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METAL DETECTOR BEEPS | 0:00:02 | 0:00:05 | |
Found anything? | 0:00:12 | 0:00:14 | |
Not sure. It's a good signal though. | 0:00:14 | 0:00:16 | |
What you got? | 0:00:48 | 0:00:50 | |
Nothing. | 0:00:53 | 0:00:54 | |
# Will you search through the lonely Earth for me? | 0:01:05 | 0:01:09 | |
# Climb through the briar and brambles? | 0:01:09 | 0:01:13 | |
# I'll be your treasure | 0:01:13 | 0:01:17 | |
# I'm waiting for you | 0:01:19 | 0:01:21 | |
# I'm waiting for you. # | 0:01:23 | 0:01:26 | |
Oh, this is hopeless. I'm not getting anything. | 0:01:26 | 0:01:30 | |
We don't even know if we're in the right field. | 0:01:30 | 0:01:32 | |
Patience, grasshopper. | 0:01:32 | 0:01:34 | |
If only Bishop could remember | 0:01:34 | 0:01:35 | |
-roughly where they ploughed up the gold. -Mate... | 0:01:35 | 0:01:38 | |
What? | 0:01:39 | 0:01:40 | |
Keep it down. | 0:01:41 | 0:01:43 | |
What, you think the Antiquisearchers have bugged the field? | 0:01:43 | 0:01:45 | |
Well, I wouldn't put it past them. | 0:01:45 | 0:01:47 | |
-Various gold artefacts were ploughed up... -What are you doing? | 0:01:47 | 0:01:50 | |
..on this farm several decades ago | 0:01:50 | 0:01:52 | |
and we think it's the site of an important Saxon ship burial! | 0:01:52 | 0:01:56 | |
What are you doing, idiot? | 0:01:56 | 0:01:57 | |
Mate, there's no-one within a mile and a half. | 0:01:57 | 0:01:59 | |
Oh, something, anything, just to let us know we're on the right track. | 0:02:01 | 0:02:05 | |
METAL DETECTOR BEEPING | 0:02:08 | 0:02:12 | |
What you got? | 0:02:12 | 0:02:13 | |
20p. | 0:02:16 | 0:02:17 | |
Don't knock it, mate. | 0:02:17 | 0:02:19 | |
Cheers. | 0:02:31 | 0:02:32 | |
-Oh, cheers. -That didn't go down at all well. | 0:02:40 | 0:02:42 | |
Thought you were a vegetarian? | 0:02:51 | 0:02:53 | |
I am. | 0:02:53 | 0:02:54 | |
What you doing eating pork scratchings then? | 0:02:54 | 0:02:57 | |
-They're just crisps. They're just pork flavour. -No, they're not. | 0:02:57 | 0:03:00 | |
-They're pig skin. -Shut up. | 0:03:01 | 0:03:03 | |
Pork scratchings are fried pig skin, mate. Look at the ingredients. | 0:03:03 | 0:03:07 | |
They can't sell packets of fried pig skin. | 0:03:07 | 0:03:10 | |
Shit! | 0:03:10 | 0:03:11 | |
-How long's this been going on? -It's always been so. | 0:03:11 | 0:03:14 | |
Nobody ever told me. | 0:03:14 | 0:03:15 | |
So you still up for the open mic on Thursday? | 0:03:17 | 0:03:20 | |
I'm up for it if you are. | 0:03:20 | 0:03:22 | |
Yeah. I think so. | 0:03:22 | 0:03:24 | |
How you getting on with playing and standing up? | 0:03:24 | 0:03:26 | |
Not happening, mate. I'm thinking about making it my gimmick. | 0:03:26 | 0:03:29 | |
What do you mean? | 0:03:29 | 0:03:31 | |
Well, Sandy Shaw performed barefoot, | 0:03:31 | 0:03:33 | |
Nick Drake performed with his back to the audience, | 0:03:33 | 0:03:35 | |
I can perform cross-legged. | 0:03:35 | 0:03:36 | |
-Sounds a bit pretentious. -No, it's not pretentious, is it? | 0:03:38 | 0:03:40 | |
It's not an affectation because I can't actually do it standing up. | 0:03:40 | 0:03:44 | |
What are they doing here? | 0:03:47 | 0:03:49 | |
This isn't their pub. | 0:03:49 | 0:03:50 | |
Afternoon, ladies. | 0:03:52 | 0:03:54 | |
-Infantile. -Are you? | 0:03:54 | 0:03:55 | |
I'm not playing that game. | 0:03:55 | 0:03:57 | |
You're brave coming here. | 0:03:57 | 0:03:59 | |
We hear some interesting artefacts were found on Bishop's farm. | 0:03:59 | 0:04:04 | |
-Don't know what you're talking about. -Oh, I think you do. | 0:04:04 | 0:04:07 | |
We haven't found anything, | 0:04:07 | 0:04:08 | |
unless you consider drinks cans and barbed wire interesting. | 0:04:08 | 0:04:12 | |
I wouldn't expect you two personally to have found anything. | 0:04:12 | 0:04:15 | |
I'm referring to various items of a possible historical interest | 0:04:17 | 0:04:22 | |
that were shown to you by farmer Bishop. | 0:04:22 | 0:04:25 | |
Nope, sorry, you've lost us. | 0:04:26 | 0:04:29 | |
Whether or not you found the items, | 0:04:29 | 0:04:31 | |
you have a responsibility to report anything | 0:04:31 | 0:04:33 | |
that could be considered treasure trove to the district coroner. | 0:04:33 | 0:04:37 | |
No, we don't. | 0:04:37 | 0:04:38 | |
Oh, so you do know what I'm talking about. | 0:04:38 | 0:04:41 | |
No, we don't. | 0:04:41 | 0:04:43 | |
You have 14 days to report the finds, | 0:04:46 | 0:04:50 | |
otherwise I shall alert the relevant authorities myself. | 0:04:50 | 0:04:54 | |
Actually, 12 days now. | 0:04:54 | 0:04:56 | |
-Christ, he can speak. -Is he allowed to talk? | 0:04:56 | 0:04:59 | |
You're in trouble now, mate. You wait till he gets you home. | 0:04:59 | 0:05:02 | |
Come along, Paul. These amateurs are beneath us. | 0:05:02 | 0:05:05 | |
Oh, you'd like that, wouldn't you? | 0:05:05 | 0:05:07 | |
Always have to have the last word, don't you? Hmm? | 0:05:10 | 0:05:13 | |
No. | 0:05:17 | 0:05:18 | |
His name actually is Paul. | 0:05:22 | 0:05:24 | |
How did they find out? Bishop must have told them. | 0:05:25 | 0:05:28 | |
Maybe you're right, maybe they bugged the field. | 0:05:28 | 0:05:30 | |
What we going to do? | 0:05:30 | 0:05:32 | |
That site's too important to lose. We have to defend it. | 0:05:32 | 0:05:36 | |
We have to get the full might of the DMDC on our side. | 0:05:38 | 0:05:40 | |
-All seven of them. -Exactly. | 0:05:40 | 0:05:42 | |
Blitz the place. | 0:05:42 | 0:05:44 | |
Let's go and talk to Terry, mobilise the troops. | 0:05:44 | 0:05:46 | |
TWINKLY MUSIC | 0:05:51 | 0:05:54 | |
Somebody's coming. | 0:06:05 | 0:06:06 | |
What's that, love? | 0:06:07 | 0:06:09 | |
Somebody's coming. | 0:06:11 | 0:06:13 | |
Who? | 0:06:13 | 0:06:14 | |
Two. One short, one thin. | 0:06:14 | 0:06:18 | |
Righto. | 0:06:18 | 0:06:19 | |
-DOORBELL -Oh, they're here. | 0:06:20 | 0:06:23 | |
Evening, Terence. | 0:06:33 | 0:06:34 | |
Hello, Lance. Hello, Andy. What can I do you for? | 0:06:34 | 0:06:37 | |
-Oh, it's you. Hello. -Oh, hello, Sheila. -Hello, Sheila. | 0:06:41 | 0:06:44 | |
-Would you like some lemonade? -Oh, no, thanks, Sheila. | 0:06:45 | 0:06:48 | |
It's fresh. | 0:06:49 | 0:06:51 | |
I'll have some, Sheila, thank you. | 0:06:51 | 0:06:53 | |
Oh, go on, then, yeah. That'll be nice. | 0:06:53 | 0:06:55 | |
Yes, please, darling. Lovely. | 0:06:55 | 0:06:57 | |
New acquisition, Terry? | 0:07:02 | 0:07:04 | |
Oh, no. No, just reordering. | 0:07:04 | 0:07:06 | |
I thought I'd try them in denomination rather than date order. | 0:07:06 | 0:07:10 | |
Oh, interesting. | 0:07:10 | 0:07:11 | |
Obviously ordered chronologically within a denomination. | 0:07:11 | 0:07:14 | |
Obviously. | 0:07:14 | 0:07:15 | |
THEY CHUCKLE | 0:07:18 | 0:07:20 | |
So...to what do I owe the honour? | 0:07:20 | 0:07:23 | |
It's Bishop's farm. | 0:07:23 | 0:07:25 | |
Is he standing in your way? He is, isn't he? | 0:07:25 | 0:07:27 | |
Well, it's hardly surprising. | 0:07:27 | 0:07:28 | |
I mean, if I had buried my wife in a shallow grave, | 0:07:28 | 0:07:31 | |
the last people I'd be inviting onto my property | 0:07:31 | 0:07:33 | |
would be men with spades. | 0:07:33 | 0:07:35 | |
No, no, we've got the permission. | 0:07:35 | 0:07:36 | |
-Really? -Yeah, he was delighted. Pretty much giving us free rein. | 0:07:36 | 0:07:39 | |
It's what he's told us about the place. | 0:07:39 | 0:07:41 | |
-What's he told you? -Well, there's already been a dig at the farm, | 0:07:41 | 0:07:45 | |
but it was years ago, before the war. | 0:07:45 | 0:07:48 | |
Dug a couple of trenches and then never returned. | 0:07:48 | 0:07:50 | |
But then he showed us some things that had been ploughed up. | 0:07:50 | 0:07:54 | |
What sort of things? | 0:07:54 | 0:07:56 | |
Well...important things. Beautiful things. | 0:07:56 | 0:08:00 | |
Gold and garnets. | 0:08:00 | 0:08:02 | |
-Go on. -The other lot are sniffing around. -Antiquisearchers. | 0:08:03 | 0:08:06 | |
Are they? | 0:08:06 | 0:08:08 | |
-They've got wind of it, have they? -Apparently so. | 0:08:08 | 0:08:10 | |
So we need the club, the full weight of the club, behind us. | 0:08:10 | 0:08:14 | |
-All seven of us. -What's he like, Bishop? | 0:08:14 | 0:08:16 | |
-Mad as a frog, just like you said. -And has he mentioned the wife? | 0:08:16 | 0:08:19 | |
He's mentioned her to me but he was in some sort of trance. | 0:08:19 | 0:08:22 | |
What's he up to? | 0:08:22 | 0:08:24 | |
He's up to something. | 0:08:24 | 0:08:25 | |
And he's definitely given you permission to search the land? | 0:08:26 | 0:08:29 | |
All except one field. | 0:08:29 | 0:08:30 | |
Well, that's where she is. | 0:08:32 | 0:08:34 | |
We need to get up there. | 0:08:34 | 0:08:35 | |
Need to get over there soon, no time to lose. | 0:08:35 | 0:08:37 | |
-When then? -I can't tomorrow, I've got an essay to write. | 0:08:37 | 0:08:39 | |
-Well, I'm busy the day after. -Wednesday? | 0:08:39 | 0:08:41 | |
-We need to rehearse for the gig. -You have a gig? | 0:08:41 | 0:08:43 | |
Open mic, White Horse. You should come. | 0:08:43 | 0:08:45 | |
-Sounds good. Thursday? -That's the day of the gig. | 0:08:45 | 0:08:48 | |
-Can't do Thursday then. The day after? -Perfect. | 0:08:48 | 0:08:50 | |
All right, it's set. | 0:08:50 | 0:08:52 | |
Oh, thanks, love. | 0:08:52 | 0:08:54 | |
-Thanks, Sheila. -I thank you. | 0:08:54 | 0:08:56 | |
The DMDC. | 0:08:58 | 0:08:59 | |
-DMDC. -DMDC. | 0:08:59 | 0:09:00 | |
Wow. That's lemony. | 0:09:09 | 0:09:12 | |
Gosh, it really is, isn't it? | 0:09:12 | 0:09:14 | |
Well done, love. It's delicious. | 0:09:14 | 0:09:17 | |
Hello? | 0:09:43 | 0:09:44 | |
Hello. Mags, it's me, Lance. | 0:09:45 | 0:09:48 | |
Oh, hello, love. Won't be a second. | 0:09:48 | 0:09:50 | |
Hello, love. You all right? | 0:09:52 | 0:09:54 | |
Yeah, good, you? | 0:09:54 | 0:09:55 | |
Yeah, good, I was... I was just out the back. | 0:09:55 | 0:09:58 | |
I brought you this back. | 0:09:58 | 0:10:00 | |
-Oh, is that mine? -Yeah, it's your favourite. | 0:10:00 | 0:10:02 | |
Oh, yeah. Thanks, love. | 0:10:04 | 0:10:06 | |
-So are you still on for tomorrow? -What's tomorrow? | 0:10:07 | 0:10:09 | |
-Music night, White Horse. -Yeah? Who's playing? | 0:10:09 | 0:10:12 | |
I am. I told you. | 0:10:12 | 0:10:14 | |
-Me and Andy are doing one of my songs. -Oh, yeah, you said. | 0:10:14 | 0:10:17 | |
Oh, I thought that was next Thursday. Is that this Thursday? | 0:10:18 | 0:10:22 | |
Yeah, it's tomorrow. You said you could come. | 0:10:22 | 0:10:24 | |
I'll have to see what Tony's doing. | 0:10:24 | 0:10:25 | |
Oh, forget... Don't worry about Tony. | 0:10:25 | 0:10:28 | |
I mean, if he can't make it, you should come on your own. | 0:10:28 | 0:10:30 | |
All right, I'll see what Tony's doing. What time's it start? | 0:10:30 | 0:10:33 | |
7:30 start, I think, but I'll text you. | 0:10:33 | 0:10:35 | |
Who was it, Maggie? Said we should have closed up. | 0:10:35 | 0:10:38 | |
-Oh, hello, Lance. -Tony. | 0:10:41 | 0:10:43 | |
Lance just invited us to a music night tomorrow night. | 0:10:43 | 0:10:46 | |
-We're not doing anything, are we? -I told you about it last week. | 0:10:46 | 0:10:48 | |
-Don't think so, sounds good. -Great. | 0:10:48 | 0:10:51 | |
We better carry on with our thing, Maggie. | 0:10:51 | 0:10:53 | |
Moving those boxes. | 0:10:54 | 0:10:56 | |
Just coming. | 0:10:56 | 0:10:58 | |
Oh, Lance, could you just flip the closed sign over | 0:10:58 | 0:11:01 | |
on your way out, please? | 0:11:01 | 0:11:02 | |
-Yeah, OK. I'll see you tomorrow night. -What's tomorrow night? | 0:11:02 | 0:11:05 | |
The White Horse. | 0:11:05 | 0:11:07 | |
Oh, yeah, yeah. I'll see you there. | 0:11:07 | 0:11:09 | |
See you, Lance. | 0:11:10 | 0:11:12 | |
# You were my new age girl | 0:11:21 | 0:11:25 | |
# You're the shine of the pearl You're the light of the fair | 0:11:25 | 0:11:28 | |
# You're the tilt-a-whirl... | 0:11:28 | 0:11:31 | |
# Tilt-a-whirl.... # | 0:11:33 | 0:11:34 | |
Oh, no. | 0:11:34 | 0:11:36 | |
Tilt-a! | 0:11:37 | 0:11:38 | |
-Whirl. -What is a tilt-a-whirl? | 0:11:38 | 0:11:41 | |
-It's a fairground ride. Like a waltzer. -Right. | 0:11:41 | 0:11:44 | |
Come on, mate. I think it's sounding good. | 0:11:49 | 0:11:51 | |
I don't even think this was a good idea. | 0:11:51 | 0:11:53 | |
Hey, I'm looking forward to it. | 0:11:53 | 0:11:56 | |
So is Becky. | 0:11:56 | 0:11:57 | |
Don't come. I don't want you to come. | 0:12:00 | 0:12:03 | |
OK. And explain to me why I shouldn't be offended by that. | 0:12:03 | 0:12:07 | |
It's going to be awful. I want to spare you the pain. | 0:12:07 | 0:12:09 | |
-Oh, dear. -And it will cause you pain. | 0:12:09 | 0:12:12 | |
You were so adamant. | 0:12:13 | 0:12:15 | |
I've set the class an easy homework so I can have the night off marking. | 0:12:15 | 0:12:18 | |
I bought you this as a way of saying please, don't come. | 0:12:18 | 0:12:21 | |
Oh. | 0:12:21 | 0:12:23 | |
Cheers. | 0:12:23 | 0:12:24 | |
Honestly, it's going to be dreadful. You'll go off me. | 0:12:24 | 0:12:26 | |
You'll see me up there on stage and you'll think, "What a prick. | 0:12:26 | 0:12:29 | |
"What am I doing with him?" | 0:12:29 | 0:12:30 | |
You're making it sound better and better. | 0:12:30 | 0:12:33 | |
This is a spectacle I don't want to miss. | 0:12:33 | 0:12:35 | |
(Please.) | 0:12:35 | 0:12:36 | |
Will you give me a private performance another time? | 0:12:38 | 0:12:41 | |
Absolutely. Naked, if you want. | 0:12:41 | 0:12:43 | |
-No, clothed is fine. -Just not in front of a crowd. | 0:12:43 | 0:12:46 | |
You're expecting a crowd? | 0:12:46 | 0:12:47 | |
-Oh, God, yeah. At least a crowd, probably more. -Oh. | 0:12:47 | 0:12:51 | |
HE MOANS | 0:12:51 | 0:12:53 | |
Becks coming? | 0:12:57 | 0:12:58 | |
No, she... No, she really wanted to, but she's got marking to do. | 0:12:58 | 0:13:04 | |
So, yeah, it's a shame. | 0:13:04 | 0:13:06 | |
How about Maggie? | 0:13:25 | 0:13:27 | |
-Eh? -Maggie? | 0:13:27 | 0:13:29 | |
-What about her? -Did you invite her? | 0:13:29 | 0:13:31 | |
Can't remember. May have done. | 0:13:31 | 0:13:33 | |
Who you looking for? | 0:13:34 | 0:13:36 | |
Just seeing who's here. | 0:13:36 | 0:13:37 | |
You haven't met Tony, have you? | 0:13:39 | 0:13:41 | |
-Maggie's new bloke? -Don't think so. | 0:13:41 | 0:13:43 | |
-Massive knob. -Has he? | 0:13:43 | 0:13:46 | |
No, he is one. Not he's got one. | 0:13:46 | 0:13:48 | |
I've got no idea how big his knob is. | 0:13:48 | 0:13:51 | |
-I imagine it's probably tiny. -Probably. | 0:13:51 | 0:13:53 | |
No, she'll turn up, and if she doesn't, | 0:13:55 | 0:13:57 | |
it'll just be a nice, low-profile thing, | 0:13:57 | 0:13:59 | |
practice run for the stadium tour. | 0:13:59 | 0:14:01 | |
I may have put it on Facebook. | 0:14:03 | 0:14:05 | |
Oh, balls, when? | 0:14:05 | 0:14:07 | |
-Other night when I was feeling confident. -Nice. | 0:14:07 | 0:14:10 | |
-Shit. -What? | 0:14:11 | 0:14:12 | |
-Simon and Garfunkel. -More of them. | 0:14:13 | 0:14:16 | |
Is this pub an Antiquisearchers stronghold? | 0:14:17 | 0:14:19 | |
I don't know, where do they meet? | 0:14:19 | 0:14:21 | |
WI on a Thursday. | 0:14:21 | 0:14:22 | |
Bollocks. | 0:14:24 | 0:14:25 | |
Oh, well. What are they going to do? | 0:14:25 | 0:14:27 | |
Spotted. | 0:14:30 | 0:14:32 | |
Right, that's settled, we're not doing the song. | 0:14:32 | 0:14:34 | |
Deal. We'll get a drink. | 0:14:34 | 0:14:36 | |
-Otherwise they've won. What are you having? -Pint, please. | 0:14:36 | 0:14:38 | |
-Hiya. -Oh, hi, Sophe. | 0:14:48 | 0:14:50 | |
-Andy, hello. -Who are you saying hello to? | 0:14:50 | 0:14:52 | |
You, who do you think? | 0:14:52 | 0:14:54 | |
Oh. You got Lance's message then? | 0:14:54 | 0:14:57 | |
What message? | 0:14:57 | 0:14:58 | |
On Facebook. | 0:14:58 | 0:14:59 | |
Oh, yeah, yeah, thought I'd come down. | 0:14:59 | 0:15:01 | |
Cool, I don't actually know if we're going to be doing it after all. | 0:15:01 | 0:15:05 | |
-What? -The song. | 0:15:05 | 0:15:06 | |
Oh, really? Why not? | 0:15:07 | 0:15:08 | |
Turns out this place is an Antiquisearchers bastion. | 0:15:08 | 0:15:11 | |
They're all around. A wretched hive of scum and villainy. | 0:15:11 | 0:15:15 | |
We must be cautious. | 0:15:16 | 0:15:17 | |
What are you drinking? | 0:15:18 | 0:15:19 | |
-A pint, please. Where are you sitting? -Down there. | 0:15:19 | 0:15:22 | |
Oh, blimey. Hello, everyone. | 0:15:33 | 0:15:35 | |
I did put it on Facebook. | 0:15:36 | 0:15:38 | |
Oh, that's blown it. | 0:15:38 | 0:15:39 | |
I guess we're doing the song after all. | 0:15:39 | 0:15:41 | |
-We're looking forward to it, aren't we, love? -Yes. -What's it called? | 0:15:41 | 0:15:45 | |
Er... Wait and see. | 0:15:45 | 0:15:47 | |
Is it a sad song? I love sad songs. | 0:15:47 | 0:15:51 | |
Is it, Lance? | 0:15:51 | 0:15:53 | |
Is it a sad song? | 0:15:53 | 0:15:54 | |
No, not especially. | 0:15:54 | 0:15:56 | |
Is it about your ex-wife? | 0:15:57 | 0:16:00 | |
No, why'd you say that? | 0:16:00 | 0:16:01 | |
Because of the way you keep going on about her. | 0:16:01 | 0:16:03 | |
-I do not. -Is she coming tonight? | 0:16:03 | 0:16:05 | |
I don't know. Does anyone want a drink? | 0:16:05 | 0:16:07 | |
I'll get them. Pint? | 0:16:07 | 0:16:09 | |
Pint? Pintosh? | 0:16:09 | 0:16:11 | |
Coke? | 0:16:13 | 0:16:16 | |
Sheila, what are you having? | 0:16:16 | 0:16:17 | |
Pina Colada. | 0:16:17 | 0:16:18 | |
I'm not sure they'll have that at the White Horse. | 0:16:20 | 0:16:23 | |
I'll check. But if they don't? | 0:16:23 | 0:16:24 | |
-Snowball. -Snowball, got it. | 0:16:24 | 0:16:26 | |
Cheers, everybody who have come here to folk it up at the White Horse. | 0:17:07 | 0:17:14 | |
First up, Johnny Piper. | 0:17:14 | 0:17:17 | |
APPLAUSE | 0:17:17 | 0:17:20 | |
Hey. | 0:17:24 | 0:17:25 | |
# Would you search the lonely Earth for me? | 0:17:36 | 0:17:41 | |
# Climb through the briar and bramble? | 0:17:41 | 0:17:44 | |
# I'll be your treasure | 0:17:46 | 0:17:49 | |
# I felt the touch of the kings and the breath of the wind | 0:17:56 | 0:18:00 | |
# I knew the call of all the songbirds | 0:18:00 | 0:18:03 | |
# They sang all the wrong words | 0:18:03 | 0:18:06 | |
# I'm waiting for you | 0:18:09 | 0:18:13 | |
# I'm waiting for you... # | 0:18:13 | 0:18:17 | |
APPLAUSE | 0:18:41 | 0:18:43 | |
Is she here? I can't see her. | 0:18:43 | 0:18:45 | |
Thank you, Johnny, lovely stuff, | 0:18:47 | 0:18:49 | |
and moving right along, | 0:18:49 | 0:18:52 | |
please welcome Lance Stater and Andy Stone. | 0:18:52 | 0:18:55 | |
DMDC CHEERING | 0:18:55 | 0:18:57 | |
This is New Age Girl. | 0:19:30 | 0:19:31 | |
# Back when the sky was clear and blue | 0:19:47 | 0:19:51 | |
# I met a girl who looked like you | 0:19:54 | 0:19:57 | |
# But when she opened her arms I fell clean through | 0:20:01 | 0:20:06 | |
# And now I don't know what to do | 0:20:08 | 0:20:11 | |
# Because you were my new age girl | 0:20:13 | 0:20:18 | |
# You're the shine in the pearl You're the lights of the fair | 0:20:18 | 0:20:22 | |
# You're the tilt-a-whirl | 0:20:22 | 0:20:24 | |
# And when I fell, I paid the price | 0:20:26 | 0:20:30 | |
# You found a man who took a slice of your love | 0:20:33 | 0:20:38 | |
# He erected a circle of stones around your heart | 0:20:40 | 0:20:44 | |
# And like a tear and share he tore us apart | 0:20:46 | 0:20:52 | |
# Because you were my new age girl | 0:20:52 | 0:20:57 | |
# You're the shine in the pearl | 0:20:57 | 0:20:59 | |
# You're the lights of the fair You're the tilt-a-whirl | 0:20:59 | 0:21:04 | |
# You're the sun, you're the moon | 0:21:04 | 0:21:08 | |
# You're the light in the room | 0:21:08 | 0:21:12 | |
# You were my new age girl. # | 0:21:12 | 0:21:16 | |
APPLAUSE AND CHEERING | 0:21:19 | 0:21:21 | |
-Double whisky? -Yes, please. | 0:21:27 | 0:21:29 | |
Right, you'll have to take a ten minute break | 0:21:34 | 0:21:36 | |
while the next act parks the van. | 0:21:36 | 0:21:38 | |
That was good. | 0:21:42 | 0:21:43 | |
-Shut up. -It was. | 0:21:43 | 0:21:45 | |
Well, it was better than I thought it was going to be | 0:21:45 | 0:21:47 | |
-but that's not really saying very much. -I liked it. | 0:21:47 | 0:21:49 | |
Why was Lance on a toadstool? Has he got piles? | 0:21:49 | 0:21:52 | |
No, he can't play unless he's sitting cross-legged. | 0:21:52 | 0:21:54 | |
Seriously? | 0:21:54 | 0:21:55 | |
That is brilliant. | 0:21:56 | 0:21:58 | |
Hello? | 0:22:02 | 0:22:03 | |
Hello. | 0:22:03 | 0:22:05 | |
Hi. | 0:22:05 | 0:22:06 | |
-You came down? -Yup. | 0:22:06 | 0:22:08 | |
I was bored and that wine you bought was a bit shit. | 0:22:08 | 0:22:11 | |
This is Sophie. | 0:22:12 | 0:22:13 | |
Hello, Sophie. | 0:22:13 | 0:22:15 | |
-Sophie, this is... -Becky. | 0:22:15 | 0:22:16 | |
Becky. This is Becky. | 0:22:16 | 0:22:18 | |
Hi, Becky. | 0:22:19 | 0:22:20 | |
Well, this is nice. | 0:22:24 | 0:22:26 | |
Sit down, I'll get you a drink. What are you having? | 0:22:26 | 0:22:28 | |
-Just an orange juice, thanks. -Great. Really? Sit down. | 0:22:28 | 0:22:31 | |
I'll get it. | 0:22:31 | 0:22:32 | |
-Maggie didn't turn up. -Becky's here. | 0:22:41 | 0:22:43 | |
Oh, yeah. Hello, Becks. You all right? | 0:22:45 | 0:22:48 | |
Yeah, good thanks, Lance. Second thoughts, I'm going to head off. | 0:22:48 | 0:22:52 | |
-Oh, OK, I'll see you at home. -Yeah. | 0:22:52 | 0:22:55 | |
-Bye, Lance. -Cheers. | 0:22:55 | 0:22:57 | |
She was nice. | 0:23:14 | 0:23:15 | |
Oh, shit. | 0:23:16 | 0:23:17 | |
Becks! | 0:23:23 | 0:23:24 | |
Becks! | 0:23:26 | 0:23:28 | |
-Who the hell is she? -Just someone from the club. | 0:23:28 | 0:23:30 | |
Just someone from the club who you hold hands with? | 0:23:30 | 0:23:32 | |
We weren't holding hands. | 0:23:32 | 0:23:33 | |
She was holding my hand for moral support. | 0:23:33 | 0:23:36 | |
-How old is she? -I don't know. | 0:23:36 | 0:23:38 | |
-Yes, you do. -23. | 0:23:38 | 0:23:40 | |
Brilliant. | 0:23:40 | 0:23:41 | |
-Thanks. -There's nothing going on. | 0:23:41 | 0:23:42 | |
-Really? Then why didn't you want me to come tonight? -I told you. | 0:23:42 | 0:23:45 | |
-Because I thought it was going to be crap. -And was it? | 0:23:45 | 0:23:48 | |
Actually it was OK, we were quite pleased. | 0:23:48 | 0:23:50 | |
You're pathetic. You're having a pathetic, little midlife crisis. | 0:23:53 | 0:23:56 | |
Go on, leave me for a younger woman | 0:23:56 | 0:23:58 | |
and get a pair of leather trousers and a motorbike while you're at it. | 0:23:58 | 0:24:01 | |
What would you get? | 0:24:11 | 0:24:13 | |
A Triumph Bonneville, probably. | 0:24:13 | 0:24:15 | |
Or a Kawasaki. | 0:24:15 | 0:24:16 | |
She calm down eventually? | 0:24:16 | 0:24:18 | |
Sort of. | 0:24:18 | 0:24:20 | |
You spoken to Maggie? | 0:24:20 | 0:24:22 | |
Yeah. | 0:24:22 | 0:24:23 | |
Why didn't she come? | 0:24:23 | 0:24:24 | |
She had no recollection of me ever mentioning it. | 0:24:25 | 0:24:28 | |
Oh, well. | 0:24:28 | 0:24:30 | |
Here he is. | 0:24:30 | 0:24:31 | |
Hello, Terry. | 0:24:31 | 0:24:32 | |
Hello, chaps. Sorry, I'm a bit late. Flamenco class. | 0:24:32 | 0:24:36 | |
Has to be done. | 0:24:37 | 0:24:38 | |
So here we are. Bishop's farm. | 0:24:38 | 0:24:41 | |
Thought I'd never see the day. | 0:24:42 | 0:24:44 | |
Anyone else coming? | 0:24:44 | 0:24:45 | |
No, no, no. There's plenty of time to get them involved later on. | 0:24:45 | 0:24:48 | |
I thought we could do a bit ourselves, you know. | 0:24:48 | 0:24:50 | |
-Have a bit of a recce. -Really? | 0:24:50 | 0:24:52 | |
Is he around? | 0:24:53 | 0:24:55 | |
-Bishop? I haven't seen him. -Oh. | 0:24:55 | 0:24:58 | |
And which is the field he told you to stay out of? | 0:24:58 | 0:25:00 | |
The paddock on the Birchwood Road. | 0:25:00 | 0:25:02 | |
Told us not to go digging down there. | 0:25:02 | 0:25:03 | |
Right, that's where we want to start then. | 0:25:03 | 0:25:05 | |
Really? We sort of gave him our word. | 0:25:05 | 0:25:07 | |
What is under there that he doesn't want people digging up, eh? | 0:25:11 | 0:25:15 | |
That is where she is. | 0:25:15 | 0:25:17 | |
If he comes along, challenges me, I'll just plead ignorance. | 0:25:17 | 0:25:21 | |
Here. | 0:25:21 | 0:25:22 | |
You let me know if you find anything. | 0:25:24 | 0:25:26 | |
-Press that button to speak, let it go to listen. -Will do. | 0:25:26 | 0:25:29 | |
And always say "over" at the end of a transmission. | 0:25:29 | 0:25:32 | |
-Copy that. -Ten four. | 0:25:32 | 0:25:34 | |
He's on a different mission. | 0:25:38 | 0:25:40 | |
Thinks he's back on the force, the glory days. | 0:25:40 | 0:25:43 | |
Wants to find Mrs Bishop. Crack a cold case. | 0:25:43 | 0:25:47 | |
Over. | 0:25:47 | 0:25:48 | |
So he's got five | 0:26:35 | 0:26:38 | |
on the life and works of PG Wodehouse. | 0:26:38 | 0:26:42 | |
Onto the general knowledge round. | 0:26:42 | 0:26:44 | |
First question - | 0:26:44 | 0:26:46 | |
What flightless bird is an unofficial symbol of New Zealand? | 0:26:46 | 0:26:51 | |
Matey answers kangaroo. I mean, where do I start? | 0:26:51 | 0:26:57 | |
-Don't have to. -No, I shouldn't have to. | 0:26:57 | 0:26:59 | |
They're not biting. Shall we call it a day? | 0:27:04 | 0:27:06 | |
Suppose. | 0:27:06 | 0:27:07 | |
Come in, Terry, over. | 0:27:12 | 0:27:15 | |
Go ahead, over. | 0:27:15 | 0:27:16 | |
We're thinking of calling it a day. | 0:27:16 | 0:27:18 | |
Over. | 0:27:28 | 0:27:29 | |
Right you are. I've got a target here, it's quite big and quite deep. | 0:27:30 | 0:27:35 | |
It's probably a pipe or a gate post, | 0:27:35 | 0:27:37 | |
but I'm going to throw down a sondage and check it out anyway. | 0:27:37 | 0:27:40 | |
Over. | 0:27:40 | 0:27:41 | |
Well, we'll give it about ten minutes | 0:27:41 | 0:27:43 | |
then we'll head down to that pub on the corner? | 0:27:43 | 0:27:45 | |
Over. | 0:27:46 | 0:27:48 | |
See you in there. Over and out. | 0:27:48 | 0:27:50 | |
EXPLOSION | 0:28:02 | 0:28:03 | |
Shit. | 0:28:09 | 0:28:10 |