Browse content similar to Is There Honey Still for Tea?. Check below for episodes and series from the same categories and more!
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# Who do you think you are kidding Mr Hitler | 0:00:02 | 0:00:07 | |
# If you think we're on the run? | 0:00:07 | 0:00:11 | |
# We are the boys who will stop your little game | 0:00:12 | 0:00:17 | |
# We are the boys who will make you think again | 0:00:17 | 0:00:22 | |
# 'Cos who do you think you are kidding, Mr Hitler | 0:00:22 | 0:00:26 | |
# If you think old England's done? | 0:00:26 | 0:00:31 | |
# Mr Brown goes off to town on the 8.21 | 0:00:31 | 0:00:36 | |
# But he comes home each evening and he's ready with his gun | 0:00:36 | 0:00:41 | |
# So who do you think you are kidding, Mr Hitler | 0:00:41 | 0:00:46 | |
# If you think old England's done? # | 0:00:46 | 0:00:51 | |
PEN NIB SCRATCHES | 0:00:56 | 0:00:59 | |
Aren't you feeling very well? | 0:01:12 | 0:01:14 | |
What? I... I've got a slight headache. | 0:01:14 | 0:01:18 | |
SCRATCHING AGAIN | 0:01:20 | 0:01:23 | |
Frank, do you really have to make all that noise? | 0:01:23 | 0:01:28 | |
I've to do the ledgers. You know Mainwaring is fussy. | 0:01:28 | 0:01:32 | |
Yes, but couldn't you do it more quietly? | 0:01:32 | 0:01:36 | |
Use another nib or something. | 0:01:39 | 0:01:41 | |
It's the only nib I've got. | 0:01:41 | 0:01:44 | |
They're difficult to get. There's a war on! | 0:01:44 | 0:01:48 | |
Yes! Yes! | 0:01:48 | 0:01:49 | |
Your headache is your fault. You go home after I've gone to bed and you return for breakfast before I'm up. | 0:01:49 | 0:01:59 | |
I come to eat. Your mother gets my ration. | 0:01:59 | 0:02:02 | |
But I never hear you leave or hear you come back in the morning. | 0:02:02 | 0:02:08 | |
Yes, well I... You see, I let myself in and out very quietly. | 0:02:08 | 0:02:12 | |
You never do anything else quietly. | 0:02:12 | 0:02:16 | |
Frank, would you please stop! Just stop it will you. Stop. Stop. | 0:02:16 | 0:02:21 | |
Do you know your trouble, Uncle Arthur? You don't get enough sleep. | 0:02:22 | 0:02:27 | |
Tonight I'm going to make sure you leave our house before I go to bed. SLAMS LEDGER SHUT | 0:02:27 | 0:02:35 | |
-Morning, Wilson. Pike. -Good morning, sir. | 0:02:40 | 0:02:43 | |
-What's that, sir? -A new door for my office. | 0:02:43 | 0:02:47 | |
-How lovely. -Do you realise, Wilson, | 0:02:47 | 0:02:51 | |
it's 3 months since the bank was bombed. I don't know how often I've applied for a new door. Red tape! | 0:02:51 | 0:02:58 | |
Get down, Pike. Pike, get down. Get down. | 0:02:58 | 0:03:02 | |
-Have you got my name-plate? -Yes, it's here. | 0:03:02 | 0:03:06 | |
-Ah, look at this, Wilson. -Mmm? | 0:03:06 | 0:03:09 | |
-My name in glittering gold letters. -Oh! | 0:03:09 | 0:03:12 | |
Can't wait to put it in its place on the door. | 0:03:12 | 0:03:17 | |
Well, it is rather a plain door. | 0:03:17 | 0:03:19 | |
-Mmm? -Oh that isn't the actual door. | 0:03:19 | 0:03:22 | |
-Oh. -The door's inside. | 0:03:22 | 0:03:25 | |
-They probably put that case on to protect the panelling. -Oh, I see, yes, Mmm! | 0:03:25 | 0:03:32 | |
I mean they wouldn't give me, Manager of the bank, a plywood one. Do use your intelligence, Wilson. | 0:03:32 | 0:03:39 | |
-Take the paper off. -Paper? This is the door. | 0:03:41 | 0:03:45 | |
-But it's made of paper? -Tar paper to be exact. Standard issue replacement in bombed offices. | 0:03:48 | 0:03:56 | |
-I can't screw my name-plate onto a paper door. -You could stick it on. | 0:03:59 | 0:04:04 | |
That's enough, boy. Be quiet. Get back to the counter. | 0:04:04 | 0:04:08 | |
This is monstrous. I'll complain. | 0:04:08 | 0:04:11 | |
-Don't go on at me. Do you want it up or not? -Oh very well, yes. -Right. | 0:04:11 | 0:04:17 | |
How can I interview clients behind that door? | 0:04:17 | 0:04:21 | |
-They use paper doors in Japan. -What's that got to do with it? -I've really no idea. | 0:04:21 | 0:04:28 | |
-How can anybody knock on it? -You could say, "Don't knock, cough." | 0:04:28 | 0:04:34 | |
I'm not having people coughing and spluttering outside my door. | 0:04:34 | 0:04:39 | |
Just a minute. | 0:04:39 | 0:04:42 | |
-It's got holes in it. What are these holes? -Don't worry about that. I'll fix that. | 0:04:42 | 0:04:50 | |
Got any stamp paper? Sure, hang on. | 0:04:50 | 0:04:52 | |
Here. Ta. | 0:04:52 | 0:04:54 | |
There we are, good as new, eh? | 0:05:02 | 0:05:05 | |
I can't have white spots on the door. | 0:05:05 | 0:05:08 | |
You're a fussy little fellow! | 0:05:08 | 0:05:11 | |
That suit? | 0:05:21 | 0:05:23 | |
-Come in the office, Wilson. -Right. | 0:05:25 | 0:05:27 | |
-I must speak to those cleaners. -Yes. | 0:05:27 | 0:05:31 | |
-Mr Mainwaring, the Colonel's outside. -Tell him I shan't be long. -Yes, sir. | 0:05:31 | 0:05:37 | |
-On the subject of tidiness, you need a hair cut. -I never get around to it. | 0:05:37 | 0:05:44 | |
I know you think you look like Anthony Eden, but you're my Clerk | 0:05:44 | 0:05:49 | |
-and my Sergeant. -Heavens, look. -What? | 0:05:49 | 0:05:53 | |
Look at it. | 0:05:53 | 0:05:55 | |
Morning. | 0:05:55 | 0:05:57 | |
-You set fire to my door. -Excuse me. | 0:05:57 | 0:06:01 | |
Make way. | 0:06:01 | 0:06:04 | |
Well done. | 0:06:09 | 0:06:11 | |
Very quick thinking, young man. Thank you, sir. | 0:06:11 | 0:06:16 | |
-And the hole? -Stick paper over it. | 0:06:16 | 0:06:18 | |
-Shall I get the stamp book? -Get out, boy! | 0:06:18 | 0:06:22 | |
Come and sit down, Colonel. | 0:06:22 | 0:06:25 | |
Sorry to barge in, but I've got some bad news. | 0:06:25 | 0:06:30 | |
It's about Godfrey. | 0:06:30 | 0:06:32 | |
About Godfrey? I hope you're not going to say he can't stay in the platoon. | 0:06:34 | 0:06:40 | |
He's getting on but he's a father figure for the younger ones to lean on. | 0:06:40 | 0:06:47 | |
-As long as they don't lean heavily! -I mean emotionally. | 0:06:47 | 0:06:52 | |
Oh no, when the bullets start flying Godfrey won't throw himself in a funk hole. | 0:06:52 | 0:06:59 | |
Well not quickly... with his rheumatics. | 0:06:59 | 0:07:03 | |
-No, it's nothing to do with being in the Home Guard. He lives at Cherry Tree Cottage, doesn't he? -Yes. | 0:07:03 | 0:07:10 | |
It's a lovely old place. A cottage with a thatched roof, a white fence and roses growing in the garden. | 0:07:10 | 0:07:18 | |
It's like a picture off a chocolate box. | 0:07:18 | 0:07:22 | |
Whenever I pass I have to stop and say, | 0:07:22 | 0:07:26 | |
"That's it, that's what we're fighting for." | 0:07:26 | 0:07:30 | |
-I couldn't have put it better. -Well it's got to come down. | 0:07:30 | 0:07:36 | |
Come down? | 0:07:36 | 0:07:38 | |
A new aerodrome's being built there. | 0:07:38 | 0:07:42 | |
Well, can nothing be done about it? | 0:07:42 | 0:07:45 | |
It's vital for the war effort. He'll get compensation. | 0:07:45 | 0:07:49 | |
I thought you'd better tell him then the official notice isn't a shock. | 0:07:49 | 0:07:55 | |
I won't take up any more of your time. | 0:07:55 | 0:07:58 | |
Cheerio. | 0:07:59 | 0:08:01 | |
Goodbye, sir. | 0:08:01 | 0:08:04 | |
What are we going to do about Godfrey? | 0:08:04 | 0:08:08 | |
Yes, poor old thing. He's been there with his sisters for donkey's years. | 0:08:08 | 0:08:14 | |
I know. | 0:08:14 | 0:08:17 | |
I can't possibly tell him. | 0:08:17 | 0:08:19 | |
We'll get Frazer and Jones over here. Pike... PIKE ! | 0:08:19 | 0:08:24 | |
Coming. | 0:08:24 | 0:08:25 | |
Mr Mainwaring... | 0:08:29 | 0:08:31 | |
I can't get in... Hang on, had an idea. | 0:08:33 | 0:08:38 | |
-How dare you put your arm through my door? -The handle had come off. | 0:08:40 | 0:08:44 | |
-You've torn it. -It's not my fault if they give a rotten door! | 0:08:44 | 0:08:49 | |
Don't use that tone of voice to me! | 0:08:49 | 0:08:52 | |
Go and get Mr Jones and Mr Frazer over here. | 0:08:52 | 0:08:56 | |
-Yes, sir. -Right. | 0:08:56 | 0:08:59 | |
Look at that door. It's only been up a few minutes and it's ruined. | 0:09:06 | 0:09:12 | |
Mr Jones is here with his takings. | 0:09:12 | 0:09:14 | |
-Ask him to come in then go for Frazer. -Yes, sir. | 0:09:14 | 0:09:19 | |
I wish we could help Godfrey. I feel very deeply about this. | 0:09:20 | 0:09:24 | |
Lend him some money to buy a new cottage. | 0:09:24 | 0:09:29 | |
Ah... Well, I don't want my personal feelings to get mixed up with my position in the bank. | 0:09:29 | 0:09:38 | |
-Good morning, Mr Mainwaring. You want to see me? -Just a moment. I'll help you in. | 0:09:38 | 0:09:45 | |
Sir. | 0:09:45 | 0:09:47 | |
Oh...! Cheap rubbish, the handle's come off. | 0:09:49 | 0:09:53 | |
-I'll put my shoulder to it. -No, it's made... | 0:09:53 | 0:09:57 | |
Well, there's the position in a nutshell. | 0:10:09 | 0:10:13 | |
Godfrey's cottage has to come down and I've been asked to tell him. | 0:10:13 | 0:10:19 | |
Mmm... At his age the shock could very easily kill him. | 0:10:19 | 0:10:24 | |
And you'll be responsible. You were saying, Mr Mainwaring, YOU'LL be responsible! | 0:10:25 | 0:10:32 | |
Yes, alright, alright, alright! | 0:10:32 | 0:10:35 | |
-Why don't we move his cottage? -Move it? | 0:10:35 | 0:10:40 | |
Yeah. We could take it to bits and put it up somewhere else. We'd just have to number the bricks. | 0:10:40 | 0:10:47 | |
The roof's covered with thatch. You couldnae number that. | 0:10:47 | 0:10:51 | |
We could cut it into slices and roll it up. | 0:10:51 | 0:10:55 | |
-We couldn't do it on a windy day, of course. -No, no. I think you're getting into fantasy again, Jones. | 0:10:55 | 0:11:03 | |
He's not. In that film, "Ghost Goes West", Robert Donat and Jean Arthur, | 0:11:03 | 0:11:09 | |
they took a castle from Scotland to California. | 0:11:09 | 0:11:13 | |
-PHONE RINGS -See who it is, Wilson. | 0:11:13 | 0:11:16 | |
I saw that film. | 0:11:16 | 0:11:19 | |
Rubbish! | 0:11:20 | 0:11:22 | |
Their kilts hung too far below their Sassenach knees. | 0:11:22 | 0:11:28 | |
Yes, Martin's Bank, yes... What? | 0:11:28 | 0:11:30 | |
Oh, Raymond, yes. Just a minute. | 0:11:30 | 0:11:33 | |
Excuse me, sir. Jonesey, your boy Raymond says would you hurry up as the offal queue is impatient. | 0:11:33 | 0:11:41 | |
-Tell him I won't be long. -He won't be long | 0:11:41 | 0:11:45 | |
Could we get on. Jones, Frazer... | 0:11:45 | 0:11:48 | |
Alright, I'll tell him... Goodbye. | 0:11:48 | 0:11:51 | |
Excuse me again. Jonesey, your boy says Frazer's boy, Heathcliffe, | 0:11:51 | 0:11:57 | |
said to move the queue from the front of Frazer's shop. | 0:11:57 | 0:12:02 | |
-Is this true, Mr Frazer? -Aye! | 0:12:06 | 0:12:09 | |
I told him to get them shifted. | 0:12:09 | 0:12:12 | |
How dare you interfere with my offal queue? | 0:12:12 | 0:12:16 | |
They've no right to queue in front of my shop. | 0:12:16 | 0:12:20 | |
I don't want old women gaping in my window, arguing about their points. | 0:12:20 | 0:12:25 | |
Look, my queue doesn't want to look in your window. You've only got an old urn and a bit of velvet in it. | 0:12:25 | 0:12:33 | |
Ha! My window's better than yours! | 0:12:33 | 0:12:36 | |
All it's got in it is a couple of plaster pigs with comic expressions on their faces. | 0:12:36 | 0:12:43 | |
It's not my fault I can't get meat. | 0:12:43 | 0:12:46 | |
I know we're all busy, but give me two minutes of your attention! | 0:12:46 | 0:12:51 | |
The Colonel has asked me to tell Godfrey and I think, that is we think, Sergeant Wilson and I, | 0:12:51 | 0:12:59 | |
that perhaps you, Jones, or you, Frazer, might be better telling him. You are his contemporaries. | 0:12:59 | 0:13:07 | |
-You mean you're trying to wriggle out of it. -That's not fair. | 0:13:07 | 0:13:12 | |
I'll have you know that he is our Commanding Officer and a gentleman! | 0:13:12 | 0:13:18 | |
And futhermore... Just a minute, | 0:13:18 | 0:13:20 | |
them pigs haven't got comic expressions. | 0:13:20 | 0:13:24 | |
They've got happy, laughing faces. | 0:13:24 | 0:13:27 | |
-FRAZER MUTTERS -Please, be quiet, both of you. | 0:13:27 | 0:13:32 | |
It's no good, Wilson, you and I will have to go up to Godfrey's cottage tomorrow and tell him. | 0:13:32 | 0:13:39 | |
-And you, Pike. -Yes, sir. -We must grasp the nettle. | 0:13:39 | 0:13:44 | |
His garden hasn't got any nettles. He's proud of it. | 0:13:44 | 0:13:49 | |
# Follow the white line all the way | 0:13:49 | 0:13:53 | |
# Leading from the Rose and Crown... # | 0:13:53 | 0:13:57 | |
-We've got to pick exactly the right time to tell Godfrey. -How will we know when the right time is? | 0:13:57 | 0:14:05 | |
In that film, "Dangerous Moonlight", | 0:14:05 | 0:14:07 | |
Anton Walbrook had to tell his girl he was leaving so he played the piano to keep her mind off it. | 0:14:07 | 0:14:15 | |
Uncle Arthur could do that. He plays so well. | 0:14:15 | 0:14:20 | |
Oh look, sir, what lovely flowers. | 0:14:26 | 0:14:29 | |
Ah, Mr Mainwaring, Mr Wilson, Frank. | 0:14:29 | 0:14:33 | |
Hello. Mr Mainwaring's got something to say. | 0:14:33 | 0:14:38 | |
We just thought we'd drop in and say hello. | 0:14:38 | 0:14:41 | |
How nice. You're just in time for tea. Dolly, Cissy, look who's come to tea. | 0:14:41 | 0:14:48 | |
-Isn't that nice, Cissy? It's Mr Mainwaring and his friends. -Oooh! | 0:14:48 | 0:14:52 | |
-We must get some more chairs, Dolly. -Yes, more chairs. | 0:14:52 | 0:14:56 | |
-What were you going to tell me? -I... I've never seen such lovely roses. | 0:14:56 | 0:15:02 | |
They are lovely. This bush was planted by my father 50 years ago. | 0:15:02 | 0:15:08 | |
-Really. -Tell him quickly and then we'll go. -He's asked us to tea! | 0:15:08 | 0:15:13 | |
Look at that, perfect picture, isn't it! I often say to my sisters, it doesn't matter what Hitler does, | 0:15:13 | 0:15:22 | |
this cottage with its garden will always be here. It's what we're fighting for. | 0:15:22 | 0:15:29 | |
Mr Mainwaring, are you going to tell him now or during tea? | 0:15:29 | 0:15:34 | |
-HE CLEARS THROAT -During tea. | 0:15:34 | 0:15:37 | |
-Will you sit here, Mr Wilson? -Oh, thank you so much. | 0:15:39 | 0:15:44 | |
Ah, how pretty the table looks. | 0:15:44 | 0:15:46 | |
-Mr Mainwaring, shall I sit next to Mr Godfrey in case he faints when you tell him? -Be quiet, boy. | 0:15:49 | 0:15:57 | |
I hope you like this tea. It's made from water from our well. It gives it a special taste. | 0:15:57 | 0:16:03 | |
Tuck in, Frank. Thanks, Mr Godfrey. | 0:16:03 | 0:16:06 | |
-Bread, Mr Mainwaring? -No thank you. | 0:16:06 | 0:16:09 | |
-You must have one of my upside-down cakes, Mr Mainwaring. -Very well. | 0:16:09 | 0:16:15 | |
This bread and raspberry jam looks absolutely delicious. | 0:16:15 | 0:16:20 | |
I baked it in our old brick oven. It's what gives it the crusty taste. | 0:16:20 | 0:16:25 | |
And I make the jam from our own raspberries. | 0:16:25 | 0:16:29 | |
We're almost self-sufficient here. We have everything we need. | 0:16:29 | 0:16:34 | |
-Mr Mainwaring, during tea! Are you going to tell him now? -After tea! | 0:16:34 | 0:16:41 | |
MUSIC: An English Country Garden. | 0:16:43 | 0:16:47 | |
The sun brings out the colour on that wall. | 0:16:58 | 0:17:01 | |
The whole place has a sense of permanence. We often say this cottage stands for England. | 0:17:01 | 0:17:08 | |
Mr Mainwaring, it's after tea. You've got to tell him now. | 0:17:08 | 0:17:13 | |
You're right, Pike. | 0:17:13 | 0:17:16 | |
The point is, Godfrey, that, um... | 0:17:16 | 0:17:19 | |
-Wilson has something to say. -Me? | 0:17:19 | 0:17:22 | |
-I can't. -Get on with it. It's an order. | 0:17:22 | 0:17:26 | |
-Yes, Mr Wilson? -Well, em... Could I have another upside-down cake? | 0:17:26 | 0:17:32 | |
Thank you so much. | 0:17:34 | 0:17:37 | |
-You've got no guts, Wilson. -It wasn't my fault, sir. | 0:17:37 | 0:17:42 | |
I made it simple for you and all you did was ask for another cake. | 0:17:42 | 0:17:47 | |
-I wanted another cake. -PIKE PRETENDS TO FIRE | 0:17:47 | 0:17:51 | |
Cut that out, you stupid boy. | 0:17:51 | 0:17:54 | |
Mr Mainwaring was complimentary to me. He asked my advice. | 0:18:02 | 0:18:06 | |
He went to tell Mr Godfrey on Saturday, but as his sisters were there | 0:18:06 | 0:18:13 | |
he thought the shock would be too much for him. I agree, we should tell him alone. | 0:18:13 | 0:18:20 | |
We? | 0:18:20 | 0:18:23 | |
-Pardon? -When WE tell him? -Yes. | 0:18:23 | 0:18:27 | |
He was grateful for my advice. He's giving us a couple of moments then sending Godfrey out. | 0:18:27 | 0:18:34 | |
Man, oh man! Can't you see he has left you and me holding the baby? | 0:18:34 | 0:18:40 | |
That's not fair. It's because you and I are the most senior members of the platoon. | 0:18:40 | 0:18:47 | |
It'd be more tactful for us to tell him. | 0:18:47 | 0:18:51 | |
You will back me up, won't you? | 0:18:51 | 0:18:53 | |
Aagh, alright. I'll manoeuvre the conversation round it for you. | 0:18:53 | 0:18:58 | |
That's right, you do that... Hello, Mr Godfrey. | 0:18:58 | 0:19:02 | |
Mr Mainwaring said you might like a cup of tea so I brought one out. | 0:19:02 | 0:19:08 | |
That's nice. Would you put it on the seat? | 0:19:08 | 0:19:12 | |
We've got to get this done quickly so start manoeuvering the conversation round. | 0:19:12 | 0:19:19 | |
Godfrey, son. | 0:19:19 | 0:19:22 | |
Jones here's got some bad news for you. | 0:19:22 | 0:19:26 | |
Well, how was that, eh? | 0:19:26 | 0:19:29 | |
Well, my turn to patrol down to the end of the promenade. | 0:19:29 | 0:19:34 | |
-'Ere, don't leave me, Jock. -Man, the war comes first. | 0:19:34 | 0:19:38 | |
Don't you want tea? When I get back. Bye. | 0:19:38 | 0:19:43 | |
What's the bad news, Mr Jones? | 0:19:44 | 0:19:47 | |
Oh, well, we'll talk about that later. | 0:19:47 | 0:19:51 | |
-Let's sit down and have a nice cup of tea, shall we? -Here. -Yes. | 0:19:51 | 0:19:56 | |
Thank you. | 0:19:56 | 0:19:58 | |
Oh, well, the cup that cheers, eh? | 0:19:59 | 0:20:02 | |
Now look here, Godfrey, in times like these we are fighting for our lives, for our very existence even, | 0:20:03 | 0:20:11 | |
and we have to make sacrifices. | 0:20:11 | 0:20:14 | |
Even Mr Mainwaring has to make sacrifices and a fine man he is! | 0:20:14 | 0:20:20 | |
I'd put my right hand in the fire for him. | 0:20:20 | 0:20:24 | |
When I say fire I don't mean a real fire. | 0:20:24 | 0:20:28 | |
It wouldn't help him if I went round putting my hand in real fires, would it...? No! | 0:20:28 | 0:20:35 | |
I mean I'm talking... I'm talking meta, metaphor, metaphorisically. | 0:20:35 | 0:20:41 | |
What was I saying, I've lost the thread? | 0:20:41 | 0:20:44 | |
About the sacrifice he's making. | 0:20:44 | 0:20:48 | |
And so he is. He got a paper door! | 0:20:48 | 0:20:50 | |
Imagine a man of his status sitting in an office with a paper door. | 0:20:50 | 0:20:57 | |
And what's worse, I tore it. | 0:20:57 | 0:21:00 | |
It's the same with houses. If a government man came to me and said in a nonchalant manner, | 0:21:00 | 0:21:08 | |
"I've got to knock your house down for the war effort", I'd let him. | 0:21:08 | 0:21:14 | |
Oh dear, I'm so sorry. So they're going to knock yours down as well? | 0:21:14 | 0:21:19 | |
Yes. No. Not mine... You said, "as well"? | 0:21:19 | 0:21:23 | |
-As well as my place. -You know then? | 0:21:23 | 0:21:27 | |
Since yesterday. I meant to tell Mr Mainwaring, but I didn't want to upset him. | 0:21:27 | 0:21:34 | |
Mr Godfrey, what will you do? | 0:21:36 | 0:21:39 | |
We'll manage. My sisters will stay with friends and we'll store the furniture. | 0:21:39 | 0:21:45 | |
-And you? -Oh, I'll find a room somewhere. | 0:21:45 | 0:21:50 | |
You'll do no such thing. You'll stay with me. | 0:21:50 | 0:21:54 | |
I couldn't do that. | 0:21:54 | 0:21:56 | |
I'll be glad of your company. | 0:21:56 | 0:21:59 | |
We'll get on wonderfully well. | 0:21:59 | 0:22:02 | |
After parade we can go home for a stout. | 0:22:02 | 0:22:06 | |
-I'm afraid I don't care for it. -Don't you? | 0:22:06 | 0:22:11 | |
-You could have something else. Anyway we could have cheese on toast. -It gives me indigestion. | 0:22:11 | 0:22:19 | |
We could listen to the wireless. You do like that, don't you? | 0:22:19 | 0:22:24 | |
-Oh yes, I do. -We could listen to the Forces Programme, have a laugh. | 0:22:24 | 0:22:30 | |
Ha, ha, ha. I like the Forces Programme. | 0:22:30 | 0:22:34 | |
I always listen to the Home Service. | 0:22:34 | 0:22:38 | |
Well we could listen to that. | 0:22:38 | 0:22:40 | |
We'll be alright, you'll see! | 0:22:41 | 0:22:44 | |
D... R... | 0:22:44 | 0:22:49 | |
..U | 0:22:49 | 0:22:51 | |
Hello, hello, operator, aye. I want a trunk call to London, if you please. Aye, London. | 0:22:55 | 0:23:04 | |
TELEPHONE RINGS | 0:23:06 | 0:23:09 | |
Hello? Hello, is that Sir Charles? Yes. | 0:23:20 | 0:23:26 | |
THE Sir Charles Renfrew McAllister? | 0:23:26 | 0:23:29 | |
Speaking My names's Frazer, | 0:23:29 | 0:23:33 | |
James Frazer. | 0:23:33 | 0:23:36 | |
Why ring in the middle of the night? | 0:23:36 | 0:23:39 | |
Hah! It's quiet and peaceful. | 0:23:39 | 0:23:42 | |
And it's cheaper! Well what do you want? | 0:23:42 | 0:23:46 | |
The aerodrome at Walmington, are you the minister in charge of building? | 0:23:46 | 0:23:51 | |
If you're after a building contract there's nothing doing! | 0:23:51 | 0:23:56 | |
No, it's not that. Well, what do you want then? | 0:23:56 | 0:24:00 | |
I just wanted to shift the aerodrome a wee bit. | 0:24:00 | 0:24:05 | |
Are you out of your mind? | 0:24:07 | 0:24:09 | |
Sir Charles, I was reading in the papers the other day about your recent knighthood | 0:24:09 | 0:24:16 | |
and it said that you come from a very fine, old Scottish family | 0:24:16 | 0:24:21 | |
that can trace their origins way back to Robert The Bruce. | 0:24:21 | 0:24:26 | |
Have you woken me to discuss my ancestors? | 0:24:26 | 0:24:30 | |
No. | 0:24:30 | 0:24:32 | |
I woke you up to ask you this, | 0:24:32 | 0:24:35 | |
could you possibly be the laddie with the same name whose father kept the Fish and Chip shop in Barra? | 0:24:36 | 0:24:45 | |
Who was expelled from school for cheating? | 0:24:45 | 0:24:49 | |
Who got that bonny wee thing Maisie MacIntosh into trouble? | 0:24:49 | 0:24:55 | |
And who the baker sacked for getting his fingers caught in the till? | 0:24:55 | 0:25:01 | |
That wouldnae be you, would it? | 0:25:05 | 0:25:07 | |
Certainly not. | 0:25:07 | 0:25:09 | |
That's all right then. In that case you won't mind me giving the story | 0:25:09 | 0:25:15 | |
to a certain society magazine, will ye? | 0:25:15 | 0:25:19 | |
Good! It just so happens that I've got their phone number right here in front of me, | 0:25:19 | 0:25:26 | |
Charlie-boy! | 0:25:26 | 0:25:29 | |
Look at poor Mr Godfrey and his sisters. I don't half feel sorry. | 0:25:34 | 0:25:39 | |
The war can be very cruel you know, Pikey. | 0:25:39 | 0:25:43 | |
Well, sir, we've nearly finished loading. | 0:25:45 | 0:25:48 | |
Thank you, Wilson. This is a sad day. | 0:25:48 | 0:25:53 | |
I wrote to the minister in charge of the building, but I didn't get a reply. | 0:25:53 | 0:25:58 | |
We're in the hands of bureaucrats, faceless men. | 0:25:58 | 0:26:03 | |
No more, you'll break the back axle. | 0:26:06 | 0:26:09 | |
Mr Mainwaring told me to. And I say no, you soppy boy. | 0:26:09 | 0:26:15 | |
Don't call me soppy. | 0:26:15 | 0:26:17 | |
I'm gonna have a word with Mainwaring about you. | 0:26:17 | 0:26:22 | |
My van's full and I want my money! | 0:26:22 | 0:26:27 | |
-The arrangement was you'd get £2 when the job was finished. -I want it now. | 0:26:27 | 0:26:33 | |
-Shoot him! You're entitled to. -Be quiet, Pike. | 0:26:33 | 0:26:37 | |
Hold on! | 0:26:41 | 0:26:43 | |
-Hold on! -What is it, Frazer? | 0:26:43 | 0:26:46 | |
This is Mr Blackwell from the Town Hall. They're moving the aerodrome. | 0:26:46 | 0:26:51 | |
So Mr Godfrey won't have to leave his home! | 0:26:51 | 0:26:55 | |
-This is good news! -I can listen to the Forces Programme! I'm going to tell him. | 0:26:55 | 0:27:02 | |
They're moving the aerodrome 200 yards. | 0:27:02 | 0:27:05 | |
-The cottage won't be in the middle? -Just on the edge! | 0:27:05 | 0:27:10 | |
Right, unload the van, men. | 0:27:10 | 0:27:13 | |
-'Ere, what about my two quid? -The job has not been done! | 0:27:13 | 0:27:18 | |
You chiseller. I WANT my two quid! | 0:27:18 | 0:27:21 | |
-Do you mind not raising your voice? -I want MY MONEY! -Come away, Wilson. | 0:27:21 | 0:27:27 | |
Nice, isn't it, sir! | 0:27:32 | 0:27:35 | |
Different to the last time we had tea with you when Mainwaring tried to tell you the news! | 0:27:35 | 0:27:42 | |
It must have been my letter to the minister that did it. | 0:27:42 | 0:27:47 | |
-No doubt about it. -What was his name? | 0:27:47 | 0:27:50 | |
Sir Charles Renfrew McAllister. They say he can trace his ancestors back to Robert The Bruce. | 0:27:50 | 0:27:58 | |
I'm very grateful, Mr Mainwaring. Our peaceful world could have ended. | 0:27:58 | 0:28:04 | |
ROAR OF AEROPLANES | 0:28:04 | 0:28:06 |