Browse content similar to Fuzzbox. Check below for episodes and series from the same categories and more!
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This programme contains some strong language and adult humour. | 0:00:02 | 0:00:05 | |
ALARM BEEPS | 0:00:05 | 0:00:07 | |
GEORGE YAWNS AND GROANS | 0:00:13 | 0:00:17 | |
SNIFFS | 0:00:17 | 0:00:19 | |
SHEETS RUSTLE | 0:00:21 | 0:00:24 | |
Aw, shit! | 0:00:25 | 0:00:27 | |
# Come on! | 0:00:27 | 0:00:29 | |
# Trick trick a trick trick a trick trick a trick | 0:00:29 | 0:00:31 | |
# Trick a trick trick a tech technology... # | 0:00:31 | 0:00:34 | |
-I have to explain why you've been late yet again! -Joe, why do you...? | 0:00:34 | 0:00:38 | |
# ..Trick a trick | 0:00:38 | 0:00:40 | |
# Trick a trick trick a trick | 0:00:40 | 0:00:41 | |
# Trick a tech technology | 0:00:41 | 0:00:44 | |
# Trick trick a trick a trick | 0:00:44 | 0:00:45 | |
# Trick a trick trick a tech technology | 0:00:45 | 0:00:48 | |
# Night is the foundation | 0:00:48 | 0:00:50 | |
# And the wisdom is the way, you see | 0:00:50 | 0:00:52 | |
# You understand our funky drop | 0:00:52 | 0:00:54 | |
# Then you are on your way | 0:00:54 | 0:00:57 | |
# You see it is the truth | 0:00:57 | 0:00:59 | |
# The only game here to just get loose | 0:00:59 | 0:01:01 | |
# But you're not that funked out we produce | 0:01:01 | 0:01:04 | |
# Uh | 0:01:04 | 0:01:06 | |
# It's trick trick a trick trick a trick trick a trick | 0:01:06 | 0:01:09 | |
# Trick a trick trick a trick trick a tech technology. # | 0:01:09 | 0:01:11 | |
-Spence! -Bear, blud, where you been? | 0:01:11 | 0:01:15 | |
What you been doing this weekend, though? | 0:01:15 | 0:01:17 | |
Nothing, mate. What about you? | 0:01:17 | 0:01:18 | |
Fuck all, man, fuck all, I've just been chilling. | 0:01:18 | 0:01:21 | |
-Yeah, same shit, different weekend. -Same shit, different weekend. | 0:01:21 | 0:01:24 | |
You get me? You baguette me? | 0:01:24 | 0:01:26 | |
Yeah, breadbin, I do baguette you. | 0:01:26 | 0:01:28 | |
GEORGE BEATBOXES | 0:01:28 | 0:01:30 | |
Actually, Spence, I need to tell you something quite serious, mate. | 0:01:30 | 0:01:34 | |
-Oh, George. -SCHOOL BELL RINGS | 0:01:34 | 0:01:37 | |
-Aren't you proud of it? -No. -Why not? -It's a shithole. | 0:01:38 | 0:01:43 | |
-It's a school for rejects. -That's not true. | 0:01:43 | 0:01:47 | |
The official definition is it's a short-term placement for | 0:01:47 | 0:01:51 | |
children that aren't in mainstream school for a number of reasons. | 0:01:51 | 0:01:54 | |
Bunch of dropouts, that's what they call us. | 0:01:54 | 0:01:57 | |
-I really need to tell you something. -Yeah, man. | 0:01:58 | 0:02:00 | |
-I was at this party... -What have you done now? | 0:02:00 | 0:02:02 | |
No, one minute it was, like, all calm and then the next minute, | 0:02:02 | 0:02:05 | |
like, everyone was, like, getting in with each other. | 0:02:05 | 0:02:08 | |
I was like, "Whoa," so then there's just, like, me and this girl | 0:02:08 | 0:02:10 | |
-sat next to each other, so... -So did you do her, George? | 0:02:10 | 0:02:13 | |
Obviously we got in with each other | 0:02:13 | 0:02:15 | |
and then we went off and obviously had sex | 0:02:15 | 0:02:19 | |
and ever since that night, I have had really itchy testicles. | 0:02:19 | 0:02:25 | |
I don't want to hear anything about that. | 0:02:25 | 0:02:27 | |
It's not funny. It's serious. They're getting sore, mate. | 0:02:27 | 0:02:29 | |
I can't stop itching them, just, like, constantly. | 0:02:29 | 0:02:31 | |
You need to go and get it checked out, mate. | 0:02:31 | 0:02:33 | |
-No, it's scary, though, isn't it? -I reckon it's crabs. -What? | 0:02:33 | 0:02:36 | |
-Have you ever had itchy balls? -No. -Not even a little bit? | 0:02:36 | 0:02:40 | |
-Not even a little bit. -Not even after sex? -No. -Never? -Never. | 0:02:40 | 0:02:43 | |
-Absolutely never? -Not once in my entire life, mate. | 0:02:43 | 0:02:46 | |
I thought I'd just ask you, cos I know you've had sex quite a lot | 0:02:46 | 0:02:49 | |
-with loads of birds. -That's not true, George. | 0:02:49 | 0:02:51 | |
-Well, that's not what I heard. -No, people just... What's happened is | 0:02:51 | 0:02:55 | |
I've had sex with a couple of birds, | 0:02:55 | 0:02:56 | |
but I've done it lots of times with them birds | 0:02:56 | 0:02:59 | |
and people have been making out | 0:02:59 | 0:03:01 | |
it's a different bird every time when it's not. | 0:03:01 | 0:03:03 | |
# I wish I was a little bit taller | 0:03:03 | 0:03:04 | |
# I wish I was a baller | 0:03:04 | 0:03:06 | |
# I wish I had a girl who looked good I would call her | 0:03:06 | 0:03:08 | |
# I wish I had a rabbit in a hat with a bat and a '64 Impala | 0:03:08 | 0:03:12 | |
# I wish I was, like, six foot nine so I could get with Leoshie | 0:03:12 | 0:03:15 | |
# But she don't know me But, yo, she's really fine | 0:03:15 | 0:03:17 | |
# You know I see her all the time | 0:03:17 | 0:03:19 | |
# Everywhere I go and even my dreams... # | 0:03:19 | 0:03:22 | |
-What's up, man? Charlie, you've had a lot of girls, haven't you? -Yeah. | 0:03:23 | 0:03:26 | |
-I really like this girl, yeah? -You like a different girl every week. | 0:03:26 | 0:03:29 | |
Anyway, I need to ask... I want to ask her out. | 0:03:29 | 0:03:31 | |
-I knew this was going to come. -But she knows me too well | 0:03:31 | 0:03:34 | |
-and I know her too well. -Is it your sister, mate? | 0:03:34 | 0:03:37 | |
-No. -Yeah. -No. -I reckon it is. -No! | 0:03:37 | 0:03:38 | |
-Like, what does she like, what is she into? -Um... Ponies. -What?! | 0:03:38 | 0:03:43 | |
-What else is she into? -I don't know what. | 0:03:43 | 0:03:46 | |
How do you know her that well if you don't know what she's into? | 0:03:46 | 0:03:48 | |
No, I just know her, like, deepest, darkest secrets, that type of thing. | 0:03:48 | 0:03:52 | |
-That's a bit worrying, mate. -I don't mean it like that. | 0:03:52 | 0:03:54 | |
I'm trying to ask her out. What do I do? | 0:03:54 | 0:03:56 | |
Don't jump in straightaway. We all know what you're like, mate. | 0:03:56 | 0:03:58 | |
Yeah, don't come on, like, "Oh, yeah," | 0:03:58 | 0:04:00 | |
and keep texting every five minutes. | 0:04:00 | 0:04:02 | |
-Keep it spaced out. -Unless she texts you. -Yeah, unless she texts you. | 0:04:02 | 0:04:05 | |
-So how long do I leave it? -Just try and work out what they want. | 0:04:05 | 0:04:07 | |
Just don't be a dick, cos they don't like it. | 0:04:07 | 0:04:09 | |
# I wish I was a little bit taller | 0:04:09 | 0:04:10 | |
# I wish I was a baller | 0:04:10 | 0:04:12 | |
# I wish I had a girl who looked good I would call her | 0:04:12 | 0:04:16 | |
# I wish I had a rabbit in a hat with a bat and a '64 Impala... # | 0:04:16 | 0:04:19 | |
-Can I have those, Aimee, please? -No. -Come on. Give us the scissors. | 0:04:21 | 0:04:24 | |
-Listen, this is your school, isn't it? -No. | 0:04:24 | 0:04:26 | |
Well, it's not your school, it's collective... | 0:04:26 | 0:04:28 | |
Either way, you won't win this argument | 0:04:28 | 0:04:30 | |
cos it's not my school, so fuck it. | 0:04:30 | 0:04:31 | |
-It is your school. -It's not. | 0:04:32 | 0:04:34 | |
Here we go, Of Mice And Men. | 0:04:34 | 0:04:36 | |
Let's see if we can finish this book at long last. | 0:04:36 | 0:04:38 | |
-I kind of liked the book, to be fair. -Can you have a look...? | 0:04:38 | 0:04:41 | |
Can you take my glasses off, Charlie, please? 125. | 0:04:41 | 0:04:45 | |
-Why are you drawing him again? -Cos he's a good rapper | 0:04:47 | 0:04:49 | |
-and he's easy to draw. -You're always drawing him. | 0:04:49 | 0:04:51 | |
-He's dead, though. -Sounds like a dick then. -Why does he sound like a dick? | 0:04:51 | 0:04:55 | |
Cos if he's a rapper and he's dead, it just says a lot, doesn't it? | 0:04:55 | 0:04:58 | |
-How does it? -Cos they all end up getting shot and whatever. | 0:04:58 | 0:05:01 | |
-You sure you don't have a boy crush on him? -He's dead. | 0:05:01 | 0:05:04 | |
-How could I have a boy crush on him? -Well, you never know. | 0:05:04 | 0:05:06 | |
I'm pretty sure I don't have a boy crush on him. | 0:05:06 | 0:05:08 | |
-Do you just want to get married? -What, with Biggie Smalls? No. | 0:05:08 | 0:05:11 | |
-No, I'm pretty sure I don't. -Like a civil partnership. -No, no. | 0:05:11 | 0:05:14 | |
-You fancy Biggie Smalls. -I'm pretty sure I don't. | 0:05:14 | 0:05:17 | |
-You positive? -I'm positive. | 0:05:17 | 0:05:18 | |
Itchy... | 0:05:20 | 0:05:22 | |
balls. | 0:05:22 | 0:05:24 | |
Hmmm. | 0:05:24 | 0:05:25 | |
Itchy balls. | 0:05:27 | 0:05:28 | |
Burning, itchy balls. Yeah, here's something. | 0:05:28 | 0:05:31 | |
It's got something to do with fertility issues. | 0:05:31 | 0:05:33 | |
-They really burn, though, as well. -Right, let's have a look. | 0:05:33 | 0:05:37 | |
It says, "My balls have been very itchy. They burn too. | 0:05:37 | 0:05:40 | |
"I'm not sexually active, I only masturbate. Why would my...?" | 0:05:40 | 0:05:43 | |
-No, that's got nothing to do with it. -That's got nothing to do with it. | 0:05:43 | 0:05:46 | |
It's just people are just being stupid on it, just saying... | 0:05:46 | 0:05:49 | |
Stop wanking. | 0:05:49 | 0:05:51 | |
Yeah, stop wanking and all that. | 0:05:51 | 0:05:52 | |
I bet you've got posters of him in your bed | 0:05:52 | 0:05:54 | |
and you kiss him good night. | 0:05:54 | 0:05:55 | |
I don't, actually. I have a canvas of him in my house. | 0:05:55 | 0:05:58 | |
-And you kiss it every night good night? -No. | 0:05:58 | 0:06:00 | |
-Say, "Good night, lover." -I don't ever say that. | 0:06:00 | 0:06:02 | |
-Whereabouts is it in your house? -In my front room. | 0:06:02 | 0:06:04 | |
Do you take it up to bed with you? | 0:06:04 | 0:06:05 | |
No, I just said it's in my front room. | 0:06:05 | 0:06:07 | |
Yeah, but at night, do you take it up to bed with you? | 0:06:07 | 0:06:09 | |
Do you go, "Ooh, Biggie, I love you. I want to have babies. | 0:06:09 | 0:06:12 | |
"Let's have adopted babies together." | 0:06:12 | 0:06:14 | |
Two boys can't have babies. | 0:06:14 | 0:06:15 | |
They can have adopted babies, you dick! | 0:06:15 | 0:06:16 | |
You said we were about to HAVE babies. | 0:06:16 | 0:06:18 | |
No, I said, "Let's have a baby, let's adopt a baby." | 0:06:18 | 0:06:20 | |
-Yeah, how can you have a baby? -Cos it's called adoption. | 0:06:20 | 0:06:22 | |
Yeah, but that isn't having a baby, that's getting one. | 0:06:22 | 0:06:24 | |
-Or, like, a surrogate mum. -Having one is when you... | 0:06:24 | 0:06:26 | |
-Surrogate mum. -A what? | 0:06:26 | 0:06:27 | |
Do you picture you and Biggie Smalls with your adopted baby? | 0:06:27 | 0:06:30 | |
-What, a dead person? -Yeah. | 0:06:30 | 0:06:31 | |
No, I don't dream of having a baby with some dead man. | 0:06:31 | 0:06:35 | |
"About six months ago, | 0:06:39 | 0:06:40 | |
"I had a one-night stand with a young lady I met. | 0:06:40 | 0:06:43 | |
"She was mostly shaved, her vagina..." | 0:06:43 | 0:06:46 | |
Hmmm. | 0:06:48 | 0:06:49 | |
"Sore blisters, et cetera. | 0:06:51 | 0:06:53 | |
"The next day, my left testicle started to itch." Hmm. | 0:06:53 | 0:06:57 | |
-I reckon it's an STD. -Can't really find anything. | 0:06:59 | 0:07:03 | |
Shall I write, "Is it an STD?" | 0:07:03 | 0:07:05 | |
Itchy balls after sex... | 0:07:05 | 0:07:07 | |
Is it STD? | 0:07:08 | 0:07:09 | |
Is it... | 0:07:11 | 0:07:12 | |
..a...STD? | 0:07:14 | 0:07:16 | |
-Oh, no! I need to go clinic. -Yeah. | 0:07:18 | 0:07:24 | |
-God's sake! -Mm-hm. | 0:07:26 | 0:07:28 | |
You got to think outside the box with a girl | 0:07:33 | 0:07:36 | |
cos no matter what you do, girls are always right. You know, like... | 0:07:36 | 0:07:40 | |
You know, like, don't act like a dick | 0:07:40 | 0:07:42 | |
and say, like, stuff about gross things... | 0:07:42 | 0:07:45 | |
gross, like, poo, wee, stuff like that. | 0:07:45 | 0:07:48 | |
Just, if you're going to talk to a lady, | 0:07:48 | 0:07:50 | |
you say, "I'm going to the toilet," so you don't include | 0:07:50 | 0:07:54 | |
the gross words, cos they'll just think you're some gross weirdo then. | 0:07:54 | 0:07:57 | |
What, so I can't say, "I'm going for a poo?" | 0:07:57 | 0:07:59 | |
No, you just say, "I'm going to the toilet." | 0:07:59 | 0:08:01 | |
Then it's more polite to say you're going to the toilet | 0:08:01 | 0:08:04 | |
than it is, "Oh, I'm going for a poo." With a guy, | 0:08:04 | 0:08:07 | |
it's all right to say, "I'm going for a poo," | 0:08:07 | 0:08:09 | |
cos we're guys, we all do it, but for a lady... | 0:08:09 | 0:08:11 | |
No, in front of the guys, you just say, "I'm going for a shit." | 0:08:11 | 0:08:15 | |
Yeah, stuff like that. | 0:08:15 | 0:08:16 | |
But, like, in a lady's point of view, they just don't like it | 0:08:16 | 0:08:19 | |
and they get funny about it, so you just say, "I'm going to the toilet." | 0:08:19 | 0:08:22 | |
-Be polite. -Mm. | 0:08:22 | 0:08:25 | |
-This is looking good, Joe. -It's shit. -It's not shit. | 0:08:27 | 0:08:30 | |
-That's a shit painting. -No, it's not. What's wrong with it? | 0:08:30 | 0:08:33 | |
I don't know, it doesn't look lifelike. | 0:08:33 | 0:08:34 | |
It doesn't matter if it doesn't look lifelike. | 0:08:34 | 0:08:36 | |
-I think it's really good and you should be really proud of it. -Nah. | 0:08:36 | 0:08:39 | |
Well, I think it's really good. I like what you've done. | 0:08:39 | 0:08:42 | |
And I like the fact that it's of Biggie Smalls. | 0:08:42 | 0:08:45 | |
-Do you think it's worth anything? -Um, I do. | 0:08:45 | 0:08:48 | |
I do think it's worth something. What do you think it's worth? | 0:08:48 | 0:08:51 | |
-About 50 quid. -Yeah. I'd pay 50 quid for that. -50 quid?! | 0:08:51 | 0:08:55 | |
-Definitely, yeah. -Buy it, then. | 0:08:55 | 0:08:58 | |
-TEACHER LAUGHS -I know where the money would go! | 0:08:58 | 0:09:01 | |
BELL RINGS | 0:09:01 | 0:09:02 | |
MUSIC: "Happy" by Max Sedgley | 0:09:02 | 0:09:06 | |
# Happy | 0:09:10 | 0:09:11 | |
# Make you happy, baby... # | 0:09:13 | 0:09:15 | |
MUSIC CONTINUES | 0:09:23 | 0:09:26 | |
PHONE CHIMES | 0:09:26 | 0:09:28 | |
# ..Happy | 0:09:36 | 0:09:38 | |
# Make you happy, baby. # | 0:09:39 | 0:09:40 | |
SEAGULLS CRY | 0:09:46 | 0:09:47 | |
You should put that painting on eBay and sell it. | 0:09:47 | 0:09:50 | |
I ain't got enough time to be watching eBay. | 0:09:50 | 0:09:52 | |
I'll do it, I know loads about art, I could get you more than 50 quid. | 0:09:52 | 0:09:54 | |
-You don't know anything. -Yes, I do. | 0:09:54 | 0:09:56 | |
-I know more than you. -Go on, what do you know? | 0:09:56 | 0:09:58 | |
Well, I don't want you to end up like Leonardo | 0:09:58 | 0:10:00 | |
-and cutting your ear off. -Who? | 0:10:00 | 0:10:02 | |
You're going to end up cutting your ear off. | 0:10:02 | 0:10:04 | |
-I'm pretty sure I'm not. -You are. -I'm pretty sure I'm not. | 0:10:04 | 0:10:07 | |
-And then a dog's going to bite your honker off. -Bite my what? | 0:10:07 | 0:10:11 | |
-Your honker off. -That is... Nose! | 0:10:11 | 0:10:14 | |
I thought you meant something else! AMY LAUGHS | 0:10:14 | 0:10:16 | |
-No, nose. -Why would it get to my nose? | 0:10:16 | 0:10:20 | |
I don't know, because you'd just be, like, insane. | 0:10:20 | 0:10:23 | |
So a dog would bite my nose off? | 0:10:23 | 0:10:25 | |
Most painters go insane and then they end up, like, | 0:10:25 | 0:10:27 | |
you just buy this little dog that is going to bite your honker off. | 0:10:27 | 0:10:31 | |
I have a 99% chance that I'm not going to buy a little dog | 0:10:31 | 0:10:34 | |
-that bites my nose off. -What about that 1%? | 0:10:34 | 0:10:36 | |
I'll risk it. | 0:10:36 | 0:10:37 | |
So if she sends me two kisses, | 0:10:37 | 0:10:38 | |
I'll either send one kiss or three kisses. | 0:10:38 | 0:10:40 | |
No, just, like, send two and then, like... | 0:10:40 | 0:10:44 | |
Then, like, after three or four texts, maybe, send her three kisses. | 0:10:44 | 0:10:48 | |
If she sends three back then keep it like that, and if she don't | 0:10:48 | 0:10:52 | |
-then just, like, stick to two. -I'm not sure I understand that. | 0:10:52 | 0:10:55 | |
-Oh, you're hard work! -Yeah, but I don't know. | 0:10:55 | 0:10:58 | |
I don't ask girls out that I really know. | 0:10:58 | 0:11:00 | |
-I'll tell you what Charlie does. -What's that? -Sing to her. | 0:11:00 | 0:11:02 | |
-I can't sing. -Well, you're going to have to learn, then. | 0:11:02 | 0:11:05 | |
That would take months, even years. | 0:11:05 | 0:11:07 | |
No, it wouldn't, it would take maybe, I don't know, a week. | 0:11:07 | 0:11:09 | |
What I could do is I could go to a recording studio, couldn't I? | 0:11:09 | 0:11:12 | |
Record it, get them to edit it and then... | 0:11:12 | 0:11:14 | |
No, you have to ACTUALLY sing to her, | 0:11:14 | 0:11:16 | |
so she knows you're actually singing it right there and right then. | 0:11:16 | 0:11:19 | |
Yeah, but it would be me singing. We could use Auto-Tune. | 0:11:19 | 0:11:21 | |
-Auto-Tune is not from the heart. -Well, technically it is, because... | 0:11:21 | 0:11:24 | |
No, shut up, all right?! | 0:11:24 | 0:11:27 | |
-Spence, I'm going to go clinic. -Good, mate, you need to go. | 0:11:28 | 0:11:31 | |
-Yeah, on one condition, though. -What's that? -You come with me. | 0:11:31 | 0:11:34 | |
-No, you're mad. -You promised. -No, I changed my mind. | 0:11:34 | 0:11:37 | |
-Oh, please. -I don't want to go to the fucking clinic. No, it's... | 0:11:37 | 0:11:41 | |
-No, I'm not going clinic, mate. -Why? | 0:11:41 | 0:11:43 | |
Because it's a trek and I don't just... | 0:11:43 | 0:11:45 | |
-I'll pay for your bus fare and stuff. -Yeah, but still, I don't... | 0:11:45 | 0:11:48 | |
-I'll give you a rolly. -I don't need your rollies, mate. | 0:11:48 | 0:11:50 | |
-I'll buy you baccy. -No, I don't need you to buy me baccy. | 0:11:50 | 0:11:53 | |
-Yeah, but you promised anyway, so... -No, I don't really want to go. | 0:11:53 | 0:11:55 | |
-Just come. -No. -Why? | 0:11:55 | 0:11:57 | |
-Cos it's, like, a trek, and... -Please. | 0:11:57 | 0:11:59 | |
-Plus I just... -Please, please. -No. | 0:11:59 | 0:12:02 | |
-Please. -No, you're not... -I'd do it for you. -Yeah, I know you would. | 0:12:02 | 0:12:06 | |
-I have to... -Go on, go on. -No. -Please. -No. | 0:12:06 | 0:12:10 | |
Please, please, please. # I need you to come with me! # | 0:12:10 | 0:12:14 | |
-No, seriously, just come with me. -No, you're... | 0:12:14 | 0:12:17 | |
Come on, please. Please, please, please. | 0:12:17 | 0:12:19 | |
They're your itchy balls, it's your fucking problem, | 0:12:19 | 0:12:22 | |
-you can go without... -Please, please, please, please, P-P-P-P-P... | 0:12:22 | 0:12:25 | |
-Just shut up, man. -Are you coming with me, then? -Maybe. | 0:12:25 | 0:12:28 | |
No, it's not maybe. | 0:12:28 | 0:12:29 | |
Ple-e-e-e-e-e-ease. | 0:12:29 | 0:12:36 | |
-Come with me. -Are you finished yet? -No, I'm not. | 0:12:36 | 0:12:38 | |
Ple-e-e-e-e-e-e-e-e... | 0:12:38 | 0:12:44 | |
GEORGE INHALES | 0:12:44 | 0:12:45 | |
..e-e-e-e-e-e-e-ease. | 0:12:45 | 0:12:50 | |
Steven, sing this song. I'll start it from the beginning. | 0:12:55 | 0:12:58 | |
We've got to sing it together. | 0:12:58 | 0:13:00 | |
You might not know it, but you might. | 0:13:00 | 0:13:01 | |
So just sing the parts you know, OK? Ready? | 0:13:01 | 0:13:03 | |
TINNY MUSIC PLAYS ON MOBILE | 0:13:03 | 0:13:05 | |
BOTH: # All across the distance... # | 0:13:05 | 0:13:08 | |
THEY MUMBLE | 0:13:08 | 0:13:11 | |
-I don't know the next bit. -Shut up. There's going to be trouble. | 0:13:11 | 0:13:14 | |
Boys, too much. | 0:13:14 | 0:13:16 | |
# ..Show you the one... # | 0:13:16 | 0:13:19 | |
MUSIC CONTINUES ON RADIO # Near, far, wherever you are | 0:13:23 | 0:13:32 | |
# I believe that the heart does go on... # | 0:13:32 | 0:13:39 | |
FIREWORKS BANG | 0:13:43 | 0:13:45 | |
-Can you ask for a man or a woman? -I don't know, mate. | 0:13:47 | 0:13:50 | |
Cos I don't really want a fully grown bloke, like, | 0:13:50 | 0:13:53 | |
"Oh, let's check your balls, then." That's just awkward, isn't it? | 0:13:53 | 0:13:56 | |
-They won't grope you, they just... -But that's just awkward. | 0:13:56 | 0:13:58 | |
It's awkward. You got to think of it on the bright side of these things. | 0:13:58 | 0:14:01 | |
Put it this way, you might get this really hot blonde Russian... | 0:14:01 | 0:14:05 | |
Why Russian? But still, this really hot blonde... | 0:14:05 | 0:14:07 | |
What if I find them really attractive and then... | 0:14:07 | 0:14:10 | |
-..the old willy got a bit hard? -That's disgusting, George. | 0:14:11 | 0:14:15 | |
-Well, it could happen. -In that case, then, if you don't want a hot women, | 0:14:15 | 0:14:18 | |
we could have a tough nut called Rick with a really deep voice. | 0:14:18 | 0:14:22 | |
"All right, George, drop your trousers." | 0:14:22 | 0:14:24 | |
-Then you go, "Yeah." -You've just made this ten times worse now. | 0:14:24 | 0:14:27 | |
What about someone famous, like Frank Lampard? | 0:14:27 | 0:14:30 | |
You always wanted to meet him. | 0:14:30 | 0:14:32 | |
But not at a sexual health clinic with him pure groping my bollocks. | 0:14:32 | 0:14:35 | |
And he doesn't wear his nurse's uniform, he wears a Chelsea kit. | 0:14:35 | 0:14:38 | |
-Why? -So people know who he is. -What the f...? | 0:14:38 | 0:14:40 | |
-It's got his name on the back. -That's just weird as fuck! | 0:14:40 | 0:14:43 | |
-You could make friends with him, though. -Bollocks! | 0:14:43 | 0:14:45 | |
-He might give you an autograph and all. -On my penis. | 0:14:45 | 0:14:47 | |
Excuse me, would you like to buy this painting? | 0:14:50 | 0:14:52 | |
Let's have a look at it, then. | 0:14:52 | 0:14:54 | |
Hmm. Well, it's interesting. | 0:14:54 | 0:14:57 | |
What's it actually of? | 0:14:57 | 0:14:59 | |
-It's Biggie Smalls. -Biggie Smalls? I don't think I've heard of that name. | 0:14:59 | 0:15:03 | |
-He's a rapper. -A rapper? | 0:15:03 | 0:15:05 | |
That's probably why I haven't heard of him, then. | 0:15:05 | 0:15:07 | |
-It's not really our style, as you can see. -Why not? | 0:15:07 | 0:15:11 | |
Well, if you look around, we mostly sell boats or scenes of Dorset | 0:15:11 | 0:15:16 | |
-and cute little animals, not Biggie Smalls. -Someone would buy it. | 0:15:16 | 0:15:21 | |
Maybe, but not in this gallery, I don't think. | 0:15:21 | 0:15:24 | |
Don't you ever get people come in with their kids | 0:15:24 | 0:15:26 | |
and want to actually buy something decent? | 0:15:26 | 0:15:28 | |
-Well, maybe, but... -Well, just buy it. -No, I won't. | 0:15:28 | 0:15:31 | |
-We'll do you a good deal. -No, thank you. | 0:15:31 | 0:15:32 | |
It's not going to make you bankrupt, is it? | 0:15:32 | 0:15:35 | |
No, I don't want the chance to buy this painting, thank you very much. | 0:15:35 | 0:15:38 | |
-It's freaking me out, man. -There's worse places to be right now. | 0:15:39 | 0:15:43 | |
GEORGE SIGHS Look at all them posters. | 0:15:43 | 0:15:46 | |
-Everyone's got, like, chlamydia and AIDS. -They've not all got chlamydia. | 0:15:46 | 0:15:48 | |
Why have they got blue pubes? | 0:15:48 | 0:15:50 | |
-Cos they wasn't very good at drawing the book. -I can see that! | 0:15:50 | 0:15:53 | |
Look at this one about how to put a johnny on. | 0:15:53 | 0:15:56 | |
-George, you need to sit back, man. -I'm not sitting back. | 0:15:56 | 0:15:58 | |
-George... -Spence, just leave me alone. | 0:15:58 | 0:16:00 | |
-George, you've been here for, like, a minute... -No, I can't hack this. | 0:16:00 | 0:16:03 | |
-I'm going. -Why do you want to go? | 0:16:03 | 0:16:05 | |
-Why do you want to go? George! -I'm going. Bye. | 0:16:05 | 0:16:08 | |
George. | 0:16:08 | 0:16:09 | |
-George, come on, we've got to go back in there. -No, I'm not doing it. | 0:16:16 | 0:16:18 | |
Look, I know you've got problems, but I've been through problems, | 0:16:18 | 0:16:21 | |
other kids have been through problems. | 0:16:21 | 0:16:23 | |
Spence, you haven't got problems. I've got itchy...really, itchy balls. | 0:16:23 | 0:16:25 | |
I have had problems and I've told you what my problems are. | 0:16:25 | 0:16:28 | |
That's different. | 0:16:28 | 0:16:29 | |
I know you, like, find it quite tough and everything, | 0:16:29 | 0:16:32 | |
but everyone finds things tough. | 0:16:32 | 0:16:33 | |
I mean, I find it quite tough going through the care system. | 0:16:33 | 0:16:35 | |
It's like, one day you're at home, the next minute, bam, | 0:16:35 | 0:16:37 | |
you don't know where you are, you don't know the people, | 0:16:37 | 0:16:40 | |
you're missing your family. | 0:16:40 | 0:16:41 | |
What's care got to do with my balls, Spence? | 0:16:41 | 0:16:43 | |
It's, like, best if you go through it and face your fears straight on | 0:16:43 | 0:16:46 | |
and get it over and done with. | 0:16:46 | 0:16:47 | |
That's the best thing you can do, man. | 0:16:47 | 0:16:49 | |
You've just got to be brave, George. | 0:16:49 | 0:16:51 | |
-Yeah, all right, Spence. -Good man. | 0:16:55 | 0:16:57 | |
Go on, then. | 0:16:57 | 0:16:59 | |
-MAN: -George, I see this kind of thing all day, every day. | 0:17:21 | 0:17:25 | |
Let's have a look at it. | 0:17:25 | 0:17:26 | |
-You're painting the wrong people. -No, I'm not. -Yes, you are. | 0:17:26 | 0:17:28 | |
-You should be painting people like One Direction, Justin Bieber... -No. | 0:17:28 | 0:17:33 | |
-Or The Wanted. -No. -Why? -No-one wearing chinos | 0:17:33 | 0:17:35 | |
and quiffed hair to the side, none of that shit. | 0:17:35 | 0:17:38 | |
-What about Dappy? -No. -Bob Marley? -No. -George Michael? | 0:17:38 | 0:17:41 | |
I don't even know who that is, he just sounds old. | 0:17:41 | 0:17:45 | |
Is he some country singer? AMY LAUGHS | 0:17:45 | 0:17:47 | |
I fucking hate this painting now. | 0:17:47 | 0:17:50 | |
-Why do you want to be with her? -I don't know. | 0:17:54 | 0:17:57 | |
-I just get this tingling feeling. -What, like pins and needles? | 0:17:59 | 0:18:03 | |
Yeah, that type of thing. | 0:18:03 | 0:18:04 | |
How d'you know you just don't have pins and needles | 0:18:04 | 0:18:07 | |
-every time you're with her? -I don't know. | 0:18:07 | 0:18:09 | |
It's just more than pins and needles. | 0:18:09 | 0:18:11 | |
How d'you even know that's what it means? | 0:18:11 | 0:18:12 | |
How d'you know it's just you don't like her | 0:18:12 | 0:18:14 | |
or you're allergic to the clothes she's wearing or something? | 0:18:14 | 0:18:16 | |
I don't know. It's really weird. | 0:18:16 | 0:18:19 | |
What are you doing later on tonight? | 0:18:28 | 0:18:30 | |
Nothing, just going back to the home. | 0:18:30 | 0:18:32 | |
Fancy popping round mine? You can have tea and play Xbox and shizz. | 0:18:32 | 0:18:37 | |
Yeah, that's all right, man. I'll have to ring my home first, though. | 0:18:37 | 0:18:40 | |
-All right, yeah, fair enough. -Yeah, cool. | 0:18:40 | 0:18:43 | |
Um, thanks for coming with me today, Spence. Actually means a lot, mate. | 0:18:43 | 0:18:46 | |
No problem. Any time, man. | 0:18:46 | 0:18:49 | |
GEORGE BEATBOXES | 0:18:49 | 0:18:52 | |
# Oh, yeah | 0:18:52 | 0:18:53 | |
# Oh, yeah, yeah | 0:18:53 | 0:18:54 | |
# Drop the bass... # | 0:18:54 | 0:18:56 | |
GEORGE BEATBOXES | 0:18:56 | 0:18:59 | |
# Oh, yeah, yeah | 0:18:59 | 0:19:00 | |
# Oh, yeah, come on my face. # | 0:19:00 | 0:19:02 | |
-Oh, George... -SPENCER LAUGHS | 0:19:02 | 0:19:04 | |
-What's your dream? -What do you mean, what's my dream? | 0:19:08 | 0:19:11 | |
-What's your dream? -I don't know. I don't really have any. | 0:19:12 | 0:19:16 | |
-Is it true that if you don't have dreams, you die? -No. -How d'you know? | 0:19:16 | 0:19:20 | |
Do you remember every single dream you've ever had? | 0:19:20 | 0:19:24 | |
Probably the next morning, but then I forget about them. | 0:19:24 | 0:19:26 | |
Do you remember what dream you had last night? | 0:19:26 | 0:19:29 | |
I didn't dream last night. | 0:19:29 | 0:19:31 | |
-Then you're still alive, ain't you? -Oh, yeah. -Well, then. | 0:19:31 | 0:19:34 | |
I didn't actually think about that sort of stuff. | 0:19:34 | 0:19:37 | |
Too many people forget their dreams and all that. | 0:19:41 | 0:19:43 | |
I'm not going to give up on my dream. | 0:19:43 | 0:19:45 | |
You've already given up on your dream when you threw the painting | 0:19:45 | 0:19:48 | |
-in the skip, you dick! -All right, calm down! Jesus! | 0:19:48 | 0:19:51 | |
-Why say something so stupid? -Don't call me a dick. -Dick. -You dick. | 0:19:51 | 0:19:54 | |
-What are you going to do about it, dick? -Whatever. | 0:19:54 | 0:19:56 | |
Shut up. | 0:19:56 | 0:19:57 | |
You can do it, Steve, there's nothing wrong with singing. | 0:20:07 | 0:20:09 | |
Yeah, I know, but I don't know whether she likes me or not. | 0:20:09 | 0:20:12 | |
Yeah, but if she don't, you don't... | 0:20:12 | 0:20:15 | |
You're just trying to express your feelings for her. | 0:20:15 | 0:20:18 | |
You can do it, come on. Just be positive, man. Good luck. | 0:20:18 | 0:20:22 | |
What song are you going to sing? You should do Basshunter. | 0:20:22 | 0:20:24 | |
-That's quite a good song, isn't it? -Yeah, I know, but... | 0:20:24 | 0:20:26 | |
Go on, man. Where's the phone? I'll ring her for you, you know. | 0:20:26 | 0:20:29 | |
KEYPAD BEEPS | 0:20:29 | 0:20:32 | |
RINGING TONE | 0:20:32 | 0:20:34 | |
PHONE RINGS | 0:20:36 | 0:20:40 | |
Right... | 0:20:42 | 0:20:43 | |
-TUNELESSLY: -# You are... | 0:20:43 | 0:20:45 | |
# A light in the dark | 0:20:45 | 0:20:47 | |
# You are a beating in my heart | 0:20:47 | 0:20:51 | |
# That is not enough | 0:20:51 | 0:20:54 | |
# Will I ever be by your side? | 0:20:54 | 0:20:58 | |
# Your hair is dancing in the wind | 0:20:59 | 0:21:03 | |
# Your eyes are burning up my skin | 0:21:03 | 0:21:06 | |
# Now I'm so happy when I see that you are... # | 0:21:06 | 0:21:11 | |
BEEP | 0:21:11 | 0:21:13 | |
She hung up. | 0:21:13 | 0:21:14 | |
# Because we are your friends | 0:21:20 | 0:21:24 | |
# You'll never be alone again | 0:21:24 | 0:21:28 | |
# Well, come on | 0:21:28 | 0:21:30 | |
# Well, come on Well, come on | 0:21:30 | 0:21:34 | |
# Well, come on | 0:21:34 | 0:21:36 | |
# Because we are your friends | 0:21:36 | 0:21:40 | |
# You'll never be alone again # Well, come on... # | 0:21:40 | 0:21:45 |