Browse content similar to Graham Norton's Big Chat Live. Check below for episodes and series from the same categories and more!
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Good evening, good evening, and welcome back to Red Nose Day | :00:19. | :00:24. | |
I feel a bit like when you book a budget airline to Rome and you get | :00:25. | :00:42. | |
there and think, this is Rome? Yes, this is the O2! Anyway, not what you | :00:43. | :00:46. | |
were expecting. And just when you thought your | :00:47. | :00:48. | |
Friday night couldn't get any more exciting I'm here with a very | :00:49. | :00:51. | |
special chat show where I'll be attempting to fill the longest sofa | :00:52. | :00:54. | |
in history with more amazing celebrities than you | :00:55. | :00:57. | |
can shake a stick at! What they have done with cushions is | :00:58. | :01:02. | |
really special! So, what a night of | :01:03. | :01:12. | |
fundraising it's been! First I need to say | :01:13. | :01:14. | |
a huge thank you to Greg It's been a real treat seeing a full | :01:15. | :01:17. | |
moon over the O2 tonight. Now to kick things off I need | :01:18. | :01:21. | |
to remind you why we're doing We need your money, more than ever | :01:22. | :01:24. | |
to help people in the UK As it's a special show we're lucky | :01:25. | :01:29. | |
enough to have two of the countries No, that's not happening, is it? | :01:30. | :02:04. | |
That has gone. Let's get some guests on. It is chaos back there. There | :02:05. | :02:17. | |
are so many guests. I will yell out names, and if they come on, it has | :02:18. | :02:22. | |
gone very well. Let's get cracking. We have got Gordon Ramsay, Martine | :02:23. | :02:36. | |
McCutcheon, Sir Lenny Henry. Jessica Hynes. Hello. Hello, hello. Now, | :02:37. | :02:47. | |
this is five people. You can see how far we have to go with this. Welcome | :02:48. | :02:54. | |
to you all. You have done all of the W 18 trailers for Comic Relief. | :02:55. | :02:58. | |
Many, you have done so much over the years. You did a big gig in | :02:59. | :03:03. | |
Birmingham this year. Yes, it was fantastic, with all the new comedian | :03:04. | :03:12. | |
-- comedians. And we saw you in Love Actually. Gordon, what have you done | :03:13. | :03:23. | |
this year? Lots. Quite a lot. Yesterday we shopped a new advert. | :03:24. | :03:28. | |
And always supporting Comic Relief. There is also a swearing app. You | :03:29. | :03:35. | |
could have downloaded that and cancel third World debt in a month. | :03:36. | :03:39. | |
Gordon Ramsay, ladies and gentlemen, has a new show on ITV. What's that? | :03:40. | :03:49. | |
Culinary genius. What? Culinary genius. | :03:50. | :04:03. | |
How do you pronounce that? When you do it now, because you are rich and | :04:04. | :04:12. | |
successful, do you get a moment when you fear that you might be very | :04:13. | :04:18. | |
mellow? Graham, hang on. Could you shut up over there, please. It's | :04:19. | :04:29. | |
really noisy. Shut up. Lenny... You have to be quiet. We are trying to | :04:30. | :04:37. | |
make television over here. Shut up. The funny thing is, Lenny, those are | :04:38. | :04:47. | |
the guests. , Right. That's 30 drunk celebrities. Sorry, darlings. I | :04:48. | :04:55. | |
don't mean it at all. Carry on. Martine, do you like cooking? Gordon | :04:56. | :04:59. | |
tried to teach me but I was useless so he gave up. Really? Yes, it | :05:00. | :05:07. | |
didn't go down too well but we got there. Love Actually, were you | :05:08. | :05:14. | |
surprised to find yourself still married to Hugh Grant? No, I always | :05:15. | :05:19. | |
hoped they would live happily ever after. So I was glad that they did. | :05:20. | :05:24. | |
I wanted them to be together and happy. Where you fearful when you | :05:25. | :05:29. | |
got the call? No. I was really excited. I knew that whatever | :05:30. | :05:34. | |
Richard did would be amazing and the fact that it was for Comic Relief, a | :05:35. | :05:39. | |
great cause, and to see gorgeous Hugh Grant again, it is a tough job | :05:40. | :05:44. | |
but someone has to do it. But no tongues this time. Were you not | :05:45. | :05:50. | |
tempted? I tried. I said, I think they should snog. Never mind. It is | :05:51. | :05:57. | |
so weird seeing you, Lenny, because I saw you earlier... I have been | :05:58. | :06:03. | |
here all might! I saw you earlier and it was Broadchurch Lenny. We are | :06:04. | :06:11. | |
so used to cuddly, lovely Lenny, and then he possibly has done terrible | :06:12. | :06:16. | |
things. I can't say anything about the show. You are so good in the | :06:17. | :06:21. | |
show. So good. Is it hard to come from something like that and do the | :06:22. | :06:26. | |
glee club in Birmingham? Yes, it was weird. When you are in Broadchurch, | :06:27. | :06:33. | |
David and Olivia do everything, every day, lots of dialogue. You | :06:34. | :06:36. | |
come in for two days, do your bit and split. Is that how you did it on | :06:37. | :06:44. | |
the show? Have you not seen it, he is very camp. Richard said, would | :06:45. | :06:53. | |
you go to Birmingham and do a set at the glee club and I said, OK. I had | :06:54. | :06:57. | |
not done a set for ages but it was really good fun. We had new, young | :06:58. | :07:02. | |
comedians, incredibly talented and I was the compere. I really loved it, | :07:03. | :07:07. | |
really enjoyed it. I am not sure I would want to do it again any time | :07:08. | :07:12. | |
soon but it was a really enjoyable might. We must talk about your show, | :07:13. | :07:19. | |
which is coming back. We love it. Because the two of view, you know, | :07:20. | :07:23. | |
Jessica I have no knew of old. I have never met you. I meet you and I | :07:24. | :07:29. | |
assume you are stupid. I am sure you are not. No, I am a genius. It must | :07:30. | :07:35. | |
happen all the time that people talk to you slowly and do not trust you | :07:36. | :07:39. | |
to do anything. Yes, which I appreciate. Does it happen to you? | :07:40. | :07:47. | |
Do you end up using the perfect curve language? I try not to. If I | :07:48. | :07:52. | |
slip into it, I stop myself because it feels weird to do that. You don't | :07:53. | :07:59. | |
want to do that. But if people think of you as a character, they look at | :08:00. | :08:03. | |
you in a funny way, like you are the character. But you did do something | :08:04. | :08:08. | |
that was quite like your character. When was the incident with Anna | :08:09. | :08:14. | |
Cornick over in Eastbourne? I thought you were talking to me. Can | :08:15. | :08:22. | |
you hear me? I think by the end of this I will not be able to hear | :08:23. | :08:25. | |
people down there. Anyway, keep going. Anecdote alert, go. This has | :08:26. | :08:34. | |
been blown out of proportion. It was not actually something I did. When | :08:35. | :08:38. | |
you say blown up, you mean it is a lie. Is, she played tennis. Near | :08:39. | :08:49. | |
where I went to school. It was where we smoked, on the tennis courts, and | :08:50. | :08:54. | |
someone went to try and woo her via playing the song to the music video | :08:55. | :08:59. | |
she was doing with Enrique Cerezo Scott and her mum got angry because | :09:00. | :09:08. | |
she was training. But you did show up? I did. | :09:09. | :09:11. | |
And if seeing Red Nose Day Actually has made you want to watch | :09:12. | :09:14. | |
the original movie, well great news - if you purchase Love Actually | :09:15. | :09:17. | |
on iTunes this weekend, Apple and Universal have agreed that | :09:18. | :09:19. | |
all profits from the downloads will go to Comic Relief. | :09:20. | :09:30. | |
There are plenty more guests waiting to join me out | :09:31. | :09:33. | |
here but first up David Walliams, who is going toe to toe | :09:34. | :09:36. | |
Today, we meet a TV presenter who claims his rival is stealing | :09:37. | :09:48. | |
When is this godforsaken show of yours, Caught Red Handed, on? | :09:49. | :10:14. | |
The problem is, more people are watching this smug git | :10:15. | :10:22. | |
on ITV and the only reason for that is because he shouts | :10:23. | :10:26. | |
at his guests to try and get more viewers. | :10:27. | :10:30. | |
I think it's high time we met this turd. | :10:31. | :10:38. | |
Bog off, like I shout at people to get more viewers. | :10:39. | :10:51. | |
Sit down and shut up, you sweaty BLEEP. | :10:52. | :10:57. | |
What have you got to say for yourself? | :10:58. | :11:01. | |
Well, I'm doing one, I'm not bothered. | :11:02. | :11:15. | |
Earlier today, we sent Jeremy Kyle here to do a lie detector test. | :11:16. | :12:09. | |
We asked him "Do you just shout at your guests to get viewers?" | :12:10. | :12:15. | |
I've never shouted at anybody on my show to get viewers! | :12:16. | :12:45. | |
Do you want Steve here to pull down your trousers and pants | :12:46. | :12:48. | |
We also sent Jeremy here for a DNA test. | :12:49. | :13:11. | |
The test has proved, without a shadow of a doubt... | :13:12. | :13:16. | |
You have got to stop looking like a shrunken Matt Lucas. | :13:17. | :13:38. | |
And you need to stop shouting at people on TV. | :13:39. | :13:43. | |
I'm not going to shout at people any more. | :13:44. | :13:49. | |
That's what I'm going to do, I'm going to yell. | :13:50. | :13:53. | |
So you with your wig and you, you baldy, you can get off. | :13:54. | :13:56. | |
If you've been affected by the issues in this show, | :13:57. | :14:09. | |
just grow up and don't be such a crybaby. | :14:10. | :14:11. | |
Wow. Slightly creepy at the end, there. Still plenty of room on my | :14:12. | :14:43. | |
sofa, please welcome Cara Delevingne, Matt Lucas, Warren Davis | :14:44. | :14:45. | |
and Jonathan Ross. Hello. Hello. Please sit down. Nice | :14:46. | :15:03. | |
to see you, nice to see you. Jonathan, hello. Phoebe, high. Hi, | :15:04. | :15:23. | |
hi. Everybody knows everybody. You work in three back together? Indeed. | :15:24. | :15:31. | |
And you know each other? Yes. In prison? Why was it like that. Just | :15:32. | :15:42. | |
hanging out. Hanging out. OK. How are you? Very good, thank you. | :15:43. | :15:48. | |
Jonathan, I have never interviewed you. It is an honour to be on the | :15:49. | :15:53. | |
couch on what is widely regarded as the second best talk show in | :15:54. | :15:59. | |
England. Lovely to be here. The nightly show is excellent, I agree | :16:00. | :16:07. | |
with you. Good luck, Gordon. Start Monday. You're doing it Monday? | :16:08. | :16:14. | |
Can't wait. It without me get over this. Warwick, are you working with | :16:15. | :16:22. | |
Phoebe? No. But you are working in the same world? And Tallulah, Star | :16:23. | :16:28. | |
Wars is the world. You are back in Star Wars. I first did Star Wars | :16:29. | :16:32. | |
when I was 11. It celebrates its 40th anniversary this year. I did | :16:33. | :16:38. | |
Return Of The Jedi, episode one, episode seven and episode eight. You | :16:39. | :16:45. | |
are in this new one? Which one are you talking about, eight? The one | :16:46. | :16:50. | |
that isn't out yet. That's eight. He's a real stickler for the | :16:51. | :16:55. | |
numbers. Phoebe, you are in the spin off? Yes, the Hans Solo spin off. | :16:56. | :17:07. | |
Who are you in that? I don't know. Chewbacca? I don't know. You are | :17:08. | :17:15. | |
very tall. Matt Lucas, Ayew the new Doctor Who assistant? Yes, I am one | :17:16. | :17:21. | |
of the two assistants for the new season. That's so exciting. I've | :17:22. | :17:25. | |
been here since June doing that. I was filming in Abergavenny today. Is | :17:26. | :17:37. | |
this bad timing? He is leaving. He didn't like working with me. Do you | :17:38. | :17:43. | |
stay when he shuffles off? I'm not at liberty to say anything. They | :17:44. | :17:46. | |
will chop my hands off if I say anything, they are very strict in | :17:47. | :17:52. | |
Doctor Who. I can fly the Tardis, did you know? In the Hans Solo thing | :17:53. | :17:59. | |
you are in, people say they cannot reveal the secret, what actually | :18:00. | :18:03. | |
happens if you just said what's in it? Shall we find out? Yeah, do it. | :18:04. | :18:11. | |
No, I'm terrified, I'm really quite scared. Phoebe, when you are writing | :18:12. | :18:19. | |
feedback, you wrote it in three weeks, you just kind of did it. The | :18:20. | :18:26. | |
play, the one-woman show, yes, but the series took a lot longer. That's | :18:27. | :18:30. | |
interesting, I thought when you read the series you wrote it thinking | :18:31. | :18:36. | |
I'll never have to do this stuff. It sort of was the case for the play | :18:37. | :18:40. | |
anyway, I thought nobody would come and hear me say this. So I thought | :18:41. | :18:45. | |
it would be safe enough to do it. Apparently that's the way to get | :18:46. | :18:49. | |
people to come, say things that people don't expect you to say. Or | :18:50. | :18:57. | |
do. Because we saw it. But there's more, isn't there? Well hopefully, | :18:58. | :19:02. | |
yes. In terms of embarrassment threshold, Cara Delevingne, I think | :19:03. | :19:06. | |
your embarrassment threshold is quite high. Why? I'm quite nervous | :19:07. | :19:13. | |
right now. We were talking earlier about having six on a plane. As you | :19:14. | :19:23. | |
have, clearly. Oddly I have. Let's talk about that. If it's just with | :19:24. | :19:29. | |
yourself it doesn't count. But if that doesn't count my life is | :19:30. | :19:31. | |
meaningless. Anyone else, anyone else? Have you done it, well done. | :19:32. | :19:46. | |
I've not even had six but I hear it's wonderful. You were doing it | :19:47. | :19:53. | |
and then a man was watching you? My father is here to night. I was very | :19:54. | :20:01. | |
worried for a moment, then. Someone was watching you on the plane? The | :20:02. | :20:13. | |
pilot? No. Yeah, I don't even know how to start the story. Were you in | :20:14. | :20:21. | |
the toilets? Why are you telling everyone now? I'm sorry, we hadn't | :20:22. | :20:29. | |
announced it. I thought it was the time with me? We were both watching. | :20:30. | :20:39. | |
I like the idea that rather than being embarrassed, you complain | :20:40. | :20:43. | |
someone was watching you. Yes, of course, it was disgusting. I | :20:44. | :20:49. | |
thought, what is this pervert doing? Whereabouts in the cabin did it take | :20:50. | :20:58. | |
place? Right in the middle. In the galley? In the seat. We are going to | :20:59. | :21:06. | |
ask you to perform in a different nature tonight. This is chat show | :21:07. | :21:15. | |
gold. You have a very special skill. This is all I do on chat shows. | :21:16. | :21:21. | |
Don't worry, it's not like Big Brother, it's totally different. | :21:22. | :21:27. | |
What is your special trick can you do it? So basically I'm going to try | :21:28. | :21:36. | |
and attempt to do this. If anybody wants to try I'd really enjoy it | :21:37. | :21:39. | |
because I'm probably going to fail. What's it called? It has no name. | :21:40. | :21:44. | |
You can name it if you want. Here we go. This is Cara Delevingne doing | :21:45. | :21:55. | |
something. O God. Imagine we are on the plane. I learnt this on the | :21:56. | :22:05. | |
plane as well. Ooh. The concentration is way too intense. | :22:06. | :22:16. | |
She's getting back up. Ooh. Well done. Anyone else want to go? Now. | :22:17. | :22:27. | |
We've got a film from one of all of our great heroes. | :22:28. | :22:34. | |
This is perhaps, in a slightly strange way, my favourite | :22:35. | :22:36. | |
Well, I'm back on Comic Relief, and what a journey it's been. | :22:37. | :22:59. | |
I started 30 years ago, a youngish man with a lush coloured | :23:00. | :23:02. | |
Today, ladies and gentlemen, I finished my first novel. | :23:03. | :23:09. | |
It's taken me a long time to read a book, but there you go. | :23:10. | :23:13. | |
I seem to remember I cracked a joke or two, then I went to Mozambique. | :23:14. | :23:17. | |
Quite fun there as well, but I saw some terrible things too. | :23:18. | :23:30. | |
Standing beside me just now, this is Sophia. | :23:31. | :23:34. | |
Just over a year ago she was playing in a field with her sister. | :23:35. | :23:38. | |
She jumped over a wall and landed on a landmine. | :23:39. | :23:44. | |
It blew up, Sophia lost her legs and her sister lost her life. | :23:45. | :23:47. | |
And I was glad to do my bit just to pass on to the British public | :23:48. | :23:51. | |
what it was actually like in tough places like that. | :23:52. | :23:54. | |
I went back there again a few years later, and saw the amazing | :23:55. | :23:57. | |
That girl being reunited with her dad for a day. | :23:58. | :24:02. | |
And then, of course, I made a bloody fool of myself | :24:03. | :24:05. | |
running naked around Piccadilly Circus. | :24:06. | :24:09. | |
I think it made a million quid, but who knows? | :24:10. | :24:13. | |
I certainly frighten some poor, innocent pedestrians. | :24:14. | :24:15. | |
Worst hospital I've ever seen, tough things there. | :24:16. | :24:17. | |
Would you like a wee glimpse of hell? | :24:18. | :24:23. | |
But I don't know if I would ever have guessed this, the latest | :24:24. | :24:26. | |
So it is time for me to bring it home, and ask you to spare | :24:27. | :24:37. | |
a few quid for the work you and Comic Relief | :24:38. | :24:40. | |
I'm not young myself, so let me seem a bit selfish and say | :24:41. | :24:44. | |
it would be great if you could give it a bit of thought, | :24:45. | :24:47. | |
Life can get very hard for old people, they're not well | :24:48. | :24:52. | |
It's an amazing thing Red Nose night. | :24:53. | :24:57. | |
The utter generosity changing the lives of millions of strangers, | :24:58. | :25:00. | |
If you got some spare cash, spirit for someone not very | :25:01. | :25:06. | |
different from your granny or your grandfather. | :25:07. | :25:07. | |
God bless, I'll be back later because if you don't | :25:08. | :25:12. | |
give ?1 million, I'm going to take my clothes off again | :25:13. | :25:15. | |
I'm very proud of the stuff we've done together. | :25:16. | :25:21. | |
Huge thank you to Billy. Comic relief support amazing work in this | :25:22. | :26:01. | |
country that transforms the lives of older people, people in trouble at | :26:02. | :26:06. | |
all stages of life. If you haven't given yet, listen to that wonderful | :26:07. | :26:10. | |
man who has been helping Comic Relief for 30 years and give a few | :26:11. | :26:12. | |
quid. We can't go any further without | :26:13. | :26:29. | |
finding out the answer to the one question this evening that has had | :26:30. | :26:33. | |
people arguing up and down the country. I've become strangely | :26:34. | :26:37. | |
involved. I didn't think I would care but I do. We are going to find | :26:38. | :26:43. | |
out the winner of the World Cup of biscuits. | :26:44. | :26:52. | |
Hello. Ooh. This is nice. You're very welcome. Were you all watching? | :26:53. | :27:08. | |
Of course we were. I missed the beginning, was a chocolate hobnob in | :27:09. | :27:13. | |
at any time? Yes. And it didn't win? It was beaten by the chocolate | :27:14. | :27:20. | |
digestive. That's madness. Chocolate digestive was a finalist. Milk | :27:21. | :27:26. | |
chocolate hobnob can't be beaten, really. Did you vote? In fairness I | :27:27. | :27:30. | |
didn't. Then it is your fault. That has happened to me before. By the | :27:31. | :27:38. | |
way, what was your job? How dare you? What? In the judging? Putting | :27:39. | :27:44. | |
one on a wall chart, thank you very much in a beautiful manner. You did | :27:45. | :27:52. | |
it literally perfectly. You had a nice overall. I had a tabard, a Red | :27:53. | :27:58. | |
Nose Day Tabard. I had heard Steph Strudwick I was feeding and watering | :27:59. | :28:03. | |
everybody. -- I had a hostess trolley. I didn't know anything | :28:04. | :28:07. | |
about this, but I have eaten a lot of biscuits. What's your favourite | :28:08. | :28:12. | |
biscuit? I will go with the orange viscount today. I say orange | :28:13. | :28:23. | |
viscount. O do pipe down. This is like a coach trip. As the only chef | :28:24. | :28:29. | |
here, what's your favourite biscuit? Fig rolls. Oh no! Out of context. | :28:30. | :28:39. | |
Blue. People are cancelling reservations now. So the final was? | :28:40. | :28:46. | |
Chocolate digestive is against chocolate fingers. OK, and you are | :28:47. | :28:50. | |
going to reveal the winner, I believe? If you would like me to. Do | :28:51. | :28:56. | |
we want to hear the winner? Was it close? I don't want to get all | :28:57. | :29:07. | |
Brexit on your as but it was 52-48. You want to know? The winner of the | :29:08. | :29:14. | |
World Cup of biscuits this 2070 was... | :29:15. | :29:22. | |
You will find out after the break. No, we are on BBC One, don't panic. | :29:23. | :29:32. | |
The winner of the World Cup of Biscuits 2017 was chocolate | :29:33. | :29:41. | |
digestives! Are you happy with that? Very happy. Have we mentioned | :29:42. | :29:47. | |
Miranda's book, which is still for sale? All proceeds go to Comic | :29:48. | :29:54. | |
Relief. It is a lovely idea. It is nice things in your average day. I | :29:55. | :30:02. | |
am proud of it. I am going to do some countercultural | :30:03. | :30:05. | |
self-congratulation. I like January 14, singing, but not standard | :30:06. | :30:10. | |
singing. I think that one is to sing out of tune. Put on a song and sing | :30:11. | :30:18. | |
out of tune. It is good fun. They are fun tasks to do everyday to make | :30:19. | :30:23. | |
yourself feel better, more jolly, less anxious and stressed. And | :30:24. | :30:28. | |
singing out of tune is a hoot. You seem ever so cheerful so it is | :30:29. | :30:34. | |
obviously working. I wonder what that must sound like. Do a bit. Sing | :30:35. | :30:42. | |
out of June? I tried total eclipse of the heart the other day. | :30:43. | :30:49. | |
# Total eclipse of the heart # And I need you now tonight | :30:50. | :30:56. | |
# And I need you more than ever # And I'll only hold you tight | :30:57. | :31:00. | |
# We'll be holding on forever | :31:01. | :31:19. | |
# Ferrer via's going to start and night | :31:20. | :31:24. | |
# Once upon a time I was... # Now there's only... We are | :31:25. | :31:29. | |
stopping. He got carried away, he was enjoying it. We are going to | :31:30. | :31:34. | |
continue with the food theme. We had biscuits but now we welcome two men | :31:35. | :31:39. | |
who have literally raised a lot of dough, Micky Flanagan and Joe | :31:40. | :31:49. | |
Lycett. APPLAUSE | :31:50. | :31:56. | |
Hello. Hello. Come in and sit down. Micky | :31:57. | :32:09. | |
Flanagan, Joe Lycett. Sit, sit down. Can I sit there? No com you cannot. | :32:10. | :32:15. | |
Was that meant to be a crop top? No, but it got hot. You were really | :32:16. | :32:25. | |
working in a pizza kitchen. Yes, I understand why he swears so much. It | :32:26. | :32:29. | |
was infuriating. People were sending stuff back. It wasn't cooked. | :32:30. | :32:36. | |
Sometimes in a rush, who wants to cook things? You were front of | :32:37. | :32:42. | |
house. I am livid with Micky Flanagan. He wasted our time. Did he | :32:43. | :32:52. | |
embarrass you? He embarrassed me. It is sleeveless as well. Calm | :32:53. | :33:00. | |
yourselves, everybody. How were you raising money? Trying to get | :33:01. | :33:05. | |
donations for the good work we were doing from the people in the | :33:06. | :33:09. | |
restaurant. We didn't get loads, did we, Micky? How much was it? I got | :33:10. | :33:18. | |
two cubes in someone's pizza and they kicked off, because they wanted | :33:19. | :33:26. | |
more. Did people not see the funny side? Everyone was very nice, but | :33:27. | :33:32. | |
they were obviously poor. Poor and annoyed. Do you have a grand total? | :33:33. | :33:39. | |
Yes, it is all in this bucket, so it is obviously a lot. The pizza Comic | :33:40. | :33:48. | |
Relief challenge 2017 has raised... ?385. -- ?375. And 19p. I put that | :33:49. | :34:09. | |
in. That T-shirt on eBay will sell for a lot. If I get it nice and | :34:10. | :34:15. | |
sweaty. My pants are going on as well. She wants it. | :34:16. | :34:22. | |
when the biggest musician in the world met the biggest | :34:23. | :34:25. | |
Ladies and gentleman it's the very special People Just Do Nothing. | :34:26. | :34:28. | |
Today, I've set Kurupt FM up with one of their first | :34:29. | :34:35. | |
It's so top secret, they don't even bloody know who it is. | :34:36. | :34:39. | |
But we know it's definitely going to be an award-winning artist, right? | :34:40. | :34:42. | |
Well, let's just say it's one of the biggest | :34:43. | :34:44. | |
We could do a Godfather and Godfather back to back. | :34:45. | :34:54. | |
You don't need to play instruments these days to make music. | :34:55. | :35:06. | |
Like, you can literally play a keyboard with one finger | :35:07. | :35:10. | |
for 30 minutes and you've got a banger. | :35:11. | :35:12. | |
So I'm a big fan of People Just Do Nothing. | :35:13. | :35:35. | |
we are going to need some drinks laid out. | :35:36. | :35:41. | |
Got some big artist coming in very soon, | :35:42. | :35:45. | |
so if we could do that really quickly and then | :35:46. | :35:47. | |
No, no, no, guys, don't you know who this is? | :35:48. | :35:53. | |
You said it was going to be one of the biggest | :35:54. | :36:07. | |
Basically, I Photoshopped our Twitter page to make it look | :36:08. | :36:36. | |
like we have 34 million followers instead of 34, yeah? | :36:37. | :36:39. | |
Richard Curtis called me up and was like, | :36:40. | :36:46. | |
# We could change this whole world with a piano. | :36:47. | :36:54. | |
# Grab a bass, some guitar, add a beat and away we go. | :36:55. | :36:58. | |
# I'm just a boy with a one man show.... | :36:59. | :37:05. | |
# I'll be sitting here with a song that I wrote. | :37:06. | :37:15. | |
# Saying love can change the world in a moment, but what do I know? | :37:16. | :37:21. | |
If I'm being honest, mate, it's a bit depressing. | :37:22. | :37:25. | |
Right, I'm just trying to think of a way to make it less shit. | :37:26. | :37:31. | |
What if it had more of a sort of message to it? | :37:32. | :37:34. | |
Well, I mean, that's the kind of point of the song. | :37:35. | :37:37. | |
Yeah, love's going to change the world. | :37:38. | :37:38. | |
Garage is going to change the world, with a bass line? | :37:39. | :37:44. | |
Or if the song was about bringing garage to Africa? | :37:45. | :37:49. | |
That's what I was just about to think of. | :37:50. | :37:53. | |
I don't know if the continent of Africa knows or cares about garage. | :37:54. | :37:58. | |
Oh, well, maybe that's part of the problem, then, Ed. | :37:59. | :38:00. | |
Always the same drums, Decoy, that's what garage is about. | :38:01. | :38:10. | |
Just saying, you must be smashing it with the ladies, getting loads of... | :38:11. | :38:26. | |
No, cos the ginger thing's really working. | :38:27. | :38:34. | |
I was thinking of maybe dyeing my 'tache ginger. | :38:35. | :38:36. | |
# We could change this whole world with a piano. | :38:37. | :38:55. | |
# We could change this whole world... | :38:56. | :39:08. | |
Right, probably still need to chop that up to make it sound | :39:09. | :39:21. | |
# I'll be sitting here with a song that I wrote | :39:22. | :39:24. | |
# Song that I wrote, song that I wrote... | :39:25. | :39:27. | |
Make sure you've got a good drop as well. | :39:28. | :39:29. | |
It's a little musical thing you probably haven't come across | :39:30. | :39:37. | |
That's your target audience, the raver. | :39:38. | :39:44. | |
I thought your target audience was Africa. | :39:45. | :39:45. | |
Why don't you leave it to the professionals, Ed? | :39:46. | :39:50. | |
Why don't you go outside and let us crack on? | :39:51. | :39:54. | |
I've got a cold sore, but we can just do blowbacks. | :39:55. | :40:01. | |
Do you think garage can change the world? | :40:02. | :40:05. | |
I don't think we need to change the world. | :40:06. | :40:07. | |
I think we need to make music saying that we're going | :40:08. | :40:10. | |
to change the world, you know what I mean? | :40:11. | :40:12. | |
We're not going to fucking do anything. | :40:13. | :40:14. | |
But I'm going to let people hear it and be like, rar. | :40:15. | :40:20. | |
If they wanted to, they could change the world. | :40:21. | :40:22. | |
People ? just do something and put your hands | :40:23. | :40:39. | |
together for Kurupt FM and, it's only bloody Ed Sheeran. | :40:40. | :41:13. | |
City yourselves down, sit yourself down. Pile in. -- sit yourselves | :41:14. | :41:25. | |
down. They love you. I know this is chaos. Just a bit further. Use it on | :41:26. | :41:34. | |
the table. I'm easy. Don't look over my wine. Then I will lose my temper. | :41:35. | :41:39. | |
We love to seeing the documentary of you and Ed Sheeran. You were not | :41:40. | :41:48. | |
that familiar with him. No. Was he a fan of yours? Big-time. It's | :41:49. | :41:55. | |
obvious, isn't it? It is good for him because he got inspired, and we | :41:56. | :41:59. | |
helped him because he came with his weird... He didn't have any drums on | :42:00. | :42:05. | |
his music before so we thought we would put a Garrard -ish beat on it. | :42:06. | :42:14. | |
He was lovely but very needy. Was it you that inspired a song for him? | :42:15. | :42:22. | |
This is another thing about him being needy. His song, shape of | :42:23. | :42:29. | |
view, it is a good song, but he was calling out the manager. It was a | :42:30. | :42:35. | |
bit needy. Chill out, mate. Here is the thing. Crime is your... That is | :42:36. | :42:46. | |
where Grimes stemmed from. Miranda Hart is about to be in a musical. | :42:47. | :42:55. | |
That's true. Are there any beats or anything you could teach Miranda to | :42:56. | :43:00. | |
help her? It's about children so she has to be down with the kids. Yes, | :43:01. | :43:07. | |
it is Annie, a family show, and I feel this would work really well. | :43:08. | :43:14. | |
You have to do the one Lakes gang. Put one leg in the air and go like | :43:15. | :43:22. | |
that. I do that quite a lot anyway. One of the dancers is the gun | :43:23. | :43:27. | |
finger. Don't get worried, it's not violent. Yes, yes. | :43:28. | :43:41. | |
Locks to work with, Miranda. On my last night, I will put that in, I | :43:42. | :43:51. | |
promise. Say my name when you do it, I invented it. She knows who I am. | :43:52. | :44:01. | |
You have done a video with Ed Sheeran which has not been seen yet. | :44:02. | :44:08. | |
A world exclusive on your show. You are welcome. I got a sneaky peek and | :44:09. | :44:16. | |
it is genius. It is beautiful on so many levels. It is a blockbuster, | :44:17. | :44:24. | |
with so many effects. There is a glimpse. That is special. What we | :44:25. | :44:31. | |
are trying to say is that... Ed Sheeran is loving it. You can get a | :44:32. | :44:38. | |
green screen and make your own little thing. The thing is, if my | :44:39. | :44:45. | |
lyrics will help to change the world, so be it. I don't want a | :44:46. | :44:50. | |
thank you or anything. Just buy me a beer when you see me. If I am happy | :44:51. | :44:56. | |
with the amount we have raised in the next hour, we will give everyone | :44:57. | :44:59. | |
at home that exclusive world premiere. Get text in, because you | :45:00. | :45:06. | |
don't want to miss it. It is really genius. It could give Amarillo a run | :45:07. | :45:17. | |
for its money. What is Amarillo? This is the weird thing about | :45:18. | :45:21. | |
tonight, one minute it is funny and then it is serious. This next film | :45:22. | :45:26. | |
is tough, but it does show why we are here. | :45:27. | :45:31. | |
It's 9am, and it's already getting busy in the children's ward at this | :45:32. | :45:34. | |
It's a worrying time for mums and dads, but | :45:35. | :45:44. | |
thankfully the majority of these little ones will make a full | :45:45. | :45:46. | |
And their parents will get to see their babies grow up into | :45:47. | :45:58. | |
But for some very sick children, often the | :45:59. | :46:01. | |
ones from the poorest homes, this is only the beginning of the | :46:02. | :46:04. | |
And one of the scariest conditions they face is pneumonia. | :46:05. | :46:17. | |
This is Joffrey, and he is five months old. | :46:18. | :46:19. | |
Joffrey has already had a tough start in life. | :46:20. | :46:21. | |
He was born with malformed limbs, and his mum, Rosemary, | :46:22. | :46:24. | |
Joffrey has been admitted with severe pneumonia. | :46:25. | :46:37. | |
He wasn't vaccinated, and because of that, | :46:38. | :46:39. | |
Vaccines that stop children dying unnecessarily can | :46:40. | :46:46. | |
But every day, this ward sees a wave of new cases. | :46:47. | :47:03. | |
Joffrey's tiny lungs filling with fluid, he is too weak | :47:04. | :47:05. | |
He needs oxygen but he is so small, it's hard to fix | :47:06. | :47:10. | |
Children with pneumonia never stop arriving. | :47:11. | :47:19. | |
And as the day draws on, Joffrey's condition is not improving. | :47:20. | :47:26. | |
He needs every ounce of strength to fight the pneumonia. | :47:27. | :47:31. | |
But he is so frail now, it is hard for him to swallow. | :47:32. | :47:36. | |
The awful truth is that this could have been prevented. | :47:37. | :47:42. | |
With every breath, Joffrey is fighting for his life. | :47:43. | :47:44. | |
With every moment that passes, all his mum can do is hope. | :47:45. | :48:24. | |
A lot of issues raised to are highly complicated but this is a simple | :48:25. | :48:41. | |
truth, vaccinations saves lives. Vaccinations that | :48:42. | :48:46. | |
cost as little as ?5. It would be wonderful | :48:47. | :48:48. | |
if you could ring, go online, or text - | :48:49. | :48:49. | |
and save someone's life tonight, | :48:50. | :48:56. | |
while London Grammar are singing this beautiful song - | :48:57. | :48:58. | |
"Truth Is A Beautiful Thing". # To hold your heart, | :48:59. | :49:18. | |
to hold your hand # Could you take my | :49:19. | :49:49. | |
place and stand here? # I do not think | :49:50. | :50:07. | |
you'd take this pain # You'll be on your knees | :50:08. | :50:14. | |
and struggle under the weight # Oh, the truth would | :50:15. | :50:22. | |
be a beautiful thing # Deep in my call you | :50:23. | :50:29. | |
know you have a throne # To hold your heart, | :50:30. | :51:10. | |
to hold your hand # Could you take my | :51:11. | :51:24. | |
place and stand here? # I don't think | :51:25. | :51:32. | |
you'll take this pain # You'll be on your knees | :51:33. | :51:40. | |
and struggle under the weight # Oh, the truth would | :51:41. | :51:43. | |
be a beautiful thing # Oh, the truth is | :51:44. | :51:49. | |
a beautiful thing #. Thank you so much, the amazing | :51:50. | :52:31. | |
Right, if you've just given ? thank you so much. | :52:32. | :52:35. | |
Can I try to convince you that this is the moment to give? | :52:36. | :52:40. | |
Here's the thing ? every two minutes a child dies in Africa | :52:41. | :52:44. | |
from entirely preventable diseases and we're | :52:45. | :52:49. | |
working to defeat that by buying lifesaving | :52:50. | :52:51. | |
vaccines with the excellent help of the excellent | :52:52. | :52:53. | |
Global Fund and GAVI - the Vaccine Alliance. | :52:54. | :52:58. | |
And the amazing news is that The Bill and Melinda | :52:59. | :53:02. | |
Gates Foundation are going to double any money | :53:03. | :53:06. | |
we give to fighting malaria and buying vaccines | :53:07. | :53:08. | |
Just think about what that means, OK? | :53:09. | :53:19. | |
We think we're going to raise ?7 million | :53:20. | :53:20. | |
for this stuff, and if we do, they're going to | :53:21. | :53:23. | |
If you give ?10 quid ? Bill makes it ?20. | :53:24. | :53:26. | |
If you give twenty ? Melinda makes it ?40. | :53:27. | :53:33. | |
So please ? give now ? or at least before the end | :53:34. | :53:39. | |
And in return we'll do our best to give | :53:40. | :53:42. | |
And even if you're not enjoying yourself we | :53:43. | :53:45. | |
Time for a load more guests. Move down. Sit in there. Move down, move | :53:46. | :54:02. | |
down. Welcome. Please find your seats as | :54:03. | :54:35. | |
quickly as possible, thank you. Put your bags in the overhead locker. | :54:36. | :54:40. | |
There you go. I am really a glorified air hostess. We've got so | :54:41. | :54:46. | |
many people still to come. Hello Gordon, Martine, Lenny! Hey | :54:47. | :54:54. | |
everybody, how are you? Who just arrived? You are the newbies. We saw | :54:55. | :55:07. | |
you earlier, Romesh. Jonathan, you were hosting, weren't you? There is | :55:08. | :55:15. | |
a satellite delay going on. It was a chocolate by just did! You were | :55:16. | :55:22. | |
hosting earlier? I enjoyed meeting his mum very much, I prefer her to | :55:23. | :55:30. | |
her son. But you revealed some man on man action, Romesh? My first kiss | :55:31. | :55:34. | |
was with a bloke, and my mum didn't know that. It was a one-off thing | :55:35. | :55:39. | |
and the guy didn't call again. I sort of wanted to draw a line under | :55:40. | :55:43. | |
it to be honest. What did your mother reveal about herself? She | :55:44. | :55:48. | |
revealed that one might just after she got married she went out with my | :55:49. | :55:52. | |
dad, they went to a party, she saw my dad talking to another woman, and | :55:53. | :55:56. | |
in a fit of jealousy she used his toothbrush to clean the entire | :55:57. | :56:01. | |
house. Without him knowing, obviously otherwise it's not that | :56:02. | :56:05. | |
good a prank. Cara Delevingne, sits down. You sit down! What if I hit | :56:06. | :56:19. | |
you from here? Snakes on a plane? Rupert, you are very welcome. This | :56:20. | :56:25. | |
is his first appearance at Comic Relief synths, I believe, 2009? Yes, | :56:26. | :56:29. | |
funnily enough, I never thought I'd be invited again. I was in Comic | :56:30. | :56:36. | |
Relief four, we did this whole thing. The apprentice? The | :56:37. | :56:40. | |
apprentice, yes. Were you in it, Jonathan? Were you asking me another | :56:41. | :56:47. | |
question? What was that? Were you in the same apprentice as Rupert? I'd | :56:48. | :56:52. | |
like to think so. He wasn't. I wasn't, I was with Jack Dee and | :56:53. | :56:58. | |
various other people. I wasn't even in the one I was in. You walked out. | :56:59. | :57:04. | |
I did. Is it true you did not know who Alan Sugar was? I hadn't been in | :57:05. | :57:11. | |
England for ages, I did not have my contact lenses in, and I thought it | :57:12. | :57:15. | |
was Sid James. Presumably he was dead than. But he did look like him. | :57:16. | :57:21. | |
Easy mistake to make. Greg and Ricky, you were in this hot tub? | :57:22. | :57:26. | |
Yes. Are you still damp? I've towelled off. OK, OK. And what was | :57:27. | :57:35. | |
it like in the hot tub. What was it like, Ricky? It was amazing. | :57:36. | :57:42. | |
Amazing? I honestly think they could charge up to 15 grand, they could | :57:43. | :57:48. | |
just do that other thing everyday, go in a hot tub on the roof. It's | :57:49. | :57:53. | |
lovely up there. The crew were not finding it funny because it is | :57:54. | :57:56. | |
freezing. It certainly was last night. I wouldn't know. Yes you | :57:57. | :58:04. | |
would. What did you have to do? I had to interview people in a hot tub | :58:05. | :58:10. | |
on top of the O2 for no reason. Was there any reason? They just asked if | :58:11. | :58:14. | |
I wanted to be involved in Comic Relief. They said I would be | :58:15. | :58:18. | |
interviewing people. Then they told me it was in a hot tub, and I | :58:19. | :58:22. | |
thought lovely. Then they told me it was on top of the O2. What did you | :58:23. | :58:28. | |
wear, read key? Talc. He was terminated. It was beautiful, really | :58:29. | :58:36. | |
nice. Tom Daley made me laugh. He came up and I said the best thing is | :58:37. | :58:39. | |
to seem like you're confused by what we are doing here. He said, I am | :58:40. | :58:45. | |
confused by what we're doing here. The good thing was, if you stand | :58:46. | :58:49. | |
next to Tom Daley you feel fat and ugly. If you stand next to this guy, | :58:50. | :58:53. | |
you feel great. While, but this harsh. I wasn't going to reveal this | :58:54. | :58:59. | |
but I will now. I felt terrible. Ricky went underwater and came up | :59:00. | :59:04. | |
with a mouthful of water and I felt terrible because I had been fighting | :59:05. | :59:06. | |
like a tractor in there. I had been doing worse. You have a | :59:07. | :59:22. | |
new film coming out. Yes, the happy Prince, the story of Oscar Wilde at | :59:23. | :59:29. | |
the end of his life. It is out in about September. Very good. There | :59:30. | :59:35. | |
are loads of ways to donate, but this year, Comic Relief have come up | :59:36. | :59:40. | |
with something brilliant. It is called the Comic Relief swearing | :59:41. | :59:47. | |
jar. In the script, it says it is going to believe my swearing but I | :59:48. | :59:54. | |
do not trust it. It is a free app which converts your fundraising -- | :59:55. | :00:02. | |
your swearing into fundraising. I swear by it. There are words on a | :00:03. | :00:09. | |
screen, very far-away, I am reading some of them! Can you read autocue | :00:10. | :00:17. | |
at the end of the sofa? Yes. I had no idea it was going to be this | :00:18. | :00:26. | |
long. While we are on the subject of phones, it is time to show our | :00:27. | :00:31. | |
appreciation to our mobile and tech partners. Here we go. Thank you to | :00:32. | :00:41. | |
three, Vodafone, virgin Amazon Web services, what the hell is that? Can | :00:42. | :00:49. | |
you see that, Lenny? B team I donate, PayPal, and world play. And | :00:50. | :01:00. | |
the thank yous does not stop there. Here is Tim Key at Ryman and Robert | :01:01. | :01:12. | |
Pires. -- Robert Dyas. I am checking out the hive of | :01:13. | :01:16. | |
activity. People have been buying novelty pens in their thousands | :01:17. | :01:19. | |
whilst the teams here have been fundraising their socks off. | :01:20. | :01:29. | |
Watch out, they bite. Directly in the buttocks. Did you get yours from | :01:30. | :01:42. | |
Ryman 's or Robert Dyas? I wouldn't know. About Comic Relief? It has | :01:43. | :01:49. | |
raised millions to improve the lives of the vulnerable here and in | :01:50. | :01:54. | |
Africa. How long have you been there? Ages. About that business | :01:55. | :02:05. | |
deal. I'm out. Goodbye, Theo, goodbye Forest Gump. So, for the | :02:06. | :02:09. | |
magnificent effort from the team and their customers, time to say a great | :02:10. | :02:18. | |
big thank you. How did you get back here? I live here. Thank you, Cara | :02:19. | :02:28. | |
Delevingne. Thank you to all the lovely | :02:29. | :02:34. | |
people at Ryman and That's an extraordinary | :02:35. | :02:42. | |
amount and thank you to everyone at home for | :02:43. | :02:50. | |
stocking up on pens. There's still plenty of space | :02:51. | :02:52. | |
on my sofa so time to Saunders, and Joel Dommett. | :02:53. | :03:37. | |
Hello. Hello. Reith hello. Hello. There is space. Get in. I will sit | :03:38. | :03:52. | |
on the floor, Graham. Look at you. I am not sure there is any camera that | :03:53. | :03:56. | |
can see you. But we know you are here. There you go. He has split up | :03:57. | :04:10. | |
French and Saunders. Scandal! This is wonderful. When you came on, you | :04:11. | :04:16. | |
said you had a gift for me. I was given this by someone else to give | :04:17. | :04:24. | |
to you. I will open it. Is that, by any chance, supposed to be me? I'm | :04:25. | :04:32. | |
not sure, but I think maybe it is. That is me, isn't it? I look like | :04:33. | :04:41. | |
the picture of the dog with the picture of the dog and the picture | :04:42. | :04:48. | |
of the dog. Ladies, well done. Have you come as something? Whoever you | :04:49. | :04:55. | |
want me to be. You just thought, I will wear that. Lots of people could | :04:56. | :05:04. | |
not make it so I have come as them. Shias Joan Collins, Gladys Knight, | :05:05. | :05:11. | |
anyone. Hugh Dennis, do you have a total for me best Jamaat No. I | :05:12. | :05:20. | |
don't. I can give you a made up number. This is the convoy that you | :05:21. | :05:27. | |
did. Yes, but I don't have a total for that either. I have a total. You | :05:28. | :05:35. | |
read the total. I feel bad reading it. You read the screen. If people | :05:36. | :05:45. | |
did not see what the convoy was... Six of us, me and David the deal, | :05:46. | :05:51. | |
Katy Brand, Reggie Yates and Russell Kane, driving supplies across Kenya | :05:52. | :05:56. | |
and Uganda to Comic Relief projects in those countries. And the | :05:57. | :06:02. | |
documentary was on last night. And it raised this amount of money that | :06:03. | :06:04. | |
I'm about to read. That is amazing, half ?1 million, | :06:05. | :06:24. | |
essentially. Joel Dommett, you know Martine McCutcheon. I feel bad that | :06:25. | :06:30. | |
we have seated you so far apart. Didn't you get on very well when you | :06:31. | :06:37. | |
were on Loose Women. A bit. Didn't you feel him up? Yes. That is why | :06:38. | :06:47. | |
they have put her so far-away. Were you in the hot tub? You were in | :06:48. | :06:56. | |
Innuendo Bingo. Yes, I ripped off my shirt and I regretted that decision. | :06:57. | :07:02. | |
Are your abdominal muscles new? You keep getting them out. I am very | :07:03. | :07:11. | |
shy, Graham. You lived in the jungle in your pants for three weeks. I am | :07:12. | :07:17. | |
very lonely. I just go to the gym because I have nothing better to do. | :07:18. | :07:22. | |
Dawn and Jennifer are now looking at you like you are meet. I am looking | :07:23. | :07:32. | |
at his beautiful teeth. Did you buy them? They are all I ain't. Electric | :07:33. | :07:36. | |
toothbrush, that is what you have to do. Veneers. I brush my teeth for | :07:37. | :07:46. | |
seven hours a day, but apart from that... One of the reasons we love | :07:47. | :07:52. | |
Comic Relief is that we are doing this and we have a laugh, and then | :07:53. | :08:01. | |
suddenly things get very serious. It is easy to forget that Comic Relief | :08:02. | :08:10. | |
spends millions here in the UK. Domestic violence is one of the | :08:11. | :08:14. | |
issues we take seriously and any money you give to Knight will be | :08:15. | :08:15. | |
taking it on. -- tonight. I can't speak for anyone else but I | :08:16. | :09:48. | |
found that one of the most shocking films we have shown. | :09:49. | :09:51. | |
People tonight are living in real fear, not far from you. | :09:52. | :09:54. | |
Please ? if you can spare some cash ? with your help we can | :09:55. | :09:57. | |
get them out of danger, and into safety. | :09:58. | :09:59. | |
And the very good news is that HM Government is adding ?3 million | :10:00. | :10:02. | |
to tonight's pot to help projects supporting vulnerable | :10:03. | :10:04. | |
This is such a critical issue and your donations | :10:05. | :10:15. | |
Now, I promised you a sofa full of celebrities, | :10:16. | :10:23. | |
I do not know where we will put them, but please welcome Sally | :10:24. | :10:39. | |
Phillips, Fiona Allen and Tamsin Greig. Hello. I don't know where you | :10:40. | :10:53. | |
are sitting. There isn't really any space. Come | :10:54. | :11:24. | |
on, budge up. I will perch up here. Oh, look, the cool kids are sitting | :11:25. | :11:30. | |
on the back of the sofa. We were going to sit on the floor and then | :11:31. | :11:34. | |
we thought, that's not cool. Ladies and gentlemen, culture alert. Who | :11:35. | :11:42. | |
has come off a theatre stage? You three. What were you just doing? I | :11:43. | :11:50. | |
was in Soho at the Wyndham Theatre. Were you really good? I was | :11:51. | :11:58. | |
excellent. Tamsin, what are you doing? I am in 12th night with Doon | :11:59. | :12:15. | |
Mackichan. I clown. Did anything happened to Knight, go wrong, did | :12:16. | :12:19. | |
you forget any lines, did people die? I got a bit confused in act | :12:20. | :12:27. | |
five but I got through it. There are five acts in it best Jamaat yes, but | :12:28. | :12:30. | |
they are always very quick. You are at the National Theatre. | :12:31. | :12:48. | |
Sally Phillips, Fiona Allen, Doon Mackichan, smack the pony returned | :12:49. | :12:56. | |
earlier. I don't want to stir trouble, but is it 15 years? Was it | :12:57. | :13:05. | |
like Girls Aloud? Was there group therapy? We actually love each | :13:06. | :13:14. | |
other, OK, thank you very much. We didn't stop working for years and we | :13:15. | :13:21. | |
wanted a break, which we have had. 15 years! Three kids each. Was it | :13:22. | :13:31. | |
nice to get back together? We have been kicking around ideas four-year | :13:32. | :13:36. | |
is. That is what we do. We have come up with another one, so we just... I | :13:37. | :13:42. | |
think of Smack The Pony as new comedy and then I hear that you have | :13:43. | :13:46. | |
not done it for 15 years, which is a long time. Another show that | :13:47. | :13:55. | |
everyone loved, Greenway. -- green Wing. Would it ever? Never. It is | :13:56. | :14:04. | |
too difficult to get Olivia Colman and all those other actors. Because | :14:05. | :14:13. | |
David has got her. David, is the culprit in Broadchurch sitting | :14:14. | :14:22. | |
somewhere on this so far? -- on this so far. Well, Lenny is looking | :14:23. | :14:30. | |
guilty. It must be weird, walking around in knowing. I know. I feel | :14:31. | :14:36. | |
hugely powerful. We have filmed the end of the series, yes. We don't | :14:37. | :14:43. | |
know while we are filming it. When you are doing an interview, you do | :14:44. | :14:46. | |
not know if someone is lying. You don't have to do any acting. | :14:47. | :14:55. | |
Weren't you really sick? He had a pacemaker fitted at the end of | :14:56. | :15:01. | |
series two. I missed that bit. But you came back and you were fine? So | :15:02. | :15:07. | |
far, we are only on episode four, don't prejudge it. Ooh. It is the | :15:08. | :15:16. | |
last series. Does Lenny kills you? It would be terrible if that | :15:17. | :15:20. | |
actually did happen. We've got to talk Doctor who. Once you are in it | :15:21. | :15:26. | |
you never leave. That's it. Do you know about this extraordinary | :15:27. | :15:32. | |
auction price? Yes. What is it? Seven people who have been doctors. | :15:33. | :15:40. | |
What did you say? Have you been drinking? Seven of us, Sylvester | :15:41. | :15:47. | |
McCoy, Paul McGann, me, Matt Smith, Peter Capaldi, are all going to have | :15:48. | :15:53. | |
breakfast with a Doctor Who fan. Can you imagine? Can you imagine. You | :15:54. | :15:59. | |
can buy a ticket to be at this breakfast. There are two things, an | :16:00. | :16:03. | |
auction with presumably some nerdy millionairess going to win. With all | :16:04. | :16:12. | |
the people without millions. For a fiver, less than ?1 per doctor, you | :16:13. | :16:18. | |
can get a raffle ticket, that's running until May, so you've got | :16:19. | :16:21. | |
ages, by as many raffle tickets as you like for more chances to win and | :16:22. | :16:25. | |
one of you gets the chance to have breakfast with us, lucky you. Well | :16:26. | :16:34. | |
whoever gets it will enjoy it. The breakfast? I hope. Just meeting you | :16:35. | :16:42. | |
all. They will have some kind of nerd-gasm. We will smother you with | :16:43. | :16:47. | |
some time continuum. That sounds really wrong. Please keep calling. | :16:48. | :16:57. | |
We've got Russell Brand joining us shortly. I know. | :16:58. | :17:01. | |
Across the country you've all been doing your bit to help raise | :17:02. | :17:04. | |
money for Red Nose Day, and now it's time to | :17:05. | :17:07. | |
We have an exclusive glimpse into how the stars of BBC | :17:08. | :17:13. | |
Three's This Country have been getting on. | :17:14. | :17:15. | |
Comic Relief is such a great cause, and community | :17:16. | :17:52. | |
I've done a sponsored beard shave, and everyone's doing their bit. | :17:53. | :18:02. | |
There's fund-raising, right, and then there's | :18:03. | :18:03. | |
Last Christmas they did a feeding the homeless thing | :18:04. | :18:06. | |
in the village hall, and there was about 30 | :18:07. | :18:09. | |
people volunteering, there's only one homeless guy | :18:10. | :18:10. | |
So everyone was just stood round watching Frankie | :18:11. | :18:13. | |
He was so self-conscious, he couldn't eat anything. | :18:14. | :18:18. | |
Yeah, and we saw him in the village later, didn't we? | :18:19. | :18:20. | |
He was in the village, and he was eating a banana | :18:21. | :18:24. | |
skin out of the bin, and I go, "Frank, | :18:25. | :18:26. | |
And he was like, "I'm sorry, I'm just so much more | :18:27. | :18:30. | |
Anyone have any change and don't want to be harsh? | :18:31. | :18:37. | |
I think it's wonderful that Kerry and Kurtan | :18:38. | :18:44. | |
are so passionate about Comic Relief. | :18:45. | :18:49. | |
They can be a little bit overzealous at times, but it's just | :18:50. | :18:52. | |
about channelling their enthusiasm in the right direction. | :18:53. | :18:53. | |
Leonard, just bear this in mind, son? | :18:54. | :18:55. | |
We ain't letting you of this phone box until you give | :18:56. | :18:58. | |
Of course, some years that channelling is less | :18:59. | :19:04. | |
successful than others, but this year, I've got them running | :19:05. | :19:07. | |
an orange squash stall with Michael which I think will be great. | :19:08. | :19:24. | |
The squash stall isn't going as well as hoped, | :19:25. | :19:26. | |
because Slugs keeps drinking all the squash. | :19:27. | :19:34. | |
Firstly, this is just getting completely out of hand, now. | :19:35. | :19:37. | |
But I've come up with a really good idea. | :19:38. | :19:39. | |
That's going to raise us loads of money and people | :19:40. | :19:41. | |
are going to actually really love it. | :19:42. | :19:43. | |
Is this the place, something about you can punch Slugs? | :19:44. | :19:50. | |
Yeah, it's ?5 per punch or three for a tenner. | :19:51. | :19:53. | |
You got to join the back of the queue, though, first. | :19:54. | :19:56. | |
I think as a man of faith, that ultimately Comic Relief | :19:57. | :20:05. | |
is a brilliant thing because it brings us all together and I can't | :20:06. | :20:08. | |
Honesty, you are going to cack your pants when you see how | :20:09. | :20:13. | |
Look at that, look at how much that is. | :20:14. | :20:17. | |
This is an extraordinary amount of money. | :20:18. | :20:22. | |
You made all this from orange squash? | :20:23. | :20:24. | |
Oh, he's just, he needed a lie down, didn't he, I think? | :20:25. | :20:30. | |
Wait, which Michael are you talking about? | :20:31. | :20:33. | |
OK. It is getting busy out here. We're going to have to make room for | :20:34. | :21:07. | |
some more guests. Please welcome my final batch of friends, Aisling Bea, | :21:08. | :21:18. | |
Rob Beckett, Russell Brand and Louisa Malin. Hello. Nice to see | :21:19. | :21:28. | |
you. How lovely to see you, hello. Nice to see you. How are you? Sit | :21:29. | :21:37. | |
yourself down, very good. Welcome all, this is it. The sofa is full. | :21:38. | :21:50. | |
What a rabble. So here we go. Have you been here all night? Hours and | :21:51. | :21:58. | |
hours. I was just here to see Ed Sheeran, is he still hear? He went | :21:59. | :22:03. | |
after about ten minutes. I've been on the sofa half an hour, no one | :22:04. | :22:09. | |
noticed me. You are doing the bit after this? That's right, the now | :22:10. | :22:13. | |
after this we are going to embrace chaos even further. Those noses will | :22:14. | :22:17. | |
be even redder and I hope for the right reasons. You've been here all | :22:18. | :22:23. | |
night? I have. Earlier you were wearing a miniskirt? Gold miniskirt, | :22:24. | :22:29. | |
yes. I thought I'd get changed for you. This lovely thing is falling | :22:30. | :22:35. | |
quite open, just to warn you. It's quite flappy at the end here. I'll | :22:36. | :22:44. | |
give ?500 for Comic Relief. It's a code but I really like it as | :22:45. | :22:49. | |
address, I thought, Comic Relief, why not? Because it's not really | :22:50. | :22:54. | |
address. It hasn't quite shot at the front. Rob Beckett, lovely to see | :22:55. | :23:00. | |
you. Nobody told me I was doing this, I've had six pints, I'm in a | :23:01. | :23:05. | |
bad way. I didn't have dinner. I just want to get through this. That | :23:06. | :23:10. | |
was a rookie error. Was not informed of my appearance. I thought they had | :23:11. | :23:16. | |
enough guests. You were wrong. You guys work together now? We work it | :23:17. | :23:23. | |
boots on the weekend, yes. We also do eight out of ten Cats. We are not | :23:24. | :23:29. | |
allowed to mention brands. We work for all chemists across the UK. | :23:30. | :23:36. | |
Lloyds, Superdrug. That's the big three. It's the end of the night. | :23:37. | :23:41. | |
How do we climaxed the show? How do we find a peak for the sofa? I don't | :23:42. | :23:50. | |
think I'm the peak. You really are. Rob Beckett, Cara Delevingne earlier | :23:51. | :23:56. | |
did a beautiful thing with a bottle. What did she do with a bottle? You | :23:57. | :24:03. | |
can watch it on my player. You have a special skill with a banana? Which | :24:04. | :24:09. | |
skill, because one of them I can't do on telly. There's another one I | :24:10. | :24:14. | |
can. I was hoping for the one involving your feet. Oh yes, I can. | :24:15. | :24:22. | |
I used to work at a flower market. I can peel a banana with my feet. Yay, | :24:23. | :24:29. | |
let's see it. This is the grading, isn't it? Do you know what's really | :24:30. | :24:36. | |
degrading, being live on telly, absolute silence as you take your | :24:37. | :24:41. | |
shoes and socks off. You shouldn't have a jumper, jacket, and your | :24:42. | :24:45. | |
shoes and socks off. Just shove the table out of the way. I never | :24:46. | :24:50. | |
thought Doctor Who would move the table so I could peel a banana. Here | :24:51. | :24:55. | |
we go. Oh my God. It's like planet Earth. My feet are a bit sweaty. | :24:56. | :25:09. | |
You're there. Ooh, there it is! Yes! Yay! I was going to pass it to | :25:10. | :25:21. | |
Rambo, he could have done a split with it. Was that the peak? Russell, | :25:22. | :25:27. | |
who will be on in the next hour? Spencer Jones, is absolutely | :25:28. | :25:31. | |
fantastic, a trio, it's going to be insane. Jade Adams. | :25:32. | :25:38. | |
I don't know how we will top a man peeling fruit. Get a pineapple, I | :25:39. | :25:52. | |
appeal it. What? Can you really? I'd be delighted if you could. I can | :25:53. | :25:56. | |
check if it's right. Leave it. It's not ready yet. Charities, helping | :25:57. | :26:03. | |
charities, if that doesn't warm your cockles, I don't know what will. | :26:04. | :26:07. | |
We sent Blake Harrison down to Oxfam to say a massive thank | :26:08. | :26:10. | |
you and to annoy the hell out of Margaret. | :26:11. | :26:12. | |
Oxfam have sold red noses from when it all started and this year is no | :26:13. | :26:20. | |
different except now they are selling ten different varieties of | :26:21. | :26:28. | |
them. Looking good, Margaret. We need you to go out back to get some | :26:29. | :26:32. | |
more red noses. I didn't think I'd be working very hard, thought I | :26:33. | :26:39. | |
could hang round the front and do some selfies. No, yeah, I'll go to | :26:40. | :26:47. | |
the back. Margaret. Well this is an impressive storeroom. Bit empty, | :26:48. | :26:51. | |
though. At least here there are no old ladies giving orders, no little | :26:52. | :26:59. | |
gadgets from those falls in Cuba on. Q Branch? Not been to that shop, | :27:00. | :27:05. | |
yet. But any more of these? They are Margaret's favourite. So what's | :27:06. | :27:11. | |
yours? I don't really have one. Name it. OK, I guess this one is pretty | :27:12. | :27:28. | |
good. Let me show you something. Your story manager is a bit intense, | :27:29. | :27:34. | |
isn't he? About that great big thank you, ready, everyone? Thank you. | :27:35. | :27:44. | |
Coming up soon - if I'm satisfied with the amount | :27:45. | :27:48. | |
of money raised - the alarming Ed Sheeran | :27:49. | :27:50. | |
But time now for a gorgeous little film from Russell Howard. | :27:51. | :28:05. | |
Comic Relief and Germany have been fighting malaria for years. You have | :28:06. | :28:13. | |
saved millions of lives. Remember that ?10 buys four life-saving | :28:14. | :28:19. | |
malaria nets, that's four people. Get your phone and computer out. If | :28:20. | :28:24. | |
you want to stop malaria in your tracks, give what you can. | :28:25. | :28:36. | |
With your help, the number of people dying from malaria each year has | :28:37. | :28:43. | |
been dramatically reduced. Malaria is still one of the biggest killers | :28:44. | :28:48. | |
of children under five. Even though it is preventable and treatable. | :28:49. | :28:57. | |
This is the children's ward in one of Malawi's biggest hospitals. Most | :28:58. | :29:00. | |
of the children here are suffering from malaria. The problem is so | :29:01. | :29:06. | |
consuming, there aren't enough beds to go round. This little girl is | :29:07. | :29:19. | |
just 13 months old. She laughs, cries, and like many children of her | :29:20. | :29:26. | |
age, she's learned to walk. Her mother Mary is desperately poor. | :29:27. | :29:31. | |
There aren't any malaria testing kits in her village. So she's had no | :29:32. | :29:37. | |
choice but to walk for three hours carrying her daughter to the nearest | :29:38. | :29:43. | |
hospital. All the time her little girl's blood was being destroyed by | :29:44. | :29:50. | |
malarial parasites. She is now very, very sick. Doctor Columbo is doing | :29:51. | :30:07. | |
everything he can to save her. But suddenly she stops breathing. | :30:08. | :30:24. | |
If only she had been diagnosed even a day earlier she might not now be | :30:25. | :30:29. | |
fighting for her life. Children like this don't have to die | :30:30. | :31:02. | |
this way. A rapid malaria test costs 30p. Just 30p. ?30 you give will pay | :31:03. | :31:09. | |
for 100 children to be diagnosed. That is a really tough, tough film. | :31:10. | :31:59. | |
We make no apologies because every phone call, donation, text message | :32:00. | :32:03. | |
will buy nets that will save lives. To give ?10, text in. | :32:04. | :32:13. | |
Now we have one of the greatest living female singers. | :32:14. | :32:15. | |
And while she sings, we'll show you some of the happiness your | :32:16. | :32:18. | |
Ladies and gents - the incredible Emeli Sande. | :32:19. | :32:38. | |
# I'm talking 'bout the forever, baby | :32:39. | :33:27. | |
# And we've run out of all the silver and gold | :33:28. | :33:47. | |
# Will you still wanna be my someone to hold? | :33:48. | :33:54. | |
# I'm talking 'bout the forever, baby | :33:55. | :34:22. | |
I'm certain that there's no other | :34:23. | :34:34. | |
# It's banging in my heart like thunder | :34:35. | :34:36. | |
# I know I was made to love you | :34:37. | :34:38. | |
Thank you to so much to the wonderful Emeli Sande. | :34:39. | :35:53. | |
It's getting late, but there's still loads of ways you can donate. | :35:54. | :35:58. | |
All you need to do is call 03457 910 910. | :35:59. | :36:00. | |
Thank you so much for giving - and thank you so much | :36:01. | :36:10. | |
to all my amazing guests who haven't moaned once about being squished | :36:11. | :36:13. | |
But before I hand things over to the lanky louche loqacious legend | :36:14. | :36:17. | |
that is Russell Brand for an hour of the best live comedy the country | :36:18. | :36:20. | |
has to offer, let's have a look at how much money we've raised | :36:21. | :36:24. | |
It is 69,000,337 and ?12! That makes it all worthwhile, wow. | :36:25. | :36:52. | |
What an amazing amount of money, thank you, everyone. | :36:53. | :36:55. | |
And that isn't even the total couple. All the fund-raising events | :36:56. | :37:02. | |
across the nation still have to be counted, so that is just the | :37:03. | :37:05. | |
beginning. We are going to make millions more. | :37:06. | :37:07. | |
But sadly, I don't think we have made enough money | :37:08. | :37:13. | |
to show the Kurupt FM video? ahhh, what a shame? I'm only | :37:14. | :37:16. | |
With their debut collaboration, it's Kurupt FM and Ed Sheeran?With | :37:17. | :37:20. | |
With their debut collaboration, it's Kurupt FM and Ed Sheeran, | :37:21. | :37:23. | |
with possibly the best music video | :37:24. | :37:25. | |
It's all going to be very tasteful and actually really sexy, OK? | :37:26. | :37:43. | |
Now, I've only rented this place for an hour, | :37:44. | :37:45. | |
Come on, Ed, mate. Trying to do a shoot here. | :37:46. | :37:54. | |
Yeah, it's not all about you, Ed. Jesus Christ. | :37:55. | :37:58. | |
# We could change this whole world with a piano. | :37:59. | :38:07. | |
# Grab a bass, some guitar, add a beat. | :38:08. | :38:10. | |
# I'm just a boy with a one-man show. | :38:11. | :38:15. | |
# Everybody's talking 'bout exponential growth. | :38:16. | :38:22. | |
# And the stock market crashing in their portfolios. | :38:23. | :38:25. | |
# While I'll be sitting here with a song that I wrote | :38:26. | :38:28. | |
Let's take it to Africa! song that I wrote... | :38:29. | :38:39. | |
Some of them are like, some of them are like hey | :38:40. | :38:42. | |
And check out the stars on my rogue MC | :38:43. | :38:47. | |
This ain't apartheid, it's a party some of them are like hey | :38:48. | :38:57. | |
My little kiddy flight, you can tell I'm nonstop | :38:58. | :38:59. | |
What's that in the sky, it's a helicopter | :39:00. | :39:01. | |
Dropping off vinyls, merch and caps | :39:02. | :39:02. | |
But first of all you need electricity | :39:03. | :39:10. | |
Don't worry, I'm on the case Cos here he comes on the escalator | :39:11. | :39:13. | |
It's a generator from Brentford to Africa. | :39:14. | :39:16. | |
# Ain't got a soapbox I can stand upon | :39:17. | :39:18. | |
And I hold the microphone like a lyrical gun. | :39:19. | :39:22. | |
# Daddy told me son, don't you get involved | :39:23. | :39:24. | |
And when I'm on the mic I'm lyrically cold. | :39:25. | :39:28. | |
# Ain't got a soapbox I can stand upon | :39:29. | :39:30. | |
And I hold the microphone like a lyrical gun. | :39:31. | :39:34. | |
# Daddy told me son, don't you get involved. | :39:35. | :39:36. | |
Cos when I'm on the mic, I'm lyrically pure, Kuruption! | :39:37. | :39:38. | |
Some of them are like, some of them are like hey | :39:39. | :39:41. | |
And check out the stars on my rogue MC | :39:42. | :39:45. | |
This ain't apartheid, it's a party some of them are like hey | :39:46. | :39:55. | |
All the ladies, all the girls Come help me and feed the world | :39:56. | :39:58. | |
Help me teach the females how to wind | :39:59. | :40:02. | |
Listen to the rhyme and wind and deliver | :40:03. | :40:06. | |
Don't be sad cos you ain't had your dinner | :40:07. | :40:08. | |
Just turn up the bass and raise your gun finger | :40:09. | :40:10. | |
Killing killing them, dressed like a militant | :40:11. | :40:12. | |
Owning the mic on the back of an elephant | :40:13. | :40:14. | |
Listen to the UK G message we spread | :40:15. | :40:22. | |
On the Kurupt FM, the rest are irrelevant | :40:23. | :40:24. | |
I wanna be president So all of the people can represent | :40:25. | :40:28. | |
Turn your water into champers And tell you it's original skankers | :40:29. | :40:32. | |
I'm a lyrical panther I'm in a pet now pamper | :40:33. | :40:34. | |
Turn your water into champers | :40:35. | :40:35. | |
And tell you it's original skankers... | :40:36. | :40:39. | |
I mean, this is offensive, this is offensive. | :40:40. | :40:43. | |
Eddie, we've still got the spear throwing scene. | :40:44. | :40:46. | |
I'm a lyrical panther I'm in a pet now pamper | :40:47. | :41:02. | |
And tell you it's original skankers... | :41:03. | :41:11. | |
So when this camera switches off, that's not the end of it for me. | :41:12. | :41:14. | |
I'm going to make sure I dig in my pocket and help out some | :41:15. | :41:21. | |
of the people I've met and put roofs over people's heads, | :41:22. | :41:23. | |
And I hope by you watching this, your connection with it doesn't end | :41:24. | :41:30. | |
If you could donate one quid, two quid, five quid, ten quid, | :41:31. | :41:34. | |
20 quid, even 100 quid, anything will make a difference | :41:35. | :41:37. | |
to put kids like this all over the world into school | :41:38. | :41:40. | |
Anything you can give will make a real | :41:41. | :41:47. | |
Please call 03457 910 910, or go to BBC.co.uk/RedNoseDay. | :41:48. | :41:55. | |
Well done, well done! That is fabulous! | :41:56. | :42:15. | |
I'm afraid my sofa is finally full, and that means | :42:16. | :42:19. | |
we've almost reached the end of my Big Chat Live. | :42:20. | :42:21. | |
I need to say a big thank you to all my guests. | :42:22. | :42:31. | |
And thank you to everyone at home for watching | :42:32. | :42:35. | |
But the evening isn't over yet, there is still so much | :42:36. | :42:45. | |
great stuff to come, including Russell Brand and his Stand Off, | :42:46. | :42:47. | |
featuring some of the best live talent in the | :42:48. | :42:50. | |
country, and Fantastic Beats and Where to Find | :42:51. | :42:51. | |
Them ? our incredible look back at the funniest | :42:52. | :42:54. | |
music moments in Comic Relief history. | :42:55. | :42:57. | |
So, don't go anywhere, they're coming up shortly. | :42:58. | :42:59. | |
And, in case you missed it earlier, it's time to revisit James | :43:00. | :43:05. | |
Corden and Take That for a Red Nose Day Carpool | :43:06. | :43:08. | |
I thought we were going to drive around, have some fun. | :43:09. | :43:23. | |
I don't care if he's asleep, go and wake him up! | :43:24. | :43:26. | |
Take That, Carpool Karaoke for Comic Relief. | :43:27. | :43:52. | |
# I don't know what you're waiting for | :43:53. | :44:00. | |
# Your time is coming, don't be late, hey, hey | :44:01. | :44:05. | |
# So, come on, see the light on your face | :44:06. | :44:08. | |
# Let it shine, just let it shi-i-ine. | :44:09. | :44:11. | |
This is the first time I've spent any real time with you as a three. | :44:12. | :44:45. | |
I figured out that if I leave, I think Gary and Mark | :44:46. | :44:55. | |
I think if you leave, Howard, it's Robson and Jerome. | :44:56. | :45:03. | |
to be here now in this car is unreal for me. | :45:04. | :45:12. | |
# Today this could be the greatest day of our lives... | :45:13. | :45:18. | |
# And the world comes alive, oh, oh, oh | :45:19. | :45:39. | |
# Watch the world come alive tonight | :45:40. | :45:49. | |
How has touring changed now compared to what it was like in the '90s? | :45:50. | :46:17. | |
I don't know what it's like for you guys, but sometimes, | :46:18. | :46:24. | |
You've got families, you've got a home life. | :46:25. | :46:29. | |
We're meeting people before you go on. | :46:30. | :46:32. | |
Sometimes, I can't wait to get on there for a bit of peace. | :46:33. | :46:36. | |
Because it's two hours when no one... | :46:37. | :46:38. | |
It's two hours where I put my ears in and it's just me, | :46:39. | :46:42. | |
my brothers and the audience, and it's brilliant. | :46:43. | :46:46. | |
I almost don't want to come off, because I know I'm going back | :46:47. | :46:49. | |
They're the same people, but they're all older. | :46:50. | :46:54. | |
So where they used to throw bras and underwear, now, | :46:55. | :46:57. | |
Well, it used to be teddies we used to get thrown. | :46:58. | :47:04. | |
Do you have a creche, a Take That creche? | :47:05. | :47:08. | |
That would be a real moneyspinner, I think. | :47:09. | :47:10. | |
Everything Changes During The Menopause. | :47:11. | :47:22. | |
# As I looked away, I saw a face behind you | :47:23. | :47:59. | |
# And when I looked again, I saw his face was shining | :48:00. | :48:12. | |
I thought of a quiz that you could play. | :48:13. | :48:33. | |
So you pick one or leave one, which of the two? | :48:34. | :48:39. | |
When was the last time you had a full English? | :48:40. | :48:51. | |
The problem with me is, if I start eating food like that, | :48:52. | :49:00. | |
I keep this photo of you, Howard, in the car at all times. | :49:01. | :49:13. | |
I keep it in the car at all times, just for me. | :49:14. | :49:16. | |
I'd have lights on, though, with that body, wouldn't you? | :49:17. | :49:32. | |
With that body, my lights would be on all the time. | :49:33. | :49:38. | |
# As hot as the sun, as hard as a stone. | :49:39. | :50:14. | |
# As hot as the sun, as hard as a stone | :50:15. | :50:17. | |
Howard's dreads, or Gary's bleached hair? | :50:18. | :50:29. | |
I stayed at his mansion, like Disneyland. | :50:30. | :50:42. | |
And because I was staying there and I had my dreadlocks, he put | :50:43. | :50:49. | |
# Never forget where you're coming from | :50:50. | :51:02. | |
# Someday soon, this will all be someone else's dream | :51:03. | :51:15. |