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Hey, Vinyl Pimp, great name for a record store. | :00:00. | :00:09. | |
But unfortunately we sold our only copy | :00:10. | :00:17. | |
I've been cataloguing all the records. | :00:18. | :00:23. | |
Welcome to Fantastic Beats Where To Find Them. | :00:24. | :00:33. | |
For the next 90 minutes, we'll be looking back at over 30 years of | :00:34. | :00:37. | |
great music from the Comic Relief archives, | :00:38. | :00:39. | |
bringing you not only the most brilliant performances | :00:40. | :00:41. | |
but some of the more frightening moments as well. | :00:42. | :00:43. | |
And all that Noel and I ask in return is that you text | :00:44. | :00:47. | |
Every pound really makes a huge difference. | :00:48. | :00:49. | |
I like it a lot, but what about Beauty And The Beats? | :00:50. | :00:54. | |
Anyway, think of us as your DJs for the evening. | :00:55. | :01:01. | |
And this show as like a jumbo red nose jukebox. | :01:02. | :01:04. | |
But instead of popping in a quid for three songs, we want | :01:05. | :01:06. | |
you to text and give us as much as you can, | :01:07. | :01:09. | |
and in return here's what you can look forward to. | :01:10. | :01:15. | |
Coming up tonight on Fantastic Beats Where To Find Them, we look back | :01:16. | :01:18. | |
at the best tribute acts Comic Relief has ever seen. | :01:19. | :01:22. | |
As well as those odd pairings only Red Nose Day could put together. | :01:23. | :01:28. | |
There's the best of Peter Kay's musical contributions. | :01:29. | :01:30. | |
Live performances from Adele, Sam Smith, | :01:31. | :01:32. | |
Tonnes of great sketches featuring Coldplay and the | :01:33. | :01:37. | |
The brilliant French and Saunders in Mamma Mia. | :01:38. | :01:45. | |
You know, they say imitation is the sincerest form of flattery. | :01:46. | :01:52. | |
I'm not sure about that. I think it might be stalking. | :01:53. | :01:57. | |
But first, Comic Relief has a fine tradition of tribute acts. | :01:58. | :02:03. | |
Let's have a look at some of the very best copycats in action. | :02:04. | :02:09. | |
Wait, wait, what's the first line again? | :02:10. | :02:11. | |
No, wait. Sorry. | :02:12. | :02:17. | |
# I never needed anybody's help in any way | :02:18. | :02:37. | |
# Help me if you can I'm feeling down | :02:38. | :02:51. | |
# And I do appreciate you being round | :02:52. | :02:56. | |
# Help me get my feet back on the ground | :02:57. | :03:01. | |
# When it gets tough gotta fight some more | :03:02. | :03:33. | |
# We gotta fight, fight, fight, fight, fight for this love #. | :03:34. | :03:41. | |
You know, if Cheryl ever wanted to call it a day, | :03:42. | :03:44. | |
I think Rufus could take over for her. | :03:45. | :03:46. | |
Not so much the singing, but the modelling. | :03:47. | :03:48. | |
He's got the lips, the hips, the look. | :03:49. | :03:55. | |
# And they checked my pulse and it gave them hope | :03:56. | :04:19. | |
# That there was no truth to what was wrote | :04:20. | :04:23. | |
# Give me half as much but twice as fast today | :04:24. | :04:29. | |
The thing is, Robert Webb gets all the credit, | :04:30. | :05:42. | |
but anyone who knows them knows that the real dancer | :05:43. | :05:44. | |
I don't want you to embarrass yourself in front of the kids. | :05:45. | :06:05. | |
You've embarrassed yourself in front of the kids. | :06:06. | :06:09. | |
# You're swelling out in the wrong direction | :06:10. | :06:13. | |
# You've got the bug, superstar you've been bitten | :06:14. | :06:15. | |
# Your trumpet's blowing for far too long | :06:16. | :06:18. | |
# Climbing the snake of the ladder, but you're wrong | :06:19. | :06:22. | |
# I said who do you think you are | :06:23. | :06:27. | |
# Swing it, shake it, move it, make it | :06:28. | :06:41. | |
# Trust it, use it, prove it, groove it | :06:42. | :06:45. | |
# Swing it, shake it, move it, make it | :06:46. | :06:49. | |
# Trust it, use it, prove it, groove it | :06:50. | :06:53. | |
# I'll state my case, of which I'm certain | :06:54. | :07:23. | |
# I've travelled each and every highway... | :07:24. | :07:34. | |
I was moved, but not as much as I would have been moved by almost | :07:35. | :07:40. | |
any other combination of people doing that song. | :07:41. | :07:41. | |
Saving the best till last, and I'm using the word | :07:42. | :08:01. | |
Before we get carried away, let me just remind everyone. | :08:02. | :08:39. | |
We're not just looking at fantastic beats. | :08:40. | :08:41. | |
I know, but you're so excited, it's odd. | :08:42. | :08:49. | |
So, we're looking at fantastic beats but there's also been one or two | :08:50. | :08:54. | |
questionable numbers over the years. | :08:55. | :08:55. | |
One or two, are you joking? I've picked out a whole top ten. | :08:56. | :08:58. | |
It's going to be so exciting, this bit. | :08:59. | :09:07. | |
Every good clip show needs a countdown. | :09:08. | :09:09. | |
So here's my top ten I Can't Believe Comic Relief Put That On TV. | :09:10. | :09:13. | |
At number ten, it's Jo Brand and Ruby Wax performing | :09:14. | :09:21. | |
How did they remember all those lyrics? | :09:22. | :09:34. | |
And at number nine it's Vanessa Feltz serenading Jack Dee | :09:35. | :09:43. | |
with a twist on the Elvis Costello classic She. | :09:44. | :09:45. | |
As he increasingly thinks falling to his death might | :09:46. | :09:48. | |
At number eight, can Gareth Malone really teach anyone to sing? | :09:49. | :10:03. | |
# A full commitment's what I'm thinking now | :10:04. | :10:19. | |
# You wouldn't get this from any other guy | :10:20. | :10:22. | |
We have more fantastic beats just around the corner, but first we need | :10:23. | :10:30. | |
you all to do a little something for us. | :10:31. | :10:33. | |
It's time for a short film that shows just how important it is you | :10:34. | :10:37. | |
Well, I'm back on Comic Relief and what a journey it's been. | :10:38. | :11:04. | |
A youngish man with a lush coloured beard and a very peculiar shirt. | :11:05. | :11:11. | |
Today, ladies and gentlemen, I finished my first novel. | :11:12. | :11:14. | |
It's taken me a long time to read a book, but there you go. | :11:15. | :11:17. | |
Seem to remember I cracked a joke or two. | :11:18. | :11:20. | |
Quite fun there, as well, but I saw some terrible things, too. | :11:21. | :11:36. | |
Standing beside me just now, this is Sophia. | :11:37. | :11:39. | |
Just over a year ago she was playing in a field with her sister. | :11:40. | :11:43. | |
She jumped over a wall and landed on a landmine. | :11:44. | :11:45. | |
Sophia lost her legs and her sister lost her life. | :11:46. | :11:52. | |
I was glad to do my bit, just to pass on to the British public what | :11:53. | :11:56. | |
it was actually like in tough places like that. | :11:57. | :11:58. | |
And I went back there again a few years later. | :11:59. | :12:01. | |
And saw the amazing things your generosity pays for. | :12:02. | :12:04. | |
That girl being reunited with her dad for a day. | :12:05. | :12:07. | |
And then, of course, I made a bloody fool of myself, | :12:08. | :12:10. | |
running naked around Piccadilly Circus. | :12:11. | :12:13. | |
I think it made a million quid, but who knows? | :12:14. | :12:16. | |
Certainly frightened some poor innocent pedestrians. | :12:17. | :12:19. | |
Then back to Africa, worst hospital I've ever seen. | :12:20. | :12:22. | |
Would you like a wee glimpse of hell? | :12:23. | :12:28. | |
But I don't know if if I would have ever have guessed | :12:29. | :12:32. | |
this, the latest version of me on Red Nose Day. | :12:33. | :12:35. | |
So it's time for me to bring it home and ask you to spare a | :12:36. | :12:42. | |
few quid for the work you and Comic Relief support in the UK. | :12:43. | :12:45. | |
So let me seem a bit selfish and say, it would be great | :12:46. | :12:50. | |
if you could give a bit of thought and a bit of cash to the oldies. | :12:51. | :12:54. | |
Life can get very hard for old people. | :12:55. | :12:55. | |
If they're not well and they're completely on their own. | :12:56. | :12:58. | |
It's an amazing thing, Red Nose night. | :12:59. | :13:01. | |
Utter generosity changing the lives of millions of strangers. | :13:02. | :13:04. | |
If you've got some spare cash, spare it for someone not very | :13:05. | :13:13. | |
different from your granny or your grandfather. | :13:14. | :13:15. | |
Because if you don't give ?1 million, I'm | :13:16. | :13:21. | |
off again, and you wouldn't like that. | :13:22. | :13:24. | |
And then, who knows, maybe back on the show, maybe not. | :13:25. | :13:26. | |
But very proud of the stuff we've done together. | :13:27. | :13:28. | |
Please call 03457 910 910 or go to bbc.co.uk/rednoseday. | :13:29. | :14:01. | |
# But I couldn't stay away, I couldn't fight it | :14:02. | :14:57. | |
# I'd hoped you'd see my face and that you'd be reminded | :14:58. | :15:00. | |
# Never mind, I'll find someone like you | :15:01. | :15:11. | |
# I wish nothing but the best for you too | :15:12. | :15:18. | |
# Don't forget me, I beg I'll remember you said | :15:19. | :15:27. | |
# Sometimes it lasts in love but sometimes it hurts instead | :15:28. | :15:55. | |
That was the sensational Adele performing on Red | :15:56. | :15:56. | |
Now, please, spare anything you can to help make | :15:57. | :16:01. | |
And we've made it ridiculously easy to hand over your money. | :16:02. | :16:05. | |
All you have to do to give ?10 is text the word yes to 70210. | :16:06. | :16:11. | |
Or, and this is the one that we'd really like, | :16:12. | :16:14. | |
to give ?20 please text yes to 70220. | :16:15. | :16:16. | |
Texts cost your chosen donation amount | :16:17. | :16:19. | |
plus your standard network message charge. | :16:20. | :16:21. | |
And the whole donation goes to Comic Relief. | :16:22. | :16:24. | |
You must be 16 and over and please ask the bill payer's permission. | :16:25. | :16:28. | |
For more information and terms and conditions go | :16:29. | :16:30. | |
When a band like Coldplay have achieved everything the music world | :16:31. | :16:35. | |
has to offer, there's only one thing left to do. | :16:36. | :16:37. | |
Take the world's biggest TV show and turn it into a musical. | :16:38. | :16:40. | |
Game of Thrones, which, surprisingly, is what they did in | :16:41. | :16:48. | |
the first part of this special sketch from Red Nose Day USA. | :16:49. | :16:52. | |
Thinking about it, Antiques Road Trip... | :16:53. | :16:53. | |
I mean, we should get the rights to that, | :16:54. | :17:00. | |
People are not going to want to see that? | :17:01. | :17:07. | |
# And Kardashians in the... there are Lannisters | :17:08. | :17:36. | |
# Some unknowns and of course there's | :17:37. | :17:43. | |
# Welcome to the crazy, wacky world of Game of Thrones. | :17:44. | :17:47. | |
LIAM NEESON AS NARRATOR: In an exclusive Red Nose Day revelation, | :17:48. | :17:52. | |
we've discovered that the British band Coldplay | :17:53. | :17:54. | |
are secretly working on a musical of TV | :17:55. | :17:57. | |
This is the best idea we've ever had. | :17:58. | :18:02. | |
It's just been the most amazing creative outpouring. | :18:03. | :18:07. | |
NARRATOR: The band had been long-time fans of the show. | :18:08. | :18:15. | |
And bearded drummer Will Champion actually | :18:16. | :18:18. | |
took time off at one point to act in the famous Red Wedding episode. | :18:19. | :18:22. | |
recording studio in Los Angeles to work up | :18:23. | :18:27. | |
the 16 songs required for a full Broadway stage production. | :18:28. | :18:32. | |
# Around the world my heart had to roam | :18:33. | :18:43. | |
Well, when I first heard about it I was | :18:44. | :18:46. | |
a little bit skeptical, but now I'm completely convinced... | :18:47. | :18:48. | |
It's the worst idea I've ever heard. | :18:49. | :18:56. | |
One word that springs to mind when I'm thinking about this | :18:57. | :19:04. | |
But not in terms of the successful movie - | :19:05. | :19:08. | |
Finally, after months of writing and planning, | :19:09. | :19:21. | |
Chris has invited along the entire cast | :19:22. | :19:24. | |
of Game of Thrones, to recruit them into | :19:25. | :19:26. | |
I had a moment of inspiration, it was | :19:27. | :19:30. | |
a flash of genius - get the whole cast to come in. | :19:31. | :19:33. | |
Everyone thought it was a brilliant idea, | :19:34. | :19:34. | |
NARRATOR: All the actors are gathering | :19:35. | :19:39. | |
to hear the songs performed for the first time. | :19:40. | :19:42. | |
I was told Sean Bean was gonna be here. | :19:43. | :19:52. | |
Well, no, I don't think there's quite as many of us | :19:53. | :19:56. | |
as the band would have hoped, but ... | :19:57. | :19:58. | |
This is called "Rastafarian Targaryen." | :19:59. | :20:04. | |
# I got some dragons and they're pretty scary-in' | :20:05. | :20:12. | |
INTERVIEWER: So Chris, how do you think it's going? | :20:13. | :20:14. | |
Well, the funny thing is, they can sing. | :20:15. | :20:25. | |
# Lots of stabbing and a bit of beheading ... | :20:26. | :20:33. | |
Well, with these things it's always step by step. | :20:34. | :20:50. | |
Um, 50 percent of the cast seemed really into it, so, um ... | :20:51. | :20:53. | |
I think we're onto something really special. | :20:54. | :20:56. | |
NARRATOR: It's been a slightly disappointing day. | :20:57. | :20:59. | |
NARRATOR: It's day two of the workshop... | :21:00. | :21:35. | |
And suddenly things take a turn for the better. | :21:36. | :21:41. | |
With a phone call from Jon Snow, and the offer of free food, | :21:42. | :21:44. | |
a huge chunk of the cast have arrived. | :21:45. | :22:02. | |
NARRATOR: It's been a very emotional morning. | :22:03. | :22:19. | |
I sense this choice will not end well for you. | :22:20. | :22:29. | |
Oh, well, drumsticks it is, then, apparently. | :22:30. | :22:38. | |
Find out later if Chris Martin finishes his musical | :22:39. | :22:52. | |
Now, Noel, you know how sometimes in life some very unlikely | :22:53. | :22:57. | |
ingredients can collide and it just seems to work? | :22:58. | :22:59. | |
Well, next up we celebrate the odd couples who are | :23:00. | :23:13. | |
better together than any of us could have imagined. | :23:14. | :23:15. | |
Actually, have you got any Chewits on you? | :23:16. | :23:17. | |
# I met her in the first-class lounge of a jumbo jet | :23:18. | :23:26. | |
# It was love at first sight, Romeo and Juliet | :23:27. | :23:35. | |
# He looked pretty rich and I was down on luck | :23:36. | :23:41. | |
# For crying out loud a fortune for a flying... | :23:42. | :23:50. | |
# So I love you, do I want you | :23:51. | :23:56. | |
# Would I sacrifice my life to you if I could | :23:57. | :24:00. | |
# Is the Pope Catholic, is Luxembourg small | :24:01. | :24:03. | |
# Living Doll sleeping, walking living doll | :24:04. | :24:19. | |
# Got to do my best to please her | :24:20. | :24:21. | |
# Just cause she's a living doll | :24:22. | :24:22. | |
# Fies my soul she satisfies my soul | :24:23. | :24:33. | |
# Got a roving eye and that is why she satisfies my soul | :24:34. | :24:47. | |
# I've got the one and only walking, talking, living doll | :24:48. | :24:54. | |
# I got the one and only walking talking living doll #. | :24:55. | :25:05. | |
# Yeah, we's the match made JLS, BA to JFK, LAX | :25:06. | :25:44. | |
# Got me looking forward to it like a Saturday | :25:45. | :25:46. | |
Actually, I'm going to be honest, I thought Miranda was the | :25:47. | :25:49. | |
They should utilise her when they reform | :25:50. | :25:53. | |
# And the yearning started for a short-term affair | :25:54. | :26:11. | |
# You're the man, you're the boss | :26:12. | :26:13. | |
# When I find you right there | :26:14. | :26:15. | |
# Cleaning our silverware lost | :26:16. | :26:17. | |
# You took me to the kitchen hell with the cost | :26:18. | :26:30. | |
# Your hands kind of started twitching I felt so shy | :26:31. | :26:36. | |
# Nothing could stop what followed | :26:37. | :26:40. | |
# Islands in the stream Islands in the stream | :26:41. | :27:33. | |
# That is what we are That is what we are | :27:34. | :27:36. | |
# No one in between No one in between | :27:37. | :27:38. | |
# How can we be wrong wrong | :27:39. | :27:41. | |
# Sail away with me Sail away with me #. | :27:42. | :27:48. | |
He fell on me once like a big mahogany wardrobe. | :27:49. | :27:51. | |
# I wanna be elected in a gold Rolls-Royce | :27:52. | :28:07. | |
# Kids want a saviour, don't need a fake | :28:08. | :28:11. | |
# Well I'm going to rock to the rules that I make | :28:12. | :28:15. | |
I think after all that, it's time for a little reminder | :28:16. | :28:24. | |
With your help, the number of children dying from malaria each | :28:25. | :28:35. | |
But malaria is still one of the biggest killers of children | :28:36. | :28:43. | |
Even though it is preventable and treatable. | :28:44. | :28:50. | |
This is the children's ward | :28:51. | :28:52. | |
in one of Malawi's biggest hospitals. | :28:53. | :28:55. | |
Most of the children here are suffering from malaria. | :28:56. | :29:01. | |
The problem is so consuming that there aren't enough beds | :29:02. | :29:03. | |
This little girl is Atanduwata. She's just 13 months old. | :29:04. | :29:14. | |
She laughs, cries and, like many children of her age, | :29:15. | :29:18. | |
Her mother, Mary, is desperately poor. | :29:19. | :29:26. | |
There aren't any malaria testing kits in her village, | :29:27. | :29:29. | |
so she's had no choice but to walk for three hours carrying her | :29:30. | :29:33. | |
All the time, her little girl's blood was being destroyed | :29:34. | :29:46. | |
Dr Columbo is doing everything he can to save her. | :29:47. | :30:03. | |
If only Atanduwata had been diagnosed even a day earlier, | :30:04. | :30:28. | |
she might not now be fighting for her life. | :30:29. | :30:51. | |
Children like Atanduwata don't have to die this way. | :30:52. | :31:00. | |
?30 you give will pay for 100 children to be diagnosed. | :31:01. | :31:34. | |
Call 03457 910 910 or go to bbc.co.uk/rednoseday. | :31:35. | :31:41. | |
# I don't want to be here if I can't be with you tonight | :31:42. | :32:37. | |
Sam Smith and John Legend there from Red Nose Day 2015. | :32:38. | :33:30. | |
Please pick up the phone and give whatever you can to help | :33:31. | :33:32. | |
You're probably sat there right now with your phone | :33:33. | :33:42. | |
But if you can spare it, we'd love you to text "YES" to 70220. | :33:43. | :33:50. | |
You have no idea, the difference that extra ten pounds could make. | :33:51. | :33:58. | |
When David Brent offers to write a song for Comic Relief, then, well, | :33:59. | :34:01. | |
You literally bite his hands off like a rabid puma? | :34:02. | :34:05. | |
Well, yeah, anything to take the guitar away from him. | :34:06. | :34:08. | |
But unfortunately, he still produced this number from 2013 in which David | :34:09. | :34:11. | |
managed to unite people of all creeds and colours | :34:12. | :34:13. | |
# Let me take you down Equality Street | :34:14. | :34:17. | |
# At the end of the street is a golden gate | :34:18. | :34:24. | |
# It let in love, it don't let in hate, no | :34:25. | :34:26. | |
# Walk with me down Equality Street | :34:27. | :34:42. | |
# Books have no covers, just look right in | :34:43. | :34:48. | |
# You're judged by your words, not the colour of your skin | :34:49. | :34:51. | |
# Oh dayo, dayo, dayo, me say dayo | :34:52. | :34:55. | |
# Biddly biddly biddly biddly biddly biddly bong yo | :34:56. | :35:02. | |
# Except I do imagine there's a heaven | :35:03. | :35:06. | |
# Or maybe like some other countries that you might ignore | :35:07. | :35:19. | |
# Tonga, never thought of in my life before | :35:20. | :35:22. | |
# But if I met a guy from Tonga then we stop and we speak | :35:23. | :35:25. | |
# In fluent Tongalese on Equality Street | :35:26. | :35:28. | |
# Come with me down Equality Street | :35:29. | :35:31. | |
# At the end of the street is a golden gate | :35:32. | :35:37. | |
# It lets in love, it don't let in hate, no | :35:38. | :35:42. | |
# Biddly biddly biddly biddly biddly biddly bong | :35:43. | :35:52. | |
Just one of the many musical phrases never used to describe him. | :35:53. | :36:02. | |
We've lost some big musical legends this year. | :36:03. | :36:04. | |
Prince, Leonard Cohen and, of course, Bowie. | :36:05. | :36:08. | |
Yep, all gone but not forgotten, of course, which brings us to this. | :36:09. | :36:11. | |
Very deep in the Comic Relief archive, a seminal performance | :36:12. | :36:16. | |
by my personal hero, the legendary David Bowie, which, | :36:17. | :36:18. | |
to this day, has never been played in full and there's a very | :36:19. | :36:21. | |
Hello, boys and girls, I'm David Bowie, and I'm talking | :36:22. | :36:28. | |
Tonight, I thought I'd do something a little bit different. | :36:29. | :36:34. | |
I'm going to play a new composition for you that | :36:35. | :36:36. | |
It's called Requiem For A Laughing Gnome. | :36:37. | :36:43. | |
It has some choreography that I picked up from a Navajo indian | :36:44. | :36:53. | |
that I met last week in the Croydon chapter. | :36:54. | :36:55. | |
Probably, I should begin with the first movement. | :36:56. | :37:00. | |
The threat, though, to keep playing that track still stands, by the way. | :37:01. | :37:44. | |
We still have the entire clip and we will play it unless, | :37:45. | :37:47. | |
Take your phone and give ?10 by just texting "YES" to 70210 although, | :37:48. | :37:53. | |
to be honest, we'd rather you text "YES" to 70220 because that | :37:54. | :37:56. | |
People don't realise how hard comedy is. | :37:57. | :38:05. | |
Yeah, because, for example, Eddie Izzard ran 27 marathons just | :38:06. | :38:12. | |
We've been extremely fortunate at Comic Relief that one of our best | :38:13. | :38:18. | |
loved comedians has done so much to raise a tonne | :38:19. | :38:21. | |
Here are just some of the greatest musical moments from Peter Kay. | :38:22. | :38:30. | |
# Looking back I could have played it differently | :38:31. | :38:34. | |
# Won a few more moments who can tell | :38:35. | :38:40. | |
# But it took time to understand the man | :38:41. | :38:47. | |
# Now at least I know, I know him well, | :38:48. | :38:53. | |
# But in the end he needs a little bit more than me | :38:54. | :39:12. | |
# I'm gonna be the man who wakes up next you | :39:13. | :39:35. | |
# When I go out, yeah I know I'm gonna be | :39:36. | :39:39. | |
# I'm gonna be the man who goes along with you | :39:40. | :39:43. | |
Ladies and gentlemen, The Proclaimers! | :39:44. | :39:50. | |
# Just to be the man who walks a thousand miles | :39:51. | :40:00. | |
# Da-da-da dun-diddle un-diddle un-diddle uh da-da | :40:01. | :40:11. | |
# Da-da-da dun-diddle un-diddle un-diddle uh da-da. | :40:12. | :40:18. | |
# Da-da-da dun-diddle un-diddle un-diddle uh da-da | :40:19. | :40:20. | |
# I get knocked out, but I get up again | :40:21. | :40:22. | |
# I get knocked out, but I get up again | :40:23. | :40:26. | |
# You're never gonna keep me down | :40:27. | :40:28. | |
# I get knocked out, but I get up again | :40:29. | :40:30. | |
# I get knocked out, but I get up again | :40:31. | :40:35. | |
# We sell whiskey drinks, we sell vodka drinks | :40:36. | :40:50. | |
We sell two-for-one selected shorts for a limited time only down | :40:51. | :40:59. | |
# I get knocked out, but I get up again | :41:00. | :41:03. | |
First he was in a stairlift, then he's in a wheelchair. | :41:04. | :41:09. | |
It's just that he charges more for walking. | :41:10. | :41:14. | |
He'll be singing out the show a little later with one | :41:15. | :41:21. | |
There's still so much more to come on Fantastic Beats and to be honest | :41:22. | :41:34. | |
it's a bit ridiculous how many things we have coming up that | :41:35. | :41:37. | |
Live performances from Elbow and Labrinth. | :41:38. | :41:40. | |
The greatest Comic Relief pop moments ever as well as | :41:41. | :41:44. | |
Find out what takes the top spot as we continue to count down the top | :41:45. | :41:48. | |
ten "I can't believe Comic Relief put that on TV" moments, | :41:49. | :41:51. | |
and the conclusion to Coldplay's attempts to create Game | :41:52. | :41:53. | |
But before all of that, a reminder of why we've assembled | :41:54. | :41:57. | |
these fantastic beats for your viewing pleasure. | :41:58. | :41:59. | |
You sing one then I'll sing one, yeah? | :42:00. | :42:03. | |
It's been over three years since the outbreak of ebola killed | :42:04. | :42:33. | |
There aren't any live cases of it here now but you still come | :42:34. | :42:39. | |
across the after effects of it everywhere. | :42:40. | :42:41. | |
When was the last time you went to school? | :42:42. | :43:21. | |
The thing that's stopping her getting her dreams is, you know, | :43:22. | :43:31. | |
'The last thing I always wanted this trip to be was to be the celebrity | :43:32. | :44:28. | |
'who comes over to Africa, cries on TV, send your money over.' | :44:29. | :44:36. | |
I really wanted to come and like be everything's positive, it's great. | :44:37. | :44:40. | |
I don't know, just singing with that girl, and she was all really smiling | :44:41. | :44:44. | |
She just got really choked up about it. | :44:45. | :45:04. | |
You know, I watch Comic Relief every single year and this is always | :45:05. | :45:12. | |
what celebrities do and I always think, "Oh, is it really that bad?" | :45:13. | :45:15. | |
And then I sort of turn up and, yes, it is. | :45:16. | :45:18. | |
That's just one story and it's the one girl that came up and talked | :45:19. | :45:23. | |
There's so many kids out here I've gone up to and tried | :45:24. | :45:27. | |
If she's the smiliest and she's got that story, god knows | :45:28. | :45:31. | |
# The moon is out looking for trouble | :45:32. | :46:47. | |
# The moon wants a scrap or a cuddle and everyone's here | :46:48. | :47:09. | |
A truly magical performance from Elbow back in 2011. | :47:10. | :47:11. | |
Now, as I'm sure you know, you can do something right now, | :47:12. | :47:14. | |
it's quick, it's simple and it could help save lives. | :47:15. | :47:16. | |
Not just in Africa but right here in the UK. | :47:17. | :47:19. | |
So please text "YES" to 70210 to give ?10 right now. | :47:20. | :47:23. | |
Now, when you hear the words Mamma Mia, you think of only | :47:24. | :47:32. | |
Well, no, they were good but most of us think of the smash-hit musical | :47:33. | :47:37. | |
that went on to become the smash-hit movie and in 2009, | :47:38. | :47:40. | |
Comic Relief were fortunate to gain exlusive access | :47:41. | :47:42. | |
to the behind-the-scenes making of that film, Mamma Mia. | :47:43. | :47:44. | |
I've no idea what you're talking about. | :47:45. | :47:46. | |
I like dancing nude to ABBA in my kitchen. | :47:47. | :47:51. | |
Oh, maybe we'll see that later as well. | :47:52. | :47:54. | |
I just wanted to check that this is a tribute to the film | :47:55. | :48:03. | |
because I love this film, as does everyone I've ever met. | :48:04. | :48:07. | |
Just that you both seem a little bit bitter about it. | :48:08. | :48:11. | |
Perhaps because it was such a great hit, made so much money and brought | :48:12. | :48:15. | |
so much joy and you weren't in it, maybe because you're both too old? | :48:16. | :48:24. | |
I don't know what script you've read. | :48:25. | :48:31. | |
Three, two, one, one, one, one, good. | :48:32. | :48:49. | |
What I've done is, I've been very strict. | :48:50. | :49:04. | |
I've kept the style to Summertime Special 1978. | :49:05. | :49:07. | |
When I know which one is my father, everything will fall into place. | :49:08. | :49:13. | |
I knew your mother when she was a real goer and I was a right rebel. | :49:14. | :49:21. | |
# Walks along the Seine, our last summer | :49:22. | :49:47. | |
He's massive in Scandinavia and Meryl Streep's in it. | :49:48. | :50:16. | |
# Well, I can dance with you honey if you think it's funny | :50:17. | :50:29. | |
# Does your mother know that you're out? | :50:30. | :50:31. | |
# And I can chat with you, baby, flirt a little maybe | :50:32. | :50:34. | |
# Does your mother know that you're out? | :50:35. | :50:40. | |
# Take it easy, take it easy, better slow down, boy | :50:41. | :50:43. | |
# Take it easy, take it easy, try to cool it, boy | :50:44. | :50:50. | |
# I've played all my cards and that's what you've done too | :50:51. | :51:15. | |
Would you like some tarasaramalata for you? | :51:16. | :52:04. | |
# If you change your mind, I'm the first in line | :52:05. | :52:12. | |
The actors would like to make it clear that the characters depicted | :52:13. | :53:37. | |
bear no resemblance to anyone living or dead. | :53:38. | :53:50. | |
I can't stop thinking about Antiques Road Trip: the Musical. | :53:51. | :54:29. | |
Great ideas like that only come along once in a lifetime, Noel. | :54:30. | :54:32. | |
Don't let it go, but you should go now because it's time for more | :54:33. | :54:36. | |
"I can't believe Comic Relief put that on TV." | :54:37. | :54:38. | |
# Well, you can tell by the way I use my walk. | :54:39. | :54:56. | |
# I'm a woman's man, no time to talk. | :54:57. | :54:58. | |
# I've been kicked around since I was born. | :54:59. | :55:02. | |
At number seven, a medley from Saturday Night Fever | :55:03. | :55:11. | |
where Jeremy Paxman demonstrates how to hit a high F without the aid | :55:12. | :55:14. | |
At number six, stick a red nose on your conk. | :55:15. | :55:26. | |
# And now here's some great stonkers of our time. | :55:27. | :55:40. | |
At number five, it's Dame Edna's permanently silent sidekick Madge, | :55:41. | :55:46. | |
finally allowed to steal the limelight and demonstrating | :55:47. | :55:48. | |
# When I walk up the stair, I gambol like a lamb. | :55:49. | :55:54. | |
At number four, it's the time the Righteous Brothers were joined | :55:55. | :56:08. | |
by Postman Pat for the classic You've Lost That Loving Feeling. | :56:09. | :56:11. | |
# You've lost that loving feeling, now it's gone... | :56:12. | :56:17. | |
And a bit later, I'll be revealing the top three, | :56:18. | :56:19. | |
One of the great institutions of Comic Relief is that the biggest | :56:20. | :56:24. | |
pop stars of the day record a single. | :56:25. | :56:26. | |
In the 32 years since it started, your generosity has created, | :56:27. | :56:29. | |
can you believe it, 13 number ones, sold nearly eight million records | :56:30. | :56:32. | |
and finally given me the chance to dress up as Kate Bush. | :56:33. | :56:35. | |
Yeah, like you hadn't dressed up as Kate Bush before? | :56:36. | :56:38. | |
He arrived dressed as Kate Bush, and here are just a few of those | :56:39. | :56:47. | |
# One way or another, I'm gonna see ya. | :56:48. | :56:52. | |
# I'm gonna meet ya, meet ya, meet ya, meet ya, meet ya. | :56:53. | :56:55. | |
# One way or another I'm gonna win ya. | :56:56. | :56:57. | |
# I'm gonna get ya, get ya, get ya, get ya. | :56:58. | :57:00. | |
# One way or another I'm gonna see ya. | :57:01. | :57:04. | |
# I'm gonna meet ya, meet ya, meet ya, meet ya. | :57:05. | :57:07. | |
# One way or another I'm gonna win ya. | :57:08. | :57:10. | |
# I'm gonna get ya, get ya, get ya, get ya. | :57:11. | :57:13. | |
# I gotta get it through to you | :57:14. | :57:34. | |
# Walk this way with an Uptown girl #. | :57:35. | :58:14. | |
# Word up got to get it under way | :58:15. | :58:42. | |
# No matter where you say it, you know that you'll be heard #. | :58:43. | :58:47. | |
# You're like an angel and you give me your love | :58:48. | :58:49. | |
# I just can't get enough seem to get enough | :58:50. | :58:53. | |
# When evening falls so hard, I will comfort you | :58:54. | :59:26. | |
# Like a bridge over troubled water I will ease your mind | :59:27. | :00:11. | |
I've come to the children's ward at Redemption Hospital in Liberia. | :00:12. | :00:42. | |
I had some idea of what I might experience, but nothing prepared me | :00:43. | :00:47. | |
for seeing a child desperately ill, suffering from malnutrition. | :00:48. | :00:57. | |
This is Tabitha, and her father, Alexander. | :00:58. | :01:11. | |
Tabitha's mum is seriously ill, so her father | :01:12. | :01:13. | |
It's just awful to think that this still happens. | :01:14. | :01:22. | |
That there's a little girl who's so malnourished that her dad had | :01:23. | :01:24. | |
One in every three children in Liberia | :01:25. | :01:36. | |
Put simply, they're not getting enough of the right food. | :01:37. | :01:55. | |
But when we first got here, | :01:56. | :02:06. | |
her little stomach was just going like the clappers. | :02:07. | :02:10. | |
How they're as composed is amazing to witness, you just sort | :02:11. | :02:28. | |
of see incredibly skilled people saving a girl's life. | :02:29. | :02:34. | |
If her dad hadn't brought her today, | :02:35. | :02:36. | |
Yes, yes, if he'd delayed for 30 more minutes... | :02:37. | :02:42. | |
Something bad could have been happening. | :02:43. | :02:48. | |
All Tabitha's father can do now is comfort his little girl. | :02:49. | :03:00. | |
# One for the master, one for the dame | :03:01. | :03:06. | |
# One for the little boy who lives down the lane #. | :03:07. | :03:14. | |
When I left Liberia, I thought Tabitha was going to be OK. | :03:15. | :03:18. | |
But when I got back we actually found out | :03:19. | :03:20. | |
Despite everything that happened, her dad insisted | :03:21. | :03:26. | |
And it's incredible, isn't it, to think that | :03:27. | :03:33. | |
in 2017 there are still children in the world that are dying | :03:34. | :03:37. | |
If you donate money, we can get emergency | :03:38. | :03:46. | |
food to children like Tabitha, and they won't die. | :03:47. | :03:49. | |
So if you can spare some money, then please, | :03:50. | :03:53. | |
Another musical legend we sadly lost recently was George Michael. | :03:54. | :04:17. | |
Now, George gave a huge amount of time to help many charities, | :04:18. | :04:20. | |
including, of course, comic relief. | :04:21. | :04:22. | |
And in 2011, George joined forces with Gavin and Stacey's | :04:23. | :04:25. | |
Smithy in a special sketch that saw them celebrate the pure joy | :04:26. | :04:28. | |
of singing along to your greatest hits with a mate in a car. | :04:29. | :04:31. | |
Look, we really need your help with Comic Relief. | :04:32. | :04:34. | |
I can't, I'm spending the day with a mate, | :04:35. | :04:39. | |
All right, I'll come in now, but this is the last time. | :04:40. | :04:45. | |
Comic Relief, they need me to go in now. | :04:46. | :04:52. | |
You said we were going to pick up my photos. | :04:53. | :04:54. | |
So, can I come to Comic Relief, then? | :04:55. | :04:57. | |
Oh, come on, let's be honest, you don't want me to come | :04:58. | :05:04. | |
with you because you don't want to be seen with a gay man. | :05:05. | :05:07. | |
I've seen you, the way you look at that | :05:08. | :05:11. | |
Such a pair of closet bummers, it's ridiculous. | :05:12. | :05:16. | |
Excuse me, listen, what you get up to in your spare time | :05:17. | :05:19. | |
Then why can't I come to Comic Relief? | :05:20. | :05:22. | |
Because you're a joke, George! It's embarrassing. | :05:23. | :05:24. | |
I can't walk into Comic Relief with you. | :05:25. | :05:28. | |
Comic Relief's about helping people like you. | :05:29. | :05:35. | |
# Call me anything you want to baby | :05:36. | :05:57. | |
# And I know that you're sad | :05:58. | :06:00. | |
# With the one thing that you never had | :06:01. | :06:06. | |
# If you're gonna do it do it right, right | :06:07. | :06:23. | |
# If you're gonna do it do it right, right | :06:24. | :06:26. | |
# If you're gonna do it, do it right, right | :06:27. | :06:30. | |
Don't go wandering around looking for trouble. | :06:31. | :06:39. | |
Sir Macca's doing the appeal film, Gordon Brown's rapping with JLS, | :06:40. | :06:58. | |
# Do do do do doo do do-do-do-do-do-do. | :06:59. | :07:15. | |
# Every day I hear a different story #. | :07:16. | :07:22. | |
The much missed George Michael there with James Corden. | :07:23. | :07:26. | |
A special moment that was, of course, the inspiration | :07:27. | :07:32. | |
Here, but it was also the inspiration for those adverts he | :07:33. | :07:36. | |
does for car insurance, so yin, yang, you know? | :07:37. | :07:38. | |
Anyway, we're nearly at the end of our musical journey | :07:39. | :07:40. | |
through Comic Relief's most fantastic beats. | :07:41. | :07:42. | |
But there's still time to revisit | :07:43. | :07:45. | |
some of our most memorable live performances. | :07:46. | :07:48. | |
What you're about to see perfectly illustrates that old showbiz maxim. | :07:49. | :07:50. | |
Yeah, never work with children, animals or Lenny | :07:51. | :07:53. | |
# I'm a four course meal, not a small hors d'oeuvre. | :07:54. | :08:03. | |
I'm a soul food man, come and get my love. | :08:04. | :08:07. | |
# And when it's over you'll be glad you stayed | :08:08. | :08:15. | |
# Especially for you that's going to get laid #. | :08:16. | :08:25. | |
# I wanna let you know what I was going through | :08:26. | :08:31. | |
# I want to tell you I was feeling that way, too | :08:32. | :08:35. | |
# And if dreams were wings you know | :08:36. | :08:38. | |
# Forget the loneliness and the sorrow | :08:39. | :08:54. | |
# And now we're back together, together | :08:55. | :09:05. | |
# I want to show you my heart is oh so true #. | :09:06. | :09:19. | |
# Heathcliff the man with the child in his eyes | :09:20. | :09:34. | |
# It's so cold I've come home now | :09:35. | :09:37. | |
# Let me into your window oh-oh | :09:38. | :09:40. | |
# So cold now | :09:41. | :09:49. | |
Partridge stole all those Kate Bush moves from me. | :09:50. | :09:54. | |
To know your face as you were leaving... | :09:55. | :10:36. | |
# She said never in your wildest dreams | :10:37. | :11:12. | |
# And we danced all night to the best song ever | :11:13. | :11:15. | |
# We knew every line now I can't remember | :11:16. | :11:19. | |
# How it goes but I know that I won't forget her | :11:20. | :11:23. | |
Having a home is something that many of us take for granted. Imagine not | :11:24. | :12:00. | |
having that home, no telly, no comfort, no safety. That's the | :12:01. | :12:05. | |
reality for an estimated 80,000 young people who become homeless in | :12:06. | :12:07. | |
the UK each year. Comic Relief is committed to | :12:08. | :12:24. | |
spending at least 40% of everything raised tonight on projects in the | :12:25. | :12:29. | |
UK. A key part of this is to prevent young people becoming homeless in | :12:30. | :12:32. | |
the first place. One of those is David. How long have you been in a | :12:33. | :12:39. | |
hostel for? 78 months. I got kicked out by my mum. I felt like I was not | :12:40. | :12:44. | |
really involved, I was getting pushed out of the family. Was your | :12:45. | :12:50. | |
dad ever there? No. I had the same situation, it was hard for me | :12:51. | :12:53. | |
because my dad was the one I bonded with. He was there for a year at a | :12:54. | :12:58. | |
time, then he would go away. Yes, that's what happened. He would come | :12:59. | :13:04. | |
back and then go. That doesn't make it easy. You don't understand your | :13:05. | :13:09. | |
emotions, you don't know how to cope with things. You're young, you | :13:10. | :13:16. | |
don't. But now I know, so it is easier to cope with it. And how much | :13:17. | :13:22. | |
of a part has this place played? A Huish Park, even things like boxing, | :13:23. | :13:27. | |
that helps. It is a place to make you a better human. Without this, | :13:28. | :13:34. | |
what do you think would have happened? I would probably still not | :13:35. | :13:39. | |
care about life, just kept on going down, spiralling, and then... Now, I | :13:40. | :13:44. | |
feel like I have a chance. You feel like you're on the way up? Yes. As | :13:45. | :13:49. | |
well as a bed for the night, young people here can get healthy, | :13:50. | :13:52. | |
mentally and physically, and use it as a springboard to build themselves | :13:53. | :13:57. | |
a future. And they deserve it, these kids are the future of our country | :13:58. | :14:06. | |
and it is up to us to support them. There isn't always a lot of spare | :14:07. | :14:09. | |
cash, I know that, but I am not asking you for a lot, just whatever | :14:10. | :14:15. | |
you can afford. Pick up the phone, go online or text us, however you | :14:16. | :14:19. | |
want. The details are on your screen. Thank you. | :14:20. | :14:49. | |
# Oh, as I die here another day, yeah | :14:50. | :15:07. | |
# Cos all I do is cry behind this smile | :15:08. | :15:12. | |
# But I always thought you'd come back | :15:13. | :15:39. | |
# Tell me all you found was heartbreak and misery | :15:40. | :15:45. | |
# Hard for me to say I'm jealous of the way | :15:46. | :16:03. | |
That was Labyrinth from the last Red Nose Day. | :16:04. | :16:16. | |
So, OK, this is it, this is crunch time, this is the last | :16:17. | :16:19. | |
time this evening I'm going to ask you, I'm going to beg you to pick | :16:20. | :16:23. | |
up that phone and send one text that could help change lives all across | :16:24. | :16:26. | |
If you're sat there and you haven't given yet, then this one | :16:27. | :16:30. | |
If everyone watching could text YES to | :16:31. | :16:40. | |
70210, or YES to 70220, which would mean you give | :16:41. | :16:43. | |
And you would know that you played a part in making real change | :16:44. | :16:49. | |
We are now at the end of our epic quest to locate | :16:50. | :16:54. | |
But there's still time to return to Coldplay's epic Game of | :16:55. | :16:58. | |
Thrones musical to see if the cast mates could pull off one of the most | :16:59. | :17:02. | |
ambitious and foolish musical projects ever undertaken. | :17:03. | :17:04. | |
You're still thinking about your Antiques | :17:05. | :17:05. | |
# I wanna take you into that cave and kiss you, baby, down there | :17:06. | :17:57. | |
# Wildling it before, yeah! | :17:58. | :18:14. | |
Really good, really, really, really good. | :18:15. | :18:27. | |
Just one tiny thing, on the -lings, just be careful, going a | :18:28. | :18:30. | |
# If there's one thing Theon might have taught you | :18:31. | :18:42. | |
# You will be tortured | :18:43. | :18:52. | |
# Old ones are healed as new songs are revealed | :18:53. | :18:56. | |
# A little more mean A little more mean | :18:57. | :19:03. | |
# Ever seen, ever seen, ever seen, ever seen... | :19:04. | :19:13. | |
OK, so, Red Wedding, we're all passionate about this one, | :19:14. | :19:16. | |
# You don't mess around with Walder Frey | :19:17. | :19:25. | |
# You don't mess around with Walder Frey? | :19:26. | :19:33. | |
Every style in the musical canon is captured in one day of blazing | :19:34. | :19:36. | |
# If you're here for the wedding of Robby Stark | :19:37. | :19:45. | |
# Keep the car running, there''s no need to park | :19:46. | :19:47. | |
# He's not going to make it, through the night | :19:48. | :19:50. | |
# Keep that wedding cake in the fridge | :19:51. | :19:52. | |
# He didn't pay me back for using the bridge | :19:53. | :19:54. | |
# I'm afraid this wedding won't be white | :19:55. | :19:56. | |
# Red wedding, red wedding Lots of stabbing and a bit of beheading | :19:57. | :20:02. | |
# Red wedding, dead wedding are here to stay | :20:03. | :20:08. | |
# A head, shredding, bloodshed wedding | :20:09. | :20:10. | |
# There will be no wedding bedding, hey | :20:11. | :20:14. | |
# You don't mess around with Walder Frey! | :20:15. | :20:18. | |
News of the success of the workshop spreads like | :20:19. | :20:25. | |
Do you know what, I've never been prouder to be in anything. | :20:26. | :20:32. | |
I always knew it was going to be a triumph. | :20:33. | :20:35. | |
George R R Martin meets Chris Martin, what could go wrong? | :20:36. | :20:38. | |
# Call me Daenerys Targaryen when you wanna reach me | :20:39. | :20:46. | |
# And if you feel the love then you can call me Khaleesi | :20:47. | :20:49. | |
# Got so many names I'm Queen of the Andals | :20:50. | :20:51. | |
# I know it's like the musical, but I can also hear it like, | :20:52. | :21:03. | |
I can hear it on the radio, I can hear it everywhere. | :21:04. | :21:06. | |
Raw emotion pours out from every corner of the globe. | :21:07. | :21:14. | |
# I was his uncle I was also his dad | :21:15. | :21:27. | |
VOICEOVER: It's the first romantic ballad about incest | :21:28. | :21:29. | |
# Around the world my heart had to roam | :21:30. | :21:36. | |
# With a branch of our own a little closer to home | :21:37. | :21:55. | |
VOICEOVER: The greatest rock opera of all time is | :21:56. | :21:58. | |
# Remember Ned Stark, he was a lot of fun | :21:59. | :22:14. | |
# But he didn't make it past Season One | :22:15. | :22:20. | |
# Not me, not me, not me just ain't that long | :22:21. | :22:27. | |
Everything's coming together, everyone's on | :22:28. | :22:38. | |
board, we just need George R R Martin's permission and then we're | :22:39. | :22:41. | |
And Chris was right, George R R Martin did | :22:42. | :22:48. | |
Little bit of this, little bit of that, changed | :22:49. | :22:55. | |
# Bum, bum, bum bappa dippi dum other brilliant ideas. | :22:56. | :23:00. | |
LIAM NEESON: That's not bad, actually. | :23:01. | :23:10. | |
What a guy that Chris Martin is, though I'm a | :23:11. | :23:19. | |
little bit disappointed that he wasn't tarred, feathered and | :23:20. | :23:22. | |
That's usually what happens, isn't it? | :23:23. | :23:26. | |
Jonathan, why are we back at the bar? | :23:27. | :23:29. | |
I'm glad you asked, we're here for a very good reason. | :23:30. | :23:32. | |
It's the moment everyone's been waiting for. | :23:33. | :23:33. | |
It's our top three in our I Can't Believe Comic Relief Put | :23:34. | :23:36. | |
# At first I was afraid, I was petrified... | :23:37. | :23:48. | |
At three, it's Craig Revel Horwood without his paddle, | :23:49. | :23:51. | |
#...how you did me wrong with the words to I Will Survive. | :23:52. | :24:00. | |
# But I grew strong and I learned how to get along | :24:01. | :24:02. | |
# I'm not that chained-up little person | :24:03. | :24:07. | |
# With that sad look upon your face... | :24:08. | :24:10. | |
I heard the end of Len Goodman's leaving do | :24:11. | :24:13. | |
# Clean your teeth with your feet on a bus or two. | :24:14. | :24:19. | |
At number two, Right Said Fred with Stick It Out. | :24:20. | :24:25. | |
# Take a sprout for a walk, make a sand igloo | :24:26. | :24:27. | |
# And you can't fail to see, stick it out so they can feel it #. | :24:28. | :24:35. | |
# Old Macdonald had a farm, E-I-E-I-O... | :24:36. | :24:42. | |
And topping the chart to be named the number one | :24:43. | :24:45. | |
I Can't Believe Comic Relief Put That on TV | :24:46. | :24:47. | |
Phil Collins's star-studded version of Old Macdonald. | :24:48. | :24:51. | |
# Old Macdonald had a farm, E-I-E-I-O | :24:52. | :24:53. | |
# Old Macdonald had a farm, E-I-E-I-O | :24:54. | :24:59. | |
# E-I-E-I-O cow | :25:00. | :25:05. | |
Apparently, Collins is going back on tour. | :25:06. | :25:27. | |
He's got a really long tour bus so he can fit all the cows on it. | :25:28. | :25:32. | |
Well, we hope you've enjoyed this Festival of fantastic beats | :25:33. | :25:34. | |
But no celebration of Red Nose Day would be | :25:35. | :25:40. | |
complete without a final contribution from Britain's | :25:41. | :25:42. | |
Who brought us the phenomenon that was Amarillo back in 2005. | :25:43. | :25:50. | |
Interestingly, despite not even being the official | :25:51. | :25:51. | |
it spent seven weeks at number one and raised over ?1.5 million. | :25:52. | :26:03. | |
Enjoy it again and thanks for watching. | :26:04. | :26:04. | |
# With Marie, who's waiting for me there | :26:05. | :26:13. | |
# Ain't as half as pretty as where my baby's at | :26:14. | :26:27. | |
# Dreaming dreams of Amarillo been hugging my pillow | :26:28. | :26:38. | |
# Hear the song of joy that it's singing | :26:39. | :27:04. | |
# For the sweet Maria and the guy who's coming to see her | :27:05. | :27:10. | |
# Just beyond the highway there's an open plain | :27:11. | :27:17. | |
# And it keeps me going through the wind and rain | :27:18. | :27:24. | |
# Dreaming dreams of Amarillo been hugging my pillow | :27:25. | :27:35. | |
Animals - must we really stop eating them now | :27:36. | :28:53. |