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Hello and welcome to Debatable, where today, | 0:00:11 | 0:00:14 | |
one player must answer a series of tricky questions to try to | 0:00:14 | 0:00:17 | |
walk away with a jackpot of over £3,000. | 0:00:17 | 0:00:20 | |
But, as always, they're not on their own. | 0:00:20 | 0:00:23 | |
They will have a panel of well known faces debating their way to | 0:00:23 | 0:00:25 | |
the answers. Will they be all talk and no action, however? | 0:00:25 | 0:00:29 | |
As always, that's debatable. So, let's meet them. | 0:00:29 | 0:00:32 | |
Chin-wagging their way to the answers today, | 0:00:32 | 0:00:34 | |
we have writer and journalist Grace Dent, we have broadcaster | 0:00:34 | 0:00:38 | |
Dan Walker, and former royal correspondent Jennie Bond. | 0:00:38 | 0:00:41 | |
CHEERS AND APPLAUSE | 0:00:41 | 0:00:44 | |
Hello. Hello. Good afternoon. | 0:00:44 | 0:00:47 | |
It's a very finely balanced panel, I have to say, Dan. | 0:00:47 | 0:00:50 | |
-You're taking charge today. -That's a big responsibility, Patrick. | 0:00:50 | 0:00:54 | |
-I'm slightly concerned about this. -It is! | 0:00:54 | 0:00:56 | |
-But you've got the knowledge to back it up. -Occasionally. | 0:00:56 | 0:00:59 | |
Stop building it up. | 0:00:59 | 0:01:00 | |
Stop it! | 0:01:00 | 0:01:02 | |
So, what are you hoping for? What's the strengths and weaknesses? | 0:01:02 | 0:01:06 | |
-Well, obviously, you know, Jennie knows everything. -Oh, gosh! | 0:01:06 | 0:01:09 | |
Jennie does know a lot. She really does. | 0:01:09 | 0:01:11 | |
-There's a lot of knowledge in there. Grace... -What am I? | 0:01:11 | 0:01:14 | |
-I'm just getting to you, Grace. -Come on, get to me. -Hang on. She's started already. | 0:01:14 | 0:01:18 | |
-"Hey! What am I? Chopped liver?" -No, deep and powerful insight. | 0:01:18 | 0:01:21 | |
As a columnist, I know a little bit about a lot of things. | 0:01:21 | 0:01:25 | |
And I shall be sort of threading that knowledge together and | 0:01:25 | 0:01:29 | |
funnelling it towards money. | 0:01:29 | 0:01:32 | |
He's diplomatic, Grace, if nothing else. LAUGHTER | 0:01:32 | 0:01:36 | |
I have to say. That is the panel. Let's meet today's contestant. | 0:01:36 | 0:01:39 | |
It is Shabs from Chigwell. APPLAUSE | 0:01:39 | 0:01:41 | |
-Shabs, welcome to the show. -Thank you very much. -Congratulations. | 0:01:41 | 0:01:45 | |
You are the only contestant we've had on this series that is | 0:01:45 | 0:01:47 | |
actually dressed smarter than the host. | 0:01:47 | 0:01:50 | |
I don't know what to say! | 0:01:50 | 0:01:51 | |
So, tell us a little bit about yourself, Shabs. | 0:01:51 | 0:01:54 | |
I have two jobs. I work in finance during the week and I'm | 0:01:54 | 0:01:57 | |
a toastmaster at the weekends. | 0:01:57 | 0:01:59 | |
So, which one do you enjoy most? | 0:01:59 | 0:02:01 | |
-Well, if my boss is watching, then I enjoy my finance job. -Yes. | 0:02:01 | 0:02:04 | |
But I do really, really enjoy being a toastmaster at the weekends, cos you get to meet | 0:02:04 | 0:02:08 | |
-so many different people, you get to go to so many different events. -And what does a toastmaster do? | 0:02:08 | 0:02:13 | |
So do you have to wear the full outfit, all that stuff? | 0:02:13 | 0:02:15 | |
You dress like a tomato from head to toe. | 0:02:15 | 0:02:17 | |
-Yes. -As you can see, I'm a very tall guy, so it's sweeping the floor. | 0:02:17 | 0:02:21 | |
You just host events, you introduce acts, | 0:02:21 | 0:02:24 | |
you host weddings and you just bring everything together, really. | 0:02:24 | 0:02:27 | |
So, what do you make of today's panel? | 0:02:27 | 0:02:29 | |
I'm actually quite comforted cos it's quite diverse and I'm | 0:02:29 | 0:02:32 | |
feeling very confident because of these guys, not because of me. | 0:02:32 | 0:02:35 | |
-You're a diplomat, aren't you? -I learned from the best, Paddy. -You're a diplomat. Very good. | 0:02:35 | 0:02:39 | |
OK, well, look, you're going to have to pay close attention to | 0:02:39 | 0:02:42 | |
them because you can only choose one to play the Final Debate. | 0:02:42 | 0:02:46 | |
-Let's go. -All set? -All set. -OK, best of luck, Shabs. | 0:02:46 | 0:02:49 | |
Let's play Round One. | 0:02:49 | 0:02:51 | |
Round One is multiple choice. Four possible answers. | 0:02:53 | 0:02:56 | |
Four questions in this round. A possible £800 up for grabs. | 0:02:56 | 0:03:00 | |
£200 for each correct answer. Let's go. | 0:03:00 | 0:03:02 | |
Is that a knowing smile or an "I don't know anything" smile? | 0:03:20 | 0:03:24 | |
That's a wait and see smile, Paddy. | 0:03:24 | 0:03:27 | |
A wait and see smile, with a little wink. | 0:03:27 | 0:03:30 | |
Which means - we may know this. Let's see if our panel do. | 0:03:30 | 0:03:33 | |
Your debate starts now. | 0:03:33 | 0:03:35 | |
-OK. -I think Mrs Brown's Boys is actually fairly recent. | 0:03:35 | 0:03:39 | |
Because it's been the one that's cleaned up at Christmas for | 0:03:39 | 0:03:43 | |
about three years. | 0:03:43 | 0:03:45 | |
Miranda is also fairly recent because it started as | 0:03:45 | 0:03:48 | |
a radio show and then went to a TV show. There's only two things... | 0:03:48 | 0:03:51 | |
It's either Gavin & Stacey or The Inbetweeners. | 0:03:51 | 0:03:54 | |
-The Inbetweeners has had time to make two Hollywood movies. -Yeah. | 0:03:54 | 0:03:57 | |
Gavin & Stacey, when you watch the original series now, | 0:03:57 | 0:04:00 | |
it does feel like it has been around for an awful long time. | 0:04:00 | 0:04:03 | |
-It feels like it's been around for a long time. -Yeah. | 0:04:03 | 0:04:05 | |
-How old was I? -Hang on a minute. -I interviewed Ruth. | 0:04:05 | 0:04:09 | |
That was before my last husband... | 0:04:09 | 0:04:12 | |
LAUGHTER | 0:04:12 | 0:04:14 | |
-I remember... -I didn't realise we had Elizabeth Taylor on the panel. | 0:04:14 | 0:04:19 | |
I remember interviewing James Corden in 2009... | 0:04:19 | 0:04:22 | |
-And this was when he first made the breakthrough... -..in 2009. | 0:04:22 | 0:04:25 | |
-..from when he was in the Fat Club thingy on ITV with Ruth Jones. -Yeah. | 0:04:25 | 0:04:29 | |
That's right. | 0:04:29 | 0:04:30 | |
So I think Gavin & Stacey had been around for a while cos he was | 0:04:30 | 0:04:33 | |
well known and we did it at Upton Park, where West Ham used to play. | 0:04:33 | 0:04:36 | |
-OK. -And that was 2009. Cos I'd just started on Football Focus and | 0:04:36 | 0:04:39 | |
he was one of the first interviews, celebrity football fans, we did. | 0:04:39 | 0:04:42 | |
-So 2009. -So he'd been around for a few years... | 0:04:42 | 0:04:44 | |
Gavin & Stacey, I think, had been around for a few years before that. | 0:04:44 | 0:04:47 | |
-Before 2009? -Yeah. -They all seem... -Those boys in The Inbetweeners, | 0:04:47 | 0:04:50 | |
they were kids in that and now they're adults. | 0:04:50 | 0:04:52 | |
From what you're saying, though, | 0:04:52 | 0:04:54 | |
I would say maybe The Inbetweeners is the earliest. | 0:04:54 | 0:04:57 | |
Come on, you make the final decision. | 0:04:57 | 0:04:59 | |
I know I'm sitting in the middle, | 0:04:59 | 0:05:01 | |
but with your televisual knowledge, which one are we going to go for? | 0:05:01 | 0:05:04 | |
-Let's go for Gavin & Stacey. -OK. -Gavin & Stacey? | 0:05:04 | 0:05:07 | |
Jennie Bond is unsure. Grace has got her hands on her head. | 0:05:07 | 0:05:10 | |
-But we are going to go for Gavin & Stacey. -So invested in this! | 0:05:10 | 0:05:13 | |
We think. | 0:05:13 | 0:05:16 | |
-So... -That was terrible! | 0:05:16 | 0:05:20 | |
From that timeline, they are going for Gavin & Stacey. | 0:05:20 | 0:05:24 | |
My initial reaction was The Inbetweeners. | 0:05:24 | 0:05:26 | |
But... | 0:05:26 | 0:05:28 | |
-DAN: -Oh, no! | 0:05:28 | 0:05:30 | |
Having heard what Dan said, I think I'm going to go with the panel. | 0:05:30 | 0:05:35 | |
-OK, you're going with the panel and you're saying...? -Gavin & Stacey. | 0:05:35 | 0:05:39 | |
Was Gavin & Stacey broadcast first, for £200? | 0:05:39 | 0:05:43 | |
APPLAUSE | 0:05:49 | 0:05:50 | |
-Well done! -Yes! | 0:05:50 | 0:05:53 | |
Shabs, I'm exhausted! | 0:05:54 | 0:05:57 | |
Can I go home? | 0:05:57 | 0:05:59 | |
-You're staying, Grace! -That was fantastic. -Well done, guys. | 0:05:59 | 0:06:02 | |
Very well done. Gavin & Stacey began on BBC Three in 2007. | 0:06:02 | 0:06:07 | |
The Inbetweeners began on E4 in 2008, | 0:06:07 | 0:06:11 | |
with the episode First Day. | 0:06:11 | 0:06:12 | |
Miranda began on BBC Two in 2009. | 0:06:12 | 0:06:16 | |
And Mrs Brown's Boys began on BBC One in 2011. | 0:06:16 | 0:06:21 | |
First episode was called The Mammy. | 0:06:21 | 0:06:23 | |
Well done, panel. | 0:06:23 | 0:06:24 | |
Well done, Shabs. You're up and running. £200. | 0:06:24 | 0:06:28 | |
APPLAUSE | 0:06:28 | 0:06:30 | |
OK, here comes your next question. | 0:06:30 | 0:06:32 | |
I have no idea at all. | 0:07:01 | 0:07:03 | |
Don't worry. Don't worry. | 0:07:03 | 0:07:06 | |
I'm sure our panel can quickly sort this out for you, Shabs. | 0:07:06 | 0:07:09 | |
Panel, your debate starts now. | 0:07:09 | 0:07:12 | |
I think we can confidently say, we also have no idea. | 0:07:12 | 0:07:15 | |
But let's try and work it out. | 0:07:15 | 0:07:17 | |
Which one of those do you think is the most likely? | 0:07:17 | 0:07:20 | |
Anything goes in America now, doesn't it? | 0:07:20 | 0:07:22 | |
-You couldn't make it up. -My gut instinct is that the top two... | 0:07:22 | 0:07:28 | |
-Yeah. -..are almost too silly. | 0:07:28 | 0:07:32 | |
So, there is an attack by a sentient computer - is that not more | 0:07:32 | 0:07:37 | |
or less the millennium bug? | 0:07:37 | 0:07:39 | |
Wouldn't they already have something prepared for what was going | 0:07:39 | 0:07:42 | |
to happen at the millennium, | 0:07:42 | 0:07:43 | |
when suddenly sentient computers might suddenly take over the Earth? | 0:07:43 | 0:07:47 | |
So wouldn't they have that in the bag, maybe? | 0:07:47 | 0:07:49 | |
-There's a difference, isn't there, between...? -Sentient. | 0:07:49 | 0:07:52 | |
A bug over the millennium and a sentient computer that | 0:07:52 | 0:07:55 | |
-actually can decide what it's doing. -But maybe that's just terminology. | 0:07:55 | 0:07:58 | |
-Legal terminology. -What do we understand by sentient computer? | 0:07:58 | 0:08:01 | |
A computer that is sort of aware of what it's doing and can make | 0:08:01 | 0:08:03 | |
-conscious decisions, I would imagine. -OK. | 0:08:03 | 0:08:05 | |
-And they exist already? Do they? -I have... -I don't know. | 0:08:05 | 0:08:08 | |
I don't know. Probably, somewhere deep underground, in an | 0:08:08 | 0:08:11 | |
-underground bunker. -I think that's the one they'd go for. Probably. | 0:08:11 | 0:08:14 | |
My gut would be that they may have an extra-terrestrial invasion | 0:08:14 | 0:08:19 | |
-one as well because they are very, very into that idea. -Exactly. | 0:08:19 | 0:08:25 | |
-I agree on that. -They take that a lot more seriously | 0:08:25 | 0:08:27 | |
in America than, say, we do here. | 0:08:27 | 0:08:30 | |
And yet, I know you sort of dismissed the zombie pandemic | 0:08:30 | 0:08:33 | |
-thing, but... -I don't want to think that the US Government have | 0:08:33 | 0:08:37 | |
a plan if corpses can come back to life and try to feast on brains. | 0:08:37 | 0:08:43 | |
You make a very strong point. An extra-terrestrial thing, | 0:08:43 | 0:08:47 | |
you can imagine people sitting round a table and thinking - what are we | 0:08:47 | 0:08:50 | |
going to do when the guys with green heads come and point guns at us? | 0:08:50 | 0:08:54 | |
Or whatever happens. How do we deal with that? Where do we go? | 0:08:54 | 0:08:57 | |
Where do we take the President? Where do we take the First Lady? | 0:08:57 | 0:09:00 | |
Yeah. I'm going to go with you and I'm | 0:09:00 | 0:09:03 | |
-completely... -Extra-terrestrials. -I'm with you. I'm with you. -OK. | 0:09:03 | 0:09:06 | |
We are going to go with the most likely being | 0:09:06 | 0:09:09 | |
an extra-terrestrial invasion. | 0:09:09 | 0:09:12 | |
So, Shabs, we now know that our panel don't have | 0:09:13 | 0:09:17 | |
a clue about this either. LAUGHTER | 0:09:17 | 0:09:21 | |
Anything in there to fire anything for you? | 0:09:21 | 0:09:24 | |
You know, what the panel have selected, | 0:09:24 | 0:09:26 | |
an extra-terrestrial invasion, can, in the US minds, it can happen. | 0:09:26 | 0:09:30 | |
You know, it's a possibility. | 0:09:30 | 0:09:32 | |
An attack by a sentient computer is probably more of a realistic answer. | 0:09:32 | 0:09:37 | |
-So? -So, I've confused myself even more. | 0:09:37 | 0:09:41 | |
Go for the zombies! | 0:09:41 | 0:09:43 | |
-SHABS: -OK, let's go for an attack | 0:09:43 | 0:09:46 | |
-by sentient computers, please. -OK. | 0:09:46 | 0:09:49 | |
You've gone against the panel, | 0:09:49 | 0:09:51 | |
who believe that it's an extra-terrestrial invasion. | 0:09:51 | 0:09:55 | |
For £200, the correct answer is... | 0:09:55 | 0:09:59 | |
..a zombie pandemic. | 0:10:05 | 0:10:07 | |
No! | 0:10:07 | 0:10:08 | |
I said go for the zombies! | 0:10:08 | 0:10:11 | |
-No! -I'm so sorry! | 0:10:11 | 0:10:13 | |
-No way! -You could not make it up! -I kid you not! | 0:10:13 | 0:10:17 | |
-The page is called zombie preparedness. -Wow! | 0:10:17 | 0:10:21 | |
It appears that it is less than 100% serious. The website states, | 0:10:21 | 0:10:27 | |
"As it turns out, what first began as a tongue-in-cheek campaign to | 0:10:27 | 0:10:30 | |
"engage new audiences in preparedness messages, | 0:10:30 | 0:10:33 | |
"it has proven to be a very effective platform." | 0:10:33 | 0:10:36 | |
-And so they decided to keep it. -There you go. | 0:10:36 | 0:10:39 | |
Here comes your next question. | 0:10:39 | 0:10:41 | |
Jennie...! LAUGHTER | 0:10:46 | 0:10:48 | |
I think, and Jennie's probably going to tell | 0:11:05 | 0:11:08 | |
me off about this if I get this wrong, | 0:11:08 | 0:11:11 | |
-but I think it's Anne, Princess Royal. -OK, you think it's Anne. | 0:11:11 | 0:11:15 | |
I think. | 0:11:15 | 0:11:16 | |
Well, look, it doesn't really matter what you think because, | 0:11:16 | 0:11:19 | |
I mean, the panel will clearly sort this out very, very quickly. | 0:11:19 | 0:11:22 | |
-Panel, your debate starts now. -I might be in the central area here, | 0:11:22 | 0:11:25 | |
but I think we should get the Bond involved! | 0:11:25 | 0:11:27 | |
Completely. | 0:11:27 | 0:11:29 | |
-Well, um, we all know that Diana married very young. -Was she 20? | 0:11:29 | 0:11:34 | |
-19, 20? -She was 19. | 0:11:34 | 0:11:36 | |
Yeah, 19, just going on 20, is what my memory of it is. | 0:11:36 | 0:11:40 | |
Birthday's end of July and she married at the beginning of July? | 0:11:40 | 0:11:44 | |
And I think it was 19, going on 20, or is it 20, going on...? | 0:11:44 | 0:11:47 | |
I think it was 19, going on 20. | 0:11:47 | 0:11:49 | |
I think she was 19 because I think that it's an age which feels | 0:11:49 | 0:11:52 | |
-very young now. -Yeah. | 0:11:52 | 0:11:54 | |
Yeah, and I do remember at the time when the Duchess... | 0:11:54 | 0:11:56 | |
You know, we had all that pomp and ceremony when | 0:11:56 | 0:11:59 | |
the Duchess of Cambridge got married. | 0:11:59 | 0:12:01 | |
I remember them saying she was quite old for a royal bride. | 0:12:01 | 0:12:04 | |
-She went through university. -They had lived together for ten years. | 0:12:04 | 0:12:08 | |
She was, like, 29. 29 or something, was she? | 0:12:08 | 0:12:10 | |
About 27, 28, something like that. | 0:12:10 | 0:12:12 | |
-Definitely not the Duchess of Cambridge. -OK. | 0:12:12 | 0:12:14 | |
So, let's discount that one. We're down to three. | 0:12:14 | 0:12:16 | |
I have no idea how old the Queen... | 0:12:16 | 0:12:19 | |
She was married before she was crowned, wasn't she? | 0:12:19 | 0:12:22 | |
-Yes, she was married in 1947, on November 20th. -OK. | 0:12:22 | 0:12:26 | |
Shabs, you could not have a better person on the panel here, | 0:12:26 | 0:12:29 | |
-by the way. -She was born in April 1926, | 0:12:29 | 0:12:32 | |
so she was 21 and a half when she got married. | 0:12:32 | 0:12:36 | |
OK, so older than Princess Diana. | 0:12:36 | 0:12:38 | |
-So it's down to Anne or Diana. -Yeah. | 0:12:38 | 0:12:41 | |
-Well, Anne, I'm pretty sure she was 22 or 23 when she got married. -OK. | 0:12:41 | 0:12:46 | |
Anne. Duchess of Cambridge, we know, was older. | 0:12:46 | 0:12:48 | |
Diana was 19, I think, going on 20, possibly 20, 21. I think 19. | 0:12:48 | 0:12:53 | |
-I think 19. -Yeah. | 0:12:53 | 0:12:54 | |
19. So Anne, 22-23, and Elizabeth, 21 and a half. | 0:12:54 | 0:12:59 | |
-Never doubt the royal correspondent. -And if it's wrong, I'm leaving. | 0:12:59 | 0:13:03 | |
-You do the rest of the show on your own. -You're retiring. | 0:13:03 | 0:13:05 | |
Forever. OK, this is big. Shabs, this is big pressure. | 0:13:05 | 0:13:09 | |
We are fully in Team Bond and we think you can confidently say | 0:13:09 | 0:13:12 | |
the answer is Princess Diana. | 0:13:12 | 0:13:14 | |
No pressure on Jennie here(!) They are going for Princess Diana. | 0:13:16 | 0:13:20 | |
Given the faith I have in my panel, | 0:13:20 | 0:13:23 | |
and the confidence that I have in Jennie, I'll go with Princess Diana. | 0:13:23 | 0:13:26 | |
OK, you're going with the panel. For £200, did she marry youngest? | 0:13:28 | 0:13:33 | |
She did. APPLAUSE | 0:13:39 | 0:13:42 | |
Very well done. | 0:13:42 | 0:13:43 | |
-Very well played. -I'm glad I listened. -Very well played. | 0:13:43 | 0:13:46 | |
Princess Anne was 23 years old whenever she married her | 0:13:46 | 0:13:49 | |
first husband, Captain Mark Phillips. | 0:13:49 | 0:13:51 | |
Princess Diana was 20 when she got married. Charles was 32. | 0:13:51 | 0:13:56 | |
Queen Elizabeth II was 21 when she got married. | 0:13:56 | 0:13:59 | |
The Duchess of Cambridge was 29 when she got married. | 0:13:59 | 0:14:02 | |
Very well played, panel. | 0:14:02 | 0:14:04 | |
Very well done, Shabs. Another £200 into your prize pot. | 0:14:04 | 0:14:07 | |
You're up to £400. | 0:14:07 | 0:14:09 | |
APPLAUSE | 0:14:09 | 0:14:11 | |
OK, here comes the final question in this round. | 0:14:11 | 0:14:14 | |
-I will probably go for fish scales. -Any particular reason? | 0:14:33 | 0:14:38 | |
Because I'm hoping I've never tasted carmine that | 0:14:38 | 0:14:41 | |
-has the other stuff in it. -OK. | 0:14:41 | 0:14:43 | |
Based on the fact that you're hoping that it doesn't taste of the | 0:14:43 | 0:14:46 | |
other three, I mean, it's as good a reasoning as any. | 0:14:46 | 0:14:49 | |
Panel, can you bring anything to this? | 0:14:49 | 0:14:51 | |
-Your debate starts now. -Food critic...? | 0:14:51 | 0:14:53 | |
I remember my brother dyeing his hair red in the '70s cos | 0:14:56 | 0:15:01 | |
he was a punk and he dyed it with red food colouring | 0:15:01 | 0:15:06 | |
that you would use to put icing on a cake. | 0:15:06 | 0:15:10 | |
I seem to remember there being | 0:15:10 | 0:15:12 | |
some huge argument that red food colouring is made | 0:15:12 | 0:15:15 | |
from crushed ants, or insects. Is it not cochineal? | 0:15:15 | 0:15:21 | |
-Yes. -Is cochineal... -Beetles, I think, isn't it? | 0:15:21 | 0:15:25 | |
..not insects? | 0:15:25 | 0:15:26 | |
And does cochineal... I don't know what | 0:15:26 | 0:15:28 | |
carmine is, I've never heard that word, | 0:15:28 | 0:15:30 | |
but I seem to remember red beetles, insects, food colouring. | 0:15:30 | 0:15:35 | |
My reasoning is very different to food dye. | 0:15:35 | 0:15:37 | |
-Go on. -On Saturday kitchen, | 0:15:37 | 0:15:39 | |
-I'm sure I remember James Martin making somebody's food hell. -Yes. | 0:15:39 | 0:15:45 | |
They made it red and the reason it was their food hell is because they | 0:15:45 | 0:15:48 | |
hate insects and insects was used in the dye to make the food colouring. | 0:15:48 | 0:15:51 | |
-Yes. -Right. Insects are quite nice, actually. | 0:15:51 | 0:15:55 | |
I've eaten quite a few in the jungle, this and that, you know? | 0:15:55 | 0:15:57 | |
Maggots and stick insects. That was particularly delicious. | 0:15:57 | 0:16:00 | |
-Any red ones? -No, no. | 0:16:00 | 0:16:02 | |
All very crunchy, but I certainly, instinctively, went straight | 0:16:02 | 0:16:05 | |
-for insects because I think it is a kind of beetle. -Yeah. | 0:16:05 | 0:16:09 | |
It's revolting really, but... | 0:16:09 | 0:16:10 | |
So for three different reasons, we all think it's insects. | 0:16:10 | 0:16:13 | |
-It's not going to be animal droppings, is it? -No. | 0:16:13 | 0:16:15 | |
We've got the triple triangle of power here. | 0:16:15 | 0:16:17 | |
We have got hair dye, | 0:16:17 | 0:16:19 | |
we've got beetle knowledge and we've got Saturday Kitchen. | 0:16:19 | 0:16:22 | |
With those three, Shabs, coming together, you cannot go wrong. | 0:16:22 | 0:16:25 | |
It is, we can say with some degree of confidence, insects. | 0:16:25 | 0:16:28 | |
They think it's insects. | 0:16:29 | 0:16:32 | |
I think it's sufficient to say, | 0:16:32 | 0:16:35 | |
that based on what the panel have said, I will go with insects. | 0:16:35 | 0:16:39 | |
You're going with the panel. Is carmine made from insects, for £200? | 0:16:40 | 0:16:47 | |
-Yes! -It's the correct answer! | 0:16:53 | 0:16:55 | |
Very well done. Well played. | 0:16:55 | 0:16:58 | |
Carmine is used in pork sausages, in pies, | 0:16:58 | 0:17:01 | |
in dried fish and shrimp, sweets, pills, jams, | 0:17:01 | 0:17:05 | |
lipstick and rouge and, Grace, it is also used in hair dye. | 0:17:05 | 0:17:09 | |
-Thank your brother. Thank your brother. -Yeah. | 0:17:09 | 0:17:12 | |
Very good all-round knowledge. Well done, Shabs. | 0:17:12 | 0:17:14 | |
-It means at the end of Round One, you are up to £600. -Thank you. | 0:17:14 | 0:17:19 | |
Let's see how they cope with pictures. | 0:17:21 | 0:17:23 | |
It's time for Round Two. APPLAUSE | 0:17:23 | 0:17:26 | |
OK, Shabs, Round Two is our picture round. | 0:17:28 | 0:17:30 | |
We need you to put three pictures in the correct order. | 0:17:30 | 0:17:33 | |
Three questions in this round, £300 for each correct answer, | 0:17:33 | 0:17:36 | |
a possible 900 up for grabs. Here comes your first one. | 0:17:36 | 0:17:41 | |
I'm going to pass this over to the panel, Paddy. | 0:18:01 | 0:18:03 | |
Is that because you know this, Shabs, | 0:18:03 | 0:18:05 | |
or is this because you've no tennis knowledge whatsoever? | 0:18:05 | 0:18:08 | |
I have no tennis knowledge whatsoever! | 0:18:08 | 0:18:10 | |
OK, panel, let's see if we can sort this out for Shabs. | 0:18:10 | 0:18:13 | |
Your debate starts now. | 0:18:13 | 0:18:14 | |
OK. You love your tennis, don't you? | 0:18:14 | 0:18:16 | |
I absolutely love tennis, addicted to it, listen to it, | 0:18:16 | 0:18:18 | |
watch it whenever I can. | 0:18:18 | 0:18:20 | |
And I think this is going to be very close between the three of them. | 0:18:20 | 0:18:24 | |
-Grace? -Oh, absolutely in doubt. | 0:18:24 | 0:18:27 | |
I have not as much knowledge as you two on this. | 0:18:27 | 0:18:30 | |
The only thing I know is that how gorgeous Bjorn Borg was | 0:18:30 | 0:18:33 | |
during the '70s, to me. | 0:18:33 | 0:18:35 | |
I mean, if I was to put them in order of attractiveness, | 0:18:35 | 0:18:38 | |
I would be completely useful to you. | 0:18:38 | 0:18:40 | |
Well, I tell you what, I think you put them in order of | 0:18:40 | 0:18:43 | |
attractiveness and I'll tell you whether... | 0:18:43 | 0:18:44 | |
-I've interviewed all three of these. -All right. -For various reasons. | 0:18:44 | 0:18:47 | |
I need to think about it. Bjorn, then John, then Jimmy. | 0:18:47 | 0:18:49 | |
OK, so the most attractive there. | 0:18:49 | 0:18:51 | |
And that... But I think, bizarrely, that that is actually the right | 0:18:51 | 0:18:55 | |
order for the answer, because, right, | 0:18:55 | 0:18:58 | |
I think, I went to the launch of his | 0:18:58 | 0:19:01 | |
-pant range. -Yeah. -To interview him, not because I liked the pants. | 0:19:01 | 0:19:05 | |
And there was a big banner | 0:19:05 | 0:19:06 | |
-that said, "Five-time Wimbledon champion." -OK. | 0:19:06 | 0:19:09 | |
I distinctly remember it, so I think he's won it five times. | 0:19:09 | 0:19:12 | |
He should've won it a lot more than he did. | 0:19:12 | 0:19:14 | |
I think McEnroe, either four or three. | 0:19:14 | 0:19:16 | |
I think three, but definitely not five, and Connors, I think, won two. | 0:19:16 | 0:19:20 | |
-OK. -You're so confident. | 0:19:20 | 0:19:21 | |
I'm quietly confident that we're going to put them in the | 0:19:21 | 0:19:24 | |
order that Grace finds them the most attractive. There we go. | 0:19:24 | 0:19:28 | |
Connors, McEnroe, Borg is the answer, we believe. | 0:19:28 | 0:19:32 | |
OK. So we've basically played Snog, Marry, Avoid. | 0:19:33 | 0:19:37 | |
They're going for Jimmy Connors with the fewest, | 0:19:37 | 0:19:40 | |
then John McEnroe, then Bjorn Borg. | 0:19:40 | 0:19:43 | |
I think I'm going to go with the panel. | 0:19:43 | 0:19:44 | |
-OK. You've pretty much no tennis knowledge yourself. -Whatsoever. | 0:19:46 | 0:19:50 | |
-So you're going with the panel. -I'm going with the panel. | 0:19:50 | 0:19:52 | |
For £300, starting with the fewest titles, going up to the most. | 0:19:52 | 0:19:56 | |
Is that the correct order? | 0:19:57 | 0:20:00 | |
Yes! | 0:20:04 | 0:20:05 | |
High five it. It's that time in the quiz show. There you go. | 0:20:08 | 0:20:12 | |
Very well played. | 0:20:12 | 0:20:14 | |
And, I mean, purely based on attractiveness, Grace, | 0:20:14 | 0:20:17 | |
you managed to sort this out. | 0:20:17 | 0:20:19 | |
Connors won two in 1974 and 1982, you were right about that. | 0:20:19 | 0:20:24 | |
-McEnroe has three wins. -OK. -'81, '83, '84. | 0:20:24 | 0:20:28 | |
And Borg won five in a row from '76 through to 1980 inclusive. | 0:20:28 | 0:20:33 | |
Very well done, panel. | 0:20:33 | 0:20:35 | |
£300 into your prize pot, Shabs, you're now up to £900. | 0:20:35 | 0:20:39 | |
APPLAUSE | 0:20:39 | 0:20:41 | |
Let's have a look at your second picture question. | 0:20:41 | 0:20:44 | |
Classic literature, Shabs. Your first thought would be? | 0:21:06 | 0:21:09 | |
Our Mutual Friend... | 0:21:09 | 0:21:10 | |
-..Jane Eyre, and Frankenstein. -OK, hold that thought. | 0:21:12 | 0:21:16 | |
Panel, can we bring anything to this? Your debate starts now. | 0:21:16 | 0:21:20 | |
-How embarrassing. -Yes, I feel devoid of...all knowledge. | 0:21:20 | 0:21:25 | |
-No, I think that Shabs was actually right. -What did Shabs say? | 0:21:25 | 0:21:29 | |
I think Shabs said... So there was Charles Dickens... | 0:21:29 | 0:21:31 | |
Would be the earliest. | 0:21:31 | 0:21:32 | |
-I think that we all have a hunch he's the earliest. -OK. | 0:21:32 | 0:21:36 | |
Charles Dickens, was that not 18th century? | 0:21:36 | 0:21:40 | |
19th century? | 0:21:40 | 0:21:43 | |
-I would say 1800s, maybe. -I've been to his house in Portsmouth. | 0:21:43 | 0:21:47 | |
Oh, that's a big help. What did you learn? | 0:21:47 | 0:21:49 | |
-I dressed up like Charles Dickens. -Right. | 0:21:49 | 0:21:51 | |
I've got a degree in English literature. This is so embarrassing. | 0:21:51 | 0:21:54 | |
-I wore a hat. I did wear a hat. -To me that's first. -OK. | 0:21:54 | 0:22:00 | |
And then I'm pretty sure that's kind of turn of the century. | 0:22:00 | 0:22:03 | |
And what about Jane Eyre? | 0:22:03 | 0:22:05 | |
Maybe, I've just watched Sally Wainwright's To Walk... | 0:22:05 | 0:22:11 | |
The whole drama about that | 0:22:11 | 0:22:13 | |
and now I can't remember when that was published. | 0:22:13 | 0:22:17 | |
And I'm also thinking about the fact that... | 0:22:17 | 0:22:19 | |
..Mary Shelley published that under her real name, | 0:22:21 | 0:22:25 | |
whereas Charlotte Bronte couldn't, because she was a woman, | 0:22:25 | 0:22:28 | |
so it had to be under the name of Currer Bell, so... | 0:22:28 | 0:22:32 | |
I think that. | 0:22:32 | 0:22:34 | |
Does that make... Am I making... Am I sounding logical? | 0:22:34 | 0:22:37 | |
-Listen, you've clearly got the knowledge there. -Right. | 0:22:37 | 0:22:39 | |
-We're going in this order. -We're going to go, in order, | 0:22:39 | 0:22:42 | |
we're going to go with Mr Dickens as the earliest, | 0:22:42 | 0:22:46 | |
Jane Eyre by Charlotte Bronte in the middle, | 0:22:46 | 0:22:49 | |
and Mary Shelley's Frankenstein at the end. | 0:22:49 | 0:22:52 | |
Any of that convincing? Panel actually agreeing with you on this. | 0:22:54 | 0:22:58 | |
That's a first. | 0:22:58 | 0:23:00 | |
Based on what the panel said, very logical and I will stick | 0:23:00 | 0:23:05 | |
to my original answer and agree with the panel. | 0:23:05 | 0:23:08 | |
OK. It was your original thought. | 0:23:08 | 0:23:10 | |
You think the panel has given you enough to back that up. | 0:23:10 | 0:23:13 | |
For £300, is that the correct order? | 0:23:13 | 0:23:15 | |
-Oh! -It's the wrong order. | 0:23:20 | 0:23:24 | |
-Wow. -I'm so sorry. | 0:23:24 | 0:23:27 | |
-Let's have a look at the right order. -I feel bad. | 0:23:27 | 0:23:30 | |
Wow. | 0:23:32 | 0:23:34 | |
-Frankenstein published first. -Oh, really? | 0:23:34 | 0:23:37 | |
Then Jane Eyre and then Our Mutual Friend. | 0:23:37 | 0:23:41 | |
-Oh, dear. -Well, | 0:23:41 | 0:23:44 | |
Frankenstein was written by Mary Shelley and published in 1818. | 0:23:44 | 0:23:48 | |
-Wow! -The full title, | 0:23:48 | 0:23:51 | |
Frankenstein - Or The Modern Prometheus. Jane Eyre was written | 0:23:51 | 0:23:54 | |
under Charlotte Bronte's pseudonym, Currer Bell. | 0:23:54 | 0:23:58 | |
It was first published in 1847. | 0:23:58 | 0:24:01 | |
Our Mutual Friend was written by Charles Dickens and first | 0:24:01 | 0:24:04 | |
published in serial form, 1864-65, and in book form in 1865. | 0:24:04 | 0:24:10 | |
It was Dickens' last completed novel. | 0:24:10 | 0:24:14 | |
OK, panel, tough luck on that. Shabs, tough luck. | 0:24:14 | 0:24:17 | |
I'm afraid no money added to the price pot, | 0:24:17 | 0:24:19 | |
but still one more picture question to go in this round. | 0:24:19 | 0:24:22 | |
Here it comes. | 0:24:22 | 0:24:23 | |
-Let's see what the panel has to say. -And that means? | 0:24:40 | 0:24:45 | |
And that means I think I know what the answer is. | 0:24:45 | 0:24:48 | |
Ah! He thinks he does. | 0:24:48 | 0:24:49 | |
OK, panel, your debate starts now. | 0:24:49 | 0:24:52 | |
-OK. -I've never seen a Batman film. | 0:24:52 | 0:24:55 | |
-Excellent. -And neither have I. -Excellent. -Really? -Never seen one. | 0:24:55 | 0:24:59 | |
-Just not my bag, I'm afraid. -I have seen them all. -Have you? | 0:24:59 | 0:25:03 | |
Which did you see first? | 0:25:03 | 0:25:05 | |
-Absolutely no idea. -So they're rom-coms, right? | 0:25:05 | 0:25:08 | |
LAUGHTER | 0:25:08 | 0:25:10 | |
I've got vague... Michael Keaton had a ridiculously low voice. | 0:25:10 | 0:25:16 | |
Again, that's very unhelpful, but I remember he had a low... | 0:25:16 | 0:25:19 | |
It's a detail. | 0:25:19 | 0:25:21 | |
I've got memories of Val Kilmer doing Batman years ago. | 0:25:21 | 0:25:23 | |
My gut instinct from looking at this is it seems like an awfully | 0:25:23 | 0:25:27 | |
long time since Val Kilmer was... would be the kind of person that | 0:25:27 | 0:25:32 | |
-got one of these enormous roles. -I'm with you. | 0:25:32 | 0:25:35 | |
Again, I've seen them all, but I can't remember. | 0:25:35 | 0:25:38 | |
I think Val Kilmer, probably, I would say, the earliest. | 0:25:38 | 0:25:40 | |
Again, if Shabs has got a better idea than us, that'd be great. | 0:25:40 | 0:25:43 | |
Clooney the latest, do you think? | 0:25:43 | 0:25:45 | |
Well, again, looking at the picture... | 0:25:45 | 0:25:47 | |
-I don't remember him ever being... -He was quite funny as Batman. | 0:25:47 | 0:25:52 | |
I think, based on no knowledge, never seen a film, | 0:25:52 | 0:25:54 | |
I'd put Kilmer, Keaton and then Clooney. | 0:25:54 | 0:25:57 | |
Well, listen, last time, you put them in order of the most | 0:25:57 | 0:26:00 | |
attractive. Do you want to give that...? | 0:26:00 | 0:26:02 | |
It worked with the tennis players. | 0:26:02 | 0:26:04 | |
So we're going to go there, there and there, do we think? Do we? | 0:26:04 | 0:26:07 | |
-I don't know. -Kilmer, Keaton, Clooney? -Never seen one. | 0:26:07 | 0:26:11 | |
-What order would you do? -This. -You're happy with that? -Yeah. | 0:26:11 | 0:26:14 | |
I think together we've produced an incredible answer for you, Shabs, | 0:26:14 | 0:26:19 | |
and we're going to go with Val Kilmer first to play Batman, | 0:26:19 | 0:26:23 | |
Michael Keaton and his deep voice second to play Batman, | 0:26:23 | 0:26:27 | |
and the last fella we're going to go with is gorgeous George. | 0:26:27 | 0:26:30 | |
Dan claims they've gone for an incredible answer, | 0:26:31 | 0:26:33 | |
in the true sense of the word incredible, ie, maybe not credible. | 0:26:33 | 0:26:39 | |
Prior to the discussion, from the panel, I would've said | 0:26:39 | 0:26:42 | |
Michael, Val, then George, | 0:26:42 | 0:26:47 | |
but I am going to go with the panel's decision. | 0:26:47 | 0:26:49 | |
-You're going to go with the panel? -I'm going to go with the panel. -OK. | 0:26:49 | 0:26:54 | |
For £300, is that the correct order? | 0:26:54 | 0:26:57 | |
(I'm holding my breath.) | 0:26:59 | 0:27:01 | |
It's the wrong order! Shabs, let's have a look. | 0:27:02 | 0:27:08 | |
-The correct order... -Oh, Shabs. | 0:27:08 | 0:27:11 | |
Oh! You should've gone with your first thought. | 0:27:11 | 0:27:15 | |
Michael Keaton, then Val Kilmer, then George Clooney. | 0:27:15 | 0:27:20 | |
Michael Keaton played Batman in 1989. | 0:27:20 | 0:27:23 | |
He also played him again in 1992. | 0:27:23 | 0:27:27 | |
Then Val Kilmer played the Caped Crusader in Batman Forever | 0:27:27 | 0:27:31 | |
in 1995, and then George Clooney played him in Batman And Robin | 0:27:31 | 0:27:35 | |
-in 1997 alongside Chris O'Donnell. -A collective apology. | 0:27:35 | 0:27:40 | |
-Sorry. -There we go. | 0:27:40 | 0:27:41 | |
Nothing for that one, Shabs. | 0:27:41 | 0:27:43 | |
It means at the end of Round Two, you're on £900. | 0:27:43 | 0:27:45 | |
APPLAUSE | 0:27:45 | 0:27:48 | |
There's still £1,500 up for grabs as we play Round Three. | 0:27:50 | 0:27:54 | |
OK, Shabs, in this round you will face questions that contain three | 0:27:57 | 0:28:01 | |
statements, about a person, a place or a thing. | 0:28:01 | 0:28:03 | |
Only one of them is true. | 0:28:03 | 0:28:04 | |
We need you to find that true statement. Because it's the final | 0:28:04 | 0:28:08 | |
round, £500 up for grabs for each correct answer, a possible 1,500, | 0:28:08 | 0:28:11 | |
so plenty of chances to get your prize pot up. | 0:28:11 | 0:28:14 | |
Here comes your first question. | 0:28:14 | 0:28:16 | |
I'm going to go for a wild guess, | 0:28:37 | 0:28:39 | |
and I'm going to go for...B. | 0:28:39 | 0:28:41 | |
You think B. | 0:28:42 | 0:28:44 | |
And by looking at the blank looks on our panel's faces, | 0:28:44 | 0:28:47 | |
they may also be going for a blind guess. | 0:28:47 | 0:28:49 | |
Your debate starts now. | 0:28:49 | 0:28:51 | |
This is the purpose of this programme, isn't it? | 0:28:51 | 0:28:53 | |
We've got to try and work this one out for Shabs. | 0:28:53 | 0:28:55 | |
OK, let's go wild stab in the dark. | 0:28:55 | 0:28:57 | |
Which one would you go for, just off the top of your...noggin? | 0:28:57 | 0:28:59 | |
-I would go for B as well, 2061. -OK. Me too. | 0:28:59 | 0:29:02 | |
I would as well and I think that's because the last time | 0:29:02 | 0:29:06 | |
I heard that mentioned, | 0:29:06 | 0:29:08 | |
Halley's Comet mentioned, | 0:29:08 | 0:29:09 | |
I remember thinking I wouldn't be around. | 0:29:09 | 0:29:14 | |
Unlikely to have appeared twice, perhaps, during anyone's lifetime. | 0:29:14 | 0:29:17 | |
Yeah, unless you're ludicrously old, but then, I'm thinking about that, | 0:29:17 | 0:29:20 | |
because maybe that's... And why it's named after him, yeah. | 0:29:20 | 0:29:24 | |
-That's an awfully good point. -Because he was the first person | 0:29:24 | 0:29:27 | |
to see it and then the second time, he named it. | 0:29:27 | 0:29:29 | |
-"I've seen it twice, it's mine." -That's terribly logical. | 0:29:29 | 0:29:32 | |
Halley's Comet is in the Bayeux Tapestry, isn't it? | 0:29:32 | 0:29:36 | |
-Oh, hello. Here we go. Where has that come from? -And that's... | 0:29:36 | 0:29:40 | |
Is that not around 1066? | 0:29:40 | 0:29:43 | |
-That would mean it's not right, then. -Yeah. | 0:29:43 | 0:29:46 | |
If it is, then that was before, so that wouldn't be right. Ah-ha! | 0:29:46 | 0:29:50 | |
So we can discount for actual historical reasons rather than | 0:29:50 | 0:29:54 | |
just the fact that it's a round year. | 0:29:54 | 0:29:55 | |
It doesn't say, "It first appeared," it just says, "It appeared." | 0:29:55 | 0:29:58 | |
Oh, yeah, that's true. | 0:29:58 | 0:30:00 | |
Often, my issue is reading the question. | 0:30:00 | 0:30:02 | |
I... | 0:30:02 | 0:30:03 | |
I think that the first one seems a bit strange to me. | 0:30:03 | 0:30:07 | |
I still suggest that... | 0:30:07 | 0:30:09 | |
-I think that our gut instinct was... -Yeah, go with the gut. | 0:30:09 | 0:30:12 | |
..was B, and we... | 0:30:12 | 0:30:15 | |
-The triple triangle of power... -Once that comes, you can't... | 0:30:15 | 0:30:18 | |
And Shabs thought that, too. | 0:30:18 | 0:30:20 | |
The square of destiny. | 0:30:20 | 0:30:22 | |
LAUGHTER | 0:30:22 | 0:30:23 | |
We form... Listen, that... You've convinced me. | 0:30:23 | 0:30:25 | |
-The square of certainty. -Yes. | 0:30:25 | 0:30:29 | |
The square of certainty and destiny has spoken, Shabs. | 0:30:29 | 0:30:32 | |
And we think, along with you, that Halley's Comet | 0:30:32 | 0:30:35 | |
will appear next in 2061. | 0:30:35 | 0:30:37 | |
What do you think? | 0:30:39 | 0:30:41 | |
I'm going to go with my gut feeling. | 0:30:41 | 0:30:43 | |
And I'm going to stick to B and agree with the... What was it? | 0:30:43 | 0:30:46 | |
The square...? | 0:30:46 | 0:30:47 | |
-The square of certainty. -The square of certainty. | 0:30:47 | 0:30:50 | |
-So you're going with your gut? -Going with my gut. | 0:30:50 | 0:30:52 | |
You're going with the panel, | 0:30:52 | 0:30:54 | |
even though the panel have got the last two questions wrong? | 0:30:54 | 0:30:57 | |
-I'm going to go with B. -OK, you're going with B. | 0:30:57 | 0:30:59 | |
It is expected to appear again around 2061. | 0:31:00 | 0:31:04 | |
For £500, is that the true statement? | 0:31:05 | 0:31:08 | |
CHEERING AND APPLAUSE | 0:31:11 | 0:31:14 | |
The square...has spoken! | 0:31:14 | 0:31:16 | |
We're back! | 0:31:16 | 0:31:18 | |
-Very well played. Very well played. -We really needed that. | 0:31:20 | 0:31:23 | |
We needed that so much. | 0:31:23 | 0:31:24 | |
The comet returns roughly every 75 years. | 0:31:24 | 0:31:28 | |
It famously appeared in 1066 | 0:31:28 | 0:31:31 | |
and IS depicted in the Bayeux Tapestry. | 0:31:31 | 0:31:34 | |
Where on earth did that come from? | 0:31:34 | 0:31:36 | |
Good knowledge. | 0:31:36 | 0:31:37 | |
But wasn't seen again until 1145. | 0:31:37 | 0:31:40 | |
We're back on track, £500 into the prize pot, you are up to £1,400. | 0:31:40 | 0:31:43 | |
APPLAUSE | 0:31:43 | 0:31:45 | |
OK, here comes your next question, for £500. | 0:31:49 | 0:31:52 | |
Let's see what the panel have to say. | 0:32:18 | 0:32:20 | |
Let's see what the panel have to say about this. | 0:32:20 | 0:32:22 | |
Panel, can you remember the '90s? | 0:32:22 | 0:32:24 | |
Your debate starts now. | 0:32:24 | 0:32:26 | |
I loved Oasis. | 0:32:27 | 0:32:29 | |
I did love Oasis. | 0:32:29 | 0:32:30 | |
I had a bit of time for Blur as well. | 0:32:30 | 0:32:32 | |
Remember they had that big chart battle | 0:32:32 | 0:32:34 | |
and Blur won - Country House was number one? | 0:32:34 | 0:32:36 | |
Hang on, "Blur had more UK number one singles than them..." | 0:32:36 | 0:32:40 | |
See, that seems more feasible, | 0:32:40 | 0:32:42 | |
because Blur, I think, were just more prolific | 0:32:42 | 0:32:45 | |
and went on for longer, | 0:32:45 | 0:32:48 | |
and didn't fall out with each other. | 0:32:48 | 0:32:51 | |
-That's a good point. -Let's see - Country House, Charming Man... | 0:32:51 | 0:32:53 | |
-You could go through loads of them from Blur. -Girls... -Yeah. -Hang on. | 0:32:53 | 0:32:56 | |
The third one, unless I am being very silly, | 0:32:56 | 0:33:00 | |
I can't think of anything that's an anagram. | 0:33:00 | 0:33:02 | |
I can't. | 0:33:02 | 0:33:04 | |
I always thought, was it Cigarettes and Alcohol, they had? | 0:33:04 | 0:33:07 | |
-I don't know. That's definitely not, is it? -No. | 0:33:07 | 0:33:10 | |
They don't speak at all to each other now. | 0:33:10 | 0:33:11 | |
I'd have thought that I'd have heard | 0:33:11 | 0:33:13 | |
something about them having birthdays | 0:33:13 | 0:33:15 | |
and not speaking to each other on their birthdays. | 0:33:15 | 0:33:17 | |
-Yeah. -Yeah, that would have come up. | 0:33:17 | 0:33:19 | |
OK. All right. | 0:33:19 | 0:33:20 | |
By a method of sort of strange musical deduction, | 0:33:20 | 0:33:24 | |
I think we are going to go with Blur | 0:33:24 | 0:33:26 | |
had more UK number one singles | 0:33:26 | 0:33:28 | |
than Oasis in the 1990s. | 0:33:28 | 0:33:31 | |
We believe that to be the case. | 0:33:31 | 0:33:32 | |
OK, the panel going for A. | 0:33:35 | 0:33:37 | |
-Let's go for A. -You're going to go for A? | 0:33:37 | 0:33:39 | |
-Let's go for A. -OK. | 0:33:39 | 0:33:41 | |
Did Blur have more UK number one singles | 0:33:42 | 0:33:45 | |
than Oasis in the '90s, for £500? | 0:33:45 | 0:33:48 | |
The correct statement is... | 0:33:48 | 0:33:50 | |
GROANING | 0:33:54 | 0:33:55 | |
Oh, we couldn't do the anagram. | 0:33:55 | 0:33:56 | |
-You couldn't do the anagram. -What was it? | 0:33:56 | 0:33:59 | |
Supersonic. | 0:33:59 | 0:34:00 | |
-Supersonic? -Oh, no. -Supersonic! | 0:34:00 | 0:34:02 | |
PANEL LAUGH | 0:34:02 | 0:34:04 | |
Noel was born on 29 May, 1967, | 0:34:04 | 0:34:07 | |
Liam was born on 21 September, 1972. | 0:34:07 | 0:34:11 | |
Oasis had four UK number ones. | 0:34:11 | 0:34:14 | |
Blur, despite winning that head-to-head battle | 0:34:14 | 0:34:16 | |
with Country House, they only had two number ones... | 0:34:16 | 0:34:19 | |
-They weren't number ones. -..in the 1990s. | 0:34:19 | 0:34:22 | |
OK, guys, I'm afraid nothing for that. | 0:34:22 | 0:34:24 | |
No money there. Still £500 up for grabs. | 0:34:24 | 0:34:28 | |
Here is your final question of this round. | 0:34:28 | 0:34:30 | |
-SHABS: -One thing I can say is, I don't think B's right. | 0:34:51 | 0:34:53 | |
So let's see what these guys have to say. | 0:34:53 | 0:34:55 | |
OK, you think you can eliminate B. | 0:34:55 | 0:34:57 | |
Panel, anything on this? | 0:34:57 | 0:34:59 | |
Your debate starts now. | 0:34:59 | 0:35:00 | |
My confidence has completely gone. | 0:35:02 | 0:35:04 | |
Would...? | 0:35:04 | 0:35:05 | |
They all sound absolutely feasible. | 0:35:05 | 0:35:09 | |
OK, why would there be no W? | 0:35:09 | 0:35:10 | |
Imagine if you are... Does it feel too much like an M? | 0:35:10 | 0:35:14 | |
-But Braille isn't just a representation of... -No. | 0:35:14 | 0:35:17 | |
Is it completely different symbols? | 0:35:17 | 0:35:20 | |
I don't really know. | 0:35:20 | 0:35:22 | |
I've seen it many times. | 0:35:22 | 0:35:23 | |
-Yeah... -I'm trying to think if | 0:35:24 | 0:35:25 | |
I've seen a hand going that way or that way. | 0:35:25 | 0:35:28 | |
-You and I both did that instinctively. -Yeah, right-to-left. | 0:35:28 | 0:35:30 | |
Was it Louis Braille - was that the name of the...? | 0:35:32 | 0:35:35 | |
-I think so. -Yes, that sounds right. | 0:35:35 | 0:35:37 | |
-OK, I've got vague... -Hang on. | 0:35:37 | 0:35:39 | |
I don't want to throw anything out there that makes me look stupid. | 0:35:39 | 0:35:42 | |
-Wasn't Louis Braille...? -Was it not? | 0:35:42 | 0:35:44 | |
Did he not have sight impairment? | 0:35:44 | 0:35:46 | |
-That's what I'm thinking. -Yes. | 0:35:46 | 0:35:48 | |
-I'm thinking that Braille himself wasn't 20-20. -Yeah. | 0:35:48 | 0:35:53 | |
-I'm glad you had that same thought, cos that was in my head. -Yeah. | 0:35:53 | 0:35:57 | |
-Was he French or was he English? -I think he's French. | 0:35:57 | 0:35:59 | |
So we think he might be French. | 0:35:59 | 0:36:00 | |
So why would the French not like Ws? | 0:36:00 | 0:36:03 | |
Yeah, good point. | 0:36:03 | 0:36:05 | |
When I've seen people reading Braille, it is kind of like that. | 0:36:05 | 0:36:08 | |
But then, do they...? Is it like that? | 0:36:08 | 0:36:10 | |
Is it both ways? What do you think? | 0:36:10 | 0:36:12 | |
Why would you...? Why would you do it that way? | 0:36:12 | 0:36:14 | |
Is it because most people are right-handed, | 0:36:14 | 0:36:17 | |
so they would start there, rather than going there all the time? | 0:36:17 | 0:36:20 | |
They would start where it was more logical? | 0:36:20 | 0:36:23 | |
-I think we are less keen on the 20-20 vision, aren't we? -OK. -Yes. | 0:36:23 | 0:36:27 | |
And I think the one we all went for was right-to-left. | 0:36:27 | 0:36:31 | |
OK, from the pit of no knowledge, | 0:36:31 | 0:36:33 | |
we think the middle one - | 0:36:33 | 0:36:35 | |
Braille in English is read right-to-left | 0:36:35 | 0:36:38 | |
-is the one that you should, perhaps, go for... -Possibly. -..or avoid. | 0:36:38 | 0:36:43 | |
There is a clue in the panel's level of certainty there, | 0:36:46 | 0:36:49 | |
I think, Shabs. | 0:36:49 | 0:36:50 | |
Anything in there to fire something for you? | 0:36:50 | 0:36:53 | |
I'm going to take a risk and agree with the panel, | 0:36:53 | 0:36:55 | |
because, again, it may sound silly, but it's different. | 0:36:55 | 0:36:58 | |
So I'm going to go with B. | 0:36:58 | 0:37:00 | |
OK, you're going with the panel. | 0:37:00 | 0:37:02 | |
You think that Braille in English is read right-to-left. | 0:37:02 | 0:37:06 | |
It's the final chance to put some money | 0:37:08 | 0:37:09 | |
in the prize pot. For £500... | 0:37:09 | 0:37:11 | |
..the correct statement is... | 0:37:12 | 0:37:14 | |
AUDIENCE GASPS | 0:37:19 | 0:37:20 | |
GROANING The correct statement was C. | 0:37:20 | 0:37:23 | |
There was no W in the original system. | 0:37:23 | 0:37:27 | |
Louis Braille lost his sight in a childhood accident. | 0:37:27 | 0:37:31 | |
It was Louis Braille who invented Braille. | 0:37:31 | 0:37:33 | |
There was no W in the French language | 0:37:33 | 0:37:36 | |
when Braille came up with the code. | 0:37:36 | 0:37:38 | |
Sorry, panel. Sorry, Shabs. | 0:37:38 | 0:37:41 | |
At the end of our final round, | 0:37:41 | 0:37:43 | |
your prize pot is up to £1,400. | 0:37:43 | 0:37:45 | |
So it's still a tidy little sum. | 0:37:49 | 0:37:52 | |
One question between you and that money. | 0:37:52 | 0:37:54 | |
If you manage to win the Final Debate today, what do you think? | 0:37:54 | 0:37:57 | |
What you fancy spending that money on? | 0:37:57 | 0:37:59 | |
See, I have recently moved home. | 0:37:59 | 0:38:01 | |
And... | 0:38:01 | 0:38:03 | |
I want a new fish tank. | 0:38:03 | 0:38:04 | |
LAUGHTER OK. | 0:38:04 | 0:38:06 | |
How big would you like that fish tank to be? | 0:38:06 | 0:38:08 | |
PANEL LAUGHS | 0:38:08 | 0:38:10 | |
Think small, Shabs. Think small. | 0:38:10 | 0:38:13 | |
-DAN: -It's minimalist. Minimalist fish tank. | 0:38:13 | 0:38:16 | |
Less is more with these things. | 0:38:16 | 0:38:18 | |
There is only one question between you and that cash. | 0:38:18 | 0:38:21 | |
It is, of course, the Final Debate. | 0:38:21 | 0:38:23 | |
In the Final Debate, there are six possible answers. | 0:38:23 | 0:38:25 | |
Only three are correct. | 0:38:25 | 0:38:26 | |
We need you to get all three of those answers. | 0:38:26 | 0:38:29 | |
However, you won't be on your own, | 0:38:29 | 0:38:31 | |
because you will have one of these fine intellects | 0:38:31 | 0:38:35 | |
to help you on your quest. | 0:38:35 | 0:38:36 | |
Will you be going supersonic with Grace? | 0:38:36 | 0:38:39 | |
Will you be looking back in anger with Dan? | 0:38:39 | 0:38:41 | |
Or do you want to roll with it and choose Jennie? | 0:38:41 | 0:38:44 | |
I've made my decision. | 0:38:44 | 0:38:45 | |
And the person that I'm going with... | 0:38:47 | 0:38:49 | |
is... | 0:38:49 | 0:38:50 | |
Dan. | 0:38:50 | 0:38:51 | |
-Dan, would you please join us for the Final Debate? -Come on! | 0:38:51 | 0:38:54 | |
OK, Dan, Shabs has chosen you. He is ready to go. | 0:38:58 | 0:39:00 | |
-Come on, Shabs, we can do this. -This is the confidence we need. | 0:39:00 | 0:39:03 | |
We've had a bad sort of 60 minutes, | 0:39:03 | 0:39:05 | |
-we're going to drive through at the end here. -OK. | 0:39:05 | 0:39:07 | |
Anything you're hoping to see up there? | 0:39:07 | 0:39:09 | |
Anything you're hoping to avoid? | 0:39:09 | 0:39:10 | |
-The subject of Braille, something to do with that. -Yes. | 0:39:10 | 0:39:13 | |
-Oasis hits. -I'm hoping to see some sport. | 0:39:13 | 0:39:16 | |
OK. Well, look, it is the Final Debate, | 0:39:16 | 0:39:18 | |
so you do get two categories to choose from. | 0:39:18 | 0:39:20 | |
Have a look at this. | 0:39:20 | 0:39:22 | |
Tell me what you fancy between... | 0:39:22 | 0:39:24 | |
OK, if I get Footballers wrong, this will be bad. | 0:39:29 | 0:39:32 | |
I'm assuming you're going for Composers(?) | 0:39:32 | 0:39:34 | |
-LAUGHTER -His choice. Shabs' choice. | 0:39:34 | 0:39:37 | |
We're going to go for Footballers. | 0:39:37 | 0:39:38 | |
Absolutely no pressure, Dan Walker(!) | 0:39:40 | 0:39:43 | |
-Come on. -OK, here we go. | 0:39:43 | 0:39:44 | |
-Think about the fish tank. -Think about fish tank. | 0:39:44 | 0:39:47 | |
Best of luck. £1,400 up for grabs, | 0:39:47 | 0:39:49 | |
45 seconds on the clock, | 0:39:49 | 0:39:50 | |
here comes your Final Debate question about Footballers. | 0:39:50 | 0:39:54 | |
Yep. | 0:40:06 | 0:40:07 | |
No. | 0:40:08 | 0:40:10 | |
48. | 0:40:10 | 0:40:11 | |
Possibly. | 0:40:12 | 0:40:14 | |
Your Final Debate starts now. | 0:40:14 | 0:40:17 | |
OK, Gary Lineker, gone, 48. | 0:40:17 | 0:40:18 | |
Ryan Giggs didn't get 50 for Wales. | 0:40:18 | 0:40:21 | |
Robbie Keane, definitely. | 0:40:21 | 0:40:22 | |
-Any thoughts? -None. | 0:40:26 | 0:40:28 | |
I'm... So we need three? | 0:40:28 | 0:40:30 | |
We need three answers. | 0:40:30 | 0:40:31 | |
Robbie Keane is a definite. | 0:40:31 | 0:40:32 | |
-Gary Lineker? -No, 48. | 0:40:32 | 0:40:34 | |
Didier Drogba, Ivory Coast, | 0:40:34 | 0:40:37 | |
-I would imagine, yes. -OK. | 0:40:37 | 0:40:38 | |
Robbie, Didier... | 0:40:38 | 0:40:39 | |
Robbie Keane, Didier Drogba... | 0:40:39 | 0:40:41 | |
20 seconds. | 0:40:41 | 0:40:42 | |
And then, it's one of Thierry Henry and Diego Maradona. | 0:40:42 | 0:40:44 | |
I don't think Thierry Henry | 0:40:44 | 0:40:46 | |
scored 50 for...France... | 0:40:46 | 0:40:48 | |
..because... No, I don't think. | 0:40:50 | 0:40:52 | |
I think it's probably Maradona. | 0:40:52 | 0:40:53 | |
So we've got Maradona, | 0:40:53 | 0:40:54 | |
-Keane and Drogba. -I think. -OK. | 0:40:54 | 0:40:56 | |
OK? If I'm wrong, then I'm just going to walk off. | 0:40:56 | 0:40:59 | |
OK, time is up. | 0:41:01 | 0:41:03 | |
Three answers. | 0:41:03 | 0:41:04 | |
Maradona, Keane and Drogba. | 0:41:04 | 0:41:06 | |
OK, you know how this works, guys. | 0:41:08 | 0:41:09 | |
We need all three of these to be correct. | 0:41:09 | 0:41:12 | |
So you were most confident about...? | 0:41:12 | 0:41:15 | |
-It was Keane. -OK, Robbie Keane. | 0:41:15 | 0:41:18 | |
Has Robbie Keane scored 50 or more international goals? | 0:41:18 | 0:41:21 | |
He's got loads. | 0:41:21 | 0:41:22 | |
Come on, Shabs. Come on. Come on. | 0:41:23 | 0:41:25 | |
Come on! | 0:41:25 | 0:41:26 | |
He has! APPLAUSE | 0:41:29 | 0:41:31 | |
Of course he has. | 0:41:31 | 0:41:32 | |
-Let's continue the cuddle. -Come on, come on. | 0:41:32 | 0:41:34 | |
Robbie Keane, Ireland's top scorer, 68 goals. | 0:41:34 | 0:41:37 | |
Next one you were going for? | 0:41:37 | 0:41:39 | |
-Let's go Drogba. -Let's go Drogba. -Let's go Drogba. -OK. | 0:41:39 | 0:41:42 | |
You thought Drogba from the Ivory Coast | 0:41:42 | 0:41:45 | |
possibly has scored 50 or more international goals. | 0:41:45 | 0:41:49 | |
-We need this to be correct in order to stay in the game. -Come on, DD! | 0:41:49 | 0:41:52 | |
Come on. Come on! | 0:41:52 | 0:41:55 | |
Didier! | 0:41:57 | 0:41:59 | |
Yes! APPLAUSE | 0:42:00 | 0:42:02 | |
He has scored 65 goals for the Ivory Coast. | 0:42:04 | 0:42:08 | |
-OK. -Right. | 0:42:08 | 0:42:09 | |
So you completely discounted Gary Lineker, | 0:42:09 | 0:42:11 | |
you completely discounted Ryan Giggs. | 0:42:11 | 0:42:13 | |
You weren't sure about Thierry Henry, | 0:42:14 | 0:42:16 | |
and you plumped for Maradona. | 0:42:16 | 0:42:18 | |
It's all on this one. | 0:42:18 | 0:42:20 | |
For £1,400... | 0:42:20 | 0:42:22 | |
..has Diego Maradona scored 50 or more international goals? | 0:42:24 | 0:42:28 | |
-DAN: -Diego, my friend. | 0:42:30 | 0:42:31 | |
Come on! | 0:42:31 | 0:42:33 | |
GROANING | 0:42:38 | 0:42:39 | |
It's the wrong answer. | 0:42:39 | 0:42:41 | |
-DAN: -Is it Thierry? | 0:42:42 | 0:42:43 | |
-Dan, Shabs. -Oh, no. | 0:42:44 | 0:42:46 | |
Maradona only scored 34 goals for Argentina. | 0:42:46 | 0:42:51 | |
It was close. | 0:42:51 | 0:42:52 | |
The correct answer was... | 0:42:52 | 0:42:54 | |
It was Thierry Henry. | 0:42:54 | 0:42:56 | |
-DAN: -Dear me! | 0:42:58 | 0:42:59 | |
Thierry Henry scored 51 goals for France. | 0:42:59 | 0:43:01 | |
Did he really? Oh, dear. | 0:43:01 | 0:43:03 | |
One of those goals was after handling a ball against Ireland, | 0:43:03 | 0:43:07 | |
which kept Ireland from going to the World Cup. | 0:43:07 | 0:43:09 | |
We'll now have a minute's silence for that. | 0:43:09 | 0:43:12 | |
LAUGHTER | 0:43:12 | 0:43:14 | |
-I'm so, so sorry, Shabs. -I'm sorry. -Not at all. | 0:43:14 | 0:43:17 | |
It was a tricky question. | 0:43:17 | 0:43:18 | |
Very well played. | 0:43:18 | 0:43:19 | |
Thanks for coming in, Shabs. Give it up one more time for Shabs. | 0:43:19 | 0:43:22 | |
-Thank you, guys. -APPLAUSE | 0:43:22 | 0:43:23 | |
-Thank you. -Thank you very much. | 0:43:25 | 0:43:27 | |
That is it for Debatable. | 0:43:27 | 0:43:28 | |
There is just about time for me to thank our fantastic panel today, | 0:43:28 | 0:43:31 | |
to Dan Walker, to Grace Dent and Jennie Bond. | 0:43:31 | 0:43:34 | |
APPLAUSE | 0:43:34 | 0:43:36 | |
I do hope you have enjoyed watching. | 0:43:36 | 0:43:38 | |
We will see you next time for more heated debates. | 0:43:38 | 0:43:40 | |
For now, it's goodbye from me. | 0:43:40 | 0:43:41 |