I see the fields | 0:24:07 | 0:24:10 | |
# As I'm flying high above | 0:24:10 | 0:24:13 | |
# On the love you make me feel | 0:24:13 | 0:24:15 | |
# You make me soar | 0:24:15 | 0:24:19 | |
# You make me weep with pure desire | 0:24:19 | 0:24:21 | |
# I'm so tender to your touch | 0:24:21 | 0:24:24 | |
# Spread my wings and I take flight | 0:24:24 | 0:24:27 | |
# Now I'm all alone because you've gone | 0:24:27 | 0:24:31 | |
# Something deep within me feels all wrong | 0:24:31 | 0:24:33 | |
# I was unprotected to your touch | 0:24:33 | 0:24:36 | |
# Didn't think I'd feel your touch so much | 0:24:36 | 0:24:39 | |
# Now you've gone I've crashed back to the floor | 0:24:39 | 0:24:41 | |
# I've been feeling delicate and raw | 0:24:41 | 0:24:44 | |
# Never, ever felt this way before | 0:24:44 | 0:24:47 | |
# You make me soar! | 0:24:47 | 0:24:51 | |
# On my manhood I do swear | 0:24:51 | 0:24:54 | |
# When I'm flying high with you | 0:24:54 | 0:24:57 | |
# You can take me anywhere | 0:24:57 | 0:24:59 | |
# You make me soar | 0:24:59 | 0:25:02 | |
# Deep inside I hold you close | 0:25:02 | 0:25:05 | |
# All the glory of our love | 0:25:05 | 0:25:07 | |
# Is the thing that I feel most | 0:25:07 | 0:25:10 | |
# You make me soar | 0:25:10 | 0:25:13 | |
# Like an eagle or a seagull | 0:25:13 | 0:25:18 | |
# You make me soar | 0:25:18 | 0:25:21 | |
# You make me, you make me | 0:25:21 | 0:25:24 | |
# You make me, you make me | 0:25:24 | 0:25:26 | |
# You make me soar You make me soar | 0:25:26 | 0:25:29 | |
# You make me soar | 0:25:29 | 0:25:32 | |
# You make me soar | 0:25:32 | 0:25:35 | |
# You make me soar | 0:25:35 | 0:25:37 | |
# You make me soar You make me soar | 0:25:37 | 0:25:40 | |
# You make me soar | 0:25:40 | 0:25:43 | |
# You make me, you make me You make me, you make me | 0:25:43 | 0:25:48 | |
# You make me soar | 0:25:48 | 0:25:49 | |
# You make me soar | 0:25:49 | 0:25:51 | |
# You make me soar | 0:25:51 | 0:25:54 | |
# You make me soar | 0:25:54 | 0:25:56 | |
# You make me soar | 0:25:56 | 0:25:59 | |
# You make me soar | 0:25:59 | 0:26:01 | |
# You make me soar | 0:26:01 | 0:26:03 | |
# You make me soar | 0:26:03 | 0:26:06 | |
# You're the wind beneath my wings... # | 0:26:07 | 0:26:09 | |
Now, Piers! | 0:26:09 | 0:26:12 | |
GONG CRASHES | 0:26:12 | 0:26:14 | |
CHEERING AND APPLAUSE | 0:26:14 | 0:26:16 | |
Let's hear it for Piers! | 0:26:18 | 0:26:21 | |
I've been Nick Helm. Thank you very much, good night! | 0:26:21 | 0:26:25 | |
Subtitles by Red Bee Media Ltd | 0:27:37 | 0:27:41 |