Browse content similar to Russell Brand's Stand Off. Check below for episodes and series from the same categories and more!
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I'm back on television after a crazy year. We're going to make this last | :00:00. | :00:34. | |
hour crazy, is that right? You are incredibly enthusiastic, as I make | :00:35. | :00:40. | |
my way back into the mainstream, getting back into your affections | :00:41. | :00:45. | |
after bringing down the government. I'm going to find my way back into | :00:46. | :00:49. | |
all of your hearts. I have been trying to keep it mellow. The first | :00:50. | :00:55. | |
thing that happened to me... Has the mic been pulled already?! Thank God! | :00:56. | :01:01. | |
I thought from the very first seconds, I had been cast off the | :01:02. | :01:07. | |
airwaves! They sat me down to a man peeling a banana with his feet, and | :01:08. | :01:10. | |
a woman wearing a coat with no knickers. How are we meant to keep | :01:11. | :01:16. | |
this together?! Chaos could be unleashed at any moment! | :01:17. | :01:18. | |
Over the next hour, we'll be entertaining you with the finest | :01:19. | :01:21. | |
Surrounding me now in the rip-off of Jools Holland' situation, let's face | :01:22. | :01:39. | |
it, we have... Just hear, and my excitement is building for this, we | :01:40. | :01:42. | |
have the Brett Domino Trio! And over here, we are very | :01:43. | :01:52. | |
lucky to be joined by You're probably wondering why | :01:53. | :01:54. | |
everyone's applauding The real Nish Kumar is rushing to | :01:55. | :02:25. | |
London to be here. These are crazy days, be careful. And amidst this | :02:26. | :02:34. | |
mayhem, I will be trying to seduce you into giving a little cash for | :02:35. | :02:38. | |
the job of saving actual lives. But, to get things started, please | :02:39. | :02:42. | |
welcome our first act tonight. Let me just say something to Twitter | :02:43. | :02:57. | |
before I start. Number one, I'm on the large side, it wasn't a mistake. | :02:58. | :03:02. | |
Number two, I look ridiculous, also not a mistake. Number three, they | :03:03. | :03:07. | |
say you are what you eat, but I do not remember eating a goddess. As | :03:08. | :03:15. | |
performers, we cover every year to the Edinburgh Fringe Festival. Last | :03:16. | :03:18. | |
year, I travelled on something called a megabucks gold, heard of | :03:19. | :03:22. | |
it? For those of you with disposable incomes, I will explain what it is. | :03:23. | :03:26. | |
It's like the Orient express except that everyone carries their stuff in | :03:27. | :03:31. | |
bin bags and you might get fingered on it. When I was booking this, I | :03:32. | :03:34. | |
thought to myself that I would be travelling up the motorway in a | :03:35. | :03:37. | |
four-poster bed, but it was more like a coffin with curtains of a | :03:38. | :03:41. | |
mass grave of bankers. There were some other people on the Megabus | :03:42. | :03:47. | |
gold. There were these four lads. Let's not call them lads. There were | :03:48. | :03:52. | |
these four fucks. And when we were trying to get some sleep at 2am, | :03:53. | :03:57. | |
they decided to make noise on their iPhones. Have you heard that noise | :03:58. | :04:00. | |
without the headphones? The music is never any fucking good. Sorry for | :04:01. | :04:06. | |
swearing, mum. They were making a noise not dissimilar to this. Ready? | :04:07. | :04:14. | |
Had enough yet? Thanks. Another white person beatboxing on the BBC. | :04:15. | :04:27. | |
It has never happened before. On the other side of the Megabus gold, we | :04:28. | :04:30. | |
have some other people, let's call them British people. They didn't | :04:31. | :04:33. | |
like what they were doing, so instead of doing something about it, | :04:34. | :04:37. | |
they were making a noise that I find infinitely more annoying than that. | :04:38. | :04:38. | |
Get a load of this noise. And I was losing my fucking mind in | :04:39. | :04:52. | |
the middle. So I decided as the voice of the people, as they call me | :04:53. | :04:57. | |
in my hometown of Japan, I would do something. I got out of the sanitary | :04:58. | :05:02. | |
towel they gave me to sleep on and in this re-enactment, you are going | :05:03. | :05:05. | |
to play the four fucks. Wake up. Have you had a lot to drink? I went | :05:06. | :05:14. | |
over to the fucks, I am swearing a lot, it's just nerves. I went to | :05:15. | :05:18. | |
them and said, hi, boys, is it quite all right on this journey if we | :05:19. | :05:22. | |
could turn off our mobile phones? Like many people who have read the | :05:23. | :05:25. | |
Guardian before me, I thought my patronising tone would work on these | :05:26. | :05:29. | |
youths. But they turned round to me and you know what they said? No, | :05:30. | :05:38. | |
fuck off, you fat bitch. Normally, I have heard it said before. I stand | :05:39. | :05:42. | |
with the perpetrator on the street and I make them feel ashamed and | :05:43. | :05:47. | |
upset about whatever led them to this behaviour. I didn't have time | :05:48. | :05:52. | |
for that, I was on the Megabus Gold. Instead, I remembered that I had a | :05:53. | :05:56. | |
suitcase full of props and costumes and other things. But I had | :05:57. | :05:58. | |
something else that I got the previous Christmas, something you | :05:59. | :06:02. | |
might have had before to help in such a situation. And that is a | :06:03. | :06:06. | |
battery-powered boom box. And I thought to myself, if these four | :06:07. | :06:12. | |
fucks were going to play their music, then I was going to play my | :06:13. | :06:13. | |
music. Can I have my track, please? That's quite low, I don't have | :06:14. | :06:34. | |
testicles, so that is quite impressive. | :06:35. | :06:52. | |
# Nella tua fredda stanza guardi le stelle | :06:53. | :06:55. | |
# Che tremano d'amore e di speranza... | :06:56. | :07:01. | |
# Ma il mio mistero e chiuso in me, il nome mio nessun sapra! | :07:02. | :07:42. | |
The rest of the bus loved it all stopped I thought I was going to be | :07:43. | :07:56. | |
a viral superstar. That is Italian for silence. | :07:57. | :08:17. | |
CHEERING. What actually happened was that I missed my stop and ended up | :08:18. | :09:23. | |
in Glasgow. Ladies and gentlemen, thank you very much! | :09:24. | :09:31. | |
That was the brilliant Jayde Adams, who I'll be | :09:32. | :09:33. | |
Bringing opera and using her vagina to modulate her voice. What could be | :09:34. | :09:45. | |
more entertaining? Weaver share how she did that with you. Keep | :09:46. | :09:48. | |
donating. Let's keep the Momentum going. Let's transcend to another | :09:49. | :09:53. | |
dimension. Please welcome Spencer | :09:54. | :09:56. | |
Jones as The Herbert! # She's got me working | :09:57. | :10:28. | |
all my days, days, days, days. # She's got me working | :10:29. | :11:22. | |
all my days, days, days, days. "What Is he?" Thank you, good night, | :11:23. | :12:04. | |
thank you. "He Was a bit short, wasn't he?" | :12:05. | :12:21. | |
That is permanent marker. Can we go swimming, dad? Not for a couple of | :12:22. | :12:34. | |
weeks. # I like to clean the floor. | :12:35. | :13:22. | |
# Dirty floor. # I've been a dirty floor. | :13:23. | :13:28. | |
# Yeah, you have. # I need cleaning. | :13:29. | :13:32. | |
# Yeah, you do. # What you've gone a cleanly with? | :13:33. | :13:34. | |
# With my mouth! Evil penis. What you scheming, evil | :13:35. | :14:12. | |
penis? Oh, nothing. It's over there. It's coming! I've run out of stuff. | :14:13. | :14:28. | |
Can I use that? You know, the old... All right, mate? That's going. | :14:29. | :14:40. | |
That's got to go. That's got to stay. It's the floor. | :14:41. | :14:56. | |
Thank you very much, have a lovely evening! | :14:57. | :15:14. | |
Erotic and profound and unusual, what a peculiar man, somehow | :15:15. | :15:18. | |
summarising everything that is great about this country in one wonderful | :15:19. | :15:21. | |
moment. It is great to be reminded that Britain is a wonderful place | :15:22. | :15:26. | |
full of love, peculiarity, oddity and an evil penis that it seemed to | :15:27. | :15:30. | |
redeem itself over the course of the narrative. This is one of those | :15:31. | :15:34. | |
moments in Comic Relief that we love and embrace and accept, where we | :15:35. | :15:39. | |
have to move from an amusing, crazy moment like that to the serious | :15:40. | :15:41. | |
function of the evening. film I need you all | :15:42. | :15:48. | |
to pay attention to. The greatest killer of young men | :15:49. | :15:52. | |
under 35 in this country is suicide. And our job ? and the thing | :15:53. | :15:55. | |
your money can do - is try to head that despair off | :15:56. | :15:59. | |
at the pass. is an actual transcript of an actual | :16:00. | :16:02. | |
typed conversation on a website that that is there when no-one | :16:03. | :16:06. | |
else is there to help. That young man survived | :16:07. | :16:11. | |
because of money you gave. I do think it's an incredible thing | :16:12. | :18:49. | |
we're involved in here. You don't know who is being affected | :18:50. | :19:06. | |
by these things, but we do know that if we make a donation tonight, these | :19:07. | :19:10. | |
are the kind of things we are supporting. I think that has | :19:11. | :19:14. | |
demonstrated very clearly what we are doing. I have to make a radical | :19:15. | :19:17. | |
change of direction now. I'm surrounded by young | :19:18. | :19:20. | |
comedians just being funny. But in the middle of it, | :19:21. | :19:21. | |
if you just find one minute to go online, text, | :19:22. | :19:25. | |
ring ? some person you don't know will suddenly have a lifeline | :19:26. | :19:28. | |
when there is no other lifeline. So, here we are, being ridiculous, | :19:29. | :19:36. | |
there's people here using their genitals for our amusement, but | :19:37. | :19:38. | |
also, we're raising money. Or you can go to | :19:39. | :19:43. | |
bbc.co.uk/rednoseday And look - if you're watching right | :19:44. | :19:58. | |
now and feeling life is just too hard but you can't face telling | :19:59. | :20:02. | |
those you love, then organisations like Calm supported by Comic Relief | :20:03. | :20:08. | |
could be really helpful. By picking up the phone or sitting | :20:09. | :20:11. | |
at a laptop and chatting online, you can talk to someone in total | :20:12. | :20:14. | |
confidence who can help you. Now that we have done that, we have | :20:15. | :20:24. | |
been sincere and serious, we can elegantly move to the is | :20:25. | :20:28. | |
extraordinary people. You have dashed here, haven't you? | :20:29. | :20:33. | |
Temporarily, you were replaced by a cardboard cutout. You missed that | :20:34. | :20:40. | |
lovely moment, and you used your vagina to reach some high notes? I | :20:41. | :20:47. | |
did. I must say, to see someone using their vagina so artfully was a | :20:48. | :20:53. | |
joy for me. I agree! You're a man that lives very much on the edge. I | :20:54. | :20:59. | |
thought I was going to die, I had to get a motorbike taxi here! It would | :21:00. | :21:05. | |
have been unfortunate this evening to have had to announce your death, | :21:06. | :21:10. | |
but we would have found a way around it. Let's face it, that is what we | :21:11. | :21:14. | |
do here, we embrace the tragic but also the beautiful and the joyful. | :21:15. | :21:18. | |
Would you say that is true? I would say so. You feel more relaxed now | :21:19. | :21:23. | |
you have formed, don't you? I am well chilled. And what about you, | :21:24. | :21:28. | |
you have come through the London streets on a motorbike? I have never | :21:29. | :21:34. | |
felt more composed in my god damn life! Is really composed! How about | :21:35. | :21:40. | |
you fellas, are you feeling all right this evening? Evidently. You | :21:41. | :21:45. | |
are Daphne collectively, but you have individual lives as well, I | :21:46. | :21:50. | |
assume? Not really, not me. You have just immersed yourself totally into | :21:51. | :21:57. | |
Daphne? Yes. You don't think these guys are milking you, exploiting | :21:58. | :22:03. | |
you? No, they've got important work to do, I just carry the bags. That's | :22:04. | :22:08. | |
the kind of compassion Comic Relief is built on. If you can extend some | :22:09. | :22:12. | |
of that Russian this evening, and compassion, this young man being a | :22:13. | :22:19. | |
butler to his associates. And Nish has come here on a motorbike. Amat | :22:20. | :22:23. | |
relief is just about the best thing we have got in this country, isn't | :22:24. | :22:29. | |
it? We come here under the symbol of this red nose to find love and joy. | :22:30. | :22:34. | |
I agree. I think we have taken everything we can from this | :22:35. | :22:37. | |
conversation. I think future generations... Possibly extra | :22:38. | :22:43. | |
terrestrial alien nations from the future will transcribe this, and let | :22:44. | :22:47. | |
this be the Bible. Daphne, we'll be seeing you later. Without further | :22:48. | :22:52. | |
ado, follow me over here. We have got some exciting information for | :22:53. | :23:00. | |
you. These young men, they call themselves the Brett Domino Trio, | :23:01. | :23:02. | |
but mathematically, they are at odds with reality. Please welcome the | :23:03. | :23:03. | |
Brett Domino Trio! Welcome them! # I am boombastic... Thanks very | :23:04. | :24:20. | |
much! That was us. I don't know how much of that you heard. I estimate | :24:21. | :24:29. | |
about 10%. But believe me, it was all there. Me and Steve here, we | :24:30. | :24:36. | |
heard it all. That was Shaggy, Boombastic. Anybody recognise that | :24:37. | :24:52. | |
sample? It was an exciting time to be a television gardener. That was | :24:53. | :24:56. | |
Alan Titchmarsh am I who did that. Lads, I have come here under | :24:57. | :25:01. | |
considerable duress to complete your Treo, momentarily, but also to tell | :25:02. | :25:04. | |
you that due to technical problems, we need you to start again. Don't be | :25:05. | :25:10. | |
downhearted, particularly not you, you look like a young man who lives | :25:11. | :25:14. | |
on the edge. Can you consider that? We're just going to pretend that | :25:15. | :25:17. | |
nothing happened. In a way, nothing has happened. In a way. You just | :25:18. | :25:26. | |
crack on, refresh yourselves just in they're going to provide such | :25:27. | :25:28. | |
enthusiasm that it be difficult for you to... | :25:29. | :25:38. | |
APPLAUSE I'm not sure how this works, | :25:39. | :25:41. | |
television-wise. But we're going to do it. Just going to get it... This | :25:42. | :25:53. | |
is us. Thank you! It was an exciting... Just attend that didn't | :25:54. | :26:03. | |
happen. We'll just keep pretending things don't happen until something | :26:04. | :26:09. | |
actually happens. Comic Relief was meant to be more crazy and mental | :26:10. | :26:14. | |
this year, we've obviously overcompensated, it's gone too far, | :26:15. | :26:16. | |
we've allowed the forces of chaos in, and your Treo has suffered. But | :26:17. | :26:22. | |
you've got it in you to make this live. Don't recoil from me, | :26:23. | :26:30. | |
sunshine, I know Judy -- I know jujitsu, I can hold you down, I can | :26:31. | :26:36. | |
open every orifice in your body! These are the kind of moments that | :26:37. | :26:39. | |
go viral. Let's do this thing! Ladies and gentlemen, give it up for | :26:40. | :26:42. | |
the Brett Domino Trio! # Mr lover, lover, ooh | :26:43. | :27:13. | |
# Smooth, soft and cuddly like a quilt | :27:14. | :27:16. | |
# I'm in the recall lover with my sexual physique | :27:17. | :27:25. | |
# Can't you tell, I'm just like a turtle coming out of a shall | :27:26. | :27:31. | |
# I love your sweet smell and you're the only younger who can ring my | :27:32. | :27:37. | |
bell # They call me Mr Boombastic, | :27:38. | :27:45. | |
fantastic # That's it, thanks very much. Thank | :27:46. | :27:57. | |
you! Make them do it once more! No! That's enough! That shows what | :27:58. | :28:03. | |
endurance and persistence can achieve. Well done, lads, fantastic | :28:04. | :28:08. | |
stuff just in a minute, we're going to be seeing some fantastic acts. | :28:09. | :28:13. | |
Now, Specsavers has become involved in this operation, and these glasses | :28:14. | :28:18. | |
represent I think that connection between us and Specsavers. But I'm | :28:19. | :28:23. | |
suspicious of this item. Specsavers have been busy selling | :28:24. | :28:50. | |
these amazing glasses to give all of us a good laugh. Whilst I am here, | :28:51. | :28:56. | |
can make it a quick eye test? Of course. Wait, that's the wrong room. | :28:57. | :29:06. | |
Oh, I really do need an eye test. This is end of the. It's our loading | :29:07. | :29:15. | |
programme. We can load anything from loading equipment... Grant at what I | :29:16. | :29:18. | |
need is an eye test. I'm supposed to be filming for Comic Relief. This is | :29:19. | :29:24. | |
the world that you know. Aren't they brilliant? So what is the point of | :29:25. | :29:31. | |
this room again? To change a human being into this. OK, actually | :29:32. | :29:37. | |
freaking me out a little bit now, I think I'm done ago. Right, back to | :29:38. | :29:42. | |
reality. Ready, everyone? One, two, three... Thank you! | :29:43. | :29:53. | |
Thanks to Specsavers and everybody who works there for their | :29:54. | :29:58. | |
contribution, and to everybody who has bought these glasses, thank you | :29:59. | :30:01. | |
very much. Now, you will be astonished to learn that the Brett | :30:02. | :30:14. | |
Domino trio have not actually finish to their act! That contribution from | :30:15. | :30:20. | |
Specsavers of more than ?600, that seems like an incredible figure. | :30:21. | :30:26. | |
Let's go back to the Brett Domino Trio now, and I promise you that | :30:27. | :30:33. | |
we're not going to young men until they are carried out shoulder high. | :30:34. | :30:38. | |
Please keep your attention strained upon the Brett Domino Trio! | :30:39. | :30:47. | |
It's been a tough old night for everybody. | :30:48. | :30:57. | |
Hi, we are the Brett Domino Trio. Did that go out on telly twice, or | :30:58. | :31:04. | |
was it just for you guys? I apologise to everyone at home if | :31:05. | :31:08. | |
they had to sit through that twice, once instrumental and once with my | :31:09. | :31:12. | |
vocals. It was essentially the same song. You got the gist of it anyway. | :31:13. | :31:16. | |
You have heard it twice now, and that is good. We deliberately played | :31:17. | :31:22. | |
half of it, because we were aware we had a short set time. We are still | :31:23. | :31:26. | |
aware that we have only got five minutes on the clock, so we are | :31:27. | :31:29. | |
going to crack on and keep this as punchy as we can. You having a good | :31:30. | :31:39. | |
time? Lovely stuff. Sorry, the visuals have gone wrong here. They | :31:40. | :31:43. | |
shouldn't be this garden behind us, but it's there, so enjoy it. On my | :31:44. | :31:48. | |
right is the drummer of the band, Stephen. That's enough, we have to | :31:49. | :31:55. | |
keep it brief, Steve. My name is Brett Domino. I played a keytar. We | :31:56. | :32:04. | |
are going to play a song and keep it brief. It is a classical piece of | :32:05. | :32:09. | |
music you will all recognise, originally instrumental. I have | :32:10. | :32:12. | |
written some lyrics to it. It's a love song. Sing along if you know | :32:13. | :32:16. | |
the words. # You, you're the one for me. | :32:17. | :32:51. | |
# My knees go weak when you're near. # I fear for my heart and brain. | :32:52. | :32:59. | |
# Never make me cry, baby. # I just want your love, and I will | :33:00. | :33:06. | |
give all my love back to you. # Baby, if you're down, you can be | :33:07. | :33:12. | |
my sunshine right through the clouds. | :33:13. | :33:18. | |
# When I see you, my heart goes... # And when I'm with you, I feel like | :33:19. | :33:27. | |
ba ba ba dap ba. OK, everybody. Everybody! | :33:28. | :33:52. | |
# You, you're the one for me. # My knees go weak. | :33:53. | :34:01. | |
# When you're near, and I feel my heart, my brain. | :34:02. | :34:07. | |
# If you ever pass me by... You all know the words. | :34:08. | :34:14. | |
# I just want your love, and I will give all my love back to you. | :34:15. | :34:23. | |
# Baby, you can be my sunshine right through the clouds. | :34:24. | :34:26. | |
# When I'm with you, my heart goes... | :34:27. | :34:31. | |
# And when I'm with you, I feel like ba ba ba dap ba. | :34:32. | :34:37. | |
# Girl, you're the one, just say you'll be mine. Thanks very much. | :34:38. | :34:40. | |
Good night. That was the Brett Domino Trio, in | :34:41. | :34:51. | |
instalments, and they still triumphed. That is what this night | :34:52. | :34:55. | |
of chaos and Comic Relief is about. Well done, lads. They endured, those | :34:56. | :35:01. | |
young people. Let's move on. Remember to keep donating. I would | :35:02. | :35:06. | |
say this is incredible entertainment. Yeah, it's awesome. | :35:07. | :35:14. | |
It's sick. A young person's contribution. I am excited about | :35:15. | :35:17. | |
this act over here. Let's introduce her politely. We will allow her to | :35:18. | :35:23. | |
do her entire act and then applaud and appreciate her, not constantly | :35:24. | :35:30. | |
ransack her. Please welcome, for the entirety of her act, the fantastic | :35:31. | :35:32. | |
Lou Sanders, everyone! Thanks, guys! Nest to be here. My | :35:33. | :35:44. | |
nephews did a fundraiser for Comic Relief this week, and they had to do | :35:45. | :35:48. | |
short stories in assembly. So I wrote them a story to take in. I | :35:49. | :35:50. | |
bought with me. This is a murder mystery ? it's | :35:51. | :35:55. | |
like a short whodunnit. Actually, I wasn't that | :35:56. | :35:58. | |
academic at school, but I've Even now, I'm always asking | :35:59. | :36:07. | |
life's big questions ? like the other day I was thinking, | :36:08. | :36:17. | |
what if, all this If you were shaggy's wife, you would | :36:18. | :36:29. | |
have a few trust issues. I read a statistic the other day. | :36:30. | :36:33. | |
That's outrageous, cos I have not received a penny. | :36:34. | :36:48. | |
We're all weirdos, really, and I think there's too | :36:49. | :36:52. | |
I was in a car park the other day and a woman | :36:53. | :36:58. | |
was breastfeeding her baby, but you could tell she | :36:59. | :37:00. | |
Which made me really sad and thought "How can I help here?" | :37:01. | :37:09. | |
So I stood next to her and I breastfed my flatmate, Darren. | :37:10. | :37:14. | |
I'm happy, she's happy, Darren's happy. | :37:15. | :37:21. | |
My boyfriend is not happy. No, I haven't got a boyfriend because I'm | :37:22. | :37:28. | |
too busy writing Oscar Pistorius stories. | :37:29. | :37:28. | |
I was thinking the other day about my ex-boyfriends | :37:29. | :37:31. | |
and what they all have in common and I think it's that, well, one, | :37:32. | :37:35. | |
Oh, that reminds me, I should tell you my fave STD joke. | :37:36. | :37:42. | |
This is the one my mum said not to do. | :37:43. | :37:52. | |
I heard on the radio the other day that STDs were spreading. | :37:53. | :37:55. | |
I thought, "You're telling me, it's spread all the way | :37:56. | :37:58. | |
Thank you. Yes, do donate. I'm going to leave you all with some tips. | :37:59. | :38:12. | |
I usually have a little jingle here, but I guess I'll | :38:13. | :38:15. | |
So why not sellotape a Twix to your bits? | :38:16. | :38:27. | |
I said that was for the guys, but there is a little sugar for mum as | :38:28. | :38:41. | |
well. That's right, guys, I'm a vegan | :38:42. | :38:42. | |
and I've only just mentioned it. Take back what you know | :38:43. | :38:55. | |
about my people, I guess. OK, last tip ? this will get you out | :38:56. | :39:06. | |
of any sort of trouble at all. I cycled into someone's car | :39:07. | :39:09. | |
and he was like "Blah, blah, blah", but it's OK as I had this | :39:10. | :39:12. | |
up my sleeve. So, any trouble | :39:13. | :39:15. | |
you're in ? use this. That bit's optional, | :39:16. | :39:17. | |
but it's a nice touch. Then you say "I don't think | :39:18. | :39:22. | |
this is about me, is it? I am going to end on one joke. Get | :39:23. | :39:42. | |
ready. What's the difference between me and a doctor? I've never seen a | :39:43. | :39:45. | |
flaccid penis. Thank you so much. On the outskirts of Nairobi, | :39:46. | :39:55. | |
there's a quarry. People come here every day | :39:56. | :40:16. | |
to chip rocks by hand, but surprisingly, many | :40:17. | :40:18. | |
here are families. For Mildred, this is | :40:19. | :40:31. | |
the only way she can earn Mildred can't afford | :40:32. | :40:39. | |
a moment of rest. Even when she's feeding | :40:40. | :41:15. | |
her baby, she has But this is no guarantee | :41:16. | :41:17. | |
that she'll earn enough Today, they haven't earned enough, | :41:18. | :41:36. | |
so tonight this family As her little boy grows up, | :41:37. | :41:51. | |
all he has to look forward He'll be given a hammer to chip | :41:52. | :41:58. | |
rocks, just like his sister. As a mum, imagine knowing | :41:59. | :42:06. | |
that is your children's only future. Unless you can give | :42:07. | :42:11. | |
some money tonight. With your cash, we can set | :42:12. | :42:20. | |
mums like Mildred up with their own business so she can | :42:21. | :42:23. | |
be the mum she wants to be, and send her kids to school | :42:24. | :42:27. | |
so that all of them can Bloody hell, we have to donate on | :42:28. | :42:30. | |
the basis of Mildred's plight. But at least you can make a | :42:31. | :43:11. | |
donation. A quid or two would really make an impact. As a new father | :43:12. | :43:16. | |
myself, to see the sensitivity and vulnerability of that baby, I worry | :43:17. | :43:21. | |
about my kid just while I am talking, and there was a woman | :43:22. | :43:24. | |
working in a quarry and breast-feeding. This is why we do | :43:25. | :43:28. | |
Comic Relief, so that when we are impacted by these feelings, we can | :43:29. | :43:35. | |
make a difference. Not forget that I am in this room with the whole Jools | :43:36. | :43:39. | |
Holland rip-off going on. I have now got a redirect your sad energy, once | :43:40. | :43:44. | |
you have made that donation to the charity that supports Mildred and | :43:45. | :43:47. | |
people in that situation set up a business, I would like you now to | :43:48. | :43:52. | |
focus on being almost mindlessly enthusiastic. Could you manage that, | :43:53. | :43:59. | |
you people? We have still got some fantastic comedy coming up, | :44:00. | :44:04. | |
including Nish Kumar. But before that, please welcome the fantastic | :44:05. | :44:05. | |
Daphne! Hello, everybody, we are Daphne, | :44:06. | :44:14. | |
the UK's most racially I'm Jason Forbes and | :44:15. | :44:16. | |
I am a British-born I'm Phil Wang and I am | :44:17. | :44:20. | |
an Anglo-Franco-Chinese Malaysian. It's | :44:21. | :44:30. | |
gonna be fucking great! I think you ought to mind your | :44:31. | :44:45. | |
language, don't you? What the boobs are you | :44:46. | :44:52. | |
talking about, Jason? Isn't your Jamaican | :44:53. | :44:54. | |
Auntie Mary here...? Who's that coming | :44:55. | :44:57. | |
down the garden path? What a way 'im favour | :44:58. | :45:04. | |
'im fadda, don't? Philip, what you doin' | :45:05. | :45:29. | |
wid you life now? No, Aunty Mary, I'm doing comedy | :45:30. | :45:33. | |
for a well-known charity. when George appeared just then | :45:34. | :45:37. | |
as Jamaican Auntie Mary instead of the actually | :45:38. | :45:46. | |
Jamaican Jason Forbes, that is what is known | :45:47. | :45:48. | |
in the sketch-mongering industry Now, as you probably know, | :45:49. | :45:50. | |
a "pull back and reveal" is where you get to the end | :45:51. | :45:56. | |
of a sketch and realise in retrospect that the situation | :45:57. | :45:59. | |
is different to how it appeared This sketch we'll be doing for you, | :46:00. | :46:01. | |
ladies and gentlemen, It's what I always get | :46:02. | :46:16. | |
when I come in here! Sorry, sir, we don't | :46:17. | :46:43. | |
do free coffee. Oh, so you're that | :46:44. | :46:45. | |
dickhead waiter everyone's been banging on about, | :46:46. | :46:46. | |
Mr Crabjaw? That's what everyone calls | :46:47. | :46:48. | |
you behind your back. Sorry, we've got a table booked | :46:49. | :46:52. | |
for 7.30 under the name of Potts. Well, | :46:53. | :46:57. | |
I don't remember mentioning Oh, I'll have a lovely | :46:58. | :47:01. | |
big glass of Sauvignon. I actually run my own independent | :47:02. | :47:07. | |
comic book store... Yeah, yeah, I remember | :47:08. | :47:24. | |
it was something stupid like that. Sorry ? what part of "I'll kill you" | :47:25. | :47:26. | |
don't you understand? That's cos you've | :47:27. | :47:35. | |
been fannying about. Can we just have | :47:36. | :47:38. | |
a couple more min... I'll have the chicken | :47:39. | :47:46. | |
followed by the duck followed by the lamb and a glass | :47:47. | :47:49. | |
of tap water! In which case, let's | :47:50. | :47:51. | |
just get the bill. One glass of tap water and I've also | :47:52. | :47:55. | |
brought you some hurshtah Hurshtah ? it's a traditional | :47:56. | :48:08. | |
Moroccan delicacy. I'm going to be sick! What are you | :48:09. | :48:12. | |
going to give me next? Daphne their effort effortlessly | :48:13. | :49:10. | |
giving us tradition and comedy. Nish Kumar has made an impact on me, I | :49:11. | :49:14. | |
want you to welcome him with every last bit of enthusiasm that you | :49:15. | :49:17. | |
have, reach down into your essence and give warmth and love to Nish | :49:18. | :49:28. | |
Kumar! He's there! I made it! Thank God! Good evening, ladies and | :49:29. | :49:33. | |
gentlemen, my name is Nish Kumar. How are you, are you all right? I'm | :49:34. | :49:39. | |
a comedian who is about to do some comedy for you. It's very | :49:40. | :49:45. | |
convenient! I am what is known as a critically claimed comedian. Yes, | :49:46. | :49:54. | |
you're right, you're welcome! What does that mean? It means I use a lot | :49:55. | :49:59. | |
of long words, I get very good reviews in broadsheet newspapers, | :50:00. | :50:05. | |
and then nobody comes! Very poor ticket sales, guys. Last year one of | :50:06. | :50:09. | |
my UK tour dates had to be cancelled for personal reasons. And those | :50:10. | :50:14. | |
personal reasons were, we had sold four tickets! Pretty bad! It is a | :50:15. | :50:21. | |
fun job, you get to travel around. A couple of years ago I went to tactic | :50:22. | :50:26. | |
Giggs at the Melbourne comedy festival. Before I went there, there | :50:27. | :50:31. | |
was an incident. When you go to a festival, you sometimes get | :50:32. | :50:33. | |
interviewed, standard questions, everybody gets them. There will be | :50:34. | :50:39. | |
one question which is personalised for you. The one they did for me was | :50:40. | :50:49. | |
this - how come Christians are allowed to draw pictures of their | :50:50. | :50:54. | |
profits, and Muslims aren't? To which the obvious answer is, I don't | :50:55. | :51:04. | |
fucking know, my parents are Hindus. Either these people have just | :51:05. | :51:11. | |
thought, this guy has got a foreign name, must be a Muzza. Or they think | :51:12. | :51:18. | |
it is a non-white screening. Let me tell you something, ladies and | :51:19. | :51:23. | |
gentlemen, I tell that joke on stage in a not particularly ethnically | :51:24. | :51:29. | |
diverse gig, it was a solid body of white people, me, and one black dye, | :51:30. | :51:35. | |
where everybody could see him, presumably because they were keeping | :51:36. | :51:39. | |
an eye on him. This guy decided he was going to have some fun. He | :51:40. | :51:43. | |
looked at me and then he looked at the audience and in full view of | :51:44. | :51:47. | |
them, turned to me and went... Listen, you have not lived until you | :51:48. | :51:52. | |
have seen a roomful of middle-aged white people simultaneously shipped | :51:53. | :51:58. | |
their pants. I didn't know what I was going to put because obviously, | :51:59. | :52:04. | |
this was a contentious subject, so I just put, my parents are Hindus, I | :52:05. | :52:08. | |
don't know. But I wanted them to know that an infraction had taken | :52:09. | :52:16. | |
place. And in the last question, well, it was not a question, it was | :52:17. | :52:20. | |
a task. They had given us the first half of a joke and we had to supply | :52:21. | :52:25. | |
the second half. You do that in whatever way you see fit. Maybe can | :52:26. | :52:31. | |
then judge whether they will like your style of comedy. The line was, | :52:32. | :52:39. | |
a book walks into a bar and sees a book case. This is how I finish to | :52:40. | :52:46. | |
the joke. A book walks into a bar and sees a book case. The book says, | :52:47. | :52:53. | |
hey, but case! How come Christians are allowed to draw pictures of | :52:54. | :53:01. | |
their prophets and Muslims aren't? And the book Case said, I don't | :53:02. | :53:08. | |
know, because I am a bookcase, and as such, have no knowledge of the | :53:09. | :53:13. | |
intricacies of Islamic theology. I assume you're asking me because I am | :53:14. | :53:19. | |
a brown book case, in which case, go fuck yourselves! Thank you very | :53:20. | :53:26. | |
much, ladies and gentlemen! Nish Kumar, everyone! Fantastic stuff. We | :53:27. | :53:34. | |
have had a great laugh tonight but now I want to talk to you about | :53:35. | :53:38. | |
something very serious. No-one in this century should die of hunger, | :53:39. | :53:44. | |
it is an absolute nonsense and obscenity. I would like you to watch | :53:45. | :53:45. | |
this film for a moment. Thank you. I have come to the children's ward | :53:46. | :54:09. | |
at Redemption Hospital in Nigeria. Nothing prepared me for what I saw, | :54:10. | :54:13. | |
this child was suffering from malnutrition. This is to and her | :54:14. | :54:15. | |
father Alexander. Tabatha's mum is seriously ill, so | :54:16. | :54:33. | |
her father is taking care of her on his own. It's just awful to think | :54:34. | :54:42. | |
that this still happens. A little girl who is so malnourished that her | :54:43. | :54:50. | |
dad had to carry her to hospital. One in every three children in | :54:51. | :54:51. | |
Liberia suffers from malnutrition. Quite simply, they're not getting | :54:52. | :55:11. | |
enough of the right food. She's getting a grip now to try to get her | :55:12. | :55:18. | |
temperatures down and to just feed her body. When we first got here, | :55:19. | :55:22. | |
her little stomach was just going like that happens. She's severely | :55:23. | :55:31. | |
malnourished. Severely, OK. She's just three kilograms and she's four | :55:32. | :55:40. | |
months. How they are as composed as they are, it's amazing to witness. | :55:41. | :55:45. | |
You just see incredibly skilled people saving the girl's life. Of | :55:46. | :55:52. | |
her dad hadn't brought her today, she probably would have died? Yes, a | :55:53. | :55:59. | |
delay for 30 more minutes, something like that. Will she be OK now? After | :56:00. | :56:11. | |
we give fluid, we hope. All Tabatha's father can do now is | :56:12. | :56:12. | |
comfort his little girl. When I left Liberia, I thought | :56:13. | :56:35. | |
Tabatha was going to be OK. But when I got back, we actually found out | :56:36. | :56:40. | |
that she had died. Despite everything that happened, her dad | :56:41. | :56:47. | |
insisted that we showed film. It is incredible, isn't it, to think that | :56:48. | :56:51. | |
in 2017, there's sill children in the world that are dying from | :56:52. | :56:56. | |
hunger. That's where you come in. If you don't need money, we can get | :56:57. | :57:00. | |
emergency food to children like Tabatha, and they won't die, it's as | :57:01. | :57:08. | |
simple as that. So if you can spare some money, then please give | :57:09. | :57:09. | |
generously tonight. Please call... World, Russell Howard. Let me just | :57:10. | :57:32. | |
ask you for the time tonight, if you haven't given yet, it would be great | :57:33. | :57:36. | |
if you could. This is probably your last opportunity. Have you had a | :57:37. | :57:41. | |
fantastic time, you lot? Your endurance has been impeccable! We | :57:42. | :57:46. | |
need to say one last thank you to Nish Kumar! Jayde Adams! Spencer | :57:47. | :57:54. | |
Jones, he's disappeared. The Brett Domino Trio, there they are. They're | :57:55. | :58:02. | |
going straight into counselling! We are so sorry! Lou Sanders, she was | :58:03. | :58:09. | |
fantastic! Before we go, we have one last bit of business, and that's the | :58:10. | :58:19. | |
final total for the night. Are we going to see the total upon this | :58:20. | :58:23. | |
screen? Let's get ready to be enthusiastic, because I don't think | :58:24. | :58:27. | |
there is a total coming. OK, the total for tonight... | :58:28. | :59:59. | |
These are packed full of nutrients and are amazing | :00:00. | :00:01. | |
for malnourished children like Divine. | :00:02. | :00:02. | |
They're very often the difference between life and death. | :00:03. | :00:06. | |
There you go, so that was an optimistic week to end on. | :00:07. | :00:39. | |
it's Fantastic Beats and Where to Find Them, | :00:40. | :00:43. | |
hosted by those fantastic beasts, Jonathan Ross and Noel Fielding. | :00:44. | :00:45. | |
They're taking a look back at all the best musical performances | :00:46. | :00:48. | |
and sketches from the past 30 years of Comic Relief. | :00:49. | :00:50. | |
Remain fully conscious, never yield to it! | :00:51. | :01:01. | |
But before that, and because you've all been generous beyond my wildest | :01:02. | :01:04. | |
dreams, here's a sketch featuring some of the biggest stars | :01:05. | :01:07. | |
in the world and the biggest star in the universe. | :01:08. | :01:09. | |
Show we set up some sort of tribal, we can't probably live together. | :01:10. | :01:22. | |
You're not going anywhere yet, maintain your enthusiasm as we | :01:23. | :01:26. | |
maintain the millennium dome! Thanks for your generosity, I'm Russell | :01:27. | :01:29. | |
Brand, good night! Stephen Hawking has used the same | :01:30. | :01:42. | |
trademark voice for over 30 years. This year, he decided it was time | :01:43. | :01:48. | |
for a change. As word got out for this once-in-a-lifetime opportunity, | :01:49. | :01:52. | |
offers began to flood in. We have been granted privileged access to | :01:53. | :01:56. | |
the casting process as Professor Hawking reviews the audition tapes | :01:57. | :02:02. | |
from the hopeful applicants. Trying to find my new voice. Surely it has | :02:03. | :02:10. | |
to be me? Listen to my voice. It's deep, it's sexy, I'm here for the | :02:11. | :02:21. | |
role of Stephen Hawking. Hello, Stephen, it Stephen. Listen, | :02:22. | :02:39. | |
I think my voice would endow your presence with an enormous authority. | :02:40. | :02:44. | |
You would also be able to use many cogently... My earpiece has gone. | :02:45. | :02:55. | |
You would be able to use lots of long words and stuff. A number of | :02:56. | :02:58. | |
people decided to do what they do best. My job is to fight stars. | :02:59. | :03:09. | |
Clause is to count them. I don't know who you are. I don't know what | :03:10. | :03:19. | |
you want. It has to be a yes from you. Not a chance. I heard that a | :03:20. | :03:27. | |
bunch of BLEEP are trying to get you to take them. Who better than the | :03:28. | :03:31. | |
soothing voice I have got? I don't think anyone would take me BLEEP | :03:32. | :03:37. | |
seriously if I sounded like that. Some people clearly weren't told | :03:38. | :03:43. | |
what they were auditioning for. Frankly, it ought to be a musical. | :03:44. | :03:49. | |
I'm thinking something like Everybody's Hawking. The greatest | :03:50. | :03:53. | |
enemy to knowledge is not ignorance, it is the illusion of knowledge. | :03:54. | :04:00. | |
That sounded like I have class and sophistication. It's not looking | :04:01. | :04:07. | |
good. I would sound like an idiot if that was my voice. | :04:08. | :04:15. | |
# Memory, you have photographic memory. Stephen, I know what you're | :04:16. | :04:24. | |
thinking. Sexy! Who wouldn't want to sound like me? Not a chance. Mr | :04:25. | :04:35. | |
Hawking! Steve, listen, I'm the best man for the job. I've been to space | :04:36. | :04:40. | |
before. You talk about space, I've lived it. Wowsers. Some celebrities | :04:41. | :04:46. | |
were insulted that they even needed to audition. If they want me to go | :04:47. | :04:54. | |
through that again, there will have to pay me a shed load of cash. I | :04:55. | :05:00. | |
know Eddie did a good job, I could have played you so much better. | :05:01. | :05:04. | |
After a long session watching desperate celebrities try and win | :05:05. | :05:08. | |
him over, Stephen finally decided... Yes, that's my new voice. And | :05:09. | :05:12. | |
prepared to unveil it the next day. Hello. My name is Stephen Hawking. | :05:13. | :05:30. | |
You're only supposed to blow the bloody atom! | :05:31. | :05:40. | |
Now obviously, you know there was a lot of transmission because you saw | :05:41. | :05:44. | |
it at home. What you missed was some excellent television presenting by | :05:45. | :05:48. | |
me. Wasn't I good? But you missed the grand total. This is ultimately | :05:49. | :05:54. | |
about helping people, and we do need money to change people's lives. The | :05:55. | :05:57. | |
total that you missed because of the loss of transmission, and let's not | :05:58. | :06:00. | |
get called conspiratorial about that, what's ?71 million ?380,000, | :06:01. | :06:07. | |
and it has come from you! You are the people who have given this | :06:08. | :06:12. | |
money. Thank you! We are going to have to add this audience to the | :06:13. | :06:17. | |
people who require urgent help and water. We are handing over now to | :06:18. | :06:21. | |
safe hands, the hands of Jonathan Ross and Noel Fielding. They are | :06:22. | :06:27. | |
going to look at some of the best musical moments in Comic Relief | :06:28. | :06:30. | |
history. Stay tuned for that and more chaos. I'm Russell Brand, thank | :06:31. | :06:33. |