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CHEERING AND APPLAUSE | 0:00:12 | 0:00:16 | |
Thank you. Thank you. | 0:00:16 | 0:00:19 | |
Welcome to Delete, Delete, Delete, | 0:00:19 | 0:00:22 | |
where tonight three more brave souls let their laptops confess | 0:00:22 | 0:00:26 | |
what they've been up to online. | 0:00:26 | 0:00:28 | |
Yes, for the next half-hour I'll be Father Paddy and at the end of | 0:00:28 | 0:00:32 | |
the show I'll decide who gets absolution and who gets my phone number. | 0:00:32 | 0:00:36 | |
So, say a prayer for all on board as we welcome tonight's guests. | 0:00:38 | 0:00:40 | |
First up, one of Britain's brightest comedians who once won Celebrity Mastermind. | 0:00:40 | 0:00:44 | |
His specialist subject tonight is his own Internet history | 0:00:44 | 0:00:48 | |
so don't be surprised if he decides to pass on a few questions later. | 0:00:48 | 0:00:51 | |
Please welcome the brilliant Russell Kane. | 0:00:51 | 0:00:54 | |
CHEERING | 0:00:54 | 0:00:59 | |
Next up, a fantastic comedian and writer whose family left Iran when | 0:01:04 | 0:01:09 | |
she was just a kid to escape the political and religious intolerance. | 0:01:09 | 0:01:13 | |
Thank God nothing like that could ever happen here. | 0:01:15 | 0:01:18 | |
Please welcome the fabulous Shappi Khorsandi. | 0:01:18 | 0:01:21 | |
CHEERING | 0:01:21 | 0:01:26 | |
Thanks. | 0:01:26 | 0:01:28 | |
-Good to see you. -Thank you. Hello there. | 0:01:28 | 0:01:31 | |
Oh! | 0:01:31 | 0:01:33 | |
And finally, a man who's become a national treasure ever since he | 0:01:34 | 0:01:39 | |
told us he can get absolutely anyone to sing. | 0:01:39 | 0:01:41 | |
Although I know a few boys who spent the night in Belfast Police custody | 0:01:41 | 0:01:44 | |
who would beg to differ. | 0:01:44 | 0:01:45 | |
Please make some noise, but try to be in tune, for Mr Gareth Malone. | 0:01:45 | 0:01:49 | |
CHEERING | 0:01:49 | 0:01:50 | |
Hello! | 0:01:52 | 0:01:55 | |
Hey, how are you doing? Are you well? | 0:01:55 | 0:01:57 | |
I'm all right. | 0:01:57 | 0:02:00 | |
That's fine. Go on. | 0:02:00 | 0:02:03 | |
I love that Gareth came on and held that almost like a choir book that's | 0:02:03 | 0:02:08 | |
going to be opened and we're going to have a little sing. | 0:02:08 | 0:02:10 | |
We'd like to welcome you. Thanks for doing this. | 0:02:10 | 0:02:13 | |
And, of course, welcome to Belfast. | 0:02:13 | 0:02:14 | |
-Thank you. -Gareth, of course, you have Irish family. | 0:02:14 | 0:02:17 | |
I do, yeah. | 0:02:17 | 0:02:18 | |
I did a Who Do You Think You Are last year and discovered that I'm | 0:02:18 | 0:02:22 | |
a little bit Irish. | 0:02:22 | 0:02:24 | |
With a name like Malone it's not a massive surprise, is it, really? | 0:02:24 | 0:02:27 | |
That would be a short episode of Poirot, wouldn't it? | 0:02:27 | 0:02:29 | |
How much Irish are you? | 0:02:29 | 0:02:31 | |
Oh, at least 35%. | 0:02:31 | 0:02:34 | |
And whereabouts in Ireland are the family from? | 0:02:34 | 0:02:36 | |
-Erm, The south. -The south? | 0:02:36 | 0:02:38 | |
LAUGHTER | 0:02:38 | 0:02:40 | |
The other bit. | 0:02:40 | 0:02:42 | |
Keep it vague. Keep it vague. | 0:02:42 | 0:02:43 | |
Generally the green bit. | 0:02:43 | 0:02:46 | |
The green bit? | 0:02:46 | 0:02:47 | |
-This is going to go very well. -Shall I go? | 0:02:48 | 0:02:51 | |
I mean, you don't need to go. I'm sure there'll be a couple of people | 0:02:51 | 0:02:54 | |
in the audience who'll be happy to take you away. | 0:02:54 | 0:02:57 | |
You must have played here a few times, have you? | 0:02:59 | 0:03:01 | |
Oh, man. I mean, on this tour I've been to Northern Ireland twice already. | 0:03:01 | 0:03:05 | |
I've been to Cookstown and Strabane. | 0:03:05 | 0:03:07 | |
And I'll be coming back to Belfast next year for a lasting gig. | 0:03:07 | 0:03:12 | |
Who booked this tour? | 0:03:12 | 0:03:13 | |
I mean... Cookstown and Strabane. | 0:03:13 | 0:03:15 | |
Strabane was awesome. | 0:03:15 | 0:03:17 | |
The thing is, what I find is the towns that people take the mick out of most, | 0:03:17 | 0:03:20 | |
they're always the ones with the most laughter to be released. | 0:03:20 | 0:03:24 | |
When you're a new comic it is scary playing Northern Ireland, | 0:03:24 | 0:03:28 | |
because, as an accent, it's one of my favourite accents, | 0:03:28 | 0:03:31 | |
but for an English person it's hard to read what mood the speaker is in. | 0:03:31 | 0:03:35 | |
Because it always turns out... | 0:03:35 | 0:03:36 | |
"I'm absolutely filled with love and admiration at the moment." | 0:03:36 | 0:03:39 | |
And you're like, "Please, don't hurt me." | 0:03:39 | 0:03:41 | |
"I'm currently depressed. I'm currently happy." | 0:03:41 | 0:03:43 | |
And you're never quite sure where you stand. | 0:03:43 | 0:03:45 | |
But eventually you get used to it and now I love it. | 0:03:45 | 0:03:48 | |
The Belfast audience are always well up for it. | 0:03:48 | 0:03:50 | |
OK, we'll start with you, Gareth. | 0:03:50 | 0:03:52 | |
-OK. -You have a very loyal following, shall we say, on Twitter? | 0:03:52 | 0:03:56 | |
But some quite like to overshare. | 0:03:56 | 0:03:58 | |
"I had a sex dream about Gareth Malone last night. | 0:03:59 | 0:04:02 | |
"In my dream he couldn't get it up, poor chap." | 0:04:02 | 0:04:04 | |
LAUGHTER | 0:04:04 | 0:04:08 | |
-Is this the point... -I'm just thinking about my mum and what | 0:04:13 | 0:04:16 | |
she's going to say. | 0:04:16 | 0:04:17 | |
I'm glad you got to the end of that sentence quickly! | 0:04:17 | 0:04:20 | |
"And what she's going to say!" | 0:04:20 | 0:04:22 | |
I thought Dr Freud was going to burst onto the stage then. | 0:04:22 | 0:04:26 | |
Yeah, that's an interesting one. | 0:04:26 | 0:04:28 | |
-Yes. -I mean, ridiculous. | 0:04:28 | 0:04:31 | |
-Have you seen this tweet? -Yeah, I did notice that one, yeah. | 0:04:32 | 0:04:34 | |
We also have this one. | 0:04:35 | 0:04:37 | |
"It was pretty emotional, not going to lie." | 0:04:44 | 0:04:46 | |
At least you're not having sex in that one. | 0:04:46 | 0:04:48 | |
-I know. -Or failing to. | 0:04:48 | 0:04:50 | |
No. I mean, it's not entirely representative. | 0:04:50 | 0:04:54 | |
I do have some that say, you know, I enjoyed the choir. | 0:04:54 | 0:04:56 | |
Now, Shappi, your tweets are a little bit more reserved. | 0:04:59 | 0:05:02 | |
-Are they? -You sent this. | 0:05:02 | 0:05:04 | |
There it is. And this is the picture. | 0:05:12 | 0:05:14 | |
Oh, that is great. That looks pretty good. | 0:05:14 | 0:05:16 | |
I tell you what, I don't know how long ago... | 0:05:16 | 0:05:18 | |
That tweet is at least, I think, six weeks old. | 0:05:18 | 0:05:20 | |
My car is still there. | 0:05:20 | 0:05:21 | |
LAUGHTER | 0:05:21 | 0:05:23 | |
When you park that beautifully, you don't move it. | 0:05:23 | 0:05:27 | |
How long did it take you to get in and out of that space? | 0:05:27 | 0:05:30 | |
Was that a one-shot? | 0:05:30 | 0:05:31 | |
-Was that a reverse park? -OK, I'm going to pretend... | 0:05:31 | 0:05:34 | |
-Handbrake turn. -..that there were cars on either side. | 0:05:34 | 0:05:37 | |
-But there weren't? -Well, I... | 0:05:39 | 0:05:40 | |
-Did you have somebody coming in with those... like at the airport? -No. | 0:05:40 | 0:05:43 | |
It was good. I was all right. I did it, it was fine. | 0:05:43 | 0:05:45 | |
But now I overthink it. | 0:05:45 | 0:05:48 | |
And yesterday it took me half an hour to park because I got all confused. | 0:05:48 | 0:05:52 | |
It was really frustrating. | 0:05:52 | 0:05:53 | |
I live in a really close-knit neighbourhood and for London it's | 0:05:53 | 0:05:57 | |
really friendly and the neighbours came out to watch me park. | 0:05:57 | 0:06:00 | |
Oh, I hate that. That's the worst. I can't bear being watched. | 0:06:00 | 0:06:03 | |
At first I thought it was in a supportive way but it was, like, | 0:06:03 | 0:06:06 | |
to check their cars were all right. | 0:06:06 | 0:06:09 | |
-Now, Russell, very busy boy... -Yeah. -..on the social media. | 0:06:09 | 0:06:13 | |
-Quite a lot of followers. 250,000 fans... -What? | 0:06:13 | 0:06:17 | |
AUDIENCE: OOH! | 0:06:17 | 0:06:18 | |
..on Facebook. 750,000 followers on Twitter. | 0:06:18 | 0:06:23 | |
Yes, so, talking about Facebook and everything | 0:06:23 | 0:06:25 | |
I was on a first-class train. | 0:06:25 | 0:06:27 | |
Again, not showing off, but I was. | 0:06:27 | 0:06:29 | |
And this lady gets on. | 0:06:29 | 0:06:31 | |
I don't know if she's had a bad day or what was going on. | 0:06:31 | 0:06:33 | |
But every time I got bag down or opened a noisy snack, she was like, | 0:06:33 | 0:06:36 | |
"Oh, tut! Oh, tut!" Like, just getting really annoyed unnecessarily. | 0:06:36 | 0:06:40 | |
So, I've just gone on my Facebook. | 0:06:40 | 0:06:42 | |
It's like digital diarrhoea. You just describe every part of your life. | 0:06:42 | 0:06:45 | |
I've gone, "Miserable old crone opposite me with a librarian's haircut..." - | 0:06:45 | 0:06:48 | |
I don't know what that meant - "..tutting every time I move." | 0:06:48 | 0:06:51 | |
"What's your problem?" And then I put #biatch, or something like that. | 0:06:51 | 0:06:55 | |
And then, anyway, what I didn't know was happening at the same time was | 0:06:55 | 0:06:58 | |
this woman, as well as having a bad day, had vaguely sort of... | 0:06:58 | 0:07:01 | |
She's like, "Who is this person opposite me? Is it...? | 0:07:01 | 0:07:03 | |
"I know him off... Is he a telly...? "Is he a presenter?" | 0:07:03 | 0:07:06 | |
She's put, "Russell Kane"! | 0:07:06 | 0:07:07 | |
And one of the first things that comes up, of course, is my Facebook page... | 0:07:07 | 0:07:10 | |
LAUGHTER | 0:07:10 | 0:07:12 | |
..which she has clicked and seen update three minutes ago, you know. | 0:07:12 | 0:07:18 | |
"Old crone with a librarian's haircut tutting." | 0:07:18 | 0:07:20 | |
And she's just gone in. | 0:07:23 | 0:07:25 | |
"I'm not an old crone, thank you very much. | 0:07:25 | 0:07:27 | |
"I've had a very bad day because I've been visiting a friend in London | 0:07:27 | 0:07:29 | |
"who's had some terrible news. I hadn't even noticed you. | 0:07:29 | 0:07:32 | |
"And my haircut isn't a librarian's haircut." | 0:07:32 | 0:07:35 | |
So I was just thinking off the top of my head, trying to make a lie. | 0:07:35 | 0:07:38 | |
I was, like, "Oh, my God, I can't believe you think that's about you. | 0:07:38 | 0:07:42 | |
"No, I, er..." And this woman's believed me. | 0:07:42 | 0:07:46 | |
So then I quickly write another one five minutes later. | 0:07:46 | 0:07:48 | |
"Just spilled coffee all over myself," when I hadn't, | 0:07:48 | 0:07:51 | |
just to make the story look more convincing. | 0:07:51 | 0:07:53 | |
Then she got off in York and I was on my way to Edinburgh. | 0:07:55 | 0:07:58 | |
I just sank into the seat. | 0:07:58 | 0:08:00 | |
I couldn't believe it was over. Then about five minutes later I looked on | 0:08:00 | 0:08:03 | |
my Facebook wall again and underneath it other people on the carriage | 0:08:03 | 0:08:06 | |
were like, "Can't believe you got away with that. That was a close one, mate..." | 0:08:06 | 0:08:10 | |
LAUGHTER | 0:08:10 | 0:08:14 | |
Now, Shappi, you've spent quite a bit of time on this site. | 0:08:15 | 0:08:18 | |
This is the Humanist Association. | 0:08:20 | 0:08:23 | |
You are the President of the British Humanist Association. | 0:08:23 | 0:08:26 | |
-I am, yes. -And what do humanists believe? | 0:08:26 | 0:08:30 | |
Well, humanists don't believe in a higher power. | 0:08:30 | 0:08:35 | |
Because I'm an atheist, when you haven't been raised with religion, | 0:08:35 | 0:08:38 | |
you're a bit like, "Sorry, everyone." | 0:08:38 | 0:08:40 | |
You're sort of like left out of a lot of moral discussion and | 0:08:40 | 0:08:44 | |
philosophical discussion. | 0:08:44 | 0:08:45 | |
So, it was kind of good to meet other atheists. | 0:08:45 | 0:08:49 | |
And humanists are an organisation and we campaign for the voice, | 0:08:49 | 0:08:53 | |
the secular voice to be heard. | 0:08:53 | 0:08:55 | |
Wow. And are you a Catholic humanist or a Protestant humanist? | 0:08:55 | 0:08:57 | |
LAUGHTER | 0:08:57 | 0:09:00 | |
I'm sensing that that's the question that the audience really want to know. | 0:09:01 | 0:09:05 | |
Depends where in the country I am. | 0:09:07 | 0:09:09 | |
There you go. | 0:09:09 | 0:09:11 | |
I went to register my daughter's birth. | 0:09:11 | 0:09:14 | |
The form you get with your name and address, the father's name was blank, | 0:09:14 | 0:09:19 | |
and the temptation to write Farage was almost overwhelming. | 0:09:19 | 0:09:24 | |
And I noticed in one box in block capitals they had stamped, bam, Islam. | 0:09:25 | 0:09:31 | |
So I said, "This is outrageous," and the receptionist was lovely. | 0:09:31 | 0:09:33 | |
She goes, "You know you can complain about this?" | 0:09:33 | 0:09:36 | |
I was like, "Oh, yes, I will. And this will not be a tweet. | 0:09:36 | 0:09:38 | |
"This will be an actual e-mail." | 0:09:38 | 0:09:40 | |
And she sat down and patted my hand a bit and then she goes, | 0:09:40 | 0:09:45 | |
"I am very surprised, though, | 0:09:45 | 0:09:47 | |
"because usually in that box they just write the doctor's name." | 0:09:47 | 0:09:52 | |
Dr Islam was the man that brought my daughter safely into the world. | 0:09:55 | 0:10:01 | |
GROANS AND APPLAUSE | 0:10:01 | 0:10:05 | |
Er, so, let's have a little look at your viral videos. | 0:10:07 | 0:10:11 | |
Russell, this one caught your eye. | 0:10:11 | 0:10:12 | |
-What a party that was. -Yeah. There it is. | 0:10:57 | 0:10:59 | |
First time I saw that I was actually doing something on TV and I watched | 0:11:04 | 0:11:08 | |
it during some downtime. I had to have all my make-up redone. | 0:11:08 | 0:11:11 | |
I was in absolute pieces. | 0:11:11 | 0:11:13 | |
It's just the way they start coyly and they keep building towards | 0:11:13 | 0:11:16 | |
something that looks more like a poo. | 0:11:16 | 0:11:18 | |
And in the end, hot dogs! | 0:11:18 | 0:11:20 | |
Is this something that you would have in your own house? | 0:11:20 | 0:11:23 | |
Er, I don't know. | 0:11:23 | 0:11:24 | |
I mean, if you've got a Quattro Flush it says something about you, doesn't it? | 0:11:24 | 0:11:28 | |
It says that you are laying serious cable. | 0:11:28 | 0:11:31 | |
That's what it says. | 0:11:31 | 0:11:32 | |
What was quite funny was that we were watching this and I could | 0:11:32 | 0:11:36 | |
see a few people in the audience, and one or two were going, what is that? | 0:11:36 | 0:11:39 | |
And there was one or two going... | 0:11:39 | 0:11:41 | |
-Yeah, exactly. -"You need that, darling." | 0:11:41 | 0:11:44 | |
Yes! My favourite of yours, though, was this. | 0:11:44 | 0:11:48 | |
Must be over there. | 0:11:49 | 0:11:51 | |
It's not a very good game. | 0:11:51 | 0:11:54 | |
O-o-oh! | 0:11:54 | 0:11:57 | |
SHE SCREAMS | 0:11:59 | 0:12:01 | |
TAKE IT OFF! | 0:12:04 | 0:12:07 | |
So these are virtual reality headsets and this is a grandmother | 0:12:15 | 0:12:19 | |
from Portadown who has put that on and they've basically taken her on a | 0:12:19 | 0:12:23 | |
tour of Portadown. | 0:12:23 | 0:12:25 | |
That's essentially what's happened there. | 0:12:27 | 0:12:29 | |
-On a Friday night. -In daylight. Like this. | 0:12:29 | 0:12:33 | |
Have you been on one of the new ones that have just come out in the last few months? | 0:12:33 | 0:12:36 | |
-No, are they good? -The new generation. Who's been on them? | 0:12:36 | 0:12:39 | |
It's a lot more realistic than you're expecting. | 0:12:39 | 0:12:42 | |
-I've never done that. -A lot of people, if there's part of the game | 0:12:42 | 0:12:45 | |
where you have a roller-coaster action, a lot of people get motion sickness. | 0:12:45 | 0:12:48 | |
You totally and utterly believe. | 0:12:48 | 0:12:50 | |
It used to be quite laggy. | 0:12:50 | 0:12:52 | |
-It's not at all. -And it was like you had mogadon. -No, it is scary. | 0:12:52 | 0:12:56 | |
-The horror ones are terrifying. -Are there games? | 0:12:56 | 0:12:58 | |
I do some Imodium before I go on my one, | 0:12:58 | 0:13:00 | |
that's how scary it is. | 0:13:00 | 0:13:01 | |
Just to be on the safe side. | 0:13:01 | 0:13:03 | |
It's all right because you've got the right toilet. | 0:13:03 | 0:13:05 | |
The right toilet, I know! Wow, wow, wow! | 0:13:05 | 0:13:07 | |
Is this something that you've tried with your own family? | 0:13:07 | 0:13:10 | |
My mum's a bit of a technophobe so I've had to teach her how to use... | 0:13:10 | 0:13:14 | |
She can't even master Skype. | 0:13:14 | 0:13:16 | |
When Skype connects my mum's always really close to it so just an eye | 0:13:16 | 0:13:19 | |
is there first. You don't look through it. | 0:13:19 | 0:13:22 | |
She was looking through the camera. "Russ, are you in there?!" | 0:13:22 | 0:13:25 | |
So, I don't know what would happen on that. Her brain would probably explode. | 0:13:25 | 0:13:29 | |
So, what is it? You basically watch any clip on it or are there special clips? | 0:13:29 | 0:13:32 | |
-It's games, there's games... -Oh, it's games? | 0:13:32 | 0:13:34 | |
Just like a regular video game, say like, the Sigourney Weaver Alien franchise. | 0:13:34 | 0:13:38 | |
Normally you'd have been sitting with a little controller and it was | 0:13:38 | 0:13:41 | |
still scary, but you put the mask on, you put the earphones on, | 0:13:41 | 0:13:43 | |
and there's another little receiver on the monitor so that when you look | 0:13:43 | 0:13:47 | |
around, if you look behind you, | 0:13:47 | 0:13:48 | |
you can look over your shoulder and there will be an alien, like... | 0:13:48 | 0:13:51 | |
And you're like that... It is really scary. | 0:13:51 | 0:13:53 | |
What if you have a burglar? | 0:13:53 | 0:13:55 | |
What if, like, a murderer comes into your house? | 0:13:55 | 0:13:58 | |
You just wake up and all your stuff's gone. | 0:13:58 | 0:13:59 | |
"That was a really good session! Where's my stuff? Where's my stuff?" | 0:13:59 | 0:14:03 | |
And you can buy gloves now and feet, | 0:14:03 | 0:14:06 | |
and inevitably you can guess what's come out recently. | 0:14:06 | 0:14:09 | |
Teenage boys need never be lonely again. | 0:14:09 | 0:14:12 | |
-You can now buy... -No! -Yes. -No! -Yes, you can buy accessories for | 0:14:12 | 0:14:15 | |
all parts of the body. | 0:14:15 | 0:14:17 | |
And that's it, liberation from adolescence for teenage boys. | 0:14:17 | 0:14:20 | |
-No, no, no, no, hang on, so... -Do I really need to go further? | 0:14:20 | 0:14:22 | |
No, no, you do because I'm not sure how this works. | 0:14:22 | 0:14:25 | |
Ironically this one turns you blind and you can't use the rest of the equipment. | 0:14:26 | 0:14:30 | |
Wow. That exists. | 0:14:32 | 0:14:34 | |
It's just a matter of... If you invent a virtual reality technology | 0:14:34 | 0:14:37 | |
for men what do you think they're going to bloody do with it? | 0:14:37 | 0:14:39 | |
"I'm going to do some good deeds and build a village in Cambodia." | 0:14:39 | 0:14:42 | |
No! | 0:14:42 | 0:14:43 | |
I'm going to go at myself like a sewing machine in a power surge. | 0:14:44 | 0:14:47 | |
OK, now for the questions that you've been asking your computers in | 0:14:51 | 0:14:54 | |
-the privacy of your own home. -No! This is the bit I've been dreading. | 0:14:54 | 0:14:59 | |
-Let's start with you, Russell. -Mine are quite boring. | 0:14:59 | 0:15:01 | |
"Baby proofing. Pug/Chihuahua cross. | 0:15:01 | 0:15:04 | |
"Is it dangerous to eat just fat? | 0:15:04 | 0:15:05 | |
"Six packs. Do men look better with chest hair?" | 0:15:05 | 0:15:09 | |
-These are all genuine. -"Can a fox mate with a dog?" | 0:15:09 | 0:15:12 | |
Yeah. Well... | 0:15:12 | 0:15:15 | |
I've got a one-year-old so the babyproofing's pretty straightforward. | 0:15:15 | 0:15:18 | |
I'm just baby proofing the house, so that's fair. | 0:15:18 | 0:15:20 | |
I don't think there's anything embarrassing there. | 0:15:20 | 0:15:22 | |
I have a ten-month-old so I'm in the same boat. | 0:15:22 | 0:15:24 | |
-Nine-year-old, same. -My daughter picked up the open bottle of bleach | 0:15:24 | 0:15:27 | |
at about ten months. That was an exciting moment. | 0:15:27 | 0:15:29 | |
-Why was it open? -I had just left it for a second. | 0:15:29 | 0:15:34 | |
-They tell you off at the hospital. -He was just heading out, and said, | 0:15:34 | 0:15:37 | |
"I'll tell you what, can you just clean the kitchen? I'll be back in ten minutes." | 0:15:37 | 0:15:40 | |
Pug/Chihuahua cross? | 0:15:40 | 0:15:41 | |
Yeah, because I've got Colin, I love him to pieces, and Janet, | 0:15:41 | 0:15:44 | |
my other pug, I love them both. | 0:15:44 | 0:15:47 | |
Are there any pug owners in the audience? | 0:15:47 | 0:15:50 | |
They're a bit prone to, like, | 0:15:50 | 0:15:51 | |
you let them off the lead over the park and you can't tell them off or | 0:15:51 | 0:15:53 | |
they have a fit. They have like a nuclear deterrent. | 0:15:53 | 0:15:56 | |
They go, if you discipline me I'll stick my tongue out, do a jet of wee | 0:15:56 | 0:15:58 | |
and have an epileptic fit, so just let me do what I want. | 0:15:58 | 0:16:01 | |
They're impossible to train, pugs, as well. | 0:16:01 | 0:16:03 | |
-Yeah. -You'll see people who've got impressive dog breeds, | 0:16:03 | 0:16:05 | |
like normal dogs, like labradors or setters. | 0:16:05 | 0:16:08 | |
I never find it amazing when those dogs obey because they're born to obey. | 0:16:08 | 0:16:12 | |
It's like, what can I do next? Bag of treats? | 0:16:12 | 0:16:14 | |
"Keep them, mate, I'm just happy to be working. | 0:16:14 | 0:16:16 | |
"In this environment I'm just happy to be working. | 0:16:16 | 0:16:18 | |
"What's that? I've got it." | 0:16:18 | 0:16:19 | |
Right? Whereas with a pug, the most you get with a pug is, | 0:16:19 | 0:16:23 | |
"I'll tell you what, how about as a compromise I'll shit in the porch instead?" | 0:16:23 | 0:16:26 | |
So I was searching to see what crossbreeds there were that were | 0:16:28 | 0:16:33 | |
still small, and the Chihuahuas are quite biddable. | 0:16:33 | 0:16:36 | |
It's called a chug, by the way. I now know what that's called. A chug. | 0:16:36 | 0:16:39 | |
And a fox that mates with a dog. | 0:16:39 | 0:16:41 | |
I don't know why. I've always had this nerdy interest and obsession | 0:16:41 | 0:16:46 | |
with crossbreeds. Like, you can mate a lion with a tiger and it's called | 0:16:46 | 0:16:50 | |
a liger. Have you ever seen a picture of one? | 0:16:50 | 0:16:51 | |
They're bigger than a lion and a tiger. I just, I don't know why. | 0:16:51 | 0:16:54 | |
So, what was the answer? Can you? | 0:16:54 | 0:16:56 | |
You can't because they don't have the correct number of chromosomes | 0:16:56 | 0:16:59 | |
to match up so there's no such thing as a dox. | 0:16:59 | 0:17:03 | |
I was gutted. | 0:17:03 | 0:17:04 | |
Gareth, these are your searches. | 0:17:05 | 0:17:08 | |
"Who is Nicki Minaj?" | 0:17:10 | 0:17:11 | |
-What is Nicki Minaj? -Why is? | 0:17:12 | 0:17:14 | |
A dirty stop-out is the answer to that. | 0:17:14 | 0:17:17 | |
"What's the difference between the Kardashians and the Jonas Brothers?" | 0:17:17 | 0:17:20 | |
What's the difference between them? What do you mean? | 0:17:20 | 0:17:22 | |
Well, not in the sense... I know they're different families | 0:17:22 | 0:17:25 | |
but I don't know which one is which. | 0:17:25 | 0:17:28 | |
The Kardashians have massive arses, the Jonas Brothers are. | 0:17:28 | 0:17:31 | |
Oh, I see. Thank you for sorting that one out. | 0:17:31 | 0:17:35 | |
APPLAUSE | 0:17:35 | 0:17:37 | |
"Industrial lint roller with lasers." | 0:17:38 | 0:17:41 | |
I've just got this sort of, | 0:17:41 | 0:17:43 | |
you know when you buy a new jumper and it's just beautiful and smooth, | 0:17:43 | 0:17:48 | |
and then quickly it's bobbly? | 0:17:48 | 0:17:50 | |
I absolutely abhor bobbles. | 0:17:50 | 0:17:52 | |
Why haven't they got lasers in on this? | 0:17:52 | 0:17:55 | |
-You would laser hair? You would... -Look, I've got them on these socks. | 0:17:55 | 0:17:58 | |
They're already... The socks are going to have to go. | 0:17:58 | 0:18:00 | |
-I noticed them, actually. -There's a bobble. | 0:18:00 | 0:18:03 | |
So either I pay somebody to de-bobble all my jumpers, or I get a laser. | 0:18:03 | 0:18:07 | |
That's the poshest thing I've ever heard in my life. | 0:18:07 | 0:18:10 | |
"Excuse me, Jeeves, would you de-bobble my jumpers, please?" | 0:18:10 | 0:18:13 | |
That is the most... "Sorry, sir." | 0:18:14 | 0:18:16 | |
Surely somebody must provide this service. | 0:18:16 | 0:18:19 | |
No? | 0:18:19 | 0:18:20 | |
Am I alone here? | 0:18:20 | 0:18:21 | |
I don't know. How do we..? | 0:18:21 | 0:18:24 | |
"When should my baby roll over? | 0:18:26 | 0:18:28 | |
"When will my baby talk?" | 0:18:28 | 0:18:29 | |
Now, are these genuine questions, or 1950s jazz numbers? | 0:18:29 | 0:18:32 | |
I think that's just typical dad... | 0:18:37 | 0:18:40 | |
Either my child is a genius or there's something developmentally wrong. | 0:18:40 | 0:18:45 | |
Because, you don't really get any signs, do you? | 0:18:45 | 0:18:47 | |
They come out and they just go, "Bah!" | 0:18:47 | 0:18:49 | |
And you're not like... You're looking for signs of intelligence. | 0:18:49 | 0:18:52 | |
Are you like, "That was a C, perfect. Now try a D?" | 0:18:52 | 0:18:56 | |
Yeah. | 0:18:56 | 0:18:58 | |
Am I alone here? | 0:18:58 | 0:18:59 | |
OK, yeah. And again. Aah. | 0:18:59 | 0:19:01 | |
I mean, I was, yes. | 0:19:03 | 0:19:04 | |
I was. And they would go, "Waah"... Ding, ding, ding. | 0:19:04 | 0:19:08 | |
OK, "If he loves LA so much, why doesn't that wanker just stay over there?" | 0:19:11 | 0:19:15 | |
is just one of the things the internet says about me. | 0:19:15 | 0:19:17 | |
But what does it say about our guests? | 0:19:18 | 0:19:20 | |
Let's find out with things the internet says about you. | 0:19:20 | 0:19:24 | |
-Oh, no. -Here we go. | 0:19:24 | 0:19:25 | |
-So, Russell. -Yes. | 0:19:25 | 0:19:27 | |
We've found this. | 0:19:27 | 0:19:29 | |
Russell Kane found his wife online. | 0:19:29 | 0:19:31 | |
Right. I was almost single. | 0:19:31 | 0:19:34 | |
I was coming out of a relationship, blah, blah, blah. | 0:19:34 | 0:19:36 | |
I've gone on that. It was hard enough doing tour shows that week anyway | 0:19:36 | 0:19:39 | |
when you're all upset. I went on, beautiful girl in the front row of my show, yeah. | 0:19:39 | 0:19:42 | |
She was wearing - this beautiful girl, who turned out to be called Lindsey - | 0:19:44 | 0:19:47 | |
what looked like a fur to me, which I'm not a massive fan of. | 0:19:47 | 0:19:50 | |
It was fake fur but I didn't let that stop me pretending it was real fur | 0:19:50 | 0:19:53 | |
to the rest of the audience. I took it off her and asked her where's she from. | 0:19:53 | 0:19:56 | |
I was up North and she was like, | 0:19:56 | 0:19:58 | |
"I'm from Manchester," but trying to be like a posh version of Manchester. | 0:19:58 | 0:20:01 | |
So I was making fun of that. I basically did a routine where I implied | 0:20:01 | 0:20:03 | |
that she was so posh that when she waxed her body mink fur came off it. | 0:20:03 | 0:20:08 | |
I was laying in various positions on stage going, | 0:20:08 | 0:20:10 | |
"My minky's come clean off," like that, and just being juvenile. | 0:20:10 | 0:20:14 | |
Got to the end of the gig, great show, audience left. | 0:20:14 | 0:20:16 | |
I said to my tour manager, "There's a girl, I've really just felt | 0:20:16 | 0:20:19 | |
"a connection to in the front row. I was making fun of her. | 0:20:19 | 0:20:21 | |
"Just see if she's out there." | 0:20:21 | 0:20:22 | |
A bit naughty, I shouldn't have said it. But she wasn't. She'd gone. | 0:20:22 | 0:20:25 | |
I thought, "I bet I never see that girl again." | 0:20:25 | 0:20:28 | |
Cut to a week later when the dust has settled a bit more emotionally, | 0:20:28 | 0:20:31 | |
and I'm on tour, and I just tweeted - | 0:20:31 | 0:20:33 | |
you could probably find the tweet if you look for it... | 0:20:33 | 0:20:35 | |
I think we actually have it here. | 0:20:35 | 0:20:37 | |
I didn't put the venue. | 0:20:37 | 0:20:39 | |
I just tweeted the word "minky". | 0:20:39 | 0:20:41 | |
-Oh, that's adorable. -A week later... -What a romantic. | 0:20:41 | 0:20:43 | |
-A week later, I get... -LAUGHTER | 0:20:43 | 0:20:46 | |
..I get a message from a girl saying, | 0:20:46 | 0:20:48 | |
"Is this about my friend, when you made fun of her on stage?" | 0:20:48 | 0:20:51 | |
I was like, "Yeah, do you know her?" "Yes, it's this girl." Bang, bang, bang. | 0:20:51 | 0:20:54 | |
Follow, follow, follow. We just went and met and she was there | 0:20:54 | 0:20:58 | |
and it was the first date and I was really nervous. | 0:20:58 | 0:21:00 | |
My heart was beating. I knew it was something more than that. | 0:21:00 | 0:21:02 | |
And she sat down and she was like, "You know what, | 0:21:02 | 0:21:04 | |
"I'm just going to tell you this, just cos you're staying in a hotel in Manchester, | 0:21:04 | 0:21:07 | |
"nothing's going to happen tonight, I'm not that type of girl. | 0:21:07 | 0:21:10 | |
"We can have a drink and that's all that's going to happen. | 0:21:10 | 0:21:13 | |
"I don't know what you normally do with your girls on tour." | 0:21:13 | 0:21:15 | |
I've never forgot that phrase cos when she left in a wheelchair the next morning... | 0:21:15 | 0:21:18 | |
-LAUGHTER -..it was really... | 0:21:18 | 0:21:22 | |
It was all that was ringing through my head. | 0:21:22 | 0:21:24 | |
She did genuinely say that. | 0:21:26 | 0:21:27 | |
She didn't leave in a wheelchair. | 0:21:27 | 0:21:28 | |
I was very respectful. Nothing like that happened on the first date. | 0:21:28 | 0:21:31 | |
We had a kiss and that was it. | 0:21:31 | 0:21:32 | |
So we carried on like this till the August and then I went, | 0:21:32 | 0:21:35 | |
"Aw, I'm in love, I love you." | 0:21:35 | 0:21:36 | |
-Now we're married and we've got a daughter. -Oh, no way. -Yeah. | 0:21:36 | 0:21:39 | |
APPLAUSE | 0:21:39 | 0:21:41 | |
That's a true story. | 0:21:41 | 0:21:43 | |
That's lovely. | 0:21:43 | 0:21:45 | |
OK, Gareth. This was one of yours. | 0:21:45 | 0:21:47 | |
Now, come on, this can't be true. | 0:21:51 | 0:21:53 | |
That's not true. That is a myth. | 0:21:53 | 0:21:55 | |
I can make a choir. | 0:21:55 | 0:21:57 | |
I could ask you all to sing. | 0:21:57 | 0:21:59 | |
I could improve the sound. | 0:21:59 | 0:22:01 | |
You can't... If somebody really isn't a great singer, | 0:22:01 | 0:22:03 | |
you can only move them on so far. | 0:22:03 | 0:22:05 | |
You can't turn them into Shirley Bassey overnight. | 0:22:05 | 0:22:09 | |
I'm not a miracle worker, is basically what I'm saying. | 0:22:09 | 0:22:11 | |
It's very hard, cos with stand-up you're silly all the time, | 0:22:11 | 0:22:16 | |
but singing's serious, like, it's proper emotion. | 0:22:16 | 0:22:19 | |
-Yeah. -And to actually stay in the moment and give out proper emotion. | 0:22:19 | 0:22:23 | |
Do you find that frightening? | 0:22:23 | 0:22:24 | |
I can do it for two seconds. | 0:22:24 | 0:22:26 | |
Terrifying. | 0:22:26 | 0:22:27 | |
I really like it and I love it when you find something that's in | 0:22:27 | 0:22:30 | |
somebody and they didn't know, and you sort of release it. | 0:22:30 | 0:22:33 | |
Well, there are lots of people who sometimes find things | 0:22:33 | 0:22:35 | |
that they don't know. | 0:22:35 | 0:22:37 | |
Like this gentleman. | 0:22:37 | 0:22:39 | |
-HE PLAYS PIANO KEY -Ma. | 0:22:40 | 0:22:42 | |
-HE PLAYS PIANO KEY -Ma. | 0:22:42 | 0:22:44 | |
-HE PLAYS PIANO KEY -Ma. | 0:22:45 | 0:22:47 | |
-HE PLAYS PIANO KEY -Ma. | 0:22:52 | 0:22:54 | |
LAUGHTER | 0:22:54 | 0:22:57 | |
-HE PLAYS PIANO KEY -Ma. | 0:22:57 | 0:22:59 | |
-HE PLAYS PIANO KEY -Ma. | 0:23:01 | 0:23:04 | |
-Brilliant. -Now, is that something that you could work with? | 0:23:04 | 0:23:07 | |
I mean, you could work with it, | 0:23:08 | 0:23:10 | |
I don't know what results you'd achieve. | 0:23:10 | 0:23:11 | |
-LAUGHTER -Why he decided to put it on YouTube. | 0:23:11 | 0:23:14 | |
I mean, that, I think was a fundamental error, but if you are... | 0:23:14 | 0:23:17 | |
To be honest with you I think he was just in his toilet at home... | 0:23:17 | 0:23:20 | |
LAUGHTER ..and he'd run out of loo roll. | 0:23:20 | 0:23:22 | |
It was a, "More! More!" | 0:23:22 | 0:23:26 | |
-Why did he have a keyboard in there? -If only he had a Quattro Flush to put the keyboard down. | 0:23:27 | 0:23:31 | |
Get rid of it. | 0:23:31 | 0:23:33 | |
It's when you see someone like that... | 0:23:33 | 0:23:34 | |
So you're saying there's no hope? | 0:23:34 | 0:23:36 | |
I think... | 0:23:36 | 0:23:37 | |
He seems like someone who's not sung his entire life and then thought, | 0:23:37 | 0:23:41 | |
"I'll go out and I'll buy myself a keyboard," and on his own, without | 0:23:41 | 0:23:44 | |
any help, is just pressing the keyboard and hoping for the best and | 0:23:44 | 0:23:48 | |
-you need help. -Now, Gareth, | 0:23:48 | 0:23:49 | |
there is something very worrying on the internet, which I think | 0:23:49 | 0:23:53 | |
may put you out of a job. | 0:23:53 | 0:23:54 | |
-Really? -Have a look at this. | 0:23:54 | 0:23:56 | |
Everybody wants to be... | 0:23:56 | 0:23:57 | |
-A rock star. -To go... | 0:23:57 | 0:23:58 | |
-A little higher. -To harmonise. | 0:23:58 | 0:24:00 | |
-Range. -SHE SINGS | 0:24:00 | 0:24:02 | |
# I once was lost... # | 0:24:02 | 0:24:07 | |
It would be, like, the best motive for throwing a party. | 0:24:07 | 0:24:11 | |
-Yeah, baby. -I'm doing the robot. | 0:24:11 | 0:24:13 | |
Singtrix is amazeballs. | 0:24:13 | 0:24:16 | |
Can I get some music over here? | 0:24:16 | 0:24:19 | |
I'm about to have a party with this bad boy. | 0:24:26 | 0:24:28 | |
APPLAUSE | 0:24:28 | 0:24:30 | |
Now, Gareth, this is the Singtrix. | 0:24:32 | 0:24:35 | |
We have it here. This is the only one in the country. | 0:24:35 | 0:24:38 | |
This is a box that plugs into your phone and basically there are 300 | 0:24:38 | 0:24:43 | |
different settings, and we have the microphone here. | 0:24:43 | 0:24:47 | |
So, we can go from... | 0:24:47 | 0:24:50 | |
Let's see, we have choir. | 0:24:50 | 0:24:52 | |
Good. | 0:24:52 | 0:24:53 | |
# Oh, Danny boy. # | 0:24:53 | 0:24:56 | |
LAUGHTER | 0:24:56 | 0:24:59 | |
-That was bad. -No, it was the other guys, | 0:24:59 | 0:25:01 | |
you were great. | 0:25:01 | 0:25:03 | |
LAUGHTER | 0:25:03 | 0:25:06 | |
-What do you think? Have a little... -I'd love to. May I? Thank you. -Yeah, course. | 0:25:09 | 0:25:12 | |
What setting would you like? This one is called I Am A Flea! | 0:25:12 | 0:25:14 | |
SQUEAKING | 0:25:16 | 0:25:19 | |
-That's great, I like that one. -APPLAUSE | 0:25:26 | 0:25:29 | |
So, this works. | 0:25:29 | 0:25:31 | |
I love it. Give me some more. | 0:25:31 | 0:25:33 | |
So, we've got a piano. | 0:25:33 | 0:25:35 | |
Whoa! We've got a piano that's just arrived. LAUGHTER | 0:25:35 | 0:25:38 | |
Amazing. | 0:25:38 | 0:25:40 | |
Do you think with this little bit of kit you could possibly make | 0:25:40 | 0:25:43 | |
a choir out of Russell, Shappi and I? | 0:25:43 | 0:25:44 | |
-Oh, no. -With this, definitely. -Cringe! | 0:25:44 | 0:25:46 | |
-Yes? -I think so, yeah. -OK. | 0:25:46 | 0:25:48 | |
Give Gareth a round of applause. APPLAUSE | 0:25:48 | 0:25:51 | |
Cheers. | 0:25:53 | 0:25:54 | |
So what we'll do, I'll take male to female. | 0:25:58 | 0:26:00 | |
-OK. -Shappi, you can do female to male. | 0:26:00 | 0:26:03 | |
-OK. -And... | 0:26:03 | 0:26:05 | |
-if you take Tinkerbell. -OK. -LAUGHTER | 0:26:05 | 0:26:07 | |
-Yeah? -What song are we going to do? | 0:26:07 | 0:26:09 | |
What have you got there? | 0:26:09 | 0:26:10 | |
# At first I was afraid | 0:26:15 | 0:26:18 | |
# I was petrified | 0:26:18 | 0:26:22 | |
# Kept thinking I could never live without you by my side | 0:26:22 | 0:26:28 | |
# But then I spent so many nights | 0:26:30 | 0:26:33 | |
# Thinking how you did me wrong | 0:26:33 | 0:26:36 | |
# I grew strong | 0:26:36 | 0:26:39 | |
# And I learned how to get a... # | 0:26:39 | 0:26:43 | |
Tinkerbell! | 0:26:43 | 0:26:44 | |
-# And so you're back... # -LAUGHTER | 0:26:44 | 0:26:47 | |
-# From outer space... # -CLAPPING | 0:26:47 | 0:26:49 | |
# I just walked in to find you here with that sad look upon your face | 0:26:49 | 0:26:52 | |
# I should've changed that stupid lock | 0:26:52 | 0:26:55 | |
# I should've made you leave your key | 0:26:55 | 0:26:57 | |
# If I'd known for just one second you'd be back to bother me | 0:26:57 | 0:27:01 | |
# Go on now, go | 0:27:01 | 0:27:02 | |
# Turn out the door | 0:27:02 | 0:27:04 | |
# Just turn around now | 0:27:04 | 0:27:06 | |
# Cos you're not welcome any more | 0:27:06 | 0:27:08 | |
# Weren't you the one who tried to hurt me with goodbye? | 0:27:09 | 0:27:12 | |
# Did you think I'd crumble? # | 0:27:12 | 0:27:14 | |
Luke, I'm your father. | 0:27:14 | 0:27:16 | |
LAUGHTER # I would lay down and die | 0:27:16 | 0:27:23 | |
# Oh, no, not I | 0:27:23 | 0:27:25 | |
# I will survive | 0:27:25 | 0:27:27 | |
# As long as I know how to love I know I'll stay alive | 0:27:27 | 0:27:31 | |
# I've got all my life to live | 0:27:31 | 0:27:33 | |
# I've got all my love to give | 0:27:33 | 0:27:34 | |
# And I'll survive | 0:27:34 | 0:27:37 | |
# I will survive | 0:27:37 | 0:27:41 | |
# Hey | 0:27:42 | 0:27:44 | |
# Hey. # | 0:27:44 | 0:27:46 | |
APPLAUSE AND CHEERING | 0:27:46 | 0:27:50 | |
Gareth Malone! | 0:27:52 | 0:27:54 | |
That didn't help. That didn't help. | 0:27:54 | 0:27:56 | |
-Let's hear it for Russell and Shappi. -Thank you. | 0:27:56 | 0:27:59 | |
Very nice work. | 0:27:59 | 0:28:01 | |
I want this. | 0:28:01 | 0:28:03 | |
It didn't help. | 0:28:04 | 0:28:07 | |
-I still sounded awful. -I know, I still sounded terrible. | 0:28:07 | 0:28:10 | |
I sounded like me singing. | 0:28:10 | 0:28:12 | |
-Shit in, shit out. -LAUGHTER | 0:28:12 | 0:28:14 | |
Slammed. Badly! | 0:28:18 | 0:28:19 | |
That is also the strap line for the Quattro Flush. | 0:28:19 | 0:28:22 | |
Well, that is all we've got time for tonight. | 0:28:25 | 0:28:27 | |
You've been great sports. Here are your devices. | 0:28:27 | 0:28:30 | |
Let's hear it one more time for Russell Kane, | 0:28:30 | 0:28:32 | |
Shappi Khorsandi and Gareth Malone. APPLAUSE AND CHEERING | 0:28:32 | 0:28:36 | |
We will see you next time on Delete, Delete, Delete. Goodnight. | 0:28:36 | 0:28:39 |